Johnny YH Lin Portfolio

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    JOHNNY PortolioMaster o ArchitectureRhode Island School o DesignYUEH HAN LIN

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    PASSING THROUGH QUATERNITY 1-12Urban revision and the designing o a boat house

    INFINITY X INFINITY 13 - 22ransormation o a shuttle into a tower

    RE:MAKE ARCHITECTURE 23 - 31Analysis and representation o Sendai Mediatheque

    THE SOCIAL HOUSING 32 - 34Design an apartment or lower class amilies in aiwan

    THE STORY HOUSE 35 - 37Renovating a spared house in the aboriginal tribe

    THE VILLA MANSION 38 - 39 A high-rising housing type research

    THE NOODLE TOWER 40 - 42Discovery o a new material

    THE WEAVING PASSAGE 43 - 45Developing o a new shaping process

    THE MOMENT 46 - 48he observation o people and the environment they are in

    THE OTHER WORKS 49 - 53Architecture, Visual Art, Free-hand Drawing, Painting, Sculpture

    hrough the eye o the Architect,

    it is the most common thing in lie that lies the most incredible surprise.

    Group Project

    Form + Material

    Photography 

    Architecture

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    PASSING THROUGH

    QUATERNITY

    February 2016 - May 2016Academic-related

    Rhode Island School o DesignInstructed by Pro. Marie Adams

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                                                     M                                                A                                                  D                                                  E                                                  I                                                  R

                                                    A                                                   L

                                                      I                                                Q                                                             U                                                O                                                  R

                                                     W                                                  I                                                C

                                                      K                                                  E                                                  N

                                                      D                                                  E                                                  N

                                                       P                                                  U                                                  B

       E   A   S   T   C    O   A   S   T

        G   R   E   E    N     W   A   Y

        O   L   Y     M   P  I   C   R   E   C

        O   R    D   S

         W   A   Y   L   A    N    D   S    Q

        U   A   R   E

    B R O W N  S AI LI N G 

     EA S T

    1                    9                    5                    

    B                   I                    K                    E                    R                   O                    U                    T                    E                    

     B  I   K  E  R  O U T  E 

     1   9   5  

        O    L    Y

        M    P    I    C    R    E    C    O    R    D    S

     B  I   K  E  R  O U T  E 

                            1                        9                         5

                       B                   I                   K                   E

                        R                  O                   U                    T                   E

         W   A    Y   L   A

        N    D   S    Q    U   A   R   E

        P    R    O    V    I    D    E    N    C    E    D    O    G     P

        A    R    K

        G    A    N    O     P

        A    R    K    B    O    A    T    L    A    U    N    C    H     G    A

         N    O     S    T

       I     N    D   I

        A    P    O

       I     N    T

       S    M   A I   N   S   T

       N   E     W   Y    O   R   K    B     O    S    T     O     N

    WARREN AVERIVERSIDETAUNTON AVE

     S T O P

       D   O   N   O  T   E   N  T   E   R

    DEAD END

     S TOP

         S     T     O     P

     G a n o  P a r k

     B o a t L a u n

     c h

    G e o r g e  R e d m a n  P a r k 

    ← P ro v ide nce

     Dog  Pa r k

    SITE FROM SIGNS

      My site analysis started rom the understanding o the signs surrounding our sites. Te signs in-dicated different traffic flows around the area and connect the site into urban context. Very interestingis that there are waterwat or bo ates, highway or cars, bike route and store signs that indicate the pe-destrian to the community. Te bike route on Gano St. is a part o national bike route which goes romFlorida all the way to Canada.

    Te variety o the traffic system also split our site into pieces. Te relation o the Gano St. to See-konk River was split by the existing o the highway ramp; Te connection o Gano Park and India PointPark were split by the highway. Also the site was dominated by the pond and plants, which blockedthe relationship o the community residents and the water. Tese are the issues I intended to solve andlooked at in the ollowing design process.

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    STITCHING

      From the site analysis conducted, I introduced the idea o “Stitching” intothe site. o stitch the site means to repair the relationship o land to the water.Te overlapping characteristic o the stitching and the idea o interconnectingtwo different site o the obstacle lead me to the idea o bringing the water into thestreet and also bringing the street out to the water.

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    THROUGH THE BARRIER

      Te first proposal ollowed the idea o stitching, that I create twotunnels that pass underneath the highway ramp. Te hill under theramp was taken out in order to open the view to the water at GanoStreet. Also the extention o the building rom the street to the wateralso corresponded to the idea o brining the land out to the water.

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    PROGRAM THROUGH SPACE

    Te second proposal o the boat house is to identiy the axis o the proj-ect, that is the extention o Wickenden Street in to the river. Te programswere entered via this new “Main Street” so to provided a single entry and aconnection or the pedestrian and the bikes between India Point Park andGano Park.

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    CIRCULATION AND ANGLE

      In the third Proposal the bike lane and pedestrian lanewere separated in to different height due to different speed othe traffic. Now the traffic on three levels are orming 45 de-ree angle to each other. Te programs were attached to thesethree traffic flows so to provide different view angle to the vis-itor within the program. Te vertical connection between the

    levels lied in the intersection o the floors. 

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    SYSTEM OF STRUCTURE

    In the ourth and final proposal a unified system was established bythe direction o each traffic flow. Te walls ollowed the direction othe traffic system, which was 45 degree different rom the one above.Te community center in this proposal was cast in the heart o thebuilding, so that all the other programs were connected throught thecommunity center..

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    ENVIRONMENT

      Te site afer I carved out the hill was again recreated ollowedthe idea rom the stitching. Te direction o the land ollowed thedirection o the base stucture and to create the linear and variousramp into the water. Te programs were gather tightly at the centero all the circulations so t he views at Gano St. remained open to thepublic. Te connection o two parks was reached by the setting othe bike lane., and te connection o the Street and the water is reachby the extention o Wickenden Street to the deck.

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    BIBLIO CAD

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    INFINITYX

    INFINITY

    September 2015 - December 2015

    Academic-related

    Rhode Island School o Design

    Instructed by Pro. Olga Mesa

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    CHOREOGRAPHY

      he changing o the geometry o a single sheet o paper yields multiple

    choreography when dropping rom a certain height. he relationship between

    the geometry and choreography are deined and established through a series o

    experiments.

    In this project I developed sets based on the geometry o a double paper

    rings structure, especially ocused on the relation between the joint angle and

    the spinning choreography. As the angle started to increase, the rings started the

    twisting lying instead o spinning. his relationship was urther deined in the

    next stage.

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    DIGITAL REPRESENTATION

      he digital sotware was applied or the recording o the complete

    shuttle dropping. he representation o the shuttle dropping was

    depicted in dierent number o lines: 1 line, 10 lines, and 1000 lines.

    he representations in dierent number o lines show dierent critical

    moment o the shuttle dropping. In the case o the ininite shuttle. We

    can see a clear spine and the knots where the shuttle spins and rotate.

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    DIGITAL FABRICATION

      he materialization o the digital drawing helps bring the orm o

    the shuttle choreography into the real world, also to urther connect

    the concept o ininite shuttle with the real construction world. he

    next step is to bring the material abrication onto the real architectural

    site.

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    SITE

      he site or the realization o the ininite tower locates at Roger

    William Park, Providence. he natural topography o the site is a steep

    slope and the isolation o the urban construction and plantations. he

    irst maniesto o interacting with this site is to build a tower based on the

    natural geography which could provide the best view to the shuttle, and

    also the best view to the city.

    PERSPECTIVE

      In order to create the interaction between the shuttle and the original

    landscape o the park (Hill, City, Roger William Statue). he dropping

    point was set at a highest point. hen the dropping direction is heading

    toward the statue o Roger William. he viewer's circulation was set to

    provide dierent view o the shuttle, rom top, bottom, and aside. he

    tower is also shited rom the axis o the park in order not to destroy the

    original view and ceremony atmosphere o the memorial park. he back

    side o the tower also aced the city o Providence.

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    PROTOTYLE AND FORM

      Starting rom two ininite shape on top and bottom, the inal orm

    o this shuttle tower is urther being iterated based on the site and the

    program o the building. From the shuttle dropping tower, the unction

    o the building is expanded to a museum and actory o the shuttle maker,

    along with shuttle maker's private dwelling and studio.

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    CIRCULATION

      he inal step o the shuttle tower is the clearication o the circulation. he private

    and public entrance along with the relationship o the rooms, walls are now deined

    as three layers o the architecture. Wall, Stairs, Rooms rom the outside to inside.

    he circulation o visitors, shuttle makers, client, employees all share the same stairs

    however with dierent entrance to the dierent program. he openess o the building

    also let the light comes in rom the top o the building, which break the barrier o the

    isolation o the trees.

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    RE:MAKEARCHITECTURE

    February 2016 - May 2016

    Academic-related

    Rhode Island School o Design

    Instructed by Pro. Johnathan Scelsa

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    READING OF AN ARCHITECUTRE

      he reading o an architecture starts rom the drawing o the details. hrough

    the line weight and study o the detail the essence o the structure, space, atmosphere

     jump out rom the paper.

      oyo Ito's Sendai Mediatheque were characterized by its giant columns that

    connect the loors. he conventional "Column" were expanded to the size that could

    contain programs. 13 columns that go rom the second basement to the rootop create

    this vertical spaces or the circulation and air to run through the building. hese

    columns are my ocus o the project.

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    SILHOUETTE

      he silhouette o the building clariy the signiicance attitude the analyzer takes

    towards the building. In this set o silhouette the columns were mainly ocused.

    he columns were treated as a space, a solid, a structural set along with dierent

    representation method approach on the silhouette.

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    COMPLEXITY

      Starting rom the columns, the inormation o the wall, the loor, the acade......

    were gathered in the new drawing. Clearly we can see this complex and well-designed

    building growing out rom these 13 shited and twisted columns.

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    ELEMENTS

      he explosion o the digital drawing shows every little detail o the building,

    and new interesting discovery o the building starts to emerge. Upon separating

    the structure and the skin, we can see that the honeycomb structure o the loors is

    actually related to the column structure, and this is the element I'm going to take on to

    the next stage. (o be continued, the project is expected to be ini shed at May 2016)

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    STRUCTURE

      Te making o the columns and honeycomb floor struc-ture by using the same material deepened this idea o treatingthe whole structure as one system. We can say the columnsare growing out rom the honeycomb structures, as well ashoneycomb structures growing out rom the columns. Techange o either one element could lead to the change o theother.

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    HONEYCOMB

      Te pupose o the honeycomb structure is to transorm the circleo the column structure into the grid floor structure. Te circle wasfirst offset and then by the triangulated connection to the closestgrids. Te operations were all conducted in grasshopper scripts.

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    HONEYCOMB-COLUMN

    Second element I introduced in the analy-sis was the columns. Te rotating and the size othe column will lead to the change on the hon-eycomb structure., as well as the number o the vertical connections.

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    HONEYCOMB-COLUMN-STAIRS

      Te third and the final element o the analysis was the stairs,which was the program with in the columns. Te change o either inhoneycomb structures or the column structure would lead to the ac-commodation o the stairs within. Te constancy o the stairs was theratio between height and distance, which provided a b ase or makingthe turn. Te final presentation was an animation that combined allo the 3 elements that related to each other.

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    THE

    SOCIALHOUSING

    December 2012 - January 2013

    Acadamic-related

    National aiwan University 

    Instructed by Pro. Szu-Mien Mu

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    ISSUE: 30 M2 FOR A LOWER CLASS FAMILY IN TAIWAN

      he rising number o the lower class amily by the unair wealth distribution has become a problem

    in the city o aiwan. hey struggle to survive in the low pay rate but hight housing price, yet live in

    the terrible condition. his small-size public housing o 30 square-meter is dedicated to these amilies,

    so the housing price could be aordable. Also the living quiality and uctions could be kept at a

    high standard. My target type o amily is consist o with 3 people, which corresponds to the normal

    aiwanese core amily with only child or single-parent with one to two children.

    Living room + Dinning table

    Laundry + Bathroom

    Closet and Bed (Bedroom)

    THE ACTIVITY:

    COSY AND COMFORTABLE

    THE LAYOUT: COMPREHENSIVE

      I set two main axis centralized at the dining table, the

    Working- and the Recreation & Rest- axis. he dining

    table at the center plays a very core role in the aiwanese

    amily, where most o the amily events are conducted.

    he outdoor space and a split bedroom or teenager

    privacy are also being kept.

    THE SIZE:

    OVERLAP AND CONCENTRATE

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    Windows Recreation & RestStorageWorkingOutdoor Privacy  

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    THE

    STORYHOUSE

    March 2013 - June 2013

    Acadamic- and oice- related

    Group project

    (Participant: Yueh-Han Lin, Chia-Ling Yu,

    Hao-Che Hung, Quan-Hao Lu, Wei Hsieh)

    National aiwan University 

    Instructed by Pro. Szu-Mien Mu

    PERSONAL CONTRIBUTION

    Field Survey to the old dwellings, interview

    with the local association and seniors, base

    planning, design o the exterior area, model

    making and inal presentation.

    (Arranged in chronological order)

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    BASE: RINARI TRIBE

      In this real case o Rinari tribe, an indigenous group

    in aiwan which suered two massive migration rom

    governmental policy and natural disaster in 50 years.

    his spare house renovation in the community gave me

    a chance to create a social space or the local residents to

    remember the past and to memorize the history.

    FIELD SURVEY: THE ARCHAEOLOGICAL SITE

      I joined an archaeological expedition to investigate the earliest Rinari settlement, and to gather some traditional

    ideas rom the traditional housing and the arrangement o the public areas. I also gathered the materials and plantation

    inormation or the urnishing and environment. In addition, the interview to the tribal member, especially elders,

    allowed me to have a vivid picture o the tradition.

    Hill HillBackyard House Aisle Frontyard

    INTERIOR: STORY HOUSE

      We deined this spare house to be the "Story house" - a little

    museum that could help the younger generation to learn the past

    o the tribe, also to know how their ancestor struggled to survive

    the migrations, and a community center to help the tribal tourism

    and industry development.

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    EXTERIOR: THE ENVIRONMENT

      he sunshine is a big problem at the surrounding.

    here is nearly no shelter. With 30 degree Celsius

    annul average temperature, it is not a pleasant place

    to be at daytime. We plant trees on the downhill side

    o the house, and on the grassland to help lower the

    area temperature and to become natural decorations

    on the ield.

    EXTERIOR: CULTURE REVIVAL  3 additional pathways are designed to create

    more links between the residencies to the base.

    he materials are derived rom the traditional

    settlement o the Rinari tribe, and the orm are the

    transormative orm rom the original urnishing and

    the modern structure.

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    THE

    VILLAMANSION

    January 2011

    Oice-related

    Group Project

    Studio D.o.

    Participants: Yueh-Han Lin, Kai-Shin Lo,

    Wei-Che Lee, Yi-Li ing, Chen-Sen Kuo,

    Chien-Wei Chen, Yu-Wen eng, and Yi-

    Chien Lee

    Instructed by Mr. Chien-Hua Lin and Ms. Yu

    Feng Chiu

    PERSONAL CONTRIBUTION

    Base study, model making, and two idea

    model proposals

    THE RISING OASIS

    One o my personal proposal to this project

      he modern type o living has cause the human to stay urther rom the

    nature, and by the higher density o housing arrangement we are urther

    away rom the ground. In this proposal I am seeking a way to keep a little

    place o nature in each living unit, an oasis. By the rotating o every single

    loor, we provide each unit an outdoor space with the direct exposure to

    the sunlight, a perect space or a high loor gardening or small arming.

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      he high-rise housing is developed or the high-desity poplation in the urban

    area. he spaces are compiling vertically or the highest eiciency o land

    usage. However this leads to the sacriicing o the living quality and the close

    interpersonal relations. In this case we are seeking the the high quality o living

    including amily, community, urban space, and environment in the interaction

    with high-rise housing.

      hrough this competition in base YH o Fu-Du Building Co., LD, we hope to

    propose the "Villa-Mansion" or a better development pattern or the urban area.

      We believe the communication and sharing

    are built on the base o the sense o saety. So

    we built separate the building into two. he

    courtyards on the same level are acing each

    other to yield visual communication, but

    remain the privacy o each individual group o

    residency.

      he apartments are comprised by the shapeo L. Each unit has two loors (2/3 + 1/3), so

    to provide individual entrance or the elevator

    space, private stairs, and high-rise ceiling.

      We are thinking to create more public-beneicial space, however to remain the saety

    o the residents. We suggested to rise the

    resident entrance rom the ground level, to

    yield the original space or the public activities,

    or example, City Gallery. he releasing o the

    public space can also be a good grounding or a

    better loor area ratio preerence, which its the

    proit o the developer.

      In this base in ainan, aiwan, the high-rise housing ace direct wind and sunshine due

    to the lower-rise housing in surrounding area.

    By the installing o the ilter skin these weather

    condition are avoided. Also the urther material

    properties could enhance the interaction with

    the environment and the decoration o the

    building.

    Vertical Courtyard win Villas Shited Landscape Filter Skin

    High-Density Housing

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    THE

    NOODLETOWER

    December 2013 - July 2014

    Academic-related

    echnische Universität München

    Instructed by 

    Pro. ina Haase and R.A. Anita Edenhoer

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    MATERIAL DISCOVERY

      It was ater one hot pot party and I let some soaked noodles

    until the next day. he noodles were totally dried and reorming

    as the shape o the bowl. Such a discovery that the soaking process

    o noodle could be reversed and shaped dierently. I took use o

    the hairdryer to speed up the drying process. However the random

    curve and the ragility o dry noodle is a problem.

    EXPERIMENT I : THE STRUCTURE  o solve the potential ragility o the noodle, it is necessary to bind

    noodles together to orm a s trong structure. Entwining is a good way

    to deal with the disordered direction o dry noodles, like to braid a

    pigtail. he twist o each noodle on the other helps strengthen the

    structure.

      he noodles are braided around the wooden box to test the

    stability and the orm. he repeating circle orm did not deorm

    signiicantly ater drying, also the downsize o the drying noodle

    has allow the noodle to cling on the box tightly. Also the attempt to

    build a higher structure above the box has raised interest in another

    experiment o this material.

    STABLE STRUCTURE

      From the circle orm developed into the orm o the arches,

    which required less materials but provide the same holding

    strength, which is vital on the noodle building.

    EXPERIMENT II : THE HEIGHT CHALLENGE

      he height is an unknown target. A 50 centimeters tall tower

    by the arches is an initial setting and to see i there's possibility

    to build beyond this expectation. In addition, two out stretchingantenna on top to test the holding ability.

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    PROPERTIES

      he antennas actual ly bent down ater arid; whereas the main

    tower itsel stood still, with bending in some parts. his work

    proves this seemly ragile noodle could somehow be able to be a

    independent and sel-supportable structure material.

    DEVELOPING THE MATERIAL

      o urther develop the noodle material into a bigger work requires the solution to the bending problems. An inside support by other strong

    material as iron or plastic might help. Also to reveal the transparency o the ingredient, plates that made rom noodle ingredient, green been- and

    potato- starch, could bear more light. I believe the overlapping and natural curve o the material will make special shadow through the light. It has t

    potential to become a good coating and structuring material.

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    THE

    WEAVINGPASSAGE

    July 2013 - November 2014

    Personal work 

    Studio d.o.

    Instructed by Architect Mr. Chien-Hua Lin

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    Linearize Weave

    Single-end Branch Multi-end Branches Branches WeavingReverseConnection

    Unit

    WEAVING: SURFACE TO LINE TO BODY

      his is a new way o creating a body rom surace. From a

    piece o paper, the spiral line has cut the surace into line-. By

    weaving the end point back in and out the layers, we can build

    up a new three-dimensional unit. his process switch our general

    idea o shaping rom point, line, and surace to body.

      he spiral line could be seen as passage, and layers when

    we open it rom the outer round to the inner round. hrough

    weaving we connect the passage with layers.

    Combine Units

    44

      o add the variation to the unit, we can add branches on the

    spiral to make multi-ends, or the reverse o the spiral makes an

    additional attached space to the unit. It is also possible to combine

    many spirals together.

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    45

    DEPICT THE SPACE

      When we cut the line on the paper, we actually separate one

    point into two points, and one line into two lines. So when we

    draw out these invisible lines, as to sew it, the spatial shape is

    depicted clearly. he twisting o the layers can also be shown

    through coloration.

      o urther observe the inner space o the unit, I cut the

    space to see the cross-section, the original neat layer on layer

    is now divided into several. However the passage has kept

    connected, as it was in the irst place, so is the space inside theunit.

    FUTURE IMAGINATION

      his space o the inal weaving body seem not useul

    right now, because the body and direction might not it the

    custom o a traditional space: plain loors, vertical walls

    and the people's movement in the space.

    Nevertheless, i this space into the environment that has

    less gravity inluence as on the ground, or example, in the

    water or in the space. he weaving space become highly

    he capture o the space

    T h  e  w e  a  vi  n  g  pr  o c  e  s  s 

    workable. We can imagine now the human are lying or

    swimming inside the weaving space. With the advantages

    o the connecting passage we can easily go to dierent

    layers o the body. his gives us a imagination o our

    uture lie might be at the place other than on the g round.

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    THE

    MOMENT

    September 2013 - March 2014

    Personal Photography 

    Europe

    German Pavillion

    Barcelona, Spain

    September 2013

    46

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    Pena National

    Palace

    Sintra, Portugal

    September 2013

      I like to record those moments o human and surroundings. It's

     very interesting to read the people's intention, emotion and reaction

    to others and movement in external environment on the recording

    o photography. It is also because o those activities in the space that

    makes the environment alive and vivid.

    Rue Garrett

    Lisbon, Portugal

    September 2013

    47

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    Binnenwegplein

    Rotterdam,

    Amsterdam

    March 2014

    Louvre

    Paris, France

    December 2013

    Schloss

    Nymphenburg

    Munich, Germany 

    October 2013

    48

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    THE

    OTHERWORKS

    Architecture

    Visual Art

    Free-hand drawing

    Painting

    Sculpture

    49

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    THE COCOON

    October 2013 - December 2013

    Plastic Bags and Lightbulb

    Academic-related

    echnische Universität München

    Instructed by Pro. ina Haase & R.A. Anita Edenhoer

      he revision o the general idea o the plastic bag as a "Garbage".

    he transparancy o the material is suitable or a covering or light.

    he overlapping o the weaving layers s hows variable colors and

    shadows through the shines o light.

    50

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    COCOON THE CITY (SERIES)Successor to the work "he Cocoon"

    December 2013

    Sel-work 

    echnische Universität München

    Instructed by Pro. ina Haase and R.A. Anita Edenhoer

    51

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    SINGER

    May 2010

    Academic-work 

    National aiwan University 

    Instructed by Pro. Hong-Da Hsieh

    KEYS AND PENCILS

    April 2010

    Academic-work 

    National aiwan University 

    Instructed by Pro. Hong-Da Hsieh

    52

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    THE VOID

    December 2014

    Gypsum, Foam Board, Acetone

    Sel -work 

    Studio d.o..

    Instructed by Architect Mr. Chien-Hua Lin

      In this work I'm trying a dierent way o making a gypsum cube. Rather than deciding the shape

    o the structure, I conirm the shape o the void at the irst hand by cutting the oam board in the

    expecting size. hen randomly installed these oam boards into the mold vessels beore the gypsum

    gets dry. Finally the oam boards are dissolved by Acetone to yield the void in the gypsum cube.

    53

    YING YANG - THE MASK

    August 2013

    Acrylic Colour, Paper Clay, Iron Wire, Cardboard

    Sel -work 

      he picture o Ying and Yang represent duality in Chinese culture.

    We also deined many phenomena as opposite in the real-time

    world, such as warm & cold, happy & sad, bright & dark, up & down,

    prosperity & depression. his art work is aiming at combining the

    idea o Ying & Yang along with all those opposite phrases together.

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    [email protected]

    (401) 837-4318

    388 S Main St Unit 57, Providence, RI 02903

    JOHNNY YUEH-HAN LIN

    SPECIALTY

      Design Architecture, Interior Architecture, Graphic, Conceptual Design

      Sotware AutoCAD, Rhino 3D, Illustrator, Indesign, Microsot Oice, Photoimpact,

      Photoshop

      Language English(OEFL iB 106), Chinese(Native), German(B1), aiwanese(Native)

    WORK EXPERIENCES

      2014.08 - 2015.07 Environmental Protection Administration, aipei, aiwan

      Environmental Education Oice, Department o Comprehensive Planning

      2015 U.S.-aiwan Eco Campus International Coordination

      2013.02 - 2013.07 National aiwan University Building & Planning Foundation, aipei, aiwan

      Project Designer

      2013 Rinari ribe Community Center Reormation (Pintung, aiwan)

      2011.10 - 2012.07 Cosmo Association, aipei, aiwan  Leader o Curriculum Section

      2012 Camp or International Aairs (Winter) Preparatory Mission

      2012 Chie-Coordinator o Camp or International Aairs (Summer)

      2011.01 - 2011.01 Studio d.o.. Architect Oice, aoyuan, aiwan

      Intern Designer

      2011 "Little People Architect" Design Competition, ainan, aiwan

    EDUCATIONAL BACKGROUND

      2015.09 - present Rhode Island School o Design, Providence, Rhode Island

      Master o Architecture

      2013.10 - 2014.03 echnische Universität München, Munich, Germany 

      Exchange program, Faculty o Civil, Geo and Environmental Engineering

      Visual Art Lab, Faculty o Architecture

      2009.0 9 - 2014.0 1 National aiwan University, aipei, aiwan

      Bachelor o Engineering, Department o Chemical Engineering

      Design Studio, Graduate Institute o Building and Planning

      2009-2011 Vice President o Design Club

      2009-2010 Model United Nation Debate eam

      2010 Winter Visiting Mission at Shanghai Fudan University 

      2011 NU ArtFest Preparatory Mission

      2011.0 8 echnische Universität München, Munich, Germany 

      Summer Program "Engineering and Management Across Cultures"

      2009.07 University o Arts London, London, United Kingdom

      Summer Program "English plus Art and Design"

    VOLUNTEERING EXPERIENCES

      2014.1 0 - 2015.0 7 Yi Kuang Orphanage, aipei, aiwan

      Volunteering ater-school tutoring

      2007.01 - 2007.06 Grace Home Church Association, aipei, aiwan

      Volunteering homeless service and project report writing