Konstantin Stanislavski for IGCSE DRAMA

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    Born: 17 January 1863

    Died: 7 August 1938 (aged

    75) Moscow, Soviet Union

    Occupation: theatre director,actor , theatre theorist

    Literary movement :

    Naturalism, Psychological realism,

    Socialist realism, Symbolism.

    Notable work(s): Founder of

    the Moscow Art Theatre

    Spouse(s): Maria Petrovna

    Perevostchikova (stage name:

    Maria Liliana)

    Timeline of lifeBorn in 1863 in Moscow,Russia, Constantin Stanislavskistarted working in theater as ateen, going on to become an

    acclaimed thespian anddirector of stage productions.He co-founded the Moscow

    Art Theatre in 1897 anddeveloped a performanceprocess known as methodacting, allowing actors to usetheir personal histories toexpress authentic emotion andcreate rich characters. He diedin Moscow in 1938.

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    EARLY LIFE AND CAREER

    Stanislavski came from one of the richest families in Russia, the Alekseievs.

    He was born Constantin Sergeievich Alexeiev; 'Stanislavski' was a stage name

    that he adopted in 1884 in order to keep his performance activities secret fromhis parents. In 1885, Stanislavski studied at the Moscow Theater School, where

    students were encouraged to mimic the theatrical 'tricks' and conventions of

    their tutors. Disappointed by this approach, he left after three weeks and instead

    went to study at the Maly Theatre, where he learned to rehearse well, appear

    fresh during performances, and extract energy from the other stage players,

    rather than the audience. However Stanislavski's enlightenment came mostly

    from his encounter of Italian master actor Tommaso Salvini's portrayal in

    Othello.

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    STANISLAVKI M E T H O D

    During the Moscow Art Theatre's early years, Stanislavski worked on providing

    a guiding structure for actors to consistently achieve deep, meaningful and

    disciplined performances. He believed that actors needed to inhabit authentic

    emotion while on stage and, to do so, they could draw upon feelings they'd

    experienced in their own lives. Stanislavski also developed exercises that encouraged

    actors to explore character motivations, giving performances depth and an

    unassuming naturalism while still paying attention to the parameters of the

    production. This technique would come to be known as the "Stanislavski method"

    or "the Method."

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    OPENING THE MOSCOW ART THEATRE

    In June 1897, Constantin Stanislavski and playwright/director Vladimir Nemirovich-Danchenko decided to open the Moscow Art

    Theatre, which would be an alternative to standard theatrical

    aesthetics of the day. The company successfully opened in October

    1898 with Tsar Fyodor Ivanovich by Aleksey K. Tolstoy. The theater's

    subsequent production of The Seagull was a landmark achievement

    and reignited the career of its writer Anton Chekhov, who went on to

    craft plays specifically for the company. Over the following decades,

    the Moscow Art Theatre developed a stellar domestic and

    international reputation with works like The Petty Bourgeois, AnEnemy of the People and The Blue Bird. In 1912, Stanislavski created

    First Studio, which served as a training ground for young thespians. A

    decade later, he directed Eugene Onegin, an opera by Pyotr Ilyich

    Tchaikovsky.

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    QUOTES

    Remember: there are no small parts, only small actors .

    The greatest wisdom is to realize one's lack of it . Talent is nothing but a prolonged period of

    attention and a shortened period of mental

    assimilation.

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    THANK YOU FOR

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