Jansa, Tim - Concierto Iberico - CONDUCTOR · PDF fileProgram Notes Honoring the Spanish...
Transcript of Jansa, Tim - Concierto Iberico - CONDUCTOR · PDF fileProgram Notes Honoring the Spanish...
Tim Jansa
(*1974)
CONCIERTO IBÉRICO Concerto for Solo Euphonium
and Concert Band
Conductor's Score
© 2009
Tim Jansa Music Publishing
Program Notes
Honoring the Spanish origin of the original commission of this work, Concierto Ibérico features a programmatic
framework in which each of the concerto’s three movements is loosely modeled after a major festival of Spain: the
Running of the Bulls during the annual nine-day festival of San Fermín in Pamplona; the Semana Santa (Holy Week) as it
is celebrated in many Spanish cities such as Sevilla and Málaga; and the Fallas of Valencia. As the composer could not
draw on personal experience and would otherwise be missing crucial aspects of these celebrations, he decided to forgo
mere musical description of these festivals: instead, the underlying ideas–the philosophy, human ideals, and cultural
concepts, all of which have shaped Iberian culture to this very day–were something to which the composer could relate
deeply, and would also be compelling to an international audience.
Therefore, while festival scenes and elements are ubiquitous throughout the concerto, the three main aspects around which
the movements are forged–and which permeate Iberian history and culture to this very day–are: Courage, Faith and Fire.
Concurrently, the musical language and thematic idioms used throughout this work are deliberately not stereotypically
“Spanish”: rather, the music attempts to take a middle ground and transcend any unique Iberian cultural aspects; not until
the very end of the concerto does it become recognizably that of Spain while drawing on the musical tradition established
by composers like Manuel de Falla, Isaac Albéniz, Joaquín Rodrigo, and Enrique Granados.
1st Movement: Courage (Valor)
Loosely based on the Pamplona encierro during the festival of San Fermín, the movement opens with a fanfare-like motif
reminding all those who are about to face an insurmountable challenge – in this case the bulls – to gather their strength and
courage for what is to come. During the introduction sequence, the mood alters between confidence, nervousness, fear, and
peaceful resignation to one’s fate. When the running begins (represented by a driving rhythmic accompaniment in the
orchestra), nerves flare and fear returns, only to be interrupted occasionally by brief episodes of rest and reflection; but
ultimately any doubt vanishes, courage returns and confidence prevails. Finally, this very tightly constructed movement
which presents a true tour-de-force for both the soloist and the orchestra, draws to an exhausted, yet, glorious close.
2nd Movement: Faith (Fe)
Religious and spiritual faith is the common bond holds many cultures together, and the people of Spain are no exception:
throughout its history, faith presents the one driving force that permeates every aspect of society and cultural endeavor. But
unlike other societies, the people of the Iberian Peninsula not only practice faith in reverent and quiet devotion: they also
cheerfully celebrate their beliefs in joyous festivals – something that becomes easily apparent in this piece.
The movement opens with a slow and introspective theme in the English horn that leads into a prayer-like section in which
the solo euphonium appears to freely and meditatively improvise over a sparse orchestral accompaniment, while distant
church bells call the faithful to worship. But soon, trumpets herald the near arrival of a celebratory crowd, preceded by a
beautiful chorale in the brass choir. When the festivities begin, the audience will hear various motifs from this and the
previous movement blend into a glorious climactic sequence. The return to the earlier prayer motif brings this movement to
a peaceful and meditative conclusion.
3rd Movement: Fire (Fuego)
Fire is primal, elemental, passionate, fascinating, and barely controllable. Since the beginning of recorded history, it has
been at the center of events that shaped the fate of humankind – both for good and for evil. But fire also has an unrivalled
cleansing power: the old, the outdated, the sins of the past can all be erased through the flames of a purifying fire; and
probably no other festival in the world embodies all these aspects of fire like the Fallas of Valencia.
Like the fallers during the Despertà which starts every morning of the week-long celebration, several orchestral hits
awaken the audience and ring in the festivities of the day with an explosive display of firecracker and fireworks barrages.
The sheer overwhelming sensory impact of the celebratory crowd and the masterfully conceived, fanciful large and small
ninots (Valencian for ‘puppets’ or ‘dolls’) to an observer walking through the festive plazas and streets become mere
glimpses and fleeting impressions, represented by short fanfares and brief reprises of previous thematic material. Outbursts
of a rapid motif reminiscent of a frenzied ritualistic pagan dance around a burning fire gradually build to the climactic
collapse of the flaming pyres that consume all but a few of the fallas at the end of the festival. Out of the sparks and
smoldering embers emerges a peaceful quotation of an Andalusian folk song. The concerto ends in a characteristically
“Spanish” fashion by using musical idioms typically associated with music from this region, bringing this work to a
rousing conclusion.
******************
The composer would like to express his gratitude to Javier Miranda Medina for the trust in his ability to conceive such a
profound and large-scale work and the spark that gave birth to this concerto; to Robert J. Ambrose and Adam Frey for the
wonderful collaborative effort on this project and Adam’s tremendous talent to truly make the euphonium sing; and to Dr.
Annette Cash of Georgia State University, without whose insights into Iberian history and culture this work would not have
been possible.
For more information on this work, please visit
www.TimJansa.com
Movements:
I. Courage (Valor)........................................... 1
II. Faith (Fe) ..................................................... 36
III. Fire (Fuego) ................................................. 45
Total Duration:
ca. 25:30 minutes
Instrumentation:
Piccolo
Flutes (2 parts)
Oboes (2 parts)
English Horn
Clarinets in Bb (3 parts)
Bass Clarinet
Alto Saxophones (2 parts)
Tenor Saxophones
Baritone Saxophones
Bassoons (2 parts)
Horns in F (4 parts)
Trumpets in Bb (3 parts)
Trombones (3 parts)
Euphoniums
Tubas
String Bass
Solo Euphonium
Percussion (6 players):
Timpani (4)
Marimba, Xylophone, Vibraphone, Glockenspiel
Chimes (Tubular Bells; second set off-stage, if available), Triangle, Tambourine
Snare Drum, Bass Drum, Ratchet, Whip (Slapstick)
Cymbals (crash & suspended), Wind Chimes (Mark Tree), Castanets, Tam-tam
Copyright © 2009Tim Jansa Music Publishing
Piccolo
Flute 1+2
Oboe 1+2
English Horn
Clarinet in Bb 1
Clarinet in Bb 2
Clarinet in Bb 3
Bass Clarinetin Bb
Alto Saxophone 1+2
Tenor Saxophone
Baritone Saxophone
Bassoon 1+2
Horn in F 1+2
Horn in F 3+4
Trumpet in Bb 1
Trumpet in Bb 2+3
Trombone 1+2
Trombone 3
Euphonium
Tuba
String bass
Timpani
Solo Euphonium
Percussion
f ff
Allegro moderatoq = 105
Meno mosso
q=90
A
f fp f fp f fp f ff
f fp f fp ffp f ff
f ff
ffp f fp f fp f
f fp f fp f fp f pp
pp
p
f fp f fp f fp f pp
pp
p
fp fp fp f ff
fp fp fp f
f fp fp fp f
ff
ff
f fp fp fp f ff
ffp fp fp f ff
f fp fp fp f ff
p
f
ff p
fff
f ff mf p
f ff ff mf p
mf
mf ff
pp
fp
f fp f fp f fp f
f f mp
TIM JANSA(b. 1974)
I. Courage
"Concierto Ibérico"for Euphonium and Concert Band
33
3
33
3
33
3
unmeasured3
33
unmeasured
unmeasured
33
3
unmeasured
all
freely, molto rubato
Cymbalscrash
Marimba
Triangle
Snare Drum
Xylophone
3
33
Bass Drum
Picc.
Fl. 1+2
Ob. 1+2
Eng. Hn.
Cl. 1
Cl. 2
Cl. 3
B. Cl.
Alto Sax. 1+2
Ten. Sax.
Bari. Sax.
Bsn. 1+2
Hn. 1+2
Hn. 3+4
Tpt. 1
Tpt. 2+3
Tbn. 1+2
Tbn. 3
Euph.
Tba.
Str. B.
Timp.
S. Euph.
Perc.
B13
p
mp
mf pp
mf pp
p pp n
mf pp
mf pp
p
p
pp
pp
mf p
mf pp
f ff p mp mf
mf pp
solo
3
1.3
3
3
3
(Mba.)
(Sn.D.)
3
(B.D.)
3
2
Picc.
Fl. 1+2
Ob. 1+2
Eng. Hn.
Cl. 1
Cl. 2
Cl. 3
B. Cl.
Alto Sax. 1+2
Ten. Sax.
Bari. Sax.
Bsn. 1+2
Hn. 1+2
Hn. 3+4
Tpt. 1
Tpt. 2+3
Tbn. 1+2
Tbn. 3
Euph.
Tba.
Str. B.
Timp.
S. Euph.
Perc.
mf fmf
Broadly
q=80
C27
mf fmf
ff mf
mpmf f
ff mf
pppmf mf
ppp
f ff
ff mf
mp pp
mf f mf
mf f mf
mf f mf
mp ppmf
f mf
f mf
fmf
mf
f fp mf
fp mf
pp pppf
mff fp mf
f
mp pf
f
pppf
f
f
73
(1.)
1.
7
3
3
3
3
solo
all
7
7
7
7
7
all
7
73
3
3
7
3
Cymb.crash
Triangle
3
Xyl.
3
B.D.
3
Picc.
Fl. 1+2
Ob. 1+2
Eng. Hn.
Cl. 1
Cl. 2
Cl. 3
B. Cl.
Alto Sax. 1+2
Ten. Sax.
Bari. Sax.
Bsn. 1+2
Hn. 1+2
Hn. 3+4
Tpt. 1
Tpt. 2+3
Tbn. 1+2
Tbn. 3
Euph.
Tba.
Str. B.
S. Euph.
Perc.
f
molto rit. 38
mf
f
f
f
f
f
f
sfp
mf
mf
fp mf fp mf mf
fp mf fp mf
mf
mf
mf
mf
f
ffsffz fff
mf
f ff
mf
mfmf
3 3
3
3
3
3 3 3
3
3
3
3
6
6
6
6
6
6
6
6
3
3
3
3 33 3
6 6 6 6 3 3
3
33 3
3 6 6 6 6
3 6 6 6 6
3 3
3
33 3 3 3
3 3 3 33
3
3
3
3
3
6 6 6 63
3
3 3 3
3 3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3 3
3
3
3 33
3
3 33
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3 3
3
33
3
3
3
3
3
3
3
3
3
3
3
3
3
3 33
33 3
3 3
3
33 3
fltg.
3 3
3
(Trgl.)3 3
Tam-tam
(Xyl.)
3 3
B.D.
4
Picc.
Fl. 1+2
Ob. 1+2
Eng. Hn.
Cl. 1
Cl. 2
Cl. 3
B. Cl.
Alto Sax. 1+2
Ten. Sax.
Bari. Sax.
Bsn. 1+2
Hn. 1+2
Hn. 3+4
Tpt. 1
Tpt. 2+3
Tbn. 1+2
Tbn. 3
Euph.
Tba.
Str. B.
Timp.
S. Euph.
Perc.
ff mf
q=85q=80poco rit.
D
42
ff f mfmp
p mf
ffmf
mpp
mp p
ffmp p
mp p
ff
ff
ff mp p
ff
ff
ff
ff
mp p mp
p
p
f p
ff fp
ff mp p
ff mp p
ff mp p
ffmp p
ffmp p mp
ff
f p f
mp
ff
f
3
all
2 soli
all 3
2 soli
solo
3.
3
agitated
Trgl. 3
(T.-t.)
(B.D.)
5
Picc.
Fl. 1+2
Ob. 1+2
Eng. Hn.
Eb Cl.
Cl. 1
Cl. 2
Cl. 3
B. Cl.
Alto Sax. 1+2
Ten. Sax.
Bari. Sax.
Bsn. 1+2
Hn. 1+2
Hn. 3+4
Tpt. 1
Tpt. 2+3
Tbn. 1+2
Tbn. 3
Euph.
Tba.
Str. B.
Timp.
S. Euph.
Perc.
poco rit. A tempoE
51
mp p mf p
p mf mp
mp p mf p
p mp pp
mp mf
p
p
mp mp
mp
p mp mf mp
p
p
p mf mp
mpmf f p
mp
1. all
3
3
3
3
3
3
1.
3 3 3
3 3 3
3 3 3
1. 1+2
3
3
3
3
3
3
3.
3 3 3
pocorit. calmly
3 6 5
Trgl.
6
Picc.
Fl. 1+2
Ob. 1+2
Eng. Hn.
Eb Cl.
Cl. 1
Cl. 2
Cl. 3
B. Cl.
Alto Sax. 1+2
Ten. Sax.
Bari. Sax.
Bsn. 1+2
Hn. 1+2
Hn. 3+4
Tpt. 1
Tpt. 2+3
Tbn. 1+2
Tbn. 3
Euph.
Tba.
Str. B.
Timp.
S. Euph.
Perc.
mp
61
mp
p
p
p
p
p
p
pp
pp
p mf
p
mp mf
mf
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3 3 3 3 3 3 3 3 3 3 3 3 3
3 3 3 3 3 3 3 3 3 3 3 3 3
3 3 3 3 3 3 3 3 3 3 3 3 3
3 3 3 3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3 3 3 3 3 3 3 3 3 3 3 3 3
(Trgl.)
Glock.
7
Picc.
Fl. 1+2
Ob. 1+2
Eng. Hn.
Eb Cl.
Cl. 1
Cl. 2
Cl. 3
B. Cl.
Alto Sax. 1+2
Ten. Sax.
Bari. Sax.
Bsn. 1+2
Hn. 1+2
Hn. 3+4
Tpt. 1
Tpt. 2+3
Tbn. 1+2
Tbn. 3
Euph.
Tba.
Str. B.
Timp.
S. Euph.
Perc.
fff
molto rit. A tempo Allegro molto
(Tempo II) q=140
F66
fff
f
mp f
fff
mp f
mp f
mp fff
mff ff
f
f ff
fff
f fff f
mp f ff f
mp mf
mp mf
f fp f
f fp f
mp f
mp f f
f
f ff f
mf f ff f
mp mf f ff f
ff fff
f
f
mff
all
all
all
2+3
2.
S. D.
T.-t.
(Glock.)
B.D.
8
Picc.
Fl. 1+2
Ob. 1+2
Eng. Hn.
Cl. 1
Cl. 2
Cl. 3
B. Cl.
Alto Sax. 1+2
Ten. Sax.
Bari. Sax.
Bsn. 1+2
Hn. 1+2
Hn. 3+4
Tpt. 1
Tpt. 2+3
Tbn. 1+2
Tbn. 3
Euph.
Tba.
Str. B.
Timp.
S. Euph.
Perc.
72
mf mf
mf
f mp mf
mf mf
mf
mf
fmp
f mp
mfmp
mf mp
mf mp
mf mp
mf mp
mf
mp
mfmp
mp
mf mp
mfmp
mfmp
mfmp
f ff f sffz
mf mp
mfmp
1.
3.
2.
fltg.
(Sn.D.)
(B.D.)
9
Picc.
Fl. 1+2
Ob. 1+2
Eng. Hn.
Cl. 1
Cl. 2
Cl. 3
B. Cl.
Alto Sax. 1+2
Ten. Sax.
Bari. Sax.
Bsn. 1+2
Hn. 1+2
Hn. 3+4
Tpt. 1
Tpt. 2+3
Tbn. 1+2
Tbn. 3
Euph.
Tba.
Str. B.
Timp.
S. Euph.
Perc.
mf
79
mf
mf
mf
mf
cresc. fff f
mfmf
mf mf
2.
4.
3
Xyl.
3
Glock.
3
(B.D.)
10
Picc.
Fl. 1+2
Ob. 1+2
Eng. Hn.
Cl. 1
Cl. 2
Cl. 3
B. Cl.
Alto Sax. 1+2
Ten. Sax.
Bari. Sax.
Bsn. 1+2
Hn. 1+2
Hn. 3+4
Tpt. 1
Tpt. 2+3
Tbn. 1+2
Tbn. 3
Euph.
Tba.
Str. B.
Timp.
S. Euph.
Perc.
G85
mf
mf
mf
mf
mp
mf
1.
gliss.
(Glock.)
(Xyl.)
11
Picc.
Fl. 1+2
Ob. 1+2
Eng. Hn.
Cl. 1
Cl. 2
Cl. 3
B. Cl.
Alto Sax. 1+2
Ten. Sax.
Bari. Sax.
Bsn. 1+2
Hn. 1+2
Hn. 3+4
Tpt. 1
Tpt. 2+3
Tbn. 1+2
Tbn. 3
Euph.
Tba.
Str. B.
Timp.
S. Euph.
Perc.
mp
91
mp
p mp p
mf mp
p mp p
p mp p
p
p
p
p
mp
p
p
mf
p mp p
mf mp
3.
(Xyl.)
Glock.
12
Picc.
Fl. 1+2
Ob. 1+2
Eng. Hn.
Cl. 1
Cl. 2
Cl. 3
B. Cl.
Alto Sax. 1+2
Ten. Sax.
Bari. Sax.
Bsn. 1+2
Hn. 1+2
Hn. 3+4
Tpt. 1
Tpt. 2+3
Tbn. 1+2
Tbn. 3
Euph.
Tba.
Str. B.
Timp.
S. Euph.
Perc.
97
mp
mp
mp
mp
mp
mp
mp
mf
p mp p mp
p mp p mp
mp
p mp p mp p
p mp p mp p
p mp p mp
p mp p mp p
mf mf f
p
f
mf
mp
all
3. 3.
Trgl.
(Xyl.)
(Glock.)
13
Picc.
Fl. 1+2
Ob. 1+2
Eng. Hn.
Cl. 1
Cl. 2
Cl. 3
B. Cl.
Alto Sax. 1+2
Ten. Sax.
Bari. Sax.
Bsn. 1+2
Hn. 1+2
Hn. 3+4
Tpt. 1
Tpt. 2+3
Tbn. 1+2
Tbn. 3
Euph.
Tba.
Str. B.
Timp.
S. Euph.
Perc.
mf
H103
mf
mf
mf
mf
mf
mf
mf
mf
mf
mf
mp mf fmf
mp mf f
mf
mf
mf
mp p mp mf
mp p mp mf
p mp p mf
mp p mf
ff
mf p f
ff
p mf p mf
f
f
pp mf
all
S.D.
Trgl.
(Xyl.)
(Glock.)
Cymb.
susp.
choke choke simile
14
Picc.
Fl. 1+2
Ob. 1+2
Eng. Hn.
Cl. 1
Cl. 2
Cl. 3
B. Cl.
Alto Sax. 1+2
Ten. Sax.
Bari. Sax.
Bsn. 1+2
Hn. 1+2
Hn. 3+4
Tpt. 1
Tpt. 2+3
Tbn. 1+2
Tbn. 3
Euph.
Tba.
Str. B.
Timp.
S. Euph.
Perc.
109
f mf
f mf
f mf
mf
f mf
f mf
mf
f mf mp
f mf mp
f mf
mf
mp
mp
mp
mf
mf
f
mf
f dim.mf
mp
1.
3.
3
S.D.
(Trgl.)
(Glock.)
(susp. cymb.)
15
Picc.
Fl. 1+2
Ob. 1+2
Eng. Hn.
Cl. 1
Cl. 2
Cl. 3
B. Cl.
Alto Sax. 1+2
Ten. Sax.
Bari. Sax.
Bsn. 1+2
Hn. 1+2
Hn. 3+4
Tpt. 1
Tpt. 2+3
Tbn. 1+2
Tbn. 3
Euph.
Tba.
Str. B.
Timp.
S. Euph.
Perc.
mp
I115
mpmp
mp
mp
mp
mp
mf mp p
mf mp
mf mp
mpmf
p
mf mp
mfmp p
mf mp p
mf mp p
p
p
f f mf
ff
p pp
mp
(S.D.)
Trgl.
16
Picc.
Fl. 1+2
Ob. 1+2
Eng. Hn.
Cl. 1
Cl. 2
Cl. 3
B. Cl.
Alto Sax. 1+2
Ten. Sax.
Bari. Sax.
Bsn. 1+2
Hn. 1+2
Hn. 3+4
Tpt. 1
Tpt. 2+3
Tbn. 1+2
Tbn. 3
Euph.
Tba.
Str. B.
Timp.
S. Euph.
Perc.
p mp p
poco rit. poco rit. q=70Broadly
q=80122
p mp pp p
mpp mp mf
mp mp p
mp pmf n
mp p mp
mp
mp p p
mpmp
mpmp
p
pp
pp
mp poco
pp
pp mp pp
f mp fp
p mp mf
mp mf
mp
(1.)
1. solo
solo
solo
solo
dolce
(Trgl.)
Mba.
Vib.
Glock.
T.-t.
17
Picc.
Fl. 1+2
Ob. 1+2
Eng. Hn.
Cl. 1
Cl. 2
Cl. 3
B. Cl.
Alto Sax. 1+2
Ten. Sax.
Bari. Sax.
Bsn. 1+2
Hn. 1+2
Hn. 3+4
Tpt. 1
Tpt. 2+3
Tbn. 1+2
Tbn. 3
Euph.
Tba.
Str. B.
Timp.
S. Euph.
Perc.
f
Tempo IIq=140
J
133
mp f mp sfp f
mp mf sfp f
p mp mf
mp mf f
mp f mp sfp f mf
mp f mp sfp f
p mp f mp sfp f
p mp mf mf
p mf mp mf
p mf mpmf
p
p mf sfp
f
mf
mf
nmp f mp sfp f
mp f mp sfp f
p mf mp mf
p
mp f mf fp f
p mf mp
f
p mf p mp
mf f
fltg
all
all
2.
2.
4.
2.
fade out
S.D.
(Vib.)
Xyl.
(Glock.)
18
Picc.
Fl. 1+2
Ob. 1+2
Eng. Hn.
Cl. 1
Cl. 2
Cl. 3
B. Cl.
Alto Sax. 1+2
Ten. Sax.
Bari. Sax.
Bsn. 1+2
Hn. 1+2
Hn. 3+4
Tpt. 1
Tpt. 2+3
Tbn. 1+2
Tbn. 3
Euph.
Tba.
Str. B.
Timp.
S. Euph.
Xyl.
mf f
141
mf fmf
mf
mf
mf f
mf f
mf
mp mf
mp
mp
mp
mp
mp
mp
mf
mf f mp
f ff
mf mp
mf
mf
mf f
mf
1.
marcato
3
2+3marcato
3
3
(S.D.)
Chim. 3
B. D.
Glock.
Glock.
T.-t.
19
Picc.
Fl. 1+2
Ob. 1+2
Eng. Hn.
Cl. 1
Cl. 2
Cl. 3
B. Cl.
Alto Sax. 1+2
Ten. Sax.
Bari. Sax.
Bsn. 1+2
Hn. 1+2
Hn. 3+4
Tpt. 1
Tpt. 2+3
Tbn. 1+2
Tbn. 3
Euph.
Tba.
Str. B.
Timp.
S. Euph.
Perc.
mf
148
mf
mp
mp
mf mp
mf mp
mfmp
mfmp
mp
mfmp
mp
mp
mp
f
p
mf
mf
3.
3 3
(S.D.)
Tamb.
(Glock.)
Glock.
20
Picc.
Fl. 1+2
Ob. 1+2
Eng. Hn.
Cl. 1
Cl. 2
Cl. 3
B. Cl.
Alto Sax. 1+2
Ten. Sax.
Bari. Sax.
Bsn. 1+2
Hn. 1+2
Hn. 3+4
Tpt. 1
Tpt. 2+3
Tbn. 1+2
Tbn. 3
Euph.
Tba.
Str. B.
Timp.
S. Euph.
Perc.
K156
p
p
mf f
mf f p
mf p
mf p
mf f
mf f
mf
mf
mfp
f f mp
mf f
ffmf
mf
f
f
1.
S.D.
(Tamb.)
Cast.
(Glock.)
21
Picc.
Fl. 1+2
Ob. 1+2
Eng. Hn.
Cl. 1
Cl. 2
Cl. 3
B. Cl.
Alto Sax. 1+2
Ten. Sax.
Bari. Sax.
Bsn. 1+2
Hn. 1+2
Hn. 3+4
Tpt. 1
Tpt. 2+3
Tbn. 1+2
Tbn. 3
Euph.
Tba.
Str. B.
Timp.
S. Euph.
Perc.
163
mp
mp
mp
mp
mp
mp
mp
mp
mf
mf
1.
1+2
3
(Tamb.)
(Cast.)
22
Picc.
Fl. 1+2
Ob. 1+2
Eng. Hn.
Cl. 1
Cl. 2
Cl. 3
B. Cl.
Alto Sax. 1+2
Ten. Sax.
Bari. Sax.
Bsn. 1+2
Hn. 1+2
Hn. 3+4
Tpt. 1
Tpt. 2+3
Tbn. 1+2
Tbn. 3
Euph.
Tba.
Str. B.
Timp.
S. Euph.
Perc.
mp
L169
mp
mp
mp
p
mp
mp
mp
mp
p
p
p
mp mp
p mf
mp
3
3
2.
3
3
3
3
Glock.
23
Picc.
Fl. 1+2
Ob. 1+2
Eng. Hn.
Cl. 1
Cl. 2
Cl. 3
B. Cl.
Alto Sax. 1+2
Ten. Sax.
Bari. Sax.
Bsn. 1+2
Hn. 1+2
Hn. 3+4
Tpt. 1
Tpt. 2+3
Tbn. 1+2
Tbn. 3
Euph.
Tba.
Str. B.
Timp.
S. Euph.
Perc.
mf
M179
mf
mf
mf
f
mf
mf f
mf f
mf
mf
mf
f
fp f
ff
f
1+2
all
Xyl.
Cast.
(Glock.)
24
Picc.
Fl. 1+2
Ob. 1+2
Eng. Hn.
Cl. 1
Cl. 2
Cl. 3
B. Cl.
Alto Sax. 1+2
Ten. Sax.
Bari. Sax.
Bsn. 1+2
Hn. 1+2
Hn. 3+4
Tpt. 1
Tpt. 2+3
Tbn. 1+2
Tbn. 3
Euph.
Tba.
Str. B.
Timp.
Perc.
f p f fp
poco rit.
Tempo I
q=105N
186
fp f
fp
fp f
fp
f p f
fp f f fp
f p ff fp
f p f
fp f
p f
f p f
f p f
f p f
p ffp
p ffp
f fp
f fp
f pf
fp
f p f fp
fp f
f p f
f p fff
f
ff
mff p mf ff
f p f f fp
ffmp ff
mf f p mf ff
3
3
3
3
3
Cymb.
crash
(Xyl.)
Xyl.
3
(Cast.)
3
B. D.
B.D.
25
Picc.
Fl. 1+2
Ob. 1+2
Eng. Hn.
Cl. 1
Cl. 2
Cl. 3
B. Cl.
Alto Sax. 1+2
Ten. Sax.
Bari. Sax.
Bsn. 1+2
Hn. 1+2
Hn. 3+4
Tpt. 1
Tpt. 2+3
Tbn. 1+2
Tbn. 3
Euph.
Tba.
Str. B.
Timp.
S. Euph.
Perc.
f fp f fp f ff
Meno mossoq=90
O193
f fp ffp f
ff
f fp ffp f ff
f ff
f fp f fp f
f fp f fp f pp
pp
f
pp
fff pp
p pp
fp fp f ff
fp fp f
fp fp f
ff
ff
fp fpf
ff
fp fp f ff
fp fp f ff
ff
ff mf p
ff mf ppp
mp
mf ff
f fp f fp f
f
pp
mff
pp
3
3
33
33
1 player take Eb cl. 33
unmeasured33
unmeasured
solo
unmeasured
unmeasured
freely, quasi cadenza
Cymb.crash
3
3
Trgl.
Mba.
B.D.
T.-t.
26
Picc.
Fl. 1+2
Ob. 1+2
Eng. Hn.
Eb Cl.
Cl. 1
Cl. 2
Cl. 3
B. Cl.
Alto Sax. 1+2
Ten. Sax.
Bari. Sax.
Bsn. 1+2
Hn. 1+2
Hn. 3+4
Tpt. 1
Tpt. 2+3
Tbn. 1+2
Tbn. 3
Euph.
Tba.
Str. B.
Timp.
S. Euph.
Perc.
ff
poco a poco ritardando
P
204
f ff
f ff
f ff
f ff
ff
mf f
mf f
mf f
ff f
mf f
mf f
p
mf f
mfff
mfff
f
mf
f ff
mf ff
mf fff mp
mp f
p mf mf f
p mf mpf
molto rubato
5
6
1. molto rubato
1+2
5
6
molto rubato1+2 take Bb cl.
5
6
1+2molto rubato
5
6
1+2 (all) molto rubato 5 6
1. bells up
3. bells up
molto rubato
7
5 6
susp. cymb.
(Mba.)
(B.D.) T.-t.
27
Picc.
Fl. 1+2
Ob. 1+2
Eng. Hn.
Cl. 1
Cl. 2
Cl. 3
B. Cl.
Alto Sax. 1+2
Ten. Sax.
Bari. Sax.
Bsn. 1+2
Hn. 1+2
Hn. 3+4
Tpt. 1
Tpt. 2+3
Tbn. 1+2
Tbn. 3
Euph.
Tba.
Str. B.
Timp.
S. Euph.
Perc.
Peacefully
q=45
Q209
mp p ppp
mf p PP mp mp ppp
mf p PP mp
mp pp p n
mp p n
mp p n
mf p n
mf p pppoco
mp
p p p
p p p
mp p
mf p pp p
mf p poco p
mp p mp pp p
mp mf mp mp mp
p
mp
p
mp
mf mp p
2 solo
solo
solo
solo
solo
5
Vib.
Chimes
Glock.
(Mba.)
(T.-t.)
T.-t.
28
Picc.
Fl. 1+2
Ob. 1+2
Eng. Hn.
Cl. 1
Cl. 2
Cl. 3
B. Cl.
Alto Sax. 1+2
Ten. Sax.
Bari. Sax.
Bsn. 1+2
Hn. 1+2
Hn. 3+4
Tpt. 1
Tpt. 2+3
Tbn. 1+2
Tbn. 3
Euph.
Tba.
Str. B.
Timp.
S. Euph.
Perc.
poco rit. Tempo II
q=140R
222
mp p
mp p
p
mp p
p
p
p
p
mp p p
p mp
p mp
mp
mf
mp
(solo)
(solo)
(solo)
all
(Vib.)
(Chim.)
(Glock.)
29
Picc.
Fl. 1+2
Ob. 1+2
Eng. Hn.
Cl. 1
Cl. 2
Cl. 3
B. Cl.
Alto Sax. 1+2
Ten. Sax.
Bari. Sax.
Bsn. 1+2
Hn. 1+2
Hn. 3+4
Tpt. 1
Tpt. 2+3
Tbn. 1+2
Tbn. 3
Euph.
Tba.
Str. B.
Timp.
S. Euph.
Perc.
230
p mp poco
p poco mp poco
poco mp poco
p poco mp poco
poco mp poco
ppoco
mp poco
poco mp
mp poco
poco
poco
poco mp poco
p poco mp
p poco mp
p poco
p poco
mp poco
p poco mp poco
poco mp poco
mp mf
p poco mp
mp poco
1. (all) 1+2
1. (all)
all
1.
(all)
mutes on
mutes on
S. D.
Glock.
30
Picc.
Fl. 1+2
Ob. 1+2
Eng. Hn.
Cl. 1
Cl. 2
Cl. 3
B. Cl.
Alto Sax. 1+2
Ten. Sax.
Bari. Sax.
Bsn. 1+2
Hn. 1+2
Hn. 3+4
Tpt. 1
Tpt. 2+3
Tbn. 1+2
Tbn. 3
Euph.
Tba.
Str. B.
Timp.
S. Euph.
Perc.
S236
mp
p p mf
p
p
p
p
p
p mf
p
p
mp
mp
mp
mp
mf
p
mp
1+2
1+2
muted
muted
3
(S.D.)
Glock.
31
Picc.
Fl. 1+2
Ob. 1+2
Eng. Hn.
Cl. 1
Cl. 2
Cl. 3
B. Cl.
Alto Sax. 1+2
Ten. Sax.
Bari. Sax.
Bsn. 1+2
Hn. 1+2
Hn. 3+4
Tpt. 1
Tpt. 2+3
Tbn. 1+2
Tbn. 3
Euph.
Tba.
Str. B.
Timp.
S. Euph.
Perc.
mp
242
mp
mp
mp
mp
mp
mpmp
mp
mp
mp
mp
mp mf mp mf
mp mf mp mf
f
mf f mf f ff f
1+2
mutes off
mutes off
2.
gliss.
(S.D.)
Tamb. solo
(Glock.)
32
Picc.
Fl. 1+2
Ob. 1+2
Eng. Hn.
Cl. 1
Cl. 2
Cl. 3
B. Cl.
Alto Sax. 1+2
Ten. Sax.
Bari. Sax.
Bsn. 1+2
Hn. 1+2
Hn. 3+4
Tpt. 1
Tpt. 2+3
Tbn. 1+2
Tbn. 3
Euph.
Tba.
Str. B.
Timp.
S. Euph.
Perc.
247
mf
mf
f
f
mf
mf
mf
mf
mf
mf
p
p
ff mf
ff
mf
1+2
gliss.
3
3 3 3 33 3 3
3 33 3 3
3 3
(Tamb.)
3
Glock.
33
Picc.
Fl. 1+2
Ob. 1+2
Eng. Hn.
Cl. 1
Cl. 2
Cl. 3
B. Cl.
Alto Sax. 1+2
Ten. Sax.
Bari. Sax.
Bsn. 1+2
Hn. 1+2
Hn. 3+4
Tpt. 1
Tpt. 2+3
Tbn. 1+2
Tbn. 3
Euph.
Tba.
Str. B.
Timp.
S. Euph.
Perc.
T253
mp mf
mp mf
mf mf
mp mf
mp mf
f mf
mf f
mf f
mff mf
f
mp sfz sfz sfz
mpsfz sfz sfz
mp mf
mp mf
mfmp
mf
mf mp mf
mf mf mf
mff mf
mf
f
sfp
f
sf
f
mf f
mff
1+2
2+3
1+2
Cymb. susp.
(Glock.)
34
Picc.
Fl. 1+2
Ob. 1+2
Eng. Hn.
Cl. 1
Cl. 2
Cl. 3
B. Cl.
Alto Sax. 1+2
Ten. Sax.
Bari. Sax.
Bsn. 1+2
Hn. 1+2
Hn. 3+4
Tpt. 1
Tpt. 2+3
Tbn. 1+2
Tbn. 3
Euph.
Tba.
Str. B.
Timp.
S. Euph.
260
sfz sfz
sfz sfz
35
Picc.
Fl. 1+2
Ob. 1+2
Eng. Hn.
Cl. 1
Cl. 2
Cl. 3
B. Cl.
Alto Sax. 1+2
Ten. Sax.
Bari. Sax.
Bsn. 1+2
Hn. 1+2
Hn. 3+4
Tpt. 1
Tpt. 2+3
Tbn. 1+2
Tbn. 3
Euph.
Tba.
Str. B.
Timp.
S. Euph.
Perc.
U265
mp mf p
mp mf pp
mp mf
mp mf p
mpmf p
p
p
mf
mf
mf
mf
sfz mp
mpp mp p
sfz mpmp
p
mp
mp
mp
mp
mp mf p
mp mf p
mp f p
mp
mf mp
mp
mp
1+2
1.
3.
Chim.
Trgl.
Vib.
36
Picc.
Fl. 1+2
Ob. 1+2
Eng. Hn.
Cl. 1
Cl. 2
Cl. 3
B. Cl.
Alto Sax. 1+2
Ten. Sax.
Bari. Sax.
Bsn. 1+2
Hn. 1+2
Hn. 3+4
Tpt. 1
Tpt. 2+3
Tbn. 1+2
Tbn. 3
Euph.
Tba.
Str. B.
Timp.
S. Euph.
Perc.
272
mp
f pmp
f p
f p
f p
p
f p
f p
mp p
mp
mp p mp mp
mp mp
f mp mp
p
mp
mp
mf
p mp p mp
mp
mp
1.
4.
1+2
Cymb.
susp.
Cymb.susp.
(Chim.)
Glock.
(Trgl.)
(Vib.)
Vib.
37
Picc.
Fl. 1+2
Ob. 1+2
Eng. Hn.
Cl. 1
Cl. 2
Cl. 3
B. Cl.
Alto Sax. 1+2
Ten. Sax.
Bari. Sax.
Bsn. 1+2
Hn. 1+2
Hn. 3+4
Tpt. 1
Tpt. 2+3
Tbn. 1+2
Tbn. 3
Euph.
Tba.
Str. B.
Timp.
S. Euph.
Perc.
p mp p mp p mp
V279
fp mp p mp p mp
fp mp p mp p mp
mf
mf p
mf p
mf mp
mp
mp
mf p mf p mf p
mf p mf p mf p
mf p mf p mf p mf
mf p mf p mf p mf
mf
mp
mp
mf
fp
mp
mf
mf
3
38
Picc.
Fl. 1+2
Ob. 1+2
Eng. Hn.
Cl. 1
Cl. 2
Cl. 3
B. Cl.
Alto Sax. 1+2
Ten. Sax.
Bari. Sax.
Bsn. 1+2
Hn. 1+2
Hn. 3+4
Tpt. 1
Tpt. 2+3
Tbn. 1+2
Tbn. 3
Euph.
Tba.
Str. B.
Timp.
S. Euph.
Perc.
p mp mf
W285
p mp mf
p mp mf
mf
mf
pocomf
pocomf
poco mf
mf
mf
poco mf
poco mf
mf p fp f fp f fp f fp f mf
mf pfp fp f fp f fp f mf
p mf mf
f
p mf mf
mf
mf
poco mf
poco mf
poco f
f
f
mf
mf
3
3
Cymb.
crash
B. D.
39
Picc.
Fl. 1+2
Ob. 1+2
Eng. Hn.
Cl. 1
Cl. 2
Cl. 3
B. Cl.
Alto Sax. 1+2
Ten. Sax.
Bari. Sax.
Bsn. 1+2
Hn. 1+2
Hn. 3+4
Tpt. 1
Tpt. 2+3
Tbn. 1+2
Tbn. 3
Euph.
Tba.
Str. B.
Timp.
S. Euph.
Perc.
ff f f fp ff f fp fp fp f
Meno mosso
q=120poco rit. q=105 poco rit.
poco rit. Broadly q=95 Presto
q=150
X
291
ff f f fp ff f fp fp fp f
ff f f fp ff f fp fp fpmf
ff f f fp ff f fp fp fpmf
ffpf
ffp ff f
fp fp fpf mp
ff f f fp ff f fp fp fp f mp
ff f f fp ff f fp fp fpmf
ff ffp moltof
fp ff ffp fp fp
mf
ff f f fp ff f fp fp fpf mp
ff ff
fp ff f fp fp fp mf
ff f fp ff f fp fp fp mf
ff ffp molto f fp ff
f
fp ff fp fffp ff f
ff
f fp fp fp f p
fff fp fp fp f p
ff f f fp ff f fp fp fp f p
ff mf ffp ff
f fp fp fp f p
ff f fp ff f fp
ff fp ff fp ff
fff fp ff f fp ff fp ff fp ff
fff fp ff f fp ff fp ff fp ff
ff
ffp molto f fp ff
f fp ff fp ff fp ff mp
ff ffp f ff ffp fff ff ffp ffp ffp mf
ffp molto f ffp
ff ffp
f ff mf
f
p
f ff mf
f ff
7
7
7
subito
7
7
subito
7
7
7
subito7
subito
7
7
subito
7
subito
3
3
3
3
3
3
7
7
3
3
3
3
3
3
3 3
3
3
3
3
3
3
3
3 3
3
subito
7
Cymb.
Glock.
S.D.
Mba.
Xyl.
B. D.
40
Picc.
Fl. 1+2
Ob. 1+2
Eng. Hn.
Eb Cl.
Cl. 1
Cl. 2
Cl. 3
B. Cl.
Alto Sax. 1+2
Ten. Sax.
Bari. Sax.
Bsn. 1+2
Hn. 1+2
Hn. 3+4
Tpt. 1
Tpt. 2+3
Tbn. 1+2
Tbn. 3
Euph.
Tba.
Str. B.
Timp.
S. Euph.
Perc.
ff
Broadly q=110
299
mp ff
mp ff
mp ff
f ff
fff
f ff
fff
mf ff
mfff
fff
mff ff
mf ff
mf ff
mf ff
mfff
mfmf ff
f ff
ff
f ff
f fff
fff
f ff fff
mf ff
mf f ff
mf f
f ff
f
subito
subito
Cymb.susp.
Glock.
Glock.
(S.D.)
(Xyl.)
B.D.
41
Picc.
Fl. 1+2
Ob. 1+2
Eng. Hn.
Cl. 1
Cl. 2
Cl. 3
B. Cl.
Alto Sax. 1+2
Ten. Sax.
Bari. Sax.
Bsn. 1+2
Hn. 1+2
Hn. 3+4
Tpt. 1
Tpt. 2+3
Tbn. 1+2
Tbn. 3
Euph.
Tba.
Str. B.
Timp.
S. Euph.
Perc.
Largo meditativo
q=40poco rit.
A tempoq=40
A
pp
pp
mp mf p pp
pp pmp pp
ppp
pp ppp
pp p
ppp
pp
mp pp
mf mp pp
pp ppp
pp ppp pp
pp
p mp p poco pp
p mp p mp
mp
mp p
p
p
p
p
II. Faith
solo
1. 1+2
solo
solo
subito
subito
molto rubato e cantabile
Chimes
l.v.
Mba.
Vib. l.v. l.v.
Glock. l.v. l.v.
T.-t.
42
Picc.
Fl. 1+2
Ob. 1+2
Eng. Hn.
Cl. 1
Cl. 2
Cl. 3
B. Cl.
Alto Sax. 1+2
Ten. Sax.
Bari. Sax.
Bsn. 1+2
Hn. 1+2
Hn. 3+4
Tpt. 1
Tpt. 2+3
Tbn. 1+2
Tbn. 3
Euph.
Tba.
Str. B.
Timp.
S. Euph.
Perc.
13
mf
mf
mp p
mp p
p p p
solo
3
(Mba.)
(Vib.) l.v. l.v. l.v. l.v. l.v. l.v. l.v. l.v. l.v.
(Glock.) l.v. l.v. l.v. l.v. l.v. l.v. l.v. l.v.
B. D.
T.-t.
B. D.
43
Picc.
Fl. 1+2
Ob. 1+2
Eng. Hn.
Cl. 1
Cl. 2
Cl. 3
B. Cl.
Alto Sax. 1+2
Ten. Sax.
Bari. Sax.
Bsn. 1+2
Hn. 1+2
Hn. 3+4
Tpt. 1
Tpt. 2+3
Tbn. 1+2
Tbn. 3
Euph.
Tba.
Str. B.
Timp.
S. Euph.
Perc.
p
Vivo e=140 A tempo q=40 Vivo e=140BC
23
ppp mp
ppp mp
mpmp
mf p pp
pp
pp
pp mp pmp fpp
mpfpp
mf
mp mp fpp mp fpp
pp
pp
mp
mp
mp pp p
p
mp
mp
p
solo
solo
solo
(solo)
solo
solo
3.
muted(all)
3
3 3 3
3
3 3 3
2. (all)
muted
2.
3
33
3
3
33
3
Chim.
(Mba.)
Vib.
(Glock.) l.v.
l.v.
(B.D.)
44
Picc.
Fl. 1+2
Ob. 1+2
Eng. Hn.
Eb Cl.
Cl. 1
Cl. 2
Cl. 3
B. Cl.
Alto Sax. 1+2
Ten. Sax.
Bari. Sax.
Bsn. 1+2
Hn. 1+2
Hn. 3+4
Tpt. 1
Tpt. 2+3
Tbn. 1+2
Tbn. 3
Euph.
Tba.
Str. B.
Timp.
S. Euph.
Perc.
mp
poco rit.
Tempo I
q=40
D
33
p poco mp
mp
mp
p poco pp poco
pp poco
pp poco
pp poco
mp
p
pocomp
p
poco mp
pp p mp
mp p p p
mp p pp
pp poco p p poco mp mf
mfp
mp
solo
(all)
(solo)
3.
mutes off
mutes off
molto espressivo
Chimes
chimes imitating distant churchbells (ca. 8 seconds, off-stage if possible)
p
etc.
Tamb.
3
Glock.
45
Picc.
Fl. 1+2
Ob. 1+2
Eng. Hn.
Cl. 1
Cl. 2
Cl. 3
B. Cl.
Alto Sax. 1+2
Ten. Sax.
Bari. Sax.
Bsn. 1+2
Hn. 1+2
Hn. 3+4
Tpt. 1
Tpt. 2+3
Tbn. 1+2
Tbn. 3
Euph.
Tba.
Str. B.
Timp.
S. Euph.
Perc.
pp
poco rit. Vivo
e.=140E
45
p mf
pp poco p p mf
pp poco p p
mf pp
pp poco p p mf pp mf
pp poco p p mf
pp poco p p mfpp
fp
mf
pp poco p mp mf
mf pmp mf
p mp
p mp
mf p mp mp
mf p pp fp
pp poco p mp mf
mp p
mp mf p p mf
p p
mf
mfp
mf
1.
1+2
1.
1. (all)
1+2
mutes on
3
Chim.
chimes imitating distant churchbells (ca. 8 seconds, off-stage if possible)
etc.
Tamb.
Vib.
Cymb.crash
Glock.
46
Picc.
Fl. 1+2
Ob. 1+2
Eng. Hn.
Cl. 1
Cl. 2
Cl. 3
B. Cl.
Alto Sax. 1+2
Ten. Sax.
Bari. Sax.
Bsn. 1+2
Hn. 1+2
Hn. 3+4
Tpt. 1
Tpt. 2+3
Tbn. 1+2
Tbn. 3
Euph.
Tba.
Str. B.
Timp.
S. Euph.
Perc.
mff mp
58
mf f mp
p mp mff
p mp mf f
mff mp
mf f mp
fp fp fp mf mp
mp mf f mp
pmp mf f mp
fp fp fp mf mp
mp
mp
p mpmf f mp
p
mpmf f mp
fp fp
fp fp fp fp fp
fp fp fp mf mp
mf
mf f mf
f
mpmf
1.
1+2
muted
Tamb.
T.-t.
47
Picc.
Fl. 1+2
Ob. 1+2
Eng. Hn.
Cl. 1
Cl. 2
Cl. 3
B. Cl.
Alto Sax. 1+2
Ten. Sax.
Bari. Sax.
Bsn. 1+2
Hn. 1+2
Hn. 3+4
Tpt. 1
Tpt. 2+3
Tbn. 1+2
Tbn. 3
Euph.
Tba.
Str. B.
Timp.
S. Euph.
Perc.
mf
< e. = e >
Poco meno mosso q=67poco rit.
FG
67
mp mf
mp p mp mf
mpp mp mf
mp mf
p mp mf
p mp mf
mf
p mp mf
p mp mf
mf
mf
mf
fp mf fp mfmf
mp f
fp mf fp mf
fp mfmp mf
fp mpmf
fp fp f
p f
ff
p mf
ff mfmp
mp mf
mf
6
4 46
6
6
6
4 4
4 6
6
4 4 4 4
1+2
6
4 4
4 4
4 4 4
4
4
4
mutes off
4 4
4 4
col legno
arco
6
S. D. rim
Cymb.crash
Tamb.
4 4
Vib.
Vib.
6
Glock. 6
48
Picc.
Fl. 1+2
Ob. 1+2
Eng. Hn.
Cl. 1
Cl. 2
Cl. 3
B. Cl.
Alto Sax. 1+2
Ten. Sax.
Bari. Sax.
Bsn. 1+2
Hn. 1+2
Hn. 3+4
Tpt. 1
Tpt. 2+3
Tbn. 1+2
Tbn. 3
Euph.
Tba.
Str. B.
Timp.
S. Euph.
Cym.
f
75
f ff
f
f
f
f
f
f
f ff
ff
f
fp f
fp f
fp f
f
mf
fp f
fp f
p f
ff
mf f
f
f
6
3 3
3
3
3
6
6
3
3
3
3
3
3
3
3
3
3
3
3
6
6
6
6
3
3
6
6
6
63 3
33 3
6
6
6
6
6 3 3 3
6
6
3 3 3
6 6
6
3 3 3
6
6
6
6
6
6
3
36
33
6
Eb > Db
6
3 3
33
3 3
6 36
33
6
susp. cym.
(Vib.)
6 3 3
6
6
63
3
(Glock.)
6
3 3 36 6 6
6
3
3
6
49
Picc.
Fl. 1+2
Ob. 1+2
Eng. Hn.
Cl. 1
Cl. 2
Cl. 3
B. Cl.
Alto Sax. 1+2
Ten. Sax.
Bari. Sax.
Bsn. 1+2
Hn. 1+2
Hn. 3+4
Tpt. 1
Tpt. 2+3
Tbn. 1+2
Tbn. 3
Euph.
Tba.
Str. B.
Timp.
S. Euph.
Perc.
pppp
molto rit. Largo
q=37
Poco più mosso q=40 H
81
f pp
mp pp
ppp
pp
fff
pp mp p pp
pp
pp
sfz pp
pp
f pp
pp
ff f
f
pp
p
sfz
pp
p
pp
pp
pp
pp
pp
f molto pp pp
pp
f molto pp
sfz pp
ff p p
ff mf mp
mp pmp
mp mp
p
mp
mp
mf mp
6
solo all6
6
solo all
6
6
6
6
6
1.
half
6
3 3
fade out 6
3
Chim.
prominently
3 3 3
Mba.
Vib. l.v. l.v.
3
Glock. l.v. l.v. 6
T.-t. T.-t.
50
Picc.
Fl. 1+2
Ob. 1+2
Eng. Hn.
Cl. 1
Cl. 2
Cl. 3
B. Cl.
Alto Sax. 1+2
Ten. Sax.
Bari. Sax.
Bsn. 1+2
Hn. 1+2
Hn. 3+4
Tpt. 1
Tpt. 2+3
Tbn. 1+2
Tbn. 3
Euph.
Tba.
Str. B.
Timp.
S. Euph.
Perc.
93
pp
p pp pp
pp
p mf p
pp
p pp
p pp
p mf p pp
p mf p pp
p mp mf mp pp
p mp mf mp pp
pp mp pp
pp mp pp
pp mp pp
pp mp pp
p
p mf p
mp mf p
mp pp
pp
long fermata
mp
subito
all
smorzando
solo
smorzando
subito smorzando
1 playertake Eb cl.
subito smorzando
subito
smorzando
subito smorzando
solo all
smorzando
1.
smorzando
3.
smorzando
smorzando
smorzando
smorzando
smorzando
(Chim.) 3
(Mba.) smorzando
(Vib.) l.v. l.v.
(Glock.) l.v. l.v.
T.-t.
51
Picc.
Fl. 1+2
Ob. 1+2
Eng. Hn.
Eb Cl.
Cl. 1
Cl. 2
Cl. 3
B. Cl.
Alto Sax. 1+2
Ten. Sax.
Bari. Sax.
Bsn. 1+2
Hn. 1+2
Hn. 3+4
Tpt. 1
Tpt. 2+3
Tbn. 1+2
Tbn. 3
Euph.
Tba.
Str. B.
Timp.
S. Euph.
Perc.
ff mf ff fp f
Allegro moltomisterioso q=150 Poco più vivo q=160
AB
1
ff mf ff fp f
ff mf fff fp f
f
ffmf ff fp f
ff mf ff fp f
f fp f
f
f mf
ffmf ff
f
ff mf f fp mf
ff mf
fff fp
f
mf
ff
f
f mf ff f fp f
f
mfff
fp f
mfff
f fp
f
f mf
f mf
f mf
ff mf ffmf
ffmf ff mf
f
ff
ff mf ff f ff
ffmf
ff mf ff
ff
f mf f mf ff
3
III. Fire
3
3
fltg.
3
3
marcato 3
marcato 3
3
3
3
marcato
3
marcato
3
3
marcato
3
3 3
1+2
3
3
marcato
3
marcato 3 3
3
3
3
1+2marcato
3 3
3
3
3
1.marcato
3
3
3
3.marcato 3
3 marcato
3
3
3
fltg.
2. mutes on
3
3
marcato
3
3 marcato
3 3
marcato 3
3
marcato
3
3
hard mallets throughout 3
Cymb.crash
Xyl. 3
Tamb. 3
Whip (Slapstick)
Ratchet
B. D. 3
Castanets
52
Picc.
Fl. 1+2
Ob. 1+2
Eng. Hn.
Eb Cl.
Cl. 1
Cl. 2
Cl. 3
B. Cl.
Alto Sax. 1+2
Ten. Sax.
Bari. Sax.
Bsn. 1+2
Hn. 1+2
Hn. 3+4
Tpt. 1
Tpt. 2+3
Tbn. 1+2
Tbn. 3
Euph.
Tba.
Str. B.
Timp.
S. Euph.
Perc.
ff
10
f
f f
f
f ff
f
f
f
ff
ff
f
fff
mf
f
mf
1.
1.
3.
solo
Cymb.
crash
Xyl.
Whip (Slapstick)
(Cast.)
53
Picc.
Fl. 1+2
Ob. 1+2
Eng. Hn.
Eb Cl.
Cl. 1
Cl. 2
Cl. 3
B. Cl.
Alto Sax. 1+2
Ten. Sax.
Bari. Sax.
Bsn. 1+2
Hn. 1+2
Hn. 3+4
Tpt. 1
Tpt. 2+3
Tbn. 1+2
Tbn. 3
Euph.
Tba.
Str. B.
Timp.
S. Euph.
Perc.
f
C18
f
f ff
f mf
f
f
f
f
ff mf
f mf
mf
mf
f mf
mf
mf
f
f
mf
1. 1.
1. 1.
1.
1.
3.
solo mute on
muted
2.muted
(Xyl.)
Glock.
54
Picc.
Fl. 1+2
Ob. 1+2
Eng. Hn.
Eb Cl.
Cl. 1
Cl. 2
Cl. 3
B. Cl.
Alto Sax. 1+2
Ten. Sax.
Bari. Sax.
Bsn. 1+2
Hn. 1+2
Hn. 3+4
Tpt. 1
Tpt. 2+3
Tbn. 1+2
Tbn. 3
Euph.
Tba.
Str. B.
Timp.
S. Euph.
Perc.
f
D26
f
ff
f
f f
f
f
f f
f
f mp f
f mp fmp ff mp
mp f mp f
mp f mp f
f
f mf
f f
mp f mf
mp f mp
mf
mp f mp f
mp f mp
all
all
1.
mutes off
mutes off
1+2
3 3 3 3
Cymb.
susp.
T.-t.
Xyl.
Xyl.
Glock.
Glock.
S. D.
Cast.
55
Picc.
Fl. 1+2
Ob. 1+2
Eng. Hn.
Eb Cl.
Cl. 1
Cl. 2
Cl. 3
B. Cl.
Alto Sax. 1+2
Ten. Sax.
Bari. Sax.
Bsn. 1+2
Hn. 1+2
Hn. 3+4
Tpt. 1
Tpt. 2+3
Tbn. 1+2
Tbn. 3
Euph.
Tba.
Str. B.
Timp.
S. Euph.
Perc.
p mf
34
p mf p mf
mf
p mf p mf mf
f
p mf p mf
mf
mf
f
p mf p mf
mf
mf
fp f fp
ff mp ff mp ff
mp f mp f mf
mp f mp fmf
p mf mp
mp
mf
mp
fp f fp
mf
f mp f mp f
mp f mp f mf mf
f mp f mp f mp f
all
all
1.
3 3 3 3
T.-t.
(Xyl.)
Xyl.
(Glock.)
Glock.
S.D.
(Cast.) Cast.
56
Picc.
Fl. 1+2
Ob. 1+2
Eng. Hn.
Eb Cl.
Cl. 1
Cl. 2
Cl. 3
B. Cl.
Alto Sax. 1+2
Ten. Sax.
Bari. Sax.
Bsn. 1+2
Hn. 1+2
Hn. 3+4
Tpt. 1
Tpt. 2+3
Tbn. 1+2
Tbn. 3
Euph.
Tba.
Str. B.
Timp.
S. Euph.
Perc.
f
E41
f
f
f
f
f
fmp
f mp
fmp
fmp
fmp
fmp
f mf
fp f sfz
fp f
f
fp f sfz
fp f sfz
f sfz mf mp
fp f sfz fmp
f fp f mp mp
ffsfz mp mf
f mf
f mp p
mpmp
2.
T.-t.
(Xyl.)
(Glock.)
S.D.
(Cast.)
Tamb.
57
Picc.
Fl. 1+2
Ob. 1+2
Eng. Hn.
Cl. 1
Cl. 2
Cl. 3
B. Cl.
Alto Sax. 1+2
Ten. Sax.
Bari. Sax.
Bsn. 1+2
Hn. 1+2
Hn. 3+4
Tpt. 1
Tpt. 2+3
Tbn. 1+2
Tbn. 3
Euph.
Tba.
Str. B.
Timp.
S. Euph.
Perc.
49
mp
mp
mp
mfmp
mfmp
p
p
mp
mp
mp
1.
1.
3
3 3 3
3
3 3 3
3 3 3
Glock.
(Tamb.)
3 3 3
58
Picc.
Fl. 1+2
Ob. 1+2
Eng. Hn.
Eb Cl.
Cl. 1
Cl. 2
Cl. 3
B. Cl.
Alto Sax. 1+2
Ten. Sax.
Bari. Sax.
Bsn. 1+2
Hn. 1+2
Hn. 3+4
Tpt. 1
Tpt. 2+3
Tbn. 1+2
Tbn. 3
Euph.
Tba.
Str. B.
Timp.
S. Euph.
Perc.
mff
F58
mfmf
f
mf mf f
mf f
f
mf f
mf
mf
mf
mf
mf
mf
mf mf
mf f
mf f
mff
mfmp f
mf mfmp mf
mfmf mp mf
mfmf mp mf
mf mf mp mf
mf mf f
f
f ff
mp f mf
mf f
mf
mp mf mp f
fff
3
all
3
33
1. all
3
3
3
1+2
3
3
3
3 3
3
3 3
3
3
3
3
3 3
1.
1+2
3
3
3
1.
3 3
3.
3 3
3 3
3
3
3
3
3
3
3
3
33
3
33
3
33
33
3
3
3
3
Cymb.
susp.
crash
Xyl.
Xyl.3
Glock.
3
S. D.
3 3 3
Tamb.
3 3
59
Picc.
Fl. 1+2
Ob. 1+2
Eng. Hn.
Eb Cl.
Cl. 1
Cl. 2
Cl. 3
B. Cl.
Alto Sax. 1+2
Ten. Sax.
Bari. Sax.
Bsn. 1+2
Hn. 1+2
Hn. 3+4
Tpt. 1
Tpt. 2+3
Tbn. 1+2
Tbn. 3
Euph.
Tba.
Str. B.
Timp.
S. Euph.
Perc.
65
mp mf
mf
mf
mf
mp mf mf f
mfmf f
mp mf
mp mf
mp mf
mp mf
mf f
f p
mf f
f
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3 3 3 3
3
3
3
3 3
3
3
3
3
3
3
3
3
3
bells up
3
3
bells up
3
3
3
3
3
33
3
33
3
33
3
3
3
3 3
3
3
3
3
(crash cymb.)
(Xyl.)
3
3
Glock.
60
Picc.
Fl. 1+2
Ob. 1+2
Eng. Hn.
Eb Cl.
Cl. 1
Cl. 2
Cl. 3
B. Cl.
Alto Sax. 1+2
Ten. Sax.
Bari. Sax.
Bsn. 1+2
Hn. 1+2
Hn. 3+4
Tpt. 1
Tpt. 2+3
Tbn. 1+2
Tbn. 3
Euph.
Tba.
Str. B.
Timp.
S. Euph.
Perc.
f mp f
G H71
f mp f
fmp
f mp
f mpf
f mp f
f mp
f
mp
fmp
fmp
fmp
f
f
f
f mpf mp f mp f mp
mf ff
mf
mf ff
mf
mp
mp
f f
f f
f f
f mp f mp f
mp
f
ff mf ff mf ff mf ff mf
ff f
ff ff
f
f
mf
mf
mf
3 3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
(1.)
bells up subito 3
3
(3.)
bells up subito 3
3
mutes on
muted
3
3 3
mutes on
muted
3
3
3
3
3
3
3
3
3
3
3
3
susp.
choke
susp.
choke
susp.
choke
Xyl. Xyl.
Claves
B. D.
Tamb.
61
Picc.
Fl. 1+2
Ob. 1+2
Eng. Hn.
Eb Cl.
Cl. 1
Cl. 2
Cl. 3
B. Cl.
Alto Sax. 1+2
Ten. Sax.
Bari. Sax.
Bsn. 1+2
Hn. 1+2
Hn. 3+4
Tpt. 1
Tpt. 2+3
Tbn. 1+2
Tbn. 3
Euph.
Tba.
Str. B.
Timp.
S. Euph.
Perc.
p mp
I80
p mp
f f mf
mf
p mp
mp
mf
fmp
f
mpmf
p mp
mf
mf
f mp f mp mf
fp mf
fp mf
mf f
mf
f
fp
fp
mf
mp mf
ff mf ff mp mf
p mf
p mp
3 3 3 3 3 3 3 3 3 3 3 3
3 3 3 3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
1.
3 3 3 3 3 3 3 3 3 3 3 3
3 3 3 3
3 3 3 3 3 3 3 3 3 3 3 3
mutes off
3
33
3 33
3
mutes off
3
3
3
3
3
3
3
3
3
3
3
3
3
3
susp.
choke susp.
choke
(Xyl.)
Xyl.
3 3 3 3 3 3 3 3 3
(Tamb.)
62
Picc.
Fl. 1+2
Ob. 1+2
Eng. Hn.
Eb Cl.
Cl. 1
Cl. 2
Cl. 3
B. Cl.
Alto Sax. 1+2
Ten. Sax.
Bari. Sax.
Bsn. 1+2
Hn. 1+2
Hn. 3+4
Tpt. 1
Tpt. 2+3
Tbn. 1+2
Tbn. 3
Euph.
Tba.
Str. B.
Timp.
S. Euph.
Perc.
88
mp
mp mf
mp
mf
mp mf
mp mf
mp mf
mpmf
fp mf
fp mf
mp mf
mf fp mfp
mf mfmp
mp
mf mp
mp
pp
p mf mf
mp
pp
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
1+2 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
3 3 3 3 3 3 3 3
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
3 3 33
subito
3
3
Mba.
S. D.
63
Picc.
Fl. 1+2
Ob. 1+2
Eng. Hn.
Eb Cl.
Cl. 1
Cl. 2
Cl. 3
B. Cl.
Alto Sax. 1+2
Ten. Sax.
Bari. Sax.
Bsn. 1+2
Hn. 1+2
Hn. 3+4
Tpt. 1
Tpt. 2+3
Tbn. 1+2
Tbn. 3
Euph.
Tba.
Str. B.
Timp.
S. Euph.
Perc.
mf
J95
f
mf
f
mf
mp mf
mpf
f
f
mf
mf
f
mp fff
mpf
ff
ff
ff
mf
f
mf ff
mf
ff f
fff
p f
f
f f
p f f
in h
3 3 3 3 3 3 3 3
3 3 3 3 3 3 3 3
3 3 3 3 3 3 3 3
1.
3
3
3
3
3
3
3
3
3.
3
3
3
3
3
3
3
3
3 3 3 3
(3. divisi)
mutes on
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
Cymb. susp.
(Mba.)
(S.D.)
B. D.
T.-t.
64
Picc.
Fl. 1+2
Ob. 1+2
Eng. Hn.
Eb Cl.
Cl. 1
Cl. 2
Cl. 3
B. Cl.
Alto Sax. 1+2
Ten. Sax.
Bari. Sax.
Bsn. 1+2
Hn. 1+2
Hn. 3+4
Tpt. 1
Tpt. 2+3
Tbn. 1+2
Tbn. 3
Euph.
Tba.
Str. B.
Timp.
S. Euph.
Perc.
K105
pp
p
p
p
p
p
p
p
p p
p
mp
p
mp pp mp
mfpp
mf p
6
6
6
6
6
6
6
6
6
6
3
3
3
3
3
3
3
3
3
3
6 6 6 6 6
B.D.
T.-t.
65
Picc.
Fl. 1+2
Ob. 1+2
Eng. Hn.
Eb Cl.
Cl. 1
Cl. 2
Cl. 3
B. Cl.
Alto Sax. 1+2
Ten. Sax.
Bari. Sax.
Bsn. 1+2
Hn. 1+2
Hn. 3+4
Tpt. 1
Tpt. 2+3
Tbn. 1+2
Tbn. 3
Euph.
Tba.
Str. B.
Timp.
S. Euph.
Perc.
112
p
p
p
p
p
p pp
p pp
pp
p
p
p mp
p p
p
p
mp p mp p
mf
mp
6
6
6
6
6
6
6
6
6
6
6
6
6
6
6
6
6
6
3
3 3
3
3
3 3
3
3
3
1.
3
3
1.
3
3
solo
3
1. 3 mutes on
muted
3mutes on
3
3
3
3
(B.D.)
T.-t.
66
Picc.
Fl. 1+2
Ob. 1+2
Eng. Hn.
Eb Cl.
Cl. 1
Cl. 2
Cl. 3
B. Cl.
Alto Sax. 1+2
Ten. Sax.
Bari. Sax.
Bsn. 1+2
Hn. 1+2
Hn. 3+4
Tpt. 1
Tpt. 2+3
Tbn. 1+2
Tbn. 3
Euph.
Tba.
Str. B.
Timp.
S. Euph.
Perc.
118
mp
p
6
6
6
6
6
6
6
6
6
6
6
6
6
6
6
3 3
3
3
3 3 3
solo
3
muted
33 3
3
3
(B.D.)
67
Picc.
Fl. 1+2
Ob. 1+2
Eng. Hn.
Eb Cl.
Cl. 1
Cl. 2
Cl. 3
B. Cl.
Alto Sax. 1+2
Ten. Sax.
Bari. Sax.
Bsn. 1+2
Hn. 1+2
Hn. 3+4
Tpt. 1
Tpt. 2+3
Tbn. 1+2
Tbn. 3
Euph.
Tba.
Str. B.
Timp.
S. Euph.
Perc.
123
mp
mp mf
mp
p
p
p
p
p
mf
mf
mp
mp
mp
p
mf
3
3
solo3
3
3
6 6 6 6 6 6 6 6
6 6 6 6 6 6 6
all
3
3.
3
solo
3 all mutes on
mutes off
mutes off
(B.D.)
T.-t.
68
Picc.
Fl. 1+2
Ob. 1+2
Eng. Hn.
Eb Cl.
Cl. 1
Cl. 2
Cl. 3
B. Cl.
Alto Sax. 1+2
Ten. Sax.
Bari. Sax.
Bsn. 1+2
Hn. 1+2
Hn. 3+4
Tpt. 1
Tpt. 2+3
Tbn. 1+2
Tbn. 3
Euph.
Tba.
Str. B.
Timp.
S. Euph.
Perc.
L128
mf
f
f
p
poco a poco cresc.
mp
in q
3
6 6 6 6
6 6 6 6 6
1.
3.
muted
69
Picc.
Fl. 1+2
Ob. 1+2
Eng. Hn.
Eb Cl.
Cl. 1
Cl. 2
Cl. 3
B. Cl.
Alto Sax. 1+2
Ten. Sax.
Bari. Sax.
Bsn. 1+2
Hn. 1+2
Hn. 3+4
Tpt. 1
Tpt. 2+3
Tbn. 1+2
Tbn. 3
Euph.
Tba.
Str. B.
Timp.
S. Euph.
Perc.
mf p mf f
M133
mf f mf
mf p
mf
mf
mf
mp mp mf
mp mp
mp
mp
mpmf
mp
mp
mp mp
mf f
mf f
mf f
mp pmf
f
pmp
mf
p mf
mf
mf
3
33 3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
all
3
3
3
3
3
3
3
3
3 3 3
3
3 33
3
3
3
33
1+2
3
3
3
3
3
3
3
3
1.
3 3 33
3.
3 3 3 3
mutes off 33
33
mutes off
3
3
3
3
3
3
3
3
pizz.
arco
cymb.
crash
Xyl.
33
3 3
Glock.
33
3 3
70
Picc.
Fl. 1+2
Ob. 1+2
Eng. Hn.
Eb Cl.
Cl. 1
Cl. 2
Cl. 3
B. Cl.
Alto Sax. 1+2
Ten. Sax.
Bari. Sax.
Bsn. 1+2
Hn. 1+2
Hn. 3+4
Tpt. 1
Tpt. 2+3
Tbn. 1+2
Tbn. 3
Euph.
Tba.
Str. B.
Timp.
S. Euph.
Perc.
mf f
N
138
fp mf
fp mf
fpf
fp f f
fpf
fp f mf f
mf
f
f
mf
mf
mf
fp mf mf
mf
fp mf mp
fpmf
mp
mf
mf
f
f
f
mp f mf
f f
mf
mf f
1.
1.
3
3
3 3 3 3 3 3 3
(cymb.) susp.
crash
Xyl.
B. D.
Trgl.
Ratchet
71
Picc.
Fl. 1+2
Ob. 1+2
Eng. Hn.
Eb Cl.
Cl. 1
Cl. 2
Cl. 3
B. Cl.
Alto Sax. 1+2
Ten. Sax.
Bari. Sax.
Bsn. 1+2
Hn. 1+2
Hn. 3+4
Tpt. 1
Tpt. 2+3
Tbn. 1+2
Tbn. 3
Euph.
Tba.
Str. B.
Timp.
S. Euph.
Perc.
f ff
145
f fff
mf f ff
mff
ff
ff
f mf fff
mf fff
mff ff
f mf f ff sffzsffz
mf f ff
f mfff
f mff
ffsffz sffz
ff ff sffz sffz
fp mf fff
fpmf
fff
sffz sffz
mff ff
mp f fff
fp fsffz sffz
fpf sffz sffz
mf f sffz sffz
fp mf f sffz sffz
fp fsffz sffz
mf f mf f ff
fp f ff
mp f
f ff
f f
mf ff sffz sffz
fff ff
3 3
3 3
33
3
3 3 3
3
3 3 3
3
3 3 3
3
3
3
3
3
3 3 3
3 33
3 3
3
3
rip
rip
rip
rip
rip rip
3
3 3 3
Cymb.
susp. choke choke
choke choke
Xyl.
B.D.
T.-t. (choke) (choke)
Cast.
72
Picc.
Fl. 1+2
Ob. 1+2
Eng. Hn.
Eb Cl.
Cl. 1
Cl. 2
Cl. 3
B. Cl.
Alto Sax. 1+2
Ten. Sax.
Bari. Sax.
Bsn. 1+2
Hn. 1+2
Hn. 3+4
Tpt. 1
Tpt. 2+3
Tbn. 1+2
Tbn. 3
Euph.
Tba.
Str. B.
Timp.
S. Euph.
Perc.
ffp fff ff fff
molto rit. poco rall. a Tempo
O
153
ffp fff poco a poco dim.
ffp fff poco a poco dim.
ffp fff poco a poco dim.
ffp fff poco a poco dim.
ffp fff poco a poco dim.
ffp fff poco a poco dim.
ffp fff ff
sffzf fff poco a poco dim.
f
ffp fff poco a poco dim. f
ffp fff poco a poco dim.
sffzf fff
poco a poco dim.
sffz f fffpoco a poco dim.
ffp fff f ff sffz mf
sffz
ffp
sffp fff f ff
sffz mf
ffpfff
ffmf
ffp fff f ffmf
sffz ffff
fff
sffz
f
fff f ff ff sffz
sffz f fff f ff sffz
sffz
f fff f ff
sffz sffp fff
mf fff mf ff
fff mf f
ff f
fff mp
mf ff
sffz mf ff mf
ff mf
in h
all
rip
rip
Cymb.crash crash
Xyl. To Mar.
(B.D.)
(T.-t.) (choke)
Trgl.
73
Picc.
Fl. 1+2
Ob. 1+2
Eng. Hn.
Eb Cl.
Cl. 1
Cl. 2
Cl. 3
B. Cl.
Alto Sax. 1+2
Ten. Sax.
Bari. Sax.
Bsn. 1+2
Hn. 1+2
Hn. 3+4
Tpt. 1
Tpt. 2+3
Tbn. 1+2
Tbn. 3
Euph.
Tba.
Str. B.
Timp.
S. Euph.
Perc.
f mf fmp
p
Meno mosso e molto tranquillo
h=60
P
160
mf f mfmp p
mf f mf mpp
mf fmf
mpf p
mf mf f mp p
f mp p
f mp
p
f mf f mpp
mfp
mf mp f p
f mf mp f p
mf p
mp p
mf mp
mf mp
mf mp
mfmp p
mp
mp
mp mp p
mf mp p
mp p pp
mf mp
mf
mp
mp
3.
solo
Chimes
Mba.
Wind Chimes(Mark Tree)
T.-t.
74
Picc.
Fl. 1+2
Ob. 1+2
Eng. Hn.
Eb Cl.
Cl. 1
Cl. 2
Cl. 3
B. Cl.
Alto Sax. 1+2
Ten. Sax.
Bari. Sax.
Bsn. 1+2
Hn. 1+2
Hn. 3+4
Tpt. 1
Tpt. 2+3
Tbn. 1+2
Tbn. 3
Euph.
Tba.
Str. B.
Timp.
S. Euph.
Perc.
h=50poco rit. rit. A tempo poco rit. h=40
Q
168
p
mp
p
mp
p
poco p
pp mp pp
pp mp pp
pp
mf p
pp mp p mp pp
mp mp
mp mp
mf p
solo
solo
smorzando
smorzando
(Chim.)
(Mba.)
75
Picc.
Fl. 1+2
Ob. 1+2
Eng. Hn.
Eb Cl.
Cl. 1
Cl. 2
Cl. 3
B. Cl.
Alto Sax. 1+2
Ten. Sax.
Bari. Sax.
Bsn. 1+2
Hn. 1+2
Hn. 3+4
Tpt. 1
Tpt. 2+3
Tbn. 1+2
Tbn. 3
Euph.
Tba.
Str. B.
Timp.
S. Euph.
Perc.
rit.A tempo
h=80
R
181
p
p
p
p
p
p
p
mf
mp
mp
1.
3 3 3 3 3 3
3
3
3
3
3
3
3
3
3
3
3
3
(solo)
3 3 3 3 3 3
3
3
3
3
3
3
3
3
3
3
3
3
(Chim.)
(Mba.)
3 3 3 3 3 3 3 3 3 3 3 3
T.-t.
Cast.
3 3 3 3 3 3 3 3 3 3 3 3
76
Picc.
Fl. 1+2
Ob. 1+2
Eng. Hn.
Eb Cl.
Cl. 1
Cl. 2
Cl. 3
B. Cl.
Alto Sax. 1+2
Ten. Sax.
Bari. Sax.
Bsn. 1+2
Hn. 1+2
Hn. 3+4
Tpt. 1
Tpt. 2+3
Tbn. 1+2
Tbn. 3
Euph.
Tba.
Str. B.
Timp.
S. Euph.
Perc.
186
mp
mp
mp
mf
mp
mf f
mp
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3 3 3
solo
3 3 3 3 3 3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
(Mba.)
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
(T.-t.)
(Cast.) 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
77
Picc.
Fl. 1+2
Ob. 1+2
Eng. Hn.
Eb Cl.
Cl. 1
Cl. 2
Cl. 3
B. Cl.
Alto Sax. 1+2
Ten. Sax.
Bari. Sax.
Bsn. 1+2
Hn. 1+2
Hn. 3+4
Tpt. 1
Tpt. 2+3
Tbn. 1+2
Tbn. 3
Euph.
Tba.
Str. B.
Timp.
S. Euph.
Perc.
poco accel.
S191
mf
mf
mf
mf
mp
mp
mp
mp
mp
mp
mp
mp
mp
mp
f
poco accel.
p poco a poco crescendo
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3 3 3
3 3 33 3 3
3 3 33 3 3
3 3 3
3 3 3
3 3 3 3 3 3
3 3 3 3 3 3 3 3 3
3
3
3
3
3
3
3
3
3
3
3
3
(Mba.)
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
B. D.
(T.-t.)
(Cast.) 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
78
Picc.
Fl. 1+2
Ob. 1+2
Eng. Hn.
Eb Cl.
Cl. 1
Cl. 2
Cl. 3
B. Cl.
Alto Sax. 1+2
Ten. Sax.
Bari. Sax.
Bsn. 1+2
Hn. 1+2
Hn. 3+4
Tpt. 1
Tpt. 2+3
Tbn. 1+2
Tbn. 3
Euph.
Tba.
Str. B.
Timp.
S. Euph.
Perc.
196
mf
mf
mf
mf mf
mf
mf
mf
mf
mfmf
mf mf
mf mf
mf mf
mf mf
mf mf
mf
mf
mf
mf
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3 3 3
3 3 33 3 3
3 3 3
3 3 33 3 3
3 3 3 3 3 3 3 3 3
3 3 3
(all)
3 3 3
3
3
3
3
3
3
3
3
3
3
3
3
(Mba.)
3 3 3 3 3 3 3 3 3
(B.D.)
(T.-t.)
(Cast.)
3 3 3 3 3 3 3 3 3
79
Picc.
Fl. 1+2
Ob. 1+2
Eng. Hn.
Eb Cl.
Cl. 1
Cl. 2
Cl. 3
B. Cl.
Alto Sax. 1+2
Ten. Sax.
Bari. Sax.
Bsn. 1+2
Hn. 1+2
Hn. 3+4
Tpt. 1
Tpt. 2+3
Tbn. 1+2
Tbn. 3
Euph.
Tba.
Str. B.
Timp.
S. Euph.
Perc.
ff
199
f ff
fff
f ff
ff
f ff
f ff
f ff
fff
fff
fff
f
ff
fff
fff
f ff
f ff
f ff
fff
fsffp ff
sffp ff
f sffp ff
f ff
f fp ff
ff fff
mf ff
f ff
mff ff
f
f ff
3
3
3
3
3
3
3
3
3
3
3
3
3 3 3
3 3 3
3 3 3
3 3 3
3 3 3
Cymb.
susp. choke
(Mba.)
3 3 3
(B.D.)
(T.-t.)
(Cast.)
25'30" min
3 3 3
80