Kassabian CV current.doc

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ANAHID KASSABIANDepartment of Communication and Media Studies

Fordham University113 West 60th Street, Room !!

"e# $or%, "$ 100!3

!1!&636'()*) fa+ !1!&636'(*(* e'mai-%assa.ian/fordhamedu

CURRICULUM VITAE

Employment: ssociate 2rofessor, Department of Communication andMedia StudiesFordham University, !00!'present ssistant 2rofessor,

1))6'!00!Co'Director, 4iterary Studies 2ro5ram, !003'!006 ssociateDirector, 4iterary Studies 2ro5ram, Fordham University,!001'!00!

2ro5ram Facu-ty, 4iterary Studies 2ro5ram and WomensStudies 2ro5ram,

Fordham University, 1))6'present4ecturer, rmenian Studies Summer 2ro5ram at 7radford

Co--e5e, 1))64ecturer, Ca-ifornia State University, Fresno, 2ro5ram in

Womens

Studies, 1))8')6 9fu--'time:Deve-opment Consu-tant, 1))')84ecturer, San Francisco State University, Department of

Cinema, 1))Deve-opment Director, ;he Womens 2hi-harmonic, 1))3')4ecturer, Stanford Summer Mass Media <nstitute, 1))3

Education 2hD, Modern ;hou5ht and 4iterature, Stanford University,1))3

=isitin5 Scho-ar, Musico-o5y <nstitute, >?te.or5 University,1)**

M, Modern ;hou5ht and 4iterature, Stanford University,1)**7, summa cum -aude, Media Studies 9dept honors:,

Fordham University, ;he Co--e5e at 4inco-n Center,1)*6

!ant"# Hono!"#



A$a!d" Facu-ty Fe--o#ship, Fordham University, !00!'!003 mes Fund Facu-ty >rant, 1))*'!000Whitin5 Fe--o# in the @umanities, 1))0')1Stanford University Departmenta- Fe--o#, 1)*6A)0Ba-ten.orn Foundation >rant, 1)** merican'Scandinavian Foundation >rant, 1)**

Boo%: Hearing Film: Tracking Identifcation in Contemporary Hollywood Film Music 9"e# $or% and 4ondon Rout-ed5e,!001: r5ues that shifts in contemporary -m scorin5 demand ne#theoretica- mode-s of identication and that compi-ed andcomposed scores condition identication dierent-y



Boo% inp!o&!e"": Up to My Ears in Music: Ubiquitous Musics and istributed

!ub"ecti#ities 9forthcomin5, Wes-eyan University 2ress: r5ues that u.iEuitous musics instantiated distri.utedsu.ectivities, #hich in turn are the condition of possi.i-ity of cy.ercu-ture

Boo%" Edited: $unt %ute $nt&ology o' U! (omen (riters) *ol+ II ,editoria- .oard mem.er 9responsi.-e for Midd-e Gast' merican #riters, popu-ar cu-ture:

,eeping !core: Music) isciplinarity) Culture, co'editorsDavid Sch#arH, nahid Bassa.ian, 4a#rence Sie5e-9Char-ottesvi--e, = University 2ress of =ir5inia, 1))(:

Edited 'olumeIn p!o&!e"": Ubiquitous Music, co'edited #ith David Sch#arH In music in

everyday -ife, inc-udin5 music in .us and train stations, ce--phone rin5s, 77C #artime radio, Gdisons mood musice+periments, 7aroEue concerti 5rossi as domestic.ac%5round music, and more

Refereed

Journal Articles: “Filming the Catastrophe: Egoyan’s Ararat ,” with D. Kazanjian, Armenian Review,forthcoming

“From omewhere Else: G5oyans Calendar , Freuds -at Man, and rmenian Diasporic "ationa-ismJ, #ith D BaHanian, T&irdTe.t, forthcomin5 Sprin5 !008

KWou-d $ou 4i%e Wor-d Music #ith $our 4atteL Star.uc%s,2utumayo, and Distri.uted ;ourism,J Twentiet& Century Music 1!, forthcomin5

KIne'and'a'ha-f -itt-e .-ue pi--s on separation, theory andhistoryJ /ualitati#e Inquiry , *! 9!3)'!8:, pri- !00!

KU.isu. U.iEuitous 4istenin5 and "et#or%ed Su.ectivity,J Ec&o: $ Music0Centered 1ournal, 3!

K;he >hosted Writin5 of a @aunted 2oststructura-ism, Ir,@o# < -earned to read,J 9in a 5roup of essays on T&e End2s3



o' Et&nograp&y .y 2atricia ; C-ou5h: /ualitati#e Inquiry (898!'8:, Icto.er !001

KMuHa%,J in 4ublic !0, K4e+icon !0th Century DJ =o-ume !

of !, !000

KRoundta.-e ;he future of popu-ar music studies,J in 1ournalo' 4opular Music !tudies 11&1! 1)))&!000 With 4ine>renier, David 7rac%ett, and Wi-- Stra#

K $ou @ave to Want to 7e an rmenian @ere "ationa-isms,Se+ua-ities, and the 2ro.-em of rmenian Diasporic <dentity,J#&D BaHanian, $rmenian Forum 11, 1))*

K Woman Scored,J !tudies in !ymbolic Interaction vo- 18,

N< 2ress, 1))

K"amin5 the rmenian >enocide,J #&David BaHanian, new 'ormations *,

Summer 1)*)

Boo% C(apte!": KSounds of ;raumas 2ast Contemporary rmenianG+perimenta- and Fusion Musics,J 1a556(orld: 7ew -epertoires) 7ew 4roductions, > 2-astino and 2= 7oh-maneds, in pro5ress

K fter#ord,J !ounds o' t&e !layer: Music and !ilence in 8u9y t&e *ampire !layer , ="M Bni5hts and 2 ttine--o, eds,in pro5ress

KRethin%in5 2oint of udition in T&e Cell,J %owering t&e 8oom, ;ony >raeda and Nay 7ec%, eds, forthcomin5

K<ntroduction,J 4op Fictions, 4annin and Ca-ey, eds,forthcomin5, <nte--ect 7oo%s, !00

K;he Sound of a "e# Fi-m Form,J in 4opular Music and Film,<n5-is, ed, Wa--Oo#er, !003

KU.iEuitous 4istenin5,J in 4opular Music !tudies,@esmondha-5h and "e5us, eds, I+ford !00!



9;rans-ated as K %ascolto ubiquoJ in !ound Tracks: Tracceper lo studio Interdisciplinare della 4opular Music, FrancescoDmato, editor, Me-temi !00!:

K4istenin5 for <dentications,J in E.periencing t&e!oundtrack: Cinesonic ;, 7rophy, ed, !001, --en and Un#in

K2opu-arJ in ,ey Terms in 4opular Music and Culture, S#issand @orner, eds, 7-ac%#e-- 2u.-ishers, Ma-den, M andI+ford, 1)))

KMe-ancho-ic Memories and Manic 2o-iticsJ 9#&D BaHanian:in

Feminism and ocumentary , Wa-%er and Wa-dman, eds,University of Minnesota 2ress, 1)))

Kt the ;#i-i5hts 4ast Scorin5J in ,eeping !core, Sch#arH,Bassa.ian, and Sie5e-, eds, University 2ress of =ir5inia,1))(

K;he Sound of the Mai- ;ruc%, or, @o# < 4earned to StopWorryin5 and Read Reection 4etters,J in <n t&e Market,I-sen and 7ous, eds, Riverhead 7oo%s, 1))(

K"amin5 the rmenian >enocide,J in !pace and 4lace)T&eories o' Identity and %ocation, 4a#rence and Wishart,1))3 9ori5 appeared in n' *:

Cu!ato!ial Cinema Gast Screenin5 Series, Diaspora&Ither cate5ory, rteGast, "$,

p!o)ect": Sprin5 !00"e# $or% rmenian Fi-m Festiva-, "or -i%, March !00San Francisco rmenian Fi-m Festiva-, Fe.ruary !00"e# $or% rmenian Fi-m Festiva-, -#an for the rts, Nune

!00!

T!an"lation": KdeEuate Modes of 4istenin5,J trans #&4 > Svendsen fromS#edish, !tan'ord

Humanities -e#iew 3!, Nanuary 1))



Con*e!ence+!oceedin&": I$!4Ms First !core: !ampling twenty years o' t&e International

$ssociation 'or t&e !tudy o' 4opular Music 9#rote introductionand edited .oo%-et of e+cerpts from !0 years of ne#s-etters,mem.ers persona- photos, etc:

K;rac%in5 <dentications,J C&anging !ounds: 7ew irectionsand Confgurations in 4opular Music) <nternationa- ssociation for the Study of 2opu-ar Music, University of;echno-o5y, Sydney, !001

KRace, >ender, and "ationa-ism in Contemporary @o--y#oodFi-m Music,J 4opular Music: !tyle and Identity , <nternationa- ssociation for the Study of 2opu-ar Music, Stoc%ton, C,1))8

KFeminist ;heory and the Study of 2opu-ar Music,J 4opular Music 4erspecti#es 9v8:, <nternationa- ssociation for theStudy of 2opu-ar Music, 7er-in, 1))8

,ou!nal" Edited: 1ournal o' 4opular Music !tudies, 1))6'!000,inc-udin5 specia- issue on peda5o5y and curricu-um

=$nd t&e walls come a0tumblin down: Music in t&e $ge o' 4ost0disciplinarity , specia- issue of !tan'ord Humanities -e#iew 3!, Nanuary 1))

Re'ie$ E""ay": K!ettling t&e 4op !core: 4op Te.ts and Identity 4olitics, .yStan @a#%ins,J for 1ournal o' 4opular Music !tudies,forthcomin5

K Music and Cinema,J for 4opular Music, forthcomin5

KFi-m and ;e-evision Music,J #&2hi-ip ;a55, in Encyclopediao' 4opular Musics o' t&e (orld>*olume III: ?enres,Continuum, forthcomin5



Cou!"e" Tau&(t: t Fordham K4istenin5 to 4iterature,J Sprin5 !008University KNourna-ism Wor%shop,J Sprin5 !008

K;heories of Media, Cu-ture and Society,J Fa-- !00KMidd-e Gast Fi-m and 4iterature,J Fa-- !003

KSoundscape Studies,J Sprin5 !00!KFi-m and >ender,J Fa-- 1))6, Sprin5 1))*, Sprin5 !00!K<ntroduction to Communication and Media Studies,J Sprin5

1))*, Sprin5 1))), Sprin5 !000, Fa-- !000, Sprin5 !001,Fa-- !001, Sprin5 !00, Sprin5 !008

K2opu-ar Music as Communication,J Fa-- 1))(, Fa-- 1))*, Fa--1))), Fa-- !000,

Fa-- !001, Fa-- !003, Sprin5 !00KFi-m ;heory,J Sprin5 1))(, Sprin5 1))), Fa-- !001, Fa--

!00KMass Communication and Society,J Fa-- 1))6, Sprin5 1))(,

Fa-- 1))(, Fa-- 1))*, Fa-- 1))), Sprin5 !001K>ender9s: and Co-or9s: of Contemporary @o--y#ood Fi-m,J

Sprin5 !000Krts Nourna-ism,J Sprin5 !000KContemporary Studies in >ender and Media,J Sprin5 1)))@onors ;hesis dvisin5, 4iterary Studies 2ro5ram, 9-m

topics: 1))*, 1)))KFeminist ;heories in <ntercu-tura- 2erspective,J Sprin5 1))*KUnderstandin5 ;e-evision,J Sprin5 1))(KModern merican Fi-m,J Fa-- 1))(K<ntroduction to Fi-m,J Fa-- 1))6

G-se#here KDiversity in the USJ under5raduate and 5raduate9Stanford U, K<ntroduction to Womens StudiesJSan Francisco KFi-m and Socia- Chan5eJ under5raduate and 5raduateState U, KFi-m estheticsJCSU Fresno: Krticu-atin5 Diasporas rmenian Fi-mJ

KRace and Racism in the USJK2opu-ar Cu-ture and Co-or in the USJ 9freshman #ritin5

course:K;he >ender9s: and Co-or9s: of Contemporary merican

Fi-mJKna-yHin5 the 7arra5e Writin5 .out the MediaJ 9t#o'

Euarter seEuence tau5ht t#ice freshman #ritin5 course: KFeminist Fi-m and ;e-evision ;heoryJ separate

under5raduate and5raduate sections



Senior @onors ;hesis dvisin5KFi-m Criticism,J Communication Department 9;:K1)th C 7ritish "ove- <nto !0th C Fi-m,J Gn5-ish

Department 9;:

Kdvanced ;opics in Musica- ;heater,J Drama Department9;:

K@istory of merican Musica- ;heater,J Drama Department9;:



In'ited Lectu!e": 4ecture and Seminar series at Dept of Music,University of Nyvaes%y-ae, pri- !00

Beynote ddress, Music and 7roadcastin5 Conference, Deptof Music, McMaster University, ;oronto Canada, Fe.ruary!00

4ecture and Seminar series at Dept of Music, University of@e-sin%i, "ovem.er !00

4ecture and Seminar series at Dept of Music, University of;ur%u, "ovem.er !00

KWhich Fi-m Was ;hisLJ #&David BaHanian, Roundta.-e #iththe director on tom G5oyans $rarat, Co-um.ia UniversityFi-m 2ro5ram and Midd-e Gast Studies Department,"ovem.er, !003

KWomen, <mmi5ration, and Disp-acement in Midd-e GastFi-m,J rte Gast, co'sponsored .y "$U 2ro5ram on >enderand Se+ua-ity, Icto.er !003

KIn Fate, Diaspora and Disp-acement,J Screenin5 of #or% .y;ina 7astaian, Friends of UC4 rmenian Studies 2ro5ram, Nune !003

K;he Wor-d in a Cup of Coee Star.uc%s, 2utumayo, andWor-d Music,J Schoo- of Music, University of "orth ;e+as, pri- !003, Dept of Music, University of "e#cast-e 9UB:,Decem.er !00!, and Dept of Communication, Mc>i--University, "ovem.er !00!

K@o# to ;each #ith Fi-m Music,J 4o#e-- @i5h Schoo-, SanFrancisco, ;eachers dvancement 2ro5ram, March !003

KWor-d Music and Distri.uted Su.ectivity,J 7ac%5round4istenin5 and Music Composition spea%er series, Fundacio4a Cai+a, 7arce-ona, Fe.ruary !003

K;he Sound of a "e# Fi-m Form,J Fi-m Studies 2ro5ram,University of "e#cast-e 9UB:, Decem.er !00! and WomensStudies 2ro5ram, Santa C-ara University, Fe.ruary !00!



K@earin5 is 7e-ievin5, ;oo,J 1*)8 ;he Cu-ture ;hat MadeCinema, Stanford

;heater, pri- 1))8

K@o--y#ood and the Musica- Ma%in5 of the "ation,J Dra%eUniversity, Cu-tura- Studies 2ro5ram, pri- 1))8

K;he ;o-- at the 7order <nterdiscip-inary Music Studies in aDiscip-ined cademy,J Dra%e University Cu-tura- StudiesFacu-ty Seminar, pri- 1))8, and 7order Crossin5sDiscip-inarity and Music, Car-eton University, Itta#a, March1))8

K"ationa-ism, ssimi-ation, and the ction'dventure Fi-m,JSocio-o5y Co--oEuium Series, UC Santa CruH, May 1))

Kt the ;#i-i5hts 4ast Scorin5,J Media Series, Stanford, pri-1))

K$ou have to #ant to .e an rmenian here,J Stanford Midd-eGast Focus,

#ith D BaHanian, pri- 1))3

K<ssues in Fi-m Music,J ;#o'part seminar at >?te.or5University Musico-o5y <nstitute, S#eden, Decem.er 1)**

KMa-e and Fema-e Stereotypes in Fi-m Music,J #ith 2hi-ip;a55, a-.or5 University Centre Music Department, a-.or5, Denmar%,Icto.er 1)**

Media Appea!ance": Roundta.-e on music in -m, S#edish Radio, date t.a

Ine'hour roundta.-e on popu-ar music in -m, KIdysseyJ,Chica5o 2u.-ic Radio, &1)&0!

<ntervie# on Finnish "ationa- Gvenin5 "e#s, Nu-y !001

2ro-e in Turun !aanomat, dai-y ne#spaper, ;ur%u Fin-and, Nu-y !001



Krts -ivePJ "ationa--y distri.uted ustra-ian communityradio pro5ram, 1&!001 9Recordin5 of ta-% 5iven (&!000:

KWomen in Co--e5e,J Student dvanta5e We.site, Septem.er!000

K4i5ht Roc%, 4eftist ;a-%,J We.cast, <ndy Media Center,Septem.er !000

<ntervie# on ;rip-e N Radio 9Me-.ourne: #ith Me5an Spencer, Nu-y !000

<ntervie# on ;rip-e N Radio 9Sydney: #ith No Chichester, Nu-y!000

Feature artic-e in T&e $ge 9Me-.ourne:, Nu-y !000

>uest on K@ye';a-%,J nationa--y distri.uted Fresno, C'.ased rmenian issues ha-f'hour te-evision pro5ram, pri- 1))6

Lite!a!yReadin&": KSuits, Soc%s, and 4itt-e 7-ue 2i--s In Separation,J Qirya.

ra.'merican Writers Readin5 Series, Fa-- !00 >arta- rmenian'merican Writers Readin5 Series, Corne-ia StreetCaf, Icto.er !003



Cla""!oomue"t Lectu!e": Discussion of Hearing Film #ith 4an5ua5e of Media

c-ass, Department of Communication and Cu-ture, "e# $or%University, Nu-y, !003

Discussion of Hearing Film #ith 2opu-ar Music c-ass,2ro5ram in Media Studies, "e# Schoo- University,"ovem.er, !003

KG+perimenta- Feminist Fi-ms in Midd-e Gast DiasporasJ Fi-mIdyssey, Santa C-ara University, "ovem.er !00!

K;rac%in5 <dentications,J Fi-m Music, 2ro5ram in MediaStudies, "e# Schoo- for Socia- Research, "ovem.er 1))),!000

K@earin5 2u.-ic Spaces,J 2opu-ar Music, 2ro5ram in MediaStudies, "e# Schoo- for Socia- Research, pri- 1))), !000

KIn 7uryin5 the Woman rmenian'merican DocumentaryFi-m,J rmenian Fi-m Course, CSU Fresno, "ovem.er1))8

KStudyin5 Fi-m Music,J 2opu-ar Music course, Car-etonUniversity, Itta#a,

March 1))8

KGthnicity, Cu-tura- Studies, Fiddler on t&e -oo' J andK>ender C-ass in My Fair %ady ,J pproaches to Musica-;heater, Stanford University, Fa-- 1))1

K;he @istory of @o--y#ood Fi-m Musica-s,J <ntroduction to merican Musica- ;heatre, Stanford University, Fa-- 1))0

>uest Spea%er, Stanford Freshman Gn5-ish 2eda5o5y2ro5ram

K;eachin5 Unusua- Materia-s,J Fa-- 1))!K;eachin5 a ;heme Writin5 Course,J Fa-- 1)*)

KWhat Music Does in Fi-m and What We Do With <t,J Current<ssues in Fi-m

Studies, Stanford University, Nune 1)*)



+ape!" Discussant, Women, <mmi5ration and Disp-acement 2ro5ram,9Screenin5 of

+!e"ented: three Midd-e Gast short -ms: Cinema Gast, Icto.er !003

KMusica-s @it the Sma-- Screen,J <S2M'US, Septem.er!003

K4istenin5 and Distri.uted Su.ectivity a performance,JMid#est Socio-o5ica- Society, pri- !003

K;he Wor-d in a Cup of Coee Star.uc%s, 2utumayo, andWor-d Music,J "e# Soundscapes Conference, University ofRoma 4a SapienHa, "ovem.er !00!

K4a Musica Imnipresenta y 4a Su.ectividad Conectada,J<nternationa- ssociation for the Study of 2opu-ar Music,4atin merican 7ranch, pri- !00!

KU.iEuitous Music Soundscapes of the !1st Century,JRoundta.-e on Soundscape Studies, <nternationa- ssociationfor the Study of 2opu-ar Music 9<S2M:, ;ur%u Fin-and, Nu-y!001

K@earin5 the Discourse of 4istenin5,J ;oronto !000 MusicConference, "ovem.er !000

K=a-uin5 the 2opu-arLJ, 4iterary Studies Co--oEuium,Fordham University, May !000

KIne and a ha-f -itt-e .-ue pi--s,J Cu-tura- Studies and2ostmodern Mothers, Mid#est Socio-o5ica- Society, pri-!000

KFittin5 Feminism, Fits of Feminism,J Women in the2rofession, Mid#est Socio-o5ica- Society, pri- !000

KRepetition Compu-sion in G5oyans Calendar ,J Midd-e GastStudies ssociation, "ovem.er 1)))



KMascu-inity and the Contemporary @o--y#ood Score,JMascu-inities Seminar, "ationa- Communication ssociation,"ovem.er 1)))

K;he Music "o Ine 4istens ;o,J <nternationa- ssociation forthe Study of 2opu-ar Music, US 7ranch, Icto.er 1)))

Kssimi-atin5 and i-iatin5 <dentications T&e Mask o' @orro,J <nternationa- ssociation for the Study of 2opu-arMusic, Sydney, ustra-ia, Nu-y 1)))

KDierences ttract Scorin5 <nterracia- RomanceJ Cinemaand 2opu-ar Son5, University of <o#a Department of Fi-m, pri- 1)))

K;he Gnd9s: of Gthno5raphy in Media Studies,J uthor MeetsCritics, Mid#est Socio-o5ica- Society, March 1)))

2articipant, Roundta.-e on Gthnomusico-o5y andCommunication, "e# $or% State Communication ssociation,Icto.er 1))*

KWhats 2opu-ar a.out 2opu-ar Music StudiesLJ <nternationa-Communication ssociation, Nu-y 1))*

K< thin% #e too% a #ron5 turn at that massacre in thedesertJ Mid#est Socio-o5ica- Society, pri- 1))*

2articipant, 2-enary Roundta.-e on Future Directions in2opu-ar Music Studies, <nternationa- ssociation for theStudy of 2opu-ar Music, US 7ranch, Icto.er 1))(

KScorin5 Gmpire ;he !tar Trek series themes,J "e# $or%State Speech Communication ssociation, Septem.er 1))(

2articipant, Roundta.-e on Critica- Gthno5raphy, "e# $or%State Speech Communication ssociation, Septem.er 1))(

K<s -m music scho-arship Clueless #hen it comes tocontemporary scoresLJ <nternationa- ssn for the Study of 2opu-arMusic, US 7ranch, Icto.er 1))6



K Mississippi Masalas merica,J <nternationa- ssociation forthe Study of 2opu-ar Music, US 7ranch, Icto.er 1))8

KWhos Gyein5 <dentity ;#o Fi-ms on the rmenian

Diaspora,J Society for Cinema Studies, "e# $or%, March1))8

K 8ack to $rarat Controversy Iver Feminism and ;heoriesof the "ation,J =isi.-e Gvidence <<, University of SouthernCa-ifornia, u5ust 1))

K@o--y#ood Fi-mma%ers and Socio-o5ica- Fi-m Critics Conversation,J Society for the Study of Sym.o-ic <nteraction,4os n5e-es, u5ust 1))

KRace, >ender, and "ationa-ism in Contemporary @o--y#oodFi-m Music,J 2-enary Session on >ender, Se+ua-ity, and udiences, (th <nternationa- Meetin5 of the <nternationa- ssociation for the Study of 2opu-ar Music, University of the2acic, Nu-y 1))3

K7oyH n the F-a5 Who >ets to Sound merican in@o--y#ood MoviesLJ Mid#est Socio-o5ica- Society, Bansas City, pri-1))3

KMascu-inity and the Contemporary Symphonic Score,J

Society for Cinema Studies, "e# Ir-eans, Fe.ruary 1))3

K<s there a mar%et for theoryLJ in KCan cademic Criticism7e 2opu-ariHedL nd

Shou-d <t 7eLJ >era-d >ra, Chair, M4, Decem.er 1))!

KSin5in5 a son5 of se+ua-ity na-yHin5 the Score of ;he-maand 4ouise,J Ihio University Fi-m Conference T<=, "ovem.er1))!

KWhos Scorin5 "o# ;he rticu-ation of Racia- and Gthnic<dentities in @o--y#ood Fi-m Music,J <nternationa- ssociation for the Study of 2opu-ar Music, US 7ranch,University of "orth ;e+as, Icto.er 1))!

K Woman Scored,J Mid#est Socio-o5ica- Society, Chica5o, pri- 1))!



KMusic for Dan5erous Women Fema-e Se+ua-ities inContemporary @o--y#ood Fi-m,J Chica5o Music )1, Icto.er1))1

KMusic, Meanin5, and >ender ;he Case of Fi-m and ;= ;it-e;hemes,J Music and >ender Conference, 4ondon, Nu-y 1))1

KFeminist ;heory and the Study of 2opu-ar Music,J 2-enarySession on <nstitutin5 2opu-ar Music Studies, 6th <nternationa- Meetin5of the <nternationa-

ssociation for the Study of 2opu-ar Music, 7er-in, Nu-y 1))1

KMeanin5 and <deo-o5ies of >ender in Fi-m Music,J ScreenStudies Conference,

>-as5o#, Nune 1))1

KCommunication and Competence @o# Fi-m Music Wor%s,JResonant <nterva-s <nterdiscip-inary 2erspectives of Music, Ca-5ary,May 1))1

KUnconscious Wor%in5s&Gmotiona- ppea-s >ender, Fi-mMusic and <dentication 2rocesses,J Society for Cinema Studies, 1)*)

K>ender and the Mu-tip-e ;e+ts of Fi-m,J Mid#estSocio-o5ica- Society Conference, Feminist Media na-ysis 2ane-,

Mi-#au%ee, March 1)**

KFeminist Fi-m ;heory Meets the "ove-,J 2hi-o-o5ica- ssn of the 2acic Coast

Conference, University of Ca-ifornia Davis, "ovem.er 1)*(

K;hat CISMI >ir- Se+ and Re-ationships the Day fterFeminism,J #ith 4isa

@o5e-and, Stanford 2opu-ar Cu-ture Conference, pri- 1)*(

+anel" C(ai!ed: K2erformin5 ;heory,J <nternationa- ssociation for theStudy of 2opu-ar Music, Montrea-, Nu-y !003

Master of Ceremonies, "e# $or% rmenian Fi-m Festiva-, Nune !00!



KBen 7urns 1a55 ,J Modern 4an5ua5es ssociation, Decem.er!001

KDiaspora and Memory,J Midd-e Gast Studies ssociation,"ovem.er 1)))

K<s Music, <s "ot Music,J <nternationa- ssociation for theStudy of 2opu-ar Music, US 7ranch, Icto.er 1)))

KU.iEuitous Musics,J <nternationa- ssociation for the Studyof 2opu-ar Music, Sydney, ustra-ia, Nu-y 1)))

K2opu-ar Music as =ocation,J 2-enary Roundta.-e on cademic No.s in 2opu-ar Music Studies, <nternationa- ssociation for the Study of 2opu-ar Music, Icto.er 1))*

KMc4uhan and 2oststructura-ism,J Mc4uhan Conference,Fordham University, March 1))*

K2omo ;heories in Motion,J <nternationa- ssociation for theStudy of 2opu-ar Music, US 7ranch, Icto.er 1))(

KWhat is to .e doneLJ 9roundta.-e on future directions inpopu-ar music studies:, <nternationa- ssociation for theStudy of 2opu-ar Music, US 7ranch, Icto.er 1))(

K2opu-ar Music and "ationa-ism,J <nternationa- ssociationfor the Study of 2opu-ar Music, US 7ranch, Icto.er 1))8

KCu-tura- Studies <<< Music,J Mid#est Socio-o5ica- Society,March 1))8

K7ein5 Feminist, Doin5 Feminism,J Society for the Study ofSym.o-ic <nteraction, 4os

n5e-es, u5ust 1))

K2opu-ar Music, Cu-tura- Studies, and <dentities,J Mid#estSocio-o5ica- Society, Saint 4ouis, pri- 1))

KMusic in Fi-m and ;e-evision,J (th <nternationa- Meetin5 ofthe <nternationa- ssociation for the Study of 2opu-ar Music,University of the 2acic, Nu-y 1))3



KScreenin5 the "ation,J When Wor-ds Co--ide Cu-ture andthe Crisis of the "ation, Stanford University, pri- 1))3

KWomen in dvertisin5,J Stanford >raduate Schoo- of

7usiness, Sprin5 1))0

KMusica- Su.ect to Ch'ch'chan5es,J 1)(0s Conference,Stanford University, May 1)*)

CommunitySe!'ice: Foundin5 mem.er, 7oard of Directors, "or -i%&"e# Wave,!003'0

7oard of Directors, ;he rmenian Center at Co-um.iaUniversity,

1))*'!00!

Charter Mem.er and ;reasurer, 7oard of Directors, unt4ute Foundation 7oo%s, 1))'present

dvisory 7oard Mem.er, For ;hose in 2ain, <nc, 1))6'!00!

dvisory 7oard Mem.er, Disa.-ed Student Services, CSUFresno, 1))8')6

Wor%shop 4eader, Functionin5 #ith Chronic 2ain, CSUFresno, March 1))6 and

Decem.er 1))8

Foundin5 Mem.er, sian and sian'merican Facu-ty andSta ssociation, CSU Fresno, 1))8')6

7oard of Directors, 2atient dvocates, <nc 9provides non'medica- services to chronic pain patients, their fami-ies, andtheir care providers:, 1))8'1))6

Charter Mem.er, "on';raditiona- Women StudentsCo--ective, Fordham University C4C, 1)*'*6

Se!'ice:



Depa!tmental ;eachin5 Committee Curricu-um Committee SearchCommittee Scho-arships Committee Scho-arship Se-ectionCommittee 4i.rary Committee =ideo Committee MeritCommittee Mu-timedia 4a. Coordinator

Uni'e!"ity Freshman Facu-ty Forum spea%er, Icto.er !003, March,!00!, Icto.er !001

4iterary Studies 2ro5ram Co'Director, !003'!006

Deans d @oc cademic <nte5rity Committee, Sprin5 !00!

4iterary Studies 2ro5ram ssociate Director, !001'present

4iterary Studies G+ecutive Committee, !000'!001

Womens Studies G+ecutive Committee, 1))('present

University committees, inc-udin5 Deans Scho-arsRecruitment, Freshman advisor, 7order-ine dmissions andDeans $ie-d ;eam, 1))6'!000

-umni Co--e5e spea%er, 1))(, 1))*, 1)))

+!o*e""ional dvisory 7oard, rteGast, !003'present

Chair, G+ecutive Committee, <nternationa- ssociation for theStudy of 2opu-ar Music, 1)))'!003

ssociate Gditor, Critical !tudies in Media Communication,!001'present

Gditor, 1ournal o' 4opular Music !tudies, 1))('!000 dvisory 7oard, !000'present

G+ecutive 7oard, <nternationa- ssociation for the Study of2opu-ar Music, US 7ranch, 1))!'!000

Foundin5 editoria- .oard mem.er, $rmenian Forum



rtic-e Referee for communication, -m, music, and socio-o5y ourna-s

Manuscript Deve-opment and cEuisition Committee, unt

4uteFoundation 7oo%s, 1))3'1))6

Gditor, !tan'ord Humanities -e#iew, 1))!'1)) ssistantGditor, 1))0')!

4oca- rran5ments Committee, <nternationa- ssociation forthe Study of 2opu-ar Music <nternationa- Meetin5, Stoc%ton,C, Nu-y 1))3

2ro5ram Revie# Committee, 2ro5ram in Modern ;hou5ht

and 4iterature, Stanford University, 1)*)')1 StudentRepresentative, 1))0')1 ua-ifyin5 G+am 4ist RevisionCommittee, 1))1

Feminist Studies 2ro5ram 7oard, Stanford University, 1)*)')0

Scho-ars Se-ection Committee, <nstitute for Research onWomen and >ender, Stanford University, 1)*)')0

Conference Committee, 1)(0s Conference, Stanford, pri-

1)*) Media <nsta--ation Ir5aniHer, K;a-%in5 ;errorism,JStanford, Fe.ruary 1)** Conference Committee, 2opu-arCu-ture Conference, Stanford, pri- 1)*(

7oothe Gssay 2riHe 9Freshman Writin5 2ro5ram #ard:Se-ection Committee, Stanford University, Sprin5 1)**

Lan&ua&e": F-uent Danish Readin5 French, rmenian, S#edish and"or#e5ian

+!o*e""ional <nternationa- ssociation for the Study of 2opu-ar Music,Cu-tura- StudiesMem-e!"(ip": ssociation, Mid#est Socio-o5ica- Society, "ationa-Communication



ssociation, Society for rmenian Studies, Society forCinema and Media Studies

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