JJacobs.engc301.Course Schedule.S15

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Jessica Jacobs, Hendrix College, ENGC 301: Creative Writing Nonfiction, Spring 2015 Course Schedule: The readings listed for a given date are to be read before that class. Please arrive ready to discuss. Week 1: Introductions W, 1.21 Introductions to the course and each other Discussion of Creative Nonfiction (based on reading of Brenda Miller, “Where to Begin”) Read and discuss Anthony Doerr, “Miracle Day” Ostranenie Exercise Homework: Brief history of yourself as a writer, your intentions/goals in taking this course, any questions you have for me (500-word minimum). Email to me by no later than Friday at noon. Week 2: Memoir: Memory & Reflection M, 1.26 Craft: Katie Roiphe, “This is How You Write a Memoir” Phillip Lopate, “On the Necessity of Turning Oneself into a Character” (CCN, 69) Essays: Ryan Van Meter, “First” W, 1.28 Craft: Phillip Lopate, “Reflection and Retrospection: A Pedagogic Mystery Story” Essays: Kevin Brockmeier, Excerpt from A Few Moments of Radiant Filmstrip Meghan Daum, “Music is My Bag” (CCN, 145) Homework: By no later than Thursday at noon, email me a proposal for Essay 1 with the text in the body of the email. Week 3: Memoir: Self & Family M, 2.2 Craft: Brenda Miller & Suzanne Paola “Writing the Family” (TIS, 17) Essays: Tony Early, “Somehow Form a Family” (CCN, 17) David Sedaris, “Repeat After Me” W, 2.4 Craft: Brenda Miller & Suzanne Paola “‘Taking Place:’ Writing the Physical World’” (TIS, 25) Barry Lopez, “Landscape and Narrative” (CCN, 271) Essays: Edwidge Danticat, “Westbury Court” (CCN, 89) Barry Lopez, “Introduction [to Desert Notes]”

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Transcript of JJacobs.engc301.Course Schedule.S15

Jessica Jacobs, Hendrix College, ENGC 301: Creative Writing Nonfiction, Spring 2015

Course Schedule:The readings listed for a given date are to be read before that class. Please arrive ready to discuss.

Week 1: Introductions

W, 1.21 Introductions to the course and each otherDiscussion of Creative Nonfiction (based on reading of Brenda Miller,

“Where to Begin”)Read and discuss Anthony Doerr, “Miracle Day”Ostranenie ExerciseHomework: Brief history of yourself as a writer, your intentions/goals in taking this course, any questions you have for me (500-word minimum). Email to me by no later than Friday at noon.

Week 2: Memoir: Memory & Reflection

M, 1.26 Craft: Katie Roiphe, “This is How You Write a Memoir”Phillip Lopate, “On the Necessity of Turning Oneself into a

Character” (CCN, 69)Essays: Ryan Van Meter, “First”

W, 1.28 Craft: Phillip Lopate, “Reflection and Retrospection: A Pedagogic Mystery Story”

Essays: Kevin Brockmeier, Excerpt from A Few Moments of Radiant Filmstrip

Meghan Daum, “Music is My Bag” (CCN, 145)Homework: By no later than Thursday at noon, email me a

proposal for Essay 1 with the text in the body of the email.

Week 3: Memoir: Self & Family

M, 2.2 Craft: Brenda Miller & Suzanne Paola “Writing the Family” (TIS, 17)Essays: Tony Early, “Somehow Form a Family” (CCN, 17)

David Sedaris, “Repeat After Me”

W, 2.4 Craft: Brenda Miller & Suzanne Paola “‘Taking Place:’ Writing the Physical World’” (TIS, 25)

Barry Lopez, “Landscape and Narrative” (CCN, 271)Essays: Edwidge Danticat, “Westbury Court” (CCN, 89)

Barry Lopez, “Introduction [to Desert Notes]”

Week 4: Memoir: Family & Place

M, 2.9 Craft: Brenda Miller & Suzanne Paola “The Body of Memory” (TIS, 3)

Essays: Phillip Lopate, “Portrait of My Body” Due: Four copies of your Small Group Workshop essay.

Jessica Jacobs, Hendrix College, ENGC 301: Creative Writing Nonfiction, Spring 2015

W, 2.11 Essay 1: Small Group Workshops Craft: Steven Pinker, “The Source of Bad Writing”Due: Two copies of your response to each essay—one for the author

and one for the professor.

F, 2.13 Shoptalk: Love Poems with Laure-Anne Bosselaar, Murphy House

Week 5: Memoir: Experience & Expertise

M, 2.16 Craft: Lia Purpura, “Against Gunmetal”Essays: Li Thi Diem Thuy, “The Gangster We Are All Looking For”

(CCN, 35)Rebecca McClanahan, “Interstellar”Due: Essay 1.

W, 2.18 Craft: Brenda Miller & Suzanne Paola “The Tradition of the Personal Essay” (TIS, 89)

Essays: Rebecca Solnit, “The Open Door”Annie Dillard, “Seeing” (CCN, 260)

Th, 2.19 Reading with Visiting Writer Kevin Brockmeier, 7:30 Reves Recital Hall

Week 6: Looking Outward: The Personal Essay

M, 2.23 Craft: Brenda Miller & Suzanne Paola, “Writing the Larger World” (TIS, 63)

Essays: Leslie Jamison, “In Defense of Saccharine”Maxine Hong Kingston, “No Name Woman” (CCN, 302)

W, 2.25 Craft: Brenda Miller & Suzanne Paola, “Using Research to Expand Your Perspective” (TIS, 71)Essays: Eula Biss, “Time and Distance Overcome”

Brian Doyle, “Joyas Volardoras”Due: Come prepared with a potential topic or two for research.

Week 7: Looking Outward: Place & Family

M, 3.2 Essays: Terry Tempest-Williams, “The Clan of One-Breasted Women” (CCN, 236)

Leslie Jamison, “The Empathy Exams” Due: A proposal for Essay 2.

W, 3.4 Craft: Binyavanga Wainaina, “How to Write About Africa”Essays:

Eula Biss, “Is This Kansas?”

Jessica Jacobs, Hendrix College, ENGC 301: Creative Writing Nonfiction, Spring 2015

Week 8: Looking Outward

M, 3.9 Craft: Brenda Miller & Suzanne Paola, “Writing the Arts” (TIS, 47)

Essays: John Updike, “Fast Art” (CCN, 185)

W, 3.11 Essays: Susan Orlean, “Meet the Shaggs” (CCN, 52)Workshop:1. 2.

Due: Two copies of your comments on each essay (one for author, one for professor).

Week 9: Looking Outward

M, 3.16 Essays: David Foster Wallace, “Consider the Lobster”Workshop:3. 4.

Due: Two copies of your comments on each essay (one for author, one for professor).

Due: Copies of your Small Group Workshop essay.

W, 3.18 Essays: Lia Purpura, “The Lustres” Essay 2: Small Group Workshops Due: Two copies of your response to each essay—one for the author

and one for the professor.

Week 10: Form and Function

M, 3.23 NO CLASS—SPRING BREAK

W, 3.25 NO CLASS—SPRING BREAK

Week 11: Form and Function

M, 3.30 Craft: Brenda Miller & Suzanne Paola, “Playing with Form” (TIS, 107)

Essays: “Fakes”Workshop:5. 6.

Due: Two copies of your comments on each essay (one for author, one for professor).

Due: Essay 2

W, 4.1 Craft/Essay: Brenda Miller “A Braided Heart” (TIS, 235)Workshop:7. 8.

Due: Two copies of your comments on each essay (one for author, one for professor).

Jessica Jacobs, Hendrix College, ENGC 301: Creative Writing Nonfiction, Spring 2015

Week 12: Form and Function

M, 4.6 Essay: Anthony Farrington, “Kissing”Workshop:9. 10. Due: Two copies of your comments on each essay (one for author,

one for professor).Homework: By no later than noon on Wednesday, email your

proposal for Essay 3

W, 4.8 NO CLASS—PROFESSOR ATTENDING A CONFERENCE

Week 13: Form and Function

M, 4.13 Essay: Maggie Nelson, “Bluets”Lorrie Moore, “How to Become a Writer”

Workshop:11. 12. Due: Two copies of your comments on each essay (one for author,

one for professor).

W, 4.15 Essay: Dinty W. Moore, “Son of Mr. Green Jeans”Workshop:13. 14.

Th, 4.16 Reading by Visiting Poet Carolyn Forche, 7:30 Reves Recital Hall

Week 14: Form and Function

M, 4.20 Essay: John McPhee, “The Search for Marvin Gardens” (CCN, 117)

Workshop:15. Due: Small Group Workshop Essays

W, 4.22 Small Group WorkshopsDue: Two copies of your comments on each essay (one for author,

one for professor).

Th-Su, 4.23-426 Arkansas Literary Festival, www.arkansasliteraryfestival.org

Week 15: Mutual Appreciation Society

M, 4.27 Reading PracticeDue: A brief passage of one to two paragraphs that you will read

aloud to the class.Revision Day (if possible, please bring a laptop)

Jessica Jacobs, Hendrix College, ENGC 301: Creative Writing Nonfiction, Spring 2015

Homework: Prepare to read an excerpt of one of your essays that lasts NO MORE THAN FIVE MINUTES.

W, 4.29 Class ReadingsDue: Essay 3 Letter of Reflection

Week 16: Finis

M, 5.4 NO CLASS—PROFESSOR ATTENDING A CONFERENCE (Happy Finals!)