Joel Rios Portfolio

28
JOEL RIOS PORTFOLIO

description

Joel Rios Portfolio

Transcript of Joel Rios Portfolio

  • JOEL RIOSPORTFOLIO

  • JOEL RIOSPORTFOLIO

    9714 Appin Falls Spring, Texas [email protected]

    1

  • STATE UNIVERSITY OF NEW YORK IN ALBANY DORMITORY

    UNIVERSITY OF SO PAULO: CONTEMPORARY ART MUSEUM

    SMART SKIN: FACADE FOR TORINO APARTMENT

    CERAMIC MODULE FACADE

    EXPANDING THE GRID

    PHOTOGRAPHY STUDIES

    .3

    .5

    .11

    .15

    .17

    .23

    CONTENT

    /

    /

    /

    /

    /

    /

    2

  • floors

    basement

    floor 1

    site plan

    1

    3

    5

    2

    4

    6

    initial exploration iteration 3

    STATE UNIVERSITY OF NEW YORK IN ALBANY DORMITORY

    The project was to select a pattern found in nature and develop it into a dormitory. The pattern that my partner and I chose to explore was a school of fish. The school of fish has a bottom-up organization, in which a single form is made by many different fish weaving in and out of the school. The initial idea was to create the dormitory with individual dorm rooms popping in and out of the school. In the next iteration, the popping gesture turned into weaving bands. Each floor was created by various bands. Every band was raised or lowered following the next one, making the circulation rise and fall while traveling through the floors. In this project we both worked on all the models and split the drawing in order to complete the demands of the studio.

    2nd Year

    .

    3

  • section

    structure

    circulation final model

    early render iteration 3 iteration 4 final render final model

    4

  • UNIVERSITY OF SO PAULO: CONTEMPORARY ART MUSEUM

    This studio asked for a redesigning of a conceptual project through questioning its primary ideas as well as addressing fire code restrictions and structural components. My partner and I chose the Contemporary Art Museum at the University of So Palo in Brazil designed by Paulo Mendes Da Rocha in 1978. We were selected to work with two engineering students to help address the structural issues. Our alteration of the museum became a large raised concrete structure that created vast open spaces below grade, between the floors, and within the structure. The museum is a solid mass floating at tree height over different levels of campus and park. The interior of the project is cavernous and contains multiple planes. The building extends as a canopy towards the viewer blurring the boundary between city and art. One slips into the building hardly noticing the transition of space. The ramp ways between the shifted levels enable various views, not just of the art work, but also of the people and space. The extenuated views suggest new relationships in which people and space emerge as a part of the artwork. My role in the group was to help in the development of the concepts and details, while completing the final diagrams and renders. The other architecure student created the final drawing set and contributed to the details and concepts also.

    3rd Year

    .

    facade 1 facade 2

    interior ramp render

    section 15

  • columns and ramps shell sketch model facade study

    Interior ramp render

    6

  • section 1

    UNIVERSITY OF SO PAULO: CONTEMPORARY ART MUSEUM

    The major alterations include a ramped circulation connecting every level, variation of floor shapes, changing floor heights, a copper faade, addition of fire stairs, and a reorganization of program. The material palette includes darkened copper panels for the facade, black volcanic stone for the fire stairs, board form concrete for the columns, and concrete for interior flooring. The addition of three fire stairs caused a clutter of vertical members. Therefore to lighten the appearance, we decided not to use the fire stairs as structural members, allowing a difference of material between structural and nonstructural.

    3rd Year

    .

    7

  • 8

  • UNIVERSITY OF SO PAULO: CONTEMPORARY ART MUSEUM

    The roof is made of glass and concrete panels, with an open air interior courtyard. Louvers were added to diffuse light throughout the ceiling. Upon entering the museum from the school, one is guided to enter a large courtyard and continue to the sculpture park. Ramps take visitors from the park level to the third floor of the museum. There are no stairs outside the emergency fire stairs. The third floor uniquely weaves through the large trusses, allowing for another change of scale.

    3rd Year

    .[Academic use only]

    section 2

    site plan floor 1

    9

  • interior ramp render

    floor 2 floor 3 roof

    10

  • facade patternassemblyhigh transparency low transparency

    low transparency panel

    high transparency panel summer and winter sun angles

    winter sun angle closed air circulation panel

    open air circulation panel fully opened air circulation

    semi-opened air circulation

    SMART SKIN: FACADE FOR TORINO APARTMENT

    This is a 2 person 4 week project, in which the concept for this design derives from the study of frog respiration and my previous facade study. Frogs blood circulation is next to the skin, allowing for osmosis to exchange water, oxygen, wastes, and heat. Some frogs even survive without lungs, using their skin to obtain oxygen. The new facade has tubes which penetrate the new and old facade to increase air circulation. The tubes also adapt to the sun to allow for shading, lighting, and windows. The current modules have a difference in densities of tubes and a difference of transparency to allow for various shading and lighting effects. The air circulation can also vary when opening and closing the circulation of the tubes. When open, the ventilation is maximized, and when closed, the facade acts as an insulator for the building.

    4th Year

    .

    11

  • low transparency

    facade transparency

    high transparency

    12

  • apartmentstructure

    two apartment program

    apartment circulation

    first floor store first floor circulation

    low solar radiation

    high solar radiation

    kitchen living areas

    bedrooms

    store

    Transparent Translucent

    summer condition winter condition

    SMART SKIN: FACADE FOR TORINO APARTMENT

    Our new facade concept is placed on a 1980s apartment complex just outside historical Torino, Italy. The building has two extreme facades; one only receives sun in early mornings of July, while the other facade receives intense solar radiation year round. This as well as the program layout determines the density and transparency of the panels on each facade. The facade with intense solar radiation has frosted glass panels with high density tubes, while the facade receiving less solar radiation has clear glass panels with low density tubes. This new facade is also pulled away from the original to allow for human circulation space and air circulation space. I produced all diagrams and renders, while my partner focused on the grasshopper file and the general 3D model.

    4th Year

    .

    13

  • circulation street view

    process 14

  • tessellation

    interior and exterior modules

    water balloons plaster casts slip clay

    F

    A

    E

    D

    C Ba

    ae

    e

    c

    c

    CERAMIC MODULEFACADE

    This ceramic wall was completed in my fourth year with a team of three students. We were interested in creating a hand crafted module that played with depth and texture. We first experimented with plaster and plastic bags to engage texture to the piece. We eventually added water balloons to the investigation that led to the final product. We created a cast by placing water balloons and pinning them down with a plastic covering. As we poured the plaster, stress marks were created connecting the balloon forms. The cast allowed us to have two extreme sides of the module, bulging egg figures on one side and a smooth inverse of the same shape on the reverse side. We created several different casts of two different modules. Each module connected to the inverse module creating a free flowing pattern.

    4th Year

    .

    15

  • stress marks

    drying clay dried clay fired interior texture initial study wall organization of the wall patterns within the wall

    16

  • mxico city metropolis100 meters

    ecological reserves

    4,000-8,000

    0-4,000

    12,000-20,000

    8,000-12,000

    20,000 +

    POPULATION DENSITIES

    legal wells

    illegal wells

    site

    mxico is the 2nd largest consumer of bottled water

    wealthy residents average 600 l of water per day

    poor residents average 20 l of water per day

    38% of all water in mexico is lost through leaks in supply systems

    mexico city population density and ecological reserves site location

    2003 confined aquifer (red) free aquifer (blue)

    1985 confined aquifer (red) free aquifer (blue)

    EXPANDING THEGRID

    The water crises in Mxico City begins with the over consumption of the Mxico City aquifer, the wealthy use 600 liters/day while the poor only use 20 liters/day. The poor also pay 500x the price for bottled water. The over use of the aquifer is also related to the 4% of rain water that is eventually drained into the aquifer during the wet season, May to October. To further the problem, the slums are now invading the ecological reserves that surround the city, which are the critical areas that filter water to the aquifer. The south west region of the city, near parts of the ecological reserves is known for the highest number of legal wells, which supply a very large portion of the city. It is very reasonable to believe that the largest numbers of illegal wells are also located there. The site I investigated is located on the hillside of the Mxico City valley. Slums are invading the current farmland and ecological reserves. The sites hilly terrain has natural watersheds that are being invaded by urban sprawl, causing major flooding and mud slide issues.

    5th Year

    .

    17

  • only 6% of mxicos sewage and water runoff is treated

    4% of rain water is naturally filtered to aquifers in mxico

    5555555555555555,,,,,,,,,,,,,,,,,,,,0000000000000000000000000000000000000000000000000000000000000000000000000000000000000000000000000000000000---------111111111111111111111111111111111111100000000000000000000000000000000000000000000000000,,,,,,,,,,,,,,,,,,,00000000000000000000000000000000000000000000000000000000000000000000000000000000000000000000000000000000000000000000000000000000000000000000000000000000000000000000000000000000000

    J

    8 in

    4 in

    J DF M A M J A S O N

    an additional 20% is lost through illegal connection leaks

    water bought in informal areas can cost 500x the regular price

    5,000-10,000 illegal wells exist within mxico city

    conceptual housing development

    conceptual park development

    rainfall in mxico city

    smaller blocks

    rain water capture

    roofscape

    local markets

    poor save money

    stronger community

    reservoir

    local farmsgrey water recycling

    cheaper food

    house uselong blocks

    private water vehicles

    high cost for water

    poor quality

    poor stay poor

    poverty causes violence

    illegal connections

    high water need

    farmingslumecological reserves roads

    100 ft

    housingfarmingecological reserves roads resevior

    100 ft

    current social order projected social order

    current slum / farm relationship projected slum / farm relationship

    18

  • EXPANDING THEGRID

    The site currently consists of flattened land for farming that is being invaded by the slums. Since slums are affecting the efficiency of the farms, I am suggesting to redevelop the site leaving specific areas of farmland, while developing a new city grid with pockets of reservoirs. This new city grid would be developed with a more informal logic than what currently exists in the Colonias of Mxico City. There would be a primary car circulation along with a secondary pedestrian path circulation throughout the new slum morphology. The slum morphology will be based on hydrological flows to capture and maximize rain water for the community, gardens, farming, and filtration to the aquifer. The focus of design is the roofscape that captures water while transporting it though pedestrian bridges that connects the overall roofscape. Rain water flows into storage locations through a series of tilting roofs. From the storage locations, water is also sent to reservoirs and farms.

    5th Year

    .

    stairs

    stairs

    rain capture module

    grid transition module

    canopy module

    vertical planter modules

    walking path

    bridging

    horizontal planter module

    current site hydrological distribution

    block plan

    water flow

    module mapping

    reservoir territory

    farmlans

    reservoir

    grid martix

    ecological urban

    19

  • community

    gardens

    farms

    wetlands

    site circulation water priority

    constructing framework

    reservoir dry season

    reservoir wet season

    rain water collection horizontal planter canopy vertical planter filtration

    farmland

    reservoir

    new city grid

    road

    wetland

    wetland park

    20

  • wet season

    facade section

    chinampas

    EXPANDING THEGRID

    Preventing evapotranspiration is a crucial part of the design since 73% of rain water is lost though this natural means. Thus repeatable panels would be devised in order to create a inexpensive roofscape that would allow for the collection of rain water. Water would be captured through the roof during the wet season and stored internally throughout the year for use to prevent from evaporation. This internal bladder would help maximize the rain water shortages during the dry season. Nearly 8 inches of rain falls per day at the peak of the wet season while only half an inch falls during the peak of the dry season. The faade would allow for the filtering of water. This module is based on a similar design of the water cone, which uses evaporation to filter water.

    5th Year

    .

    21

  • dry season

    rain storage

    evaporation filtration

    vines

    evapotranspiration prevention

    gardens

    filtered water accessibility

    water storage

    water table

    22

  • guggenheim, nyc, usa brooklyn bridge, nyc, usa

    church ruin , antigua, guatemala lago atitlan, guatemala

    PHOTOGRAPHYSTUDIES

    Photography is my favorite way to personally engage and study different aspects of architecture. Capturing moments that inspire and tell stories through a single image is very powerful. Projects can be made by just one incredible image, be that a render or a photograph. Detailing the spacing, texture, and light help me further understand ways to create similar moments in my architectural designs. These photos were taken with my D5100 Nikon SLR camera and edited in Photoshop and Lightroom.

    4th-5th Year

    .

    23

  • atlantic city boardwalk, new jersey, usa church ruin, antigua, guatemala

    lincoln center, nyc, usa eastern state penitentiary, philadelphia, usa24

  • graffiti and muralism in architecture

    PHOTOGRAPHYSTUDIES

    Photomontage is another way I have studied architecture throughout my education. The possibilities of merging art in different ways architecturally through installations, design and studies really excites me. The first image is an exploration of architecture, graffiti, and murals in Latin America and was completed in my 3rd year. My focus was to create an almost seamless texture by connecting spaces and merging different types of art and architecture. The second image was a study for my thesis, looking at Mxico City and its untamed growth. The urban growth seems to have no limit, from valleys and steep slopes, people find ways to reside in extreme areas. This endless city has had major effects environmentally because of the population. The third collage was done in my 4th year. I was exploring ideas of creating a more natural and vibrant Braslia. In the project my partner and I redeveloped and extended an existing park in the spine of Braslia and intergrated a new bus station, which was at the heart of the original design of the city.

    3rd-5th Year

    .

    25

  • mxico city urbanism

    rethinking braslia

    26

  • 9714 Appin Falls Spring, Texas [email protected]

    eps Joel Rios_1eps Joel Rios_2eps Joel Rios_3eps Joel Rios_4eps Joel Rios_5eps Joel Rios_6eps Joel Rios_7eps Joel Rios_8eps Joel Rios_9eps Joel Rios_10eps Joel Rios_11eps Joel Rios_12eps Joel Rios_13eps Joel Rios_14eps Joel Rios_15eps Joel Rios_16eps Joel Rios_17eps Joel Rios_18eps Joel Rios_19eps Joel Rios_20eps Joel Rios_21eps Joel Rios_22eps Joel Rios_23eps Joel Rios_24eps Joel Rios_25eps Joel Rios_26eps Joel Rios_27eps Joel Rios_28