Monday Evening, April 2, 2018, at 8:00Isaac Stern Auditorium / Ronald O. Perelman Stage

THE JUILLIARD SCHOOL

presents

Juilliard OrchestraDAVID ROBERTSON, ConductorTOMER GEWIRTZMAN, Piano

CHARLES IVES Three Places in New England (1874–1954) The “St. Gaudens” in Boston Common (Col. Robert Gould Shaw and his Colored Regiment) Putnam’s Camp, Redding, Connecticut The Housatonic at Stockbridge

BÉLA BARTÓK Piano Concerto No. 3 (1881–1945) Allegretto Allegro religioso—[Poco più mosso]—Tempo I [Allegro vivace]—[Presto] TOMER GEWIRTZMAN, Piano

Intermission

ANTONÍN DVOŘÁK Symphony No. 9 in E minor, Op. 95, (1841–1904) From the New World Adagio—Allegro molto Largo Scherzo. Molto vivace Allegro con fuoco

Performance time: approximately 1 hour and 40 minutes, including one intermission

The taking of photographs and the use of recording equipment are not permitted in this auditorium.

Information regarding gifts to the school may be obtained from the Juilliard School Development Office,60 Lincoln Center Plaza, New York, NY 10023-6588; (212) 799-5000, ext. 278 (juilliard.edu/giving)

PLEASE SWITCH OFF YOUR CELL PHONES AND OTHER ELECTRONIC DEVICES.

Notes ON THE PROGRAMby James Keller

CHARLES IVES Three Places in New EnglandBorn October 20, 1874, in Danbury, Connecticut; Died May 19, 1954, in NewYork City

Charles Ives’ Three Places in NewEngland—or the New England Sym -phony, as he sometimes called it—presents much documentary confusion.One might trace its conceptual originto just after his wedding in 1908, whenIves and his bride enjoyed a weekendouting that included a hike along theHousatonic River near Stockbridge,Massachusetts. “The mist had not entirelyleft the river bed,” Ives recalled, “and thecolors, the running water, the banks andelm trees were something that one wouldalways remember.” On June 30, 1908, hejotted a musical sketch relating to theexperience, and several years later—apparently in 1911–13—he used that as apoint of departure for The Housatonic atStockbridge movement, which stands asthe finale.

By 1911 he seems to have been plan-ning some sort of orchestral triptychthat would conclude with a movementdepicting the “Shaw Memorial” monu-ment by Augustus Saint-Gaudens inBoston Commons. The first two move-ments came to naught, but the “St.Gaudens” section found a place at theopening. In 1912 he set about creatingthe second movement, Putnam’s Camp,by essentially merging and working outtwo considerably earlier works, theCountry Band March and the Overtureand March: 1776, now brought togetherto depict a child’s dream about a Re -volutionary War camp in Connecticut.By 1914 all three movements were

complete in full score, but the set wentunnoticed and unperformed, not to re-emerge for another 15 years. In 1929Nicolas Slonimsky asked Ives for some-thing he might conduct with his BostonChamber Orchestra. Ives offered thissymphony manqué for a full symphonyorchestra, and he then re-orchestrated(and considerably revised) the piece tobring it within the reach of Slonimsky’sgroup. It is sometimes heard today inthat chamber-orchestra reduction, inwhich the piano takes on a wickedamount of what had previously beenassigned to other instruments. After thepremiere, at New York’s Town Hall in1931, Ives came backstage to exclaim:“Just like a town meeting—every manfor himself. Wonderful how it cameout!” In 1933 Slonimsky convinced aBoston publisher to issue the piece.This would be the first-ever commer-cial publication of an Ives composition.

In this concert, however, we hear thefull symphonic version—or rather, abest-guess reconstruction of Ives’ origi-nal version, since large chunks of theoriginal scores were sliced off and dis-carded in the course of Ives’ 1929 re-orchestration. Writes James Sinclair inthe preface to the full-orchestra edition:“It became clear that the only properway to revive Ives’ large-orchestra inten-tions was to combine the original coloringwith the compositional revisions of1929. In this way the advantages ofboth scores would be preserved.”

BÉLA BARTÓK Piano Concerto No. 3Born March 25, 1881, in Nagyszentmiklós, Hungary (now Sînnicolau Mare,Romania); Died September 26, 1945, in New York City

Few though they be, the major worksof Béla Bartók’s last years—theConcerto for Orchestra (1943, revised1945), the Sonata for Solo Violin(1944), the Piano Concerto No. 3(1945), and the fragmentary ViolaConcerto (1945)—tower as high pointsof 20th-century music. It is a miraclethey were written at all, pendants to acomposing career that Bartók himselfviewed as over. He had grown increas-ingly desperate as National Socialismovertook Central Europe in the 1930sbut felt compelled to stay in Hungaryto look after his adored mother. Whenshe died, in 1939, he wasted little timepreparing his exit, and in the fall of1940 he and his family arrived in NewYork, where he spent the five years thatremained to him.

The 59-year-old Bartók felt depressedand isolated in his new surroundings.He lacked energy and was plagued byill health, the first symptoms of theleukemia that would kill him. He heldout little hope for his future as a com-poser. By the summer of 1943 he wasconfined to a hospital. His weight hadfallen to 87 pounds and he was all butbankrupt when the conductor SergeKoussevitzky dropped by the hospital tocommission the Concerto for Orchestra.

Working on that piece jump-startedBartók’s creativity and he judiciouslycommitted himself to a few new proj-ects, of which a Piano Concerto, histhird, held special personal significance.

He hoped to present it to his pianistwife, Ditta Pásztory-Bartók, for her42nd birthday on October 31, 1945,imagining that she could use it toensure concert bookings after he wasgone. He nearly made it. As he laboredon the concerto during the summer of1945 at Saranac Lake, his conditiondeteriorated and he returned to NewYork earlier than he had planned. Hishealth grew increasingly perilous, andon September 22 he was taken byambulance from his apartment on West57th Street to West Side Hospital,where he died four days later. He hadworked on the concerto through hislast evening at home and managed tofinish all but the last 17 measures of itsorchestration; before leaving in theambulance, he asked his son Peter todraw the requisite bar-lines on themusic paper. “He counted the bar-linesto make sure their number was cor-rect,” wrote Peter, “then added a dou-ble line to the last one and added theword: ‘Vége’ [Hungarian for ‘TheEnd’].” The missing music was sup-plied by Bartók’s pupil and friend TiborSerly. Ditta soon returned to Hungary,where she lived in semi-seclusion for acouple of decades before she everplayed the piece in public. By and large,her role in this spectacularly beautifulconcerto—greatly lyrical, sometimesprayerful, often mysterious, appealinglynaturalistic (even incorporating quota-tions of bird songs in the “night music”of its middle movement)—was limitedto serving as muse.

ANTONÍN DVORÁK Symphony No. 9 in E minor, Op. 95,From the New WorldBorn September 8, 1841, in Nelahozeves, near Kralupy, Bohemia (now theCzech Republic); Died May 1, 1904, in Prague, Bohemia

In June 1891 the American philanthro-pist Jeannette Thurber invited AntonínDvořák to direct the National Con -servatory of Music in New York, whichshe had been nurturing into existenceover the preceding several years. Dvořákwas persuaded. He served as theschool’s director from 1892 through1895, building its curriculum and fac-ulty, appearing as a guest conductor,and composing such masterworks ashis String Quartet in F major (Op. 96,the American), his String Quintet in E-flat major (Op. 97), and his SymphonyFrom the New World, which occupiedhim during the winter and spring of1893. Its premiere that December, withAnton Seidl conducting the New YorkPhilharmonic, was a huge success, apeak of the composer’s career, and thecritic for the New York Evening Postproclaimed it “the greatest symphonicwork ever composed in this country.”

The title came to Dvořák as an after-thought, and he later explained that itsignified nothing more than “impres-sions and greetings from the NewWorld.” But for that subtitle, a listenermight not consider it less redolent ofthe “Czech spirit” than any of the com-poser’s other symphonies. Syncopatedrhythms and modal melodies areemblematic of many folk and popularmusical traditions, those of Bohemiaand the U.S. included. Still, the work’stitle invites us to recall how interestedDvořák really was in African-Americanand Native American music, and musi-cologists have found in its melodiesechoes of such undeniably Americantunes as “Swing Low, Sweet Chariot”and “Massa Dear.”

The African-American presence in themusical scene was immense duringDvořák’s American years. Ragtime lefthim cold, but he was fascinated by therepertoire of Negro spirituals. (Themelody of Dvořák’s second movementwas later fashioned by one of his pupilsinto the song “Goin’ Home,” written inthe style of a spiritual.) So far as NativeAmerican music is concerned, we knowthat he attended one of Buffalo BillCody’s Wild West shows in New Yorkin the spring of 1893, which wouldhave included singing and dancingfrom a group of Oglala Sioux. SinceDvořák was just then completing thissymphony, it is impossible that themusic he heard then could have inspiredthe work’s material in any direct way;and the same must be said of theIroquois performers Dvořák encoun-tered in Iowa a few months later at aperformance given by the KickapooMedicine Company. Still, on the day ofhis new symphony’s premiere, the NewYork Herald ran an article in whichDvořák emphasized the work’s pur-ported Native American connections,specifically citing parallels to Longfellow’sinterminable poem “The Song ofHiawatha,” which was in any case aRomantic effusion modeled on a Finnishepic rather than an authentic expres-sion of any Native American culture.

James M. Keller is program annotatorof the New York Philharmonic (TheLeni and Peter May Chair) and of theSan Francisco Symphony. Earlier ver-sions of these notes appeared in theprograms of the New York Philharmonicand are used with permission. © NewYork Philharmonic.

THE ArtistsDavid Robertson is currently in hisvaledictory season as music director ofthe St. Louis Symphony Orchestra(SLSO), and in his fifth as chief conduc-tor and artistic director of the SydneySymphony Orchestra. This fall hebecomes Juilliard’s director of conduct-ing studies, distinguished visiting faculty.He has served in artistic leadershippositions at musical institutions includ-ing the Orchestre National de Lyon,and, as a protégé of Pierre Boulez, theEnsemble InterContemporain, which heled on its first North American tour. Atthe BBC Symphony Orchestra, heserved as principal guest conductor. Heis a frequent guest at the world’s lead-ing opera houses, including the Metro -politan Opera (where he is currentlyconducting a new production of Cosìfan tutte), La Scala, Bayerische Staatsoper,Théâtre du Châtelet, and San FranciscoOpera. At Carnegie Hall he has led,among others, the Met Orchestra,Lucerne Festival Orchestra, and St.Louis Symphony Orchestra. He appearsregularly in Europe with the RoyalConcertgebouw Orchestra, Czech Phil -harmonic, Bayerische Rundfunk, andDresden Staatskapelle, and at the BerlinFestival, Edinburgh Festival, BBC Proms,and Munich’s Musica Viva Festival.

During his 13 years with SLSO, Mr.Robertson has solidified the ensemble’sstanding as one of the nation’s mostenduring and innovative orchestras.His relationships with artists across awide spectrum has been evidenced by

the orchestra’s ongoing collaborationwith composer John Adams. The 2014 re -lease of City Noir (Nonesuch Records)—comprising works by Adams performedby the SLSO with Robertson—won theGrammy Award for best orchestral per-formance. Robertson is the recipient ofnumerous musical and artistic awards,and in 2010 was made a Chevalier del’Ordre des Arts et des Lettres. Devotedto supporting young musicians, Mr.Robertson has worked with students atthe Aspen, Tanglewood, and Lucernefestivals, at the Paris Conservatoire,Music Academy of the West, NationalOrchestra Institute, and Juilliard. In2014 he led the U.S. tour of the NationalYouth Orchestra of Carnegie Hall.

Born in Santa Monica, California, Mr.Robertson was educated at London’sRoyal Academy of Music, where hestudied horn and composition beforeturning to orchestral conducting.

DAVID ROBERTSON, Conductor

JAY FR

AM

Pianist Tomer Gewirtzman has appearedas a soloist with the Israel Philharmonicas well as numerous other orchestras inhis native Israel, and with the MariinskyOrchestra in St. Petersburg, and in theU.S. with the Shreveport, Charlottesville,Bucks County, and South Arkansassymphonies. In recital he has appearedat London’s Steinway Hall, Boston’sIsabella Stewart Gardner Museum, andin the Young Concert Artists Series inNew York and Washington, D.C. Hehas also performed at music festivals inthe U.S. including Bravo! Vail, Aspen,

PianoFest in the Hamptons, and NewYork’s International Keyboard InstituteFestival. Internationally he has appearedat festivals in Italy, Belgium, andGermany. At the 2015 Young ConcertArtists International Auditions, Mr.Gewirtzman won first prize and fivespecial performance prizes. He has alsowon first prize at Louisiana’s WidemanInternational Piano Competition andthe piano prize and audience prize atthe America/Israel Cultural Foundation’sAviv Competition. Mr. Gewirtzmanstarted his piano studies at the age ofeight with Raaya Shpol at the RubinConservatory in Haifa and continuedwith Vadim Monastirski from theRubin Academy in Jerusalem. From2008 to 2011 he served in the IsraeliDefense Forces, where he combinedmilitary service with music studies withArie Vardi. He earned his master’sdegree at Juilliard, working with SergeiBabayan, and was a recipient of aKovner Fellowship. He continues hisstudies with Mr. Babayan at theschool in the artist diploma program.Celia Ascher Artist Diploma Fellowship,Fanya Woll Scholarship

TOMER GEWIRTZMAN, PianoJIYANG C

HEN

JUILLIARD ORCHESTRAAlan Gilbert, Director of Conducting and Orchestral Studies, William Schuman Chair inMusical StudiesDavid Robertson, Guest Conductor

Violin IAshley Jeehyun Park,

ConcertmasterLudvig GudimQianru Elaine HeYujie HeColin LaursenByungchan LeeJasmine LinYi Hsin Cindy LinRannveig Marta SarcCarolyn SemesSophia StoyanovichZiyao SunAgnes TseJacqueline TsoAngela WeeEmma Zhuang

Violin IICherry Choi Tung

Yeung, PrincipalAmelia DietrichHiu Sing FanRandall GoosbySumire HirotsuruSoo Yeon KimAndrew KoonceWei LuZhi MaNaoko NakajimaKenneth RenshawJin Wen SheuJieming Tang Helenmarie Vassiliou

ViolaChloé Thominet,

PrincipalSofia BasileEn-Chi ChengAndrea FortierEsther KimMinji KimJoseph PetersonErin PittsTabby RheeSophia SunMeagan TurnerJacob van der Sloot

CelloMatthew Chen,

PrincipalClara AbelLaura Andrade Frankie CarrNoah KohIsabel KwonGuilherme Nardelli

MonegattoMax OppeltzAndree WernerMinji Won

Double BassAndrew Sommer,

PrincipalTimothy ChenYi-Hsuan Annabel

ChiuJanice GhoDominic LawZachary MarzulliJack McGuireKathryn Morgan

Stewart

FluteJames Dion

Blanchard,Principal

Hae Jee Ashley Cho,Principal

Olivia Staton,Principal

PiccoloJames BlanchardHae Jee Ashley Cho

OboeVictoria Chung,

PrincipalJonathan Gentry,

PrincipalRussell Hoffman,

Principal

English HornVictoria ChungJonathan GentryRussell Hoffman

ClarinetNa Yoon Kim,

PrincipalAlec Manasse,

PrincipalSunho Song,

Principal

Bass ClarinetAlec Manasse

BassoonJoshua Elmore,

PrincipalThomas English,

PrincipalJacob Wellman,

Principal

ContrabassoonJoshua Elmore

French HornKaci Cummings,

PrincipalAvery Roth-

Hawthorne,Principal

NathanielSilberschlag,Principal

Lee CyphersThea Humphries

TrumpetWyeth Aleksei,

PrincipalMaximilian Morel,

PrincipalBenedetto Salvia,

Principal

TromboneKevin Carlson,

PrincipalStephen Whimple,

Principal

Bass TromboneFilipe Alves

TubaColin Benton

TimpaniTaylor Hampton,

PrincipalLeo Simon, PrincipalDavid Yoon,

Principal

PercussionTyler Cunningham,

PrincipalTaylor Hampton,

PrincipalDavid Yoon,

PrincipalEvan SaddlerLeo Simon

HarpAlexis Colner,

PrincipalAdam Phan

Piano/CelesteYu Fu

OrganDaniel Ficarri

Juilliard’s largest and most visible stu-dent performing ensemble, the JuilliardOrchestra, is known for delivering pol-ished and passionate performances ofworks spanning the repertoire. Com -prising more than 350 students in thebachelor’s and master’s degree programs,the orchestra appears throughout the2017–18 season in more than a dozenperformances on the stages of Alice TullyHall, Carnegie Hall, David Geffen Hall,and Juilliard’s Peter Jay Sharp Theater.The season opened in August with acollaboration between Juilliard andFinland’s Sibelius Academy membersconducted by Esa-Pekka Salonen withconcerts in Alice Tully Hall, Helsinki, andStockholm. The orchestra is a strongpartner to Juilliard’s other divisions,appearing in opera and dance produc-tions. Under the musical leadership ofAlan Gilbert, the director of conduct-ing and orchestral studies, the JuilliardOrchestra welcomes an impressive roster

of world-renowned guest conductors thisseason including Thomas Adès, JosephColaneri, Edo de Waart, Chen Lin, DavidRobertson, Speranza Scappucci, andGerard Schwarz, as well as faculty mem-bers Jeffrey Milarsky and Mr. Gilbert.The Juilliard Orchestra has toured acrossthe U.S. and throughout Europe, SouthAmerica, and Asia, where it was the firstWestern conservatory ensemble allowedto visit and perform following the open-ing of the People’s Republic of China in1987, returning two decades later, in2008. Other ensembles under theJuilliard Orchestra umbrella includethe conductorless Juilliard ChamberOrchestra, the Juilliard Wind Orchestra,and the new-music groups AXIOM andNew Juilliard Ensemble.

David Robertson will become TheJuilliard School’s director of conduct-ing studies, distinguished visiting faculty,at the beginning of the 2018–19 season.

ABOUT THE JUILLIARD ORCHESTRA

Orchestra AdministrationAdam Meyer, Associate Dean and Director, Music DivisionJoe Soucy, Assistant Dean for Orchestral Studies

Joanna K. Trebelhorn,Director of Orchestral andEnsemble Operations

Matthew Wolford,Operations Manager

Lisa Dempsey Kane, PrincipalOrchestra Librarian

Michael McCoy, OrchestraLibrarian

Deirdre DeStefano, OrchestraManagement Apprentice

BOARD OF TRUSTEES

Bruce Kovner, ChairJ. Christopher Kojima, Vice ChairKatheryn C. Patterson, Vice Chair

EXECUTIVE OFFICERS AND SENIOR ADMINISTRATION

TRUSTEES EMERITI

June Noble Larkin, Chair Emerita

Mary Ellin BarrettSidney R. KnafelElizabeth McCormackJohn J. Roberts

Office of the PresidentJoseph W. Polisi, PresidentJacqueline Schmidt, Chief of Staff

Office of the Provost and DeanAra Guzelimian, Provost and DeanJosé García-León, Associate Dean for Academic AffairsRobert Ross, Assistant Dean for Preparatory Education Kent McKay, Associate Vice President for Production

Dance DivisionTaryn Kaschock Russell, Acting Artistic DirectorLawrence Rhodes, Artistic Director EmeritusKatie Friis, Administrative Director

Drama DivisionRichard Feldman, Acting Director Katherine Hood, Managing Director

Music DivisionAdam Meyer, Associate Dean and DirectorBärli Nugent, Assistant Dean, Director of Chamber MusicJoseph Soucy, Assistant Dean for Orchestral StudiesStephen Carver, Chief Piano TechnicianJoanna K. Trebelhorn, Director of Orchestral

and Ensemble Operations

Historical PerformanceRobert Mealy, DirectorBenjamin D. Sosland, Administrative Director;

Assistant Dean for the Kovner Fellowships

Jazz Wynton Marsalis, Director of Juilliard JazzAaron Flagg, Chair and Associate Director

Ellen and James S. Marcus Institute for Vocal Arts Brian Zeger, Artistic DirectorKirstin Ek, Director of Curriculum and SchedulesMonica Thakkar, Director of Performance Activities

Pre-College DivisionYoheved Kaplinsky, Artistic DirectorEkaterina Lawson, Director of Admissions and Academic AffairsAnna Royzman, Director of Performance Activities

Evening DivisionDanielle La Senna, Director

Lila Acheson Wallace LibraryJane Gottlieb, Vice President for Library and

Information Resources; Director of the C.V. Starr Doctoral Fellows Program

Enrollment Management and Student DevelopmentJoan D. Warren, Vice PresidentKathleen Tesar, Associate Dean for Enrollment ManagementBarrett Hipes, Associate Dean for Student Development Sabrina Tanbara, Assistant Dean of Student AffairsCory Owen, Assistant Dean for International Advisement

and Diversity InitiativesWilliam Buse, Director of Counseling ServicesKatherine Gertson, RegistrarTina Gonzalez, Director of Financial AidTeresa McKinney, Director of Community EngagementCamille Pajor, Title IX CoordinatorTodd Porter, Director of Residence LifeHoward Rosenberg MD, Medical DirectorBeth Techow, Administrative Director of Health

and Counseling ServicesHolly Tedder, Director of Disability Services

and Associate Registrar

FinanceChristine Todd, Vice President and Chief Financial OfficerIrina Shteyn, Director of Financial Planning and Analysis Nicholas Mazzurco, Director of Student Accounts/Bursar

Administration and LawMaurice F. Edelson, Vice President for Administration

and General CounselJoseph Mastrangelo, Vice President for Facilities ManagementMyung Kang-Huneke, Deputy General Counsel Carl Young, Chief Information Officer Steve Doty, Chief Operations OfficerDmitriy Aminov, Director of IT EngineeringCaryn Doktor, Director of Human Resources Adam Gagan, Director of SecurityScott A. Holden, Director of Office ServicesJeremy Pinquist, Director of Client Services, ITHelen Taynton, Director of Apprentice Program

Development and Public AffairsAlexandra Day, Associate Vice President for Marketing

and CommunicationsKatie Murtha, Acting Director of DevelopmentBenedict Campbell, Website DirectorAmanita Heird, Director of Special EventsSusan Jackson, Editorial DirectorSam Larson, Design DirectorLori Padua, Director of Planned GivingEd Piniazek, Director of Development OperationsNicholas Saunders, Director of Concert OperationsEdward Sien, Director of Foundation and Corporate RelationsAdrienne Stortz, Director of SalesTina Matin, Director of MerchandisingRebecca Vaccarelli, Director of Alumni Relations

Juilliard Global VenturesChristopher Mossey, Senior Managing DirectorCourtney Blackwell Burton, Managing Director for Operations Betsie Becker, Managing Director of Global K–12 ProgramsGena Chavez, Managing Director, The Tianjin Juilliard SchoolNicolas Moessner, Managing Director of Finance

and Risk Management

Julie Anne ChoiKent A. ClarkKenneth S. DavidsonBarbara G. FleischmanKeith R. GollustMary GrahamJoan W. HarrisMatt JacobsonEdward E. Johnson Jr.Karen M. LevyTeresa E. LindsayLaura LinneyMichael Loeb

Greg MargoliesVincent A. MaiEllen MarcusNancy A. MarksStephanie Palmer McClellandChristina McInerneyLester S. Morse Jr.Stephen A. NovickJoseph W. PolisiSusan W. RoseDeborah SimonSarah Billinghurst SolomonWilliam E. “Wes” Stricker, MD

JUILLIARD COUNCIL

Mitchell Nelson, Chair

Michelle Demus AuerbachBarbara BrandtBrian J. HeidtkeGordon D. HendersonPeter L. KendYounghee Kim-WaitPaul E. Kwak, MDMin Kyung KwonSophie Laffont

Jean-Hugues MonierTerry MorgenthalerPamela J. NewmanHoward S. Paley John G. PoppGrace E. RichardsonJeremy T. SmithAlexander I. TachmesAnita Volpe

• Tianjin is the third largest city in China, and the school will be adjacent to a high-speed rail station with one-hour service to downtown Beijing. The school is located in a beautiful, riverside park along the Hai River in the New Binhai Area, Tianjin.

• The Tianjin Juilliard School builds on the city’s rich artistic heritage by establishing a new crossroad for Juilliard’s network of artists, teachers, friends, and students.

• The ribbon-like Hai River—the largest water body in Northern China—weaves through Tianjin. It is spanned by 21 bridges and offers easy access to the Haihe Cultural Square and Haihe River Bund Park, among other attractions.

• Designed by the internationally renowned firm, Diller Scofidio + Renfro, The Tianjin Juilliard School building will have state-of-the-art teaching and performance spaces, and a multi-faceted learning environment.

A Tianjin Primer

A great deal has happened in Tianjin since September 28, 2015, when Juilliard president Joseph W. Polisi announced plans for The Tianjin Juilliard School. Last spring, Alexander Brose was selected to serve as the first executive director and C.E.O. and Wei He as the artistic director and dean. From the ceremonial ground breaking over the summer to the start of construction earlier this year, the school is gearing up to welcome its first class in 2019.

Where is The Tianjin Juilliard School?

Alex Brose and Wei He

Cla

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Pap

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tro

Tianjin

C H I N A

Beijing

The Tianjin Juilliard School

Learn and Play at The Tianjin Juilliard School

• The inaugural group of 100 students in the U.S.-accredited master of music program will be immersed in one of three core areas: orchestral studies, chamber music, or collaborative piano.

• The audition-based Tianjin Juilliard School Pre-College program will admit up to 200 students, ages 8 to 18.

• As many as 150 performances every year will be presented in the 700-seat concert hall, 299-seat recital hall, or 250-seat black box theater.

• Juilliard Imagination, an innovative learning environment, will feature interactive exhibitions curated for adults and children alike.

Become Part of the Culture

• Tianjin’s artistic tapestry includes the development of Peking Opera and China’s first conservatory offering study in Western music.

• When in Tianjin, one can take a stroll through Five Great Avenues, a fascinating area with historic buildings featuring a wealth of diverse architectural styles from across Europe.

Artist rendering of The Tianjin Julliard School campus

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Joseph W. Polisi at the ground breaking ceremony of The Tianjin Juilliard School in June 2017

Juilliard Annual Supporters

Over $1 millionThe Jerome L. Greene FoundationBruce and Suzie KovnerEllen Marcus Katheryn C. Patterson and Thomas

L. Kempner Jr.Susan and Elihu Rose Foundation

$500,000–$999,999International Foundation for Arts

and CultureMichael E. Marks Family Foundation

$250,000–$499,999Max H. Gluck FoundationLincoln Center Corporate Fund

$100,000–$249,999The Annenberg FoundationPierre T. Bastid Constance Goulandris FoundationBeth and Christopher Kojima Marjorie and Michael LoebStephanie and Carter McClelland/

The Stephanie and Carter McClelland Foundation

Deborah J. SimonSarah Billinghurst Solomon and

Howard SolomonMarcelline Thomson The Virginia B. Toulmin FoundationAnonymous

$50,000–$99,999Anna E. Schoen-René Fund at The

New York Community TrustThe Achelis and Bodman

FoundationsAkin GumpThe Augustine FoundationNorman S. Benzaquen Choi & Burns, LLC Dan J. Epstein and the Dan J.

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Foundation Matt Jacobson and

Kristopher L. Dukes Karen and Paul Levy Terry and Bob Lindsay Vincent and Anne Mai Nancy A. Marks Christina M. McInerney The Ambrose Monell FoundationStephen Novick and Evan Galen‡

The Philanthropy RoundtablePhyllis and Charles RosenthalThe Fan Fox and Leslie R. Samuels

Foundation The Shubert Foundation, Inc.Jeremy Smith Bruce B. Solnick, Ph.D.Helen V. Vera and Kent A. Clark

$25,000–$49,999Arnhold Foundation Christine Baranski The Edwin Caplin FoundationSusanne D. Ellis Edward John Noble FoundationJoan and Peter Faber Sidney E. Frank FoundationThe George L. Shields Foundation The Horace W. Goldsmith

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of the Lehigh Valley Community Foundation

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Memorial Fund Vivian Donnelley Dr. Lee MacCormick Edwards

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The Juilliard School is deeply grateful to the following individuals, foundations, and corporations for their annual gifts and pledges in support of scholarship funding and Juilliard’s multifaceted performance and educational activities.

Anita and Thomas VolpeJohn J. Yarmick George K. Yin and Mary J. WalterRobert K. YinDale Zand Judy Francis Zankel Anonymous (2)

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$5,000–$7,499Margot AdamsMr. and Mrs. Robert J. AppelWalter and Marsha ArnheimMr. and Mrs. Seymour Askin, Jr.Janet E. Baumgartner Marshall S. Berland and

John E. Johnson Anne Louise and Matthew Bostock Nicholas BrawerMrs. Isabel Brenes Bryan Cogman and Mandy OlsenDudley and Michael Del BalsoGeorgeann Delli VenneriJ. Christopher EaganMr. and Mrs. Anthony EvninMs. Nancy Fisher Seth E. FrankAlan S. Futerfas and

Bettina ScheinBeth and Gary Glynn Arlene‡ and Edmund GrossmanNancy and Bruce Hall Harold P. Hope III The Harkness Foundation

for Dance Japanese Chamber of Commerce

and Industry of New YorkEdward and In-Aie Kang FoundationKeller-Shatanoff FoundationJohn and Patricia KlingensteinSharon and Cary A. KoplinMrs. William M. Lese Helen Little Mr. Jerome N. LowenthalMr. and Mrs. Peter L. MalkinSylvia and Leonard Marx Jr.Christopher L. Owens B. Gregory Palitz The Laura Pels International

Foundation for TheaterEdith Polvay-Kallas

Sabine Renard Mary G. Roebling Musical

Scholarship Fund, Inc.Ida & William Rosenthal FoundationYukari Saegusa Gillian SorensenAnnaliese Soros Claudia and Michael Spies Alec P. Stais and Elissa BurkeKristine Jarvi Tyler Sedgwick A. Ward Marjorie and Irving WeiserDoreen and Martin WeisfuseNathaniel Wertheimer and

Taya SchmidAndrew P. Willoughby Anonymous (7)

$2,500–$4,999Mr. and Mrs. Kwangkyun AhnDr. Audrey S. AmdurskyMichelle and Jonathan AuerbachEmanuel and Yoko Ax Casey C. BaylesPhilip A. Biondo Lucienne and Claude Bloch, M.D.Mr. Robert BrennerTrudy and Julius Brown Elaine J. Budin Steven C. Calicchio FoundationKathryn G. CharlesBeverly and Herbert ChaseMr. Kenneth H. ChaseErnest and Mary Chung Betsy L. Cohn Theodore CohnAnne and Stephen CunninghamIsabel CunninghamVivien and Michael DeluggJohn R. Doss Robert & Mercedes Eichholz

Foundation Marilyn and Steven EmanuelDr. Edythe FishbachElyse Fried Emma GruberAlec and Christy GuettelMaire E. Gullichsen-EhrnroothGeoffrey HoeferJudy and Lindley HoffmanKatherine L. HufnagelJuilliard Alumni Association

of Japan Elma and Howard KanefieldMel and Elaine Kaplan Tomer KarivBarbara and Paul KriegerPaul E. Kwak, M.D.Jay H. Lefkowitch, M.D.

Lenni and Perry Lerner Mrs. John M. Lewis Nancy Long, PhD and Marc WaldorLucille and Jack Yellen Foundation Christopher and Beth LyonRobert and Bridget LyonsMr. and Mrs. Adam E. MaxJames and Stephania McClennenMr. Rodney McDaniel Paula P. MichtomTim B. Nelson and

Lisa M. Benavides Stanley Newman and

Dr. Brian Rosenthal Michael Nochomovitz James Park and Jungmin KimCelia Paul and Stephen RosenCraig and Stefanie PintoffJudy and Jim PohlmanArthur C. Press Dr. and Mrs. Stephen D.

PrystowskyMs. Wenhua QiDonna M. Romer Pamela and Richard RubinsteinDiane Kelly Ryan Carol A. Scancella Gregg Schenker Nancy Schloss Miriam K. SchneiderRichard E. Schneyer Geraldine L. Sedlar and

Richard MinersSandra Semel Mr. Jiuling ShiMarjorie and Michael SternThe Margot Sundheimer FoundationElise C. and Marvin B. TepperBarbara and Donald ToberAnthony and Elaine ViolaJonathan and Candace WainwrightSuzanne WeilSusan M. WhelanTheodore Wilson Rebecca Wui and Raymond Ko Anonymous (2)

‡ = In Memoriam

As of 2/23/18

Please consider making an investment in the future of dance, drama, and music today and help The Juilliard School remain at the forefront of performing arts education. For more information or to make a gift, please contact the Development Office at (212) 799-5000, ext. 278, or development@juilliard.edu.

The Augustus Juilliard Society

The Augustus Juilliard Society recognizes those who have included The Juilliard School in their long-range financial plans with a bequest, gift annuity or trust arrangement. These future gifts will help ensure that Juilliard may continue to provide the finest education possible for tomorrow’s young artists. The school expresses its deep appreciation to the following members:

Donald J. AibelVeronica Maria AlcareseDouglas S. AndersonMitchell AndrewsDee AshingtonJack BakalRichard BealesYvette and Maurice‡ BendahanDonald A. BenedettiHelen BenhamElizabeth Weil BergmannMarshall S. Berland and

John E. JohnsonAnne L. BernsteinBenton and Fredda Ecker BernsteinLeslie Goldman BerroSusan Ollila BoydMrs. George E. BoyerPeter A. BoysenNina R. BrilliSteven and Colleen BrooksCarol Diane Brown and

Daniel J. RuffoBeryl E. BrownmanLorraine BuchEliane BukantzFelix N. CalabreseAlan‡ and Mary CarmelMr. and Mrs. N. CelentanoWendy Fang ChenJulie A. Choi and Claudio CornaliDr. Barbara L. Comins and

Mr. Michael J. CominsCharlotte Zimmerman CrystalRosemarie CufaloChristopher Czaja SagerHarrison R.T. DavisRobert Lee DeanStephen and Connie DelehantyRonald J. Dovel and Thomas F. LahrJohn C. Drake-JenningsRyan and Leila EdwardsLou EllenportAudrey EllingerLloyd B. EriksonEric EwazenHolly L. FalikBarbara and Jonathan FileStuart M. FischmanDr.‡ and Mrs. Richard B. FiskJudi Sorensen FlomAnn Marie Smith FordeLorraine FoxJohn and Candice FrawleyDr. Mio FredlandChaim FreibergNaomi FreistadtConstance Gleason Furcolo

Michael Stephen GalloAnita L. GattiThelma and Seymour Geller,

on behalf of Jane GellerRabbi Mordecai Genn Ph.D.Mark V. GetleinPia GilbertJohn R. GillespieProfessor Robert Jay GlickmanDr. Ruth J.E. Glickman Sheryl GoldTerrine GomezThe Venerable John A. GrecoDrs. Norman and Gilda GreenbergArlene‡ and Edmund GrossmanMiles Groth, Ph.D.Emma GruberRosalind GuaraldoRuth HaaseMr. and Mrs. Robert S. Haggart Jr.Louise Tesson HallRalph HamakerStephen and Andrea HandlemanMeleen O’Brien HarbenRev. Tozan Thomas HardisonRalph‡ and Doris HarrelJudith Harris and Tony WoolfsonRobert G. HartmannRobert HaveryS. Jay Hazan M.D.Betty Barsha HedenbergBrian J. Heidtke Gordon D. HendersonMayme Wilkins HoltJulie HoltzmanGerri HoulihanKatherine L. HufnagelJoseph N. and Susan IsolanoPaul Johnston and Umberto FermaJanice Wheeler Jubin and

Herbert JubinPeter H. JuddMichael KahnMr.‡ and Mrs. Martin Kaltman George and Julia KatzYounghee Kim-WaitRobert KingLinda Kobler and Dr. Albert GlinskyJ. D. KotzenbergBruce KovnerEdith KraftMr. and Mrs. Paul A. KrellFrancine LandesSung Sook LeePaul Richards Lemma and

Wilhelmina Marchese Lemma‡Loretta Varon Lewis‡ and

Norman J. Lewis

Ning LiangJoseph M. LieblingJerry K. LoebRichard LopintoEileen LubarsChuck MantonCyril‡ and Cecelia MarcusSerena B. MarloweDolores Grau MarsdenSondra MateskyStephanie and Carter McClelland

and The Stephanie and Carter McClelland Foundation

Joseph P. McGintyJames G. McMurtry III, M.D.Dr. and Mrs. N. Scott McNuttPauline and Donald B.‡ MeyerStephen A. Meyers and

Marsha Hymowitz-MeyersPaula P. MichtomLeo‡ and Anne Perillo MichudaWarren R. MikulkaStephen MittmanRobert A. MorganValerie Wilson MorrisDiane MorrisonMark S. MorrisonL. Michael and Dorothy MoskovisGail MyersMyron Howard NadelSteven W. Naifeh and

Gregory White Smith‡Anthony J. NewmanOscar and Gertrude Nimetz FundStephen NovickMr.‡ and Mrs. Donald PartonCelia Paul and Stephen RosenJeanne M. and

Raymond Gerard‡ PellerinJane V. Perr M.D.Jean PierkowskiElissa V. Plotnoff PinsonFred PlotkinJudy and Jim PohlmanGeraldine PollackSidney J.‡ and Barbara S. PollackJohn G. PoppThomas and Charlene PreiselArthur PressBernice PriceGena F. RapsNancy L. ReimSusan M. ReimSusan D. ReinhartMadeline RhewMichael RiggDouglas RivaLloyd‡ and Laura Robb

Daniel P. RobinsonYvonne RobinsonCarlos Romero and

Joanne Gober RomeroLinda N. RoseSusan W. RoseDinah F. RosoffRoxanne RosomanSam and Deborah RotmanLynne RutkinEdith A. SagulJoan St. JamesRiccardo SalmonaHarvey SalzmanMichael and Diane SandersNancy SchlossCasiana R. SchmidtShelby Evans Schrader‡ and

John Paul Schrader Irene SchultzWilliam C. Schwartz

David ShapiroDr. Robert B. SharonEdmund Shay and Raymond Harris Dr. Edward ShipwrightRobert D. SholitonArthur T. ShorinMel SilvermanSteven P. Singer M.D. and

Alan Salzman M.D.Barbara Thompson SlaterBruce B. SolnickCarl Solomon Sr. Barbara H. StarkSally T. StevensJames StreemHenry and Jo StroussCheryl V. TalibPhyllis K. TeichTom Todoroff and Emily MoultonMarie Catherine TorrisiDr. Marta Vago

Walter and Elsa VerdehrPaul WagenhoferDietrich and Alice WagnerAlberto and Paulina A. WaksmanStanley WaldoffJessica WeberCatherine WhiteMiriam S. WienerRobert Wilder‡ and Roger F. KippAlice Speas WilkinsonYvonne Viani WilliamsMargaret S. WilliamsonDr. Theo George WilsonElizabeth R. WoodmanEdward YanishefskyLila YorkForty-nine Anonymous Members

‡ = In Memoriam

For information about becoming a member of the Augustus Juilliard Society, please visit us on the web at www.plannedgiving.juilliard.edu. You may also call us directly at (212) 799-5000, ext. 7152, or write to plannedgiving@juilliard.edu.

Estates and Trusts

The Juilliard School is profoundly grateful for the generous gifts received from the following Estates and Trusts between January 1, 2017 and December 31, 2017. We remember the individuals who made these gifts for their vision in supporting future generations of young performing artists at Juilliard.

The Jere E. Admire Charitable TrustHarold Alderman TrustEstate of Joan AndersonEstate of Celia AscherEstate of Ruth BamdasEstate of Katherine S. BangThe Claire Lois Bechter 1998 TrustTrust of Sonia BlockBetty and Daniel Bloomfield FundEstate of Alan BroderEstate of Ruth F. BroderEstate of George BryantEstate of John Nicholson BulicaEstate of Annette BurfordEstate of Margaret P. ButterlyEstate of Alice Shaw FarberFima Fidelman TrustDora L. Foster TrustTrust of Gordon A. Hardy William J. Henderson Memorial FundFrances B. Hoyland Trust

Trust of Edward JabesBernice F. Karlen Revocable Grantor TrustEstate of Melvin KartzmerEstate of Shirley LewenthalTrust of Lillian B. MadwayEstate of Samuel MarateckEstate of Shirley Nai PanEstate of Walter P. PettipasEstate of Cynthia L. RecEstate of George T. RhodesEstate of Lillian RogersHoward and Ethel Ross TrustEstate of Harold C. SchonbergBertha Seals TrustArline J. Smith TrustJanice Dana Spear TrustEstate of Bruce SteegEstate of Stanley TuckerTrust of Helen Marshall WoodwardEstate of Mildred Zucker

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ATUESDAYY, APRIL 17 7:30pm • Paul Hall

Juilliard Jazz EnsemblesThe Music of Wynton MarsalisTickets: $20

TUESDAYY, APRIL 17 AND THURSDAYY, APRIL 19 7:30pm • Peter Jay Sharp Theater

SATTURDAYY, A, APRIL 212pm • Peter Jay Sharp Theater

Juilliard OperaRameau’s iipppolyte et AriicieTickets $30

THURSDAYY, APRIL 197:30pm • Cathedral of St. John the Divine

Juilliard OrganistsOrgan students of Paul Jacobs in works by

Tournemirournemire, Saint-Saëns, Chen, Laurin, Dupré, Goode, J.S. Bach, and Liszt

Free, no tickets required

MONDAYY, APRIL 23 Tully Hallully Hall

Jeffrey Milarsky ConductsJuilliard Orchestra ComposersConcertFeaturing works by Juilliard student

composers, winners of the 2017–18 Juilliard Orchestra Composition Competition

Free tickets available a Tully Hall ully Hall Box Office

SATTURDAYY, APRIL 28 Tully Hallully Hall

Joel Sachs Conducts theNew Juilliard EnsembleJonathan Dawe’s ooborium and works by

Salvatore Sciarrino, Kolbeinn Bjarnason, and Alejandro Cardona

Free tickets available a Tully Hall ully Hall Box Office

FRIDAY, MAY 4 Tully Hallully Hall

24th Annual Lisa Arnhold Memorial Recital: Argus QuartetJuilliard’s 2017-18 GraduateResident String QuartetFeaturing Mendelssohns’ String Quartet

No. 1; Augusta Read Thomas’ Chi; Wuorinen’s Josquiniana; and Lutosławski’s String Quartet

Tickets: $20

Attend a Spring Performance at Juilliard

For tickets or moreinformation visitjuilliard.edu/calendar