L05 Study Guide

5
E G B C  1 (7th) 3 (3rd) 5 (5th) Fingerings: C (Root): play with 5 of left hand C Maj7 Chord: A C E F  1 (7th) 3 (3rd) 5 (5th) F (Root): play with 1 or 2 of left hand F Maj7 Chord: The 7-3-5 voicing is moving the root of the chord to the bass and then moving the 7th of the chord in front of the 3rd and 5th. Root 7th  ?  Piano w w  ?  w w w Piano w Developing Your Musicianship Lesson 5 Study Guide BERKLEE ONLINE 7-3-5 Voicing

Transcript of L05 Study Guide

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E GBC

  1 (7th) 3 (3rd) 5 (5th)Fingerings: C (Root): play with 5 of left hand

Maj7 Chord:

A CEF

  1 (7th) 3 (3rd) 5 (5th)F (Root): play with 1 or 2 of left hand

Maj7 Chord:

e 7-3-5 voicing is moving the root of the chord to the bass and then moving the 7th of the chord in front of the 3rd and 5th.

Root

7th 

?

 

Piano

w

w

 

?

  w w

w

Piano

w

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-3-5 Voicing

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?

 

Piano

w

w

w

 

?

 

w

w

w

Piano

 

?

 

w

w

w

Piano

A C

Eb

F

B DF

G (Root): play with 1 of left hand

G

F7 Chord:

G7 Chord:

E G

Bb

C

1 (7th) 3 (3rd) 5 (5th)C (Root): play with 5 of left hand

C7 Chord:

1 (7th) 3 (3rd) 5 (5th)F (Root): play with 1 or 2 of left hand

1 (7th) 3 (3rd) 5 (5th)

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7-3-5 Voicing

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b

b

  ’ ’ ’ ’

B

 

G 7

’ ’ ’ ’

C 7 F7

’ ’ ’ ’

B

 

G 7

’ ’ ’ ’

C 7 F7

  b

b

5

’ ’ ’ ’

F 7 B

 

7

’ ’ ’ ’

E

 

maj7 A

 

7

’ ’ ’ ’

D 7

G7

’ ’ ’ ’

C 7 F

7

 

b

b

9

’ ’ ’ ’

B

 

G 7

’ ’ ’ ’

C 7 F7

’ ’ ’ ’

D 7

G7

’ ’ ’ ’

C 7 F7

  b

b

13

’ ’ ’ ’

B

 

7 B

 

D

’ ’ ’ ’

E

 

maj7 E

o

7

’ ’ ’ ’

F

sus

F7

’ ’ ’ ’

B

 

b

b

17 

’ ’ ’ ’

D7

’ ’ ’ ’

D7

’ ’ ’ ’

G7

’ ’ ’ ’

G7

  bb

21

’ ’ ’ ’

C

7

’ ’ ’ ’

C

7

’ ’ ’ ’

Fsus7

’ ’ ’ ’

F

7

 

b

b

25

’ ’ ’ ’

B

 

G 7

’ ’ ’ ’

C 7 F7

’ ’ ’ ’

D 7

G7

’ ’ ’ ’

C 7 F7

  bb

29

’ ’ ’ ’

B

 

7 B

 

D

’ ’ ’ ’

E

 

maj7 E

o

7

’ ’ ’ ’

Fsus7

’ ’ ’ ’

B

 

One type of form is called AABA. Here is a score showing the AABA form with each section and parts

ighlighted.

A Section

orm is the overall structure of a piece of music.

Section

epeated)

B Section

A Section

measuretime signature

measure number

double bar lin

indicates an e

to a section

bar lines separat

each measurekey signature

final bar line

indicates an

to the score.

staff 

chord symbol

bar slashes

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Form

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  ’ ’ ’ ’

C7

’ ’ ’ ’ ’ ’ ’ ’ ’ ’ ’ ’

 

5

’ ’ ’ ’ ’ ’ ’ ’ ’ ’ ’ ’ ’ ’ ’ ’

 

9

’ ’ ’ ’ ’ ’ ’ ’ ’ ’ ’ ’ ’ ’ ’ ’

Here is a score showing the 12-bar Blues f orm.

C7 C7 C7

F7 F7

F7 C7   G7

C7 C7

G7

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Blues Form

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