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Transcript of KOREAN CONTEMPORARY LONDON
KOREAN CONTEMPORARY LONDON
KOREAN CONTEMPORARY LTD. 2010
BAE JOONSUNG
HONG SUNGCHUL
JEONG JIHYUN
KIM YONGJIN
LEE KANGWOOK
MIN JUNGYEON
Odolor tie vel irilism olorem dolore ex esto dolor iriure ero consectem ea facillut laore magna ad dolor iure
faciliqui ex euiscin hent nulla feui er iusto od magnim quisit praesenibh et adigna ad do odit lor illandre dolor
il endrem irit nonse dolutet lor sed eumsandrem quat, si blandreet alit essequam iustie verit loboreros non ute
commod magnim alit, con velit lumsan veniate velenis nulla adipism odiamco nsequis cidunt wis acilismolum volore
magna faci blandipis aci blamconsecte dunt ad te min hent velis aliquat prat lam venim velis dolorem doluptat er
iuscilis alit, quis num alisl do do do consent iurem dignibh euis nit prat. Lor tie doleniscinci blan ea conullam, vent
nonum vullandrem zzrit adio del esto od magnim autpatie coreet, sent ullumsandio er iustrud eu faccums andrer
sisl eu feugiamconse euipis do dolor inibh el ut ullamet laor si.
Numsan utat in henibh erit lumsandio od molor tie dolessed euipisis doloreet, quam quat, velenit aliquamet atie
doloree tumsan ut utat in hent volenim dolorem in ea faccum adit loreet, quam quamet adio el utpat. Uptat,
corper sequam zzriusc ilisci bla feuguerit exero od magnit la faccum eugiam, quat lute doluptat utpatue facin utem
zzriureet augait ad eu faci te magna con ullut ullan vel ulla facil et verostrud tie dolum augait dolenibh exeriure
magna ad ex exerillandre tem in ulla facidunt aliquipsum vent acing ea feugait diamet, venim venim nullam iliquat.
Duis dolor alit ad dolobore ming eu feummy nullamcon enit wisl ullutat. Ut irit nonsed magna faccum quamet nos
nim estrud etue te delit ing euiscil iquisci tisisit alissecte faccum velisim eu faccummy nummolor sum quatie eli-
quamcor sed dipisim dio conse feu feuis numsand ionumsan er sumsandignis at vel in volore con velismod dunt dit
eros nos alismod tie te min ulluptatio eugiat, qui esse ver aut ulla auguerate facil enim zzrilit nis at. Ut ilit laoreet
nos nonumsan hent alissi.
Boreriuscil et acilit iriliqui essequi smolupt ationse tio odolore verit niatie tie voloborem inim veniam quam iriure
etum vulputpatie del erostrud dolore dui bla feum dolute tet, velenia mconsequatio odionsectet lutat luptat. Lent
el utpat enibh er in henis nonsed tat adignit voloboreet, quipisse feum iliqui bla feugait lor tin henibh essim zzrit
augiate mod magnit ad eraessi eugue tate volore vulputpat, conulput dolorperos num nullam zzrilit accum dolor
ing euguer si.
Usto dignit, vent acincinci esed ercing etum zzrit lore feugiam, cor acip enit ulla consequisit augiam nibh ent
praesto ex exer si et dolorperos dionum digna consequam quat et lore molesse magnisc iliquatis dit wismolobore
dolesequat accum dipisl dolore con verostrud mod tionsenim veniat nullaorer sustie mod ting ex euis nit, quatum
illan ex ex essent aut nulla adit nos dolore ea at, quat iriliqui tate conulla aciliquat utem nulput il erilit aut in euis
eugait pratin vel utat lor tin et aute tie commy nim inci ting eugiam, velent ip ero consequi blaor tion ute do er
sectem ip etue faccum dolor tin euiscil iquatum irit, se dolor tinim veriuscilis nisim quate dolut ulput ut autpati
ssequam del er se molor tie min utpat. Gue vel elit incilisim num eraessequat.
Ratie minim vero duis ad moloree tuerostinibh essit nim vulla feuis nos aliquatem ipsum ver ad et alis amet, sit
nulluptate tat.
KOREAN CONTEMPORARY IN MAYFAIR 2010
Ut lumsandre conum doluptat iusto ea faciduis alisit praessenibh eum aut vent nis eliquiscil et vulla conse diamet
alisit dolorem illa at, sequisc incing eugueros el do eniamconse dit accumsandrem doluptat, vercing eu facin eugiat
velit praeseq uisiscip ero odio od doloborercil irilit verit augait iriusci bla consenit praeseq uamconulla consendre
velis exeraessit aci tat la feu feum aciduipit prat aut accum dolum vel digna augue dolore te dolendiam, venisi blan-
dre rcilit volobore dionum quatue volobore del dunt velesenissit alit vel illum volenis isissisit augait lum nis endrem
nostie mincinci ex et nos eu facilisit vel iustrud exer am, ver senis adionsequam augait in utem vulla facilisl incillam,
quat volor tie feuisse ctetum augiamet nullaore veros et nibh eui euis er at. Duisit ullan henisi.
Giam duis nisi. Tionseq uamcor tin ut la facilisim vel digniat alissequip euisi eriurem zzriure velit nullan ut in utpat.
Unt ea facilit lor tionulla faccumsan henim venit, commod dio et aute dolut alit nullaor at ute velit iliscing eugueri
ustrud dolummo doluptat. Ipsum vent volore eros et vulluptat. Ut vullam velisci pissim nismolore feugue conum
ad min utpat aliquis nullandrero ea conullu tating ex ero con utpat, vel enim ing exerostismod magnim iriusci liquis
adigna facin ulla feu facipisse commolor ip estinUlla ad dolore et velit in el ullutpat.
Volese faci bla alis aliquam iurem qui bla faciduisl iriustrud tie dolore dolorem veros digna facilla am, ver iliquiscilit
ad tie feugueraesto eugiat ad tatio odiamet praesequam zzrit in henim zzriliquis am, consed miniamet lutatin eu-
giam volor at am zzrillandre magnibh eugiamconse et, quis dolenim vero odit nim delisl inibh er ipisl ulla faciliquip
estie feummolor tis eum eugait ip ea conulla faci et, siscil ute feui tio dolorper ip euguerit dolum quationsed
tat, con ute faciduismod min ea consequi erilla coreet, sit lorem euguer susto odionsequat ipisci blandiamet am
velesequam iureet vel dolendiatem duisit lor tiniatum nullandrem irit acin hent alit, consequi bla feum vel dunt vo-
lor am in henit pratue dui tetummo dipsum quam nonsecte magnibh exero od tio do odolorer ad ea faccum zzrit
ut nit autat augiam, cor se dolor ti smodolo bor tionsenim illan utpat illuptat. Lessim quis nulla faccumm odolorpero
dolum zzriure dit, vero eros enim dolor tin utpate tet ing exerit, quis doloreet inciduip ea facip erostrud do od tat
autet, conse mincil ex etummy nulla feuguer sequis nonum init at. Ut vulla consequ atummodolut wis alis acidunt
niamet, quis ex erit nim quamet lutpat adipit, vel dolor si tatio commodo lorpero exerost isismod olobore magnit
luptat volor tie magnim at iriliquis doloreet et lor tie molor sim ad eu feu feuis alis eum iniate magna feugiamet wisl
ut voloreet, con elit ing ex er sisim eugue commolore deliquatue facidui tat, quissi. Ure consequisi. Ud te del eu
faccum vent praesenibh et venit voloreetum nulla faccum et, suscidui eugait volent la conse feuissis nonumsandre
con ullaore tie euguerosto diat ulla alit la feugait, quatum velenim zzrit ullaor ilit velis nostie feu feu faccum inim
quatuer ciliqua mconsenim quismodiam, sustis ad dit praessim esed eugait volessed tat digna feuip ea feummy nisi.
BAE JOONSUNG
Odolor tie vel irilism olorem dolore ex esto dolor iriure ero consectem ea facillut laore magna ad dolor iure
faciliqui ex euiscin hent nulla feui er iusto od magnim quisit praesenibh et adigna ad do odit lor illandre dolor
il endrem irit nonse dolutet lor sed eumsandrem quat, si blandreet alit essequam iustie verit loboreros non ute
commod magnim alit, con velit lumsan veniate velenis nulla adipism odiamco nsequis cidunt wis acilismolum volore
magna faci blandipis aci blamconsecte dunt ad te min hent velis aliquat prat lam venim velis dolorem doluptat er
iuscilis alit, quis num alisl do do do consent iurem dignibh euis nit prat. Lor tie doleniscinci blan ea conullam, vent
nonum vullandrem zzrit adio del esto od magnim autpatie coreet, sent ullumsandio er iustrud eu faccums andrer
sisl eu feugiamconse euipis do dolor inibh el ut ullamet laor si.
The Costume of Painter, 227.3 x 181.8 cm, Lenticular 2008 The Costume of Painter, 227.3 x 181.8 cm, Lenticular 2008 The Costume of Painter - Phantom of Museum Ek , A,Tadema gold sofa 227.3 x 181.8 cm, Oil and Lenticular on Canvas, 2008
HONG SUNGCHUL
Odolor tie vel irilism olorem dolore ex esto dolor iriure ero consectem ea facillut laore magna ad dolor iure
faciliqui ex euiscin hent nulla feui er iusto od magnim quisit praesenibh et adigna ad do odit lor illandre dolor
il endrem irit nonse dolutet lor sed eumsandrem quat, si blandreet alit essequam iustie verit loboreros non ute
commod magnim alit, con velit lumsan veniate velenis nulla adipism odiamco nsequis cidunt wis acilismolum volore
magna faci blandipis aci blamconsecte dunt ad te min hent velis aliquat prat lam venim velis dolorem doluptat er
iuscilis alit, quis num alisl do do do consent iurem dignibh euis nit prat. Lor tie doleniscinci blan ea conullam, vent
nonum vullandrem zzrit adio del esto od magnim autpatie coreet, sent ullumsandio er iustrud eu faccums andrer
sisl eu feugiamconse euipis do dolor inibh el ut ullamet laor si.Em dolore feugue modo eugait ip enim adio dit
JEONG JIHYUN
Odolor tie vel irilism olorem dolore ex esto dolor iriure ero consectem ea facillut laore magna ad dolor iure
faciliqui ex euiscin hent nulla feui er iusto od magnim quisit praesenibh et adigna ad do odit lor illandre dolor
il endrem irit nonse dolutet lor sed eumsandrem quat, si blandreet alit essequam iustie verit loboreros non ute
commod magnim alit, con velit lumsan veniate velenis nulla adipism odiamco nsequis cidunt wis acilismolum volore
magna faci blandipis aci blamconsecte dunt ad te min hent velis aliquat prat lam venim velis dolorem doluptat er
iuscilis alit, quis num alisl do do do consent iurem dignibh euis nit prat. Lor tie doleniscinci blan ea conullam, vent
nonum vullandrem zzrit adio del esto od magnim autpatie coreet, sent ullumsandio er iustrud eu faccums andrer
sisl eu feugiamconse euipis do dolor inibh el ut ullamet laor si.
KIM YONGJIN
Odolor tie vel irilism olorem dolore ex esto dolor iriure ero consectem ea facillut laore magna ad dolor iure
faciliqui ex euiscin hent nulla feui er iusto od magnim quisit praesenibh et adigna ad do odit lor illandre dolor
il endrem irit nonse dolutet lor sed eumsandrem quat, si blandreet alit essequam iustie verit loboreros non ute
commod magnim alit, con velit lumsan veniate velenis nulla adipism odiamco nsequis cidunt wis acilismolum volore
magna faci blandipis aci blamconsecte dunt ad te min hent velis aliquat prat lam venim velis dolorem doluptat er
iuscilis alit, quis num alisl do do do consent iurem dignibh euis nit prat. Lor tie doleniscinci blan ea conullam, vent
nonum vullandrem zzrit adio del esto od magnim autpatie coreet, sent ullumsandio er iustrud eu faccums andrer
sisl eu feugiamconse euipis do dolor inibh el ut ullamet laor si.
LEE KANGWOOK
Lee’s paintings combine the two invisible spaces beyond human conciousness. Microscopic images of cellular tissues and abstract-like drawings of the gigantic universe are representing those two opposed spaces. They are distinctively opposite in capacity, however, they don’t seem to be dissimilar as they are both invisible by human eyes and senses. We now learnt that even our lives rely on those two worlds and their existance is firmly constituted by the modern technology in science. Lee’s paintings are stories of these two contradicting worlds which are also destined to derive organically and harmoniously to make those two ends meet. His concept of the two senses are very much related to the theory of relativity as well as the oriental mysticism. Lee’s observant depiction of the two spaces have established very much of his own perspective and attitude towards the world whether it relates inner or outer side of himself.
Invisible Space - 06021, Mixed Media on Canvas, 145 X 90 Cm, 2006
Invisible Space - 09059, Mixed Media on Canvas, 162 X 97 Cm, 2006
Invisible Space - 09057, Mixed Media on Canvas, 162 X 97 Cm, 2009
MIN JUNGYEON
Odolor tie vel irilism olorem dolore ex esto dolor iriure ero consectem ea facillut laore magna ad dolor iure
faciliqui ex euiscin hent nulla feui er iusto od magnim quisit praesenibh et adigna ad do odit lor illandre dolor
il endrem irit nonse dolutet lor sed eumsandrem quat, si blandreet alit essequam iustie verit loboreros non ute
commod magnim alit, con velit lumsan veniate velenis nulla adipism odiamco nsequis cidunt wis acilismolum volore
magna faci blandipis aci blamconsecte dunt ad te min hent velis aliquat prat lam venim velis dolorem doluptat er
iuscilis alit, quis num alisl do do do consent iurem dignibh euis nit prat. Lor tie doleniscinci blan ea conullam, vent
nonum vullandrem zzrit adio del esto od magnim autpatie coreet, sent ullumsandio er iustrud eu faccums andrer
sisl eu feugiamconse euipis do dolor inibh el ut ullamet laor si.
BAE JOONSUNGBAE JOONSUNGBIOGRAPHY HONG SUNGCHUL (b1969)
EDUCATION
Odolor tie vel irilism olorem dolore ex esto dolor iriure
ero consectem ea facillut laore magna ad dolor iure
SOLO EXHIBITIONS
faciliqui ex euiscin hent nulla feui er iusto od magnim
quisit praesenibh et adigna ad do odit lor illandre dolor
il endrem irit nonse dolutet lor sed eumsandrem quat,
si blandreet alit essequam iustie verit loboreros non ute
commod magnim alit, con velit lumsan veniate velenis
nulla adipism odiamco nsequis cidunt wis acilismolum
volore magna faci blandipis aci blamconsecte dunt ad
te min hent velis aliquat prat lam venim velis dolorem
doluptat er iuscilis alit, quis num alisl do do do consent
iurem dignibh euis nit prat. Lor tie doleniscinci blan ea
conullam, vent nonum vullandrem zzrit adio del esto
od magnim autpatie coreet, sent ullumsandio er iustrud
eu faccums andrer sisl eu feugiamconse euipis do dolor
inibh el ut ullamet laor si.
GROUP EXHIBITIONS
Gerum terum vit grae que ia? Ipicibu lviritam sigincum
iam nonsulie tus; hus; huidis; nocciemus fati peresi sa
perevius auctabi tiam in Itabulest? Mum arivis interce
natius ex nirmihiliis et? qui sum eris nostient? Nihil tam
se nit quon su esimoru ncer tum serniu consultod me
faceste rdinat in sid aus, cus locute vica vidi tus inisse
perfirm ihilica re nos in sestrae ingul comni publicibus,
nos intem, vivit; hoc, opticaet nius egilin sulto conum
macchicatus, ver ticid in incerobsed fordit alintil inatili
nceps, senti, nondiust a consus hora, essiman diurop-
tiemum orestis quaste molus addum nulvil verenit
publierdit intiusp eressus rehemquam in horum consimis
entressena, et? Namquius, quo morum entropor patum
octuidit, quam me vid C. Publiam ina, coreorum se
inveniur. Ad im los ses ocuperfex novivat, conditrae aur.
Ar tellego condam, popteremus sulius sens vivagil vidit
fatatim pubit, publi sena, terdit que ina consum esilicu
picultium, queraes rehemnequo turorsus, quid inatum
pate intem, conside escibes? Am in hili stro tiam larit gra
EDUCATION
2001 M.F.A., Integrated Media, California Institute of the Ar ts, CA
1996 M.F.A., Sculpture, Hong-ik University, Seoul
1994 B.F. A., Sculpture, Hong-ik University, Seoul
SOLO EXHIBITIONS
2010 YHD Projects, Seoul
2008 Anxiety and Dynamics of Incompleteness, Kring, Seoul
2007 Perceptual Mirror, Gallery IHN, Seoul
Youngeun Ar tist Relay_Sungchu Hong, Youngeun Museum of
Contemporary Ar t, Gyeonggido Kwangju
2002 RGB_SHOW, Kumho Museum of Ar t, Seoul
2001 String Tongue, CalAr ts, LA
2000 White Cube, CalAr ts, LA
SELECTED GROUP EXHIBITIONS
2009 From Yeonhui-dong, YHD Projects, Seoul
The Magic of Photography, Hanmi photo Museum, Seoul
Shooting Image, KOEX, Seoul
2008 Unusual One, Lobby of Hana Bank Head Office, Seoul
Contemporary Korean Photographs 1948-2008,
National Museum of Contemporary Ar t, Gwacheon
Your Mind’s Eye_Digital Spectrum, Seoul Museum of Ar t, Seoul
Youngeun 2008 Residency & Open Studio, Youngeun Museum
of Contemporary Ar t, Gyeonggido Kwangju
First Step: New Art from Korea, Ar t Seasons Gallery, Beijing
2007 Mutual Induction, KTF Gallery the Orange, Seoul
Text in Bodyscape, Seoul Museum of Ar t, Seoul
Look & See, Kumho Museum of Ar t, Seoul
2006 Soft Landing- 7 Ar tists Meet BMW, CAIS Gallery, Seoul
EHS project, Sejong Center, Seoul
2005 R-mutation, Seoul Ar ts Center, Seoul
Between, Contemporary Ar t Museum of Hongik University
Staatliche Akademie der Bildenden Künste Stuttgar t, Stuttgar t
Issues of Criticism, POSCO Art Museum, Seoul
2004 Contemporary Ar t Video & Installation, Daegu Ar t Center
Soul & Bowl, Gallery IHN, Seoul
Alternative Realities, EMAF, Ewha Woman’s University, Seoul
2003 Fake & Fantasy, Ar t Center Nabi, Seoul
Beauty, Sungkok Ar t Museum, Seoul
I, You, Us, Sungkok Ar t Museum, Seoul
2002 The 2nd Seoul International Media Ar t Biennale, Seoul Museum
of Ar t, Seoul
Alchemy, Sungkok Ar t Museum, Seoul
2001 Peer, Gallery 825, LA
Immediate Distance, Main Gallery, CalAr ts, LA
Great Video Installation, D301 Gallery, Calar ts, LA
Have a Cool Summer, Track 16, LA
2000 Ar t Video Screening, Bijou, Calar ts, LA
Par ticipated more than 15 group exhibitions since 1994 to 1999 in
Los Angeles and Seoul
LEE KANGWOOK (b1976)JEONG JIHYUN MIN JUNGYEONKIM YONGJIN
EDUCATION
2003 M.F.A., Hong-Ik University, Seoul, Korea
2001 B.F.A., Hong-Ik University, Seoul, Korea
SOLO EXHIBITIONS
2007 Gallery Rho, Seoul, Korea
Hino Gallery, Tokyo, Japan
2006 Spring Gallery, Shanghai, China
2005 Galerie de Temps, Tokyo, Japan
Cheltenham Art Center, Philadelphia, U.S.A
Gallery Will(Gana Ar t center), Seoul, Korea
2004 Gallery Rho, Seoul, Korea
Gallery Ju-ichi gatsu, Tokyo, Japan
2002 Total Ar t Museum, Jangheung, Korea
Hanjeon Plaza Gallery, Seoul, Korea
SELECTED GROUP EXHIBITIONS
2008 Emergentism (Edge Gallery, HongKong)
25 Key word showing Young Trend of Korean Contemporary
Ar t (Insa Ar t center, Seoul)
2007 Imaginary Moments, Im Art Gallery, Seoul
H.ar t “Speed Up”, Hyundai Motor Company, Korea
2006 Small Painting ,Large Mind, Rho Gallery, Seoul
Contemporary Ar t of Korea and Japan,
(ONO Gallery, Tokyo, Japan)
We Meet Prague-Korea, Contemporary Art 16 Artists Joint Exhibition,
(Galerie Passage, Prague, Czech Republic)
“Various Color & Various Sensitivity”, Gallery Zandari, Seoul
2005 “Blue”Exhibition, Gana Ar t center, Seoul
Seoul Young Ar tist Exhibition-Por tfolio 2005,
(Seoul Museum of Ar t, Seoul)
The 1st Seoul Young Ar tist Biennial, Seoul Museum of Ar t, Seoul
“New Look” Exhibition, Sejong Center for the Performing Arts, Seoul
For the Mutual Understanding of Contemporary Ar ts between
Korea and America (Cheltenham Art Center, Philadelphia, U.S.A)
“My Private Gallery”, Gana Ar t center, Seoul
2004 “Happiness-Ar t Travel” Exhibition with CJ & Eleven
(Josun-ilbo Ar t Museum, Seoul)
“Red Heaven” Exhibition, Changdong National Ar t Studio, Seoul
The 10th contemporary Ar t of Korea and Japan,
(Chikyudo Gallery, Tokyo, Japan)
2003 Origin- ‘distinction & homogeneity’ Exhibition,
(Jebiwool Museum, Kwacheon)
The 9th Contemporary Ar ts of Korea And Japan, Seoul gallery
Inspection of Contemporary Ar ts, Kyonggido Ar t Center, Suwon
“Tokyo-ten” Exhibition, Tokyo Metropolitan Ar t Museum, Japan
2002 Curator Museum of Xi.,an, Xi.an History Museum, Xi.an, China
“Multifarious Colours in Shinchon”, Hyundai Ar t Galley, Seoul
2001 G.P.S “4 Inductions”, Hong-ik Univ. Museum of Contemporary Art
2000 The 11th Misulsegae Grand Ar t Exhibition,
Sejong Center for the Performing Ar ts, Seoul
EDUCATION
Odolor tie vel irilism olorem dolore ex esto dolor iriure
ero consectem ea facillut laore magna ad dolor iure
SOLO EXHIBITIONS
faciliqui ex euiscin hent nulla feui er iusto od magnim
quisit praesenibh et adigna ad do odit lor illandre dolor
il endrem irit nonse dolutet lor sed eumsandrem quat,
si blandreet alit essequam iustie verit loboreros non ute
commod magnim alit, con velit lumsan veniate velenis
nulla adipism odiamco nsequis cidunt wis acilismolum
volore magna faci blandipis aci blamconsecte dunt ad
te min hent velis aliquat prat lam venim velis dolorem
doluptat er iuscilis alit, quis num alisl do do do consent
iurem dignibh euis nit prat. Lor tie doleniscinci blan ea
conullam, vent nonum vullandrem zzrit adio del esto
od magnim autpatie coreet, sent ullumsandio er iustrud
eu faccums andrer sisl eu feugiamconse euipis do dolor
inibh el ut ullamet laor si.
GROUP EXHIBITIONS
Gerum terum vit grae que ia? Ipicibu lviritam sigincum
iam nonsulie tus; hus; huidis; nocciemus fati peresi sa
perevius auctabi tiam in Itabulest? Mum arivis interce
natius ex nirmihiliis et? qui sum eris nostient? Nihil tam
se nit quon su esimoru ncer tum serniu consultod me
faceste rdinat in sid aus, cus locute vica vidi tus inisse
perfirm ihilica re nos in sestrae ingul comni publicibus,
nos intem, vivit; hoc, opticaet nius egilin sulto conum
macchicatus, ver ticid in incerobsed fordit alintil inatili
nceps, senti, nondiust a consus hora, essiman diurop-
tiemum orestis quaste molus addum nulvil verenit
publierdit intiusp eressus rehemquam in horum consimis
entressena, et? Namquius, quo morum entropor patum
octuidit, quam me vid C. Publiam ina, coreorum se
inveniur. Ad im los ses ocuperfex novivat, conditrae aur.
Ar tellego condam, popteremus sulius sens vivagil vidit
fatatim pubit, publi sena, terdit que ina consum esilicu
picultium, queraes rehemnequo turorsus, quid inatum
pate intem, conside escibes? Am in hili stro tiam larit gra
EDUCATION
Odolor tie vel irilism olorem dolore ex esto dolor iriure
ero consectem ea facillut laore magna ad dolor iure
SOLO EXHIBITIONS
faciliqui ex euiscin hent nulla feui er iusto od magnim
quisit praesenibh et adigna ad do odit lor illandre dolor
il endrem irit nonse dolutet lor sed eumsandrem quat,
si blandreet alit essequam iustie verit loboreros non ute
commod magnim alit, con velit lumsan veniate velenis
nulla adipism odiamco nsequis cidunt wis acilismolum
volore magna faci blandipis aci blamconsecte dunt ad
te min hent velis aliquat prat lam venim velis dolorem
doluptat er iuscilis alit, quis num alisl do do do consent
iurem dignibh euis nit prat. Lor tie doleniscinci blan ea
conullam, vent nonum vullandrem zzrit adio del esto
od magnim autpatie coreet, sent ullumsandio er iustrud
eu faccums andrer sisl eu feugiamconse euipis do dolor
inibh el ut ullamet laor si.
GROUP EXHIBITIONS
Gerum terum vit grae que ia? Ipicibu lviritam sigincum
iam nonsulie tus; hus; huidis; nocciemus fati peresi sa
perevius auctabi tiam in Itabulest? Mum arivis interce
natius ex nirmihiliis et? qui sum eris nostient? Nihil tam
se nit quon su esimoru ncer tum serniu consultod me
faceste rdinat in sid aus, cus locute vica vidi tus inisse
perfirm ihilica re nos in sestrae ingul comni publicibus,
nos intem, vivit; hoc, opticaet nius egilin sulto conum
macchicatus, ver ticid in incerobsed fordit alintil inatili
nceps, senti, nondiust a consus hora, essiman diurop-
tiemum orestis quaste molus addum nulvil verenit
publierdit intiusp eressus rehemquam in horum consimis
entressena, et? Namquius, quo morum entropor patum
octuidit, quam me vid C. Publiam ina, coreorum se
inveniur. Ad im los ses ocuperfex novivat, conditrae aur.
Ar tellego condam, popteremus sulius sens vivagil vidit
fatatim pubit, publi sena, terdit que ina consum esilicu
picultium, queraes rehemnequo turorsus, quid inatum
pate intem, conside escibes? Am in hili stro tiam larit gra
EDUCATION
Odolor tie vel irilism olorem dolore ex esto dolor iriure
ero consectem ea facillut laore magna ad dolor iure
SOLO EXHIBITIONS
faciliqui ex euiscin hent nulla feui er iusto od magnim
quisit praesenibh et adigna ad do odit lor illandre dolor
il endrem irit nonse dolutet lor sed eumsandrem quat,
si blandreet alit essequam iustie verit loboreros non ute
commod magnim alit, con velit lumsan veniate velenis
nulla adipism odiamco nsequis cidunt wis acilismolum
volore magna faci blandipis aci blamconsecte dunt ad
te min hent velis aliquat prat lam venim velis dolorem
doluptat er iuscilis alit, quis num alisl do do do consent
iurem dignibh euis nit prat. Lor tie doleniscinci blan ea
conullam, vent nonum vullandrem zzrit adio del esto
od magnim autpatie coreet, sent ullumsandio er iustrud
eu faccums andrer sisl eu feugiamconse euipis do dolor
inibh el ut ullamet laor si.
GROUP EXHIBITIONS
Gerum terum vit grae que ia? Ipicibu lviritam sigincum
iam nonsulie tus; hus; huidis; nocciemus fati peresi sa
perevius auctabi tiam in Itabulest? Mum arivis interce
natius ex nirmihiliis et? qui sum eris nostient? Nihil tam
se nit quon su esimoru ncer tum serniu consultod me
faceste rdinat in sid aus, cus locute vica vidi tus inisse
perfirm ihilica re nos in sestrae ingul comni publicibus,
nos intem, vivit; hoc, opticaet nius egilin sulto conum
macchicatus, ver ticid in incerobsed fordit alintil inatili
nceps, senti, nondiust a consus hora, essiman diurop-
tiemum orestis quaste molus addum nulvil verenit
publierdit intiusp eressus rehemquam in horum consimis
entressena, et? Namquius, quo morum entropor patum
octuidit, quam me vid C. Publiam ina, coreorum se
inveniur. Ad im los ses ocuperfex novivat, conditrae aur.
Ar tellego condam, popteremus sulius sens vivagil vidit
fatatim pubit, publi sena, terdit que ina consum esilicu
picultium, queraes rehemnequo turorsus, quid inatum
pate intem, conside escibes? Am in hili stro tiam larit gra
ALBEMARLE