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Transcript of JJacobs.engc301.Course Schedule.S15
Jessica Jacobs, Hendrix College, ENGC 301: Creative Writing Nonfiction, Spring 2015
Course Schedule:The readings listed for a given date are to be read before that class. Please arrive ready to discuss.
Week 1: Introductions
W, 1.21 Introductions to the course and each otherDiscussion of Creative Nonfiction (based on reading of Brenda Miller,
“Where to Begin”)Read and discuss Anthony Doerr, “Miracle Day”Ostranenie ExerciseHomework: Brief history of yourself as a writer, your intentions/goals in taking this course, any questions you have for me (500-word minimum). Email to me by no later than Friday at noon.
Week 2: Memoir: Memory & Reflection
M, 1.26 Craft: Katie Roiphe, “This is How You Write a Memoir”Phillip Lopate, “On the Necessity of Turning Oneself into a
Character” (CCN, 69)Essays: Ryan Van Meter, “First”
W, 1.28 Craft: Phillip Lopate, “Reflection and Retrospection: A Pedagogic Mystery Story”
Essays: Kevin Brockmeier, Excerpt from A Few Moments of Radiant Filmstrip
Meghan Daum, “Music is My Bag” (CCN, 145)Homework: By no later than Thursday at noon, email me a
proposal for Essay 1 with the text in the body of the email.
Week 3: Memoir: Self & Family
M, 2.2 Craft: Brenda Miller & Suzanne Paola “Writing the Family” (TIS, 17)Essays: Tony Early, “Somehow Form a Family” (CCN, 17)
David Sedaris, “Repeat After Me”
W, 2.4 Craft: Brenda Miller & Suzanne Paola “‘Taking Place:’ Writing the Physical World’” (TIS, 25)
Barry Lopez, “Landscape and Narrative” (CCN, 271)Essays: Edwidge Danticat, “Westbury Court” (CCN, 89)
Barry Lopez, “Introduction [to Desert Notes]”
Week 4: Memoir: Family & Place
M, 2.9 Craft: Brenda Miller & Suzanne Paola “The Body of Memory” (TIS, 3)
Essays: Phillip Lopate, “Portrait of My Body” Due: Four copies of your Small Group Workshop essay.
Jessica Jacobs, Hendrix College, ENGC 301: Creative Writing Nonfiction, Spring 2015
W, 2.11 Essay 1: Small Group Workshops Craft: Steven Pinker, “The Source of Bad Writing”Due: Two copies of your response to each essay—one for the author
and one for the professor.
F, 2.13 Shoptalk: Love Poems with Laure-Anne Bosselaar, Murphy House
Week 5: Memoir: Experience & Expertise
M, 2.16 Craft: Lia Purpura, “Against Gunmetal”Essays: Li Thi Diem Thuy, “The Gangster We Are All Looking For”
(CCN, 35)Rebecca McClanahan, “Interstellar”Due: Essay 1.
W, 2.18 Craft: Brenda Miller & Suzanne Paola “The Tradition of the Personal Essay” (TIS, 89)
Essays: Rebecca Solnit, “The Open Door”Annie Dillard, “Seeing” (CCN, 260)
Th, 2.19 Reading with Visiting Writer Kevin Brockmeier, 7:30 Reves Recital Hall
Week 6: Looking Outward: The Personal Essay
M, 2.23 Craft: Brenda Miller & Suzanne Paola, “Writing the Larger World” (TIS, 63)
Essays: Leslie Jamison, “In Defense of Saccharine”Maxine Hong Kingston, “No Name Woman” (CCN, 302)
W, 2.25 Craft: Brenda Miller & Suzanne Paola, “Using Research to Expand Your Perspective” (TIS, 71)Essays: Eula Biss, “Time and Distance Overcome”
Brian Doyle, “Joyas Volardoras”Due: Come prepared with a potential topic or two for research.
Week 7: Looking Outward: Place & Family
M, 3.2 Essays: Terry Tempest-Williams, “The Clan of One-Breasted Women” (CCN, 236)
Leslie Jamison, “The Empathy Exams” Due: A proposal for Essay 2.
W, 3.4 Craft: Binyavanga Wainaina, “How to Write About Africa”Essays:
Eula Biss, “Is This Kansas?”
Jessica Jacobs, Hendrix College, ENGC 301: Creative Writing Nonfiction, Spring 2015
Week 8: Looking Outward
M, 3.9 Craft: Brenda Miller & Suzanne Paola, “Writing the Arts” (TIS, 47)
Essays: John Updike, “Fast Art” (CCN, 185)
W, 3.11 Essays: Susan Orlean, “Meet the Shaggs” (CCN, 52)Workshop:1. 2.
Due: Two copies of your comments on each essay (one for author, one for professor).
Week 9: Looking Outward
M, 3.16 Essays: David Foster Wallace, “Consider the Lobster”Workshop:3. 4.
Due: Two copies of your comments on each essay (one for author, one for professor).
Due: Copies of your Small Group Workshop essay.
W, 3.18 Essays: Lia Purpura, “The Lustres” Essay 2: Small Group Workshops Due: Two copies of your response to each essay—one for the author
and one for the professor.
Week 10: Form and Function
M, 3.23 NO CLASS—SPRING BREAK
W, 3.25 NO CLASS—SPRING BREAK
Week 11: Form and Function
M, 3.30 Craft: Brenda Miller & Suzanne Paola, “Playing with Form” (TIS, 107)
Essays: “Fakes”Workshop:5. 6.
Due: Two copies of your comments on each essay (one for author, one for professor).
Due: Essay 2
W, 4.1 Craft/Essay: Brenda Miller “A Braided Heart” (TIS, 235)Workshop:7. 8.
Due: Two copies of your comments on each essay (one for author, one for professor).
Jessica Jacobs, Hendrix College, ENGC 301: Creative Writing Nonfiction, Spring 2015
Week 12: Form and Function
M, 4.6 Essay: Anthony Farrington, “Kissing”Workshop:9. 10. Due: Two copies of your comments on each essay (one for author,
one for professor).Homework: By no later than noon on Wednesday, email your
proposal for Essay 3
W, 4.8 NO CLASS—PROFESSOR ATTENDING A CONFERENCE
Week 13: Form and Function
M, 4.13 Essay: Maggie Nelson, “Bluets”Lorrie Moore, “How to Become a Writer”
Workshop:11. 12. Due: Two copies of your comments on each essay (one for author,
one for professor).
W, 4.15 Essay: Dinty W. Moore, “Son of Mr. Green Jeans”Workshop:13. 14.
Th, 4.16 Reading by Visiting Poet Carolyn Forche, 7:30 Reves Recital Hall
Week 14: Form and Function
M, 4.20 Essay: John McPhee, “The Search for Marvin Gardens” (CCN, 117)
Workshop:15. Due: Small Group Workshop Essays
W, 4.22 Small Group WorkshopsDue: Two copies of your comments on each essay (one for author,
one for professor).
Th-Su, 4.23-426 Arkansas Literary Festival, www.arkansasliteraryfestival.org
Week 15: Mutual Appreciation Society
M, 4.27 Reading PracticeDue: A brief passage of one to two paragraphs that you will read
aloud to the class.Revision Day (if possible, please bring a laptop)
Jessica Jacobs, Hendrix College, ENGC 301: Creative Writing Nonfiction, Spring 2015
Homework: Prepare to read an excerpt of one of your essays that lasts NO MORE THAN FIVE MINUTES.
W, 4.29 Class ReadingsDue: Essay 3 Letter of Reflection
Week 16: Finis
M, 5.4 NO CLASS—PROFESSOR ATTENDING A CONFERENCE (Happy Finals!)