INTRODUCTION TO ART AND ARCHITECTUERE
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Transcript of INTRODUCTION TO ART AND ARCHITECTUERE
ART HISTORY
INTRODUCTION TO ART AND ARCHITECTURE
Ar. RAVINDRA PATNAYAKA
ART
• THE CONSCIENCE USE OF SKILL,CRAFT AND CREATIVE IMAGINATION, IN THE PRODUCTION OF WHAT IS BEAUTIFUL, APPEALING OR OF MORE THAN ORDINARY SIGNIFICANCE.
A VISUAL DICTIONARY OF ARCHITECTURE – D.K.CHING
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EARLY ART – CAVE PAINTINGS
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Egyptian Mural
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WALL PAINTING IN INTERIOR
EGYPT
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RELIEFS
Low Relief
High Relief
RELIEF: SCULPTING/CAURVING 3D OVER A 2D FRAME
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Sculpture as Structural Member
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PEDIMENTAL RELIEFS
PARTHENON - GREECE
HIGH RELIEFS AS DECORATIVE ELEMENTS IN THE ENTABULATURE
ENTABULATURE
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COLOURED BRICK MURAL
BABYLONIA
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ART _ ISMS
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1475 – 1564
Italy
Movement : High Renaissance
Expertise: sculpture, painting, architecture, and poetry
MICHELANGELO
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• Michelangelo's Pietà, a depiction of the body of Jesus on the lap of his mother Mary after the Crucifixion, was carved in 1499
The Statue of David, completed by Michelangelo in 1504, is one of the most renowned works of the Renaissance.
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Sistine Chapel ceiling
Michelangelo painted the ceiling of the Sistine Chapel; the work took approximately four years to complete (1508–1512).Among the most famous paintings on the ceiling are the Creation of Adam, Adam and Eve in the Garden of Eden, the Great Flood
Sistine Chapel ceilingAr.RAVINDRA PATNAYAKA
Michelangelo designed the dome of St. Peter's Basilica, although it was unfinished when he died.
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LEONARDO DA VINCI
1452 – 1519
Italy
Movement: High Renaissance
Expertise: Many and diverse fields
of arts and sciences
anatomy, civil engineering, optics,
and hydrodynamics
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Da Vinci Paintings
Virgin of the Rocks for the Confraternity of the Immaculate Conception
The Last Supper for the monastery of Santa Maria delle Grazie
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Da vinci - Monalisa
• Atmospheric Perspective
• Still Life / Realism
• Impressionism
Mona Lisa or La Gioconda(1503–1505/1507)—Louvre, Paris, France
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Da Vinci’s Analytical Works
study of a foetus in the womb (c. 1510)
Leonardo's theorising and hypothesising ,integrated the arts and particularly painting; these, and his unique integrated - holistic views of science make him a forerunner of modern systems theory and complexity schools of thought.
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Vitruvian Man 1847 Canon of Proportions / Proportions of Man
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The Anthropometry
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Engineering Concepts
• Helicopter,
• A tank,
• Concentrated solar power,
• A calculator,
• Outlined a rudimentary theory of plate tectonics.
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REALISM • Realism represents figures and objects exactly as they act or appear
in life.
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IMPRESSIONISM
Impressionism. They found many of their subjects in life around them
rather than in history, which was the accepted source of subject matter. Ar. RAVINDRA PATNAYAKA
IMPRESSIONISM
Hard brush strokes Attaining required color by laying of the respective hues independently Predominant use of primary colors
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CLAUDE MONET
• 1840 – 1928
• France
• Movement: Impressionism
• Working Fields: Painting, Printmaking,
(Litho)
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Monet Art Works
Impression, Sunrise Water Lillies
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ÉDOUARD MANET
• 1832 – 1883
• France
• Movements:Realism, Impressonism
• Working Fields: Painting, Print
Making
• MasterPiece: The Luncheon on the
Grass (Le déjeuner sur l'herbe), 1863
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Monet’s masterpieces
The Barricade (Civil War),
The Luncheon on the Grass (Le déjeuner sur l'herbe), 1863
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ROMANTICISM
DRAMATIC REPRESENTIATION OF SOCIOLOGICAL ASPECTS AND ISSUES
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VINCENT VAN GOGH
• 1853 – 1890
• France
• Movements: Post – Impressionism
• Working Fields: Painter, woodcuts, Litho
• Masterpieces:
– Sunflowers
– The Starry night
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Sunflowers The Starry Night
Van Gogh’s Paintings
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1471 – 1528
Italy
Working Fields: Engraving - painting - woodcuts
ALBRECHT DURER
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ART TECHNIQUE
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Masterpieces
MelancholiaEngraving
RabbitPainting
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Masterpieces
PrayerEngraving
ChristopherEngraving
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PABLO PICASSO
• 1881 – 1973
• Spain• Movements: Impressionism –
Expressionism – Cubism – Surrealism - Collage – Abstract/Post Modernism
• Expertize: Painting, Drawing, Sculpture, Printmaking, Ceramics
“Art is a lie that makes us realize the truth”Ar.RAVINDRA PATNAYAKA
CUBISM• Cubism is an art form derived from modernism and said to be
invented by Pablo Picasso who invented a new style of painting, focusing mainly on line rather than color.
• Picasso does violence to the human form by means of radical simplifications, arbitrary and harsh color combinations, and extreme distortions of human anatomy and proportions. The paintings space, moreover, does not conform to the logic of perspective, the traditional system for portraying depth in a picture, and is so fragmented that it is difficult to read clearly.
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Picasso - Paintings
Dora Maar au Chat, 1941Cubism
Massacre in Korea, 1951Expressionism
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Picasso – Working Styles
Three Musicians (1921)Analytical CubismOil on Canvas
Baboon and Young (1951)Expressionism/CubismSculpture
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Picasso – “GUERNICA”
Guernica, (1937)
Expressionism –Cubism - Post-Moderrnism – Surrealistic Abstract
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CUBISM
Violin and PaletteGeorge Braque
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EXPRESSIONISM
The Scream, 1893Edvard Munch
Chief Function of Art was to
express their intense feelings
to the World,
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SALVADOR DALÍ
• 1904 – 1989
• Spain
• Movements: Cubism – Dada – Surrealism
Surrealism, which is inspired by writings of Freud, seeks ways of accessing the unconscious mind.
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Dali - Masterpiece
The Persistence of Memory which introduced a surrealistic image of soft, melting pocket watches.
The general interpretation of the work is that the soft watches are a rejection of the assumption that time is rigid or deterministic.
This idea is supported by other images in the work, such as the wide expanding landscape, and the other limp watches, shown being devoured by antsThe Persistence of Memory, 1931
SurrealismAr.RAVINDRA PATNAYAKA
FRIDA KAHLO
• 1907 -1954
• Mexico
• Movements: Surrealism
• Expertise: Painter
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Frida - Masterpiece
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HENRY MOORE
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POP ART
Art as a Communication Medium by best making use of the contemporary popular characters/celebrities etc.,
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ART n ARCHITECTURE
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BOROQUE Style
BAROQUE STYLE = {ART+ARCHITECTURE+SCULPTURE}
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ISLAMIC ART
Calligraphy
Miniature Paintings
ARCHESGARDENS SCREENS & JALIES
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ISLAMIC CONTRIBUTIONS
MARBLE STONE SCREEN AS WINDOW
CAURVED CALLIGRAPHY ON A RELIGIOUS BUILDING
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[(SCULPTURE)ARCHITECTURE]
AN EMPHISIZED NODE WITH A SCULPTURE AS A PART OF PUBLIC / CIVIC ARCHITECTURE
SCULPTURE AS A FOCAL POINT WITHIN A COURTYARD OF A BUILDING HAVING INTRICATELY CAURVED WOODEN JALEE FAÇADE.
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CONTEMPORARY ART & ARCHITECTURE
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A THING OF BEAUTY IS JOY FOREVER ……- JOHN KEATS
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