International Issues; Remedies Intro to IP – Prof Merges 3.8.2010.

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International Issues; Remedies Intro to IP – Prof Merges 3.8.2010
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Transcript of International Issues; Remedies Intro to IP – Prof Merges 3.8.2010.

Page 1: International Issues; Remedies Intro to IP – Prof Merges 3.8.2010.

International Issues; Remedies

Intro to IP – Prof Merges

3.8.2010

Page 2: International Issues; Remedies Intro to IP – Prof Merges 3.8.2010.

Agenda

• International copyright protection

• Remedies – especially damages

Page 3: International Issues; Remedies Intro to IP – Prof Merges 3.8.2010.

International Copyright

• History

• Current situation

Page 4: International Issues; Remedies Intro to IP – Prof Merges 3.8.2010.

History

• US a net infringer (“pirate nation”) through the 19th century?

– Famous complaints of Dickens, Gilbert & Sullivan, et al.

• Finally resolved in late 20th century: TRIPS/Berne movement

Page 5: International Issues; Remedies Intro to IP – Prof Merges 3.8.2010.

Current situation

• No formalities required for foreign works

• Berne permits uneven treatment

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Sheldon v. MGM

• Play: Dishonored Lady

• Movie: Letty Lynton

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Madeleine Smith & Scottish murder case

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Chief Justice Hughes

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Relative contributions

• Infringing material

• Original initiative of the infringer

• How to handle relative contributions?

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Common public domain source: idea/expression

• [T]he general skeleton was already in the public demesne. A wanton girl kills her lover to free herself for a better match; she is brought to trial for the murder and escapes.

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IPNTA 5th p. 727

From comparison and analysis, the Court of Appeals concluded that they had ‘‘deliberately lifted the play’’; their ‘‘borrowing was a deliberate plagiarism.’’ It is from that standpoint that we approach the questions now raised.

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Infringement analysis

• Common source – public domain (basis story)

• Play: specific incidents, characters, details

• Movie: Use Nicholls (“levels of abstraction”) test; here – infringement found

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Relative Contributions

Respondents contend that the material taken by infringement contributed in but a small measure to the production and success of the motion picture. They say that they themselves contributed the main factors in producing the large net profits.

IPNTA 5th at 727

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The court thought an allowance to petitioners of 25 percent of these profits ‘‘could be justly fixed as a limit beyond which complainants would be receiving profits in no way attributable to the use of their play … District Court awarded all the net profits to petitioners, feeling bound by the decision of the Court of Appeals in Dam v. Kirk La Shelle Co., 175 F. 902, 903, a decision which the Court of Appeals has now overruled.

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Purpose of copyright damages

The purpose is thus to provide just compensation for the wrong, not to impose a penalty by giving to the copyright proprietor profits which are not attributable to the infringement.

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Restitution principle

Where there is a commingling of gains, he must abide the consequences, unless he can make a separation of the profits so as to assure to the injured party all that justly belongs to him. When such an apportionment has been fairly made, the copyright proprietor receives all the profits which have been gained through the use of the infringing material and that is all that the statute authorizes and equity sanctions. – IPNTA 5th 729

Page 22: International Issues; Remedies Intro to IP – Prof Merges 3.8.2010.

But beware: problems of proof!

• “. . . When such an apportionment has been fairly made . . .”