JUNE 2, 2018 - Hawaii Filipino Chronicle · 2019-09-24 · His leadership style matches well with...

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JUNE 2, 2018 HAWAII FILIPINO CHRONICLE 1 Q & A PALAD: CAREER IN ART HAS NO RULEBOOK CANDID PERSPECTIVES FLORIDAS FILIPINOS MAKE IT FEEL LIKE HAWAII HAWAII-FILIPINO NEWS LOANS TO FARMERS IMPACTED BY KILAUEA ERUPTIONS JUNE 2, 2018

Transcript of JUNE 2, 2018 - Hawaii Filipino Chronicle · 2019-09-24 · His leadership style matches well with...

JUNE 2, 2018 HAWAII FILIPINO CHRONICLE 1

Q & APalad: Career

in art Hasno rulebook

CANDID PERSPECTIVESFlorida’s FiliPinos

Make it Feellike Hawaii

HAWAII-FILIPINO NEWSloans to FarMers

iMPaCted bykilauea eruPtions

JUNE 2, 2018

2 HAWAII FILIPINO CHRONICLEJUNE 2, 2018

EDITORIALSlready this year we’ve fea-tured in cover stories remark-able Filipino-Americans who are contributing immensely to the betterment of our state.

For our cover story this issue, we have yet another mover-and-shak-er working in the highest echelon of state government, Luis Salaveria, Director of the State of Hawaii’s Department of Business, Economic Development & Tourism (DBEDT). Associate cditor Edwin Quinabo writes about Sala-veria and his part in helping to reengineer Hawaii into a thriv-ing innovation economy. Gov. David Ige’s administration is big on this innovation movement which he hopes will result in more high-paying jobs and entrepreneurship in high-tech-nology, clean energy, biotechnology, among others. Basically, new careers are constantly being created in the digital age and the state wants to help Hawaii residents capitalize on oppor-tunities. Salaveria, being the point person of DBEDT, is posi-tioned to help the governor and top private industry leaders to accomplish this goal. Besides his work at DBEDT, the director also shares some interesting perspectives that have helped him succeed in life; as well as some of the volunteer work he does for the Filipino community.

Also in this issue, we have an interview with artist Jager Palad who recently had his exhibition “Paper Thin” at the Downtown coffee spot Brue Bar. Palad, who was raised in South Florida and recently moved to Hawaii, eloquently talks about his art and life as an artist. He has a deep interpretation of art as a life expression. He says: “Art is the world, and change is the only constant. Even speaking outside the boundaries of visual art, anytime you see someone starting a new business, a new invention, a movement, chances are it has roots in some kind of truth or quality that is akin to what art is.”

On to performance art, HFC columnist Emil Guillermo writes about his “Amok Monologues: All Pucked Up” show that hit the road. It is about the immigrant Filipino experience, stories of his immigrant father, and his own experiences grow-ing up Filipino. Many Filipinos who attended in Orlando, Flor-ida, found the show as humorous, educational, and relatable.

In our news section, read the Hawaii Board of Agricul-ture’s approval of an Emergency Disaster Loan Program for farmers who suffered damage from the recent Kauai Flood and ongoing Hawaii Island Kilauea Eruption. Farmers could possibly get loans of up to $500,000, or microloans of up to $25,000. This could save a lot of farmers’ businesses devastat-ed by the two natural disasters.

In other news, for the first time the Philippine Navy (PN) will participate in the biennial Rim of the Pacific Exercise (RIMPAC) in Hawaii from June 26 through August 3, 2018. The Filipino community could have an opportunity to view the FF17 Andres Bonifacio and LD602 Davao del Sur on an open ship tour. To register, interested parties must call the Philippine Consulate General.

We hope you enjoy this issue and thank you for supporting your community newspaper. It’s always a great privilege to report on the news that matters to our community. Until next issue, warmest Aloha and Mabuhay!

FROM THE PUBLISHER

or decades politicians and the local business community have talked about having a diverse economy. One that expands the state’s traditional main economic drivers of tourism, the military, and construction. Besides gains in the state’s healthcare industry, “diversity” in the economy

had been mostly wishful thinking and the “brain drain” com-menced.

In recent years, the slogan to promote a “diverse econo-my” has been replaced with a push to achieve an “innovation economy” – that sounds much more catchy, time-appropriate, and forward-thinking. Best of all, locals appear more excited about it.

What is an “innovation economy” that Gov. David Ige, local businesses, and the old and new local industry play-ers are buzzing about? In a nut shell, it embraces new ideas, high-technology, entrepreneurship, digital age careers where geographic boundaries do not exist, clean energy, biotechnol-ogy, new media and creative forms of communication, cy-bersecurity, and STEM (Science, Technology, Engineering, Mathematics) careers.

It’s turning new knowledge in today’s new economy into vi-able means of earning a good living. Among the attractive goals of this new movement is reversing the “brain-drain,” keeping our best and brightest, bringing back home our best and bright-est, and attracting the world’s best and brightest to make Hawaii home where good, high-paying jobs are available.

This innovation economy movement is in the early stages but appears to be gaining traction. A Hawaii state website cites a 2015 report that ranked Hawaii 12th in the nation for startup growth. Startup accelerators and business incubators are popping up in the state. And the crown jewel of this move-ment just broke ground, the beginning construction of the En-trepreneurs Sandbox facility in Kakaako (to be completed in 2019). It’s envisioned to be the ignition point for an Innova-tion Block, which will eventually incubate and house Hawaii’s tech industry.

Luis Salaveria, Director of the State’s Department of Busi-ness, Economic Development & Tourism (DBEDT) has been playing an integral role in the fruition of the Entrepreneurs Sandbox as well as helping to “reengineer” Hawaii’s economy into an innovation economy.

Some other projects he has worked on toward this end: VERGE Energy Conference (a public-private initiative to building clean energy and emerging technologies), Hawaii State Trade Expansion Program (designed to help small busi-nesses increase their exports), and Creative Lab Hawaii (a media, music, fashion design accelerator to increase creative entrepreneurship), to name a few.

He has more than 20 years of public and private sector ex-perience, holding leadership positions along the way. What’s also impressive is his volunteer work in the community. He currently serves as treasurer and sits on the Board of Directors for the Filipino Community Center.

His leadership style matches well with the State’s pursuit of an innovation economy because he emphasizes collabora-tion. He describes his leadership “as strategic, visionary and collaborative, where my goal is to move people towards a new set of shared outcomes. With my team, I prefer to set peo-ple free to innovate, experiment, and take calculated risks to achieve a common goal.”

Salaveria is truly working to make a difference in our community and State. We wish him, DBEDT, and all the ma-

F

Is Hawaii’s Innovation Economy Ready to Take Off?

jor movers-and-shakers in the private and public sectors of this “innovation” movement, a huge success. What an achievement it would be for Hawaii to transform into an innovation hub that rivals other world-class cities where cutting edge technology, creative entrepreneurship, and high level services are a major part of their economy. And instead of a “brain drain,” we’d have high paying jobs for our children and attract the best and brightest to our state, not just for the weather, but for work.

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JUNE 2, 2018 HAWAII FILIPINO CHRONICLE 3

EDITORIALS

Excessive Violence in Movies Is Harmful n yet another community, an-other high school, victims fell in the hands of a mass shoo t e r. Th i s

time, eight students and two teachers were killed at Santa Fe High School in Texas.

Unlike other incidences of mass killings, the shoot-er didn’t use an automatic weapon or AR-15, but carried out his assault with a pistol and shotgun. Since the latest mass killings in Las Vegas and Parkland where the weapon of choice had been automatic weapons and the use of rap-id-fire bump stocks, much of the attention was been on banning AR-15s and bump stocks. Now, this latest Santa Fe High School murders raise new questions and expand the scope of argument beyond au-tomatic weapons.

Besides firearms, the world has witness mass carnage by killers who have used automo-biles, rented vans, even knives to commit multiple murders. The fight to ban AR-15s and bump stocks must continue in order to minimize deaths, but perhaps it’s also time for Americans, law enforcement, psychologists, sociologists, and other professionals to ex-plore other risk factors that contribute to individuals sud-denly wanting to go on a kill-ing spree.

Culture of ViolenceThe political right falls

on the wrong side of history in their defense of automatic weapons; but they are correct that the problem is not just about guns. It’s true that Amer-ican society is one of a culture of violence. There are many risk factors that contribute to the devaluation of life. Violent movies in particular desensi-tizes viewers to carnage. Past mass killers have reported a fascination with images of vi-olence in popular cinema that contributed to them going on a killing spree.

So, multiple risk factors when they are present – ex-posure to and preference for violent movies, poor men-tal health in dealing with life

stresses, and the fact guns are readily available – all must be addressed in stopping the vi-olent epidemic plaguing our country.

Addressing mental health and adopting tougher gun control are parts of the solu-tion. But the glamorization of violence in movies has gone ignored.

A Common Sense Media study shows 90 percent of movies and 60 percent of TV programs show some depic-tions of violence. Kids 8 and under watch an average of 1 hour and 40 minutes of TV a day; older kids watch an av-erage of 4 hours daily. That’s a lot of exposure to violence. When a child becomes a legal adult, they would have seen 16,000 assassinations and 200,000 acts of violence on television. Not to mention the fact that many children who do not have solid real-life role models look to fantasy TV characters to identify with and imitate.

Studies show with both preschool and school-aged children, they are more like-ly to imitate the violence they see on screen if someone they see as a “good guy” is using violence to solve a problem, especially if there are no re-alistic consequences for the violence.

A new study published in Pediatrics, the medical jour-nal of the American Academy of Pediatrics (AAP), found that viewing shows in which cooperation and empathy are emphasized (instead of shows that demonstrate aggression) can improve behavior in 3- to 5-year-olds in just 6 months.

Another study published in Pediatrics found that quan-tity is key. Excessive TV watching in childhood and adolescence (we’re talking 3+ hours a day) is associated with an increased risk of criminal convictions and anti-social behavior in young adults. The AAP recommends no screen time for kids under 2, and no more than 1-2 hours for kids preschool age on up.

Research shows that choosing appropriate TV and movies for children are some-thing more parents ought to consider.

The political left, who are closely tied to Hollywood and their veneration of freedom of speech and expression, can-not just point their fingers to the political right as being obsta-cles to a safer world by resistance to bans of automatic weap-ons. It’s hypocritical.

Given the coun-try’s violent epidem-ic, as a matter of common sense and responsibility, Holly-wood executives and directors ought to voluntarily stop por-traying power of their fictional characters to violence, guns, and killings. The political left ought to be pres-suring Hollywood on this much in the way they have come out condemning the NRA. Clearly, there is no one single fac-

tor that makes a person act out violently; and violent movies cannot be solely blamed as most people who watch them do not resort to aggression. But prolonged exposure to vi-olence in media is a risk fac-tor, especially to youths who are more impressionable and vulnerable.

Denying the link between violence and movie/TV pro-grams as a risk factor is like denying smoking doesn’t cause cancer because not all smokers develop cancer. In a meta-analysis of 217 stud-ies published on the topic of media and violence, psychol-ogists George Comstock and Haejung Paik found a cor-relation between watching TV violence and physical aggres-sion against another person. Another meta-analysis con-ducted by psychologists Craig Anderson and Brad Bushman found a statistically significant strength in the relationship be-tween watching violent media and acts of aggression or vio-lence later in life.

Finding solutionsThe scope of finding solu-

tions to the country’s mass killings should not be relegat-ed to a debate on gun control. Unfortunately, politics by both parties are getting in the way to adopting legislation. Why? Because it’s increasingly ap-parent that Americans’ free-doms such as the right to have arms and right to free speech and expression (2nd Amend-ment and 1st Amendment) are center to these discussions that could prevent mass shootings, which make this issue even more sensitive. But if we are serious about finding solu-tions, intellectual honesty sug-gests all risk factors must be considered.

Mass killings cannot just be accepted and normalized; and quite possibly, the extent of freedom we have on guns and freedom of expression in making excessively violent movies are not normal. How much of those freedoms are Americans willing to compro-mise? – is where the country is at a deadlock.

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4 HAWAII FILIPINO CHRONICLEJUNE 2, 2018

COVER STORY

Luis Salaveria: Leading DBEDT, Building An Innovation Economy

This level of steady focus on his work – that compels him to think about it from the start of morning and end of night – shouldn’t come as a surprise considering the enormous responsibilities he is tasked to do as director of one of the state’s most im-portant departments that in-cludes 11 attached agencies.

At the helm of DBEDT, Salaveria is the point-man who leads the department’s efforts in business develop-ment, research, foreign trade, even Hawaii’s creative and film industries. He works closely with Gov. David Ige, lawmakers, and private-sec-tor leaders on big innovation ideas and how to implement them, and to position the state to be globally competitive in business.

The race to the top in many ways centers on inno-vation. And Hawaii needs leaders like Salaveria who can think about old methods, old ways of governing, and injecting innovation and cre-ativity to bring about better results. In a way, DBEDT, under the leadership of the governor and director Sala-veria, can be seen as the brain of Hawaii’s state government entrusted with innovation.

Innovation is empha-sized under Gov. Ige’s ad-ministration. He strives to build an innovation economy that combines a robust local entrepreneurship and cut-ting-edge high technology. The governor sees innovation as a way to reverse the “brain drain” and to create 80,000 new tech and innovation jobs earning $80,000 or more by 2030.

It’s an ambitious goal for the governor and DBEDT is positioned at the front lines to help pull the state towards achieving a strong innovation economy. If you look at just a few of DBEDT’s attached agencies, you can see why.

To name a few, there is the powerful Hawaii Com-munity Development Au-thority (HCDA) and Hawaii Tourism Authority. Also un-der DBEDT’s umbrella are the High Technology Devel-opment Corporation, Land Use Commission, and Small Business Regulatory Review Board. These attached agen-cies foster planned communi-ty development and promotes innovation sector job growth.

DBEDT is also Hawaii’s resource center for econom-ic and statistical data, energy and conservation information.

Clearly, anyone serving as its director has a 1,001 things to do and think about.

Gov. Ige selected Sala-veria to head DBEDT in De-cember 2014. The governor said of Salaveria and his oth-er appointments selected at the time: “We are committed to finding the best and bright-est in our community to serve as effective leaders in state government.”

Prior to joining DBEDT, he served as the state’s dep-uty director of finance for the Department of Budget and Finance, from 2011 to 2014, where he assisted in the planning, design and management of the State’s annual $12 billion operation-al and $3 billion capital im-provement budgets. He has extensive experience in the development and execution of multi-billion dollar bud-gets, which result in positive financial and organizational outcomes.

Salaveria has more than 20 years of public and private sector experience, having worked as the finance man-ager for Kaiser Permanente Hawaii from 2001 to 2011, and as a budget and finan-cial analyst with the state’s Department of Defense from

1997 to 2001.As fate would have it,

Salaveria interned at DBEDT in 1992; and decades later, he is leading it now. Even he couldn’t have imagined com-ing full circle back then.

So what did the young Luis think he’d be doing as an adult?

“As a child I was interest-ed in everything, so it’s funny that I ended up in a role that encompasses so many differ-ent areas. I never envisioned myself working for govern-ment, but being involved in public policy is very reward-ing,” he said.

His varied interests con-tinues today. While he’s a numbers, balance-budgeting expert and policy innovator, he appreciates Michelan-gelo, the renowned Italian sculptor, painter and archi-tect, who is known as one of history’s greatest renaissance man, someone whose genius spanned multiple disciplines.

Salaveria considers Mi-chelangelo his role model; and he quotes the great artist who once said: “The great-er danger for most of us lies not in setting our aim too high and falling short, but in setting our aim too low, and

achieving our mark.” In oth-er words, being highly ambi-tious is something Salaveria holds great value in – evi-dently, based on his accom-plishments for himself and the state.

It’s not just about setting goals high, but being strong and bold to achieve those goals. He says he also draws inspiration in his personal and professional life in the Latin proverb, “Fortuna Fortes Adi-uvat,” which literally means “Fortune Favors the Brave.” A more accurate description is “It is only the strong ones that Fortuna (Roman God-dess) comes to save.”

The map in Salaveria’s mind also shows interest in contemporary great think-ers. The latest book he read is Don Miguel Ruiz’s “The Four Agreements: A Practical Guide to Personal Freedom.” Ruiz is one of the bestselling authors in the genre of self help, spirituality, and wis-dom, on a par with similar authors Wayne Dyer, Deepak Chopra, and Eckhart Tolle. Ruiz’s Four Agreement talks about the codes of conduct that lead to true freedom, happiness, and love.

By Edwin Quinabo

(continue on page 5)

houghts and ideas are the first step to changing the world. When asked about what are his first and last thoughts of the day, Director of the State of Hawaii Department of Business, Economic Development & Tourism (DBEDT) Luis Salaveria said, “I think about how I can live a life of service and how I can make the world a better place.” T

Hawaii’s DBEDT Director Luis Salaveria

JUNE 2, 2018 HAWAII FILIPINO CHRONICLE 5

COVER STORY

Governance, at least by way of a good leader, ought to draw from the collective intelligence of great minds in the past and present, and from disciplines outside of just government, as Salaveria does.

He said at a VERGE En-ergy Conference (VERGE Hawaii is a public-private project committed to build-ing clean energy and emerg-ing technologies): “Gover-nance is the way that rules, norms and actions are struc-tured, regulated, and people are held accountable. And it`s not quite as easy as it may seem. I mean, just take a look at what`s happening nationally and even interna-tionally. But you know what? In many ways, governance is how things get done…”

VERGE Hawaii and the state’s role in creating sus-tainable energy for the future ranks high in importance to Salaveria. He commented on energy at a VERGE confer-ence, “And now, people all over the world are starting to wake up, and they`re starting to rise up.

We`re now, beginning to embrace the idea that we got to change our current path, or that we will fall victim to what is widely known as the tragedy of the commons, the idea that we have got to stop acting independently, and protect and manage our re-sources, because if we fail, we all fail.

“And yes, I said resource, because you know at the end of the day, there`s really only one resource that counts. So, momentum, and history, will be on the side that chooses to protect that resource.”

VERGE Hawaii is one of Salaveria’s top priorities. Other priorities he mentions include:

1. Entrepreneurs Sand-box – groundbreaking. Construction started on the Hawaii Technology Development Corpo-ration’s (HTDC) En-trepreneurs Sandbox facility in Kakaako. Scheduled to be com-pleted in 2019, it will be an innovation (that buzz word again) cen-

ter where everyone can bring ideas to life and learn to build projects and develop creative media. It’s envisioned to be the ignition point for an Innova-tion Block, which will eventually incubate and house Hawaii’s tech industry.

“HTDC is an economic driver, and this project will position Hawaii to become an innovation hub in our global community. The Entrepre-neurs’ Sandbox will be the point of the spear for addition-al economic achievements. It’s the beginning of the In-novation Block; the place that will be the home for innova-tion in our state for years to come,” said Salaveria.

Sta te Senator Glenn Wakai, Chairman of the Sen-ate Committee on Economic Development, Tourism and Technology, has been work-ing closely with Luis for the past six years, including on the Sandbox project.

“Director Salaveria is knowledgeable, honest, and collaborative. He works well with others to achieve a pub-lic benefit. He understands the complexities of econom-ic development for various industries and moves the needle on all fronts. I really admire his passion to push forward with creating an in-novative economy and giving our keiki the opportunity to use their imagination as their personal currency.”

Sen. Wakai said of the Sandbox project: ““Brick and mortar office space for a headquarters is an expecta-tion of the past. Hawaii needs to reduce expenses and in-crease flexibility by providing budding entrepreneurs with a one-stop shop for growth. If we can bring great minds together, fertilize them with shared business development services, we can re-engineer our economy. The world’s fu-ture problems will be solved by teams, not by individuals. The Sandbox is a facility to bring teams together.”

Another strong believ-er of innovation as key to building Hawaii’s economy is Todd Nacapuy, Chief In-

(from page 4)

formation Officer for the Of-fice of Enterprise Technology Services.

“Luis is intelligent and has the in-depth knowledge to lead the Department of Business, Economic Devel-opment and Tourism. He works hard in trying to cre-ate opportunities for people and businesses in order to diversify our economy,” said Nacapuy. “We both believe in being innovative to grow Ha-waii’s economy, attract talent and create jobs.”

2. Hawaii State Trade Expansion Program (HiSTEP). DBEDT launched the 2018 Hawaii State Trade Expansion Program, an initiative designed to help Hawaii small businesses increase their exports. It is funded in part through a grant with the U.S. Small Business Ad-ministration (SBA). Companies can regis-ter in the program with DBEDT.

3. Navy MOU – Historic Agreement with Navy to advance clean en-ergy opportunities. A Memorandum of A g r e e m e n t / U n d e r-standing was signed by Gov. David Ige and Assistant Secretary of the Navy Dennis V. McGinn to work on en-ergy related issues of mutual benefit.

The State of Hawaii through DBEDT, and the De-partment of the Navy (DON) work together toward the re-duction of greenhouse gases and fossil fuel usage, and to find better ways of energy ef-ficiency, water consumption, use of renewable energy and use of alternative fueled vehi-cles.

4. Creative Lab Hawaii (CLH) is a media, mu-sic and fashion de-sign accelerator that is designed to increase export, business op-portunities, attract in-vestment and build the state’s creative entre-preneurial ecosystem.

“The department’s CLH program recognizes the

“I would describe my lead-ership style as strategic, vi-sionary and collaborative, where my goal is to move people towards a new set of shared outcomes. With my team, I prefer to set peo-ple free to innovate, exper-iment, and take calculated risks to achieve a common goal.”

— luis salaveria,Director of State of Hawaii

Department of Business, EconomicDevelopment & Tourism (DBEDT)

need to strengthen our local economy by identifying and opening doors of opportuni-ty for individuals in the film and creative industries,” said Salaveria.

He adds, “Creative Lab Hawaii’s growing network delivers focused business de-velopment opportunities to our creative community. We are seeing great success sto-ries come out of our unique programs, which provide pro-gressive mentoring to prepare individuals with the skills and tools necessary to enter the year-long accelerator pro-gram.”

5. League of Filipino Provinces MOU – Signed, Oct. 2017. The signing of a Memoran-dum of Understanding and Cooperation be-tween the State of Ha-waii and the League of Provinces, establishing Sister-State relation-ships with several prov-inces in the Philippines.

Salaveria shares some of his personal time volunteer-ing his expertise to help the Filipino community. He has received the United Filipino Council of Hawaii (UFCH) Progress Award for Govern-ment Service. UFCH, a state-wide Filipino organization, awards its Progress Award to Hawaii residents of Filipino ancestry for their excellence

and accomplishments in their field of expertise.

“I currently sit on the board of directors for the Fil-Com Center and serve as trea-surer. Growing up Filipino in the State of Hawaii - gave me a deep appreciation for sup-porting my community,” he said.

FilCom Center’s Execu-tive Director Franz “Donnie” Juan said, “Luis is a commit-ted volunteer to the Filipino community. Although Luis is a busy individual leading DBEDT which involves many facets of state government, Luis is still able to provide guidance and time to our Fili-pino Community Center. His continued contributions to our Center are appreciated.”

Luis was born and raised in Hawaii. He lived in the Philippines briefly when he was age 10 through 14. “I had all the advantages of grow-ing up in the U.S. I remember spending summer vacations in the Philippines. As a kid, I used to call Philippine Airlines ‘Pamper Airlines’ because ev-ery time we’d go on vacation and we were at the airport, I would see boxes and boxes of pamper diapers. That’s how people would transport all the ‘pasalubong’ (gift) for every-one back home.”

Luis’ mother was a teach-er and his father in the U.S.

(continue on page 6)

6 HAWAII FILIPINO CHRONICLEJUNE 2, 2018

HAWAII-FILIPINO NEWS

(COVER STORY: LUIS SALAVERIA....from page 5)

ment agency, has no affiliation with one, and appears to use a mail drop as its company ad-dress”, said Ty Nohara, Hawaii Commissioner of Securities. The company is not registered with DCCA to conduct busi-ness in the State.

BREG does not endorse or utilize the services of Work-place Compliance Services or any other third-party company to collect or file annual busi-ness reports. If you are ever

waii to the Open Ship in order to showcase the PN’s devel-oping capability and gradual transformation.

Registration will start at

Hawaii tourism officials want to spread the word that the Kilauea

volcanic eruptions is limited to parts of the east and south sides of the Big Island of Hawaii. There is a popular misconcep-tion that all of the state of Ha-waii is affected by the eruptions which could impact tourism and businesses on other islands

Businesses beware of a new scam. The State Department of Com-

merce and Consumer Affairs (DCCA) Business Registration Division (BREG) warns lo-cal businesses about unofficial solicitations being sent out by Workplace Compliance Ser-vices regarding annual business report filings.

Workplace Compliance Services has been sending mailings labeled “2018 – An-

T he Philippine Consul-ate General announced that the Philippine

Navy (PN) will participate in the biennial Rim of the Pacif-ic Exercise (RIMPAC) from June 26 to August 3, 2018.

The Consulate said this event is historic for the Phil-ippines as it marks the first time our Navy will participate to the largest naval exercise in the world with 2 ships and 2 helicopters on board as well as a company of our Philip-pine Marines.

unaffected by the eruptions.Kilauea, which has been

an active volcano since 1983, has long been one of Hawaii’s most popular attractions. But visitors should be aware that the increase in volcanic activi-ty has resulted in a no-fly zone over Kilauea. All of Hawai’i Volcanoes National Park has been closed to the public. All of Leilani Estates subdivision on Hawaii island remained closed.

nual Report Instruction Form (Hawaii Businesses)” to nu-merous businesses in Hawaii, with instructions to fill out the form and submit it, along with a $100 payment

“We’re alerting people of this solicitation because we are extremely concerned that they could be misled by it and erro-neously believe that it comes from a state agency. On the contrary, Workplace Compli-ance Services is not a govern-

Part of the exercise is a simultaneous open ship of participating Navies. In this regard, the PN is inviting the Filipino Community of Ha-

Tourists Should Know Eruptions Are Limited to Big Island

Philippine Navy to Participate in RIMPAC

Additional paramedics, firefighters, zoning inspectors and stream

cleaners is part of the latest draft of the Honolulu City Council’s 2019 budget.

The City Council set aside $44 million for the new posi-tions included in the $2.61 bil-lion operating budget. The full Council must approve the bud-get for a final vote June 6. The new fiscal year begins July 1.

City Emergency Medical Services currently has 20 am-bulance units across Oahu and recently got approval from the state Legislature for a 21st unit.

The Budget Committee set aside $2.5 million for the devel-opment and staffing of two ad-ditional Department of Emer-gency Services units on Oahu.

The committee agreed to another proposal to fund 15 new positions in the Honolulu

Fire Department.Six new housing and zon-

ing inspector positions are be-ing added to the Department of Planning and Permitting.

The committee also re-stored 18 positions to the fledgling Department of Land Management, which was cre-ated through an amendment to the Honolulu City Charter by voters in the 2016 general election.

Additional Paramedics and Firefighters Included in Latest 2019 City Budget

Navy. “My parents taught me the values of dedication and hard work,” he said.

His parents emphasized getting a good education. “I studied hard throughout my educational experience. I originally planned on enter-ing the healthcare field, like every good Filipino son, but ended up enjoying the fields of finance and economics. I was very interested in finance and economics and the global impact in these areas.”

He received a Bachelor’s degree in Economics with a minor in Political Science from the University of Hawaii at Manoa.

With so much resting on this director’s shoulders, ef-

fective leadership cannot be overstated. He describes his leadership style “as strategic, visionary and collaborative, where my goal is to move peo-ple towards a new set of shared outcomes. With my team, I prefer to set people free to in-novate, experiment, and take calculated risks to achieve a common goal,” said Salaveria.

Emphasizing collabora-tive efforts to achieve a com-mon goal – this sounds like a successful leadership model. If most public-private leaders pushing forward Hawaii’s in-novation economy have simi-lar leadership models as Sala-veria, perhaps the state can bank on having better days ahead.

State Warns of Business Report Scam unsure about the legitimacy of a notice you receive regarding your business filings, we en-courage you to email [email protected] or call (808) 586-2727 before responding to the notice. All businesses reg-istered in the State can file their annual reports directly online

8:00 am, followed by tour of the two ships (FF17 Andres Bonifacio and LD602 Davao del Sur), then assembly at the helideck of LD602 for tour

in the quarter that it is due.To look up your business’

annual report information on-line, visit: http://hbe.ehawaii.gov/annuals . For filing-related questions, visit www.business-registrations.com, email [email protected], or call (808) 586-2727.

and participation in the Na-vy’s prepared booths (Balut Challenge, Tourism, Filipino Delicacy, Static PN Capabil-ity, and Philippine Navy Band entertainment). The Com-mander of the Naval Task Force/Head of Mission, Com-modore Toribio D Adaci will give his remarks at 5:00 pm.

The Open Ship will be held on 4 July 2018 at the Joint Base Pearl-Harbor Hick-am. For more information on the Open ship showcase, con-tact the Philippine Consulate at Tel. Nos. (808) 595-6316 to 19.

JUNE 2, 2018 HAWAII FILIPINO CHRONICLE 7

Filipino who is a lawful per-manent resident of the United States “but has not always act-ed lawfully,”

according to Justice Kagan, because he committed two crimes of burglary in Califor-nia was saved from deportation by the vote of Neil Gorsuch, President Trump’s appointee to the Supreme Court who voted with the four liberal jus-tices. As to why Gorsuch sided with the liberals, (https://slate.com/news-and-politics/2018/04/why-neil-gorsuch-sided-with-the-liberal-justices-in-sessions-v-di-maya.html)

The case had languished in the Supreme Court for three years because the justices had split 4-4, following Justice Scalia’s death, on whether to deport the immigrant. This case illustrates that persistence pays off even if one is a con-victed felon and should serve as an example for other crim-inal defendants hundreds of whom are innocent but simply wilt like an unwatered flow-er in a vase and plead “not guilty” or “no contest” even though their case is less odious or is defensible.

James Garcia Dimaya, a native and citizen of the Phil-ippines, was admitted to the

WHAT’S UP, ATTORNEY?

Judge (IJ) agreed with DHS that Dimaya was removable on either of these two grounds, the Board of Immigration Ap-peals (BIA) dismissed Dima-ya’s appeal on the sole ground that he was removable for hav-ing committed a crime of vio-lence under 8 U.S.C. § 1101(a)(43)(F). Therefore, whether the definition of a “crime of vi-olence” under §16(b) is consti-tutional is the only issue.

The Board concluded that “[e]ntering a dwelling with in-tent to commit a felony is an offense that by its nature car-ries a substantial risk of the use of force,” and therefore affirmed the IJ’s holding that petitioner was convicted of a crime of violence. Dimaya ap-pealed to the Court of Appeals which reversed the Board, holding that the language of 18 U.S.C. § 16(b), which is incorporated into 8 U.S.C. §1101(a)(43)(F)’s definition of a “crime of violence” was unconstitutionally vague. The Court of Appeals held that § 16(b)’s language suffers from the same “indeterminacy” that the Supreme Court found in the Armed Career Criminal Act’s (ACCA) “residual clause” definition of a violent felony in Johnson v. United States, 135 S. Ct. 255 (2015). (https://www.google.com/search?q=w-j o h n s o n + v + U n i t e d + s t a -tess&ie=utf-8&oe=utf-8&client=-firefox-b-1)

The Supreme Court af-firmed, holding that § 16(b)’s residual clause - a felony and

United States in 1992 as a lawful permanent resident. In 2007 and 2009 Dimaya was convicted of first degree res-idential burglary under Cali-fornia Penal Code Section 459 and sentenced each time to two years in prison.

The Department of Home-land Security (DHS) filed re-moval proceedings against Dimaya alleging that he was removable because he had been convicted of a “crime of violence” for which the term of imprisonment was at least one year – an aggravated fel-ony under 8 U.S.C. §1101(a)(43)(F). That statute defines a

“crime of violence” by reference to 18 U.S.C. § 16, which provides: (a) an offense that has as an element the use, attempted use, or threatened use of physical force against the person or property of an-other, or (b) any other offense that is a felony and that, by its nature, involves a substantial risk that physical force against the person or property of an-other may be used in the course of committing the offense.

DHS also charged that Di-maya was removable for hav-ing committed two crimes of moral turpitude, see 8 U.S.C. § 1227(a)(2)(A)(ii), and for having committed a “theft of-fense . . . or burglary offense for which the term of impris-onment [was] at least one year”—an aggravated felony under 8 U.S.C. § 1101(a)(43)(G). Although the Immigration

that, by its nature, involves a substantial risk that physical force against the person or property of another may be used in the course of commit-ting the offense – is unconsti-tutionally vague. The Court explained that the combina-tion of “indeterminacy about how to measure the risk posed by a crime [and] indetermi-nacy about how much risk it takes for the crime to qualify as a violent felony,” result-ed in “more unpredictability and arbitrariness than the Due Process Clause tolerates.” The Court explained that §16(b) calls for a court to identify a crime’s “ordinary case” in or-der to measure the crime’s risk but “offers no reliable way” to discern what the ordinary version of any offense looks like. And its “substantial risk” thresh¬old is no more deter-minate than ACCA’s “serious potential risk” standard. Thus, the same “[t]wo features” that “conspire[d] to make” ACCA’s residual clause unconstitution-ally vague also exist in §16(b), with the same result.

“The prohibition of vague-ness in criminal statutes,” is an “essential” of due process, required by both “ordinary notions of fair play and the settled rules of law.” The void-

for-vagueness doctrine guar-antees that ordinary people have “fair no¬tice” of the con-duct a statute proscribes. And the doctrine “guards against arbitrary or discriminatory law enforce¬ment by insisting that a statute provide standards to govern the actions of police of-ficers, prosecutors, juries, and judges.”

The court rejected the gov-ernment’s argument that even a law too vague to support a con-viction may be good enough to sustain a deportation order. The court pointed out that “the most exacting vague¬ness stan-dard should apply in removal cases.” The Court recalled that in Jordan v. De George, 341 U. S. 223, 229 (1951), it had considered whether a provision of immigration law making an alien deportable if convicted of a “crime in-volving moral turpitude” was “sufficiently defi¬nite.” That provision is not a criminal stat-ute” (as §16(b) actually is) but the Supreme Court chose to test (and ultimately uphold) it “under the established cri-teria of the ‘void for vague-ness’ doctrine” applicable to criminal laws. That approach was demanded “in view of the grave nature of deportation,”

(continue on page 10)

Filipino Burglary Convict Saved from Deportation by Trump Appointee

By Atty. Emmanuel S. Tipon

A

HAWAII-FILIPINO NEWS

Fil-Am Bruno Mars Comes to HawaiiFilipino American and pop music sensation Bru-

no Mars will be coming to Hawaii for a concert at the Aloha Stadium on November 10, 2018.

Tickets will go on sale as early as June 9, with prices ranging from $49.50 to $125.

The Hawaii native sold out three shows at Blais-dell Arena in April 2014, and his profile has only grown since, including winning six Grammys at this year’s ceremony, bringing his career total to 11. He brings his 24K Magic World Tour to Honolulu after more than 135 performances around the world. Rap-per Cardi B has been his opening act on recent dates, but she announced last month that she is pregnant. Opening acts on his Hawaii date will be The Green and Common Kings.

8 HAWAII FILIPINO CHRONICLEJUNE 2, 2018

Q & A

Jager Palad: A Career Making Art Has No Rulebook

rtist Jager Palad, along with Nicole Dikon, re-cently had their work displayed in

an exhibition at the popular Downtown coffee spot Brue Bar. The exhibit, called “Pa-per Thin,” focused on the ma-teriality of paper as it relates to printmaking, painting and collage. Palad agreed to a Q&A with the Filipino Chron-icle in which he eloquently talks about his art, his life as an artist, and art as an expres-sion found all around us, not just visual art displayed at se-lect venue-spaces. Palad was born in Baltimore, Maryland, raised in South Florida, and recently moved to Hawaii. He studied printmaking, painting, and drawing at the University of Central Florida in Orlando.

He is a member of the Ho-nolulu Printmakers and has a studio space, Kaka’ako at Lana Lane Studios.

HFC: Congratulations on your exhibit at Brue Bar. How did that come about? How is it going?

PALAD: Thank you! I was approached, along with Nicole Dikon who is part of the show, by Duncan Demp-ster of the Honolulu Print-makers. They have a history of exhibitions at Brue Bar.

HFC: How do artists get their work exhibited?

PALAD: Any way they can! Most of it is research, seeing which businesses or spaces are interested in hav-ing exhibitions and approach-ing them in some way to see if they are interested in what the artist has to say and show. Sometimes, less often, the art-ist is asked to do a show, in

By HFC Staff

Awhich networking and mar-keting beforehand really pays off.

HFC: Art and marketing go hand-in-hand to make it in the industry. To succeed, how much of it is talent and how much is marketing/network-ing?

PALAD: Equal amounts, I believe. Creating the work and making sure it has quali-ty is essential, but the ability and drive to get it out there and have it be seen is just as important, and the root of that is being able and willing to speak eloquently about the work. You have to be willing to work with people and learn about those around you or else the work begins to suffer.

HFC: Can you describe your art style?

PALAD: In a way, yes. Style of one’s work is a tricky thing. It used to be a way to

distinguish a kind of belong-ing between groups, such as realistic and abstract, and in the past the lines were clear. Nowadays, especially with social media that allows any-one to be influenced by any-thing instantaneously, the lines become blurred. My work at the Brue Bar is defi-

nitely considered abstract, salvaged, even somewhat urban, but a few pieces also point to surreal and represen-tational. I think the greatest part of discussing style is how many titles you can pile up in the conversation.

(continue on page 9)

JUNE 2, 2018 HAWAII FILIPINO CHRONICLE 9

Q & A(from page 8)

HFC: What is your art say-ing to audiences? What do you try to convey through your art?

PALAD: The current work at Brue Bar, Paper Thin, is a show designed by myself and Nicole Dikon to specif-ically bring attention to all the possibilities of work on paper. We both want the view-er to see there is no rulebook to making quality work, that a tear, fold or cutout can be equally as important as a line or color. Essentially, the root is rebelliousness. In order to have artwork that means something, one must be will-ing to question all the precon-ceptions and face the answers; only then can things be origi-nal, honest, and real.

HFC: Tell us about your art training and background.

PALAD: I began creat-ing artwork in my sophomore year of college at University of Central Florida. Before that, I played music, specializing in percussion. I found that mak-ing artwork was, for me, an evolution, in that I made vi-

sual art the same way I played the drums. Once I graduated, I moved to Tupelo, Mississippi where a former professor of mine and master printmaker, painter and sculptor by the name of Ke Francis had a print-ing studio called Hoopsnake Press. I made my work beside him for a couple years before moving to Honolulu.

HFC: What is your personal goal as an artist?

PALAD: To keep making and showing! Making a career out of making art has no rule-book, so it makes it somewhat difficult or even counterin-tuitive to have strict goals. Any goal I manage to achieve won’t ever stop me from con-

tinuing to do exactly what I’m doing now.

HFC: Describe Hawaii’s art scene.

PALAD: I honestly don’t feel I have put in enough time on the island to answer that. I think one has to be living and doing shows for at least a few years before having a tangible feel on the pulse of things, and I have only been here for the past 8 months. I do know there are disadvantages in being so far away from the continent, but there are also so many passionate artists and art enthusiasts here that it is never boring. I have been here for Contact, an exhibit focusing on the reality of this

land in relation to the power dynamics of its history. I have been here for Pow Wow, a mural movement focusing on beautifying the streets to chal-lenge the assumption of gal-lery art. I have been here for the print show at the Honolulu Museum of Art School which combined contemporary ap-proaches to traditional meth-ods of printmaking… I think contemplating these events gives one an idea of Hawaii’s art scene.

HFC: Why do you pursue art? What does art mean to you?

PALAD: Because I be-lieve in it! I believe in the power of visual art, and that

truth and quality in life is re-vealed through artwork.

HFC: Artists are known to hold other jobs/careers in addition to doing their art. How do you reconcile the two: leaving time to practi-cal pursuits that pay the bills and living out your passion as an artist?

PALAD: I don’t really believe I have a passion for making my work anymore; it is much more than that. I couldn’t stop if I tried, and I don’t wait for inspiration. There is something about cre-ating work that needs to hap-pen in my life, alongside eat-ing and drinking. Because of that, there isn’t any difficulty in finding time to make work, because I’m always willing to make time. As far as other jobs to “pay the bills,” I have enough experience in that I have little difficulty in getting by. I think my work ethic for art spawned out of working odd jobs at least part time since I was around 15 years old. I’ve worked in every job

(continue on page 10)

10 HAWAII FILIPINO CHRONICLEJUNE 2, 2018

PHILIPPINE NEWS

anchored near Second Thomas or Ayungin Shoal in the West Philippine Sea.”What is our red line? Our red line is that they cannot build on Scarborough [Shoal],” Cayetano in Filipino said during a flag-raising cere-mony at the Department of For-eign Affairs.

According to Cayetano, Beijing is also not supposed to harass Filipino soldiers resup-plying or repairing Manila-con-trolled features in the West Philippine Sea.

“Another red line for is: Nobody can get natural re-sources there on their own,” Cayetano said.

If China breaks these con-ditions, President Rodrigo Duterte would be willing to wage war against Beijing.

“That’s what the president said. If anyone gets the natu-ral resources in the West Phil-ippine Sea-South China Sea, he will go to war. He said: ‘Bahala na.’ He will go to war. So those were our red lines,” Cayetano said.

Duterte has been consis-tent on his position that he does not want to go to war against China.

China’s ‘red line’China, meanwhile, also

set its “red line” with the Philippines such as following Section 5 of the Declaration on the Conduct of Parties in the South China Sea, which states that uninhabited fea-

MANILA, Philippines — Both the Phil-ippines and China

have identified actions that would be deemed unaccept-able in the South China Sea, the

Philippines’ top diplomat said Monday.

Foreign Affairs Secretary Alan Peter Cayetano said that the Philippines has informed China of some “red lines” over the disputed waterway.

The Philippines also warned China against attempt-ing to remove the BRP Sierra Madre, a Philippine Navy ship

tures should remain uninhab-ited.

“Two, let us not embarass each other in front of every-one, in front of multilater-als and bilaterals. We should talk,” Cayetano said.

Cayetano noted that Chi-na did not object to the ASE-AN statement declaring that no country should further complicate nor militarize the South China Sea.

“It is just that they don’t want to be singled out. If you were the US, if you were Rus-sia, if you were EU, you also don’t want to be singled out because you want fairness,” Cayetano said.

The DFA secretary’s pro-nouncements came days since critics have been urging the Philippine government to for-mally protest China’s landing of an H-6K bomber on Woody Island, Beijing’s largest out-post on Paracel Islands in the South China Sea.

Cayetano clarified that the dispute over the Paracels Islands is between Vietnam and China.

“When the president said it’s not against us... we have to have that element of doubt be-cause it’s a democracy and we have to ask the right questions, but we also have to have trust in the president as our chief diplomat that he has more in-formation than we do,” Cay-etano said.

Despite media reports and information released by inde-pendent think tanks involving China’s recent deployment of missile systems and jamming equipment in the Spratly Is-lands, the Philippine govern-ment has only said that it is still verifying such reports.

Presidential spokesperson Harry Roque admitted that the government does not have the capability to independently confirm Beijing’s deployment of weapons in the disputed features. On the other hand, the Chinese government had confirmed the deployments, which it said were meant to “safeguard China’s sovereign-ty and security.”(www.philstar.com)

Philippines, China Draw ‘Red Lines’ in South China Sea Dispute

(WHAT’S UP, ATTORNEY?....from page 7)

you can think of in a restaurant, building and fixing bicycles as a mechanic, stocked shelves in a plethora of department stores, worked in special events, driv-en in a taxi service, landscaped, been a construction worker. Anytime I need a job to make things easier, I always approach it with a good attitude and an eagerness to learn a new thing. Ironically, the more I work, the more artwork I find myself making, as if one feeds off the other.

HFC: How is art changing the world?

PALAD: Art is the world, and change is the only con-stant. Even speaking outside the boundaries of visual art, anytime you see someone starting a new business, a new invention, a movement, chances are it has roots in some kind of truth or quali-ty that is akin to what art is. The same person who sees something in a print or paint-ing that makes them stop and

stare, tomorrow will find the courage to do something they wouldn’t have otherwise.

HFC: Currently, what are the most popular styles of art?

PALAD: I think that de-pends on where you are. I do think there is a strong vitality to art dealing with social is-sues at the moment, with what is happening in the world and in this country.

HFC: Which artist inspired you the most?

PALAD: What a diffi-cult question! I don’t think there was a single artist that inspired the most, because ev-ery artist has their own thing they bring to the table that makes you want to seek out other artists. Some of my con-temporary favorites are Mark Bradford, Leonardo Drew, Wangechi Mutu, Banksy, Di-eter Roth, and Barbara Kruger while some older favorites are Leonardo Da Vinci and Fran-cisco de Goya.

(Q & A: JAGER PALAD....from page 9)

By Patricia Lourdes Viray Tuesday, May 29, 2018

a “drastic measure,” often amounting to lifelong “banish-ment or exile.” Deportation is “a particularly severe penal-ty,” which may be of greater concern to a convicted alien than “any poten¬tial jail sen-tence.” Sessions v. Dimaya, No. 15-1498, April 17, 2018, Supreme Court. (https://www.supremecourt.gov/opinions/sli-popinion/17; https://www.google.com/search?q=Sessions+v+Di-maya&ie=utf-8&oe=utf-8&cli-ent=firefox-b-1)

COMMENT: Persons who were convicted and de-ported for a “crime of vio-lence” under 18 U.S.C. § 16(b) which has been declared void for vagueness in Sessions v Dimaya, should seriously consider seeking relief. If a

statute is unconstitutional it “is no law.” Bedford Quarries v. Bough, 168 Ind. 671, 80 N.E. 539 (1907). How can a person be convicted for violation of a law if there “is no law”?

In Welch v. United States, No. 15-6418, April 18, 2016, https://www.google.com/search?q=welch+v+unit-ed+states&ie=utf-8&oe=utf-8&cli-ent=firefox-b-1 the Supreme Court held that Johnson v. United States, 576 US ___, which declared unconsti-tutional under the void for vagueness doctrine the defi-nition of “violent felony” in ACCA, had announced a new substantive rule that has retroactive effect in cases on collateral review. A collater-

al challenge to a conviction and sentence may be made through a motion under 28 U.S.C. § 2255 by making a substantial showing of the de-nial of a constitutional right.

ATTY. TIPON has a Master of Laws degree from Yale Law School and a Bachelor of Laws degree from the Uni-versity of the Philippines. He special-izes in immigration law and criminal defense. Office: 900 Fort Street, Suite 1110, Honolulu, HI 96813. Tel. (808) 225-2645. E-Mail: [email protected]. Websites: www.MilitaryandCrim-inalLaw.com. He is from Laoag City and Magsingal, Ilocos Sur. He served as an Immigration Officer. He is co-au-thor of “Immigration Law Service, 1st ed.,” an 8-volume practice guide for immigration officers and lawyers. This article is a general overview of the sub-ject matter discussed and is not intend-ed as legal advice.

JUNE 2, 2018 HAWAII FILIPINO CHRONICLE 11

CANDID PERSPECTIVES

shows to see at the Fringe, naturally, she was drawn to “Amok Monologues.”

It was a good choice for Winston, too.

“I liked the show,” Win-ston Taitt said. “I didn’t know as much about the history, so that was really good to find out about that.”

Sarah Taitt was even more effusive. “I loved the show. I thought the history was very fascinating because we hear a lot about other immigrant pop-ulations, but I’ve never heard about the Filipino experience.”

It was all new history she hadn’t heard before, it was news to her.

Another couple at “Amok Monologues” was Joey and Cory Canamo.

“I absolutely loved it. It was very relatable,” Canamo, 31, an American-born Filipino who works in Orlando’s enter-tainment industry. “It had mo-ments of comedy. It was very funny. But then there’s the his-tory part of it, things I didn’t necessarily know. . .like the stories of your dad.”

He and his wife, Cory, white and from the Detroit suburbs, met while in college in Florida. She related to my stories of going to a segregat-ed school, and how my white buddies treated me, until our school got its first black kid.

They thought the show

rlando, Florida is known as the home for the mouse, as in the latter-day mega Mickey, where

Disneyland has morphed into DisneyWorld, family enter-tainment on steroids.

But I prefer the city proper, near the downtown, a simpler Orlando, where I stayed in a home that had a front window view of lush tropical greenery that made me think I was in Hawaii.

Orlando is the home to the oldest and largest theater festi-val of its kind in America, the 28th Orlando Fringe Festival.

It’s a two-week gather-ing of more than 100 shows including my “Amok Mono-logues: All Pucked Up,” my comic tale about us, based on my father’s story, a colonized Filipino who comes to Amer-ica without need of green card (he was colonized, remember). He leaves Ilocos Norte, after being educated by the Amer-icans, and arrives by boat to California in 1928; there is just one Filipina per ten Filipinos on the boat, because no one is interested in Filipinos taking root in America.

Their role is simply to be a workforce. And then maybe to go back.

But it’s just in time for the Depression, and Filipinos take not only the ten-cent an hour jobs in the fields, but also the ten-cent a dance women. White women.

Already, my one-man show has achieved one of its goals—to share my story with some young American Filipi-nos.

Orlando is a modern Asian American city in that it is pri-marily Indian (27 percent) and Vietnamese (20.59 percent). The traditional group leaders, Chinese (18.65 percent) and Filipino (14.2 percent) have been usurped.

But a handful of proud

American-born Fl ipinos turned out for my show.

Like Winston Taitt, a young 39-year-old Orlando attorney, who oddly has the same first name as my best friend ever. But my friend Winston was Pe-ruvian and Chinese, and only looked Filipino. He wasn’t like Winston Taitt’s modern mix, of African American (his dad) and Filipina (his mom’s surname, Cruz De Leon).

He attended the show with his wife, Sarah, a petite white American, the kind woman who would have gotten a Fil-ipino killed in the ‘20s. She’s proud of her husband and to be Filipino by marriage.

“He’s too tall to be Filipi-no everyone says,” Sarah said as she looked admiringly at her husband, who stands 6-foot-4-inches. And you guessed it, he is a power in the local Florida Philippine basketball leagues—as a Filipino player.

“We actually had to bring his mother to a game to verify that he was Filipino,” she said.

Winston’s mother arrived in 1971 from Paranaque, Metro Manila, and her family doesn’t have a history in America that goes back to 1928 like me.

Sarah herself has been to the Philippines and loves it. She mentions Palawan. “It’s more than beaches,” she said. “It’s paradise.”

So, when she picked what

was a must-see before taking a family reunion later this year. They’re even going to bring Joey’s mom and dad later in the run.

There were so many Filipi-nos, I couldn’t talk to them all. Some like Sheri Barron know her Filipino parts run deep. She self-identified as a Navy brat in her 30s, the daughter of a corpsman.

Her father was half-Fili-pino, with a Filipino mother whose last name was Pardil-lo. Another double-L Filipino. Pardil-yo.

On the other side, Barron’s mom is from Baguio, and her surname was Virtudazo.

“I’m 75 percent Filipino,” said Sheri Barron, who visited the Philippines in 1991, during the eruption of Mount Pinatub-lo, which gets a mention in my show.

She was so taken by the “Amok Monologues,” she re-turned to see it with friends.

“Fascinating, really fasci-nating,” said her friend, Gayle White, about the show.

Her husband, John Kuntz, chimed in. “I thought it was a good show, it was quite an education for me. You’re very animated,” Kuntz said with a laugh. “I think it’s something that’s needed. I know nothing about Filipinos…You’re an in-spiration.”

Sheri Barron agreed.

“When you say (in the show about how Filipinos are) in-visible, it’s still something a Filipino American faces to-day,” Barron said. “It’s defi-nitely an inspiration. It gives you things to think about, and how you overcome it and how you think about it, through hu-mor, through storytelling, it’s a great way to get our story out there.”

Didn’t pay them to say anything. Just some honest reactions after the show as we spoke out in the lobby.

Honest reactions to an honest show.

And that’s the point of bringing my “Amok Mono-logues” to the Fringe. We’re still fringe after all these years.

Shouldn’t more people know about the path Filipinos took on the way to becoming American?

It’s not taught at schools, so I’m taking the show on the road.

Invite me to your town, your school, your barangay, your company.

I’ll bang my kulingtang gong and tell you how the tale of an American national from Ilocos Norte shaped my life.

EMIL GUILLERMO is a vet-eran journalist and commentator. He was on the editorial board of the Honolulu Advertiser, and a columnist for the Starr-Bulletin. Twitter @emilamok

By Emil Guillermo

Florida’s Filipinos Make It Feel Like Hawaii as I Go Amok

O

Winston and Sarah Taitt

12 HAWAII FILIPINO CHRONICLEJUNE 2, 2018

HEALTH & FAMILY

ACROSS1. Former Senator Clarin5. 10,000,00010. Too14. Addict15. Any port in a storm16. Acquire17. Morally dishonorable19. Azerbaijan’s capital20. Throat part21. Inflammation of a nerve23. Fencing sword25. Poet’s “below”26. Interrupted30. Not conforming to dietary laws (Judaism)33. Emmet34. Having pines or smelling of pine35. Get ready36. Cleopatra’s love ___ Antony38. PDEA agent40. Speech problem41. Anxiety43. Flatten, in a way45. Zero46. Necklace item47. Tauntingly49. Wavelike design51. Walk in water

DOWN1. Solomon-like2. Capital of Norway3. Caught in the act4. Desk item5. Large Chilean evergreen conifer6. Managed7. Hot chamber8. Forward9. Arise10. Relating to arbitration11. Whipping12. Japanese alcoholic beverage13. Sonata, e.g.18. Close with a zipper22. Miles per hour, e.g.24. Europe’s highest volcano26. Block27. Absurd

52. With undue hurry and confusion55. Dulled59. Commuter line60. View, artwork or other image of sky and clouds62. Sea eagle63. Bait64. Auditory65. Argued66. Abalone found near the Channel Islands67. Adam’s apple spot

28. Contour economically or efficiently29. High nest: Var.31. Light flintlock musket32. Utilize35. Common merganser37. Sang39. Sticking point42. Insignificant44. Focal point47. Bank clerk48. Unanimously50. Odd-numbered page52. Get ready, for short53. Countess’s husband54. Farm soil56. Diminish57. Big story58. Clobber61. Consume

CROSSWORDby Carlito Lalicon

(Solution will be on the next issue of the Chronicle)

No. 13

How to Give Good Face

brows should be medium size — not too long or short, not too thick or thin. They should have a sufficient gap between them. For women, arched brows are sexy with their raised and curvy look. Neatly shaped, fairly thick brows look good on men. Thinning eye-brows can be corrected with topical solutions or hair trans-

e know that we shou ld n o t j u d g e p e o p l e b a s e d o n their looks,

but it’s hard to ignore the fact that our first encounter with people is definitely with their faces. And the way a person looks influences how we deal with them.

The face is a particularly important signaling device. It is a reflection and a mys-tery that gives it the ultimate power of attraction. There is something about beautiful people that draws us to them; we are fascinated just staring at good-looking actors, actresses or models. Such beauty has power over us every time. But what is beauty, actually?

It’s not fair, but it’s true: some people just look pret-tier and more attractive than others. And, as if that’s not enough, beautiful people live easier lives, from the nurse who gives more attention to the pretty baby to the school-teacher who is more likely to be patient with good-looking kids rather than average-look-ing kids when they are mis-chievous.

Our generation undeni-ably wants to look attractive, what with all those advertise-ments on how to look good to

make people fall in love with you. So what do we do? Peo-ple wear makeup, use beauty creams and so on, just to look good. But there are some facial features that make you look attractive naturally. Wide-set eyes, high cheekbones, a ta-pering chin and a small nose are considered attractive. Sharp facial features make one look good, too. It has been proved that facial symmetry is one of the criteria by which we perceive the attractiveness of a face.Let me share with you the elements of a perfect face and how to achieve it.

1. Perfect forehead. There is actually no such thing as a perfect forehead, but forehead size should be ideally at least one-fourth the size of your whole face. How does one achieve an almost perfect fore-head? The answer is to remove the blemishes — pimples, sy-ringoma, or cysts. If it’s fine lines, there are different neu-rotoxins to address this prob-lem. In fact, there’s one that does not develop “antibodies” in you that are very important in the long run. Fillers — for deep furrow lines — are the “in” thing for the forehead. For scars, there are so many ways of addressing this problem, which depends on what type of scar you have.

2. Eyebrows. The eye-

plants. Shapes can be altered by neurotoxins and fillers as well. In extremely severe cas-es, surgery can be done. Per-manent glabellar lines (vertical lines in between the eyebrows) can also be erased completely to eliminate the worried look on one’s face.

3. Twinkling eyes. Eyes are the most prominent feature of the face. They play a major role in forming facial expres-sions. Thick, long, dark lashes give one’s eyes a magical look, which can be achieved through thickening mascaras. Aesthet-ic Blepahroplasty enables us to correct tired-looking eyes, drooping and creased upper eyelids, and fatty hernias in the

lower eyelids. This unsight-ly appearance starts at around 40 and worsens with age. To some, it can even set in earlier as bags under the eyes or ex-cessive creasing in the upper eyelids, which make the ex-pression look sad and makeup difficult to apply.

But fillers make your eyes not only pretty but also instant-ly sparkling. Deep hollows that give shadows and contrib-ute to peri-orbital darkening is improved instantly.

4. A pointed nose tip. A nose with a pointed tip is very alluring. What makes it more attractive is not having those prominent smile lines from the sides of your nostrils to the corners of your lips. Hy-aluronic acid injections would

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UNDER YOUR SKIN by Grace Carole Beltran, MD

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JUNE 2, 2018 HAWAII FILIPINO CHRONICLE 13

LEGAL NOTES

Children Born Outside of the US May Be US Citizens at Birth

hen a child is born in the Unit-ed States, he or she is a Unit-

ed States citizen at birth. If a child is born outside the Unit-ed States, the child may also be a US citizen at birth, so long as at least one parent is a US citizen at the time of the child’s birth.

When both parents are US citizens, there is no doubt that the child is a US citizen at birth, even if the child was born abroad. The same is true when a US citizen is married to a non-US citizen and a child is born because of this union. The child is a US citizen from birth, regardless of where the child was born. However, the law requires that the US citi-zen parent must have lived in the United States for at least five years prior to the birth of the child and at least two

years of that period must be after the age of 14.

If the child was born in the Philippines, the United States requires that the birth of the child be reported to the US Em-bassy in Manila. After complet-ing the required forms, submit-ting the required documents, payment and interview at the Embassy, the Consular Report of Birth Abroad (CRBA) will be issued. The CRBA is an of-ficial record of U.S. citizenship issued to a person under age 18 who was born abroad to United States citizen parent(s) and ac-quired citizenship at birth. Only the child’s biological parent or legal guardian, preferably the US citizen parent, can apply for the CRBA. Either parent, including the non-US citizen parent, may execute and sign the application. If it will be signed and executed by a le-gal guardian, a special power of attorney from the parent or parents or guardianship affida-vit must be submitted. The ap-plication must be made before the child’s 18th birthday and the child must make a personal

appearance at the US Embassy.In a recent case decided

by the US Supreme Court, the question was raised as to whether a child born abroad to his unwed parents, his US citizen father and his South American mother, made him a US citizen at birth.

The Immigration and Na-tionality Act (INA) provides the framework for ac¬quisi-tion of US citizenship from birth by a child born abroad, when one parent is a US cit-izen and the other parent is a citizen of another nation. Ap-plicable to married couples, the main rule requires the US citizen parent to have five years of physical presence in the United States prior to the child’s birth, at least two of which were after attaining the age of 14. The rule is made applicable to unwed US cit-izen fathers. However, this rule does not apply to unwed US citizen mothers. The rule for unwed US citizen moth-ers only requires them to have continuously lived in the US for one year prior to the

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child’s birth.In the said case, the child

was born out of wedlock and lived in the United States since he was 13. He assert-ed his US citizenship based on the US citizenship of his biological father. His father moved to the Dominican Re-public 20 days short of his 19th birthday, therefore fail-ing to satisfy the required five years’ physical presence after age 14. There, he lived with the Do¬minican mother of the child. The US citizen ac-cepted parental responsibility and included the child in his house¬hold. He then married the mother of his child and his name was then added to hers on the child’s birth certificate.

In 2000, the Government sought to remove the child based on several criminal convictions, stating that he was an alien because, at his birth, his father did not satisfy the requirement of five years of physical presence after age 14. The immigration judge rejected his citizenship claim and ordered his removal.

Lawyers for the child ar-gued that the gender-based dif-ference in the law governing acquisition of US citizenship by a child born abroad, when one parent is a US citizen, and the other a citizen of another nation was unconstitutional.

The US Supreme Court agreed with the child and stat-

ed the gender-difference in the pre-birth residence in the United States requirement of the US citizen parent violated the equal protection princi-ple and must be struck down. Hence, the rule now states that the five-year physical presence requirement should apply, prospectively, to chil-dren born to unwed US citi-zens, regardless of gender.

On April 18, 2018, the United States Citizenship and Immigration Services (US-CIS) issued a policy alert clar-ifying the new requirement. The required pre-birth phys-ical presence of five years in the United States for the US citizen parent, regardless of gender, applies to children born out of wedlock on or af-ter June 12, 2017. For children born before June 12, 2017, the old rule applies.

The USCIS also added that a separate agreement or contract is not required in or-der to prove the father of the child accepted the legal obli-gation to support the child (be-fore the age of 18) or that such obligation to provide support was imposed on the father by a court or an administrative governmental agency.

REUBEN S. SEGURITAN has been practicing law for over 30 years. For further information, you may call him at (212) 695 5281 or log on to his website at www.seguritan.com

By Atty. Reuben S. Seguritan

PHILIPPINE NEWS

‘Lift Ban on Direct Recruitment of Household Workers’

MANILA, Philip-pines — The re-cruitment sector

has urged the Philippine Overseas Employment Agen-cy (POEA) to lift the ban on foreign principals or their agents directly interviewing prospective Filipino house-hold helpers.

Alfredo Palmiery, pres-ident of the Federation of Manpower Exporters Inc. and head of the Hong Kong asso-ciation deploying domestic helpers to the former crown colony, said the POEA circu-lar is a virtual ban on deploy-ment of household helpers.

Palmiery urged POEA administrator Bernardo Ola-lia to lift the ban, saying the circular is a curtailment of the

recruitment activities of li-censed agencies. The circular, issued when the Philippines banned worker deployment to Kuwait, was meant to prevent abuses of domestic helpers in the Middle East.

Olalia said the main pur-pose of foreign principals in coming to Manila is to person-ally select applicants to match the needs of their clients.This is to prevent any mismatch of applicants to work, which may result in disadvantages to the workers themselves, Ola-lia said.

Sometimes this may end up in termination or repatria-tion, he added.

Palmiery, however, said the circular should not apply to Hong Kong or in countries where reports of abuses of Filipino domestic helpers are

not rampant.He added that the letter of

authority issued by the POEA was requested by agencies to replace the special working permits issued by the Bureau of Immigration (BI).

The industry negotiated with the BI that a letter of au-thority from the POEA would suffice for foreign principals to interview workers instead of the permit that has been the practice since 2001.

Numerous cases of arrests and extortion were reported against foreign principals be-fore 2001, especially Japa-nese principals who were in-terviewing applicants for the entertainment industry.

Palmiery added that if the objective of the circular is to reduce the number of workers applying for work abroad, this will not happen. (www.philstar.com)

By Rudy SantosMonday, May 28, 2018

14 HAWAII FILIPINO CHRONICLEJUNE 2, 2018

HAWAII-FILIPINO NEWS

Farmers who suffered damage due to heavy rain and flooding on

Kauai and Oahu in April and farmers impacted by the ongoing Kilauea volcano on the Big Island could get emergency low-interest agri-cultural loans.

The Hawaii Board of Agriculture approved an Emergency Disaster Loan Program for farmers hit by

these natural disasters.The Board approved the

emergency loan program which offers disaster-relat-ed loans of up to $500,000 at an interest rate of three percent, with loan terms to be determined on a case-by-case basis. The Hawaii Department of Agriculture (HDOA) Agricultural Loan Division will process loan applications based on past

farm production, projected cash flow and disaster re-covery plans. Three-year residency and other require-ments usually necessary for agricultural loans will also be waived. Loan applica-tions will be accepted until June 2019.

In addition to the disas-ter loan program, HDOA also offers microloans of up to $25,000 that involves less

paperwork and offers swift-er processing. Loan officers will also work with those with existing agricultural loans on loan payment defer-rals. The Agricultural Loan Division may be contacted at 808-973-9460.

“It’s painful to see all the damage to our agricul-tural crops and businesses caused by the recent natural disasters,” said Gov. David Ige. “The Board’s approval ensures that funding is avail-able to support agricultural recovery efforts.”

“The financial burden of the recent natural disasters hits the agriculture industry particularly hard,” said Scott Enright, chairperson of the Hawaii Board of Agricul-ture. “HDOA’s agricultur-al loan program will do its best to help our farmers and ranchers get back in business as soon as possible.”

On April 15, 2018, Gov. David Ige declared the County of Kauai a disaster area due to heavy rains and flooding and authorized state funds for disaster relief. A

supplementary disaster proc-lamation was issued by the Governor on April 18 to in-clude the City and County of Honolulu due to heavy rains and flooding.

On May 3, 2018, Gov. Ige issued a proclamation declaring the County of Ha-waii as a disaster area due to the eruption at Kilauea and lava flows occurring in the East Rift Zone.

Earlier this month, the U.S. Secretary of Agricul-ture issued a disaster declara-tion for the County of Kauai which allows for assistance from the U.S. Department of Agriculture’s Farm Service Agency (FSA), including low-interest disaster loans. The FSA office on Kauai may be contacted at: (808) 245-9014 Ext. 2.

The U.S. Small Busi-ness Administration (SBA) also has a disaster loan pro-gram for nonfarm business-es which are dependent on farmers and ranchers that have suffered agricultural production losses on Kauai.

For loan assistance and more information on HDOA’s Agricultural Loan Program, go to: http://hdoa.hawaii.gov/agl/

Sagot sa Krosword Blg. 12 | May 19, 2018)

Loans Are Available to Farmers Impacted by Kauai-Oahu Floods and Kilauea Eruption

Philippine Airlines and Cebu Air Seek Approval for Price Increase

consumes about 11 million barrels a year, while the price of jet fuel has risen by $13 from January to April, he said.

Cebu Air’s costs are in-creasing by $13 million a month from a year ago with jet fuel prices hitting $87 per barrel and the peso declining to 52.50 against the dollar, Gokongwei said. The curren-cy’s decline is already dimin-ishing Filipino consumers’ appetite for air travel, Bautista said.

Traveling to the Philip-pines could be more expensive. Philippine

Airlines Inc. and Cebu Air ap-plied for regulatory approval to add fuel surcharges to be imposed on customers. Rising fuel costs and the weakening of the peso have prompted the airlines to seek price hikes.

“We will have to adjust prices accordingly,” said Lance Gokongwei, president of Cebu Air Inc., which owns the na-tion’s largest budget carrier.

Philippine Airlines, owned by tycoon Lucio Tan, incurs $11 million a year in addition-al costs for every $1 increase in the price of a barrel of fuel, President Jaime Bautista said in a mobile-phone message. The nation’s largest carrier

PHILIPPINE NEWS

JUNE 2, 2018 HAWAII FILIPINO CHRONICLE 15

CALENDAR OF EVENTSLIVE IN CAREGIVER WITH CAREGIVING EXPERIENCE AND LIGHT COOKINGRoom and board plus salary.Email: [email protected]

FULL TIME FACTORY WORKER TOASSEMBLE AIR FILTERS IN KANEOHENo experience necessary will train.Apply in person M-F 8:00AM-2:00PM.46-157 Malina Pl. Kaneohe 235-6681

ROOMS FOR RENT–KALIHI-PALAMAUnfurnished 2 Rooms 2nd floor single ordouble occupancy only $750/850 includeswater/electric/ceiling fan.Near bus stop & town.Share living/bath/kitchen.No Parking/smoking/alcohol/drug.Employed & Good reference required.Contact (808) 271-9363.

HELPER WANTEDBird care/cleaning and light houseworkM, W, F, mornings. $10 to startWahiawa 621-0351

VALLEY OF THE TEMPLES 1 PLOTunder the HOLY CROSS Near the road | sell-ing for 2 Thousand | Call Kanani at 6995154

FRONT OFFICE MEDICAL RECEPTIONISTMust Speak ILOCANO, TAGALOG, ENGLISHInsurance Knowledge a plus!Email Resume at [email protected] Fax: 678-0037

PHILIPPINE INDEPENDENCE DAY GALA | June 9, 2018, 6pm | Sheraton Hotel & Resort Waikiki | Contacts: Bennette Misalucha 398-5988, Cecilia Villafuerte 780-4985

2018 MRS. HAWAII FILIPINA PAGEANT | June 16, 2018 | Ala Moana Hotel, Hibuscus Ballroom | Contacts: Maria Etrata 392-2962, Adela Salacup 723-4639

12TH AMBASSADOR’S TOUR TO THE PHILIPPINES | June 7-15, 2018 | Manila-Cebu-Bohol | Contact Philip-pine Consulate General Honolulu @ 595-6316

CLASSIFIED ADSPHILIPPINE NAVY OPEN SHIP @ RIM OF THE PA-CIFIC EXERCISE (RIMPAC) IN HAWAII | July 4, 2018 | Joint Base Pearl-Harbor Hickam | RSVP by June 1 for Base access | For more information, call the Philippine Consulate General at (808) 595-6316 to 19

CONGRESS OF VISAYAN ORGANIZATIONS (COVO) CONVENTION EDUCATIONAL AND NON-PROFIT WORKSHOPS | August 4, 2018 | Philippine Consulate of Honolulu | Email: [email protected] for more information

PHILIPPINE NEWS

Wage Hike to Aggravate Situationof Unemployed — ECOP form P750 to P800 across-the-

board pay hike for all workers nationwide.

Partido ng Manggagawa (PM) criticized employers for raising “disaster and doomsday scenarios” of closure and mass displacement if a national mini-mum wage is implemented.

Reports on the erosion of workers’ purchasing power, PM said, are not imagination but based on a study conducted by the Department of Finance (DOF).

PM also urged Labor Secre-tary Silvestre Bello III to stand behind workers’ welfare.

ECOP said the estimated number of minimum wage earn-ers nationwide stands at 3.2 mil-lion, less than eight percent of the total Philippine labor force.

In the NCR, the group said the estimated number of min-imum wage earners stands at 952,485. (www.philstar.com)

MANILA, Philippines — Employers yesterday warned that a wage hike

at this time would only aggravate the situation of the unemployed.

In a statement, Employers Confederation of the Philippines (ECOP) acting president Sergio Ortiz-Luis Jr. said the P800 per day minimum wage nationwide, as proposed by the Associated Labor Unions-Trade Union Congress of the Philippines (ALU-TUCP), “will continue to neglect the unemployed sector of our labor force.”

“The pain of inflation triggered by a wage hike will worsen the plight of the rest of the wage and salary workers,” said Ortiz-Luis, adding that only minimum wage earners will benefit from any wage adjustment.

ECOP’s warning comes follow-

ing the recent spike in inflation that prompted organized labor to press for a new round of wage adjustments.

President Duterte has or-dered the Department of Labor and Employment to convene the wage boards to revisit wage lev-els across the country and dis-cuss the effect of the Tax Reform for Acceleration and Inclusion (TRAIN) law on workers.

Another measure seeking a legislated wage increase was filed before Congress despite strong opposition from the gov-ernment and employers’ groups.

The TUCP yesterday report-ed that their sectoral represen-tative has filed a proposed bill mandating a P320 national wage hike.

The ALU also supported the passage of the National Mini-mum Wage Law that seeks a uni-

and your jawline play an important role in the positioning of your lips. Fuller lips can be achieved by hy-aluronic injections.

7. Tapering chin and a de-fined face cut. A narrow, tapering chin looks pleasant and appealing. A medium-sized chin is perfect. After the jawline, the chin is the final feature that defines the face. This is sometimes altered as one grows older with the formation of the jowls. But with the advances of dermal fillers and energy-based procedures, there are plenty of no-knife options available — you just need to pick the one that’s best for you. Filler injections can help bring balance and volume to your face. While they won’t elevate the jowls, they can be used to smoothen out the transition along the jawline and address other related aesthetic concerns. However, facelift proce-dures are a surgical alternative to remove jowls and create a more chiseled jawline.

The longevity of fillers is influ-

correct all this instantaneously. Two injections on the lateral side of cheek-bones will instantly lift the face, plus another injection on the alar groove and along the nasal groove and smile lines. Rhinoplasty, a surgical option, can also achieve this goal. Fillers do wonders for everything surrounding the nose, too.

5. High cheekbones. Cheekbones should have a hollow curve that is in line with your lips, slanting upwards to the start of your ears. Neurotox-in injections over the muscles of the neck can add more lift, and sometimes we add another injection on the cheek-bones, which will correct it even more. To lift the lateral angles of the mouth, an injection in the lower lip muscle, together with fillers on the lateral tri-angle of the lips, is an ultimate help.

6. Full lips. Lips are a very im-portant facial feature. Full lips look enticing and luscious. A natural pout enhances the look. The lower lip should be fatter than your upper lip. The outline of your lips should be straight. The way your teeth are set

enced by multiple factors, includ-ing the area being treated and your lifestyle. Areas of the body that experience more movement may require more frequent filler treat-ments. You can expect basic fill-ers to last up to six months, while stronger, hyaluronic acid fillers can last up to 12 or even 24 months, de-pending on the brand and what part of the body they are designed for.

It’s worth mentioning that in-jections and fillers can be used to target other areas of the face as well. Kybella or Lipobella, for in-stance, can be used to “melt away” your double chin and provide more definition to your sagging jawline.

8. Prominent dimples. Dim-ples add beauty to your smile, making it infectious. Some of us may also have a dimple in the chin (known as a cleft chin). A mild disorder in reality, dimples have turned into a very likeable facial feature, and creating them is a pro-cedure that’s been done here for a long time. (www.philstar.com)

(HEALTH & FAMILY: HOW TO GIVE...from page 12)

By Richmond MercurioThursday, May 31, 2018

JUNE 2, 2018