INVENTORY OF THE LISZT COLLECTION IN THE NEDERLANDS … · 2018. 1. 24. · Wittgenstein, daughter...

INVENTORY OF THE LISZT COLLECTION

IN THE NEDERLANDS MUZIEK INSTITUUT

Inv. nr. IIIE F941

2008/2011

Preface

The Liszt Collection since 1956

The collection of Lisztiana in the Nederlands Muziek Instituut (Netherlands Music Institute) contains musical autographs, correspondence, other manuscripts, a few printed publications (including concert programmes), and a few iconographical objects. The major part of this has been in the possession of the private collector Robert Bory, and was acquired in 1956 by the then Department for the History of Music of the Gemeentemuseum Den Haag (The Hague Municipal Museum). A few letters have been purchased in December 1960 at Sotheby’s. The musical archives and music library of the Department for the History of Music have moved in 2000 to the building of the Koninklijke Bibliotheek (National Library), and have (together with the Musica Neerlandica Foundation) been transformed into the independent Nederlands Muziek Instituut. As a result of this, part of the Liszt collection is now in trust of the NMI. Later stages of the process of transfer have caused some revisions of this inventory since 2008. Most of the iconographical items are to this date located in the Gemeentemuseum. Collections of Gemeentemuseum and NMI are property of the Municipality of The Hague. The Bory Collection (or the part of it on offer) is described in a typewritten inventory (V1). This largely corresponds to the inventory made by the staff of the Gemeentemuseum, sometime between 1956 and 1960 (V2). The descriptions of those items which are still in the Gemeentemuseum have in this new inventory been literally transcribed from V2. To complete the overview of Lisztiana in the NMI, Liszt photographs and letters in other archives have been included (sections IG and IIIF). With items from the Liszt collection the Gemeentemuseum has in 1962 organized an exhibition. No special attention was then given to the provenance of the collection.1 Iconographic material has been put on display in the exhibitions Portretten in karikatuur (1984) and Franz Liszt (1811-1886) (1986).2 In 2009 the present author edited the four letters to Espérance von Schwartz (IC29-32) in a publication on the NMI website. In 2011 the same was done with two letters (IC1, 14) and two music manuscripts (IA5, 6) in a ‘Bicentenary Presentation’.

Physical condition

In the past repairs have been done with varying degrees of expertise (annotations: adhesive tape, covered with rice paper etc.). A few manuscripts showed ink corrosion; these still have to be treated. All items have been repacked during the preparation of this inventory.

Robert Bory

Robert Bory (1891-1960) was a Swiss lawyer, descendant of a family which has produced several generations of notaries. Besides cantonal judge (juge de paix) he has been an

1 Franz Liszt en zijn tijd: Haags Gemeentemuseum 23 December 1961 - 3 Februari 1962 (S.l., s.n., 1962).

2 M. Kyrova: Franz Liszt (1811-1886): prenten en foto's van de muziekafdeling, 18 februari t/m 27 april 1986 ('s-Gravenhage: Haags

Gemeentemuseum, 1986).

NMI Liszt Collection p. 1

active and energetic administrator and organizer. In his town of Coppet on the north shore of Lake Geneva he has founded a museum for local history and arts and crafts (Musée de Coppet).3 Most of his interest however was directed toward music. He had lessons in composition with Émile Jaques-Dalcroze, and studied conducting with Gustave Doret.4 His reputation in musical historiography derives from his collection of Lisztiana, and the biographical studies which these inspired. A pictorial biography of Liszt of 1936 was followed by similar works about Wagner, Mozart, Chopin and Beethoven. Few data were available about size and composition of the original Bory collection. La vie de Franz Liszt par l’image records many objects as “Collection R. Bory” which are not listed in inventory V1. The letters written by Liszt and his children to Princess Marie von Sayn-Wittgenstein, from which he has published extracts and which seem to have been part of his collection, are nowadays in the possession of Harvard University.5 Marie Wittgenstein, daughter of Liszt’s beloved Princess Carolyne von Sayn-Wittgenstein, is represented in the NMI collection by manuscripts IF4, 5, 6.

Historical significance

As a very small subset in the whole of Liszt’s colossal epistolary output, the forty-seven letters in this collection constitute only a modest treasure. Even so they provide valuable insights into aspects of Liszt’s life and personality. Of the highlights of this collection have appeared in print: IC1 (1824, to Pierre Erard, one of the earliest letters preserved) and IC14 (1855), to his daughters Blandine and Cosima, in which the tense relation between Liszt, his children and their mother Countess Marie D’Agoult is dramatically expressed. The following letters, unpublished as far as could be ascertained, merit special attention: the five letters to Franz von Dingelstedt (IC6-9 and IG), the playwright-theatre manager who through Liszt’s mediation was appointed to direct the Weimar court theatre; the first of the four letters to Dionys Pruckner (about Liszt’s teacher Carl Czerny, IC15); the four letters to Marie Espérance von Schwartz (pen name: Elpis Melena), writer and philanthropist, in which besides the news of the day more philosophical matters are discussed (IC29-32); and the four letters to Sigmund Lebert, relating to Lebert and Stark’s Klavierschule (to which Liszt has contributed compositions) and other publications (IC34-37). In the interest of future research this inventory contains brief indications of the contents of unpublished letters. Besides Dionys Pruckner, mentioned above, the following Liszt pupils are represented in this collection: Marie Gärtner (letters IC21-23, 28?), Dori Petersen (photographs, some with letters pasted onto them: IIIE26, 50, 52, 57), and especially Lina Schmalhausen, from whom Bory acquired a rich treasure (IIID1, IIIE10, 32, 35, 45, 46, 51, 59, 62, 67, 68, 79, 85, 88, 108, 117, IVA1, 2, 3). Of the music manuscripts the most remarkable are the two Petrarch Sonnets (Nr. 47 en 123, IA5, 6). This is a revision of the vocal version of these works; the piano solo version is included in Volume 2 of the Années de pèlerinage. Lodewijk Muns, December 2008 Revisions: April and October 2009, February 2010, October 2011 3 Th. Marix-Spire: Robert Bory 1er avril 1891 - 9 octobre 1960, in Revue de Musicologie, Vol. 46, No. 122 (Dec., 1960), p. 269-270.

4 A. Hyatt King, articlel Bory, Robert, in New Grove (edition 1980; article cancelled in the 2001 edition).

5 Recently re-published in the original language: Lettres de Franz Liszt à la princesse Marie de Hohenlohe-Schillingsfüst née de Sayn-

Wittgenstein. Ed. by P. Pocknell, M. Haine, N. Dufetel (Paris: J. Vrin, 2010)


Robert Bory’s publications about Liszt

Diverses lettres inédites de Liszt, in: Schweizerisches Jahrbuch für Musikwissenschaft III (1928), p. 5–25

NMI 8 F 24

Correspondance inédite de Liszt et de la Princesse Marie Sayn-Wittgenstein, in: Revue de Musicologie IX (1928), p. 47–59

NMI Ts (140 D-E)

Une retraite romantique en Suisse: Liszt et la Contesse d’Agoult (Paris, V. Attinger 2/1930) (or. ed. Genève, 1923; transl. as: Franz Liszt und Marie d’Agoult in der Schweiz: ein Liebensroman aus der Romantik (Dresden, 1934)

NMI 69 C 37

La vie de Franz Liszt par l’image: pre ́cédée d'une introduction biographique par Alfred Cortot (Paris: E ́ditions des horizons de France, [1935]; also: Genève, 1936)

NMI 131 F 2

Liszt et ses enfants Blandine, Cosima & Daniel: d'apre ̀s une correspondance inédite avec la princesse Marie Sayn-Wittgenstein (Paris: Corréa, [1936])

NMI 15 H 29

Abbreviations

The Liszt Collection has archive number 64. This precedes the inventory number (e.g. 64/IIIC24). HGM Haags Gemeentemuseum

LW R. Charnin Mueller and M. Eckhardt: Thematisches Verzeichnis der Werke Franz Liszts (München, in preparation; Grove Music Online August 2008)

NMI Nederlands Muziek Instituut

S Numbering according to H. Searle, article Liszt, Franz in New Grove (1980)


Classification

I MANUSCRIPTS 7 IA MUSIC MANUSCRIPTS: Works by Liszt (incl. arrangements)

IB OTHER MUSIC MANUSCRIPTS

IC CORRESPONDENCE: Letters written by Liszt

ID CORRESPONDENCE: Letter written by Carolyne von Sayn-Wittgenstein

IE CORRESPONDENCE: Visiting cards written in the handwriting of Liszt

IF VARIOUS MANUSCRIPTS, WRITING PAPER

IG CORRESPONDENCE: Letters by Liszt in other archives

II PRINTED PUBLICATIONS 12 IIA BOOKS/JOURNALS/BROCHURES

IIB PRINTED MUSIC

IIC CONCERT PROGRAMMES

III ICONOGRAPHY 13 IIIA PAINTINGS

IIIB 1-59 PRINTS: Images of Liszt

IIIB 60-68 PRINTS: Liszt in caricatures and fantasies

IIIC DRAWINGS AND PRINTS: Images of other persons

IIID MEDALS AND PLAQUES

IIIE 1-113 PHOTOGRAPHS: Franz Liszt

IIIE 114-116 PHOTOGRAPHS: Persons around Liszt

IIIE 117-119 PHOTOGRAPHS: Buildings etc. related to Liszt

IIIF PHOTOGRAPHS: Liszt images from other archives

IIIG PHOTOGRAPHS FROM A LATER PERIOD

IV MISCELLANEA 21 IVA OBJECTS, FORMERLY IN THE POSSESSION OF LISZT

IVB OTHER OBJECTS

V DOCUMENTATION 21


I MANUSCRIPTS

IA MUSIC MANUSCRIPTS: Works by Liszt (incl. arrangements) NMI 1. Ave Maria

Score (1 p.); 24 x 34,5 cm. Autograph F. Liszt (signed). For piano or harmonium. [1869?]. No part of the Bory collection; provenance unknown. After LW J24 (S38) or LW K4 (S681), shorter and simpler than LW E24 (S504/1).

2. Preludio Sketch (1 p.); 9 x 16,5 cm. Autograph F. Liszt (signed). For piano. [1843?]. Album leaf. Similar to album leaf IIIB27, reproduced in Bory (1936) p. 120.

3. Zwei Episoden / aus / Lenau's Faust / 1 . Der Nächtliche Zug / 2. Der Tanz in der Dorfschenke (Mephisto-Walzer) / von / F. Liszt / 1. Der nächtliche Zug, für das Pianoforte übertragen / von Robert Freund. Score (20 p.); 34 x 26 cm. Autograph Robert Freund, with corrections in the handwriting of Liszt (partly glued over, partly on supplement). [s.a.]. After LW N58, S319. Formerly in Musikhistorisches Museum Heyer, s. Kinsky, Katalog (1916) nr. 1589.

4. Ich scheide Score (7 p.); 27 x 17 cm. For middle voice and piano. Key: F major. Poem: August Heinrich Hoffmann von Fallersleben. Copy; contains corrections in the handwriting of Liszt (two passages pasted over). [s.a.] LW N58, S319

5. Sonetto 47 Score (4 p.); 24 x 33 cm. Autograph F. Liszt. For baritone and piano. Key: D flat major. Poem: Francesco Petrarca. [1864?]. LW N14, S270/2 (Tre sonetti del Petrarca nr. 2, Benedetto sia'l giorno (2nd version)). Formerly in Musikhistorisches Museum Heyer, s. Kinsky, Katalog (1916) nr. 1583. Repairs with rice paper. Published online on the NMI website (2011).

6. Sonetto 123 Score (4 p.); 24 x 33 cm. Autograph F. Liszt. For middle voice and piano. Key: F major. Poem: Francesco Petrarca. Madonna del Rosario [Rome], June 1864. LW N14, S270/3 (Tre sonetti del Petrarca nr. 3, I' vidi in terra angelici costumi (2nd version)). Formerly in Musikhistorisches Museum Heyer, s. Kinsky, Katalog (1916) nr. 1584. Repairs with adhesive tape. Published online on the NMI website (2011).

7. [Wo weilt er] Score (2 p.); 26,5 x 33,5 cm. Autograph F. Liszt. For high voice and piano. Key: A flat major. [s.a.]. LW N28, S295. Repairs with rice paper.

8. Sonntagslied Score (3 p.); 29 x 23,5 cm. Numbered p. 23-25. Autograph F. Liszt. For piano. [s.a.] LW A72, S547/2. After Mendelssohn’s Sechs Gesänge op. 34 nr. 5. Ink corrosion.

9. Winterlied Score (6 p.); 29 x 23,5 cm. Numbered p. 17-22. Autograph F. Liszt. For piano. LW A72, S547/6. After Mendelssohn’s Sechs Gesänge op. 19a nr. 3. Ink corrosion.

IB OTHER MUSIC MANUSCRIPTS NMI 1. Alexander Wilhelm Gottschalg: Für die Orgel

Score (44 p.); 26 x 33 cm. Autograph A.W. Gottschalg with corrections in the handwriting of Liszt, incl. several measures pasted over in Nr. 9b. 1879 (Nr. 8 dated 9/9 79). Contains: 1. Passacaglia (Frescobaldi); 2. Andante (Mozart) B flat major; 3. Nocturne op. 15 Nr. 3 (Chopin) G minor; 4. Adagio (Mozart KV 280) F minor; 5. Fuga (Töpfer) F major; 6. Fuga (Töpfer) D


major; 7. Consolation Nr. 5 (Liszt) E major LW E22; 8. Andantino (Liszt) E major; 9a. Consolation Nr. 3 (Liszt) A major (draft); 9b. Consolation Nr. 6 (Liszt) E major LW E22; 10 Allegretto aus den Impromptus, op. 142, nr. 2 (Schubert) A flat major D.935; 11. Consolation Nr. 3 (Liszt) A major LW E22 (fair copy).

2. Joachim Raff: Etude de Concert / Sur un motif des "Puritains" de Bellini Score (9 p.); 32 x 21 cm. For piano. [s.a.]. Bound before IB3. According to note on inside cover "Korrekturen, Fingersätze, Pedalzeichen von Liszts Hand". Formerly in the possession of Aloys Obrist, director of the Liszt Museum Weimar.

3. Joachim Raff: Fantaisie / pour piano Score (20 p.); 32 x 21 cm. [s.a.]. Bound after IB2.

IC CORRESPONDENCE: Letters written by Liszt NMI 1. To: Pierre Erard (Londen). Calais, 12-8-1824. 1 sh., 1 p. Language: French.

Reproduced in Bory (1936) p. 53. Supplement: typed transcription (by R. Bory?). Published online on the NMI website (2011).

2. To: Marquis de Langaillerie (Lausanne). Genève [?], 23-6-1836. 1 sh., 4 p. Language: French. Rest of sealing wax; paper restored. Place of writing:according to album. Contents: about intended visit to Lausanne and concert.

3. To: Ignaz Moscheles. Milano, 3-9-1837. 2 sh., 6 p. Language: French. Sheets pasted together with paper tape. Contents: request for recommendation to London publishers, dedication of works to Moscheles.

4. To: Ignaz Moscheles. Milano, 28-12-1837. 1 sh., 1 p. Language: French. Rest of sealing wax; stamp: Liszt-Sammlung W.H. Avelingh. Contents: about business with publishers Addison & Beale. Fragment (conclusion).

5. To: Comte de [?]. s.l., [after 1841]. 1 sh., 4 p. Language: French. Contents: concert programme. Dated on the basis of works mentioned.

6. To: Franz von Dingelstedt. Nantes, 17-12-1845. 1 sh., 4 p. Language: French. Contents: recommendation [Friedrich Wilhelm?] Kücken; stay in Paris.

7. To: Franz von Dingelstedt. Prague, 15-4-1846. 2 sh., 8 p. Language: French. Ink corrosion. Contents: about engagement Dingelstedt in Weimar.

8. To: Franz von Dingelstedt. Eilsen, 15-1-1851. 2 sh., 8 p. Language: French. Ink corrosion. Contents: congratulations for engagement in Munich, about brochure “De la fondation Goethe à Weimar”, Weimar theatre.

9. To: Franz von Dingelstedt. Weimar, 22-7-1853. 1 sh., 4 p. Language: French. Ink corrosion. Contents: about Goethe commemoration; recommendation Raff.

10. To: Jules Janin. [Weimar, 1854?]. 1 sh., 4 p. Language: French. Ink corrosion. Contents: New Year’s greetings; about marriage Princess Wittgenstein; Weimar theatre. Probably incomplete. Supplement Sotheby 1960.

11. To: Theodor Uhlig. Weimar, 11-10-1850. 2 sh., 5 p. Language: German. Parts pasted together with adhesive tape. Contents: thanks for review; performances Lohengrin and the tenor Tichatschek.

12. To: [Carl?] Reinecke. Eilsen, 19-8-1851. 1 sh., 2 p. Language: French. Contents: about visit Cologne; songs (?) by “Madame M.” and Reinecke.

13. To: Salvatore C. Marchesi. Weimar, 3-2-1852. 1 sh., 4 p. Language: French. Contents: about Liszt’s Fantasie und Fuge über den Choral ‘Ad nos, ad salutarem undam’ (after Meyerbeer), Berlioz’ Traité d’instrumentation, performance Benvenuto Cellini (Berlioz).

14. To: Blandine Liszt and Cosima Liszt. Weimar, 14-9-1855. 3 sh., 11 p. Language: French. Transcription in R. Bory, Liszt et ses enfants (Paris s.a.), p. 102-110. Dated according to Bory. Published online on the NMI website (2011).

15. To: Dionys Pruckner. Weimar, 17-3-1856. 2 sh., 6 p. Language: German. Sheets pasted together with adhesive tape. Contents: about Vienna and Czerny.


16. To: Dionys Pruckner. Weimar, 25-10-1858. 1 sh., 3 p. Language: German. Contents: about concerts Gewandhaus, F. David, P. Cornelius, C. Tausig.

17. To: Dionys Pruckner. Weimar, 19-2-1859. 1 sh., 3 p. Language: German. Contents: about contatcs.

18. To: Dionys Pruckner. Rome (Madonna del Rosario), 25-1-1864. 1 sh., 3 p. Language: German. Contents: request dispatch photographs for collector.

19. To: Geza Zichy. [s.l.], 26-7-1856. Language: German. Telegram. Date in annotation enclosed (source unknown).

20. To: [Hochgeehrter Herr und Freund]. Weimar, 9-3-1857. 2 sh., 7 p. Language: German. Contents: laudatory review of recipient’s overture “El mago prodigioso” (the details seem not to match J. Rheinberger, composer of incidental music “Der wundertätige Magus”).

21. To: Marie Gärtner. Weimar, 16-6-1857. 1 sh., 4 p. Language: German. Contents: about Beregszászy-piano.

22. To: Marie Gärtner. Weimar, 14-8-1858. 1 sh., 3 p. Language: German. Recipient according to album. Contents: about piano for recipient.

23. To: Marie Gärtner. Vatican, 24-6-1865. 1 sh., 3 p. Language: German. Covered with transparant rice paper.

24. To: Valentin Hamm. Weimar, 1-2-1858. 1 sh., 4 p. Language: German. Rests of adhesive tape. Contents: critique of recipient’s Lohengrin-Fantasy.

25. To: [Sehr geehrter Herr]. Weimar, 3-6-1860. 1 sh., 3 p. Language: German. Contents: about Beethoven-studies by W. von Lenz and A. Oulibicheff.

26. To: Francesco Nardi. [Rome], 1863. 1 sh., 1 p. Language: French. Repair with adhesive tape. Contents: excuse for absence.

27. To: [Madame]. Rome (Madonna del Rosario), 29-8-1863. 1 sh., 4 p. Language: French. Contents: about M. Reisewitz (husband of recipient?), Mme Garcin, Georg Herwegh, Années de pèlerinage, Cosima von Bülow-Liszt. Supplement: cut from auction catalogue (?) with summary.

28. To: [meine liebenswürdige Gönnerin]. Rome (Madonna del Rosario), 30-10-1864. 1 sh., 3 p. Language: German. Contents: about being godfather, “die Hauskinder” (= Marie Gärtner and husband?)

29. To: Marie Espérance von Schwartz. Rome, 3-6-[1866]. 1 sh., 4 p. Language: French. Year and recipient according to album (writer under pseudonym Elpis Melena). Published online on the NMI website (2009).

30. To: Marie Espérance von Schwartz. Rome, 21-6-1867. 1 sh., 4 p. Language: French. Recipient according to album. Published online on the NMI website (2009)

31. To: Marie Espérance von Schwartz. Weimar [?], 20-8-1867. 1 sh., 4 p. Language: French. Recipient according to album. Published online on the NMI website (2009)

32. To: Marie Espérance von Schwartz. Sexard [= Szegszard], 26-8-1870. Language: French. 1 sh., 3 p. Recipient according to album. Published online on the NMI website (2009)

33. To: [Madame]. [s.l.], 23-1-1867. 2 sh., 6 p. Language: French. Contents: about Daniel Stern, Liszt’s arrangement of Gounod’s Hymne à Ste Cécile (for two hands and for four hands), about Saint-Saëns, celebration 800 anniversary Wartburg. Recipient according to V1: "peut-être la comtesse Louise de Mercy-Argenteau" (p. 22).

th

34. To: Sigmund Lebert en Ludwig Stark. ?-7-1868. 1 sh., 2 p. Language: French. Covered with rice paper. Contents: recommendation (foreword) for French edition of the Pianoschule by Lebert and Stark. Acquisition Sotheby 1960.

35. To: Sigmund Lebert. Rome, 10-9-1868. 1 sh., 4 p. Language: German. Repaired with rice paper. Contents: about Pianoschule (Méthode) by Lebert and Stark, and Technische Übungen by Liszt. Acquisition Sotheby 1960.

36. To: Sigmund Lebert. [s.l.], 27-3-1878. 1 sh., 2 p. Language: German. Moisture damage; adhesive tape. Contents: incl. Cotta edition of Schubert’s works for four hands (LW U17). Acquisition Sotheby 1960.

37. To: Sigmund Lebert. [s.l.], 25-9-1879. 1 sh., 4 p. Language: German. Contents: about arr. of Beethoven’s piano concerts Nr. 4 en 5 for two piano’s. Acquisition Sotheby 1960.


38. To: Jules de Swert. Pest, 17-2-1871. 1 sh., 3 p. Language: French. Contents: about concert arrangements by De Swert.

39. To: Martin Bahn. Weimar, 6-7-1871. 1 sh., 2 p. Language: German. Contents: about arr. Am stillen Herd from Wagner’s Meistersinger. Recipient acc. to album (manager Trautwein publ. firm).

40. To: [Sehr geehrter Herr und Freund]. Pest, 23-4-1874. 1 sh., 3 p. Language: German. Rice paper adhesive. Contents: about invitation to Cincinatti. Acquisition Sotheby 1960.

41. To: [Verehrter Freund]. Budapest, 7-3-1877. 1 sh., 2 p. Language: German. Contents: thanks and invitation.

42. To: Gaetano Belloni. Weimar, 14-5-1878. 1 sh., 4 p. Language: French. Contents: stay in Paris.

43. To: Carl Riedel. Rome, 3-1-1879. Language: German. 1 sh., 2 p. Contents: about performance Christus led by J. Kniese and Wiesbaden concert. Supplement: typewritten summary after auction catalogue Karl & Faber, Munich, auction Dec. 6-7, 1956.

44. To: Hartmann, [?]. Weimar, 2-7-1879. 1 sh., 1 p. Language: French. Pasted onto paper background. Contents: request for address A. Gouzien. Acquisition Sotheby 1960.

45. To: Otto Lessmann. [Weimar], 4-11-1882. 1 sh., 4 p. Language: German. Contents: about Tannhäuser-Lieder (arr. after O. Lessmann), autobiography.

46. To: [Sehr geehrter Herr]. Boedapest, 17-2-1883. 1 sh., 3 p. Language: German. Contents: about Von der Wiege bis zum Grabe. Recipient acc. to V1 publishers Bote und Bock.

47. To: [Geehrter Freund]. Luxemburg, 9-7-1886. 1 sh., 2 p. Language: German. Contents: about forwarding Illustrierte Zeitung. Handwriting August Göllerich (acc. to V1), salutation and signature autographic.

ID CORRESPONDENCE: Letter written by Carolyne von Sayn-Wittgenstein NMI To: Richard Pohl. Zürich, 29-10-18?. 3 sh., 12 p. Language: French.

IE CORRESPONDENCE: Visiting cards written in the handwriting of Liszt NMI 1. 75 x 105 cm (note regarding bottles of wine) 2. 75 x 105 cm (invitation “Hofgärtnerei”) 3. 60 x 90 cm (invitation “Schottenhof”) 4. 60 x 90 cm dat. 8-10-1860 (“Bittet um Dräsekes ’König Helge’ […]“) 5. 60 x 90 cm (arrangement train journey to Erfurt) V2 records sixth visiting card (without inscription).

IF VARIOUS MANUSCRIPTS, WRITING PAPER NMI 1. Signature of Franz Liszt, pasted into paper frame 2. Concert programme in the handwriting of Liszt (ca. 1842) 3. Notes in the handwriting of Liszt, intended for Anton Diabelli, written on title page of Erlkönig (LW A42,

S558) (loose leaf, containing title page and last page of the score, ed. Diabelli, pl. nr. 6534). In other handwriting: “[…?] Liszt in der Musikalienhandlung C.A. André in Frankfurt a.M. dem 7. Aug. 1840“. Supplement: partial transcription and annotation (typescript).

4. Menu Du Banquet Pictural offert le 18 Fevrier 1859 par H. Winckelmann et Fainéant-Missiou [= Franz Liszt] à Shahatte [= Marie Wittgenstein]. Folded leaf with ornaments printed in colour in relief. Partially


in handwriting of Liszt 5. Water colour (anonymous) representing girl at spinning wheel. On paper. 20 x 12.5 cm. Enclosed in

sheet on which in the handwriting of Liszt: “Gretchen am Spinnrade” and 2 bars of music (Schubert). Acc. to V1 presented by Liszt to Princess Marie Wittgenstein on her 12th birthday (18-2-1849). Repairs with adhesive tape.

6. Recommendation for the “Weimar’sche Hornquartett”, handwriting of Liszt, Weimar 26-7-1856. Pasted into a cover with calligraphic curriculum vitae of Liszt. Acquisition Sotheby 1960

7. Writing paper. 1 sh., folded; top left image of Liszt at the piano. Berlin, 1842. In colour. Dated acc. to V1.

8. Liszt’s Genius, zum 22ten October 1854. 3 p. Anonymous poem in German. Enclosed loose leaf, on which on bristol paper a bouquet of dried and drawn flowers, above which a bird made of feathers. "Les fleurs [...] proviennent du jardin Albach, qui se trouve dans la ville d’Eisenstadt, patrie de Franz Liszt." (V1, p. 11)

9. Marie Wittgenstein: Résumé du poème des Nibelungen. Autograph. 2 April 1849. 13 p. In cover with with blue velvet.

10. Franz Liszt zum siebenzigsten Geburtsfeste. Der Wiener Akademische Wagner-Verein. Certificate with 132 signatures, in cover with red velvet and ornamental metalwork. Reproduced in Bory (1936) p. 222.

11. Note in the handwriting of Liszt concerning “Ernani” transcription (LW 203) [ca. 1875] 12. Note in the handwriting of Liszt concerning instrumentation, dated in unidentified handwriting 3-10-

1884. On the reverse notes in a third handwriting.

IG CORRESPONDENCE: letters by Liszt in other archives NMI The letters in this section are in the archives of Willem Andriessen (234) and Marguerite Falk (187, formerly possession of her grandmother, pianist and Liszt-pupil Anna Falk-Mehlig), and in the ‘Brievencollectie’ (Letter Collection, created by D.F. Scheurleer). One letter is on loan as a separate item. Brievencoll. 1303

To: Franz von Dingelstedt. Weimar, 9-10-1860. 1 sh., 1 p. Language: German. Contents: about rehearsals Rienzi.

187/I-24 To: Felix Mottl. [s.l., s.a.] visiting card. Language: German. 187/I-25 To: [Anna Falk-Mehlig]. Villa d’Este [Tivoli], 17-11-1880. 1 sh., 2 p. Language: German.

Contents: about visit to Antwerp. 187/I-26 To: Anna Falk-Mehlig. Baden-Baden, 6-5-1881. 1 sh., 1 p., envelop. Language: French.

Contents: about visit to Antwerp. 187/I-27 To: Anna Falk-Mehlig. Budapest, 17-2-1886. 1 sh., 2 p., envelop. Language: French.

Contents: about visit to Liège. 187/I-28 To: [Anna Falk-Mehlig]. Nürnberg, 25-10-1884. 1 sh., 2 p. Language: German.

Contents: about visit to Antwerp. 187/I-29 To: [Anna Falk-Mehlig]. [s.l.], 31-12-1885. 1 sh., 2 p. Language: German.

Contents: L. passes on a compliment about Anna Falks succesful performance. Archive 187 contains photocopies of six letters of Liszt to J.M. Lefèbvre from the years 1841-1848 (187/VI-1-6), with one original envelope, as well as one autographic music fragment (sketch, no sign.), a copy of the edition of Liszt’s transcription of the Tarantelle of César Cui (LW A327) with autogr. dedication to Anna Falk-Mehlig (1886), and a menu of a “Banquet offert à Liszt” by the Sociéte Libre d’Emulation (Liège, 18-3-1886). 234/217 To: [Sehr geehrter Herr]. Villa d’Este [Tivoli], 23-12-1878. 1 sh., 2 p. Language: German.

Contents: about revision piano score Harold en Italie (Berlioz) and fee. -- To: C.A. Hekman. Rome (Madonna del Rosario), 9-11-1863. 2 sh., 4 p. Language: French.

Loan from Yoram Ish-Hurwitz (2010). Published by Peter Scholcz in Franz Liszt Kring 2009-2010, p. 3-6.


II PRINTED PUBLICATIONS

IIA BOOKS/JOURNALS/BROCHURES NMI 1. A. de Bertha: Madame Liszt. Fragment from: L’Amaranthe: Revue littéraire [ca. 1891?], p. 333-336

2. Ad. Brennglas: Franz Liszt in Berlin / Eine Komödie in drei Akten. Zweite Auflage. (Leipzig, Ignaz Jackowitz, 1847). Berlin wie es ist und – trinkt, XIV.Heft

3. Das Liszt-ge Berlin. (Berlin, Albert Eyssenhardt, 1842). 3 Vols. Berliner Witze, H. 9.-11 4. Robert Schumann: Musikalische Haus- and Lebens-Regeln. Mit gegenüberstehender französischer

Übersetzung / von Franz Liszt. (Leipzig [etc.], J. Schuberth & Co., s.a.) French title: Conseils aux jeunes musiciens, traduits par François Liszt.

5. Weimars Festgruss an Franz Liszt am Morgen des 22. October 1860 bei Überreichung eines von Jungfrauen gestickten Lorbeer-kranzes durch Fräulein Louisabeth Röckel. (Leipzig, L. Schnaus, 1860. 7 p.)

IIB PRINTED MUSIC NMI Alexander Wilhelm Gottschalg: W. Gottschalg’s Repertorium / für / Orgel, Harmonium oder Pedalflügel / Bearbeitet unter Revision und mit Beiträgen / von / Franz Liszt / II. Serie. (Leipzig [etc.]: J. Schuberth & Co, [1873]). With separate violin and cello parts. Galley with corrections and annotations in the handwriting of Liszt (includes Praeludium und Fuga op. 11 by Samuel de Lange Jr.: “Ein ausgezeichnetes Stück; - wird leicht die ihm gebührende Anerkennung und Verbereitung finden”).

IIC CONCERT PROGRAMMES NMI 1. Soirée musicale donnée par M. Liszt. [Genève], Salle du Casino, 6-4-[1836]. Reproduced in Bory

(1936), p. 69 2. Concert im Saale des Gewandhaus gegeben von Franz Liszt. Leipzig, Gewandhaus, 17-3-1840

3. Drittes und letztes Concert des Herrn Franz Liszt. Frankfurt, Schauspielhaus, 10-8-1840

4. Concert von Dr. Franz Liszt. Zürich, im Grossen Casino-Saale, 9-7-1845. Covered with rice paper. Contents quoted in Bory, Diverses lettres inédites (1928), p. 24-25

5. Zweites Concert von Dr. Franz Liszt. Zürich, Theater, 14-7-1845. Covered with rice paper. Contents quoted in Bory, Diverses lettres inédites (1928), p. 24-25

6. Commémoration musicale de Madame Marie Moukhanoff (née Comtesse Neselrode). Weimar, 17-6-[1875]. Contains notes in the handwriting of Liszt; adressed to Richard Pohl, Baden-Baden.

7. La Légende de Sainte Élisabeth […] La première audition à Paris […] au profit de l’Orphelinat des Arts et pour les Adieux de Franz Liszt qui assistera à l’audition. […] L’exécution sera dirigée par M.A. Vianesi. Paris, Trocadéro, 8-5-1886


III ICONOGRAPHY Descriptions in this section have been literally transcribed from V2.

IIIA PAINTINGS HGM 1. Sally von Kügelchen L' abbé Liszt; ca.1886. Oils on canvas; in guilded frame. 135 x 90 cm 2. Joseph Layraud Franz Liszt; 1870. Oils on panel; in guilded frame. 61.5 x 37 cm

IIIB 1-59 PRINTS: Images of Liszt HGM

N.B. V2 lacks the number 40. 1. François Le Villain Liszt, membre correspondant de la Société académique des enfants

d'Apollon; 1824. Litho after a drawing by A.X. Leprince. 20 x 14.5 cm 2. Charles Motte Pianiste; ca.1825. Litho. 20.5 x 18.5 cm 3. Numa Boucoiran Célèbre pianiste; ca.1829. Litho after a painting by Jean Vignaud. Lyon, H.

Brunet et Cie. 17.5 x 14 cm 4. [C. Tavernier] ca.1832. Litho. Printed by Aubert & Cie. 14 x 13 cm. Galerie du Journal le

Voleur, no.77 5. Achille Devéria 1832. Litho. Paris, C. Motte, 1832. 36.5 x 30 cm 6. Henry Scheffer Genève, 1835. Painting in oils; reproduction. 15 x 12 cm 7. Nancy Mérienne Genève, 1836. Drawing in chalk; reproduction. 14.5 x 11.5 cm, in

octogonal frame. 8. Henry Scheffer Genève, 1836. Drawing in chalk; reproduction. 8.5 x 6.5 cm 9. Henry Scheffer Genève, 1836. Drawing in chalk; reproduction. 6 x 5 cm 10. Henry Scheffer Genève, 1836. Drawing in chalk; reproduction. 15.5 x 11.5 cm 11. Henry Scheffer Billiet et Liszt, Sonate à 4 mains; Genève, 1836. Drawing in chalk;

reproduction. 6.5 x 7 cm 12. Josef Kriehuber 1838. Litho. Printed by Höfelich. Wien, Tobias Haslinger. 5.5 x 6 cm 13. Josef Kriehuber 1838. Litho. Printed by Joh. Höfelich. Wien, Tobias Haslinger. 27.5 x 22.5

cm. Below: "An Liszt’s Bild", poem by E.G. Saphir 14. Josef Kriehuber 1838. Litho. Printed by Joh. Höfelich. Wien, Tobias Haslinger. 31 x 24.5

cm 15. [?] ca 1838. Engraving. Hamburg und New York, Schuberth & Comp. 14 x 11

cm 16. (a-d) Friedrich Schauer 1838. Engraving after the plaque by A. Bovy. Leipzig, Breitkopf & Härtel.

18.5 x 17.5 cm. 4 copies 17. [?] 1838. Litho after the plaque by A. Bovy. Berlin, L.Sachse & Co. 17.5 x

14.5 cm 18. Schier ca.1838. In Hungarian costume. Litho. Printed by Machek. 11 x 10.5 cm

Album für Litteratur, Kunst und Wissenschaft 19. Josef Kriehuber 1839. In Hungarian costume. Litho. Printed by Joh.Höfelich. Bécsben [= at

Vienna], Haslinger Tóbiás. 31.5 x 24.5 cm 20. Josef Kriehuber 1840. In Hungarian national costume. Litho in colour. 35 x 24 cm. Below:

"Here 's a sigh", poem by Lord Byron. 21. (a-b) [?] ca. 1840. Engraving. 10 x 8.5 cm. Zeitgenossen. Neue Folge.

No.LXXXXVIII. Verlag d. Bish. Inst. 2 copies.


22. Gabriel Decker 1841. Litho after a painting by Ary Scheffer. Printed by Joh. Höfelich. Wien, L.T. Neumann. 12.5 x 9 cm

23. F. Elias 1841. Litho after a painting by Ary Scheffer. 12.5 x 9.5 cm 24. Joseph

Dannhauser Liszt am Piano. Heliogravure by R. Paulussen after the painting "Erinnerung an Liszt", Wien, 1840. Wien, Verlag der Gesellschaft f. Vervielf. Kunst. 55 x 75 cm

25. Léon Noël 1841. Litho after the painting by Ary Scheffer. Printed by Lemercier, Renard et Co. Paris, B. Latte. 29.5 x 24 cm. With dedication (autograph): "Mr Talheau / souvenir d'amitié / 23 juillet / 1842 / F. Liszt"

26. C. Hertel 1841. Litho after the painting by Ary Scheffer. 23.5 x 16.5 cm. N.B. profile to the right, painting profile to the left.

27. Carl Mittag ca.1841. Litho. Printed by Kön. lith. Inst., Berlin. Berlin, Schlesinger. 24.5 x 20 cm Below: 2 bars of music (= F. Liszt. Preludio; Album leaf. Heidelberg, 28 Nov. 1843) [cf. IA2]

28. Carl Mittag 3.3.1842. Litho after a drawing by Fr. Krüger. Berlin, Schlesinger. 21.5 x 18 cm. Below: 4 bars of piano music.

29. [?] 1842. At the piano during his first concert in Berlin. Litho. Berlin, E. Meyer. 18.5 x 14.5 cm

30. Carl Mayer 1843. Steel engraving after a drawing by C.Heideloff. Stuttgart, A. Stoppani. 13.5 x 12 cm. Subscript: "Non multa, sed multum".

31. Carl Gonzenbach 1843. Engraving after a drawing by W. von Kaulbach. 20.5 x 14 cm 32. G. Chariol 1845. Litho after a drawing by W. Bahr. 34.5 x 27 cm 33. Josef Kriehuber 1846. Litho. Printed by J.Höfelich. Wien, Pietro Mechetti. 36 x 28 cm 34. Josef Kriehuber 1846. Eine Matinée bei Liszt. Litho in colour. 45.5 x 59 cm 35. Josef Kriehuber 1846. Leaning on a pile of music. Litho. Printed by Joh.Höfelich. 32 x 26

cm 36. Miklós Barabas 1847. In Hungarian costume, standing before the piano. Litho. Printed by

Walzel, Pest. 32 x 25.5 cm 37. Carl Fz Hoffmann ca. 1850. As dirigent, with music stand. Litho. Printed by J.G.Bach,

Leipzig. 20.5 x 16.5 cm, oval 38. Josef Kriehuber 1856. Litho. Printed by Jos. Stoufs. Wien, L.T. Neumann. 23.5 x 19 cm,

with octogonal frame. 39. Robert Reyher ca.1857. Engraving. Berlin, E.H. Schroeder. 30.5 x 24 cm 40. (41) Adolf Neumann 1857. Zur Erinnerung an sein fünfzigjähriges Künstler-Jubiläum. Engraving

after a photograph by R. Weiwelt, Breslau. Printed by F.A. Brockhaus. Leipzig, F.E.C.Leuckart (Constantin Sander). 24.5 x 19.5 cm

41. (42) (a-b)

Rudolf Hoffmann 1861. Litho after a photograph by Schenk, Jena. Printed by J. Haller. Leipzig, J.L. Schrag. 25 x 21. 2 copies, 2nd: 30 x 27 cm, oval

42. (43) Alfred Krausse ca. 1866. Engraving. 14 x 11 cm 43. (44) Alfred Krausse ca. 1866. Engraving after a photograph. Printed by Th. Zehl, Leipzig. 37 x

30 cm 44. (45) Hermann Roemer ca. 1866. Engraving. 19.5 x 14.5 cm 45. (46) Paul Rohrbach

1869. Litho after a photograph. Printed by W. Korn & Co, Berlin. Berlin, E.H. Schroeder. 31 x 24.5 cm

46. (47) J.J.M.L. ca.1870. Litho. ‘s Hage, S. Lankhout & Co. 13.5 x 9.5 cm 47. (48) Suhajel [Suhajdy?] 1873. Litho. Printed by Légrády, Budapest. Budapest, Özv. Kádas-Vertán.

54 x 47.5 cm 48. (49) Ebischer ca.1880. Litho. Printed by Ernö Kellner. Budapest, Frigyes Rautmann.

11.5 x 9 cm, oval. Below: 4 bars from F. Liszt, "Petöfi szellemének" (Dem Andenken Petöfis; Grove no. 195)

49. (50) August Weger ca.1880. Engraving. Printed by A. Weger, Leipzig. 9.5 x 8 cm 50. (51) Franz von Lenbach ca.1881. Painting in oils; heliographic reproduction. Berlin,

Photographische Gesellschaft. 26 x 19.5 cm


51. (52) (a-b)

[?] 1881. Painting in oils; heliographic reproduction by J.B.Obernetter. 26.5 x 22 cm. 2 copies; 2e copies 7.5 x 6 cm

52. (53) Willem Linnig Jr. 1882. Etching. 19 x 13.5 cm 53. (54) Batt In carriage; ca.1885. Wood engraving. 16 x 23 cm 54. (55) E. Albert 1/9 1884. Heliogravure after a painting by F.von Lenbach. 29.5 x 25.5 cm 55. (56) Hans Prüm ca.1885. Etching. Dresden, Max Sinz. 45 x 31.5 cm 56. (57) Wilhelm Woernle ca.1885. Etching. 47 x 33.5 cm 57. (58) MaxGrauert ca.1885. Wood engraving. 26.5 x 26.5 cm 58. (59) J. Richter ca.1842. Steel engraving. 12.5 x 10 cm 59. (60) Merckel ca.1843. Engraving. 6.5 x 5.5 cm

IIIB 60-68 PRINTS: Liszt in caricatures and fantasies HGM 60. (61) A.J. Lorentz Liszt on horseback, with honorary sabre. Litho in colour. 29 x 22.5 cm.

Below the poem: "Entre tous les guerriers". Miroir drolatique No. 2, 18 Juli 1842

61. (62) Puthalin [?] Liszt and Phlegma; 1842. Litho after a drawing by A.S. Grünspahn. Berlin, A. Schepeler. 20 x 14 cm

62. (63) O. Schäfer Fantasie nach Liszt; 1842. Litho after a drawing by A.S. Grünspahn. Berlin, A. Schepeler. 27.5 x 36.5 cm. 11 Imgs., with couplets from a poem on the melody "Es ritten drei Ritter"

63. (64) W.F. Wehmeyer Franz Liszt playing the piano; Etching after V.H. Alexander. S.l., Gebr. Kraay. 7.5 x 13 cm

64. (65) [?] Liszt am Piano; skizzirt aus der Erinnerung; 1842, 28/1. Litho. 30.5 x 39 cm 65. (66) [?] Huldebetoon aan Liszt ter gelegenheid by zijn concerten in Berlijn; 1842.

Double engraving. Berlin, Gebr. Rocca. 17 x 13.5 cm elk. Below left: poem "0! selig. Ihr Frauen"; right: poem "Der Eifersucht Dolche“.

66. (67) [?] Liszt Ferencz; Erinnerung an das 50-jährige Jubilaeum des Franz Liszt; 1873. Litho. Pest, Halász István. 33.5 x 53.5 cm

67. (68) [?] Liszt in Berlin; at the piano during concert; 1842. Litho. 5.5 x 10 cm 68. (69) [?] Der General Bass wird durch List in seinen festen Linien überrumpelt u.

überwunden; 1842. Litho. 26.5 x 38.5 cm

IIIC DRAWINGS AND PRINTS: Images of other persons 1. [?] Adam Liszt, Franz Liszt’s father. Water colour on ivory; in wooden

frame painted black, guilded on the inside. 4.8 x 3.7 cm. On the back handwritten: "Aus Danckbarkeit gewidmet von C. F. P[ohl] den 12tn Janr. 1826"

NMI

2. C. Fischer Princess Carolyne Sayn-Wittgenstein and her daughter Princess Marie; 1844. Litho after a painting by Casanova. Printed by H. Delius (Mercier). 34 x 29.5 cm

HGM

3. Leopold Flameng Countess Marie d'Agoult. Engraving after a drawing by her daughter Claire-Christine Charnacé. 7.5 x 4.5 cm HGM


IIID MEDALS AND PLAQUES 1. A. Bovy Franz Liszt. Medal in bronze. 1844. Round, d. 2.5 cm. On the rear:

”Concerts au theatre italien Paris 1844’. Set in the middle of extendable metal bracelet. In box. 7.5 x 7.5 x 4 cm. According to V1 (p. 9): “Ce bracelet appartint à la mère de Franz Liszt, Mme Anna Liszt, qui le porta jusqu’à sa mort, survenue en 1866. Par la suite, Liszt donna ce bracelet à son élève Lina Schmalhausen, de qui je l’ai acheté quelque temps avant sa mort“.

NMI

2. [?] Franz Liszt. Plaque in unknown material; after medal by A. Bovy, 1836. Round, d. 6.8 cm. In round box; on the rear: “Andenken an Franz Liszt. Aufenthalt in Berlin, Januar 1842“

HGM

3. [?] Franz Liszt. Plaque in plaster, bronze coloured, after medal by A. Bovy, 1836. S.a. Round, d. 15.7 cm NMI

4. A. Bovy Franz Liszt. Plaque in plaster. 1837. Rond, d. 11.6 cm NMI 5. [?] Dem Genius … Franz Liszt. Plaque in plaster, bronze coloured.

(1842) Round, d.15.6 cm. Inscr.: “Deg. Genius … Franz Liszt in dankbarster Erinnerung … in Berlin den XVIII Februar MDCCCXLII“

NMI

6. [?] Franz Liszt; ca.1870. Plaque in plaster. s.a. Round, d. 13.7 cm NMI 7. E. Schlipf Franz Liszt at the piano; ca.1870. Plaque in plaster. s.a. 21.9 x 28.4

cm NMI

8. E. Schlipf Franz Liszt and Richard Wagner; ca.1870. Plaque in plaster. s.a. 24.7 x 20 cm NMI

9. [?] Franz Liszt; ca.1880. Plaque in plaster, bronze coloured. s.a. Round, d. 14.8 cm NMI

IIIE 1-113 PHOTOGRAPHS: Franz Liszt HGMN.B. In V2 some numbers have been applied twice. Numbers 99-101: next section.

1. Kalmár & Társa 1819. After the painting by Ferdinand baron Luttgendorf-Leinburg.

Budapest. 7 x 5 cm, oval 2. Louis Held ca.1825. After the litho by Charles Motte. Weimar. 14 x 10 cm 3. (2) (a-b)

Louis Held 1822.Francois Liszt, agé de 11 ans. After the litho by F. Le Villain after the drawing by F. Roehn. Weimar. 14 x 10 cm 2 copies

4. (3) Louis Held 1842. After the drawing by Fr.Krüger. Weimar. 15 x 10 cm 5. (3) (a-b)

Louis Held 1841. After the painting in oils by Ary Scheffer. Weimar. 15 x 10 cm. 2 copies

6. (3c) Louis Held 1841. After a litho after the Painting in oils by Ary Scheffer. Weimar 15 x 10 cm

7. (4) (a-b)

Louis Held 1843. After the portret by Carl Hartmann. Weimar. 15 x 10 cm. 2 copies

8. (5) (a-b)

Louis Held 1846. After a litho by J. Kriehuber. Weimar. 15 x 10 cm. 2 copies, of which 1 with autograph: "ehemalig F. Liszt"

9. (6) Louis Held 1842. After the litho by Carl Mittag after a drawing by Fr. Krüger. Weimar. 15 x 10 cm

10. (6a) Friedrich Hertel 1852. After the plaque by Ernst Rietschel. Weimar. 15 x 10 cm. With autograph: “Fräulein Lina Schmalhausen – in Madolinico, ergebenst F. Liszt“.

11. (7) [?] ca.1857. After a Engraving by A. Weger. 12 x 9 cm, oval. With sign. 12. (8) Friedrich Bruckmann 1857. After the painting by W. von Kaulbach. Munich etc. 14 x 8 cm.


With sign. 13. (9) [?] ca.1857. 9.5 x 6.5 cm, oval 14. (10) Friedrich Bruckmann ca.1857. Munich. 12 x 10 cm, oval 15. (11) Ghémar Frères ca.1857. Bruxelles. 9 x 6 cm 16. (12) [?] ca.1858. 9 x 5 cm 17. (13) [?] ca.1858. Rome. 5 x 4 cm, oval. With sign. 18. (14) Paul Gericke ca.1850. 10 x 6 cm 19. (15) Franz Hanfstaengl ca.1859. 12 x 9 cm, oval. With sign. 20. (16) G. Jagemann Franz Liszt als Wolfram von Eschenbach. After the fresco "Der

Sangerstreit in der Wartburg" by Moritz von Schwindt in the Wartburg near Eisenach. Eisenach. 9.5 x 15.5 cm. Rear autograph: “Wolfram F L"

21. (17) Canzi & Heller 1862. Pest. 10 x 6 cm. With sign.. 22. (18) [?] 1862. Rome. Photograph. 10 x 6 cm 23. (19) [?] 1862. Rome. 16 x 10 cm 24. (19a) [?] ca.1863. After a painting by L. Binenbaum. Munich, Photographische

Union. 13 x 10 cm 25. (20) Franz Hanfstaengl ca.1865. Munich. 13 x 9.5 cm. With sign. 26. (21) Albert, J. 1865. At the piano, with Ferd. Plotényi and the violinist Ed. Reményi.

Munich. 14x10 cm. Pasted to the back letter by Liszt to Dori Petersen’s father; Rome, XII.1881.

27. (22) [?] ca.1865. 9 x 6 cm. With sign. 28. (23) [?] ca. 1867. 14 x 9 cm 29. (24) (a-c)

Fritz Luckhardt ca.1867. Vienna. 12 x 9 cm, oval. 3 copies, of which 1 with autograph: "9ten Juny – 79 - bei Raff. F. Liszt"

30. (25) Franz Hanfstaengl ca. 1869. At the piano. Munich. 14 x 10 cm. With sign. 31. (26) Franz Hanfstaengl ca. 1869. At the piano. Munich. 14x10 cm. With autograph: "F. Liszt

ehemals" 32. (26a) [?] 1870. After the painting by Joseph Layraud. 48 x 27 cm. With

autograph: "Zur nicht-Ermüdung an Lina Schmalhausen, F. Liszt. Juni 82, Weimar"

33. (27) Gy. Klösz ca.1872. Pest. 14 x 10 cm. With sign.. 34. (28) Gy. Klösz ca.1872. Pest. 14 x 10 cm. With autograph: “F L”. 35. (29) Gy. Klösz ca.1872. Budapest. 12 x 9 cm, oval. With autograph: "F. Liszt - (zur

Galerie Schmalhausen)" 36. (30) Sophus Williams 1873. After the painting by E. Hader. Berlin, 1884. 9 x 6 cm. With sign. 37. (31) Sophus Williams 1873. After the painting by E. Hader. Berlin, 1882. 14 x 10 cm. With

autograph: "F. Liszt - (Jubilläums Portrait, 73, Budapest)" 38. (31a) Ferencz Kózmata 1873. Budapest. 9 x 5.5 cm 39. (32) [?] Franz Liszt performing in the Redoute hall in Budapest, in the presence

of the imperial family and court, 18.III.1872. After the painting by Schams en Lafitte. Vienna, V. Angerer, 1872. 9.5 x 14 cm. With autograph: "Ungarisches Königs-Concert - Budapest - 72. F. Liszt"

40. (33) (a-b)

Höffert, W. ca.1860. Dresden etc. 14.5 x 10 cm. 2 copies

41. (34) [?] 1876. After the Painting in oils by P. Düyffke. 14 x 10 cm 42. (35) Friedrich Bruckmann ca.1873. After the painting by P. Düyffcke. Munich etc. 13 x 10 cm 43. (36) [?] 1877. After plaque by A. Hensel. 13 x 10 cm. With autograph:

"Nachdenkend! F. Liszt". 44. (37) Doctor & Kózmata ca.1875. Pest. 9 x 6 cm. With sign. 45. (38) Ferencz Kózmata 1875. Budapest. 14x 10 cm. With autograph: ”ungeschickt F. Liszt“

and: “Fräulein Nina Schmalhausen“


46. (38a) Ferencz Kózmata 1875. Budapest. 49 x 40 cm. With autograph: “Fräulein Lina Schmalhausen, herzlich F. Liszt. April 85 Budapest".

47. (39) Ferencz Kózmata 1875. Budapest. 14 x 10 cm. With sign. 48. (40) Fritz Luckhardt ca.1863. Vienna. 14 x 10 cm 49. (41) H. von Langsdorff 1876. Freiburg i/B. 14 x 10 cm. With autograph: "Schlechter

Componist. F. Liszt" 50. (42) Friedrich Hertel 1877. Weimar. 14 x 10 cm. Pasted on the rear letter by Liszt to Dori

Petersen; [Rome] Villa d'Este, 16.XI.1878 51. (43) Friedrich Hertel 1878. Weimar. 14 x 10 cm. With autograph on the rear: "F. Liszt.

Fräulein Lina Schmalhausen freundlichst gesinnt. Juli '79. Weimar" 52. (44) F. Wunder 1878. Hannover. 14 x 10 cm. Pasted on the rear letter by Liszt to Dori

Petersen; Bayreuth, 30.VIII.1879 53. (45) J. Albert 1879. Munich. 14 x 10 cm. With autograph: "Zur reichhaltigen Gallerie -

Lina ergebenst F. Liszt" 54. (46) Friedrich Hertel 1879. Weimar. 14 x 10 cm. With sign. 55. (47) J. Jungmann 1880. Baden-Baden. 14 x 10 cm. With autograph: "In modo lirico. F.

Liszt". 56. (48) W. Kuntzemüller 1880. Baden-Baden. 14 x 10 cm. With sign.. 57. (49) W. Kuntzemüller 1880. Baden-Baden. 14 x 10 cm. With autograph: "F L". Pasted on the

rear letter by Liszt to Dori Petersen; S.l., s.a. 58. (50) W. Kuntzemüller 1880. Baden-Baden. 15 x 10 cm. With autograph: "Baden Baden. F.

Liszt". 59. (51) Weinwurm Franz Liszt with Lina Schmalhausen in his studio in Budapest; 1882.

After a drawing by Rieder. 10 x 15 cm 60. (52) V. Spina 1880. After a plaque by St. Greenough. Rome, 16.5 x 13.5 cm, oval.

With autograph: "Römisches Relief von Grenough - F. Liszt". 61. (53) G. Vianelli & L.

Fratelli 1880. Venezia. 14 x 9 cm. With sign.

62. (54) W. Kuntzemüller 1880. Baden-Baden. 20 x 13 cm. On the rear autograph: "Fräulein Lina Schmalhausen - unvergleichbar - F L"

63. (55) G. Vianelli & L. Fratelli

1882. After the painting in oils by P. de Jukowski. Venezia. 14 x 9 cm. With autograph in red: "Nach dem Portrait von Joukowski - F. Liszt"

64. (56) J. Ganz ca 1882. Bruxelles. 10 x 6 cm 65. (57) J. Ganz 1883. Bruxelles. 14 x 10 cm. On the rear autograph: ”Besser taugt das

Bild, als das Original - F. Liszt". 66. (58) Ferencz Kozmata 1883. Budapest. 14 x 10 cm 67. (59) J. Ganz 1882. Bruxelles. 19 x 13 cm. With sign.; on the rear autograph: "An

Fräulein Lina Schmalhausen ... Weimar F L“ 68. (60) J. Ganz 1883. Zurich. 14 x l0 cm. With autograph: "Für die Galerie von

Schmalhausen. F L" 69. (61) Theodor Hoehne 1883. Magdeburg. 15 x 10 cm. With sign. 70. (62) Louis Held 1884. Weimar. 13 x 10 cm, oval. With sign. 71. (63) H. le Lieure 1884. Roma. 14 x 9. cm. With sign. 72. (64) Nadar[?] 1886. 39 x 26 cm 73. (64a) Nadar[?] 1886. 13.5 x 8.5 cm 74. (65) Louis Held At the piano; 1884. Weimar. 14 x 10 cm 75. (66) [ J. Ganz] Franz Liszt, with from left to right François Servais, Julius Zarembsi

and Johanna Wenzel; Antwerp, 1882. 14 x 10 cm 76. (67) Louis Held 1884. Weimar. 13 x 10 cm, oval. With sign. 77. (68) Louis Held 1884. Weimar. 13 x 10 cm, oval. With sign. 78. (69) Louis Held 1884. Weimar. 15 x 10 cm, oval. With sign. 79. (70) Louis Held 1884. Weimar. 19 x 12 cm. On the rear autograph: “Zur Liszt-Galerie


meiner lieben Gönnerin Lina Schmalhausen. F L Budapest Februar 85“ 80. (71) J. Ganz 1884. Bruxelles. 12 x 9 cm, oval. With sign. 81. (72) H. le Lieure 1884. Roma. 14.5 x 9.5 cm. With autograph: “widerwärtig” (in rood) en:

“F. Liszt” 82. (73) H. le Lieure 1884. Roma. 14.5 x 9.5 cm. With autograph: “Photographie der ‘Villa

d’Este’. An L… F. Liszt“ 83. (74) Louis Held 1884. Weimar. 15 x 10 cm. With sign.. 84. (75) J. Ganz 1884. Bruxelles. 13 x 9 cm, oval. With sign.. 85. (76) K. Koller Franz Liszt en Lina Schmalhausen; 1885. Budapest. 19 x 10 cm With

autograph in red: "Wieder anders, doch gleich gesinnt" 86. (77) K. Koller 1885. Budapest. 19 x 10 cm. Autograph on both sides, faded. 87. (78) K. Koller 1885. Budapest. 19 x 10 cm. With autograph: “Zu alt!” (in red), and

sign. 88. (79) K. Koller 1885. Budapest. 15 x 11 cm. With autograph: "Zur Liszt Gallerie von

Fräulein Lina Schmalhausen. F. Liszt" 89. (80) K. Koller 1885. Budapest. 19 x 10.5 cm. With autograph: "unbefangen" (in red),

and sign. 90. (81) K. Koller 1885. Budapest. 19 x 10 cm. With autograph: "Karlsruhe Juni 85.

S.S.S.S. F. Liszt" 91. (82) Louis Held 1885. At the piano with de violinist Arma Senkrah. Weimar. 14 x 10 cm 92. (82) (a-b)

[Louis Held] 1885. At the piano. [Weimar]. 14 x 9 cm. 2 copies

93. (82c) Louis Held 1885. At the piano. [Weimar]. 14.5 x 10 cm. 94. (83) Van Bosch 1886. Paris. 14 x 10 cm 95. (84) Benque & Co 1886. Paris. 15 x l0 cm. Pasted on the rear letter by Liszt to ?; s.l., s.a. 96. (85) W. & D. Downey 1886. Abbé Liszt. London. 14 x 10 cm. 97. (86) Elliott & Fry Juli 1886.The late Dr. Franz Liszt;. London. 15 x 11 cm 98. (87) Elliott & Fry Juli 1886.The late Dr. Franz Liszt;. London. 15 x 11 cm 99. (88) Elliott & Fry Juli 1886.The late Dr. Franz Liszt;. London. 15 x 11 cm 100. (89) [?] ca.1884. 16 x 10.5 cm 101. (90) [?] ca.1885. 20 x 16 cm. With autograph: "Der lieben a... L.S. F. Liszt.

Februar 85, Budapest" 102. (91) Louis Held Franz Liszt’s right hand (plaster cast). Weimar. 15 x 10 cm 103. (92) Louis Held Franz Liszt’s death mask. Weimar. 15 x10 cm 104. (93) Louis Held 1886. Franz Liszt in his studio in the Hofgärtnerei in Weimar. 10 x 15

cm 105. (94) Louis Held 1886. Franz Liszt’s bedroom in the Hofgärtnerei in Weimar. 10 x 14 cm 106. (95) Louis Held 1886. After the painting in oils by Ilya Repin. Weimar. 22 x 14 cm 107. (96) Paul Gericke 1886. Franz Liszt lying in state. Bayreuth. 14.5 x 20 cm 108. (--) Paul Gericke or

Hans Brand 31 Juli 1886. Franz Liszt lying in state. Bayreuth. 37 x 27.5 cm. With captions in the handwriting of Lina Schmalhausen. Attached a clipping of Liszt’s hair. Behind glass, in black wooden frame. Below the photograph is written: "Diese Vergissmeinnicht u. roten Rosen Ihm von mir in die Hände gegeben bevor / der Sarg geschlossen. Niemand ausser mir hat die "Leiche" mit Blumen geschmückt. – Auf meine veranlassung erfolgte diese photogr. Aufnahme. / Die vom Haupt getrennte, fehlende linke Haarlocke überreichte / mir Frau Cosima Wagner am Sterbebett früh 6 Uhr. 1.8.1886. Lina Schmalhausen." Cf. V1, p. 10 (R. Bory) : "Cette relique est venue directement des mains de Lina Schmalhausen, en mes mains."

NMI

109. (96a) Hans Brand 1886. Franz Liszt lying in state. Bayreuth. 14 x 10 cm



110. (97) Ferdinand Mulnier ca. 1867. [Paris]. 36 x 27.5 cm. With autograph: “F. Liszt. Geboren den 22ten October 1811 in Raiding (Ungarn)”.

111. (98) Friedrich Bruckmann 1867. After the painting in oils by P. Düyffcke. Munich. 44 x 32.5 cm. 112. (102) [Louis Held] 1884. Franz Liszt in the midst of his pupils. Weimar. 20 x 25 cm. Below

in the handwriting of A.W. Gottschalg names of all persons in the image.

113. (103) [?] After a model for a Liszt monument. 26.5 x 19.5. cm. From the legacy of Eduard Lassen.

NMI

IIIE 114-116 PHOTOGRAPHS: Persons around Liszt 114. (99) [?] Countess Marie d’Agoult. After a painting by Henri Lehmann. 18

x 14 cm NMI

115. (100) [?] Countess Marie d’Agoult. After the plaque in bronze by David d’Angers. 16.5 x 16 cm

NMI

116. (101) Louis Held Marie de Moukhanoff-Kalergis, b Countess Nesselrode. After a bust. Weimar. 15 x 10 cm.

IIIE 117-119 PHOTOGRAPHS: Buildings etc. related to Liszt 117. (104) [?] Tivoli; cascades in the river Anio. 18 x 25.5 cm. With

autograph: “In angenehmster Erinnerung der fahrt mit Fräulein Lina Schmalhausen. F. Liszt. Januar 86. Rom“.

118. (105) [?] Tivolo; view of Vesta temple. 20 x 26 cm. Below visiting card of F. Liszt, with autograph: “à ne plus nous revoir à Tivoli!”.

NMI

119. (106) [?] Tivoli; view of the Villa d’Este. 25 x 20.5 cm. Below visiting card of F. Liszt, with autograph: “in dankbarer Anerkennung der vielfachen Tivoli-Besuche!”.

IIIF PHOTOGRAPHS: Liszt images from other archives NMI Reproductions not included. F940 Pierre Petit, Paris

1866. Portrait, standing. 105 x 60 mm. With sign. Richard Hol Archive.

F941

Numa Blanc & Cie, Paris 1861. Portrait, standing. 100 x 62 mm. Richard Hol Archive.

F4256

Hans Brand, Bayreuth

1886. Portrait, lying in state. 168 x 107 mm. Inscription (printed): "Abbé Dr. Franz Listz auf dem Paradebette"; rear (handwritten:) dedication to Anna Falk-Mehlig by [?]. Image probably identical to IIIE109. Marguerite Falk Archive.

F6764

J. Ganz, Brussel

1881. Group, from left to right Franz Liszt (seated), Franz (François Mathieu) Servais, Juliusz Zarebski (Zarembski), Janina Zarebski-Wenzel (standing), around a tabel with books and scores. 168 x 110 mm. Image probably identical to IIIE75.

F7650

Fritz Luckhardt, Vienna

1871. Portrait. 100 x 60 mm. Traces of glue on the edges. Johannes Verhulst Archive.

F7651

[Ferencz Kozmata, Budapest]

1875. Portrait, seated. 100 x 60 mm. Inscription (rear, strongly faded): "Geehrter Herr, mit Vergnügen wiederhole ich Ihnen mein aufrichtiges


Lob der Pianinos und Flügel Ihrer Firma [etc.]“, sign. F. Liszt. Image damaged at the edges. Johannes Verhulst Archive.

IIIG PHOTOGRAPHS FROM A LATER PERIOD 1. Envelope containing photographs of prints, plaques, monuments etc. NMI 2. Envelope containing photographs of caricatures HGM 3. Envelope containing photographs of persons around Liszt HGM 4. Envelope containing photographs of programmes and titel pages of works by Liszt. NMI 5. Envelope containing photographs of buildings, objects, newspaper articles relating to Liszt NMI

IV MISCELLANEA

IVA OBJECTS, FORMERLY IN THE POSSESSION OF LISZT 1. Tobacco box in silver-plated bronze. w x l x h 3.4 x 6.8 x 1.7 cm. "Elle fut utilisée, des années

durant, par Franz Liszt, qui en fit cadeau, finalement, à son élève Lina Schmalhausen, de qui je l’ai achetée" (V1, p. 9)

HGM

2. Cassette with plate of guilded bronze and polychrome enamel on a leather cover; in the middle: "1811 F. L. 1881" on a velvet background. Presented to Liszt by the city of Budapest on the occasion of his 70th birthday. On the rear dedication: "An Lina Schmalhausen. F. Liszt".

HGM

3. The New Testament [etc.] / Das Neue Testament [etc.]. (Cologne, printed for the British and Foreign Bible Society, 1863). Contains stamp “Liszt Ferencz Hagyateka”. According to V1 presented to Lina Schmalhausen.

NMI

IVB OTHER OBJECTS NMI 1. Cup and saucer of Berlin china, in olive green and gold colour. On the exterior of the cup portrait of

Liszt (after 1884 photograph) in oval frame. w saucer 14 cm, h cup 10 cm. Described in catalogue of the antiquarian Emmanuel Fabius (cutting in V1).

2. Egg in Berlin china with portrait of Franz Liszt (ca.1845) in colour. h 56, w 4.2 cm 3. Album formerly in the possession of R. Bory, contained correspondence (IC).

V DOCUMENTATION NMI 1. Collection Franz Liszt / Propriété de Robert Bory, Nyon / (VD) Suisse. Typewritten inventory (25 p.)

with annotations by a member of the Gemeentemuseum staff. 2. Inventaris Kollektie Franz Liszt. Typewritten inventory, ca. 1957

INVENTORY OF THE LISZT COLLECTION IN THE NEDERLANDS … · 2018. 1. 24. · Wittgenstein, daughter...

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