IVR 3
Transcript of IVR 3
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MUFFAKHAM JAH COLLEGE OF
ENGINEERING & TECHNOLOGY
Road No. 3 Banjara Hills, Hyderabad
A Report on Industrial Visit to
Doordarshan Kendra Hyderabad and Doordarshan
Transmitters Complex
Submitted by
Hafsa Dawood
16-04-09-735-001
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ACKNOWLEDGEMENT
Praise and thanks are due to Allah, the Most Beneficent and the Most Merciful, for his guidance
and blessings bestowed upon me. Deepest gratitude to my family for their constant love and
support.
I thank Dr. Kaleem Fathima, Head of Department, ECE, for providing us an opportunity to visit
the Doordarshan Kendra, Ramanthapur and Doordarshan Transmitters Complex, Malakpet.
I’m obliged to Mr. Haneef, Assistant Professor, who has been instrumental in arranging this
industrial visit and who along with Mr. Zuber, Assisstant Professor guided us throughout the
entire tour, providing us with their valuable input.
My sincere thanks to all my teachers for their role in my education.
Finally I thank all my friends for having made this trip a memorable one.
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CONTENTS
Part I – Doordarshan Kendra Ramanthapur
1. Introduction
2. Television Studio
(i) Camera Control Unit
(ii) Production Control Room
(iii) Master Switching Room
3. Earth Station
(i) Up link Segment
(ii) Encoder
(iii) Multiplexer & Modulator
(iv) Transmission
(v) Down link Segment
4. Doordarshan over the years
Part II – Doordarshan Transmitters Complex
1. Doordarshan Transmitters
2. Doordarshan Channels
3. VHF Transmitter
4. UHF Transmitter
5. Receiving Section
6. Transmitting Section
7. Antennae Used
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PART I
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DOORDARSHAN
KENDRA
HYDERABAD
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INTRODUCTION
Doordarshan, operated by the Prasar Bharati, is a television broadcaster in India and is an
undertaking of the Government of India. Due to the transmitters and infrastructural facilities of
Doordarshan, it is considered amongst the leading broadcasting organizations throughout the
world. Television came to India on September 15, 1959 with experimental transmission from
Delhi and Doordarshan successfully completed its 50th year on September 2009.
History of Doordarshan
Doordarshan started with a tentative telecast on September 1959 from Delhi. The infrastructure
at that time was small, supported by a temporary studio. It was a modest beginning with a
makeshift studio and low power transmitter. Regular transmission commenced on 1965, and
formed a part of All India Radio. By 1972, the telecast was expanded to Amritsar and Mumbai.
Doordarshan was the only channel available at time and by 1975, it was available in seven cities
around the nation. In 1976, it was detached from All India Radio and was fully managed from
New Delhi, by two different Director Generals. In 1982, colour television sets became available
in the country and the speech given by the Prime Minister of that time, Indira Gandhi, was
telecast live through out the nation. After this, the 1982 Asian games, Delhi, was also
broadcasted by the channel. Doordarshan gained exceeding popularity during the 1980s with its
new and groundbreaking shows that could easily connect with the urban and rural audiences
alike.
Channels of Doordarshan
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Doordarshan currently has 21 channels, 11 regional channels and 2 national channels (DD
National and DD News), 1 sports channel (DD Sports), 1 international channel and a few more.
DD National broadcasts both regional and national programmes. DD-Sports exclusively telecast
various sporting tournaments and events, which are of national and international significance.
DD News, which was launched by replacing DD Metro, is a 24 hour new channel.
The array of channels offered by Doordarshan include- DD National, DD Sports, DD News,
Rajya Sabha TV, DD-Lok Sabha, DD Bharti and many regional channels such as, DD Gujarati,
DD Bangla, DD Punjabi, DD Kashir, DD Malayalam, DD Odia, DD Podhigai, DD Saptagiri, DD
Sahyadri, DD Urdu and DD NorthEast. National Programmes on Doordarshan
The objective of a common programme broadcast, which will cater to people in different states,
was achieved by Mr. Sathe, Minister for Information and Broadcast, in the 90 minute National
programme, on August 15, 1982. This was to consist of news in Hindi and English, and
programmes reflecting music, dance and other aspects of life, literature and culture of all regions.
There are seven full fledged centres at Delhi, Mumbai, Kolkata, Chennai, Jalandar, Srinagar,
and Lucknow; eight transmitting centres at Raipur, Jaipur, Mu]affarpur, Gulbarga, Sambalpur,
Hyderabad, Ahmedabad and Nagpur, and relay centres at Gwalior, Kanpur, Pune, Allahabad,
Amritsar, Bengaluru, Mussoorie, Panaji and Asansol. There are also three Upgraha Doordarshan
Kendras (Satellite programme production centres) at Cuttack, Delhi and Hyderabad and also 20
low-power transmitters in many states to provide coverage to national and other programmes
through relays. Doordarshan has 45 transmitters at work, and the programmes reach about 28%
of the population.
Doordarshan Recently, along with Tata Sky, has launched an Interactive Service, which is
offered as a special channel on Tata sky. It is an Interactive Service of Tata Sky to show 4 TV
Channels of Doordarshan which are not available on Tata sky as normal channels. DD Podhigai,
DD Gujarati and DD Punjabi are offered in this service. Doordarshan also has launched its own
Direct-To-Home service, named DD Direct Plus. International Broadcasting of Doordarshan
Doordarshan had also started broadcasting internationally via Satellite and has a presence in
almost 146 countries, globally. But there were some technical problems on the availability of the
channel in some countries. The programmes and timie slot are not as similar as the broadcast in
India. In July 2008, transmissions in U.K. and U.S. were stopped. Now more than 90 percent of
population of the country can receive Doordarshan programmes through a network of nearly
1400 terrestrial transmitters. Around 46 Doordarshan Studios are producing TV software. The
Doordarshan televises through the Official and Associate Official languages, and its regional
channels televise through the state dominant languages and dominant minority languages.
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Television Studio
In general a television studio comprises of
1. Camera Control Unit
2. Production Control Room
3. Master Switching Room
4. Audio Control Unit
The Doordarshan Kendra at Ramanthapur has two studios. The first one is a huge one used for
recording of big events such as musical performances. The second one is used for the
regional transmission of news and for various announcements.
A Television Studio
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Studio Floor
The studio floor is the actual stage on which the actions that will be recorded take place. A studio
floor has the following characteristics and installations:
� decoration and/or sets
� professional video camera (sometimes one, usually several) on pedestals
� microphones
� stage lighting rigs and the associated controlling equipment.
� several video monitors for visual feedback from the production control room (PCR)
� a small public address system for communication
� a glass window between PCR and studio floor for direct visual contact is usually desired, but
not always possible
While a production is in progress, people composing a television crew work the studio floor.
� the on-screen "talent" themselves, and any guests - the subjects of the television show.
� a floor manager, who has overall charge of the studio area stage management, and who
relays timing and other information from the television director.
� one or more camera operators who operate the professional video cameras, though in some
instances these can also be operated from the PCR using remotely controlled robotic pan tilt
zoom camera (PTZ) heads.
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� possibly a teleprompter operator, especially if this is a live television news broadcast
Camera Control Unit
CCU (Camera Control Unit) refers to a range of equipment and operations related to remote
control of video/television camera functions. This can include either partial or complete camera
control. CCU operations are an important component in many types of television production, in
particular multi-camera productions.
The person operating the CCU units is known as a CCU Operator, Vision Controller or (in some
cases) a Technical Director (TD).
Partial CCU Control
This is a common method for controlling camera functions in television production. It is a
professional approach, allowing for maximum control and quality.
Most of the camera functions (framing, focus, etc) are controlled normally by a camera operator,
whilst certain functions (colour balance, shutter speed, etc) are controlled remotely by the CCU
operator. This allows the camera operator to concentrate on framing and composition without
being distracted by technical issues. At the same time the CCU operator, who is a specialist in
the more technical issues, is concentrating on the quality and consistency of the pictures.
In a multi-camera production the CCU operator will usually be responsible for more than one
camera (2-3 cameras is common, but up to 10 is possible). Obviously a large production may
require a number of CCU operators. For example, a 20-camera broadcast could have 5 CCU
operators, each controlling 4 cameras.
The picture below shows a bank of four CCU controllers which are embedded into the desk
workspace in front of the CCU operator. In front of the operator are four monitors showing the
pictures from each camera. These controls are relatively advanced and allow the CCU operator
to:
• Control the iris, shutter speed, black level, gain, etc.
• Adjust colour balances
• Monitor and adjust a wide range of technical parameters
• Send signals to the camera operator
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Sony CCU Controllers
Complete Remote Camera Control
Since the advent of high-performance remote-controlled cameras, CCU can also refer to cameras
which are completely controlled by the CCU operator (the camera itself is unmanned).
Such controllers may include any of the features mentioned above, with the addition of pan/tilt,
zoom and focus controls.
The Technical Director
The Technical Director is the person responsible for setting up and maintaining the technical
parameters of the production's video images. In many cases this is the same person as the CCU
operator, but in any case the two jobs are closely linked.
The TD's responsibilities include making sure all vision sources (cameras, tape machines,
graphic generators, etc) meet the technical requirements for broadcast, and that their outputs are
consistent and stable. In older equipment much of this is done manually by monitoring video
signals with a waveform monitor and vectorscope. In the digital era many of these functions are
performed automatically.
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Fig. Above is the waveform monitor display. The sync pulse is in the center
Fig. The above diagram shows a sync pulse for a color picture
Fig. Above is a vectorscope display of color bars.
Burst is the squiggle pointing straight to the left
Production Control Room
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Facilities in a PCR include:
� A video monitor wall, with monitors for program, preview, VTRs, cameras, graphics and
other video sources. In some facilities, the monitor wall is a series of racks containing
physical television and computer monitors; in others, the monitor wall has been replaced
with a virtual monitor wall (sometimes called a "glass cockpit"), one or more large video
screens, each capable of displaying multiple sources in a simulation of a monitor wall.
� A vision mixer, a large control panel used to select the multiple-camera setup and other
various sources to be recorded or seen on air and, in many cases, in any video monitors on
the set.
� A professional audio mixing console and other audio equipment such as effects devices.
� A character generator (CG), which creates the majority of the names and full digital on-
screen graphics that are inserted into the program lower third portion of the television screen
� Digital video effects, or DVE, for manipulation of video sources. In newer vision mixers, the
DVE is integrated into the vision mixer; older models without built-in DVE's can often
control external DVE devices, or an external DVE can be manually run by an operator.
� A still store, or still frame, device for storage of graphics or other images. While the name
suggests that the device is only capable of storing still images, newer still stores can store
moving video clips and motion graphics.
� The technical director's station, with waveform monitors, vectorscopes and the camera
control units (CCU) or remote control panels for the CCUs.
� In some facilities, VTRs may also be located in the PCR, but are also often found in
the central apparatus room
� Intercom and IFB equipment for communication with talent and television crew
� A signal generator to genlock all of the video equipment to a common reference that
requires colorburst
Master Switching Room
It is the engineering co-ordination center of activity for selecting & routing the signal from
various sources to transmitter and earth station. It is a room where all different sources from the
outside studio comes first here and enroots transmission to different destination like transmitter
& earth station. This room comprises of Routine switcher, Stab amplifier, Video/Audio
distribution amplifier etc. It is the heart of the studio. Most of the switching electronics are kept
here e.g. camera base stations, switcher mainframe, SPG, Satellite receivers,
MW link, DDA & most of the patch panels. Signal is routed through MSR and can be
monitored at various stages
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Master Switching Room
Other Facilities
A television studio usually has other rooms with no technical requirements beyond broadcast
reference monitors and studio monitors for audio. Among them are:
� one or more make-up and changing rooms
� a reception area for crew, talent, and visitors, commonly called the green room.
EARTH STATION
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UP LINK SEGMENT
The earth station is the place from which the TV signals are up linked to the satellite for
reception and re-broadcast . Here digital transmission technique is used and the earth station
handles 3 digital channels within it's IF frequency of 70MHz .The CCVS from the MSR reaches
the earth station through Optical Fiber Cables. The signal is received via a switcher which selects
the appropriate signal . The digital transmitter can simultaneously up link 3 channels. Of these
one of the channel is used for transmission of the regional television channel and another for
internal transmission purposes with New Delhi .The third channel is used to up link programs to
the Delhi studio for the special metro news segments.
ENCODER
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The incoming signal is fed to the encoder panel consisting of MPEG-2 encoders .This digital
equipment compresses the video signal by eliminating the redundant information in the received
signal. This compression enables the usage of 3 separate channels . Hence there are three
encoders along with the necessary switches and signal compression level monitors . The
encoders look like the Home DVD players with a front panel interface .
MULTIPLEXER AND MODULATOR
The compressed signals are fed to a multiplexer unit which combines the three different streams
into a single transport stream . The multiplexer has external controls that enable selection of e
and the clock rate for multiplexing.The output of the multiplexer is modulated using Quadrature
Phase Shift Keying ( QPSK )technique. The IF signal is fed to the Up Converter that increases
the signal frequency to the Giga Hz range to enable satellite communication.
TRANSMISSION
The C - Band transponder used with the satellite INSAT 3A has a up link frequency of 6056 Mhz and a down link frequency of 3831 Mhz . The transponder has a bandwidth of 36 Mhz with
total BW of 40 Mhz and a guard band of 4 Mhz .The up link frequency is then fed to a Klystron
High Power Amplifier which provides the necessary power to the signal for up link to the
satellite. The up link signal has a power of 3KW .The klystron must provide the minimum power
required to be maintained which is specified as the signal Effective Isotropic Radiated Power
(EIRP) and is 30W / 63dBW.The HPA feeds the signal to a parabolic dish through a waveguide.
The waveguide feeds the signal at the Feed Point of the dish .The dish then focuses the EM
waves as a fine pencil beam and directs it to the satellite. The up link uses horizontal polarization
and the down link uses vertical polarization .This up linked signal is received by the transponder
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and is down converted to a slightly lower frequency . This is done in order to reduce the loss of
the signal and is achieved by beating the uplinked signal with a 2 Ghz local oscillator
DOWN LINK SEGMENT
The satellite transmitting antenna also serves as the receiver . In the receiver the conversion
from the C – band to the L – band takes place . The antenna has a Low Noise Block Converter
(LNBC ) unit in the antenna unit itself . This is where the frequency conversion takes place .
Also the received signal is of very low strength due to the high attenuation suffered during
propagation .Hence the LNBC amplifies the signal without causing any distortion to the received
signal .The down link power is fixed at 10W . So the receiving antenna size must be varied to
receive the signal at different regions of the world . Hence the areas that lie at the satellite
footprint receive the signal of good strength. However the areas at the corners tend to receive a
very distorted signal from the satellite. Hence the fringe areas will use receiver dish antennas
of larger diameter. This is so because the received power is directly related to the dish radius.
The areas under direct footprint need only smaller radius dishes. The signal from the antenna unit
is then converted to the common IF frequency of 70 Mhz at the tuner section of the set top box .
The signals are de-multiplexed and then the desired signal is viewed in the monitor .
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Doordarshan over the years
Experimental Service at Delhi (Inaugurated 15.09.1959
By the President of India at Vigyan Bhawan)
School Television 24.10.1961
Daily One Hour Service & Hindi News Bulletin 15.08.1965
Krishi Darshan – Rural Programme 26.01.1967
English News Bulletin 03.12.1971
Commercial Service 01.01.1976
Doordarshan Delinked from Akakshvani 01.04.1976
Delhi Linked with Mussorri 12.08.1977
INSAT-1A Launched 10.04.1982
TV goes Colour & National Programme Introduced 15.08.1982
TV coverage of Asian Games 19.11.1982
INSAT – 1 B Operationalised 15.10.1983
First Sponsored Serial – Hum Log 15.07.1984
DD Metro Launched 09.08.1984
Country wide Classroom Programme produced by UGC 15.08.1984
Second Channel at Delhi 17.09.1984
DD India launched 14.03.1985
Intext Service at Delhi 19.11.1985
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Morning Transmission 23.02.1987
Late Night Film 07.04.1987
Weekly News Bulletin for Hearing Impaired 15.10.1987
Employment News 31.05.1988
INSAT -1C 27.07.1988
Transmitter Complex at Pitampura, Delhi 07.11.1988
Afternoon transmission Programme contribution 26.01.1989
From Bombay
Central Production Centre 06.02.1989
INSAT-1D Operationalised 17.07.1990
News Bulletin introduced in Afternoon Transmission 22.10.1990
IGNOU Telecast 22.05.1991
Recorded version of Question Hour in Parliament 05.12.1991
Introduction of Urdu News 01.05.1992
Metro Channel on Experimental basis 26.01.1993
Satellite link for Metro Kendras 01.04.1993
Extension for Metro Hour & INSAT-2B Operationalised 30.07.1993
World News Separate Bulletin in the Mornings 01.08.1993
Extension of Metro Entertainment Channel 15.08.1993
INSAT-2C Extended Network 07.12.1995
One Hour LIVE Show Delhi LPT 14.11.1997
DD Sports launched ( Round the clock) 01.06.2000
DD Bharati launched 26.01.2002
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DD News 03.11.2003
PART II
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DOORDARSHAN
TRANMITTERS
COMPLEX
Doordarshan network consists of 64 Doordarshan Kendras/Production Centres, 24
Regional News Units, 126 Doordarshan Maintenance Centres, 202 High Power transmitters, 828
Low Power Transmitters, 351 Very Low Power Transmitters, 18 Transposers, 30 Channels and
DTH Service and has a sanctioned strength of 21708 officers and staff of various categories.
Doordarshan Transmitters
Channel HPT LPT VLPT Transposer Total
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National (DD1) 128 747 346 18 1239
DD News 70 81 5 - 156
Others 4 - - - 4
Total 202 828 351 18 1399
Doordarshan Channels
• National Channel (5) : DD1, DD News, DD Bharati, DD Sports and DD Urdu.
• Regional Language Satellite Channel (11) : DD North-East, DD Bengali, DD Gujarati,
DD Kannada, DD Kashir, Dd Malayalam, Dd Sahyadri, DD Oriya, DD Punjabi, DD
Podhigai, and DD Saptagiri.
• Regional State Network (11) : Bihar, Jharkhand, Chhattisgarh, Madhya Pradesh, Uttar
Pradesh, Haryana, Uttrakhand, Himachal Pradesh, Rajasthan, Mizoram and Tripura.
• International Channel (1) : DD India.
Doordarshan has a three-tier programme service - National, Regional and Local.
• The emphasis in the programmes in the National service is on events and issues of
interest to the entire nation.
• The programmes in the regional service focus on events and issues of interest to the
people of that particular State.
• The local service caters to the needs of the populace living in the areas falling within the
reach of a particular transmitter through area specific programmes in the local languages
and dialects.
In addition, the programmes in the national and regional services are also available in satellite
mode to the viewers all over the country.
Programme sourcing: Programmes for different channels of Doordarshan are sourced from :
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• In-house production : Programmes produced by Doordarshan professionals utilizing
Doordarshan infrastructure, including coverage of events 'live' by Doordarshan.
• Commissioned programmes : Programmes produced by persons of proven merit with
funds provided by Doordarshan.
• Sponsored programmes : Privately produced programmes telecast by Doordarshan on
payment of a fee in exchange for Free Commercial Time.
• Royalty programmes : Programmes acquired by Doordarshan from outside producers on
payment of royalty for single or multiple telecasts.
• Acquired Programmes : Programmes/events acquired from foreign companies on
payment of rights fee.
• Educational/Development programmes : Educational and Development programmes
produced by different agencies of the Government.
• Self Financed Commissioning : The initial production cost of these programmes is met
by the private producer. Doordarshan reimburses the production cost to the producer after
commencement of telecast. The programme is marketed by Doordarshan. The scheme
also has provisions for payment of bonus on approved production cost on attainment of
high TRPs, and for reduction of production cost in case of poor performance of
programme.
Terrestrial Coverage of Doordarshan : The coverage of the two terrestrial channels of
Doordarshan is shown below :
Terrestrial Coverage of Doordarshan
Channel
Coverage (%) National average (As on 30.6.2006)
By Area By Population
DDI 79.4 9.4
DD News 24.4 48.5
DD Direct + : Doordarshan's free-to-air Direct-to-Home service DD Direct + was launched by
the Prime Minister on 16 December 2004. Starting with 33 TV channels (Doordarshan/Private)
and 12 Radio (AIR) channels, the capacity of the service was increased 36 TV channels and 20
Radio channels. The signal of this service can be received all over India, except A&N Islands,
with the help of a receiver system. The subscriber base of this service is in excess of 5 million.
National networking service :
• DD National (DD-1),
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• DD News (DD-2),
• DD-Sports,
• DD-Urdu,
• DD-India
• DD-Bharati.
Regional Language Satellite Service : The eleven regional Language Satellite Services are :
• DD-Malayalam
• DD-Saptagiri (Telugu)
• DD-Bengali
• DD-Chandana (Kannada)
• DD-Oriya
• DD-Sahyadri (Marathi)
• DD-Gujarati
• DD-Kashir (Kashmiri)
• DD-Punjabi
• DD-North-East
• DD-Podhigai (Tamil)
At present 40 Doordarshan TV channels including news uplinks are operating through C-band
transponders of INSAT-3A, INSAT-4B, INSAT-3C and INSAT-2E (Additionally IS-10 & IS-
906 INTELSAT leased). All of the Satellite TV channels are digitalized.
Receiving Antenna is LPT (LOW POWER TX) BAND 3, UHF dish antenna with a frequency of
2.5 - 4.5MHz C band signal.
There are two types of transmitters:
1. V.H.F transmitter
2. U.H.F transmitter
VHF TRANSMITTER EXCITER :
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Exciter provides amplitude modulated visual drive of 10MW. Sync peak and a frequency
modulated all drive of 1mW required for the power amplifier stages of 100W TV transmitter at
the designated channel frequencies. It consists of the following individual units:
1. Video signal
2. Low pass filter
3. Video processor
4. Vision modulator
5. IF oscillator
6. Control oscillator
7. Aural modulator
8. Audio signal
9. Power combiner
10. Vestigial side band filter
11. Driver
12. +12V regulated power supply
Video signal:
The video signal is limited to 5 MHz by the low pass filter and group delay by its corrected
group delay introduced by it is corrected by the active group delay equalizer.
Low pass filter:
The LPF is used to limit the video frequency to 5MHz only, and it attenuates the video signal
more than 20dB above 5.5MHz the group delay introduced by steep falling characteristic at 5.5
MHz is corrected using 5-6 active group delay equalizer LPF unit consists of single PCB
consisting of a video amplifier section and clamp pulse generator section.
Video Amplifier:
It amplifies the video signal to level sufficient to modulate the vision carrier in the
visualmodulator unit. The video input to this unit is at level of 1Vp-p clamp pulse
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UHF TRANSMITTER
In this transmitter the frequency range is from 564-574MHz. It requires 500W power.
Linearity corrector :
Linearity corrector operates in the UHF TV band of 470-600MHz and its function is to correct
the non-linearity that occur in power amplifiers operated in this band.
Nonlinearity in TV amplifiers are measured in terms of 3-tone IMD and differential gain . The
linearity corrector is a pre-distorter circuit that is placed ahead of the power amplifier and pre-
corrects the above mentioned distortion so as to reduce them at the power amplifier output.
Up- convertor:
The up-convertor unit combines modulated vision IF an aural IF signals and translates
torespective channels frequency suitable for transmission. The unit has in-built power supply.
Thestatus and fault information are displayed on front panel of the unit.
Splitter:
The linearity corrector output is divide into four equal amplitude and phase outputs to fed four
PA to get the required output power. It is a micro strip circuit desigh based on Wilkinson’s
power divided principles.
Combiner:
The two way power combiner is a sub unit in the 500W transmitter there are such units. Two
way combiner is used to combine the outputs of four amplifiers. For the first level combining
pairs of amplifiers are combined output or pairs of amplifiers is combined in a second kevel of
combining resulting in 600W peak sync output power. All units are identical electrically and
mechanically and are interchangeable. It is based on the Wilkinson’s power combiner principle.
The combiner is realized as a micro strip line on a PCB substrate with a isolation resistor for
isolating all the ports.
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RECEIVING SECTION
The parabolic dish antenna is metal structure with a shape of half circle, and apart from that at a distance a
feed arm is held with support in air to which a low noise amplifier in addition o the low noise block
convertor and the internal relay station there is a digital broadcast receiver in for monitoring and later on re-
transmission of the signal is done in the transmitting section.
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TRANSMITTER SECTION
The broadcasting range of a transmitter depends both on its power (measured in watts) as well as the
frequency of the transmitted signals. With the advent of satellites it is possible to beam signals both in VHF
and UhF (ultra highfrequency) range to geostationary satellites, which can then transmit these signals back
to another far off location on Earth.
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Various types of antennae used in Doordarshan network are as follows
• Omnidirectional Antennae
• Panel Type Antennae
• Slot Antennae
• Whip Antennae
• Parabolic Reflector Antennae
• Yagi-Uda Antennae
Omnidirectional Antenna Panel Type Antenna
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Slot Antenna Whip Antenna
Parabolic Reflector Antenna Yagi-Uda Antenna
Doordarshan is having TV transmitting antennae of following types:
• Panel type antennae, slot type antennae, super-turnstile antennae
• Parabolic dish antennae for up linking and down linking of RF signal to satellite in the space
• Microwave dish antennae for linking RF signal between two locations.
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The basic requirements for deciding the quality of antennae includes
• Gain of the antennae
• Radiation pattern of antennae
• V.S.W.R of antenna
• Ruggedness of the antennae
Doordarshan has bought TV transmitting antennae from
• Dielectric, USA
• R.F.S., Australia
• S.W.R., USA
• Jampro, USA
• Katherine, Germany
• SIRA, Italy.
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Conclusion
The industrial visit to Doordarshan Kendra Hyderabad and Doordarshan Transmitters Complex
was a successful one.
We understood the working of a Doordarshan Kendra in detail. We observed the working of a
television studio in detail and the various stages involved in recording a programme. We
witnessed the proceedings of a live news update.
We also learned about the procedure of transmission, reception of a channel.