Katherine Lee Portfolio
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INTERIORS | ARCHITECTURE | GRAPHICS portfolio KATHERINE LEE
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Transcript of Katherine Lee Portfolio
INTERIORS | ARCHITECTURE | GRAPHICS
portfolio
KATHERINE LEE
02. CONTENTS
CO
NT
EN
T
06-0702/ contents
22-2504/ graduate school thesis
26-2905/ future prentice competition
03-0401/ personal data
30-3106/ graphic design
32-3307/ editorial
08-21
10-13 14-15
16-17 18-19
20-21
03/ interior design
tishman speyer grant thornton
procter + gamble allsteel
miscellaneous
k a t h E r i n E L E Ec o n t E n t S 7
k a t h E r i n E L E Ei n t E r i o r d E S i G n 803. INTERIOR dESIGN
k a t h E r i n E L E Ei n t E r i o r d E S i G n 9
tishman speyer/ concepts+palettes/allsteel/ miscellaneous/
marketing centerconference center
ISOMETRIC VIEW| 3DIMENSIONAL MASSINGNTS
ISOMETRIC VIEW| 2DIMENSIONAL MASSINGNTS
| 222 N. Lasalle, Chicago CONFERENCE CENTER & PMO DESIGNSeptember 09, 2014
TISHmAN SPEyER | MarkEtinG SuitE + conFErEncE cEntErGEnSLEr
| 222 N. Lasalle, C
hicago C
ON
FERENC
E CEN
TER & PM
O D
ESIGN
September 09, 2014
| 222 N. Lasalle, Chicago CONFERENCE CENTER & PMO DESIGNSeptember 09, 2014
CONFERENCE CENTER/ PMOFURNITURE PLAN
MARKETING CENTERFURNITURE PLAN
OPTION 1 | block and pivot “abacus” system
OPTION 2 | two-dimensional applied graphic
OPTION 3 | lego wall OPTION 1 | installation of “abacus” system from outsell hQ, Gensler
TISHmAN SPEyER | conFErEncE cEntErGEnSLEr
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1502 MARKETINGLOUNGE
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COLLABORATION1512
KITCHENETTE1503
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1507
CORRIDOR1501
PMO LOBBY1524
PMOCOLLABORATION
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CORRIDOR1526
COPY ROOM1536
PMOPANTRY
1534
CLOSET1537
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EXISTINGIDF
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CORRIDOR1532
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SLOPE 1:12
12' - 11 3/4" 12' - 8"
14' -
7"AL
IGN
6' - 8 1/4" 8' - 2 1/4"
1' - 5 1/2" 6' - 9" 15' - 7 1/4" 2' - 2 1/4"
19' -
0"HO
LD6'
- 2"
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3/4"
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3/4"
4' - 4
3/4"
ALIGN13' - 6"
ALIG
N
2' - 2
1/4"
30' -
3 3/4"
HOLD
7' - 4
1/4"
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9 1/4"
19' -
0 1/2"
3' - 9 3/4"
17' - 3" 9' - 4 3/4" 9' - 5 1/4" 12' - 3 3/4"
21' - 8 3/4"15' - 2 1/4"
5' - 4
1/2"
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3/4"
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"11
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A1
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02
0202
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"
25' - 11 3/4" 35' - 11" 45' - 2" 3' - 7 3/4" 14' - 4" 3' - 1" 14' - 2 1/2" 3' - 7 1/4"
N.I.C.
2' - 9
3/4"
10' -
2 1/4"
18' -
8"9'
- 11 3
/4"7"
3' - 5
"5'
- 0"
6' - 1 3/4"
2' - 1
1"
1538B 3.0
1528H 8.0
MILLWORKPLATFORM
MILLWORK BENCHESFOR BAY WINDOWS
MILLWORKFREESTANDINGISLAND
MILLWORKTABLE
5' - 4
1/4"
1519BI 9.0
1519CI 9.0
A3A1
A3A1 A3A1
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2' - 6" 5' - 0"
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".
4' - 0"
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0"
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"
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2' - 0
"
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TYP.
TYP.
ABCDEFGHJK
7
6
5
4
3
2
1
Scale
© Gensler
Seal / Signature
Description
Project Number
Project Name
GENERAL NOTES
2013
ESD175 West Jackson Blvd.Suite #1400Chicago, IL 60604Tel 312.372.1200
Date Description
Tel 312.456.0123Fax 312.456.0124
11 East Madison StreetSuite 300Chicago, IL 60602United States
J.C. Anderson, Inc120 South LaSalle StChicago, IL 60603Tel 630.607.6560
1 09.29.2014 ISSUE FOR PERMIT
1/8" = 1'-0"
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A02.15
CONSTRUCTION PLAN - LEVEL 15
21.9283.000
PARTIAL 15TH FLOOR RENOVATION, 222 N. LaSALLE,CHICAGO IL 60601
TISHMANSPEYER
A. FLOOR LEVELING/PREP IS REQUIRED.B. PROVIDE CONTROL JOINTS IN ALL GWB
SURFACES EXCEEDING 30 FEET IN ANYDIRECTION USING STANDARD "V" BEADCONTROL JOINT THAT RESULTS IN VISIBLEJOINT OF APPROX 1/8".
C.
conStruction PLan
mIllwORK dETAIl / BaSE caBinEt w/ drawErS
wAll SECTION / FirE-ratEd GLaSS
INTERIOR ElEvATION / PantrY
7A12.20
3 4 5
E-4
E-3
E-5E-5
2' - 1
0"
8' - 0
"
1' - 6" 3' - 0" HOLD RE: EQUIP. +/- 2' - 1 1/2" RE: EQUIP.HOLD1' - 6"
HOLD1' - 6"
8' - 0
"
(3) EQUAL (3) EQUAL
2A12.20
3A12.20
3A12.20
5A12.20
GL-1 GL-1 GL-1 GL-1 GL-1 GL-1
GL-1GL-1
E-9
13A12.20
88A12.20
88A12.20
8' - 0
"+/
- 2' -
0"
(3) EQUAL
GL-1 GL-1
EFGHI
(2) EQUAL (2) EQUAL
BEYOND(2) EQUAL GLASS PANELS
EQ 5' - 0" EQ
33
4
5' - 0
"
566 6 6
8
7777
3' - 6
"
SCALE: 3/8" = 1'-0"MKTG - ELEVATION @ CAFE ISLAND - WEST
SCALE: 3/8" = 1'-0"MKTG - ELEVATION @ CAFE/ ENTRY - NORTH
SCALE: 3/8" = 1'-0"MKTG - ELEVATION @ CONF. RM. -2
SCALE: 3/8" = 1'-0"MKTG - ELEVATION @ LEGO WALL - SOUTH1
SCALE: 3/8" = 1'-0"ELEVATION @ ELEVATOR LOBBY - TYPICAL
P-LAM ADJUSTABLESHELF,1-14" THICK
P-LAM BASE. SCRIBETOFLOORFINISHED FLOOR
P-LAM COUNTER TOP
ALL INTERIOR FINISHESTOBE PL LAM
RE: E
LEVA
TIONS
1 1/2"
RE: PLAN/ELEVATION
4" 5"
4"
2 3/4"
SCHEDULED COUNTERTOP
1 1/2"
RE: PLAN/ELEVATION
SCHEDULED FINISH FLOOR;REFER TO FINISH PLAN
SCHEDULED PARTITION
SCHEDULED PULL
2"2"
2"2"
1' - 0
".EQ
EQEQ SCHEDULED PLAM
DRAWER FRONTS
SCHEDULED PLAM BASE,SCRIBED TO FLOOR.
ALL INTERIOR SURFACESTO BE WHITE MELAMINE
4".
2 3/4"
RE: E
LEVA
TION
S
SCHEDULED COUNTERTOP
1 1/2"
RE: PLAN/ELEVATIONS
PULL
CONCEALED HINGEPLAM SIDE PANEL BEYOND
PLAM DOOR PANEL
SCHEDULED FINISH FLOOR;REFER TO FINISH PLAN
SCHEDULED PARTITION
2 3/4"
RE: E
LEVA
TION
S4"
.
COAT CLOSET SHELF6"
COAT ROD & FLANGE
COAT CLOSET SHELF SUPPORT
ACCE
SSIB
LE C
OAT
ROD,
MIN
18" L
ONG
SCHEDULED PARTITION
SCHEDULED FINISH FLOOR
5"
1' - 6"
3'
5'-6"
(4'-0
" AT
ACCE
SSIB
LE LO
CATI
ONS)
3"
ALL INTERIOR SURFACESTO BE WHITE MELAMINE
PL LAM DOOR
ALL EXPOSED SURFACESTO BE PL LAM
POWER OUTLET TO BEEXTENDED TO MOUNT FLUSH
ALL EXPOSED SURFACESTO BE PL LAM
1'-10"
3/4"
RE: E
LEVA
TION
S
SCHEDULED PULL
EQ1 1
/2"
JUSTABLE SHELF, P.LAM-1)
HEDULED PARTITION
JUSTABLE SHELF BRACKETAVY DUTY), WHITE
OVIDE (5) SHELVESTHIN CLOSET
HEDULED FLOOR
JUSTABLE SHELF STANDARDAVY DUTY), WHITE. PROVIDE
OCKING IN WALL AS REQUIRED.
SCHEDULED PLAMCOUNTERTOP; RE: ELEVATIONS
LINE OF UNDERCOUNTEREQUIPMENT
SCHEDULED FINISH FLOOR;RE: TO FINISH PLAN
1 1/2"
RE: E
LEVA
TION
S
RE: PLANS/ ELEVATIONS
SCHEDULED OUTLET DEVICE(S);REFER TO POWER ANDCOMMUNICATION PLAN
INTERMEDIATE PLAM PANELWHERE INDICATED ONELEVATION OR SIDE OFADJACENT CABINET SCHEDULEDPARTITION.
ABCDEFG
SHEET
GENE
SCALE: 1 1/2" = 1'-0"BASE CABINET - OPEN W/ADJ. SHELF1
SCALE: 1 1/2" = 1'-0"BASE CABINET - W/ DRAWERS2
SCALE: 1 1/2" = 1'-0"BASE CABINET - W/ SHELF5
SCALE: 1 1/2" = 1'-0"DETAIL @ COAT ROD AND SHELF99
SCALE: 1 1/2" = 1'-0"BASE CABINET - EQUIPMENT88
LEVEL 010"
LEVEL 0211' - 6"
10
UNDERSIDE OF SLAB
1HR FIRE RATED PARTITION UPTO SLAB
KICKERS AS REQUIRED
GWB CEILING, REFER TO SHEET A04.15
HOPES - 7000 SERIES 60 MIN FIRERATED WALL SYSTEM WITH 60MINRATED GLASS
1HR FIRE RATED PARTITION AS SCHEDULED
WALL BEYOND
SCHEDULED COUNTERTOP
SCHEDULED BASE
MILLWORK BELOW
1HR FIRE RATED BOX HEADER
ELECTRICAL OUTLET, REFER TO E-SHEETS
ALLOW FOR DEFLECTION AT CONNECTION
13' -
0"4'
- 6"
2' - 1
0"10
' - 2"
LEVEL 010"
LEVEL 0211' - 6"
UNDERSIDE OF SLAB
KICKERS AS REQUIRED
ACT CEILING, REFER TO SHEET A04.15
HOPES - 7000 SERIES 60 MIN FIRE RATEDWALL SYSTEM WITH 60 MIN RATED GLASS
7' - 0
"EQ
.EQ
.
19' -
0"
EXISTING CLERESTORY TO REMAIN
EXISTING DOOR
ALLOW FOR DEFLECTION AT CONNECTION
1HR FIRE RATED PARTITION UP TO SLAB
ABCDEFGHJK
7
6
5
4
3
2
1
Scale
© Gensler
Seal / Signature
Description
Project Number
Project Name
2013
ESD175 West Jackson Blvd.Suite #1400Chicago, IL 60604Tel 312.372.1200
Date Description
Tel 312.456.0123Fax 312.456.0124
11 East Madison StreetSuite 300Chicago, IL 60602United States
J.C. Anderson, Inc120 South LaSalle StChicago, IL 60603Tel 630.607.6560
1 09.29.2014 ISSUE FOR PERMIT
1" = 1'-0"
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283.0
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ishma
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Floo
r 15_
Carly
Cam
ardo
.rvt
A12.10
WALL SECTIONS
21.9283.000
PARTIAL 15TH FLOOR RENOVATION, 222 N. LaSALLE,CHICAGO IL 60601
TISHMANSPEYER
SCALE: 1" = 1'-0"CC - FIRE RATED GLASS SECTION 11SCALE: 1" = 1'-0"
CC- FIRE RATED GLASS SECTION 22
REFlECTEd CEIlING PlAN
CEIlING dETAIl / LiGht coVE CEIlING dETAIl / ProjEction ScrEEn
TISHmAN SPEyER | cdSGEnSLEr
ALIGN
METAL STUD 2 1/2"
SAG-RESIS GYP BD
6"
SUSPENSION SYSTEM
ACOUSTICAL PANEL CEILING
CORNER BEAD
EDGE MOLDING
6"
ALIGNSCHEDULED PARTITIONWHERE OCCURS
1'-0"
MIN
.
VARI
ES
10" 10"
MIN 1'-0"REFER TO RCP
RETURN AIR SLOT; REFER TOENGINEERING DRAWINGS
SCHEDULED LIGHT FIXTURE; REFER TOREFLECTED CEILING PLAN
CONTINUOUS FIRERETARDANT WOODBLOCKING
GYPSUM BOARD
DIAGONAL BRACING
SAG-RESIS GYP BD
METAL RUNNER TRACK
JOINT REINFORCEMENT
SUSPENSION SYSTEM
CORNER BEAD
SAG-RESIS GYP BD
METAL STUD 2 1/2"
EDGE TRIM, L-BEAD
SAG-RESIS GYP BD
SUSPENSION SYSTEMOT CLAY TILE.
ABCDEFG
SHEET NOTES
SCALE: 3" = 1'-0"CEILING / SOFFIT1SCALE: 3" = 1'-0"
LIGHT COVE5
REFER TO
REFER TO
JOINT REI
10"
1'-0"
MIN
.
VARI
ES
4"
SAG-RESIS GYP BD
RETURN AIR SLOT; REFER TOENGINEERING DRAWINGS
SCHEDULED LIGHT FIXTURE; REFER TOREFLECTED CEILING PLAN
CONTINUOUS FIRE RETARDANT WOODBLOCKING
DIAGONAL BRACING
METAL STUD 2 1/2"
CORNER BEAD
SAG-RESIS GYP BD
EDGE TRIM, L-BEAD
SUSPENSION SYSTEM
ACOUSTICAL PANEL CEILING
EDGE MOLDING
REFER TO RCP
REFER TO RCP
FRAMING AS REQUIREDSECURED TOUNDERSIDE OF SLAB
LINEAR DIFFUSER.RE: MECH DWGS FORADDITIONAL INFO
SCHEDULED CEILING
SCHEDULED ROLLER SHADE
EXIST. GLASS
VENDORVERIFY WITH
METAL STUD 2 1/2"
SOFTWOOD PLYWOOD
1/4" THREADED RODSTO STRUCTURE ABOVE
MOUNTING BRACKETS
PROJECTION SCREENHOUSING
ACOUSTICAL PANEL CEILING
JOINT REINFORCEMENT
CORNER BEAD
CORNER BEAD
METAL STUD, 2 1/2", TYP.
HANGER ROD BY MODERN FOLD
HANGER BRACKET BY MODERN FOLD
SCHEDULED PARTION, REFER TO CONSTRUCTION PLAN
4" M
IN
SCHEDULED CEILING, REFER TO REFLECTED CEILING PLAN
GUIDE RAIL BY OPERABLE PARTITION MANUFACTURER
VINYL TOP SEAL
STEAL WHEEL BALL BEARING TROLLEY
10 22 26OPERABLE PANEL PARTITION
REFER TO RCP
PARTITION TRACK SHALL BE HUNG FROM STEEL BEAM, NOT CLAY TILE.PARTITION SHALL BE HUNG IN A MANNER THAT DOES NOT DAMAGESTEEL BEAM. WELDING OR CLAMPS ARE ACCEPTABLE. LATERALKICKERS MAY BE FASTENED TO THE CLAY TILE
SCHEDULED CEILING
EXIST. EXTERIOR GLASS
AXIOM PERIMETER CEILINGTRIM
RE: RCP
SCALE: CEIL2
SCALE: CEIL3
SCALE: 3" = 1'-0"LIGHT COVE6
SCALE: 3" = 1'-0"ROLLER SHADE9 SCALE: 3" = 1'-0"
PROJECTION SCREEN7
N
OW - TYPICAL
individual workstations + enclosed conference rooms + confidential prototyping
showroom + collaborative + training + open prototyping
cafe + reception + lounge
back of house + deliveries + restrooms
individual workstations + enclosed conference rooms + confidential prototyping
showroom + collaborative + training + open prototyping
cafe + reception + lounge
back of house + deliveries + restrooms
hni members
leadership support
bpi
proposals
open collaboration
tpg
sales ops
leadership
mcr/ bldg services
ebusiness
design group
prototyping
new product development
arena
training rooms
showroom
environmental
focused collaboration
gov/ contracts
bids
sales/inside sales
walls
aod
finance
cafe/reception
training
maxon
marketingproduct management
product development
AllSTEEl Hq PROGRAmmING + SHOwROOmGEnSLEr
CREATIVECOURAGE
An energetic space with the courage to GO BOLD
THREADS OF SCIENCE, ARTFULLY WOVEN...ANONYMOUS
EVERYTHING YOU CAN IMAGINE IS REAL.PABLO PICASSO
IN ORDER TO BE IRREPLACABLE, ONE MUST ALWAYS BE DIFFERENT.
COCO CHANEL
A VIBRANT, STIMULATING SPACE WITH LOTS OF DYNAMIC ACTIVITY. PLENTY OF OPPORTUNITES FOR CREATION THROUGH THE PURPOSEFUL USE OF DIGITAL INTERACTION. EVERYTHING IS A STATEMENT PIECE, AND PEOPLE WANT TO BE A PART OF IT ALL.
A THOUGHTFULLY CURATED SPACE CELEBRATING THE BROADLY INCLUSIVE SPECTRUM OF THE “HOUSE OF BEAUTY. EVERYONE HAS A VOICE IN THIS VIBRANT, ACTIVE, AND FEARLESS ENVIRONMENT.
DIVERGENTAUTHENTICITY
A tactile and sensory global hub where everyone offers a unique perspective.
EVENTUALLY EVERYTHING CONNECTS- PEOPLE, IDEAS, OBJECTS. THE QUALITY OF THE CONNECTIONS IS THE KEY TO QUALITY.
CHARLES EAMES
HUMANKIND HAS NOT WOVEN THE WEB OF LIFE. WE ARE BUT ONE THREAD WITHIN IT... ALL THINGS ARE BOUND TOGETHER. ALL THINGS CONNECT.
CHIEF SEATTLE
A RESTORATIVE SPACE WITH AN EMPHASIS ON A CONNECTION TO NATURE AS IT TRULY IS. IT REFLECTS ALL BEAUTY AS A COLLECTIVE, HONEST COMPOSITION OF SPACE AND MATERIALS.
BIOPHILICEMERGENCE
A celebration of the transformative, beautiful truths of nature.
LOVE OF BEAUTY IS TASTE. THE CREATION OF BEAUTY IS ART.
RALPH WALDO EMERSON
BEAUTY IS NOT IN THE FACE; BEAUTY IS A LIGHT IN THE HEART.
KAHLIL GIBRAN
DWELL ON THE BEAUTY OF LIFE. WATCH THE STARS AND YOURSELF RUNNING WITH THEM.
MARCUS AURELIUS
CONCEPTUAl dEvElOPmENT + PAlETTE EXAmPlES ProctEr + GaMBLE / Grant thornton GEnSLEr
COLOR PALETTE INSPIRED BY NYC
LOCAL LAYER - URBAN CITY - PUBLIC AREAS | URBAN NEIGHBORHOODS -
PRELIMINARY PALETTE LAYERING OF TEXTURES AND MATERIALS INSPIRED BY NYC
OR PALETTE INSPIRED BY NYC
AL LAYER - URBAN CITY - PUBLIC AREAS | URBAN NEIGHBORHOODS -
LIMINARY PALETTE LAYERING OF TEXTURES AND MATERIALS INSPIRED BY NYC
1.46
25.85
50.23
74.62
99.00
PRE-POST RATIO SCALE
PASSENGER TO REVENUE RATIO-SCALED
failure : TMI
mISCEllANEOUSGEnSLEr
ramped library entrance
k a t h E r i n E L E EG r a d u a t E t h E S i S 2804. GRAdUATE THESIS
k a t h E r i n E L E Ed E S i G n P o r t F o L i o 29
ex libris | data x design x library
Libraries are valuable cultural and societal institutions that are in grave danger of being rendered obsolete if they do not undergo a significant paradigm shift in the modes of context, organization, and design in order to better reflect the current climate of complexity that will most likely only deepen through the years. in order to maintain their cultural relevance, libraries must absorb, reflect, and challenege the ways in which knowledge is synthesized and disseminated.
strongly
agree
neutral
strongly disagree
disagree
I use
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olar
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asis
.
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eet f
riend
s an
d so
cial
ize.
i enj
oy s
pend
ing
time
in lb
rarie
s.
Libr
aria
ns a
re h
elpf
ul re
sour
ces.
I ask
libr
aria
ns fo
r hel
p w
hen
I nee
d it.
I wen
t to
libra
ries
mor
e as
a c
hild
than
I do
as
an a
dult.
Libr
arie
s sh
ould
be
open
to e
very
one
whe
ther
they
are
usi
ng it
s se
rvic
es o
r not
.
Libr
arie
s ar
e no
t as
usef
ul a
s th
e in
tern
et fo
r aca
dem
ic re
sear
ch.
All i
nfor
mat
ion
shou
ld b
e ac
cess
ible
and
free
to g
ener
al p
ublic
.
I pre
fer t
o re
ad p
hysi
cal b
ooks
rath
er th
an e
-boo
ks.
I am
wor
ried
that
libr
arie
s ar
e be
com
ing
irrel
evan
t.
I am
wor
ried
that
boo
ksto
res
are
beco
min
g irr
elev
ant.
Libr
arie
s ar
e im
porta
nt to
me.
I pre
fer t
o pu
rcha
se b
ooks
rath
er th
an b
orro
win
g th
em.
The
desi
gn o
f a li
brar
y bu
ildin
g is
impo
rtant
to m
e.
I rea
d fo
r ple
asur
e.
I cur
rent
ly o
wn
a lib
rary
car
d.
All p
ublic
libr
arie
s sh
ould
hav
e an
are
a fo
r chi
ldre
n.
All p
ublic
libr
arie
s sh
ould
hav
e co
mpu
ter a
cces
s op
en to
all.
parellel diagram : 81 survey responses
classification material categories personnel hard program soft program
distanc
lobby
public computers
browsing pods
commons
digital stacksphysical stacks
new media centermedia lab
youth center
outdoor space
childrens area
lecture hall
gymcafe
information
study pods
reserve desk
storage
reproduction
archivalrestoration/digitization
transit station
exhibition space
publishing
retail
meeting rooms
automated retrievalrestroomssupply roomstaff offices (open)server roomdeliveriesequipment storagecirculation room
checkout
mechanical
search stations
studio spacerehearsal rooms
classroom space
directadjacentsecondarynone
archival
restoration
digital stacks
physical stacks
browsing pods
study podsmechanical
server room
equipment storage automated retreival
transit station
classroom space
youth center
childrens area
search stations
sta� o�ces
reproduction services
public computers
checkout
info
reserve desk
restricted outdoor space
public outdoor space
media labstudio space
exhibition space
new media center
equipment storagedigitization
publishing
circulation room
deliveries
touchdown o�ces
lecture hall
lobbygym
retail
cafe
meeting spaceinfo
k a t h E r i n E L E EG r a d u a t E t h E S i S 33
k a t h E r i n E L E Ed E S i G n P o r t F o L i o 34
k a t h E r i n E L E Ed E S i G n P o r t F o L i o 36
k a t h E r i n E L E Ed E S i G n P o r t F o L i o 37
k a t h E r i n E L E Ed E S i G n P o r t F o L i o 38
k a t h E r i n E L E Ed E S i G n P o r t F o L i o 39
k a t h E r i n E L E EF u t u r E P r E n t i c E 4005. FUTURE PRENTICE
B r i d G i n G P r E n t i c E
as part of a design team with Gridwerk architecture, i assisted in designing and realizing our
team's entry to the chicago architecture Foundation's "Future Prentice" competition. the
competition was an effort to think outside the box in order to save the iconic structure from being
torn down.
our team received second place, and our design solution was displayed in the chicago
architecture Foundation's Sante Fe building gallery space.
k a t h E r i n E L E EE d i t o r i a L 4406. EdITORIAl
74assistant market editor | prop styling
domino magazine
chicago magazinechic
PROP STylING + EdITORIAl wORKdoMino MaGazinE + chicaGo MaGazinE
address/
300 n. State St. #3103
chicago, iL 60654
contact me/
Phone 206.795.1543
email [email protected]
web www.interior.com
THANK yOU.
INTERIORS. GRAPHICS.dESIGN.
katherine lee
