Introduction to Editing & Applying new skills to Fritz Lang's 'M'
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Transcript of Introduction to Editing & Applying new skills to Fritz Lang's 'M'
editing
Match up-
• a shot=• editing=• narrative=• sequence =• genre=• exhibition length=• scene=
storyhow long a film istypea longer part of a film in one locationa number of different locations in a film; edited one after the other into a coherent piececutting a filma film clip which has not been cut
EditingA film is shot on camera and then has to be edited.
Shooting and editing – impossible to discuss one without the other- NOT IN ISOLATION
Why is editing so important?
Editing gives narrative shape and coherence to all the shots the film has recorded.
IT ALLOWS THE DIRECTOR TO CREATE MEANING
A shot
• A shot is an uninterrupted number of frames during which no cutting takes place. Within these frames the camera can pan, track, tilt dolly or be static.
• As long as there is no break in location or instant change of camera position we are in the same shot.
A scene- jumps!!!
• A scene is a section of a film that attempts to create the illusion of uninterrupted action taking place within one continuous space or place.
• Often highly edited, shift backwards, forwards between a series of viewpoints of different characters as an exchange between different characters for example.
skilled editing…………
• we accept editing cuts/ jumps because of our familiarity with narrative conventions in film
• BUT ALSO skilled editors cover jumps ie shot / reverse shot. The editing moves when we want to hear the next character speak…editing pre-empts our spectator desire.
a sequence
• a sequence is a series of related scenes that for some clear and logical reason hold together as a coherent whole.
FRITZ LANG’S ‘M’OPENING 7 m 30s
• IN PAIRS FIND 25 SHOTS• HOW MANY SCENES?• DO YOU IDENTIFY A COHERENT SEQUENCE?