STUDENTSKI KULTURNI CENTAR BEOGRADSTUDENT CULTURAL CENTER BELGRADESRENA GALERIJA / HAPPY GALLERY

STUDENTSKI KULTURNI CENTAR BEOGRADSTUDENT CULTURAL CENTER BELGRADESRENA GALERIJA / HAPPY GALLERY

Urednik Meunarodnog salona stripa / Editor of the Festival | Milosav Pjei

Koordinator programa / Program Coordinator | Aleksandar Uzelac

Struni konsultant / Professional Consultant | Zdravko Zupan

Programi gostovanja Morena Buratinija i Valtera Venturija / Programs of Moreno Burattini and Walter Venturi | Goran Zeevi

Program gostovanja Paula Monteira / Program of Paulo Monteiro | Vuk Markovi

Program gostovanja Igora Kordeja / Program of Igor Kordey | Igor Markovi

Film i animacija / Film and Animation | Andrijana Rui

Kosplej takmienje / Cosplay Competition | Isidora Vlasak

Likovna i dizajnerska reenja / Art and Design | Predrag Mladenovi

Tehniki saradnici / Technical Assistants | Jelena Balevi, Luka Ivanevi, Nemanja Apostolovi

Komisija za dodelu priznanja domaim izdavaima / Jury for Publishers Awards: Slobodan Ivkov, predsednik komisije / Chairman

Vasa Pavkovi, lan komisije / MemberPavle Zeli, lan komisije / Member

Vizuelni identitet 13. Salona / Visual Identity of the 13th FestivalZagor, Gallieno Ferri, Copyright 2015 Sergio Bonelli Editore

Vizuelni identitet Salona stripa / Visual Identity of the FestivalReskjumen - spasitelj, izbavitelj / Rescueman | Mijat Mijatovi

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KONKURSMeunarodnog Salona stripa 2015.International Comics Festival 2015

CONTESTBroj pristiglih radova na konkurs / Total number of works submitted to the contest: 277

Broj uesnika / Total number of participants: 303

Broj zemalja iz kojih su radovi stigli / Total number of countries: 27

Zemlje uesnice / Countries: Argentina (3), Austria (1), Belgium (1), Bosnia and

Herzegovina (11), Brazil (2) Bulgaria (2), Canada (1), Chi-na (2), Croatia (12), Cyprus (1), Czech Republic (1), Greece (2), Hungary (3), Israel (2), Macedonia (5), Montenegro (7), Poland (2), Romania (1), Russia (3), Serbia (224), Slovakia (1), Slovenia (3), Switzerland (1), Ukraine (1), United King-dom (4), USA (2), Uzbekistan (5)

iri / Jury:Sibin SLAVKOVI strip autor i urednik Stripoteke (predsednik irija)/ comics artist and editor of Stripoteka (chairman)eljko PAHEK, strip crta i scenarista / comics artist and scriptwriterMilan MILETI, strip autor / comics artistAleksandar ZOGRAF, strip autor /comics artistBoban SAVI GETO, strip autor i ilustrator / comics artist and illustrator

Ovogodinji iri Meunarodnog salona stripa u Beogradu, imao je, kao i svi prethodni, prijatan zadatak da meu pristiglim radovima odabere i predloi za nagraivanje na-juspenije autore i njihova ostvarenja u vie kategorija. Raduje sve vei broj uesnika kolskog uzrasta, meu kojima se zasigurno nalaze i oni koji predstavljaju budunost stripa na ovim prostorima.

Impresivan broj od 277 pristiglih radova iz 27 zemalja, od kojih je, kao i obino, najvie bilo iz Srbije, opravdava svrhu postojanja ove manifestacije. injenica da su na konkurs poslata ostvarenja iz velikog broja zemalja, dovoljno govori u prilog meunarodnog znaaja ove izlobe za kontinuirani razvoj devete umetnosti.

Primetno je bilo prisustvo malog broja ve a rmisanih umetnika iz Srbije i inostranstva, kao i manjeg broja stripova klasinog strip jezika. Veliki broj mladih, nea rmisanih au-tora poslao je tematski veoma raznolike radove koji se nalaze negde izmedju klasinog i alternativnog pristupa, koristei razliite materijale, umesto klasinog tua i pera, da bi na najbolji nain izrazili svoju ideju. Ta raznolikost u pristupu stvaranju stripa moe samo da raduje.

Odluke o nagradama nisu donete lako. Verovatno je da e brojni ljubitelji stripa na samoj izlobi pronai svoje favorite.

Sibin Slavkovi

This years jury of the International Comics Festival in Belgrade had, like all previous ones, a pleasant task to choose and propose rewards for the most successful authors and their works in several categories. It is noticeable that number of school-age partic-ipants increased; among them are certainly those who represent the future of comics in the region.

The impressive number of 277 submitted works from 27 countries, of which, as usual, most were from Serbia, justi es the purpose of this event. The fact that the entries were sent from a large number of countries speaks in favor of the international importance of this exhibition for the continued development of the ninth art.

There were less established artists from Serbia and abroad, as well as less classical comics. Many young, unknown authors sent thematically very diverse works that stand somewhere between classic and alternative approaches. Instead of conventional ink and pen, they used different materials to express their ideas in the best way. This diversity in the approach is a reason to rejoice.

Decisions for the awards were not made easily. It is likely that many fans will nd their favorite comics at the contest exhibition.

Sibin Slavkovi

RE IRIJA

A WORD FROM THE JURY

Argentina: Leandro Armando Mansilla, Nicols Perfetto, Sebastin Mercau Austria: Ste-fan Wenczel Belgium: Jonathan Pelgrims Bosnia and Herzegovina: edomir Novkovi, Esmir Prlja, Filip Andronik, Jasminko Mulaomerovi, Matea Stevi, Milorad Vicanovi Maza, Predrag Ikoni, Nikolina Milovanovi, Nino Sari, Svetlana Tomi, Zoran Peji Brazil: rico Ayres, Nilo Trovo Bulgar-ia: Daniel Atanasov, Siyana Georgieva Canada: Philippe Girard China: Guibao Gai, Cai Weidong Croatia: Antonio tefanac, Dunja Lukavki Ivan Gulin, Mislav Tomainjak, Nenad Ostoji, Petra Gardijan, Sebastijan amagajevac, Stipan Tadi, Tea Basrak, Tomislav Kota, Tomislav Tikulin, Zlatko Drvarek Cyprus: Andreas Michaelides Czech Republic: Stepanka Jislova Greece: Kon-stantinos Sklaventis, Valia Kapadai Hungary: G-bor Molnr, Marcus Villaca, Rbert Sndor Israel: Ilya Yudovsky, Moshik Gulst Macedonia: Alek-sandar Stevanov, Darko Bogdanov, Jordan Koce-vski, Niko Rosoklija, Stefan Kocevski Montenegro: Ilija Backovi, Mara Jovanovi, Milica Vukanovi, Novica Kova, Simon Vukovi, Slobodan Lavini, Veljko Miljani Poland: Bartosz Stybor, Grzegorz Weigt Romania: Ianos Dan Catalin Russia: Anna Grigoryeva, Darija Gorkova, Ivan Shavrin Serbia: Aleksa Fruti, Aleksa Milijanovi, Aleksandar Demirovi, Aleksandar Pei, Aleksandar Petrovi, Aleksandra Paunovi, Aleksandra Petkovi, Aljoa Tomi, Ana Jovanovi, Ana Kemive, Ana Kuek-ovi, Ana Petrovi, Ana aler, Anastasija Jani, Anastasija Kari, Anastasija Poli, Andrea Batare-lo, Andrej Bunjac, Andrej Taev, Andrija Dreno-vakovi, Andrija Trajkovi, Anela Anelkovi, Anela Mitrovi, Anela Pani, Anelija Batas, Antonio Maletin, Anja iovi, Arsenije Veljovi, Balkan Beiri, Biljana Stoi, Bogdan Tomi, Bo-jan Maksimovi, Bojana Minovi, Danica Jevovi, Daniel Bujak, Danilo Stevanovi, Darija Vueti, David Mitrovi, David irkoski, David Trajkovi, Dejan Bogojevi, Dejan Mandi, Denis Krajai, Dimitrije Stojkovi, Dragan Bosni, Dragan Stoki, Dragan imandli, Dragana Kupreanin, Duan Cvetkovi, Duan Durman, Duan Stojanovi, ore Dimitrijevi, ore Matijaevi, ore Uroevi, orije Nikitovi, Ena Vaskovi, Filip Mladenovi, Franja Straka, Gavrilo Kosti, Gojko Mrkovi, Goran Kati, Goran Milenkovi, Goran Trajkovi, Ignjat Labovi, Igor Gojkovi, Igor Krsti, Ilija Backovi, Isidora Cvetkovi, Iva Atoski, Iva Markovi, Ivan Stojanovi Fiki, Ivana Ilii, Ivana Miloevi, Ivana Ninkovi, Ivana Kalina Mitrovi, Jana Vukovi, Jasmina Jovanovi, Jasmina Miri, Jasmina Radojii, Jelena Kantar, Jelena Lazi, Jelena Marjanovi, Jelena Mitrovi, Jelena Vasi,

Aleksa Milijanovi (2003), Serbia, No Title Ana Petrovi, Serbia, udan san Tonija Zeca / A Weird Dream of Tony the RabbitAndreas Michaelides (script), Cyprus / Valia Kapadai (art), Greece, MythlegendryAndrej Bunjac (script), Serbia / Antonio Maletin (art), Serbia, The GiftAndrej Bunjac (script), Serbia / Bogdan Tomi (art), Serbia, New Alexandria 8/11Andrej Bunjac (script), Serbia / Kristina Stojanovi (art), Serbia / Ksenija Stojanovi (art), Serbia, The ConvictionAndrej Taev (2003), Serbia, Begunac / The FugitiveArsenije Veljovi (2005), Serbia, Daljinci / Remote ControlsBalkan Beiri (2006), Serbia, Moj ivot / My LifeBartosz Stybor (script) Poland / Ivan Shavrin (art) Russia, Immortal NostalgiaBeth Dawson, United Kingdom, Play to RehearseBojana Minovi (script), Serbia, Maja Veselinovi (art), Serbia, Tri male kineskinje / The Three Little Chinese GirlsDaniel Atanasov, Bulgaria, DragonlastDanica Jevovi, Serbia, TunelDave Charlton, United Kingdom, Graveyard ShiftDavid Kerr, United Kingdom, Enjoyable Conversations in GlasgowDavid Mitrovi (2001), Serbia, KaboDavid irkoski, Serbia, Vrata Raja / The Gates of HeavenDejan Bogojevi, Serbia, Dada strip dada / Dada Comics DadaDragana Kupreanin, Serbia, ReprintDuan Cvetkovi (2007), Serbia, aba ita novine / Frog is Reading the PaperEna Vaskovi (2006), Serbia, Ena u luna-parku / Ena in Amusement Parkrico Ayres, Brazil, Serial VindictiveEsmir Prlja (script), Bosnia and Herzegovina / Filip Andronik (art), Bosnia and Herzegovina, Toljagii iz komiluka / Toljagii From the NeighborhoodFranja Straka, Serbia, Spomenici / MonumentsFurkat Usmanov, Uzbekistan, No TitleGbor Molnr (script), Hungary / Rbert Sndor (art), Hungary, Problem SolvedGrzegorz Weigt, Poland, She and the SeaIgor Gojkovi (2003), Serbia, Cyber Man Ilya Yudovsky, Israel, Primative StoriesIva Markovi (2002), Serbia, Crvenkapa / Red Riding HoodJasmina Radojii (script), Serbia / Jelena Marjanovi (art), Serbia, 50 Shades of Greyness/ 50 nijansi sivilaJelena Vasiljevi, Serbia, The BoxJovan Kolari (2006), Serbia, Zmija u rupi / Snake in a HoleKristyna Baczynski, United Kingdom, RepositoryLazar Kovaevi (2007), Serbia, Tri praseta / The Three Little PigsLeandro Armando Mansilla (script), Argentina / Sebastin Mercau (art), Argentina, Some Old FlavourLuka Dragumilo (2004), Serbia, Pu i Kornjaa / A Snail and a TortoiseMaja Milini-Bogdanovi, Serbia, TitaniumMakhmudjon Eshonkulov, Uzbekistan, ChairMara Jovanovi, Montenegro, O jednom zecu / About a RabbitMarcus Villaca, Hungary, The InsectualsMarija iri (script), Serbia / Milan Rogulja (art), Serbia, N dimenzija / N DimensionMarija Karaleji (2005), Serbia, Priroda / NatureMarjan Milanov (script), Serbia, Marko Sera movi (art), Serbia, Pismo / LetterMarko Stojanovi (script), Serbia / Dejan Mandi (art), Serbia, Vekovnici enova pria / Vekovnici ens StoryMarko Stojanovi (script), Serbia / Ianos Dan Catalin (art), Romania / Aljoa Tomi (color), Serbia, Vera / FaithMarko Stojanovi (script), Serbia /Milorad Vicanovi Maza (art), Bosnia and Herzegovina, Grob / The GraveMarko erer, Serbia, The TruthMatea Stevi (2002), Bosnia and Herzegovina, Kamen / StoneMatej Kocjan, Slovenia, Manage-AirMilenko Bodirogi (script) Serbia / Predrag Buca Popovi (art), Serbia, Escape

KONKURS 2015. - uesnici CONTEST 2015 - participants KONKURS 2015. - izloba CONTEST 2015 - exhibitionJelena Vasiljevi, Jelisaveta Zeevi, Josipa ok, Jovan Abramovi, Jovan osi, Jovan Kolari, Jovan Milini, Jovan Teo lovi, Jovan ivkovi, Jovana Mirkovi, Jovana Tomi, Katarina Miri, Kristina uri, Kristina Pavlovi, Katarina Perovi, Kristina Stojanovi, Ksenija Stojanovi, Lazar Kovaevi, Lazar Rakonjac, Luka Dragumilo, Lju-bica Stevanovi, Maja Milini-Bogdanovi, Maja Veselinovi, Marija iri, Marija Gvozden, Marija Karaleji, Marijana Arunovi, Marjan Milanov, Marko Bokovi, Marko Sera movi, Marko Sto-janovi, Marko erer, Matea Vrankovi, Mihailo Rosi, Mihajlo Labovi, Mihajlo Poljakovi, Mila Runjaji, Milan Hlevovoj, Milan Rogulja, Milenko Bodirogi, Milica Iliji, Milica Mati, Milica Ste-vanovi, Milica Zeevi, Milivoj Kosti, Milosav Ostoji, Milo Krsti, Milo Petrik, Milo Srekovi, Milo Vuji, Milo ivkovi, Mina Jakovljevi, Mina Vrankovi, Mirko Brki, Mona Naskovski, Naa Marijanovi, Nataa Kantar, Neboja Vasili, Ne-manja Jovanovi, Nemanja Tanovi, Nenad Peji, Nevena Berberovi, Nevena Radovanevi, Nevena Ruvidi, Nikola urii, Nikola Gavrilovi, Nikola Goci, Nikola Gvozden, Nikola Markov, Nikola Os-toji, Nikola Peh, Nikola Radosavljevi, Nikola Vu-jai, Nikoleta Pavlovi, Nikolina Gavrilovi, Nina Novakovi, Nina Savkovi, Nora Mesaro, Ognjen Katanevi, Ognjen Trivuni, Pavle Grabovica, Petar Berberovi, Petar erani, Predrag urii, Predrag Buca Popovi, Radomir Perii, Rajko uak, Rastko iri, Relja Petrovi, Samir Neziri, Sanja Jeleni, Sanja Marin kovi, Sanja Savi, Sara Baji, Sara Stani, Simona Raji, Simonida Pajkovi, Sinia uji, Slobodan Milosavljevi, Slo-bodan Rai, So ja Grbi, So ja Lazarevi, So ja Nenezi, Srboljub Niki, Sran Jerkovi, Sran Todorovi, Stefan Bojovi, Stefan Jovanovi, Ste-fan Katani, Stefan Kruni, Stefan Panteli, Stefan Petrovi, Stefan Stojkovi, Stevan Antonijevi, Stevan Sremac, Tamara Jovanovi, Tara Lazovi, Tea Novakovi, Teodora uji, Teodora Novak, Teodora Penezi, Tijana Cvetkovi, Tijana Rank-ovi, Uro Maksimovi, Vasilije Brojin, Vesna Novakovi, Viktor Dani, Viktor Zorii, Vladimir Novakovi, Vladislav Gajski, Vlastimir Mandi, Vojin Popovi, Vuk Boljanovi, Zdravko Barii, Zdravko Miri, Zdravko Stankovi, Zoran Jovii, Zoran Mikuli, eljko Grbi, ivko arkov Slo-vakia: Andrej Wsl Slovenia: Janez Grm, Matej Kocjan, Matja Bretoncelj Switzerland: Sara Ljeskovac Ukraine: Vladimir Kazanevsky United Kingdom: Beth Dawson, Dave Charlton, David Kerr, Kristyna Baczynski USA: Julia Makivi, Pat Moriarity Uzbekistan: Fahrukh Teshayev, Furkat Usmanov, Makhmudjon Eshonkulov, Mirsaid Ga-ziev, Nikolay Sviridenko

KONKURS 2015. - NAGRADE CONTEST 2015 - AWARDS & PRIZES

NAGRADE IRIJA / JURY AWARDS

GRAND PRIX:

Nenad Peji (script), Serbia /Igor Krsti (art), Serbia, Baku

NAJBOLJE OSTVARENJE U DOMENU KLASINOG STRIP JEZIKA/AWARD FOR THE BEST TRADITIONAL STYLE COMIC:

Milenko Bodirogi (script) Serbia /Predrag Buca Popovi (art), Serbia, Escape

NAJBOLJE OSTVARENJEU DOMENU ALTERNATIVNOG STRIP JEZIKA / AWARD FOR THE BEST ALTERNATIVE COMIC:

Marcus Villaca, Hungary, The Insectuals

NAJBOLJI SCENARIO /AWARD FOR THE BEST SCRIPT:

Marjan Milanov, Serbia, Pismo / Letter

NAJBOLJI CRTE /AWARD FOR THE BEST GRAPHICS:

Predrag Buca Popovi, Serbia, Escape

SPECIJALNA NAGRADA IRIJAZA INOVACIJU U STRIP UMETNOSTI / SPECIAL JURY AWARD FOR INVENTIVENESS:

Ana Petrovi, Serbia, udan san Tonija Zeca / A Weird Dream of Tony the Rabbit

NAGRADE IRIJA U KATEGORIJI TAKMIARA DO 15 GODINA /JURY AWARDSFOR THE AUTHORS UP TO 15 YEARS OF AGE

MLADI LAV / YOUNG LION SPECIAL AWARD:

Nemanja Tanovi (2006), Serbia, Lenji deak / Lazy Boy

SPECIJALNA NAGRADA IRIJA ZA NAJBOLJU IDEJU / SPECIAL JURY AWARD FOR THE BEST IDEA:

Mina Jakovljevi (2002), Serbia, Oteta breskva / Stolen Peach

SPECIJALNA NAGRADA IRIJA ZA ZREO I MATOVIT IZRAZ / SPECIAL JURY AWARD FOR MATURITY AND IMAGINATION:

Lazar Kovaevi (2007), Serbia, Tri praseta / The Three Little Pigs

SPECIJALNA NAGRADA IRIJA ZA NAJMLAEG AUTORA / SPECIAL JURY AWARD FOR THE YOUNGEST AUTHOR:

Stefan Bogdanovi (2008), Serbia, Bela

Milica Stevanovi (2001), Serbia, Gun LadyMilivoj Kosti, Serbia, Zakon same / Law of ShotsMina Jakovljevi (2002), Serbia, Oteta breskva / Stolen PeachMoshik Gulst, Israel, Middle East CaffeNemanja Tanovi (2006), Serbia, Lenji deak / Lazy BoyNenad Ostoji, Croatia, Life after DeathNenad Peji (script), Serbia / Igor Krsti (art), Serbia, BakuNevena Berberovi (2002), Serbia, Mrtva glava/ Dead HeadNicols Perfetto, Argentina, Why not..?Nikola Vujai, Serbia, Poslednja basna / The Last FableNilo Trovo, Brazil, Sanatorium to OpenNora Mesaro, Serbia, Permanent Vacation Ognjen Katanevi (2006), Serbia, Tri Patuljka / Three DwarfsPat Moriarity, USA, Sculpture?Petar Berberovi (2005), Serbia, Mornar / SailorPhilippe Girard, Canada, TailgatePredrag Ikoni, Bosnia and Herzegovina, San hiljadu dua / A Dream of a Thousand SoulsRastko iri, Serbia, GasSanja Savi (script) Serbia / Jana Vukovi (art) Serbia, LenkaSimon Vukovi, Montenegro, Kapital rijei / The Capital of the WordsSlobodan Milosavljevi, Serbia, Ona / SheSran Todorovi, Serbia, Hajduk VeljkoStefan Bogdanovi (2008), Serbia, BelaStefan Wenczel, Austria, Under the SeaStepanka Jislova, Czech Republic, All Dead ThingsTomislav Tikulin (script & color), Croatia / Sebastijan amagajevac (art), Croatia, The Weddin MasterVladimir Novakovi (script) Serbia / Vesna Novakovi (art) Serbia, Put / PathwayVladislav Gajski, Serbia (script), Marina Stefanovi (2000), Serbia, Iza ogledala / Behind the mirrorVlastimir Mandi, Serbia, Jeremija pali topa - neka bude borba neprestana / Jeremija Fires the Cannon Let the Battle BeginZdravko Barii, Serbia, Pria o Hrastivoju / The Story about the Grand OakZdravko Miri, Serbia, ekanje/ WaitingZoran Jovii, Serbia, Kosingas red zmaja / Kosingas Order of the Dragon

KONKURS 2015. - izloba CONTEST 2015 - exhibition

GRAND PRIX OF THE FESTIVAL

Nenad Peji

Igor Krsti

Roen je 1983. godine u Pirotu, gde ivi i radi. Pored stripa bavi se jo i muzikom, pisanjem poezije i kratke proze. Na strip sceni je debitovao 2014. godine kratkim stripom Tain (crta Igor Krsti), u antologiji Linije fronta u izdanju System Comicsa.

Roen u Pirotu 1982. godine. Diplomirao je 2009. go-dine na Fakultetu umetnosti u Niu, na odseku slikarstvo. Bavi se slikarstvom, ilustracijom, karikaturom i stripom. Radi kao nastavnik likovne culture. Karikaturista je za borski list Kolektiv i ilustrator izdavake kue Pelica.

He was born in 1983 in Pirot, Serbia, where he lives and works. Besides comics he also deals with music, poet-ry and short prose. He had his debut at the comics scene in 2014, with the short comics Tain (artist Igor Krsti), in the anthology Front Lines, published by System Comics.

He was born in Pirot, Serbia in 1982. He graduated from the Faculty of Arts in Ni, in 2009 at the department of Painting. He is engaged in painting, illustration, car-toons and comics. He works as a teacher of visual culture. He is a cartoonist of the journal Kolektiv from Bor and illustrator of Pelica publishing house.

KONKURS 2015. - NAGRADE CONTEST 2015 - AWARDS & PRIZES NAGRADE PRIJATELJA SALONA / AWARDS OF THE FRIENDS OF THE FESTIVAL

NAGRADA CRATER vfx Training Centra, Beograd / Award of CRATER vfx Training Center, Bel-grade:

Milica Stevanovi (2001), Serbia, Gun Lady

NAGRADA STRIPOTEKE /STRIPOTEKA MAGAZINE AWARD:

Marko Stojanovi (script), Serbia / Ianos Dan Catalin (art), Romania / Aljoa Tomi (color), Serbia, Vera / Faith

NAGRADA IZDAVAKE KUE SYSTEM COMICS / SYSTEM COMICS PUBLISHING HOUSE AWARD:

Marjan Milanov (script), Serbia, Marko Sera movi (art), Serbia, Pismo / Letter

NAGRADE IZDAVAKE KUE DARKWOOD / DARKWOOD PUBLISHING HOUSE AWARDS:

Tomislav Tikulin (script & color), Croatia /Sebastijan amagajevac (art), Croatia,The Weddin Master

Aleksa Milijanovi (2003), Serbia, No Title

NAGRADA KNJIARE DELFI / DELFI BOOKSTORE AWARD:

Nenad Peji (script), Serbia /Igor Krsti (art), Serbia, Baku

NAGRADA ASOPISA STRIPOLIS /STRIPOLIS MAGAZINE AWARD:

Jelena Vasiljevi, Serbia, The Box

NAGRADA STRIP MAGAZINA MUNJA STRIP / MUNJA STRIP MAGAZINE AWARD:

Ena Vaskovi (2006), Serbia, Ena u luna-parku / Ena in Amusement Park

NAGRADA IZDAVAKE KUE AROBNA KNJIGA/ AROBNA KNJIGA PUBLISHING HOUSE AWARD:

Milorad Vicanovi Maza, Bosnia and Herzegovina, Grob / The Grave

NAGRADA IZDAVAKE KUE BESNA KOBILA/ BESNA KOBILA PUBLISHING HOUSE AWARD:

Vlastimir Mandi, Serbia, Jeremija pali topa neka bude borba neprestana /Jeremija Fires the Cannon Let the Battle Begin

NAGRADA IZDAVAKE KUE MODESTY STRIPOVI / MODESTY STRIPOVI PUBLISHING HOUSE AWARD:

Kristyna Baczynski, United Kingdom, Repository

NAGRADA IZDAVAKE KUE ROSENCRANTZ / ROSENCRANTZ PUBLISHING HOUSE AWARD:

Grzegorz Weigt, Poland, She and the Sea

NAGRADA KLUBA KOLEKCIONARA S I MALE PRODAVNICE RETKOSTI /AWARD OF COLLEC-TONERS CLUB S & LITTLE SHOP OF RARITIES:

Marina Stefanovi (2000), Serbia, Iza ogledala / Behind the mirror

NAGRADA STRIPARNICE KEN STRIPOVI/ AWARD OF KEN STRIPOVI COMICS STORE:

Matea Stevi (2002), Bosnia and Herzegovina, Kamen / Stone

Nenad Peji (script), Serbia / Igor Krsti (art), Serbia, BakuGRAND PRIX

NAJBOLJE OSTVARENJE U DOMENU ALTERNATIVNOG STRIP JEZIKA /

AWARD FOR THE BEST ALTERNATIVE COMIC

Marcus Villaca, Hungary, The Insectuals

NAJBOLJI SCENARIO/ AWARD FOR THE BEST SCRIPTMarjan Milanov, Serbia, Pismo / Letter

NAJBOLJE OSTVARENJE U DOMENU KLASINOG STRIP JEZ

IKA/

AWARD FOR THE BEST TRADITIONAL STYLE COMIC

NAJBOLJI CRTE / AWARD FOR THE BEST GRAPHICS

Milenko Bodirogi (script) Serbia /

Predrag Buca Popovi (art), Serbia, Escap

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SPECIJALNA NAGRADA IRIJA

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SPECIAL JURY AWARD FOR INVENTIVENESS

Ana Petrovi, Serbia,

udan san Tonija Zeca /

A Weird Dream of Tony the Rabbit

MLADI LAV / YOUNG LION SPECIAL AWARD

Nemanja Tanovi (2006), Serbia, Lenji deak / Lazy Boy

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Lazar Kovaevi (2007), Serbia, Tri praseta / The Three Little Pigs

NAGRADE IRIJA U KATEGORIJI TAKMIARA DO 15 GODINA

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SPECIAL AWARD FOR GENERAL CONTRIBUTION TO SERBIAN COMIC STRIPSPECIJALNO PRIZNANJE ZA DOPRINOS SRPSKOM STRIPU

ZDRAVKO ZUPANZdravko Zupan (1950) beogradski istoriograf stripa,

umetnik, izdava i urednik, zavrio je Gra ku tehniku kolu, a potom nastavio studije na likovnom odseku Vi-soke poslovne kole u Beogradu.

Prvi strip objavio je u listu Mali Je 1965. godine. Ve 1967. postao je stalni saradnik preduzea Deje novine iz Gornjeg Milanovca. Od 1983. do 1988. sa scenaristom Lazarom Odanoviem crtao je licencni serijal Tom i Deri za zagrebaku Vjesnikovu pres agenciju. Poetkom 90-ih godina prema tekstovima uglednog evropskog scenariste Fransoa Korteanija za francuski asopis Le Journal de Mickey crtao je strip Miki Maus. Zapaen je bio njegov album Miki i Ba-elik nastao prema scenariju Nikole Maslovare koji je objavila Politika. Najpoznatije Zupanove autorske stripske serije su Zuzuko i Munja uz koje je odraslo vie generacija.

Ogledao se kao izdava popularnih izdanja za decu: Munja Zabavnik, Munja Strip i Munja Bojanka, kao i stripo le: Cepelin, Ekstra Cepelin, Edicija Reprinti)

Zupan je naroito aktivan kao istoriar stripa i njegov metodian rad je bio od posebnog znaaja za valorizaciju stripa na teritoriji bive Jugoslavije. Najvaniji objavljeni radovi Zdravka Zupana su monogra je Istorija jugosloven-skog stripa (sa S. Draginiem, 1986), Vek stripa u Srbiji (2007), Veljko Kockar strip, ivot, smrt (2009), Zigomar (2011), kritiki leksikon Stripovi koje smo voleli (sa . Tamburiem i Z. Stefanoviem, 2011), i specijalno izdanje asopisa Gradac, posveeno Andriji Mauroviu (2012). Organizator je vie znaajnih izlobi stripa u zemljama bive Jugoslavije i inostranstvu. lan je sekcije istoriara umetnosti ULUPUDS od 1987. godine. Za svoj rad na stripu dobio je vie priznanja.

Zdravko Zupan (1950) is a historian of comics, artist, publisher and editor from Belgrade. He nished Graphics technical school and he continued his studies at the artistic department of Higher School of Applied Studies.

He published his rst comics in the magazine Mali Je in 1965. Two years later he became the regular collaborator of Deje Novine from Gornji Milanovac. Between 1983 and 1988, together with script-writer Lazar Odanovi, he drew licensed series Tom & Jerry for Zagreb based Vjesnik Press Agency. At the beginning of the nineties he drew the comic Mickey Mouse for the French magazine Le Journal de Mick-ey, scripted by Franois Corteggiani. His album Mickey & Ba-elik (Mickey and the Head of Steel), scripted by Nikola Maslovara and published by Belgrade based Politika was exceptionally recognized. His well-known comics editions are Zuzuko and Munja, read by many generations of younger readers.

He is a publisher of popular editions for children, such as Munja Zabavnik, Munja Strip and Munja Bojanka, as well as for adults: Ce-pelin, Ekstra Cepelin, Edicija Reprinti.

He is especially active as a historian of comics and his methodical work was exceptionally important for revalorization of comic art on the territory of former Yugoslavia. His most important monographs are Istorija jugoslovenskog stripa (History of Yugoslav Comics, co-author S. Dragini, 1986), Vek stripa u Srbiji (A Century of Comics in Serbia, 2007), Veljko Kockar strip, ivot, smrt (Veljko

Kockar Comics, Life and Death 2009), Zigomar (2011), critical lexicon Stripovi koje smo voleli (Comics We Loved, with . Tamburi and Z. Stefanovi 2011) and spe-cial edition of magazine Gradac, dedicated to Andrija Maurovi (2012). He organized many important exhibitions in former Yugoslavia and abroad. Since 1987 he is a member of the section of art historians at the Serbian Association of artists and designers of applied arts. He received many honors and awards for his contributions in the eld of the ninth art.

Svetozar Toza Obradovi roen je 1950. godine u No-vom Sadu. Za strip se zainteresovao jo u predkolskom dobu zahvaljujui svom ujaku koji je, sem to se bavio slikarstvom i ilustracijom, bio ljubitelj devete umetnosti. To interesovanje je postalo jo snanije kada je koju god-inu kasnije upoznao klinca iz susedne ulice Branislava Baneta Kerca. Usledilo je neumorno crtanje stripova po sveskama, ali ono pravo se ipak dogodilo petnaestak godi-na kasnije. Tada su se Bane i Toza ponovo sreli i zakljuili da Bane bolje crta, a Toza pie scenarije. Istog trenutka je pao i dogovor o saradnji. Prvi zajedniki pokuaj odmah je doneo uspeh. Serijal Porunik Tara, sa tematikom iz NOB-a, raen u vestern maniru, prihvaen je u IP Dnevnik i ugledao je svetlost dana u asopisu Zlatni kliker, a 1975. i u Strip zabavniku. etiri godine kasnije preselio se na stranice Stripoteke, a objavljivan je i u dejim casopisima Jo pajtas na maarskom jeziku i Maslaku iz Osijeka.

U etrdeset godina rada Obradovi je saraivao sa svim znaajnijim izdavakim kuama na prostorima bive Jugoslavije, ali najvie sa Dejim Novinama iz Gornjeg Milanovca, kao i Marketprintom i Dnevnikom iz Novog Sada. Za to vreme stvorio je mnoge junake stripa kao to su: Porunik Tara, Kobra, Billi The Pljuc, Ket Klou, Izvidnik Rod, Ninda, Lun kralj ponoi po romanima Frederika Etona, (Mitar Miloevic). Takoe je bio angaovan na licencnim stripovima Tarzan, Bufalo Bil i Veliki Blek za koji je uradio preko 50 epizoda.

Radovi su mu objavljivani u Italiji, Francuskoj, Nemakoj, Danskoj, Norvekoj, vedskoj. Holandiji i SAD. U saradnji sa Ilijom Nikeviem uradio je za strip Nevolje sa Rokijem i druge prie koji je ove godine postao redovno nastavno sredstvo u osnovnim kolama Crne Gore, uz udbenik za predmet graansko vaspitanje.

Saraivao je sa tridesetak naih i nekolicinom crtaa iz drugih zemalja. Krae vreme se bavio pedagokim ra-dom. Tokom 2000. godine je na Novosadskom otvorenom univerzitetu drao kolu stripa, a naredne tri rukovodio je Strip radionicom.

Svetozar Toza Obradovi was born in 1950 in Novi Sad. He became interested in comics thanks to his uncle who was a painter and illustrator, but also a fan of the ninth art. That interest became even stronger after he met a kid from the neighborhood Branislav Bane Kerac. They drew many comics in notebooks, but the real thing happened fteen years later. They met again and concluded that Bane is the better artist and Toza better scriptwriter. At that very moment cooperation agreement was formed. First joint attempt brought success. Series Porunik Tara (Lieu-tenant Tara), inspired by WW2 and made in the man-ner of westerns, was accepted in Dnevnik publishing. It appeared in magazine Zlatni kliker, and in 1975 in Strip zabavnik. Four years later, this comic appeared for the rst time in Stripoteka. It was also published in childrens magazines Jo pajtas in Hungarian language, as well as Maslaak from Osijek.

During forty years of his career, Obradovi collabo-rated with all important publishing houses in Yugoslavia, but mostly with Deje Novine from Gornji Milanovac and Novi Sad based Marketprint and Dnevnik. He created many comics heroes such as Porunik Tara, Kobra, Billy The Pljuc, Cat Claw, Izvidnik Rod, Ninja and Lun, King of Midnight, based on the novels of Frederick Ashton (Mitar Miloevi). He also worked on licenced series: Tarzan, Buffalo Bill and Il Grande Black; for later he did over 50 episodes.

His works were published in Italy, France, Germany, Denmark, Norway, Sweden and USA. Together with Ilija Nikevi he scripted the comics titled Nevolje sa Rokijem i druge prie (Troubles with Rocky and other stories) that became a regular teaching tool in primary schools in Montenegro, for subject civic education.

He collaborated with over thirty Serbian and other artists. For a short time he worked as a lecturer. In 2000,

he held Comics school at the Novi Sad Open University and in the next three years he ad-ministered a comics workshop.

SVETOZAR TOZA OBRADOVI

Nagrada izdavake kue Deje novine Dositej i optine Gornji MilanovacAward of Deje novine Dositej publishing house and Gornji Milanovac municipality

S R E K O JOVANOVI

PRIZNANJE ZA NAJBOLJEG IZDAVAA DOMAEG STRIPA 2014/2015. AWARD FOR THE BEST PUBLISHER OF DOMESTICALLY ORIGINATED COMICS 2014/2015

SYSTEM COMICSIzdavaka kua Moro d.o.o. / System Comics osno-

vana je 2001. godine i punih etrnaest godina radi na a rmaciji domaeg stripa i domaih strip autora, kako u Srbiji, tako i u inostranstvu.

Nai urednici su prepoznali potencijal u domaim strip autorima i za poslednjih nekoliko godina objavili su vie domaih strip serijala. Na prvi strip album bio je diplomski rad sada ve uveliko poznatog crtaa i anima-tora Alekse Gajia Tehnotajz. Potom su usledili albumi starijih srpskih majstora: Bojana Kovaevia, eljka Pa-heka, Zorana Janjetova i Rajka Miloevia Gere.

Tu su i strip projekti Vekovnici i Beskrvni scenariste Marka Stojanovia u kojima je srpska tradicija mode-

rnizovana, ali bez podsmeha ili otrcanih stereotipa. U njima su nae epske i legendarne linosti poput Kral-jevia Marka, kneza Lazara, Miloa Obilia povezane sa dogaajima iz evropske i svetske batine. Zatim fenome-nalna Druina Dardaneli, au-torski prvenac Pavla Zelia i Dragana Paunovia. Potom, Konstantinovo raskre, ambiciozni projekat Deja-na Stojiljkovia i Dragana Paunovia, strip adaptacija istoimenog romana koji je tokom ovih godina postao pravi bestseler, ne samo u Srbiji, ve i u regionu.

Meu izdanjima System Comicsa takoe treba izdvo-jiti strip album Valkira, scenariste Silvana Kordurijea koji je crtao Draen Kovaevi, zbirku Linije fronta knjiga prva koja se bavi ivotom na frontu, ali i svakodnevnim ivotom ljudi tokom Velikog rata. Na njoj je radilo deset srpskih crtaa i po pet francuskih i srpskih pisaca. Slede Pljosnati strip Alekse Gajia, kao i roman u stripu Ota-

dbina Nine Bunjevac, integralni album Nit umetnosti Ivane i Gradimira Smue, kao i Bonelijev serijal Adam Wild koji zajedno objavljuju System Comics i Feniks press.

Moro / System Comics publishing was founded in 2001 and fourteen years it directs its efforts to the af r-mation of domestic comics and comics artist, in Serbia and abroad.

Our editors recognized the potential in domestic art-ists and during the last several years they published many domestic comics series. Our rst album was Technotise, graduate work of now well renowned artist and animator Aleksa Gaji. Graphic novels of older Serbian masters of comics art followed, including Bojan Kovaevi, eljko Pahek, Zoran Janjetov and R.M. Guera.

Then, there are projects Vekovnici (Aeons) and Beskrvni (Bloodless), scripted by Marko Stojanovi. They bring modernization of Serbian tradition, but with-out mocking or shabby stereotypes. In it, our legendary gures, such as Prince Marko, Prince Lazar, Milo Obli and others are related to the events from European and world history. There is also an extraordinary novel Drui-na Dardaneli (Dardanelles Company) by Pavle Zeli and Dragan Paunovi. Then, Konstantinovo raskre, the am-bitious project of Dejan Stojiljkovi and Dragan Paunovi,

a comics ad-aptation of the namesake novel that became a true bestseller, not only in Ser-bia, but in the region as well.

Among edi-tions of System Comics one has to mention novel Valky-rie, scripted by Sylvain Cordurier and drawn by Draen Kovaevi, collection Linije fronta knjiga prva (Front-lines - book one), which deals with life on front lines, but also with everyday life during the Great War. Ten Serbian artists and ve Serbian and ve French scriptwriters worked on it. Then there are Pljosnati strip (Flat Comics) by Aleksa Gaji, graphic novel Otadbina (Fatherland) by Nina Bunjevac, integral Nit umetnosti (Threads of Art) by Ivana and Gradimir Smua, as well as Bonellis series Adam Wilde jointly published by System Comics and Phoenix Press.

DARKWOODIzdavaka kua Darkwood

vredno i ambiciozno radi na tome da revitalizuje domae strip-iz-davatvo i da mlae generacije italaca upozna sa stripom kao medijem. Prolo je pet godina od kada je kultna strip-knjiara izrasla i u najveeg domaeg strip-izdavaa. U tom periodu, kao izdava, Darkwood je do-maoj italakoj publici pred-stavio sve najvanije kole stripa, poevi od italijanskog Bonelija, preko francusko-belgijske BD produkcije, amerikih superhero-jskih stripova i gra kih romana, pa do japanskih mangi. Dosad je objavljeno blizu trista naslova i ostvarena je saradnja sa svim najveim svetskim izadavakim kuama (Marvel, DC, Dark Horse, Panini, Bonelli, Caster-man, Shueisha, Shogakukan, Kodansha). U Darkwoodu vas ekaju Srebrni leta, Betmen, Hulk, Konan, Tarzan, Frankentajn, Gea, Lilit, Valentina, Sendmen, Propoved-nik, Naruto, Spiru, Stvorenje iz movare... Uivaete u serijalima kao to su Grad greha, Okruen mrtvima, One Piece, Napad titana, Lokot i klju, Noje, Bil i Bul i mnogim drugima. Poseban uspeh je to to su posle gotovo etvrt veka u domaem izdavatvu uspostavljena dva postojana strip-magazina Perle i Karusel, koja po uzoru na sline revije iz nekih srenijih vremena itaocima predstavljaju aktuelne svetske naslove avanturistikog i humoristikog anra. Kao rezultat svega pomenutog u poslednje dve godine situacija na domaoj strip-sceni drastino se poboljala. Sve je vie italaca. Sve je vie dece i mladih ljudi koji postaju ljubitelji stripa.

Darkwood Publishing works hard and with vigor to revitalize domestic comics publishing and to familiarize younger generations of readers with the comics media. Five years have passed since our comics-store became the largest domestic comics publisher. During this period Darkwood presented to the readers all important comics schools; starting from Italian Sergio Bonelli Editore, via Franco-Belgian BD production, American superheroes and graphic novels to Japanese manga. Around three hundred titles have been published so far and the coop-eration with all the biggest publishing houses worldwide has been established (Marvel, DC, Dark Horse, Panini, Bonelli, Casterman, Shueisha, Shogakukan, Kodansha). In Darkwood await you Silver surfer, Batman, Hulk, Conan, Tarzan, Frankenstein, Gea, Lilit, Valentina, Sand-man, Preacher, the Swamp thing, Naruto and Spirou. You will enjoy the series such as Sin City, the Walking Dead,

One Piece, Attack on Titan, Locke & Key, Noah, Boulle & Bill and many others. A par-ticular success is that after almost a quarter of the cen-tury, two permanent comics magazines were established Perle and Carousel that follow the example of similar magazines from some happi-er times and present current adventurous and humorous comics titles worldwide to the readers. As a result of all above mentioned, in the last two years the situation on domestic comics scene drastically improved. There are more and more readers, children and young people who became fans of comics.

PRIZNANJE ZA NAJBOLJEG IZDAVAA INOSTRANIH STRIP IZDANJA U SRBIJI 2014/2015.AWARD FOR THE BEST PUBLISHER OF FOREIGN COMICS EDITIONS IN SERBIA 2014/2015

MORENO BURATTINIRoen je 1962. u mestu San Marelo Pistojeze, Italija. Radi za izdavaku kuu

Sergio Bonelli Editore, na mestu urednika serijala Zagor. Moreno je glavni scenarista pomenutog serijala i autor koji je na prvom mestu po broju Zagorovih pria. Pisao je prie i za nekoliko drugih junaka iz izdavake kue Sergio Bonelli Editore: Koman-danta Marka, Dampira i Teksa Vilera. Takoe je autor brojnih knjiga, romana, kratkih pria i komedija. ivi u Pistoji.

gosti salona - guests of the festival

specijalni gost Salona: VELIKA IZLOBA ZAGORA / PROMOCIJA 600. BROJA EDICIJE ZAGOR, (Sergio Bonelli Editore, 2015.)Special Guest Of The Festival: GREAT EXHIBITION OF ZAGOR / launch of ZAGOR, no. 600, (Sergio Bonelli Editore, 2015)

Moreno Burattini was born in 1962 in San Marcello Pistoiese, Italy. He works for Sergio Bonelli Editore as an editor-in-chief of Zagor series. He is the main scriptwriter of Zagor and he authored most of the series stories. He also wrote scripts for other Bonellis heroes: Il Comandante Mark, Dampyr and Tex Willer. He is the author of numerous books, short stories and comedies. He lives in Pistoia. Walter

venturiRoen je 1969. u Rimu. Sa dvadeset pet godina je

sam objavio 12 brojeva svog prvog stripa, Kapetan Itali-ja, a potom se posvetio radu na horor mini-serijalu Lost Kidz. Zatim je preao u izdavaku kuu Eura Editoriale u kojoj je uestvovao na nekoliko mini-serija objavljenih u asopisima Skorpio i Lanciostory i postao lan redovne crtake ekipe na serijalima John Doe i Detektiv Dante. Za izdavaku kuu Edizioni BD je uradio jednu kratku priu serijala Brad Barron koja se pojavila u knjizi Anatomia di un eroe (Anatomija heroja). esnaesti broj tog serijala, koji je napisao Tito Farai, oznaio je poetak saradnje sa izdavakom kuom Sergio Bonelli Editore. Nakon rada na serijalu Demijan, u avgustu 2013. nacrtao je prvi broj Zagora u boji, po scenariju Jakopa Rauha. Debi u ulozi celokupnog autora ostvario je u oktobru 2013, kada se na kioscima pojavio Veliki Belconi, objavljen u okviru edicije Romanzi a fumetti. U martu 2015 je uradio Zagorov Specijal 27, zajedno sa Lorencom Bartolijem, a sredinom godine u Italiji izlazi team-up Dragonero/Zagor, po sce-nariju Stefana Vijetija.

Trenutno radi na jo jednoj prii za Zagora.

He was born in 1969 in Rome. In 1994 he self-published 12 issues of his rst comics Capitan Italia. He then dedicated himself to work on horror mini-series Lost Kidz. His collaboration with Eura Editoriale followed; he worked on several mi-ni-series published in magazines Scorpio and Lanciostory and he became permanent member of a crew that worked on series John Doe and Detective Dante. For Edizioni BD he did a short story of Brad Barron series, which was pub-lished in a book Anatomia di un eroe. Its sixteenth issue, scripted by Tito Faraci, marked the beginning of his col-laboration with Sergio Bonelli Editore. After the work on Damian, he drew the rst issue of Zagor in color, scripted by Jacopo Rauch. His debut as a scriptwriter and artist came in October 2013, when Il Grande Belzoni appeared, as a part of Romanzi a fumetti edition. In March 2015, he did 27th special issue of Zagor, together with Lorenzo Bartoli. This year a team-up Dragonero/Zagor, scripted by Stefanno Vieti, will be published as well.

Venturi is currently working on another story for Zagor.

gost Salona stripa u saradnji sa izdavakom kuom PHOENIX PRESS, Beograd: VELIKI BELCONI, izloba autora / promocija izdanjaGUEST OF THE FESTIVAL in cooperation with PHOENIX PRESS Pub-lishing, Belgrade: IL GRANDE BELZONI, exhibition of the artist / album launch

VIOREL PRLIGRASRoen je 1959.go-

dine u Drobeti Turnu Severin, Rumunija, gde je proveo detinjstvo da bi se kasnije trajno nasta-nio u Krajovi.

Jedan je od na-jpoznatijih rumunskih strip autora. Inicijator je takozvanog Strip roc-ka (BD-rock), autor je prvog trodimenzionalnog stripa i vlasnik je svojevrsnog rekorda sa stripom Oskar (Oscar), koji je premaio cifru od 5.000 geg tabli i kaieva objavljivanih u raznim listovima i asopisima tokom 18 godina postojanja.

Bio je specijalni gost na Meunarodnim salonima stripa: arlroa 1993, Krajova 1996. i Torino Comics 2003.

Tokom 2002. godine osvaja glavnu nagradu na konkursu Mali princ, organizovanog od strane izdavaa Alfa, sa strip albumom Karaale u stripu (Caragiale in BD), koga neto kasnije isti izdava i objavljuje.

Njegovi stripovi su objavljivani u Italiji, Belgiji, Fran-cuskoj, Brazilu, Norvekoj i u Srbiji. Jedan je od osnivaa grupe BDC iz Krajove.

He was born in 1959 in Drobeta Turnu Severin, Romania. There he spent his childhood and later he per-manently moved to Craiova.

He is one of the most famous Romanian comics art-ists. He initiated so-called BD-rock; he is the author of the rst three-dimensional comics and he owns a record: in the time span of 18 years more than 5.000 strips of his comics Oscar were published in various journals and magazines.

He was the special guest at several international

PROZOR U SVET RUMUNSKOG STIPA, predavanja /multimedijalni programA WINDOW TO THE WORLD OF ROMANIAN COMICS, lectures / multimedia program

DRAGAN PREDIRoen je 1966.godine u Kladovu, Srbija. Ele-

ktrotehniar je po struci i doivotni zaljubljenik u strip. Tokom osamdestih godina bio je lan Kluba Devete Umetnosti iz Ljubljane. Prevodi sa rumun-skog i pie o stripu s obe strane Dunava u asop-isima Strip pressing, Think Tank, Argonaut i BDC. Poasni je lan Udruenja rumunskih ljubitelja stripa (Asociatia bede lilor din Romania) iz Kra-jove. Pridrueni je lan strip bande, poznatije kao Krajova strip (Banda desenata Craioveana) i jedan od etvorice urednika istoimenog strip asopisa BDC.

He was born in 1966 in Kladovo, Serbia. He is an electrician by profes-sion and lifelong fan of comics. During the eighties he was a member of the Association of the ninth art from Lju-bljana. He translates from Romanian and writes about comics on the both banks of the Danube, in magazines Strip pressing, Think Tank, Argonaut and BDC. He is an honorary member of the Association of Romanian comics fans (Asociatia bede lilor din Romania) from Craiova. He is associated member of the Craiova comics band (Banda de-senata Craioveana) and one of the edi-tiors of the namesake magazine BDC.

festivals: Charleroi 1993, Craiova 1996 and Torino Com-ics 2003.

In 2002 he won rst prize in the contest The Little Prince, organized by Alfa publishing, with the album Caragiale in BD. It was later issued by the same pub-lisher.

His comics were published in Italy, Belgium, France, Brazil, Norway and Serbia. He is one of the founders of BDC from Craiova.

igor kordej

Roen je 1957. godine u Zagrebu. Jedan je od najplodnijih i najuspenijih svet-skih strip autora i ilustratora. Radovi su mu objavljivani irom Evrope i obe Amerike i nalaze se u brojnim javnim i privatnim kolekcijama. Od brojnih izdavaa sa kojima je saraivao treba spomenuti Heavy Metal magazin, Marvel, DC Comics, Dark Horse u Americi, a od evropskih Dargaud, Les Humanoides Associes, Toutain, Silvester Strips i Algoritam. Zadnjih desetak godina radi kao kuni autor za francuski Delcourt, za kojeg trenutno simultano radi na vie strip serijala Jour J, Les 30 Deniers i Mi, mrtvi (zajedno sa scenaristom Darkom Macanom). U pauzama predano radi na strip adaptaciji Macanove novele Texas Kid, moj brat iji prvi deo se moe nai na activatecomix.com.

He was born in 1957 in Zagreb, Croatia. He is one of the most successful comics artists and illustrators around the globe. His works were published in Europe and both Americas and can be found in numerous public and private collections. He collaborated with many pub-lishers, including USA based Heavy Metal, Marvel, DC Comics and Dark Horse, as well as European Dargaud, Les Humanoides Associes, Toutain, Silvester Strips and Algorithm. The last ten years he was working from home, for French Delcourt and on the following series: Jour J, Les 30 Deniers and Nous and les Morts, scripted by Darko Macan. In the meantime, he is ardently working on the comics adaptation of Macans novel Texas Kid, my brother. Its rst part is available at activatecomix.com.

gost Salona stripa u saradnji sa izdavakim kuama SYSTEM COMICS, Beograd i LAVIRINT, aak: TARZAN REKE KRVI (I. Kordej, N. Antievi), izloba autora / promocija izdanjaguest of the Festival in collaboration with System Comics publishing, Belgrade and Lavir-int, aak: TARZAN RIVERS OF BLOOD (I. Kordej, N. Antievi), exhibition / album launch

MIRCEA LIVIU GOGARoen je 1958.godine u Krajovi, Rumunija. Svestrani

je umetnikpisac, bavi se likovnim umetnostima, folk muzikom. Novinar je i urednik na Radio Oltenia u Krajovi.

Tokom 1989. godine bio je jedan od trojice inicijatora nastanka prvih studentskih novina u Krajovi objavljenih nakon revolucije Grai Studentesc. Od 1994. pa sve do 2000.godine ureivao je list Jurnalul de Craiova, koji kasnije postaje Jurnalul de Dolj, a zatim i Jurnalul de Jiu.

lan je SF kluba SFVA iz Krajove. Iz njega 1983.go-dine nastaje i strip grupa BDC za koju je nacrtao nekoliko stripova tokom osamdesetih godina, koji naalost nikada nisu objavljeni.

Imao je sedam samostalnih izlobi slika iz domena nadrealne umetnosti.

Objavljuje SF prie i poeziju u srodnim asopisima i antologijama jo od 1980.godine. Osam godina kasnije debitovao je svojim poetskim delom u zbirci Lirski uzleti (Zboruri lirice), a kasnije je objavio i samostalne naslove: SF romane Trimis extraordinar (1991) i Insula Pescruilor (2011), kao i zbirke poezije Jumtate Vidros (1999) i Cn-turile catrului (2010).

He was born in 1958 in Craiova, Romania. He is a versatile artistwriter, also engaged in the visual arts and folk music. He is a journalist and editor in Craiova based Radio Oltenia.

In 1989, he was one of the three co-founders of the rst student paper in Craiova that emerged after the Revolution Grai Studentesc. Between 1994 and 2000 he edited journal Jurnalul de Craiova, which was later renamed Jurna-

lul de Dolj, and then Jurnalul de Jiu.

He is a member of SF club SFVA from Craiova. From this club in 1983 emerged comics association BDC. For it, he did several comics during the eighties that were unfor-tunately never published. He had seven solo exhibition of paintings in the domain of surreal art.

He published SF stories and poems in various jour-nals and anthologies since 1980. Eight years later, he

debuted in the eld of poetry, in the collection Lyrical soars (Zboruri lirice). After that he pub-lished SF novels Trimis extraordinar (1991) and Insula Pescruilor (2011), as well as collections of poetry Jumtate Vidros (1999) and Cnturile catrului (2010).

VICTOR MARTINRoen je 1954. u Trgu Karbuneti u Rumuniji. Proza-

ista je i pisac naune fantastike, esejista, novinar, pesnik i izdava. Osamdesetih godina njegovi prozni radovi su bili inspiracija za nekoliko stripova Viorela Prligrasa. Autor je 24 objavljenih knjiga. lan je Udruenja pisaca Rumunije.

He was born in 1954 in Trgu Crbuneti, Romania. He is SF writer, essayist, journalist, poet and publisher. During the eighties his prose works served as an inspiration for several comics created by Viorel Prligras. He is the au-thor of no less than 24 books. He is a member of the Romani-an association of writers.

cristian ciomuRoen je 1954.godine

u Drobeti Turnu Severin, Rumunija. Pripada generaciji strip autora koja je uestvova-la na prvom nacionalnom strip konkursu Avanture Pifa i ko-lege Minitehnikusa (Aventurile lui Pif i ale colegului Miniteh-nicus), organizovanog 1970.godine od strane asopisa Kutezatori (Cuteztorii). Dve godine kasnije, na drugom nacionalnom konkursu, osv-aja glavnu premiju. Od tada objavljuje svoje stripove u

mnotvu asopisa i paraleleno se ozbiljnije posveuje svo-joj profesiji - arhitekturi, kao i muzici. Svirao je u dez-rok grupi Basorelief, komponovao je muziku za vie predstava

He was born in 1954 in Drobeta Turnu Severin, Ro-mania. He belongs to the generation of comics artists who participated at rst national comics contest Adventures of Pif and the colleague Minitechnicus (Aventurile lui Pif i ale colegului Minitehnicus), organized by the magazine Cuteztorii. Two years later, he won the rst prize in the second national contest. Since then, he has published his comics in the multitude of magazines, simultaneously committing himself to his profession architecture, as well as music. He played in jazz-rock band Basorelief, composed music for many plays in Craiova theater. He is also the author of musical partitures of celebrated Crossroads (Rscruciuri), organized by his association Apolodores bridge (Podul lui Apolodor).

At the interna-tional comics festival in Craiova in 1996, he presented his audio-visual perfor-mance Balad of Cor-to Maltese (Balada lui Corto Maltese).

His most fa-mous comic hero is Prichindel, accom-panied by his friend Corco, after whom a comics magazine of the nineties was named.

u lutkarskom pozoritu u Krajovi i autor je muzikih par-titura slavnih Raskra (Rscruciuri) organizovanih od strane njegovog udruenja Apolodorov most (Podul lui Apolodor).

Na Meunarodnom salonu stripa u Krajovi, 1996. go-dine, predstavio je svoj audio-vizuelni performans Balada o Kortu Maltezeu (Balada lui Corto Maltese).

Njegov najpoznatiji strip junak je Prikindel (Prichin-del), uz svog nerazdvojnog druga Korka (Corco), po kome je i nazvan jedan od strip asopisa iz devedesetih godina.

PAT MORIARITY

Zapoeo je svoju karijeru na punk sceni sredinom osamdesetih u Mineapolisu, gde je saraivao sa iz-davakom kuom Twin/Tone Records, radei na vizuel-nom materijalu za bendove The Replacements, Mekons, Magnolias i Soul Asylum. Rad na stripu zapoeo je 1987, kada su Fantagraphics Books u jednoj antologiji objavili njegovu storiju, nastalu prema istinitom dogaaju, o tome kako je bio rtva pljake. Vrlo brzo su njegovi stripovi poeli da izlaze u izdanjima kao to su Zero Zero, Real Stuff, Pictopia, Top Shelf i Aesops Fables, pre nego to je 1993. zapoeo vlastitu seriju stripova Big Mouth, koja je bila nominovana za prestinu ameriku nagradu Harvey. Takoe je jedan od autora zastupljenih u antologiji stripo-va inspirisanih snovima, Flock of Dreamers koju su 1998. za ameriku izdavaku kuu Kitchen Sink Press uredili Saa Rakezi i Bob Ketmen.

U svom strip serijalu Big Mouth, Moriarity je crtao stri-pove prema scenarijima kolega strip crtaa, ali i poznatih linosti iz javnog ivota, meu kojima su Harvi Pekar, Robert Kramb, arls Bukovski i mnogi drugi.

Godine 1990. Morijariti se seli za Sijetl, gde postaje umetniki direktor najznaajnijeg nezavisnog strip iz-davaa u Americi, Fantagraphics Books, radei i na njiho-vom asopisu The Comics Journal. U to vreme, je na listi magazina Rolling Stone proglaen za crtaa o kojem se pria. To je praktino prokrilo put njegovoj karijeri ilus-tratora za klijente kao to su Nickelodeon, Subpop, Details, Seattle Weekly i CMJ. Dve njegove naslovnice za izdanja stripova su dobile nagradu renomiranog lista Print Mag-azine. Uskoro su njegovi radovi bili objavljeni u National Geographic Kid, a saradnja se proirila na Estrus Records, Chrysler Magazine i The Stranger. Za potrebe viestruko nagraivanog dokumentarnog lma Derailroaded, kreirao je 2006. godine trominutnu animaciju. Film je bio prika-zan na tv kanalu Roberta Redforda. Inae, kuriozitet je svoje vrste da je Morijariti kreirao i omot za CD izdanje jedne domae grupe, Napred u prolost.

Meu najnovijim angamanima ovog umetnika je plakat za novi dokumentarni lm posveen strip sceni Sijetla (amerike prestonice autorskog stripa) Bezan-go, WA, delo autorskog tima kojeg ine Ron Ostin i Luiz Amandes. Pat Moriarity je jedan od crtaa koji se u lmu pojavljuju. Ovaj lm e svoje prvo prikazivanje doiveti upravo u Srbiji, najpre na Panevakom lmskom festi-valu, a zatim na Salonu stripa u Beogradu, pre nego to poetkom oktobra doivi premijeru u Americi!

Pat Moriarity began his career on the punk scene in the mid-eighties in Minneapolis, where he collaborated with label Twin/Tone Record, through work on visual materials for The Replacements, Mekons, Magnolias and Soul Asylum. He started to work on comics in 1987, when Fantagraphics Books in an anthology published his comics based on a true story; namely, how he became a victim of a robbery. His comics soon appeared in publica-tions such as Zero Zero, Real Stuff, Pictopia, Top Shelf and Aesops Fables. In 1993 he started to work on his own comics series Big Mouth, nominated for the prestigious US award Harvey. He is one of the authors included in the anthology Flock of Dreamers, published in 1998 for the US publishing house Kitchen Sink Press and edited by Sasa Rakezi and Bob Kathman.

In the Big Mouth, Moriarity created comics scripted by fellow artists, but also by the well-known public gures, including Harvey Pekar, Robert Crumb, Charles Bukowski and many others.

In 1990, Moriarity moved to Seattle, where he became art director of Fantagraphics Books, the most important independent comic book publisher in America. He worked on their issue The Comics Journal. At that time Rolling Stone magazine labeled him as a hot cartoonist. This effectively paved the way for his career of illustrator, for clients such as Nickelodeon, Subpop, Details, Seattle Weekly and CMJ. Two of his covers for comic books have been awarded by the renowned Print Magazine. Soon, his works were published in National Geographic Kid, and soon he started the collaboration with Estrus Records, Chrysler Magazine and The Stranger. In 2006 he created a three-minute animation for the award winning docu-mentary lm Derailroaded, shown on Robert Redfords TV channel. A curiosity of its kind is that he created the cover for the CD release of a Serbian rock band Napred u prolost (Forward to the Past).

Among his most recent engagements is the poster for the new documentary dedicated to the comics scene of Seattle (American capital of the alternative comics) - Bez-ango, WA, directed by Ron Austin and Louise Amandes. Moriarity is one of the artists who appear in the lm. The rst screening of this lm will be in Serbia, at the Panevo lm festival and then at the International comics Festival in Belgrade, before its American premiere in October.

BEZANGO, WA / STRIP SCENA SIJETLA, AMERIKE PRESTONICE AUTORSKOG STRIPA, dokumentarni film / predavanje BEZANGO, WA THE COMICS SCENE OF SEATTLE, AMERICAN CAPITAL OF INDEPENDENT COMICS, documentary / lecture

PAULO MONTEIRO

Roen je 1967. godine u Vila Novi de Gaja u Oportu, Portugalija. Poev od svoje trinaeste godine ilustruje po-etske fanzine i crta postere i murale. Studije je zapoeo 1987. godine na Fakultetu za knjievnost Univerziteta u Lisabonu. Tokom ovog perioda takoe je studirao slikarst-vo i dizajn za pozorite. Posle diplomiranja 1991, seli se u Beu, gde i trenutno ivi. Tokom 2005. godine postao je direktor lokalne biblioteke za strip, kao i Meunarodnog strip festivala u Bei, na kome su gostovali mnogi istaknu-ti strip-umetnici, poput Krejga Tompsona, Dejva MekKi-na, Dejvida B, ipija, Lorenca Matotija i Migelana Prada. Iste godine odluio je da se posveti stripu i kao autor. Objavio je nekoliko kratkih pria u fanzinima, a 2010. je objavio svoj prvi dui strip The In nite Love I have for you koji je preveden na etiri jezika i prodavan u 12 zemalja. On je bio dobro primljen u portugalskoj i meunarodnoj tampi i osvojio je etiri nagrade. Montejro trenutno radi na svojoj drugoj knjizi. esto putuje kroz Portugaliju i poseuje kole u gradiima i manjim mestima, gde dri predavanja o stripu.

Paulo Monteiro was born in Vila Nova de Gaia, Oporto, Portugal, in 1967. From the age of 13 he has illustrated poetry fanzines and drawn posters and mural paintings. He studied in the Faculty of Letters of the Lisbon Univer-sity from 1987. During that period he has also studied Painting and Theatre Design. After graduation in 1991 he went to live in the southern town of Beja, his current home and adoptive city. Since 2005 he has been the direc-tor of the Beja Comics Library and of Bejas International Comics Festival, hosting many exciting leading comic art-ists like Craig Thompson, Dave McKean, David B., Gipi, Lorenzo Mattotti, and Miguelanxo Prado, among many others. It has been also since 2005 that he has decided to dedicate himself to comics, as an author. Since then he has published a few comic short stories in fanzines. In 2010 he publishes is rst long form comic, The In nite Love I have for you, published in 4 languages and distrib-uted in 12 countries (the book had a signi cant reception in the Portuguese and international press, and won 4 awards). Now he is currently working on his second book. He regularly travels all over Portugal, visiting schools in little towns and villages to talk about comics.

TOM PROKPEK

MARTIN FORET

Toma Prokupek (1975) radi kao istraiva-saradnik na Odseku za novinarstvo Fakulteta za umetnost na Univerzitetu u Olomoucu, eka Republika od 2010. go-dine. Njegova istraivanja usmerena su na istoriju ekog stripa, kao vaan i speci ni deo domae popularne cul-ture. Od 2000. godine urednik je ekog strip magazina AARGH! Objavljivao je eseje i strune radove o stripu u asopisima esk literatura (eka Republika), Zeszyty komiksowe (Poljska), International Journal of Comic Art (SAD) i Alternatives Internationales (Francuska). Jedan je od autora monogra je Istorija ehoslovakog stripa u 20. veku (Akropolis, 2014, zajedno sa Martinom Foretom, Pavelom Koinekom i Mihalom Jareom). Zajedno sa Pavelom Koinekom organizator je retrospektivne izlobe Signali iz nepoznatog: eki strip 1922-2012. Priredio je nekoliko antologija ranog i savremenog ekog stripa. Kao strip stvaralac dobitnik je nekoliko nagrada za scenario (Meunarodni salon stripa u Beogradu 2003; Meunarod-ni salon stripa u Lou 2008).

www.analphabetbooks.com

Martin Foret (1980) je docent na Odseku za studije kulture, medije i novinarstva na Fakultetu za umetnost Univerziteta u Olomoucu. Diplomirao je lozo ju, studije ekog jezika i novinarstvo (ve u diplomskom radu bavio se stripom). Od 2000. godine objavljuje lanke o stripu kao slobodni novinar za vee novine i magazine. Pet godi-na kasnije zapoeo je da se bavi akademskim odrazom stripa pre svega teorijom stripa kao posebnog medija i istorijom ehoslovakog stripa. Zajedno sa Tomaom Prokupekom, Pavelom Koinekom i Mihalom Jareom, autor je monogra je Istorija ehoslovakog stripa u 20. veku, objavljene 2014. godine na preko 1000 stranica. Takoe je uestvovao u radu na knjizi Signali iz nepozna-tog. eki strip 1922-2012. koju su 2012. godine priredili Pavel Koinek i Toma Prokupek. Bio je jedan od urednika zbornika radova Studije stripa: mogunosti i perspektive (2012).

Tom Prokpek (1975) works as a research assis-tant in the Department of Journalism of Faculty of Arts, Palack University in Olomouc, Czech Republic, from 2010 and his research is focused on the history of Czech comics as an important and speci c part of domestic pop-ular culture. He is an editor of the Czech comic magazine AARGH! from 2000. He has been publishing essays and expert studies on comics in journals as esk literatura (Czech Republic), Zeszyty komiksowe (Poland), Interna-tional Journal of Comic Art (USA) and Alternatives Inter-nationales (France). He is a co-author of the 1000-pag-es-monograph The History of Czechoslovak Comics of the 20th Century (Akropolis, 2014; with Martin Foret, Pavel Konek and Michal Jare) and a co-organiser of the big retrospective exhibition Signals from the Unknown: Czech Comics 19222012 (with Pavel Konek). He also prepared several commented anthologies of early and contemporary Czech comics. As a creator of comics, he received several awards for his scripts (International Comics Festival in Belgrade, Serbia, 2003; International Festival of Comics in Lodz, Poland, 2008).

www.analphabetbooks.com

Martin Foret (1980) is an assistant professor at the Department of Cultural and Media Studies and Journalism at the Faculty of Arts of Palack Univer-sity in Olomouc. He grad-uated Philosophy, Czech studies and Journalism (and already in his quali -cation theses he dealt with the issue of comics). Since 2000, he has been publish-ing articles about comics as a free journalist, con-tributing to major news-papers and magazines. Since 2005, he has been focused on the academic re ection of comics especially on the theory of comics as a speci c medium and the history of Czechoslovak comics. He is a co-author of the 1000-pag-es-monograph The History of Czechoslovak Comics of the 20th Century (2014; with Tom Prokpek, Pavel Konek and Michal Jare) and he also participated on book Sig-nals from the Unknown. Czech Comics 19222012 (2012, ed. by Pavel Konek and Tom Prokpek). As a co-editor, he prepared the book of conference proceedings Comics Studies: Potentials and Perspectives (2012).

gost Salona stripa u saradnji sa izdavakom kuom KOMIKO, Novi Sad: POGLED NA SAVREMENI PORTUGALSKI STRIP, predavanje / promocija izdavake kue KOMIKO, Novi SadGUEST OF THE FESTIVAL in collaboration with KOMIKO Publishing, Novi Sad: A LOOK AT PORTUGESE CONTEMPORARY COMICS, lecture / promotion of KOMIKO publishing, Novi Sad

ISTORIJA EHOSLOVAKOG STRIPA, predavanje / promocija izdanjaHISTORY OF CZECHOSLOVAKIAN COMICS, lecture / book launch

SIMON VUKOVI

SAO NIDER, SIMON SANDA MIKI MUSTER - OD STRIPOVA DO APP / MIKI MUSTER - FROM COMICS TO APP

Roen je 1975. u Kotoru. Bavi se stripom i ilustracijom. Glavni je inicijator osnivanja i predsednik Udruenja strip autora Crne Gore.

Priredio je dvadesetak samostalnih izlobi i uestvovao na vie od stopedeset grupnih.

Ilustruje za podgorki dnevnik Dan, a radio je za podgoriki dnevnik Pobjeda, beogradski dnevnik Novosti, podgoriki nedjeljnik Revija D, nikiki dvom-jesenik Onogot, kotorske mjesenike Korona oglasi i Boka.

Objavljivao je za razne informativne, omladinske i humoristicke asopise: Gra ti, Juventas, Zid, Index, Plima plus, Monitor, Prijatelj, Cakulona, Karampana, Zu i Tender enigmatikus. Njegovi radovi objavljivani su i u strip magazinima i fanzinima: Lavirinti, Pata-gonija, Bumerang, Apokalipsa, Stripburger, Eon, Za-losna sveska, Cool strip art antology, Gra ka zavera, Pomamna nozdrva, Strip kretor, Foton, Stripos, Burp.

Javnosti je najvie poznat po kaiu stripa Montene-grini koji od 2001. godine izlazi u podgorikom dnevni-ku Dan, a od 2006. u internet nedeljniku Strip Vesti.

WEATHER BY MIKI MUSTER je primer implementacije stripa u elek-tronskoj industriji i a rmacije strip ju-naka kroz savremeni vid komunikacije. Umetnici i dizajneri okupljeni u rmi Asfaktor d.o.o. u saradnji sa najznaa-jnijim slovenakim strip autorom Miki Musterom uspeli su da animiraju najvee slovenake strip junake i na taj nain kroz aplikaciju za vremensku prognozu te likove priblie najmlaim konzumentim.. Aplikacija u kojoj se pomenuti junaci pojavljuju u raznim avanturama, je besplatna i za sada ima 10 razliitih animacija, zavisno od vremena i temperature, moe se videti i preuzeti sa www.weather-mikimuster.com

Miki Muster (1925, Murska Sobota, Slovenija) je svakako najpoznatiji i na-jitaniji slovenaki autor stripa. Njegove prie o avanturama Zvitorepeca, Trdonje i Lakotnika su besmrtne. Meutim, Miki Muster navodi da je on pre svega anima-tor i kao takav je poznat u inostranstvu. Stvorio je vie od 5.000 tabli za strip i animirani lm u ukupnom trajanju od deset sati. Potrebno je uzeti u obzir da je Miki Muster jo uvek i sve samo radio olovkom.

WEATHER BY MIKI MUSTER is an example of the implementa-tion of comics in the electronics industry and promotions of comics heroes through a modern form of communication. Artists and designers gathered in the company Asfactor Ltd. in coop-eration with the most important Slovenian comics author Miki Muster managed to animate the Slovenian comics heroes and to familiarize youngest consumers

with these characters through the weather app. The application in which the mentioned heroes appear in various adventures is free and cur-rently has 10 different animations, depending on weather and temperature. It can be seen and downloaded from www.weather-mikimuster.com

Miki Muster (1925, Murska Sobota, Slove-nia) is certainly the best known and most widely read Slovenian comics author. His stories about the adventures of Zvitorepec, Trdonja and Lakot-nik are immortal. However, Miki Muster said that he is primarily an animator and as such is well known abroad. He created more than 5.000 boards for comics and animated lms, ten hours in total. It is necessary to take into account that Miki Muster worked only with pen.

HE was born in 1975 in Kotor, Montenegro. He deals with comics and illustration. He is the main initiator, founder and president of the

Association of comic artists of Montenegro. He had over twenty solo exhibitions and participated in more than one hundred and fty group ones.

He illustrates for the Podgorica daily Dan. He also worked for Podgorica daily Pobjeda, Belgrade daily Nov-osti, Podgorica weekly Revija D, bimonthly Onogot from Niki, Kotor monthlies Korona oglasi and Boka.

He published in various informative, youth and sa-tirical publications: Gra ti, Juventas, Zid, Index, Plima

plus, Monitor, Prijatelj, Cakulona, Karampana, Zu and Tender enigmatikus. He also published his works in various magazines and fanzines dedicated to comics: Lavirinti, Patagonija, Bumerang, Apokalipsa, Stripburger, Eon, Zalosna sveska, Cool strip art an-tology, Gra ka zavera, Pomamna nozdrva, Strip kretor, Foton, Stri-pos Burp.

mong the wider public he is best known for his short comics Montenegrins, published since 2001 in Podgorica daily Dan, and after 2006 in the internet weekly Strip Vesti.

ANDRIJANA RUIANIMIRANI FILMOVI OSVALDA KAVANDOLIJA LINIJA, PUPILANDIJAANIMATED FILMS OF OSVALDO CAVANDOLI La LINEA, Pupilandia

Osvaldo Kavandoli i Mr Linea Osvaldo Cavandoli and Mr LineaOsvaldo Kavandoli Kava se rodio 1920 godine u

mestu Maderno, na jezeru Garda, Italija, ali e itav svoj ivot provesti u Milanu, gradu kojeg je mnogo voleo. U ranoj mladosti radio je tehnike crtee za Alfa Romeo, a umetnost animacije uio je u milanskom Studiju Pagot, u godinama nakon Drugog svetskog rata.

Pedesetih godina otvara sopstveni studio Pupilandia, gde snima kratke lutka reklamne lmove koji e se prika-zivati u biskopima, pre projekcije dugometranog igranog lma.

Godine 1969. Kava e nacrtati i animirati novog glum-ca i opisae ga na sledei nain: I tako, iz apsolutne elje za ekspresivnom sintezom, iz jedne linije se rodio protagonista, Mr Linea. Nasmejan i naivan, zbunjen i zabrinut, tuan a najee ljut, Mr Linea neumorno ide tankom i vijugavom stazom.

Mr Linea e postati sinonim za svog autora. Popular-an u mnogim zemljama, Mr Linea publici donosi dobro raspoloenje, neku vrstu radosne lakoe postojanja. U svakoj epizodi uvek prisutna ruka samog Kavandolija je tu da pomogne svom junaku u nevolji, ali i da se zabavi na njegov raun. U tom smislu odnos izmeu zabavljenog umetnika i njegovog zabavnog junaka podsea na odnos oca i sina, dok istovremeno publici ukazuje na speci nu prirodu lmske umetnosti.

Osvaldo Cavandoli Cava was born in 1920 in Mader-no, on the Garda Lake, Italy, but he spent all of his life in Milan, the city he loved very much. In his early years, Cava worked on technical drawings in the Alfa Romeo company. After the Second World War, he studied the art of animation in the Pagot studio in Milan.

His own animation studio Pupilandia was born in Mi-lan in the Fifties. The studio will produce puppet anima-tion created for the marketing purposes and distributed in cinemas, before lm projections.

In 1969 Cava will draw and animate his new actor and he will describe him accordingly: so out of an ab-solute desire for expressive synthesis, Mr Linea was born from one line. Nave and humorous, puzzled and worried, sad, but mostly angry, Mr Linea, without ever being tired, walks down the thin and tortuous path.

Mr Linea will become a synonym for his author. Pop-ular in many countries all over the world for years, Mr Linea puts the public in the good mood, creating some sort of a merry lightness of being. Cavas hand, present in every episode, has a role to help his creature out when in trouble and at the same time to make fun of him. In this way the relationship between the amused creator and his amusing creature becomes similar to a father-son re-lationship, but simultaneously reminds the public of the very nature of cinematic arti ce.

Andrijana Rui

FILM I ANIMACIJA - FILM AND ANIMATION

CRNOGORSKA STRIP SCENA, predavanjEMONTENEGRIN COMICS SCENE, lecture

JUBILEJI SRPSKOG STRIPA - ANNIVERSARIES OF SERBIAN COMICS SCENE

Kada se pre punih osam decenija na tritu pojavio Strip, prvi srpski i jugoslovenski list u kome je strip zauz-imao dominantno mesto, deljen je besplatno u reklamne svrhe. Iako je imao otisnut datum 10. april 1935. u proda-ju je puten tri dana kasnije i to kao dodatak devetog broja ilustrovanog lista Panorama. Zanimljivo je da je list nazvan jednostavno Strip, jer su u to vreme za novi medij korieni termini: crtani roman, roman u slikama, ro-man u stripu, stripovani roman. Izdava Stripa, odnosno Panorame, bio je Anatolije Ivanovi, vlasnik beogradskog izdavakog i tamparskog preduzea Narodna prosveta, a urednik (od 40. broja i vlasnik) Vojin M. orevi. Strip je izlazio do 4. juna 1936. godine kada se ugasio sa 63. bro-jem. Pored Flaa Gordona koji je bio stalni sadraj lista, on je doneo itav niz premijernih ostvarenja iji su autori bili ruski umetnici, emigranti. Jedan od pionira i najis-taknutijih autora domaeg stripa ore Lobaev i njegov

When eight decades ago Strip, the rst Serbian and Yugoslav publication in which comics predominated, appeared on the market, it was distributed free of charge

for advertising purposes. Although it had the date April 10, 1935, it was released three days later, as an addition to the ninth issue of the illustrated magazine Panorama. Interestingly enough, it was titled Strip; namely, at that time several other terms were used for the new medium: illustrated novel, novel in pictures and novel in strips. Pub-lisher of the Strip and Panorama was Anatolije Ivanovi, owner of the Belgrade based publishing company Narodna prosveta. Editor (and from the 40th issue the owner as well) was Vojin M. orevi. The Strip was published until June 4, 1936, when it ceased to exist after its issue no. 63. In addition to Flash Gordon, who was a permanent content of the mag-azine, it also published a series of premiere works whose authors were Russian immigrant artists. One of the pioneers and most prominent au-thors of the domestic comics, George Lobachev and his classmate Vadim Kurganskiy created a Ray of Death, a comics adaptation of the novel The Hyperboloid of Engineer Garin, by Alexei Tolstoy. Nikolay Tischenko, renowned cartoonist of Oiani je published an interesting parody of the then popular comic Secret Agent X-9, titled Funny adventures of Secret Agent X-9. In addition to Lobachev and Tischenko, their compatriot Nikolay Navoyev, whose abundant talent will be expressed several years later in Mikijevo carstvo (Mickeys Empire), also debuted in the pages of Strip. Navoyev created several stories for this publication; the most interesting among them was a story about the lovely, wild girl from the jungle Tarzanetta that was repub-lished after the war.

80 GODINA OD IZLASKA PRVOG SRPSKOGI JUGOSLOVENSKOG STRIP LISTA - STRIP

80 YEARS SINCE THE APPEARANCE OF THE FIRSTSERBIAN AND YUGOSLAV COMICS PUBLICATION STRIP

Pre ravno pola veka, 21. avgusta 1965. godine, na ki-oscima se pojavio prvi broj revije za strip i zabavu Zenit. Kao direktor i odgovorni urednik potpisivan je Aleksandar Lazarevi, ali se o Zenitu brinuo Sreko Jovanovi koji se pored ostalih redovnih poslova u Dejim novinama u to vreme bavio i stripom. U poetku okosnicu sadraje Zenita inili su britanski i ameriki novinski stripovi (Tarzan, Dejn Arden, Bak Roders, Ma osvete, Laredo, Red Rajder, Kevin neustraivi, Lens, elina aka) da bi im se vremenom pridruili i neki francusko-belgijski stripovi (Srebrni Plamen, Babiola i Cuki) i Marvelovi serijali (Tor i Derdevil, preveden kao Neboja). Zenit je ve u svom pr-vom broju doneo uvodne nastavke dva veoma popularna i itaocima dobro poznata domaa stripa Akant Radivoja Bogievia i Nikad robom sa Mirkom i Slavkom Desimira iovia Buina. Od 17. broja redakcija je uvela i rubriku u kojoj su osnovnim biografskim podacima i kraim stripom

Exactly half a century ago, on August 21, 1965, ap-peared a rst issue of the magazine for comics and fun, titled Zenith. Its of cial director and editor-in chief was Al-eksandar Lazarevi, but it was Sreko Jovanovi who took

care of Zenith. In addition to other regular activities in the Deje novine publishing, he at that time dealt with all the comics issues. Initially the content of Zenith primarily consisted of the British and American newspaper comics (Tarzan, Jane Arden, Buck Rogers, Sword for Hire, Laredo Crockett, Red Ryder, Kevin the Bold and Steel Claw). Eventually, some Franco-Belgian comics accom-panied them (Flamme dArgent, Babiole et Zou), as well as Marvels series (Thor and Daredevil). In the rst issue Zenith also brought to its readers the introductory sequels of the two very popular domestic comics Akanth, cre-ated by Radivoj Bogievi and Never Surrender, with its heroes Mirko and Slavko by Desimir iovi Buin. After issue no. 17, the editorial board introduced a section in which the artists gath-ered around Deje Novine were introduced with a biography and short comics. These were: Boidar Veselinovi, Brana Nikoli, Ivica Bednjanec, ivorad Atanackovi, Petar Radievi, Radivoj Bo-gievi, Josip Parmakovi, Josip Klobuar, Drago Jovanovi Fera and Nikola Mitrovi Kokan. Dra-gan Kalmarevi, Branko Plavi and Mladen Trnski joined them with their works, published on the pages of Zenith. This magazine was published regularly until May 11, 1968, when it ceased to exist after its issue no. 143. During this period, fourteen extraordinary issues appeared. Unlike regular issues that published comics in sequels, in extraordinary ones, complete series were published.

POLA VEKA OD IZLASKAPRVOG BROJA REVIJE ZENIT

HALF A CENTURY SINCE THE PUBLICATIONOF THE FIRST ISSUE OF THE MAGAZINE ZENITH

predstavljeni autori okupljeni oko ove gornjomilanovake kue: Boidar Veselinovi, Brana Nikoli, Ivica Bednjanec, ivorad Atanackovi, Petar Radievi, Radivoj Bogievi, Josip Parmakovi, Josip Klobuar, Drago Jovanovi Fera i Nikola Mitrovi Kokan. Njima su se u Zenitu svojim radovima pridruili i Dragan Kalmarevi, Branko Plavi i Mladen Trnski. List se odrao do 11. maja 1968. kada se ugasio sa 143. brojem. U istom periodu izdato je i 14 vanrednih brojeva. Za razliku od redovnog izdanja u kome su donoeni stripovi u nastavcima, u vanrednim brojevima objavljivane su kompletne storije.

kolski drug Vadim Kurganski kreirali su Zrak smrti, stripsku adaptaciju romana A. Tolstoja Hiperbolid inen-jera Garina. Ugledni karikaturista Oianog Jea Nikola Tienko objavio je zanimljivu parodiju u to vreme popu-larnog stripa Detektiv X-9 pod naslovom aljivi doivljaji detektiva X-9. Pored Lobaeva i Tienka na stranicama Stripa debitovao je i njihov zemljak Nikola Navojev iji e raskoni talenat zablistati punim sjajem nekoliko godina kasnije na stranicama Mikijevog carstva. Navojev je za Strip nacrtao vie storija, ali najzanimljivija od svih bila je pria o Tarcaneti, ljupkoj, poludivljoj devojci iz dungle koja je reprizirana i posle rata.

Dvadesetpetog oktobra 1975. izaao je prvi broj revi-je Eks almanah Dejih novina. Na Eksovim stranicama itaoci su se susreli sa mnogim stripovima i junacima savremenog evropskog stripa: Viling Huga Prata, Aster Blistok Godara i Ribere, Badi Longvej Deriba, Porunik Mek Koj Palaciosa i urmelena, Donatan Kartland Blank Dimona i Miel Vajan ana Gratona. Paralelno su pretampavani i klasini ameriki novinski stripovi: Brik Bradford, Detektiv X-9, Cisko Kid, Lens, Kejzi Ragli, Tim Tajlor, Doni Hazard, Fantom, King, Mandrak, Beti Bup, Maak Feliks i drugi. Vremenom su u list uvrteni stri-povi iz produkcije Marvela i DC-a, kao to su: Supermen, Spajdermen, Betmen, Derdevil, Karate Kid, Riard Drag-on i ang i. U skladu sa viegodinjom ureivakom praksom gornjomilanovakog izdavaa Eks almanah je odvajao prostor i za ostvarenja domaih autora. Najzas-tupljenij je bio Brana Nikoli sa kratkim geg stripovima Tarziko, Gule Gusar, Pastir Hotka i njegova motka i Mate Karate. Pored Nikolia u listu su saraivali Nikola Mitro-vi Kokan, Jules Radilovi, Drago Jovanovi Fera, Sibin Slavkovi, Vladimir Vesovi, Zvonko Blagojevi, Nikola Maslovara Masli, Milorad ari, Zdravko Zupan, Dragan Stoki Rajac, Miodrag Ivanovi Mikica i Branislav Kerac. Reprizirani su i domai klasici poput Branka Vidia i Sergeja Solovjeva (Crni ataman), ora Lobaeva (Gosp-odar smrti) i Konstantina Kiznjecova (Tetovirani trougao). U prvom broju kao glavni i odgovorni urednik potpisana je Stanija Petkovi, a urednik Brana Nikoli. Poetkom 1980-tih glavni i odgovorni urednik stripovanih izdanja

On October 25, 1975, appeared the rst issue of Ex-Al-manach, published by Deje novine. On its pages, readers encountered many comics and heroes of contemporary European ninth art. Among them were Fort Wheeling by Hugo Pratt, Le Vagabond des Limbes by Godard and Ribera, Deribs Buddy Longway, Mac Coy by Palacios and Gourmelen, Jonathan Cartland by Blanc-Dumont and Gratons Michel Vaillant. Simultaneously, classic American newspaper comics were reprinted, including Brick Brad-ford, Secret agent X-9, Cisco Kid, Lance, Casey Ruggles, Tim Tylers Luck, The Phantom, Johnny Hazard, Mandrake the Magician, King of the Royal Mounted, Betty Boop, Felix the Cat and others. Over time, the magazine included in its content Marvel and DC comics: Superman, Spiderman,

Batman, Daredevil, Karate Kid, Richard Dragon and Shang Chi. In accordance with the editorial policies of Deje novine, Ex-Almanach reserved a special place for comics of domestic authors. The most prominent was Brana Nikoli with his short comics Tarziko, Gule Gusar, Pastir Hotka i njegova motka and Mate Karate. Others whose works appeared in the magazine were Nikola Mi-trovi Kokan, Jules Radilovi, Drago Jovanovi Fera, Sibin Slavkovi, Vladimir Vesovi, Zvonko Blagojevi, Nikola Maslovara Masli, Milorad ari, Zdravko Zupan, Dragan Stoki Rajac, Miodrag Ivanovi Mikica and Branislav Kerac. Homemade classics were republished, such as Crni ataman (The Black Ataman) by Branko Vidi and Sergey Solovyev, Lobachevs Gospodar smrti (The Lord of Death) and Tetovirani trougao (Tattooed Trian-gle) by Constantine Kuznyetsov. In the rst issue Stanija Petkovi was signed as an editor-inchief and Brana Nikoli as an editor. In the beginning of the eighties, editor-in-chief of comics issues of Deje novine was Momilo Rajin, who appeared in the same capacity in Ex-Almanach, while in the meantime Nikoli was replaced by Slobodan Luki. In the last issue, Sreko Jovanovi was signed as an editor-in-chief. Simultaneously with regular issues, editorial board of the magazine also published extraordinary ones, from which a number of separate editions eventually rose. These include Biser, Mini, Gigant, Super, Pro l, Horror, as well as YU strip, which was especially important for the development of domestic com-ics. During its existence Ex-Almanach changed its volume and graphic appearance, but the format remained the same. It ceased to exist after the issue no. 538, on March 15, 1989.

Zdravko Zupan

40 GODINA OD IZLASKAPRVOG BROJA EKS ALMANAHA

FOURTY YEARS SINCE THE APPEARANCE OF FIRST ISSUE OF EX-ALMANACHAs Kekec magazine once introduced some popular

heroes of the Franco-Belgian comics to our readers, Pan-orama promoted Oumpah-Pah, Spirou et Fantasio, Gaston Lagaffe and Michel Tanguy in the same way. The same may be said for Asterix, although it rst appeared in the

Express weekly review, under the name Zvezdoje. Some other heroes and comics also debuted on the pages of Panorama, among them British Karl the Viking, Steel Claw, Olac the Gladiator and James Bond. Some comics dropped by Kekec and Plavi vjesnik were also included in the repertoire: Lucky Luke, Le Chev-alier Blanc, Modeste et Pompon, Arthur le Fantme, Coco Bill, Lieu-tenant Blueberry and Dan Dare. In-itially, publisher of Panorama was Novi Sad based Progress. Later, it was printed by Forum Publish-ing in four-color offset technique in sixteen pages, half of which were in color. It rst appeared on October 12, 1965. Director of the magazine was Novak ivkovi and editor-in-chief was Tomislav Ketig. After issue no. 40, the publication of Panorama was taken over by the Forum, but Ketig remained editor until issue no. 239, when he was replaced by Svetozar Tomi. The magazine was, however, conceived by Radomir Duda Milosavljevi, who was signed only in the last issue, no. 318, published on No-vember 18, 1971. Editorial board of Panorama published its rst extraordinary monthly issue at the beginning May 1969, titled Stripo-teka Panorama, with a complete episode of Goscinny and Uderzos Oumpah-Pah, Brother Two Scalp. This monthly was succeeded by the most popular and longest-running domestic comics magazine Stripote-ka, published until today.

GOLDEN JUBILEE OF PANORAMA

bio je Momilo Rajin koji se u tom svojstvu potpisivao i u Eks almanahu, dok je na urednikom mestu Branu Nikolia smenio Slobodan Luki. U poslednjem broju kao glavni urednik potpisan je Sreko Jovanovi, a ur-ednik Slobodan Luki. Uporedo sa redovnim brojevima redakcija Eks almanaha povremeno je izdavala vanredne tematske brojeve iz kojih e se vremenom izdvojiti niz koncepcijski pro lisanih izdanja: Biser, Mini, Gigant, Super, Pro l, Horor i to je za razvoj domaeg stripa bilo od neprocenjive vanosti YU strip. Tokom izlaenja Eks almanah je menjao obim i gra ki izgled. Jedino je format ostao nepromenjen. Ugasio se 15. marta 1989. sa 538. brojem.

Kao to je svojevremeno Kekec upoznao nae itaoce sa nekim popularnim junacima francusko-belgijskog stri-pa, tako je i Panorama promovisala Umpah Paha, Spirua, Gastona, Tangi i Laverdira. To se s punim pravom moe rei i za Asteriksa, premda se on prvi put pojavio u Ek-spres nedeljnoj reviji kao Zvezdoje. U Panorami su, takoe, svoj debi imali i neki drugi junaci i stripovi. Objavljeno je vie radova britanskog porekla: Karl Viking, Daleka planeta, elina pesnica, Olak Gladijator i Dems Bond. U repertoar su uvrteni i neki stripovi koje su u meu-vremenu ispustili Kekec i Plavi vjesnik: Talini Tom, Beli vitez, Aca i Maca, Artur Fantom, Koko Bil, Porunik Bluberi i Den Deri. Izdava Panorame bio je NIP Progres iz Novog Sada. tampana je u Forumu u etvorobojnoj ofset teh-nici na esnaest strana od ega je polovina bila u koloru. Na kioscima se pojavila 12. oktobra 1965. godine. Kao direktor list je potpisao Novak ivkovi, a glavni i odgov-orni urednik bio je Tomislav Ketig. Iako je od etrdesetog broja izdavanje Panorame preuzeo novosadski Forum, Ketig je ostao na mestu urednika sve do 239. broja kada je tu dunost prepustio Svetozaru Tomiu. Panoramu

ZLATNI JUBILEJ PANORAMEje, meutim, koncipirao Radomir Duda Milosavljevi koji je potpisan tek u poslednjem, 318. broju, izdatom 18. novembra 1971. godine. Redakcija Panorame izdala je poetkom maja 1969. prvi vanredni broj, mesenik Stripoteka Panorama, sa kompletnom epizodom seri-jala Umpah-Pah, Dupli skalp, Goinija i Uderza. Iz ovog mesenika, nakon gaenja matinog nedeljnika iznedrie se najpopularnija i najdugovenija strip revija na ovim prostorima, Stripoteka, koja izlazi i danas.

24. septembar, etvrtak15:00 22:00, Happy Centar SKC: BERZA STRIPA18:00, OTVARANJE IZLOBI SALONA 2015.

Srena Galerija: KONKURS 2015 IZLOBA NAGRAENIH RADOVA Mala sala: KONKURS 2015 IZLOBA NAJUSPELIJIH RADOVA Galerija SKC: VELIKA IZLOBA ZAGORA, (selektor izlobe: Moreno Buratini) Velika sala: Valter VENTURI: IZ OPUSA / VELIKI BELCONI, (selektor izlobe: Goran Zeevi) Novi prostor: Igor KORDEJ: TARZAN REKE KRVI (selektor izlobe: Igor Markovi) Galerija Cirkus: Zdravko ZUPAN dobitnik priznanja za doprinos srpskom stripu, dokumentarna izloba18:30, Velika sala: PRATEI PROGRAM / KOSPLEJ SALONA 201520:00, Velika sala: CEREMONIJA SVEANOG OTVARANJA SALONA I DODELA NAGRADA

25. septembar, petak11:00 22:00, Happy Centar SKC: BERZA STRIPA16:00, Velika sala: Zoran UKANOVI: Talenti pripovedaa Borisa Stania - Radosav, Atentat i Blatite, predavanje17:15, Velika sala: Sao NIDER / Simon SANDA (Slovenija): MIKI MUSTER - OD STRIPOVA DO APP, prezentacija projekta18:00, Velika sala: Toma PROKUPEK / Martin FORET (eka Republika): ISTORIJA EHOSLOVAKOG STRIPA, predavanje / promocija izdanja18:45, Velika sala: Valter VENTURI (Italija), predstavljanje gosta Salona / VELIKI BELCONI, promocija izdanja (Phoenix Press, Beograd, 2015)19:30, Velika sala: PROZOR U SVET RUMUNSKOG STIPA / BDC (Banda desenata Craioveana), Viorel PRLIGRAS, Kristijan OMU, Mira LIVIU GOGA, Viktor MARTIN (Rumunija), Dragan PREDI (Srbija), predavanje20:30, Velika sala: Kristijan OMU: ZVUCI STRIPA, performans

26. septembar, subota11:00 22:00, Happy Centar SKC: BERZA STRIPA 14:00 16:00, Velika sala: CRTAI CRTAJU ZA VAS, crtake radionice (Valter VENTURI, Marcello MANGIANTINI) 16:00, Velika sala: Jubileji srpskog stripa: 20 godina leskovake kole stripa NIKOLA MITROVI KOKAN / 15 godina edicije STRIP PRESSING16:30, Velika sala: Strip magazin STRIPOLIS, (Kulturni centar, Zrenjanin), promocija 17:00, Velika sala: MODESTY STRIPOVI - IZDAVATVO, Jugoslav Gorunovi, Vasa Pavkovi, Zoran Penevski, Zdravko Zupan, promocija izdavaa17:30, Velika sala: KAKO DIGITALIZOVATI STRIPOVE I STRIPSKA IZDANJA ZA FOND NARODNE BIBLIOTEKE SRBIJE, Nemanja Kalezi, Slobodan Ivkov, predavanje18:00, Velika sala: PAULO MONTEJRO (Portugalija): POGLED NA SAVREMENI PORTUGALSKI STRIP, predavanje / promocija izdavake kue KOMIKO, Novi Sad19:00, Velika sala: Moreno BURATINI (Italija), predstavljanje specijalnog gosta Salona / Promocija 600. broja edicije ZAGOR, (Sergio Bonelli Editore, 2015.)20:00, Velika sala: Andrijana RUI (Italija): ANIMIRANI FILMOVI OSVALDA KAVANDOLIJA (LINIJA / PUPILANDIJA), predavanje / projekcija lmova

27. septembar, nedelja11:00 22:00, Happy Centar SKC: BERZA STRIPA 16:00, Velika sala: Simon VUKOVI (Crna Gora): CRNOGORSKA STRIP SCENA, predavanje 16:30, Velika sala: Zoran UKANOVI: Lens - Klasicistiki pobunjenik Voren Tafts, predavanje17:30, Velika sala: SAKURABANA BEOGRAD, prezentacija programskih aktivnosti 18:15, Velika sala: VIZUELNI EFEKTI U VIDEO IGRAMA BAZIRANIM NA JUNACIMA IZ STRIPOVA, Bogdan AMIDI (Crater vfx Training Center, Beograd), predavanje19:00, Velika sala: