Interiors

INTERIORS24-25 February 2015

New York

New

York – Interiors24-25 February 20

153711

BROWSING

Browsing our catalogues is a great way to discover

more about what’s coming up in future sales;

alternatively check the website at www.christies.com

where it’s possible to see all lots free of charge.

Of course, once the sale is on view, visit our

salerooms, open seven days a week except Bank

Holidays.

DESCRIPTIONS

cover basic catalogue information such as size, date

or age, medium, type, attribution, quantity and so on.

ESTIMATES

are given for all lots and can be based on prices

recently paid at auction for comparable property.

They can take into account rarity, condition, quality

and provenance.

THE RESERVE

is the price below which a lot will not sell. Since it

is confidential it is not published in the catalogue.

The reserve will never exceed the low estimate.

TALK TO OUR SPECIALISTS

who will always be happy to discuss the lot

in greater detail; their contact details are

listed opposite. Our Specialists are available

at viewings or by appointment.

CONDITION REPORTS

are available on our website accompanying

the lot descriptions. These supplement the

catalogue description and provide guidance

on a lot’s condition.

VIEW THE LOT PERSONALLY

We always recommend coming to the saleroom

and looking at a lot for yourself, especially in the

case of more valuable items. Our viewing rooms

are open to the public and are free of charge.

SYMBOLS

next to the lot number can indicate a variety

of things, such as whether the lot is being sold

without a reserve or if the lot has special export

requirements. There is a key to symbols in the

All You Need To Know section at the back of this

catalogue.

BIDDING

There are four ways to buy, offering you con-

venience and flexibility whether you are able to

attend the auction in person or not. All of the fol-

lowing services are free:

IN THE SALEROOM

you will experience the buzz, drama and fun of

bidding in a live auction. To bid in person just arrive

in time to register. For your convenience, we rec-

ommend that you arrive in good time in advance of

the auction. If you haven’t bid with us before you’ll

need to bring some form of identification such as a

driver’s licence or passport and a bank reference.

CHRISTIE’S LIVE

is our online bidding service that allows you to see

and hear the auction in progress and gives you a

real time link into the saleroom direct from your

PC. All you have to do is click to bid wherever you

are. Visit christies.com to find out more.

TELEPHONE BIDDING

allows you to talk directly to a Christie’s member

of staff in the auction itself who will relay progress

back to you and, upon your instruction, bid on

your behalf. To arrange a telephone bid please con-

tact the Bids Office at least 24 hours in advance of

the sale either on your visit to the saleroom or by

telephoning us on +1 212 636 2437. Please make

arrangements for bids in languages other than

English well in advance of the sale date. Telephone

bids may be recorded and by bidding on the

telephone, prospective purchasers consent to the

recording of their conversation.

WRITTEN BIDS

are great if you cannot attend the auction or are

not available to participate either online or on the

telephone. A written bid (also referred to as an

Absentee Bid) is simply your direction to the auc-

tioneer to attempt to bid at the lowest possible

price, taking into account the reserve price. The

auctioneer will bid progressively up to your maxi-

mum bid. To find out more about written bids and

how to place them refer to the written bid form

at the back of this catalogue or just call our Bids

Office on +1212 636 2437.

BIDDER REGISTRATION

If you have not previously bid or consigned with

Christie’s, you should bring:

•Individuals:government-issuedphotoidentification

(such as a driving licence, national identity card, or

passport) and, if not shown on the ID document, proof

of current address, for example a utility bill or bank

statement.

•Corporateclients:acertificateofincorporation.

•Forotherbusinessstructuressuchastrusts,offshore

companies or partnerships, please contact Christie’s

Credit Department at +1 212 636 2492 for advice on

the information you should supply.

•Afinancialreferenceintheformofarecentbank

statement, a reference from your bank, and/or your

banker’s contact information. Christie’s can supply a

form of wording for the bank reference if necessary.

•Ifyouhaveregisteredtobidonbehalfofsome-

one who has not previously bid or consigned with

Christie’s, you should bring identification documents

not only for yourself but also for the party on whose

behalf you are bidding, together with a signed letter of

authorization from that party.

To allow sufficient time to process the information, you

are encouraged to register at least 48 hours in advance

of a sale.

You should register for a numbered bidding paddle at

least 30 minutes before the sale. Clients who have not

made a purchase from any Christie’s office within the

last two years and those wishing to spend more than

on previous occasions, will be asked to supply a new

bank reference to register.

For assistance with references, please contact Christie’s

Credit Department at +1 212 636 2490 or by fax at

+1 212 636 4943.

PAYING & TAKING IT HOME

Once you have paid for your lot you can take it

home or arrange for it to be delivered. Please note

that many lots will be held at Redstone,

our new Long Island City facility. If you don’t pick

up your property within 35 days of the sale, bear

in mind that handling and administration charges

will apply. For collection information, please refer

to the “Lot Collection Notice”, available from our

Bids Registration Staff, at Purchaser Payments or at

the Packing Desk. We do advise that you contact

Purchaser Payments to confirm your property’s

location on +1 212 636 2495 or +1 212 974 4500.

HOW MUCH YOU WILL PAY

If you are successful you will pay the hammer price

plus buyer’s premium on each lot (25% of the

first $100,000 of the hammer price, plus 20% of

the excess of the hammer price above $100,000

up to and including $2,000,000, plus 12% of

any amount in excess of $2,000,000), together

with any additional applicable charges, sales or

compensating tax or equivalent tax in the place

of sale which shall be applied on the hammer

price and premium at the applicable rate. There is

a PAYMENT AND SUCCESSFUL BIDS section at the

back of this catalogue. If you still have any questions

please call Purchaser Payments on +1212 636 2495.

POST-SALE CARE

All lots (including all furniture) will be held at

Rockefeller Center or Redstone handling facility.

Property may be transferred at Christie’s discre-

tion following the sale and we advise that you

contact Purchaser Payments on +1 212 636 2495

to determine your property’s location at any given

time. Please also consult the Lot Collection Notice

for collection information for purchased lots. This

sheet is available from the Bidder Registration staff,

Purchaser Payments or the Packing Desk. Failure to

collect your property within 35 calendar days of the

auction date from any Christie’s location, will result

in handling and administration charges plus any

applicable taxes. For a simple map to Redstone and

contact telephone numbers, please see ALL YOU

NEED TO KNOW - TAKING IT HOME located in the

back of this catalogue.

DELIVERY

We can help you with all your transport require-

ments whether local deliveries or international

freight. For more details please refer to the All You

Need to Know section in this catalogue or call our

Art Transport Department on +1 212 636 2480.

It’s easy to buy at Christie’sRead this simple guide to buying at auction. If you still have questions, our terms and Conditions of Sale and

Limited Warranty, as well as much more information can be found in the All You Need To Know section at the

back of this catalogue. We strongly encourage you to read these sections as they set out the terms on which

property is bid for and bought at our sales.

CONTACTS

HEAD OF DEPARTMENT

Helen Williams

ASSOCIATE BUSINESS MANAGER

Sima Jalili

SALE COORDINATOR

Megan Conroy

ADMINISTRATORS

Hayley Harrington

Sabina Milbank

Shannon Ryan

For general enquiries about this

auction, email should be addressed

to the auction administrators.

EMAIL

First initial followed by last name @

christies.com (eg. Lauren Anderson =

[email protected])

ENQUIR IES

SALE ENQUIRIES

Tel: +1 212 636 2032

Fax: +1 212 492 5718

AUCTION RESULTS

www.christies.com

View catalogues and leave bids online at christies.com

TELEPHONE BIDS WILL BE ACCEPTED FOR LOTS WITH

LOW-END ESTIMATES OF $1,500 AND ABOVE, NO LATER

THAN 24 HOURS PRIOR TO THE SALE AND ONLY IF THE

CAPACITY OF OUR POOL OF STAFF PHONE BIDDERS

ALLOWS. ARRANGEMENTS TO BID IN LANGUAGES OTHER

THAN ENGLISH MUST BE MADE WELL IN ADVANCE OF

THE SALE DATE.

TELEPHONE BIDS MAY BE RECORDED. BY BIDDING ON

THE TELEPHONE, PROSPECTIVE PURCHASERS CONSENT

TO THE RECORDING OF THEIR CONVERSATIONS.

CHRISTIE’S OFFERS ALL ABSENTEE AND TELEPHONE

BIDDING SERVICES AS A CONVENIENCE TO OUR CLIENTS,

BUT WILL NOT BE RESPONSIBLE FOR ERRORS OR FAILURES

TO EXECUTE BIDS.

PLEASE NOTE THAT ALL LOTS HIGHLIGHTED WITH RED

TITLES ARE OFFERED WITHOUT A RESERVE. ALL LOTS

WITH AN ASTERISK MAY BE EXEMPT FROM SALES TAX,

AS SET FORTH IN THE SALES TAX NOTICE AT THE BACK

OF THE CATALOGUE.

PLEASE NOTE THAT THE MAJORITY OF FURNITURE LOTS

IN THE INTERIORS SALE ARE TRANSFERRED TO REDSTONE

ON THE DAY OF THE SALE. PLEASE SEE ’STORAGE AND

COLLECTION’ AT THE BACK OF THE CATALOGUE FOR

FURTHER DETAILS. PLEASE CHECK WITH CASHIERS

BEFORE PICKING UP PROPERTY.

AUCTION

Tuesday 24 February 2015

10 am (Lots 1-148)

2 pm (Lots 149-319)

Wednesday 25 February 2015

10 am (Lots 320-488)

2 pm (Lots 489-637)

20 Rockefeller Plaza

New York, NY 10020

AUCTION CODE

AND NUMBER

In sending absentee bids or

making enquiries, this sale should

be referred to as SADIE-3711

AUCTIONEERS

Diana Bramham (#1464939)

Xan Serafin (#1358510)

Tom Lecky (#1135170)

Richard Nelson (#1184056)

CONDIT IONS OF SALE

This auction is subject to

Important Notices, Conditions of Sale

and to Reserves

This auction features

live online bidding

register at www.christies.com

tm

SPECIAL ISTS

Art Direction by Vladimir Golanov

Photography by Charles Kaufman and Nancy Scherl

[20]

Browse this auction and view real-time results on your iPhone, iPod Touch, iPad and Android devices

24-25 FEBRUARY 2015

INTERIORS

Richard NelsonFurniture

Meaghan CainFurniture

Nathania NisonsonFine Art

Bliss SummersFurniture

Saturday 21 February 1 pm–5 pm

Sunday 22 February 1 pm–5 pm

Monday 23 February 10 am–5 pm

Tuesday 24 February 9.30 am–5 pm

Wednesday 2 5 February 9.30 am–5 pm

VIEWING

new york

Emily GladstoneFine Art

Victoria Tudor Objects

Please note lots marked with a square n will be moved to Christie’s Redstone Post-Sale Facility in Long Island City at 5pm on the last day of the sale. These lots can be collected from Christie’s Rockefeller until that time, or they will be available at Redstone on the following Monday. All other lots will be kept at Christie’s Rockefeller for 21 days following the sale, after which they will be transferred to Redstone and available for collection after 2 business days.

The wallpaper on the cover has been generously provided by Farrow & Ball. The pattern is OCELOT, the color is BP3704. For more information please visit www.farrow-ball.com.

2

Tuesday 24 February 2015at 10 am

1-148 Fine Art

Tuesday 24 February 2015 at 2 pm

149-172 Silver and Silver Plate

174 Russian Work of Art

175-215 Glass

216-243 Ceramics

244-249 Chinese Export Works of Art

250-315 Chinese Works of Art

316-319 Japanese and Southeast Asian Works of Art

Wednesday 25 February 2015at 10 am

320-488 Furniture and Decorative Works of Art

Wednesday 25 February 2015at 2 pm

489-637 Furniture, Decorative Works of Art and Rugs

Order Of Sale

“The Bergmans’ collection,” writes art historian Dawn Ades, “is the fruit of a genuinely joint project, a

shared commitment.” Indeed, the Bergmans began their journey in collecting together. In a great books

course, discussions of history, philosophy, and literature turned to examinations of fne art’s role in culture

and society; after class, the couple would often fnd themselves wandering into Chicago galleries and

museums, enthralled by the work around them. Intellectually driven and with a penchant for self-study,

the couple poured over classic volumes such as Alfred H. Barr’s Masters of Modern Art, piecing together

the story of art history as it culminated with the bold new styles of the mid-twentieth century. Their

frst substantial acquisition, a Paul Klee gouache, heralded the beginnings of an ever-growing assemblage

incorporating the best in Surrealism, Tribal Art, and Post-War painting, drawing, and sculpture. The

collection included names such as Joseph Cornell, Balthus, Alexander Calder, Paul Delvaux, Roberto Matta,

and René Magritte, as well as work by the Chicago Imagists and John Graham.

Edwin A. and Lindy Bergman in their Chicago residence, 1982.

Photograph by Arthur Shay.

The Library at Trianon.

Inspired by the Neoclassic pleasure palace bestowed on Louis XV’s

maîtresse-en-titre, Madame de Pompadour, the former Colorado Springs

residence of Charles H. and Virginia Baldwin has remained an enduring

tribute to the French style nestled in America’s heartland. Christened

‘Claremont’ by the Baldwins in 1907, and frequently referred to as ‘Trianon’

thereafter, the house was initially designed by Stanford White and was

ultimately completed by the celebrated Colorado architect Thomas

MacLaren following White’s untimely demise at the hands of Harold K. Thaw

in 1906.

Hailing from Newport, Rhode Island, the Baldwins, fush from family mining

exploits, relocated to the Pikes Peak area for Virginia’s respiratory health.

Both had travelled extensively through Europe amassing an enormous

collection of fne paintings, sculpture and opulent decorations. Virginia

survived her husband and their three children and eventually sold Claremont

to Blevins Davis, a New York impresario and then President of the Ballet

Theater of New York. He remodeled and updated the house, formally

named it ‘Trianon’, where he revived social and cultural events. The

disposition of Davis’s wife’s estate resulted in the sale of the entire property

and contents to an order of Catholic nuns in 1952.

John W. Metzger (d. 1984), former Attorney General of Colorado and an

active Denver business leader, had assisted Blevins Davis and the Catholic

sisters in their transaction and responded to the sisters’ desire to sell the

property in 1960. Metzger established a foundation for cultural preservation

and educational advancement; however the residential neighborhood

proved unsuitable for an active museum operation. To fulfll the mission of

perpetuating arts education, much like the Baldwins did a half-century earlier,

the residence and grounds became the permanent home for the Colorado

Springs School for Girls in 1967. The lavish contents were relocated to

downtown Denver in a French-style building which Metzger purchased and

operated as the Trianon Museum & Art Gallery for the appreciation of the

public until his death. Betty Metzger, John’s wife and concert pianist whose

life was devoted to artistic endeavors, maintained the museum until her

death in 2008. J. William Metzger, John and Betty’s son, now pursues the

preservation and dissemination of the remarkable collection.

Property from the Trianon Museum, Denver, Colorado and the Metzger Family Collection (Lots 94-98, 150-162, 174, 214-225, 249, 320-379)

6

ALL LOTS HIGHLIGHTED WITH RED TITLES ARE OFFERED “WITHOUT RESERVE”

All lots marked with a square n are moved to Christie’s Redstone at 5pm on the last day of the sale.

1

PROPERTY OF A TEXAS COLLECTOR (LOTS

1-34)

•1GASTON SÉBIRE (FRENCH, 1920-2001)

Vue sur la plagesigned ‘G SEBIRE’ (lower right)oil on canvas39 Ω x 32 in. (100.3 x 81.3 cm.)$1,000-1,500

2


La plagesigned ‘G SEBIRE’ (lower right)oil on canvas7 Ω x 18 Ω in. (19.1 x 47 cm.)$600-900

3

•3GUY CHARON (FRENCH, B. 1927)

Bateau dans le portsigned ‘CHARON’ (lower left)oil on canvas38 º x 51 º in. (97.2 x 130.1 cm.)$1,500-2,000

4

•4GUY CHARON (FRENCH, B. 1927)

Le villagesigned ‘CHARON’ (upper left)oil on canvas31 æ x 39 º in. (80.6 x 99.7 cm.)$1,000-1,500

5

•5MAURICE LOUIS SAVIN (FRENCH, 1894-1973)

Paysagesigned and dated ‘savin/ 1960’ (lower left)oil on canvas23 æ x 29 in. (60.3 x 73.7 cm.)Painted in 1960.$1,000-1,500

6

•6JEAN-PIERRE CAPRON (FRENCH, B. 1921)

Bord de La Creusesigned ‘j.p. capron’ (lower left)oil on canvas19 æ x 24 in. (50.2 x 61 cm.)$700-900

7


Les toits mauvessigned ‘j.p. capron’ (lower right)oil on canvas18 x 21 Ω in. (45.7 x 54.6 cm.)$700-900

P R O V E N A N C E :

with John Carter Gallery, Austin.Acquired from the above by the present owner.

8


Village in the hillssigned and dated ‘j.p. capron/ 86’ (lower right)oil on canvas24 x 29 in. (61 x 73.7 cm.)Painted in 1986.$700-900

9


Untitled (daily chores)signed and dated ‘savin/ 1966’ (lower left)oil on canvas26 x 36 Ω in. (66 x 92.7 cm.)Painted in 1966.$1,000-1,500

10


Femmes avec le chiensigned and dated ‘savin/ 1966’ (lower left)oil on canvas28 æ x 23 æ in. (73 x 60.3 cm.)Painted in 1966.$1,000-1,500

Fine Art (Lots 1-148)

Tuesday 24 February at 10.00 am

type=external_link&url=http://www.christies.com/LotFinder/lot_details_proxy.aspx?saleroom=NYR&sale=3711&lot=0001










Handling fees commence 35 days after the frst day of the sale


7

11

n11JEAN JANSEM (FRENCH, 1920-2013)

Nature morte au pichet et vasesigned ‘Jansem’ (lower right)oil on canvas51 º x 63 æ in. (130.1 x 161.9 cm.)Painted in 1965.$18,000-25,000


with Galerie Rienzo, New York. Acquired from the above by the present owner.This work will be included in the forthcoming Jean Jansem catalogue raisonné prepared by Flora Jansem.

12

•12PAUL AÏZPIRI (FRENCH, B. 1919)

Nature mortesigned ‘AIZPIRI’ (lower right)oil on canvas9 Ω x 13 æ in. (24.1 x 35 cm.)$3,000-5,000


with Galerie Rienzo, New York. Acquired from the above by the present owner.

13


Nature mortesigned ‘Aizpiri’ (lower right)oil on canvas9 Ω x 13 æ in. (24.1 x 35 cm.)$3,000-5,000



14

•14JEAN LURÇAT (FRENCH, 1892-1966)

Nature morte au verre signed ‘Lurcat’ (lower right)oil on canvas laid down on masonite13 º x 18 Ω in. (33.7 x 47 cm.)Painted in 1928.$3,000-5,000


Étienne Bignou, 1928.Private Collection.with John Carter Gallery, Austin.Acquired from the above by the present owner.

E X H I B I T E D :

Paris, Salon des Tuileries, 1928, no. 1847.

L I T E R A T U R E :

G. Denizeau and S. Lurçat, L’oeuvre peint de Jean

Lurçat: Catalogue raisonné 1910-1965, Lausanne, 1998, p. 338, no. 1928-29 (illustrated).

15

•15ALVAR SUÑOL MUÑOZ RAMOS (FRENCH/SPANISH, 1935)

Le bateauxsigned ‘ALVAR’ (lower left); signed again and dated ‘ALVAR/ SUÑOL/ 1966’ (on the reverse)oil on canvas28 æ x 39 º in. (73 x 99.7 cm.)Painted in 1966.$1,000-1,500

16

n16JEAN JANSEM (FRENCH, 1920-2013)

Enfants de choeursigned and dated ‘Jansem 86’ (lower right); dated again and titled ‘ENFANTS DE CHOEUR 1986’ (on the stretcher bar)oil on canvas51 ¡ x 64 æ in. (130.5 x 164.5 cm.)Painted in 1986.$20,000-30,000


with Galerie Rienzo, New York.Acquired from the above by the present owner.This work will be included in the forthcoming Jean Jansem catalogue raisonné prepared by Flora Jansem.

17

17JEAN JANSEM (FRENCH, 1920-2013)

Fille assise au tissus éléphantsigned ‘Jansem’ (lower right); signed again ‘Jansem’ (on the overlap); titled and dated ‘flle assise au tissus elephant/ 1995’ (on the stretcher bar)oil on canvas39 º x 25 Ω in. (99.7 x 64.8 cm.)Painted in 1995.$12,000-18,000



18

18ANDRÉ BRASILIER (FRENCH, B. 1929)

Femme avec vase de feurssigned ‘André Brasilier.’ (lower right)oil and pencil on canvas13 º x 18 in. (33.7 x 45.7 cm.)Painted in 1987.$8,000-12,000


with Galerie Rienzo, New York. Acquired from the above by the present owner.This work will be included in the forthcoming André Brasilier catalogue raisonné being prepared by Alexis Brasilier.

19

•n19NICOLA SIMBARI (ITALIAN, 1927-2012)

Artenasigned ‘Simbari’ (lower right); signed again and dated ‘1984 © NICOLA SIMBARI’ (on the reverse)acrylic on canvas47 º x 63 in. (120 x 160 cm.)Painted in 1984.$5,000-7,000

20

•20LUCIEN PHILIPPE MORETTI (FRENCH, 1922-2000)

Le petit Bernardsigned and titled ‘L.P. Moretti/ Le Petit Bernard’ (lower left)watercolor, wash, sanguine and gouache on paper29 x 21 Ω in. (73.7 x 54.6 cm.)$700-900











8



•30MICHEL CIRY (FRENCH, B. 1919)

Saint François a L’Alvernesigned and dated ‘96-99/ MICHEL CIRY’ (lower left); signed, dated and titled ‘MICHEL CIRY/ SAINT FRANÇOIS/ À L’ALVERNE/ 96-99’ (on the reverse)oil on canvas31 Ω x 31 Ω in. (80 x 80 cm.)Painted in 1996-99.$800-1,200


with Galerie Robin Leadouze, Paris.

30

29MARCEL GROMAIRE (FRENCH, 1892-1971)

La mare aux oiseauxwith woven signature and date ‘Gromaire 1941’ (lower right)tapestry70 º x 76 º in. (178.4 x 193.7 cm.)Conceived in 1941.$10,000-15,000


with Galerie Matignon Saint Honoré, Paris.Acquired from the above by the present owner, 1996.Sold with a certifcate from François Gromaire and Françoise Chibret-Plaussu, dated Paris, le 6 mai 1996.

28CLAUDE VENARD (FRENCH, 1913-1999)

Côte du Varsigned ‘C. VENARD’ (lower left)oil on canvas25 ¬ x 32 in. (65 x 81.3 cm.)$10,000-15,000


with Galerie Felix Vercel, Paris.Acquired from the above by the present owner.Alain Vercel has confrmed the authenticity of this painting.

28


Danseuse de dos fond jaunesigned ‘Jansem’ (lower right); titled and dated ‘Danseuse de dos fond jaune 2002’ (on the stretcher bar)oil on canvas36 ¿ x 25 æ in. (91.7 x 65.4 cm.)Painted in 2002.$10,000-15,000


with Galerie Rienzo, New York.Acquired from the above by the present owner.This work will be included in the forthcoming Jean Jansem catalogue raisonné prepared by Flora Jansem.

27


Angelasigned ‘Jansem’ (upper left); titled ‘Angela’ (on the stretcher bar)oil on canvas31 √ x 23 ¬ in. (81 x 60 cm.)Painted circa 1973.$12,000-18,000



26

•25AUGUSTIN UBEDA (SPANISH, B. 1925)

Untitledsigned ‘A. ÚBEDA’ (lower left)oil on canvas19 æ x 25 Ω in. (50.2 x 64.8 cm.$1,000-1,500

25

•24AUGUSTIN UBEDA (SPANISH, 1925-2007)

Untitled (still life)signed ‘A. ÚBEDA’ (lower right); signed again ‘A. ÚBEDA’ (on the reverse)oil on canvas25 æ x 31 æ in. (65.4 x 80.6 cm.)$1,500-2,500

24


Vase de feurssigned ‘G SEBIRE’ (lower right)oil on canvas36 º x 28 æ in. (92.1 x 73 cm.)$2,000-3,000


with Wally Findlay Galleries, New York.

23


Vase de feurssigned ‘Aïzpiri’ (lower right)oil on canvas25 ¬ x 23 ¡ in. (65 x 59.4 cm.)$8,000-12,000



22

•21FERRERO, 20TH CENTURY

Sunfowers are symbol of happinesssigned ‘FERRERO’ (lower right); signed again, dated, titled and dedicated ‘*FERRERO/ Juillet 2011/ To Ellen and Louis/ Sunfowers are symbol/ of happiness’ (on the reverse)oil on canvas31 Ω x 31 Ω in. (80 x 80 cm.)Painted in 2011.$1,000-1,500

21

29













9

•40WILLIAM MORRIS (AMERICAN, B. 1957)

Untitled (Vase 3/83)signed and dated ‘William Morris 1983’ (along the lower edge)blown glass12 Ω x 9 x 5 æ in. (31.8 x 22.9 x 14.6 cm.)Executed in 1983.$1,000-1,500


with Betsy Rosenfeld Gallery, Inc., Chicago.Acquired from the above by the present owner, 1983.

40

•39TOOTS ZYNSKY (AMERICAN, B. 1951)

Tierra Del Fuegosigned with artist’s monogram ‘Z’ (on the underside)fused glass rods6 x 10 x 11 in. (15.2 x 25.4 x 27.9 cm.)Executed in 1989.$3,000-5,000



39

•38MARGARET WHARTON (AMERICAN, 1943-2014)

Palasigned, dated and numbered ‘Margaret Wharton/ 33/35 1985’ (on the handle)collage—metal shovel head, wood and wood dowel assemblage38 º x 6 x 3 in. (97.2 x 15.2 x 7.6 cm.)Executed in 1985. This work is number thirty-three from an edition of thirty-fve.$800-1,200


with Museum of Contemporary Art, Chicago.Acquired from the above by the present owner, 1985. 38

•37WILLIAM CARLSON (AMERICAN, B. 1950)

Untitled (from Pragnanz Series)signed and dated ‘William Carlson 1984 ©’ (on the underside)glass, granite and embedded wire16 º x 9 æ x 7 Ω in. (41.3 x 24.8 x 19.1 cm.)Executed in 1984.$1,000-2,000



37

36DAVIDE BORIANI (ITALIAN, B. 1936)

Superfcie Magneticasigned and dated ‘DAVIDE BORIANI-66-’ (on a paper label affxed to the underside of the base)iron dust, magnets, foam, electric motor, aluminum and Plexiglas assemblage13 º x 12 x 5 in. (33.7 x 30.5 x 12.7 cm.)Executed in 1966.$7,000-9,000


with Howard Wise Gallery, New York.Acquired from the above by the present owner, 1966. 36

PROPERTY OF A PRIVATE COLLECTOR

35AFTER PABLO PICASSO (1881-1973)

Buste de femme au chapeau bleuwith woven signature ‘Picasso’ (lower right)wool tapestry70 æ x 48 in. (179.7 x 121.9 cm.)Executed in an edition of twenty with three HC in 1979-80 by Marigold Enterprises Ltd.$8,000-12,000


Anonymous sale; Christie’s, London, 4 April 2007, lot 515.Acquired at the above sale by the present owner.

35

•34ALVAR SUÑOL MUÑOZ RAMOS (FRENCH/SPANISH, B. 1935)

La Teresigned ‘ALVAR’ (lower right); signed again, dated and titled ‘ALVAR SUÑOL 69/ “LA TERE”’ (on the reverse)oil on canvas39 Ω x 39 Ω in. (100.3 x 100.3 cm.)Painted in 1969.$3,000-5,000

34

•33NICOLA SIMBARI (ITALIAN, 1927-2012)

St. Barthssigned ‘Simbari’ (lower right)acrylic on canvas27 Ω x 39 Ω in. (69.9 x 100.3 cm.)$3,000-5,000


with Wally Findlay Galleries, New York.

33

•32NICOLA SIMBARI (ITALIAN, 1927-2012)

L’Approdosigned ‘Simbari’ (lower right)acrylic on canvas51 º x 51 º in. (130.1 x 130.1 cm.)$3,000-5,000

32


Vieille au parapluiesigned ‘Jansem’ (lower right); signed again ‘Jansem’ (on the stretcher bar)oil on canvas57 æ x 38 ¡ in. (146.7 x 97.5 cm.)Painted circa 1964.$18,000-25,000




Ville de Menton, Biennale de peinture de Menton, January-April 1964.This work will be included in the forthcoming Jean Jansem catalogue raisonné prepared by Flora Jansem.

31

(Lots 36-53)











10



41

•41

ETIENNE HAJDU (FRENCH, 1907-1996)

Untitledsigned ‘Hajdu’ (lower right)cast aluminum37 æ x 23 x 5 º in. (95.9 x 58.4 x 13.3 cm.)

$5,000-7,000


with Galerie Claude Bernard, Paris.

Acquired from the above by the present owner,

1959.

42

•42

JEAN ROBERT IPOUSTÉGUY (FRENCH, 1920-

2006)

Untitled (Black and White Construction)signed and dated ‘Ipousteguy/ 65’ (lower right)collage—oil, plaster, plastic toy, cardboard, wood and glass assemblage17 º x 17 º x 6 æ in. (43.8 x 43.8 x 17.1 cm.)Executed in 1965.

$2,000-3,000


with Albert Loeb Gallery, New York.


1965.

43

•43

JAMES GROVER THURBER (AMERICAN,

1894-1961)

He doesn’t know anything except factssigned and dedicated ‘James G Thurber’ (lower right) and titled ‘“He doesn’t know anything except facts.”’ (lower center)pen and ink on paper8 Ω x 11 æ in. (21.6 x 29.9 cm.)

$1,500-2,000


R. Gwinn.

Gift from the above to the present owner.

44

•44

WALT DISNEY STUDIOS (20TH CENTURY)

Jiminy Cricket from ‘Pinocchio’gouache on full celluloid, applied to gouache and pencil on board8 º x 9 Ω in. (21 x 24.1 cm.)Executed circa 1939.

$1,000-1,500


with Courvoisier Galleries, San Francisco.

Private Collection.

Gift from the above to the present owner.

45

•45

ARNOLD NEWMAN (1918-2006)

Max Ernst, 1942gelatin silver print, printed laterinitialed (on the recto); signed in ink by the artist and inscribed ‘To Ed and Cindy Berman, cordially Max Ernst’ (on the mount); copyright credit reproduction limitation stamp (on the reverse of the mount)image/sheet: 9 Ω x 7 Ω in. (24.1 x 19.1 cm.)$1,000-1,500

46 No Lot

47

•47

DON BAUM (AMERICAN, B. 1922)

Flatwarewood, plywood, pencil and nail assemblage11 æ x 16 Ω x 6 Ω in. (29.9 x 41.9 x 16.5 cm.)Executed in 1981.

$800-1,200


with Betsy Rosenfeld Gallery, Inc., Chicago.

Acquired from the above by the present owner.

48

•48

FELIPE BENITO ARCHULETA (MEXICAN,

1910-1991)

Untitled (Trout)carved and painted wood9 º x 19 æ x 6 º in. (23.5 x 50.2 x 15.9 cm.)Executed in 1975.

$800-1,200


with Phyllis Kind Gallery, Chicago.


1975.

49

•49

JIRI KOLAR (CZECH, 1914-2002)

Exposition Vagabonde Valisesigned and dated ‘Jiri Kolar 1981’ (throughout)collage boards in a Plexiglas briefcase; together with two papier-mâché objects14 æ x 17 æ x 4 in. (37.5 x 45.1 x 10.2 cm.), overallExecuted in 1980-81.

$2,000-3,000


with Galerie Maeght, New York.


1982.

50

50

ROBERT MÜLLER (SWISS, 1920-2003)

Untitledsigned with artist monogram and dated ‘RM. 58.’ (on the reverse)welded steel and slate assemblage12 ¡ x 6 ¡ x 3 in. (31.4 x 16.2 x 7.6 cm.)Executed in 1958.

$6,000-8,000


with Richard Gray Gallery, Chicago.


1963.

51 No Lot












11

52

•52

CHRISTIAN D’ORGEIX (FRENCH, B. 1927)

Untitled (white)signed and dated ‘d’orgeix 56’ (on the spinning top) and signed again ‘d’orgeix’ (lower left)mixed media assemblage— painted eyeglass case, wooden spool, thimble and other mixed media objects in a wood and glass case9 x 11 æ x 2 Ω in. (22.9 x 29.9 x 6.4 cm.)Executed in 1956.

$800-1,200


with Galerie du Dragon, Paris.


1962.

53

•53

ELLEN LANYON (AMERICAN, 1926-2013)

Spoolbox-Thread Web Productionsigned and dated ‘LANYON ‘71’ (lower right center)acrylic on canvas48 x 60 in. (121.9 x 152.4 cm.), unframedPainted in 1971.

$800-1,200


with Richard Gray Gallery, Chicago.


1972.

54

PROPERTY FROM A PRIVATE COLLECTION,

NEW YORK

•54

JEFF KOONS (AMERICAN, B. 1955)

Monkey Train Skate Deckseach with printed signature and inscription ‘MONKEY TRAIN/ JK’ (on the base of each deck)three skateboards with screenprinting in colorseach 31 º x 7 æ in. (80.6 x 19.7 cm.)Each executed in 2006. (3) $4,000-6,000

55

•55

NENDO (JAPANESE, 2TH CENTURY)

Thin Black Lines (7200mm hanger rack)enameled steel59 x 33 Ω x 14 in. (149.9 x 85.1 x 35.6 cm.)Executed in 2010.$2,000-3,000

57

•57

BRITISH SCHOOL, 19TH CENTURY

Portrait of a gentleman in a brown coat; together with a companion painting of a lady in a black dresseach oil on canvas laid down on boardeach 10 x 8 in. (25.4 x 20.3cm.), oval (2) $1,500-2,000

58

•58

AMERICAN SCHOOL, 19TH CENTURY

Portrait of two boysoil on canvas30 x 25 Ω in. (76.2 x 64.8 cm.)$1,500-2,000

59 No Lot

60

•60


Portrait of a man in a high white collar and black coatoil on canvas30 x 25 in. (76.2 x 63.5 cm.)$1,500-2,000

56

PROPERTY FROM THE GAIL-OXFORD

COLLECTION, SOLD TO BENEFIT THE

HUNTINGTON LIBRARY, ART COLLECTIONS

AND BOTANICAL GARDENS (LOTS 56-71)

•56

FRENCH SCHOOL, 18TH CENTURY

Portrait of a gentleman, half-length, in a red cloak and armor; together with a companion portrait of a ladyeach oil on canvaseach 21 º x 17 º in. (54 x 43.8 cm.) (2) $2,000-3,000









12



•70

AMERICAN SCHOOL

Still life with apples, grapes, pears, plums, cherries and peaches in a woven basketoil on canvas laid down on board16 æ x 21 Ω in. (42.5 x 54.6 cm.)$700-900

70

•69

AMERICAN SCHOOL

Still life with fruits on a ledgeoil on canvas18 x 24 º in. (45.7 x 61.6 cm.)$700-900

69

•68

AMERICAN SCHOOL

Still life with fruit in a basket on a ledgeoil on canvas20 x 16 in. (50.8 x 40.6 cm.)$700-900

68

•67

AMERICAN SCHOOL

Town Sceneoil on canvas22 æ x 30 º in. (57.8 x 76.8 cm.)$800-1,200

67

•66

JOHN DENISON CROCKER (AMERICAN,

1822-1907)

Figures in a mountainous landscape with a town and ruins in the distancesigned and dated ‘J.D. Crocker .72’ (lower left)oil on canvas24 x 40 º in. (61 x 102.2 cm.)Painted in 1872.$2,000-3,000

66

65

EDGAR ALWIN PAYNE (AMERICAN, 1883-

1947)

Harbor Scenesigned ‘EDGAR PAYNE’ (lower right)oil on canvasboard11 æ x 14 Ω in. (29.9 x 36.8 cm.)$7,000-9,000

65

64

WILLIAM TROST RICHARDS (AMERICAN,

1833-1905)

Birds over rough seassigned and dated ‘W.T. Richards ‘99’ (lower right)oil on canvas12 º x 15 in. (31.1 x 38.1 cm.)Painted in 1899.$8,000-12,000

64

•63


The Brig Euniceoil on canvas17 Ω x 24 æ in. (44.5 x 62.9 cm.)$3,000-5,000

63

•62


Three-masted ship at seaoil on canvas21 x 30 º in. (53.3 x 76.8 cm.)$700-900

62

•61

MARSHALL JOHNSON (AMERICAN, 1850-

1921)

A three-masted schoonersigned ‘Marshall Johnson’ (lower left)oil on canvas24 x 36 in. (61 x 91.4 cm.)$1,000-1,500

61













13

PROPERTY OF A CALIFORNIA ESTATE (LOTS

80-84)

•80

FRANZ SIMONS (BELGIAN, 1855-1919)

Washing in the courtyardsigned and dated ‘Franz Simons 81’ (lower right)oil on canvas28º x 20 in. (71.8 x 50.8 cm.)Painted in 1881.$1,000-1,500

80

•79

EMIL RIZEK (AUSTRIAN, 1901-1988)

Vahsenkorsigned ‘Rizek’ (lower right); signed again and titled ‘Emil Rizek/ Vahsenkor’ (on a paper label affxed to the reverse)oil on canvas25 Ω x 30 æ in. (64.8 x 78.1 cm.)$3,000-5,000

79

•78

WILHELM GAIL (GERMAN, 1804-1890)

Reclining Harem Womansigned with artist monogram ‘WG’ (lower left)oil on canvas12 x 16 ¿ in. (30.5 x 41 cm.)$2,000-3,000

78

•77

FOLLOWER OF GEORGE MORLAND

(BRITISH, 1763-1804)

A Wayside Restbears signature ‘Morland’ (lower right)oil on canvas16 º x 24 in. (41.3 x 61 cm.)$2,000-3,000

77

•76

AFTER JACOPO DA PONTE, CALLED JACOPO

BASSANO

The Depositionoil on canvas11 Ω x 10 in. (29.2 x 25.4 cm.)

$2,000-3,000

The present work is a reduced copy after the original in the Louvre, Paris.

76

•75

EDWIN M. FOX (BRITISH, 19TH CENTURY)

The Chasesigned and dated ‘EM Fox/ 1866’ (lower left)oil on canvas20 x 24 in. (50.8 x 61 cm.)Painted in 1866.$2,000-3,000

75

•74


The Killoil on canvas20 x 24 in. (50.8 x 61 cm.)Painted circa 1866.$2,000-3,000

74

•73


On the Scentsigned and indistinctly dated ‘EM Fox 186*’ (lower left)oil on canvas20 x 24 in. (50.8 x 61 cm.)Painted circa 1866.$2,000-3,000

73

PROPERTY SOLD TO BENEFIT THE ART

ACQUISITION FUND OF THE SEATTLE ART

MUSEUM (LOTS 72-79)

•72


The End of the Dayoil on canvas20 x 24 in. (50.8 x 61 cm.)Painted circa 1866.$2,000-3,000

72

•71


Portrait of a gentleman in a blue coatoil on canvas27 x 21 in. (68.6 x 53.3 cm.)$1,000-1,500

71











14



81

•81

CIRCLE OF ADRIAEN BROUWER (FLEMISH,

1605/6-1638)

Tavern scene with a seated man holding a glass of wineoil on panel8Ω x 7 ¿ in. (20.7 x 18.2 cm.)$1,500-2,000

82

THE PROPERTY OF A PRIVATE COLLECTOR

•82

MANNER OF FRANS VAN MIERIS

Portrait of a gentleman in a brown robeoil on panel6º x 4æ in. (15.9 x 12.1 cm.)$1,000-1,500

83

•83

JACOB HENRICUS MARIS (DUTCH, 1837-

1899)

De Vier Molenssigned ‘J. Maris’ (lower left)oil on canvas17 æ x 44 in. (45.1 x 111.8 cm.)

$5,000-7,000


with E.J. Van Wisselingh & Co., Amsterdam.

84

•84

WILLEM DE ZWART (DUTCH, 1862-1931)

Father and childsigned ‘W de Zwart’ (lower left)oil on panel7æ x 6º in. (19.7 x 15.9 cm.)$800-1,200

86

•86

NEAPOLITAN SCHOOL, 19TH CENTURY

Volcanic Eruptions (four works)each gouache on paper11 æ x 9 º in. (29.9 x 23.5 cm.), oval (2); 6 º x 4 º in. (15.9 x 10.8 cm.) (2) (4) $4,000-6,000

87

•87

ARTIST UNKNOWN

Still life with fruit, walnuts and knife on a tableoil on canvas18 x 22 in. (45.7 x 55.9 cm.), unframed$1,000-1,500

88 No Lot

89

PROPERTY OF AN ESTATE

•89

FOLLOWER OF THOMAS GAINSBOROUGH,

R.A.

A drover and his cattle with a travel on horseback on a pathoil on canvas25 º x 31 in. (64.1 x 78.7 cm.)$3,000-5,000

90

PROPERTY SOLD TO BENEFIT THE VIRGINIA

HISTORICAL SOCIETY

•90

MANNER OF DAVID TENIERS II

Peasants merrymaking outside an innbears monogram ‘DT’ (lower left, on the stool)oil on panel8Ω x 10¬ in. (21.6 x 27 cm.)$2,000-3,000

85

PROPERTY FROM A WEST COAST COLLECTOR

(LOTS 85-88)

•85

EDMUND F. WARD (AMERICAN, 1892-1991)

Washerwomensigned and dated ‘Edm. F Ward/ 23’ (lower right)oil on canvas18 x 24 in. (45.7 x 61 cm.)Painted in 1923.

$2,000-3,000

E X H I B I T E D :

Chicago, The Art Institute of Chicago, Thirty

Eighth Annuel Exhibition, 1925.












15

91

PROPERTY OF AN ESTATE

91

CIRCLE OF MICHIEL JANSZOON VAN

MIEREVELT (DUTCH, 1567-1641)

Portrait of a woman, three-quarter-length, in a black embroidered dress and a white ruff and lace headdressinscribed and dated ‘AEtatis, 49./ A.o 1635. ‘ (center right)oil on panel43 Ω x 33 in. (110.5 x 83.8 cm.)$8,000-12,000

92

•92

VENETIAN SCHOOL, CIRCA 1550

The Virgin Annunciate: Design for a Lunette; (recto); The Head of a Youth looking upwards (verso)numbered ‘206’ on verso and with inscription ‘kneeling saint/Guido Reni’ on mountblack and white chalk on brown paper7¡ x 6Ω in. (189 x 164 mm.)$500-700

93

PROPERTY FROM A DISTINGUISHED PRIVATE

COLLECTION

93

ROSA BONHEUR (FRENCH, 1822-1899)

Studies of Cows, Hens, Roosters, a Goose and a Sheepsigned with initials ‘R. B’ (lower left)oil on canvas21¿ x 25¡ in. (53.7 x 64.4 cm.)

$10,000-15,000


Anonymous sale; Christie’s, New York, 18

February 1993, lot 37.

Acquired at the above sale by the present owner.

We are grateful to Annie-Paule Quinsac for confrming the authenticity of this work.

94

PROPERTY FROM THE TRIANON MUSEUM,

DENVER, COLORADO AND THE METZGER

FAMILY COLLECTION (LOTS 94-98)

•94


[Architectural Scenes]: Seven Platesseven engravings, on wove paper, with marginsthe largest P. 18 Ω x 36 in. (47 x 91.4 cm.)$1,500-2,000

95

•95

AFTER JACQUES RIGAUD

[Palaces and Garden Scenes]: Twelve Platestwelve engravings on wove paper, with marginseach P. 10 x 19 in. (25.4 x 48.3 cm.)$1,500-2,000

96 No Lot

97

•97

KONSTANTIN WESTCHILOFF (RUSSIAN,

1877-1945)

A Winter landscape; and a companion paintingthe frst signed ‘C. Westchiloff.-’ (lower left)the frst oil on canvasboardthe frst 14 x 18 in. (35.6 x 45.7 cm.) (2) $1,500-2,000

98

•98

PAUL HERMANUS (BELGIAN, 1859-1911)

Summer landscape; and a companion paintingeach signed ‘P Hermanus’ (lower right)each oil on boardeach 12 Ω x 18 º in. (31.8 x 46.4 cm.) (2) $1,500-2,000

99

•99

JOSEPH NICOLAS ROBERT-FLEURY (FRENCH,

1797-1890)

Cardinal Richelieusigned ‘J. Robert.Fleury.’ (lower left)oil on panel25 Ω x 20 æ in. (64.8 x 52.7 cm.)$2,000-3,000

100

•100

GERMAN SCHOOL, 19TH CENTURY

Perseus and Minervaoil on canvas54 x 39Ω in. (137.2 x 100.3 cm.)$5,000-7,000










16



•110

ESTI DUNOW (AMERICAN, B. 1948)

Spencertown, NYsigned ‘E. Dunow’ (lower left)oil on paper30 x 22 Ω in. (76.2 x 57.2 cm.)$2,500-3,500

110

•n109

LAURIE CAMPBELL (CANADIAN, B. 1969)

Mayhem No. 42 from the Scatter for Cover Series Part IIsigned, dated and titled ‘Campbell ‘96 Scatter for Cover Series/ Part II Mayhem #42’ (on the overlap)oil on canvas72 x 80 in. (182.9 x 203.2 cm.)Painted in 1996.$3,000-5,000

109

•n108

JANE DICKSON (AMERICAN, B. 1952)

Paradise Alleysigned with initials and dated ‘JD ‘83’ (on the reverse)oil stick on canvas90 x 40 in. (228.6 x 101.6 cm.), unframedPainted in 1983.

$3,000-5,000


with Delahunty Fine Art, New York.

108

•107

MAX FERGUSON (AMERICAN, B. 1959)

200 East 34th Street Self Portraitsigned and dated ‘M FERGUSON 1984’ (upper right); signed, dated, titled and inscribed (throughout the reverse)oil on masonite31 Ω x 26 in. (80 x 66 cm.)Executed in 1984.$1,500-2,000

107

•n106

ROBERT BIDNER (AMERICAN, 1930-1983)

East 63rd Street Brownstonessigned ‘Bidner’ (lower right); signed again and dated ‘Bidner Z 77’ (on the backing board)acrylic on masonite48 x 76 in. (121.9 x 193 cm.)Painted in 1977.$2,000-3,000

106

•105

LOUIS WILLEM VAN SOEST (DUTCH, 1867-

1948)

A Winter landscapesigned Louis. W.v. Soest.’ (lower right)oil on canvas41 æ x 59 Ω in. (106 x 151.1 cm.)$1,000-1,500

105

•104

ATTRIBUTED TO CHRISTIAN GULLAGER

(AMERICAN, 1759-1826)

The music lessonoil on canvas31 x 25 in. (78.7 x 63.5 cm.)$1,500-2,000

104

•103

EDOUARD-DENIS BALDUS (1813-1882)

Arc de L’Etoile, c. 1850salted paper printstamped with signature and titled in pencil (on the mount)8 ¡ x 10 Ω in. (21.3 x 26.7 cm.)$500-700

103

PROPERTY FROM THE FORBES COLLECTION

(LOTS 102-112)

•102

EDOUARD-DENIS BALDUS (1813-1899)

French architectural views, c. 185530 albumen printseach with stamped signature and titled in pencil (on the mounts)each approximately 8æ x 11 in. (22.2 x 27.9 cm.) (36) $3,000-5,000

102

•101

ATTRIBUTED TO GIACINTO BRANDI

(ITALIAN, 1621-1691)

Saint Francis of Assisioil on canvas, the corners made up40æ x 34 in. (103.5 x 86.4 cm.)

$3,000-5,000


Anonymous sale; Christie’s, London, 19 July

1963, lot 78.

101













17

PROPERTY FROM A PRIVATE FRENCH

COLLECTION

120

EMILIANO DI CAVALCANTI (BRAZILIAN 1897-

1976)

Untitledsigned, dated, and dedicated ‘E. DI CAVALCANTI 1962/ A mon ami/ Jacques Petit Jean/ avec ma gratitude/ Paris’ (lower right)watercolor and ink on paper14Ω x 10æ in. (36.9 x 27.3 cm.)Executed in 1962.

$5,000-7,000


The Jacques Petit Jean collection (acquired

from the artist).

By descent from the above.

with Galerie Odile Oms, Céret, France.

Acquired from the above by the present owner.

120

•119

MEXICAN SCHOOL

Niño con la palomaoil on canvas14 º x 10 in. (36.2 x 25.4 cm.)$1,500-2,000

119

•118

MEXICAN SCHOOL

Niña en un vestido azul con una sombrillaoil on canvas18 Ω x 14 º in. (47 x 36.2 cm.)$1,500-2,000

118

•117

MEXICAN SCHOOL

Niña en un vestido blancooil on canvas laid down on plywood30 æ x 21 in. (78.1 x 53.3 cm.)$1,500-2,000

117


NEW YORK (LOTS 116-119)

•116

MEXICAN SCHOOL

Niña en un vestido azul con una foroil on canvas21 Ω x 17 º in. (54.6 x 43.8 cm.)$1,500-2,000

116

•n115

KYLE MORRIS (AMERICAN, 1918-1979)

Untitledsigned and dated ‘Kyle Morris ‘60’ (lower left); signed and dated again ‘20.July.’60/ Kyle Morris/ 6’ (on the reverse)oil on canvas62 Ω x 48 in. (158.8 x 121.9 cm.)Painted in 1960.

$5,000-7,000


with Kootz Gallery, New York.

Anonymous sale; Christie’s, New York, 30

September 2010, lot 141.115

•114

PAUL BURLIN (AMERICAN, 1886-1969)

Untitled (Figure in Repose)signed and dated’ Paul Burlin/ 48’ (on the reverse); signed and dated again ‘Paul Burlin 1948-’ (on the stretcher bar)oil on canvas30º x 20 in. (76.8 x 50.8 cm.)Painted in 1948.$5,000-7,000

114

PROPERTY FROM A PRIVATE COLLECTION

(LOTS 113 AND 114)

•113

PAUL BURLIN (AMERICAN, 1886-1969)

Untitledsigned and dated ‘Paul Burlin/ 48’ (on the reverse); signed and dated again ‘Paul Burlin 1948’ (on the stretcher bar)oil on canvas30 x 24 in. (76.2 x 61 cm.)Painted in 1948.$5,000-7,000

113

•112

BRUNO LUCCHESI (AMERICAN/ITALIAN, B.

1926)

Samsonbronze and metal37 Ω x 22 Ω x 17 in. (95.3 x 57.2 x 43.2 cm.)$1,500-2,000

112

•111

HILDA STECKEL (AMERICAN/GERMAN, 20TH

CENTURY )

Weight Liftersigned ‘Steckel’ (along the lower edge)painted terracotta and iron49 x 23 x 11 Ω in. (124.4 x 58.4 x 29.2 cm.)$800-1,200

111











18



121

121

JACQUES LIPCHITZ (FRENCH, 1891-1973)

First study for Peace on Earthsigned, numbered and stamped with artist’s thumbprint ‘10/15 J Lipchitz’ (along the edge)bronze with green patina10 ¡ x 4 x 4 in. (26.3 x 10.2 x 10.2 cm.), including baseExecuted in 1967. This work is number ten from an edition of ffteen.

$7,000-9,000


A. Wilkinson, The Sculpture of Jacques Lipchitz,

A Catalogue Raisonné, Volume II, the American

Years: 1941-1973, New York, 2000, p. 99, no.

662, (another cast illustrated).

122

122

FLETCHER MARTIN (AMERICAN, 1904-1979)

The Tosssigned and dated ‘Fletcher Martin 59’ (lower left)oil on canvas32 x 24 in. (81.3 x 61 cm.)Painted in 1959.

$10,000-15,000


Acquired directly from the artist.

E X H I B I T E D :

Binghamton, New York, Roberson Museum

and Science Center, Fletcher Martin: Thirty

Year Retrospective Exhibition, September 22 -

November 13, 1968.


H. L. Cook Jr., Fletcher Martin, New York,

1977, no. 118 (illustrated).

123


NEW YORK

123

ROBERT NATKIN (AMERICAN, 1930-2010)

Untitledsigned ‘Natkin’ (lower left center)oil on canvas36 ¡ x 71 ¬ in. (92.4 x 181.9 cm.)$6,000-8,000

124

124

BENJAMIN EDWARDS (AMERICAN, B. 1970)

Untitledpencil on paper26 x 40 in. (66 x 101.6 cm.)

$2,000-3,000


Private Collection, New England.

125

125

ROBERT MOSKOWITZ (AMERICAN, 1912-

2001)

Lighthouse at Nightgouache on paper78 x 34 in. (198.1 x 86.4 cm.)

$8,000-12,000



126

126

SAMUEL BAK (AMERICAN/ISRAELI, B. 1933)

Cosmossigned ‘BAK’ (lower right)oil on canvas32 x 25 æ in. (81.3 x 65.4 cm.)Painted in 1989.

$20,000-30,000



127

127

SAMUEL BAK (AMERICAN/ISRAELI, B. 1933)

Transfersigned and dated ‘BAK/ 2007’ (lower right)oil on canvas30 x 40 in. (76.2 x 101.6 cm.)Painted in 2007.

$20,000-30,000



128

•128

DAVID BURLIUK (AMERICAN/UKRAINIAN,

1882-1967)

Peasant woman with fowerssigned ‘BURLIUK’ (lower left)oil on masonite5 Ω x 3 º in. (14 x 8.3 cm.)

$3,000-5,000



The Burliuk Committee has confrmed the authenticity of this painting and will be including it in the forthcoming catalogue raisonné.

129


129

RICHARD STONE REEVES (AMERICAN, 1919-

2005)

Olympiasigned and dated ‘RICHARD STONE REEVES 1950’ (lower right)oil on canvas16 x 20 in. (40.6 x 50.8 cm.)Painted in 1950.

$7,000-9,000


The artist.

Private Collection.

By descent from the above to the present

owner.

130

PROPERTY FROM AN ATLANTA ESTATE

•130

RAYMOND PERRY RODGERS NEILSON

(AMERICAN, 1881-1964)

Woman with sunhatsigned ‘Raymond P.R. Neilson’ (upper left)oil on canvas76 x 38 in. (193 x 96.5 cm.)

$5,000-7,000


Lucien Lefevre-Foinet, Paris.













19

131

PROPERTY FROM A DISTINGUISHED

COLLECTOR (LOTS 131-135)

131

TAMARA DE LEMPICKA (POLISH, 1898-1980)

Nu couch:signed ‘LEMPICKA.’ (lower right)gouache, watercolor and pencil on paper9Ω x 13º in. (23.9 x 33.6 cm.)Painted circa 1960.

$4,000-6,000


Acquired from the artist by the present owner.

Alain Blondel has confrmed the authenticity of this work.

132

•132


Groupe avec une mandolinestamped twice with signature ‘Lempicka’ (lower right and lower left)pencil on paper7 ¿ x 10 ¬ in. (18 x 27.1 cm.)Drawn circa 1935.

$800-1,200




133

133


Portrait d’homme coiff: d’une ch:chiasigned ‘LEMPICKA.’ (lower right)pencil on paper9√ x 7 in. (25 x 17.5 cm.) Drawn circa 1934

$4,000-6,000




134

•134


Homme assisstamped with signature ‘Lempicka’ (lower right)pencil on paper10 ¬ x 7 in. (27 x 18 cm.)Drawn circa 1947.

$800-1,200




135

•135


Deux femmes assisesstamped with signature ‘Lempicka’ (lower right)pencil on paper laid down on board9 º x 6 º in. (23.4 x 16 cm.)Drawn circa 1935.

$1,000-2,000




136


CONNECTICUT

•136

LUCIEN ADRION (FRENCH, 1889-1953)

Longchampssigned ‘Adrion’ (lower right); titled and numbered ‘LONGCHAMPS/ 1535’ (on the reverse)oil on canvas23 æ x 29 in. (60.3 x 73.7 cm.)$4,000-6,000

PROPERTY FROM A PRIVATE BROOKLYN

COLLECTION

•137

PAUL CÉSAR HELLEU (FRENCH, 1859-1927)

Paulettesigned ‘Helleu’ (lower right)sanguine and white chalk on paper laid down on paper16¬ x 10¿ in. (42.2 x 25.7 cm.)

$2,000-3,000

The present work is registered in the archives of the Association Les Amis de Paul-César Helleu as APCH DE-6102.

138

•138

LOUIS ICART (1888-1950)

New friendsetching and aquatint in colors, 1925, on wove paper, signed in pencil, printed by Les Graveurs Modernes, Paris, with marginsP. 15 x 18 in. (381 x 457 mm.)$1,500-2,000

•139

PETER CAMPUS (B. 1937)

Outer Edge, 1985gelatin silver printsigned, titled, dated and numbered ‘≈’ in pencil (on the verso)image: 28Ω x 36in. (72.4 x 91.4cm.)

$2,000-3,000


with Paula Cooper Gallery, New York.

140

•140

WILLIAM EGGLESTON (B. 1939)

Untitled, 1992dye-transfer print, printed 1993signed in ink (in the margin); signed by William J. Eggleston, III in ink, title, date, number ‘1/5’ in an unknown hand in pencil and Eggleston Artistic Trust copyright credit reproduction limitation stamp (on the verso)image: 12 x 18 in. (30.9 x 46.1 cm.)

$6,000-8,000


with Robert Miller Gallery, New York.

137

139











20






•150

A GERMAN SILVER THREE-PIECE COFFEE

SERVICE,

MARK OF KOCH & BERGFELD, 19TH CENTURY,

each marked ‘800’, decorated with geometric bands and interval mask terminals, comprising a coffee pot with hinged cover, a milk jug and a two-handled sugar bowlThe coffee pot 10in. (25.5cm.) high; 37oz. approximate gross weight (3) $1,000-1,500 150

PROPERTY OF A LADY

•149

A PAIR OF ENGLISH GEORGE III SILVER

CANDLESTICKS WITH A PAIR OF SHEFFIELD-

PLATED THREE-LIGHT BRANCHES,

MARK OF JOHN SCOFIELD, LONDON, 1781,

the candlesticks fully marked, repousse with Satyr heads issuing garlands and four hoof legs near base, each engraved with a crest18in. (45.7cm.) high; 44oz. approximate weighable silver (4) $4,000-6,000

149


148


Portrait of a standing woman in a red kimonooil on canvas70 º x 39 º in. (178.4 x 99.7 cm.)$6,000-8,000

148

•147

STEPHEN ANTONAKOS (AMERICAN/GREEK,

1926-2013)

Red Squaresigned, dated and titled ‘Antonakos/ September 82/ “Red Square”’ (on the reverse)mixed media—oil, fabric, foam, plywood and burlap in a Plexiglas case20 x 25 x 8 Ω in. (50.8 x 63.5 x 21.6 cm.)Executed in 1982.$800-1,200

•146

PAUL WALDMAN (AMERICAN, B. 1936)

Tony’s Lunchlithograph and collage on wove paper, 1975, signed, dated and titled in pencil, numbered ‘AP’, with marginsS. 22 x 30 in. (55.9 x 76.2 cm.)$800-1,200

•145

JAY MILDER (AMERICAN, B. 1934)

Writingoil on canvas32 º x 33 æ in. (82 x 85.7 cm.)Painted in 1961.

$800-1,200


with Allan Stone Galleries, Inc., New York.

145

•144

JACK YOUNGERMAN (B. 1926)

Untitledscreenprint in colors, 1970, on wove paper, signed, dated and inscribed ‘ for Larry Levine’ in pencil, annotated ‘artist’s proof’, with marginsimage: 36 x 36 in. (914 x 914 mm.)$1,000-1,500

144

•143

CLAES OLDENBURG (B. 1929)

Alphabet in the Form of a Good Humor Bar (A. and P. 69)offset lithograph in colors, 1970, on Zerkall paper, initialed and dated in pencil, numbered ‘1/250’ (there were also 20 artist’s proofs), published by Paul Bianchini, New York, with full marginsimage: 22 x 10 º in. (559 x 260 mm.)$3,000-5,000

143

•142

GERALD LAING (1936-2011)

Triple, from 11 Pop Artists, Volume IIIscreenprint in colors, 1965, on smooth wove paper, signed in pencil, a proof aside from the edition (the edition was 200 plus 50 artist’s proofs in Roman numerals), published by Original Editions, New York, with marginsimage: 21 ¿ x 31 in. (537 x 787 mm.)$800-1,200

142


(LOTS 141-147)

•141

JIM DINE (B. 1935)

Calico from 11 Pop Artist’s, Volume II (M. 37)screenprint in colors, 1965, on Cartidge paper, signed in pencil, from the edition of 200 (there were also 50 artist’s proofs in Roman numerals), published by Abrams Original Editions, New York, the full sheetS. 39 æ x 30 in. (1010 x 762 mm.)$800-1,200

141

146

147

Silver and Silver-Plate

(Lots 149-172)

Tuesday 24 February

at 2.00 pm













21

•160

AN AMERICAN SILVER FIVE-PIECE TEA AND

COFFEE SERVICE,

MARK OF GORHAM, 20TH CENTURY,

each marked ‘Sterling’ and monogramed, in the ‘Plymouth Pattern’ comprising a teapot with hinged cover, a hot water pot on burner and stand, a cream jug, a sugar bowl and cover and a waste bowl; together with a silver-plate rectangular two-handled trayThe tray 29in. (73.8cm.) long over handles; 96oz. approximate gross weight (9) $1,500-2,000

160

•159

AN ASSEMBLED AMERICAN SILVER DESK

SET,

VARIOUS MAKERS MARKS, 20TH CENTURY,

each marked ‘Sterling’, comprising a Tiffany & Co. silver-mounted glass inkwell, a S. Kirk & Sons repousse chamber stick and snuffer, and a seven-piece desk set with pen tray, inkwell, two boxes with hinged covers, an ovoid vessel and two corner desk blotters, most monogrammed, maker unknownThe pen tray 11 Ωin. (29.2cm.) long; 36oz. approximate gross weight (10) $1,500-2,000

159

•158

AN AMERICAN SILVER PART FLATWARE

SERVICE,

MARK OF ALVIN, RHODE ISLAND, 20TH CENTURY,

each marked ‘Sterling’, monogramed, in the ‘Prince Eugene’ pattern, comprising two large serving spoons, a serving fork, two gravy spoons, four sauce ladles, two shaped small serving spoons, a pair of sugar nips, a roast carving knife and fork, a game carving knife and fork, two pie servers, twenty-fve dinner knives with steel blades and flled handles, twenty-three luncheon knives with steel blades and flled handles, twenty-four butter spreaders, twenty-three dinner forks, twenty-four luncheon forks, twenty-four dessert forks, twenty-four hors d’oeuvres forks, six large tablespoons, twenty-four tablespoons, forty-seven teaspoons, twenty-four iced tea spoons, twenty-four soup spoons, and twenty-four demitasse spoons, in ftted wood chestThe dinner knives 9 Ωin. (24.2cm.); 380oz. approximate weighable silver (333) $2,500-3,500

158

•157

AN ENGLISH SILVER PART FLATWARE

SERVICE,

MARK OF THOMAS BRADBURY & SONS; RETAILED

BY JAMES ROBINSON, NEW YORK; LONDON 1926,

each fully marked and with crest, comprising twelve dinner knives with steel blades and flled handles, twelve other similar dinner knives with steel blades and flled handles, twelve luncheon knives with steel blades and flled handles, eleven butter spreaders, eleven dinner forks, twelve luncheon forks, twelve salad forks, twelve hors d’oeuvres forks, twelve large tablespoons, twelve tablespoons, twelve soup spoons, eleven teaspoons and twelve demitasse spoons, in ftted box9 ¬in. (24.5cm.); 197oz. approximate weighable silver (153) $2,000-3,000

157

•156

A PAIR OF ROCOCO TASTE SILVER-PLATE

WARMING DISHES ON STANDS WITH

COVERS AND LINERS,

20TH CENTURY,

of shaped oval form, the covers monogramed; together with a silver-plate hot water urn and cover and a three-piece mirrored plateauThe plateau 23 Ωin. (60cm.) long

(3) $1,000-1,500

156

•155

A CONTINENTAL SILVER-PLATE SHELL-FORM

CENTERPIECE BOWL AND TWO SIMILAR

COMPOTES,

PROBABLY ITALIAN, 20TH CENTURY,

the centerpiece with repousse rocaille decoration, raised on four dolphin-form supports issuing from a lobed fountain-like base; the similar compotes smaller on singular dolphin and shell pedestals; together with a similar silver-plate salt dishThe centerpiece 22in. (56cm.) across (4) $5,000-7,000

155

•154

A SET OF SIX GERMAN SILVER GOBLETS,

17TH/18TH CENTURY,

each with a pierced repousse bowl on a dolphin and putto support, indistinctly marked at the rims; together with a German silver leaf-form tray with putto-form handle, indistinctly markedThe goblets 6in. (15cm.) high; 63oz. approximate gross weight$800-1,200

154

•153

A SET OF FOUR GERMAN SILVER

MUFFINEERS,

17TH/18TH CENTURY,

each baluster-form and repousse with putti within foliate cartouches, the covers surmounted by a dolphin-form fnial, indistinctly marked at rimsEach 8in. (20.3cm.) high; 20oz. approximate gross weight (4) $700-900

153

•152

A SET OF FRENCH SILVER DRINKWARE,

MARK OF CARTIER, 20TH CENTURY,

each marked ‘Sterling’, monogramed, on a seahorse stem comprising twelve cylindrical goblets, eight wine goblets and four compotesThe cylindrical goblets 6 Ωin. (16.5cm.) high; 150oz. approximate gross weight (24) $1,500-2,000

152

•151

A PAIR OF GERMAN SILVER DECANTERS IN

THE FORM OF GAME BIRDS,

LIKELY 17TH CENTURY,

each realistic bird hollow and cast with removable heads and hinged wings, marked on one tail13 Ωin. (34.3cm.) long; 58oz. approximate gross weight (2) $2,000-3,000

151











22



161

•161

AN AMERICAN SILVER PART TABLE SERVICE,

MARK OF TIFFANY & CO., 20TH CENTURY,

marked ‘Sterling’, each with beaded rims, comprising a pair of oval vegetable dishes and covers, a shaped rectangular footed serving dish with pierced mazzarine, two graduated shaped oval serving platters, four salts and two ladles; together with a Shreve & Co. silver three-light candelabrum, and a Gorham silver foliate pierced spoon rest, monogramedThe largest platter 20in. (51cm.) long; 259oz. approximate weighable silver (2) $4,000-6,000

162

•162

AN AMERICAN SILVER FIVE-PIECE TEA AND

COFFEE SERVICE,

MARK OF WHITING, 20TH CENTURY,

each marked ‘Sterling’ and repousse with rococo scrolls, comprising a coffee pot with hinged cover, a teapot with hinged cover, a two-handled sugar bowl and cover, a cream jug and a waste bowlCoffee pot 7 æin. (9.7cm.); 49oz approximate weighable silver (6) $1,500-2,000

163

•163

AN AMERICAN SILVER AND MIXED METAL

BOWL,

MARK OF GORHAM, DATE CYPHER FOR 1881,

marked ‘Sterling’ , planished body with two bands of geometric design and applied with copper and silver-gilt berries on branches6ºin. (15.9cm.) diameter, 13oz. approximate gross weight$1,500-2,000

164

•164

THREE AMERICAN SILVER AND ENAMEL

VASES, AND A PAIR OF SILVER-PLATE

ANIMAL-FORM CASTERS,

THE VASES MARK OF GORHAM, DATE CYPHER

FOR 1897; THE CASTERS REED & BARTON, 20TH

CENTURY,

the vases marked ‘Sterling’, comprising a square trumpet-form vase, a fattened pear-form vase, and an ovoid vase; the casters modeled as a cat and a dog with glass eyesThe tallest vase 10in. (25.4cm.) high (5) $1,000-1,500

165

•165

A GROUP OF ENGLISH AND ITALIAN SILVER

TABLE ACCESSORIES,

THE ENGLISH MARK OF BULGARI, LONDON, 1999;

THE ITALIAN MARKS OF BUCCELLATI, MILAN, 20TH

CENTURY,

the English fully marked, comprising a tumbler with applied portrait medallion of classical fgure; the Italian marked ‘925’ comprising a model of zebra lionfsh, a snail, and mushroom-form salt and pepper caster set with standThe tumbler 4in. (10.1cm.) high, 23oz. approximate gross weight (6) $1,000-1,500

166

•166

AN ITALIAN SILVER SHAPED EWER,

MARK OF BUCCELLATI, MILAN, 20TH CENTURY,

marked ‘925’ on base 10Ωin. (26.7cm.) high, 32oz. approximately$1,500-2,000

167

•167

FIFTEEN SILVER TABLE BELLS,

VARIOUS MAKER’S MARKS, 20TH CENTURY,

in various shapes and with various molded handles, fourteen marked ‘Sterling’, one marked ‘830’; together with a Cartier silver drum-form canister and coverThe tallest bell 4æin. (12.1cm.) high, 43oz. approximate gross weight (17) $2,000-3,000

•168

TWO ENGLISH AND AN AUSTRIAN SILVER

CARRIAGE CLOCK,

VARIOUS MAKER’S MARKS, LATE 19TH/EARLY 20TH

CENTURY,

the English, the silver fully marked, comprising a small rectangular clock, mark of William Comyns, London 1892, and a larger rectangular clock, mark of Henry Williamson Ltd., Birmingham 1911, each with French movements; the Austrian, the silver fully marked, shaped on four paw feet with ‘jeweled’ face; together with a Continental gilt-brass table clock with engraved silvered dialThe largest 4 Ωin. (11.4cm.) high (4) $1,000-1,500

169



HUNTINGTON LIBRARY, ART COLLECTIONS,


•169

THREE ENGLISH GEORGIAN SILVER TABLE

ARTICLES,


each fully marked, comprising a gadrooned tankard with hinged cover, mark of Richard Beale, London 1731;a candlestick, mark of James Gould, London 1734; and an engraved chamber stick with snuffer, maker’s mark ‘IT’, London 1796The tankard 7 Ωin.(19cm.) high; 40oz. approximate gross weight (4) $1,000-1,500

170

•170

AN ENGLISH SILVER-MOUNTED COCONUT

CUP,

EARLY 19TH CENTURY,

carved in relief with various medallions, monogrammed and dated ‘1812’, the silver apparently unmarked6 Ωin. (16.5cm.) high$800-1,200

168













23

171

•171

AN EARLY AMERICAN SILVER MILK JUG AND

TWO-HANDLED SUGAR BOWL AND COVER,

MARK OF HARVEY LEWIS, PHILADELPHIA CIRCA

1825,

each of compressed baluster form and monogrammed; together with an American silver helmet-form sugar bowl and cover, mark of James Musgrave, Philadelphia, circa 1775; another similar silver helmet-form milk jug, dated 1761 and monogrammed; and two silver small cupsThe Lewis sugar bowl and cover 8 Ωin. (21.5cm.) high, overall (6) $1,500-2,000

172

•172

A PAIR OF CONTINENTAL ROCOCO-STYLE

SILVER-PLATE WALL SCONCES,

20TH CENTURY,

each back plate issuing a scrolled arm and cast with scrolling foliage12in. (30cm.) high (2) $800-1,200

173 No Lot

174



FAMILY COLLECTION

•174

A FABERGE-STYLE HARDSTONE AND GILT

METAL EGG-FORM TABLE CLOCK,

MARKED WITH PLAQUE ’THE IGOR CARL FABERGE

IMPERIAL CLOCK BY IGOR CARL FABERGE’,

MODERN,

the case set with Roman numerals and hardstone-encrusted gilt metal trailing foliage supported on a sodalite faceted plinth with further decoration8 æin. (22.3cm.) high$700-900

PROPERTY FROM THE COLLECTION OF SHEILA

AND EDWARD MALAKOFF (LOTS 175-205)

•175

A PAIR OF AMERICAN FAVRILE GLASS

CANDLE LAMPS AND FLORIFORM SHADES,

VARIOUS ETCHED MARKS FOR TIFFANY STUDIOS,

CIRCA 1910,

each blue iridescent base twisted and tapered, ftted with later metal mounts11in. (28cm.) high, overall (4) $3,000-5,000

•176

AN AMERICAN FAVRILE GLASS FLORIFORM

TALL VASE,

SIGNED IN ETCH ‘L.C.T.’ FOR TIFFANY STUDIOS,

NUMBERED ‘W3531’, CIRCA 1903-1904

18 ºin. (46.3cm.) high$4,000-6,000

•177

TWO AMERICAN FAVRILE GLASS TABLE

LAMPS AND TWO FLORIFORM SHADES,

VARIOUS ETCHED MARKS FOR TIFFANY STUDIOS

AND VARIOUSLY NUMBERED, CIRCA 1910,

each base with swirled tapered neck and faring rim, with metal-mounted light or wickThe taller 14in. (35.5cm.) high, overall (4)

$3,000-5,000


The taller with original applied paper label for

Tiffany Studios.

•178

AN AMERICAN GILT-BRONZE AND FAVRILE

GLASS THREE-LIGHT TABLE LAMP,

THE BRONZE STAMPED AND THE GLASS ETCHED

MARKS FOR TIFFANY STUDIOS, CIRCA 1910,

the gadrooned circular base ftted with three iridescent trumpet-form shadesThe base 9 in. (23cm.) high (4) $3,000-5,000

•179

A PORTFOLIO OF AMERICAN WALLPAPER

SAMPLES,

LOUIS C. TIFFANY FOR TIFFANY STUDIOS, FIRST

QUARTER 20TH CENTURY,

various samples within a ftted portfolio boxThe box 18 ºin. (46.4cm.) high$1,500-2,000

180

•180

TWO AMERICAN METAL-MOUNTED FAVRILE

GLASS VASES,

THE BRONZE AND COPPER BASES IMPRESSED ‘LOUIS

C. TIFFANY FURNACES, INC.’, NOS. ‘164’ AND ‘35 D’

RESPECTIVELY, FIRST QUARTER 20TH CENTURY,

the frst of faring form on a counter faring circular patinated bronze base; the second of slender cylindrical form on an enameled copper circular baseThe second vase 16 Ωin. (42cm.) high (2) $1,800-2,500

176

175

177

178

179

Russian Work of Art (Lot 174)

Glass (Lot 175-215)










24



•190

A SET OF FOUR AMERICAN BLUE FAVRILE

GLASS SMALL COMPOTES, AND FOUR

IRIDESCENT FAVRILE GLASS SHAPED SALT

CELLARS,


VARIOUSLY NUMBERED, FIRST QUARTER 20TH

CENTURY,

the compotes globular with slightly everted rims on circular bases, three etched No. ‘1735’; the dishes with scalloped shaped rims in various sizes, two etched No. ‘1256’The compotes 4in. (10.2cm.) diameter (8) $700-900

190

•189

AN AMERICAN GILT-BRONZE MOUNTED

FAVRILE GLASS SLENDER VASE,

THE BASE STAMPED ‘LOUIS C. TIFFANY FURNACES,

INC., FAVRILE’, NO. ‘170’, FIRST QUARTER 20TH

CENTURY,

the enameled bronze circular base supporting the elongated ribbed body with feathered leaves on an opaque white ground, the glass probably Tiffany apparently unsigned12 Ωin. (32cm.) high, overall$1,500-2,000

189

•188

TWO AMERICAN FAVRILE GLASS TAZZAS,

AND A PAIR OF IRIDESCENT GLASS

FLORIFORM COMPOTES,

THE TAZZAS SIGNED IN ETCH ‘L.C.T.’ AND

‘L.C.TIFFANY’ FOR TIFFANY STUDIOS, THE

COMPOTES SIGNED IN ETCH ‘AURENE’ FOR

STEUBEN, FIRST HALF 20TH CENTURY,

the smaller tazza with undulating rim, numbered ‘4380 D’; the compotes numbered ‘367’The compotes 10in. (25.4cm.) high (6) $1,000-1,500 188

•187

TWELVE AMERICAN FAVRILE GLASS CUPS,

ALL SIGNED IN ETCH ‘L.C.T.’ FOR TIFFANY STUDIOS

AND VARIOUSLY NUMBERED, CIRCA 1898-1903,

all with applied and threaded decoration, comprising six juice glasses, numbered ‘H 2087’, ‘M 6239’, ‘M 7368’, ‘N 1151’, ‘N 3880’, one unnumbered; and six shot glasses, numbered ‘T5892’, ‘T5916’, ‘*3744’, ‘*3748’, ‘*3752’, ‘*3755’The tallest 4in. (10.2cm.) high (12)

$1,000-1,500


Some with original applied paper labels for

Tiffany Studios.

187

•186

SIX AMERICAN FAVRILE GLASS TABLE

ARTICLES,

FIVE SIGNED IN ETCH ‘L.C.T.’ FOR TIFFANY STUDIOS,

FIRST QUARTER 20TH CENTURY,

comprising four small goblets with dimpled sides, a similar bowl and a small plate with undulating rimThe bowl 4 Ωin. (11.5cm.) diameter (6) $1,200-1,800

186

•185

A PAIR OF AMERICAN FAVRILE GLASS

CANDLESTICKS,

SIGNED IN ETCH ‘L.C. TIFFANY INC.’ FOR TIFFANY

STUDIOS, FIRST QUARTER 20TH CENTURY

12in. (30.5cm.) high (2) $1,200-1,800

185

•184

THIRTEEN AMERICAN FAVRILE GLASS SALT

CELLARS,

MOST SIGNED IN ETCH ‘L.C.T. FAVRILE’ FOR TIFFANY

STUDIOS, FIRST QUARTER 20TH CENTURY,

all circular, with variously crimped or everted rims, seven with feet, one with handlesThe largest 2 Ωin. (6.4cm.) diameter (13) $700-900

184

•183

AN AMERICAN FAVRILE GLASS CYLINDRICAL

VASE,

SIGNED IN ETCH ‘L.C. TIFFANY’, NO ‘8432 J’, CIRCA

1915,

ribbed, with faring rim supported on a conforming base15in. (38.1cm.) high$2,000-3,000

183

•182

AN AMERICAN FAVRILE GLASS TRUMPET

VASE,

SIGNED IN ETCH ‘L.C. TIFFANY’ FOR TIFFANY

STUDIOS, CIRCA 1915,

numbered ‘3358 J’13ºin. (33.7cm.) high$2,000-3,000

182

•181

EIGHT AMERICAN FAVRILE GLASS TABLE

ARTICLES,

VARIOUSLY SIGNED IN ETCH LOUIS C. TIFFANY FOR

TIFFANY STUDIOS, FIRST QUARTER 20TH CENTURY,

comprising two fnger bowls and underplates with crimped rims, one bowl numbered ‘R 3417’, the plates numbered ‘W 816’ and ‘W 823’; two similar footed compotes, numbered ‘N 9144’ and ‘N 9148’; and a pair of small side bowls, both marked ‘1401’The underplates 6in. (15.3cm.) diameter (6) $1,000-1,500

181













25

•200

A GROUP OF AMERICAN GREEN FAVRILE

AND PASTEL GLASS TABLE ARTICLES,

SIGNED IN ETCH ‘L.C.T.’ OR ‘L.C. TIFFANY’ FOR


comprising a candlestick with twisted glass support on a shaped circular base; a miniature glass; and a fngerbowl and underplateThe underplate 8ºin. (20.9cm.) diameter (4) $1,500-2,000

200

•199

A GROUP OF AMERICAN BLUE FAVRILE AND

PASTEL GLASS WARES,

SIGNED IN ETCH ‘L.C.T.’ OR ‘L.C. TIFFANY’ , FOR


comprising a set of fve pastel plates; an oval candlestick on circular base, etched number ‘1890’; a small goblet, etched number ‘1281’; a large glass; and a futed vase, etched number ‘1873’The set of plates 8Ωin. (21.6cm.) diameter (9) $2,000-3,000

199

•198

AN AMERICAN FAVRILE GLASS FLORIFORM

TRUMPET VASE,


CIRCA 1899-1900,

numbered ‘M7633’11Ωin. (29.2cm.) high$2,000-3,000

198

•197

AN AMERICAN BRONZE-MOUNTED FAVRILE

GLASS TRUMPET VASE, AND TWO FAVRILE

GLASS VASES,

THE BRONZE STAMPED ‘LOUIS C. TIFFANY

FURNACES, INC.’, TWO VASES SIGNED IN ETCH ‘L.C.

TIFFANY’ FOR TIFFANY STUDIOS, FIRST QUARTER

20TH CENTURY,

the trumpet vase slender with ribbed body, etched number ‘5’ to base side, the bronze circular base with green enamel and lappet-form support, the base stamped number ‘159’; the frst vase conical on a circular footed base, etched number ‘782 L’; the second a foriform vase, apparently unsigned, etched number ‘7689A’The bronze-mounted vase 13ºin. (33.7cm.) high, overall (4) $2,000-3,000

197

•196

A SET OF FOUR AMERICAN FAVRILE GLASS

LINERS,

THREE SIGNED IN ETCH ‘L.C.T.’ FOR TIFFANY


cylindrical with scalloped rims, three with etched numbers ‘Y6445’, ‘Y8862’, ‘Y6455’; together with two pairs of gilt-bronze mounts variously cast and pierced with leaves and shell patternsThe liners 4æin. (12.1cm.) high (8)

$1,000-1,500


One with original applied paper label or

Tiffany Studios.196

•195

FIVE AMERICAN FAVRILE GLASS TABLE

ARTICLES,

TWO SIGNED IN ETCH ‘L.C.TIFFANY’ FOR TIFFANY


comprising a compressed globular vase with tall faring neck, numbered ‘1811’; a cylindrical bowl with broad everted rim; two small trumpet form vases, numbered ‘1873’ and ‘3597 J’; and a small cylindrical liner, numbered ‘Y 3282’The cylindrical bowl 12 º in. (31.1cm.) diameter (4)

$1,500-2,000


Three with original applied paper labels for

Tiffany Studios.

195

•194

TWO AMERICAN FAVRILE GLASS BOWLS

AND TWO FLOWER FROGS,

VARIOUSLY SIGNED IN ETCH FOR TIFFANY STUDIOS,

FIRST HALF 20TH CENTURY,

the frst bowl shallow with shaped rim, the second smaller and shallow on footed base; the frogs etched No. ‘3097 P’ and ‘29690/5-#6’The frst bowl 10Ωin. (26.7cm.) diameter (4) $800-1,200

194

•193

TWO AMERICAN BLUE FAVRILE GLASS

VASES,

SIGNED IN ETCH ‘L.C. TIFFANY’ FOR TIFFANY

STUDIOS, CIRCA 1915,

the frst ribbed on circular footed base, numbered ‘9326 J’; the second cylindrical waisted vase, numbered ‘1116 - 4986 L’; together with a similar blue iridescent glass foriform vase, signed in etch ‘Aurene’ for Steuben, numbered ‘723’The ribbed vase 13ºin. (33.7cm.) high (3) $3,000-5,000

193

•192

AN AMERICAN FAVRILE GLASS FOOTED

VASE,

TIFFANY STUDIOS, NO. ‘F1207’, CIRCA 1897,

apparently unsigned5ºin. (13.3cm.) high$2,000-3,000

192

•191

FOUR AMERICAN FAVRILE GLASS LARGE

BOWLS

VARIOUSLY SIGNED IN ETCH FOR TIFFANY STUDIOS,

VARIOUS MODEL NUMBERS, LATE 19TH-EARLY

20TH CENTURY,

comprising an iridescent ‘maple leaf’ bowl etched with vine and leaves to interior sides, a small butterfy to exterior, model No. ‘1808’; another iridescent blue ‘maple leaf’ bowl etched with vine and leaves to interior rim, model No. ‘1215’; an iridescent green foriform bowl, etched ‘15884’ to base; and a short footed compoteThe foriform vase 12ºin. (31.1cm.) wide (4)

$1,500-2,000


The iridescent ‘maple leaf’ bowl with original

applied paper label for Tiffany Favrile Glass.

191











26



201

•201

AN AMERICAN BRONZE MOUNTED

IRIDESCENT GLASS TRUMPET VASE,

THE BRONZE IMPRESSED ‘TIFFANY STUDIO, NEW

YORK’, NO. ‘223’, FIRST QUARTER 20TH CENTURY,

of faring form with scalloped rim issuing from a circular foliate-form base, the glass apparently unsigned; together with a similar glass vase mounted in a silver circular base, the silver marked ‘Sterling’The frst vase 13 æin. (35cm.) high, overall

(2) $1,000-1,500

202

•202

A GROUP OF AMERICAN ETCHED FAVRILE

GLASS TABLE ARTICLES,


FIRST QUARTER 20TH CENTURY,

each etched with a band of grape vine, comprising a bowl and underplate, a sherbert cup, a small wine glass and a cordial; together with a similar cordial on facetted stemThe small wine glass 6in. (15.3cm.) high (5) $1,000-1,500

203

•203

SIX AMERICAN PASTEL FAVRILE GLASS

GOBLETS, AND A SET OF SIX FAVRILE GLASS

SHOT GLASSES,

THE SET WITH ETCHED SIGNATURE ‘L.C.T.’ FOR

TIFFANY STUDIOS, VARIOUSLY NUMBERED, FIRST


the goblets of various sizes and colors, apparently unsigned; the set each with pinched sides; together with an associated gilt-metal mirrored standThe largest goblet 7 Ωin. (19cm.) high (13) $1,500-2,000


AND EDWARD MALAKOFF

•204

AN ASSEMBLED AMERICAN GREEN PASTEL

FAVRILE GLASS DESSERT SERVICE, AND A

PINK PASTEL FAVRILE GLASS PART TABLE

SERVICE,

VARIOUSLY SIGNED AND NUMBERED LOUIS

COMFORT TIFFANY FOR TIFFANY STUDIOS, FIRST


the dessert service comprising a green footed octagonal centerbowl and stand, four footed sherbert bowls, and four cake plates; the pink glass comprising four plates, fve water goblets, and two juice glassesThe green pastel stand 14 æin. (37.5cm.) diameter (21) $4,000-6,000

205

•205

THREE AMERICAN IRIDESCENT GLASS TABLE

ARTICLES,

ONE SIGNED IN ETCH ‘LOUIS C. TIFFANY, FAVRILE’,

THE OTHERS PROBABLY TIFFANY STUDIOS, FIRST

HALF OF 20TH CENTURY,

the frst a gilt-bronze mounted commemorative World War I medallion molded with an eagle and bell above ‘VICTORY 1918’; the second a turtleback tile, apparently unsigned; the third a rectangular tile molded with foliate vines and gourds, apparently unsignedThe turtleback 5 æin. (14.6cm.) long (3) $800-1,200

206


COLLECTION, TEXAS (LOTS 206-207)

•206

AN AUSTRIAN BLOWN GLASS AND PAINTED

METAL TABLE LAMP,

FIRST QUARTER 20TH CENTURY, POSSIBLY LOETZ

23in. (58.4cm.) high, overall (2) $1,000-1,500

207

•207

A FRENCH ETCHED AND ENAMELED GLASS

AND BRONZE ‘PEACOCK’ TABLE LAMP,


the base decorated with blue and green enamel cabochons20in. (50.8cm) high, overall$2,000-3,000

208

•208

AN AMERICAN FAVRILE GLASS VASE,

SIGNED IN ETCH ‘L.C. TIFFANY - FAVRILE’,

NUMBERED ‘7792 C’, CIRCA 1906

14ºin. (36.2cm.) high$800-1,200

209

•209

A FRENCH MOLDED FROSTED GLASS PANEL,

MASQUE DE FEMME,

LALIQUE, 20TH CENTURY,

apparently unsigned12Ωin. (31.8cm.) square$4,000-6,000

210

•210

A LIMITED EDITION FRENCH SILVER

MOUNTED MOLDED GLASS DESK SET,

EACH SIGNED IN ETCH ‘CREATION LALIQUE

FRANCE’, NUMBERED ‘1370/4810’, 20TH CENTURY,

created exclusively for MONTBLANC, comprising an inkwell and a rocker blotter, the silver marked ‘925’; together with a Lalique molded frosted glass square bowlThe bowl 11Ωin. (29.2cm.) square$1,500-2,000

204













27

PROPERTY OF A NEW YORK COLLECTOR

•211

A FRENCH PATE-DE-VERRE GLASS ‘TULIP’

VASE,

SIGNED IN ETCH ‘DAUM FRANCE’, 20TH CENTURY

13in. (33cm.) high$700-900

•212

A FRENCH FROSTED AND MOLDED GREY

GLASS GLOBULAR VASE, PALISSY,

SIGNED IN ETCH AND MOLDED ‘R.LALIQUE’, 20TH

CENTURY,

molded with small snail shells6Ωin. (16.5cm.) high$4,000-6,000

214




•214

AN ASSEMBLED ETCHED GREEN AND RUBY

FLASHED GLASS PART DRINKWARE AND

TABLE SERVICE,

19TH/20TH CENTURY,

the green-fashed comprising seven champagne futes, six wine glasses, four large wine glasses, a pair of candlesticks, six dessert plates and a compote; the ruby-fashed comprising twelve dinner plates, twelve dessert plates, twelve large wine glasses, twelve small wine glasses, and twelve water goblets; together with an etched clear glass tall vaseThe pair of candlesticks 14in. (35.5cm.) high

(87) $1,000-1,500

•215

TWO AMERICAN GILT-DECORATED CLEAR

GLASS DESSERT AND DRINKWARE PART

SERVICES,

20TH CENTURY,

the frst set possibly Cambridge, decorated with etched bowls and gilt rims comprising twelve dessert plates, twelve water goblets, thirteen red wine glasses, eleven white wine glasses, and ten sherry glasses; the second set clear glass decorated with gilt band rims comprising forty-one dessert plates, seventeen saucers, thirty-six fnger bowls, four large bowls, fourteen short tumblers, ffteen tall tumblers, eight water goblets, twelve champagne futes, ten short liqueurs, ten tall liqueurs, twenty-three white wine glasses and ffteen red wine glassesThe larger dessert plates 8 ºin. (21cm.) diameter

(225) $1,500-2,000

216

•216

A GILT-BRONZE MOUNTED SEVRES-STYLE

LARGE VASE AND COVER,

SPURIOUS INTERLACED L’S, LATE 19TH/20TH

CENTURY,

gilt decorated and enameled with a panel of lovers in a garden, signed H. Poitevin, the reverse with a landscape, the vase fanked by bronze foliate handles30in. (76cm.) high, overall$1,500-2,000

217

•217

A GILT-BRONZE MOUNTED SEVRES-STYLE

LARGE VASE AND COVER,

SPURIOUS INTERLACED L’S, LATE 19TH/20TH

CENTURY,

painted with panel scenes of a chateau landscape and courtly couples in a garden, signed ‘E. Collot’, on a gilt and cobalt ground, gilt-bronze acanthus swag handles, base and foliate knopped cover41 Ωin. (105.5cm.) high, overall$5,000-7,000

218

•218

A PAIR OF GERMAN PORCELAIN BALUSTER

VASES AND COVERS,

BLUE SCRIPT ‘R’ MARKS, LATE 19TH CENTURY,

in the Meissen style, each painted and gilt with alternating panels of courtly fgures and fowers on a yellow ground, the domed covers similarly decorated14 Ωin. (37cm.) high, overall (4) $800-1,200

219

•219

A VIENNA-STYLE PORCELAIN GILT-

DECORATED AND COBALT GROUND

CABARET,

UNDERGLAZE BLUE BEEHIVE MARKS, LATE

19TH/20TH CENTURY,

each piece decorated with panels of classical maidens within ‘jeweled’ borders, comprising a milk jug, a cream jug, a sugar bowl and cover, two coffee cans and saucers, and a circular trayThe tray 13in. (33cm.) diameter (9) $800-1,200

220

•220

A PAIR OF GERMAN PORCELAIN CREAM-

GLAZED ‘WEIMAR’ VASES AND COVERS,

BLUE SCEPTER MARK WITH INCISION FOR BERLIN,

LATE 19TH CENTURY,

each two-handled urn supported on circular pedestals, molded with acanthus, and serpents beneath classical borders, the covers with berried fnials17 Ωin. (44.5cm.) high, overall (4) $1,000-1,500

211

212

215

Ceramics (Lot 216-243)

213 No Lot







ype=external_link&url=http://www.christies.com/LotFinder/lot_details_proxy.aspx?saleroom=NYR&sale=3711&lot=0218



28



•230

A GROUP OF ENGLISH STAFFORDSHIRE

GLAZED EARTHENWARES,

LATE 18TH/19TH CENTURY,

comprising two creamware caulifower molded teapots and covers, circa 1765; a white saltglazed stoneware lobed pierced shallow basket and a set of six similar plates, all circa 1760; a saltglazed stoneware drab teapot and cover, circa 1820; a creamware Whieldon-type globular teapot and cover, circa 1760; a pair of creamware Whieldon-type lobed plates, circa 1760; a pair of creamware manganese, green and yellow splashed plates with shaped milled rims and a similar dish; two blue and white pearlware-type quintal tulip vases; a white saltglazed melon-form tureen and cover on stand; two small leaf-form dishes; a green majolica basket weave-molded dish; a splashed bowl; a footed cup; a molded stand; and a globular teapot with metal cover; together with a French agateware pottery teapot and cover, circa 1780The saltglazed shallow dish 12in. (30cm.) diameter (33) $2,000-3,000





•229

TWO ANGLO-GERMANIC SALTGLAZED

STONEWARE BELLARMINE JUGS,


each of bulbous ovoid form with loop handle applied to the neck, with stylized mask of a bearded man above heraldry medallionsThe larger 18in. (46cm.) high (2) $700-900

PRIVATE FROM A DISTINGUISHED PRIVATE

COLLECTION

•n228

A PAIR OF CONTINENTAL BISCUIT

PORCELAIN PLAQUES,

POSSIBLY FRENCH OR RUSSIAN, 19TH CENTURY,

in gilt-wood frames10 æin. (27.3cm.) high (2) $1,000-1,500

•227

A BERLIN (K.P.M) PORCELAIN OVAL

PORTRAIT PLAQUE OF A BEAUTY,

IMPRESSED MONOGRAM AND SCEPTRE MARK, F

AND 5, LATE 19TH/20TH CENTURY,

framedThe porcelain 10æin. (27.3cm.) high$4,000-6,000

PROPERTY OF A WEST COAST COLLECTOR

•226

AN ENGLISH MAJOLICA LARGE JARDINIERE

AND STAND,

IMPRESSED UPPERCASE MARK FOR MINTONS,

SHAPE NO. ‘650’. DATE CYPHER FOR 1876,

the sides molded and colorfully painted with oak branch-form handles, acorns and foliageThe jardiniere 21 in. (53.4cm.) wide (2) $2,000-3,000

•225

THREE SETS OF ENGLISH AND FRENCH

PORCELAIN DINNER PLATES,


the frst a set of twelve Haviland Limoges plates with foral borders; the second a set of twelve plates decorated with a coat-of-arms; and the third a set of eighteen Royal Worcester plates with frondsThe largest set 11in. (28cm.) diameter (42) $800-1,200

225

•224

AN ASSEMBLED FRENCH AND GERMAN

GILT-DECORATED PORCELAIN PART DINNER

SERVICE,

GILT CROWNED ‘N’ MARK OF LA PETITE, 20TH

CENTURY,

comprising three graduated oval platters, a circular tureen and cover, a milk jug, a gray boat on stand, eleven dinner plates, twelve salad plates, twelve bread and butter plates, twelve fruit dishes, twelve broth cups and saucers, eleven teacups and saucers, and eight demitasse cups; together with an assembled gilt coffee service with marks of Rosenthal and of Picard Limoges comprising two coffee pots and covers, three sugar bowls and covers, three milk jugs, nine coffee cups and saucers, a circular tray, two pairs of salt and pepper casters, and four ashtraysThe largest tray 16in.(41cm.) long (142) $1,000-1,500

•223

THREE SETS OF TWELVE ENGLISH

PORCELAIN DINNER PLATES

MARKS OF WEDGWOOD, COPELANDS SPODE, AND

STAFFORDSHIRE, ONE SET RETAILED BY TIFFANY &

CO., 20TH CENTURY,

the frst Wedgwood decorated with cranes on a gilt powder blue ground; the second a Copelands Spode decorated in Japonaise style on a lavender ground; the third Crown Staffordshire decorated with black and gilt Chinoiserie panels on a yellow groundThe yellow ground plates 10 ºin. (26cm.) diameter (36) $800-1,200 223

•222

A CONTINENTAL MAJOLICA UMBRELLA

STAND,

LATE 19TH/EARLY 20TH CENTURY,

molded, applied and painted with seed pods, fronds, butterfies and insects24 Ωin. (62cm.) high$700-900

222

•221

A CONTINENTAL GLAZED POTTERY TWO-

HANDLED JARDINIERE,

LATE 19TH CENTURY,

of ribbed globular form, painted and gilt decorated with leafy foral stems and pods, impressed ‘453’ on base18in. (46cm.) wide$800-1,200

221226

227

228

229

224

230













29

•240

AN ASSEMBLED ENGLISH STAFFORDSHIRE

SPONGEWARE TABLE SERVICE,

19TH/20TH CENTURY,

some decorated in polychrome with birds and foliage, comprising an oblong platter, a water pitcher, a teapot and cover, two sugar bowls and one cover, three milk jugs in various sizes, a thirteen-piece part miniature tea service, sixteen bowls in various sizes, three small teacups in various shapes and sizes, thirteen saucers, seven plates; together with two early Staffordshire cow creamersThe platter 17 Ωin. (44.5cm.) long (84) $2,000-3,000

•239

A DUTCH DELFT OVOID JAR, MOUNTED AS

A LAMP,

18TH/19TH CENTURY,

painted underglaze in blue and manganese with chinoiserie fgures, with gilt-bronze mountsThe jar 14in. (35.5cm.) high$1,000-1,500

239

•238

A DUTCH DELFT BLUE AND WHITE KETTLE

AND STAND,

LATE 18TH CENTURY,

the globular kettle painted with cartouches of 18th century scenes and fowers, with hinged cover and bronze swing handle, the stand pierced and applied with foliage17in. (43cm.) high, overall (2) $1,000-1,500

238

•237

A PAIR OF DUTCH DELFT WHITE-GLAZED

MODELS OF COWS,

19TH CENTURY,

each modeled standing in mirror image on a rectangular base9in. (23cm.) long (2) $800-1,200

237

•236

A PAIR OF DUTCH DELFT BLUE AND WHITE

VASES AND COVERS,

LATE 17TH/EARLY 18TH CENTURY, BLUE

MONOGRAMS POSSIBLY DE GREKSCHE A FACTORY,

each facetted baluster vase painted with chinoiserie panels, the covers surmounted by lion-form fnials13 æin. (35cm.) high, overall (4) $800-1,200

236

•235

FIVE ENGLISH AND CONTINENTAL GLAZED

EARTHENWARE VESSELS,

18TH/19TH CENTURY,

comprising two pearlware molded jugs, one dedicated to Admiral Nelson and Captain Berry; a blue and white apothecary wet-drug jar; a blue and white bottle vase; and a polychrome puzzle jugThe largest apothecary jar 9in. (23cm.) high (5) $2,000-3,000

235

•234

SEVEN VARIOUS ENGLISH EARTHENWARE

TOBY JUGS,

19TH CENTURY,

comprising a pale green lead-glazed example, four polychrome jugs, a brown saltglazed example, and a silver luster example; together with a Dutch polychrome monkey-form jugThe largest 12in. (30cm.) high (8) $1,000-1,500

234

•233

THREE AMERICAN COBALT DECORATED

STONEWARE STORAGE JUGS,

19TH CENTURY,

comprising two three-gallon jugs, one decorated with stylized foliage and with two applied handles at shoulder, the other decorated with a bird on a branch with applied loop handle; and a two-gallon jug decorated with stylized fower with applied loop handleThe largest 16 æin. (42.5cm.) high (3) $800-1,200

•232

A GROUP OF ENGLISH STAFFORDSHIRE AND

DUTCH EARTHENWARES,

18TH/19TH CENTURY,

the English wares comprising a fgural watch holder, two fox stirrup cups, a female fgure of ‘Hope’, a shepard boy, three lions, a trunk-shaped spillvase modeled with a sheep, and a group modeled as two kneeling girls; the Dutch wares comprising a three-piece blue and white garniture, a polychrome male bust, a lion and a tumbler with a hunting sceneThe largest 9 æin. (24.5cm.) (16) $1,000-1,500

232

•231

A PAIR OF DUTCH DELFT BLUE AND WHITE

MODELS OF SEATED HOUNDS, AND TWO

GROUPS OF DUTCH DELFT WARES,

THE HOUNDS SECOND HALF 18TH CENTURY, THE

GROUPS 18TH-20TH CENTURY,

the hounds seated on faux marble bases wearing yellow collars; the frst group blue and white decorated comprising two baluster jars and covers, two chinoiserie decorated plates, a similar rectangular boughpot, a square tea caddy, metal-mounted double condiment dish and a toby-type jug; the second group polychrome decorated comprising a large bowl painted with a ship, two large platters, a pair of foral plates, a chinoiserie plate, a small baluster vase, teapot and cover, and a hen-form oval dish and cover; together with a Continental polychrome broad-rimmed dishThe tallest baluster jar 17in. (43cm.) high (24) $2,500-3,500

231

233

240











30



241

•241

AN ASSEMBLED GROUP OF AMERICAN

REDWARE SLIP DECORATED VESSELS,

19TH CENTURY,

each variously decorated, comprising three oblong platters in graduated sizes variously decorated, eight plates in various shapes and sizes, two fsh molds, a circular bowl with crimped rim, a circular cake mold, fve jugs in various sizes, two planters in various sizes, a model of a dog, a double barrel vessel, a bird-form vessel, a baluster jar, and a cup; together with a Bennington-type brown glazed pitcher and coffeepot and coverThe largest platter 20 Ωin. (52.1cm.) long

(30) $2,000-3,000

•242

A FRENCH PORCELAIN PART DINNER

SERVICE,

BLACK PRINTED MARKS OF LIMOGES, RETAILED BY

TIFFANY & CO., 20TH CENTURY,

decorated with a silver tone band of bosses, comprising tow oval platters, two oval vegetable bowls, twenty dinner plates, twenty lunch plates, twenty soup plates, twenty salad plates, and twenty bread and butter platesThe dinner plates 12in. (30.5cm.) diameter

(104) $800-1,200

PROPERTY FROM A PRIVATE EUROPEAN

COLLECTION

•243

A PAIR OF ENGLISH BLUE AND WHITE

JASPERWARE CACHE POTS AND

UNDERPLATES,

IMPRESSED SMALL UPPERCASE AND MOUSTACHE

MARKS FOR WEDGWOOD, LATE 19TH/EARLY 20TH

CENTURY,

together with a pair of Parian-type composition circular plaques molded with putti and angelsThe plaques 12 /2in. (32cm.) diameter (6) $1,000-1,500

244





•244

A CHINESE EXPORT ‘MANDARIN PALETTE’

PUNCH BOWL,

18TH CENTURY,

enameled with fgures in pavilion scenes, the interior with a large foral sprig15 æin. (40cm.) diameter$1,500-2,000

245

•245

A CHINESE EXPORT PUNCH BOWL,

LATE 18TH CENTURY,

decorated with sepia tone vignettes within medallions, the rim with a gilt grape vine14 Ωin. (36.8cm.) diameter$1,500-2,000

•246

AN ASSEMBLED CHINESE EXPORT ‘CANTON

BLUE AND WHITE’ PORCELAIN DINNER

SERVICE,

19TH CENTURY,

decorated with stylized lake pavilion scene, comprising a tree-and-well rectangular platter, a meat platter, a soup tureen and cover, three rectangular vegetable dishes and covers, an oval vegetable dish and cover, a warming dish, a small sauce tureen and cover with stand, a footed shaped serving dish, a small rectangular platter, a pair of oval platters with reticulated borders, a pair of candlesticks, seven shallow plates, two teapots and covers, a milk jug, a cream jug, a small tazza, two pot de cremes and covers, a pair of tea bowls and saucers, and six additional tea bowls; together with a pair of Chinese Export plates for the American market in the ‘Blue Fitzhugh’ pattern decorated with initials and foral sprigs, and a Chinese Imari plate, 18th CenturyThe meat platter 18 æin. (47.6cm.) long (53) $1,000-1,500

247

•247

A CHINESE EXPORT MASSIVE PUNCH BOWL,

19TH/20TH CENTURY,

decorated with fgures in various landscapes within shaped cartouches, amongst a cobalt and gilt ground, the interior with various gold fsh amongst sea plantlife21 Ωin. (54.6cm.) diameter$2,000-3,000

248

•248

A CHINESE EXPORT-STYLE ‘TOBACCO LEAF’

FIVE-PIECE GARNITURE,

LATE 19TH /EARLY 20TH CENTURY,

each piece decorated in under glaze blue and famille rose enamels with phoenix amongst large leafy foliage and fowers, comprising three baluster vases and covers, and two beaker-form vasesThe vases and covers 11in. (28cm.) high, overall

(8) $2,000-3,000

249



FAMILY COLLECTION

•249

A CHINESE EXPORT ‘CANTON FAMILLE ROSE’

ASSEMBLED PART DINNER SERVICE,

19TH/20TH CENTURY,

in the ‘Rose Medallion’ pattern, comprising a large punch bowl, a circular platter, two graduated oval platters, a rectangular vegetable dish and cover, a two-handled sauce dish with cover and stand, a sugar bowl and cover, a cream jug, eleven boullion cups and covers, eight coffee cans, four teacups, four demitasse, ten dinner plates, seven scalloped luncheon plates, twenty-two dessert plates, ten bread and butter plates, seven side plates, thirty-two various saucers, nine large spoons, and ffteen demitasse spoons; together with another famille rose globular teapot and coverThe larger oval platter 16in. (40.6cm.) diameter$3,000-5,000

250

PROPERTY OF A TEXAS COLLECTOR (LOTS

250-271)

•250

A CHINESE MOTTLED CELADON JADE

MELON-FORM COUPE,

PROBABLY 19TH CENTURY

of quatrefoil section with hollowed interior and carved in high openwork relief with chilong dragons and borne on a leafy stem5 Ωin. (14cm.) wide$1,500-2,000

246

242

243

Chinese Export Works of Art (Lot 244-249)

Chinese Works of Art (Lot 250-315)













31

251

•251

A CHINESE TAUPE AND CELADON JADE

CARVING OF MONKEYS IN A PINE TREE,

carved in openwork, the gnarled trunk issuing from rockwork, and with two cranes atop grasping a sprig of lingzhi in their beaks7 æin. (19.7cm.) high$1,500-2,000

252

•252

A PAIR OF CHINESE SPINACH GREEN JADE

BOWLS,

each thinly carved bowl of rounded, slightly faring form and supported on a ring foot,11ºin.(28.5cm.) diameter (2) $2,000-3,000

253

•Ψ253

A CHINESE GREEN AND LAVENDER JADEITE

CARVED GROUP,

carved in high relief depicting three scholars playing a board game beneath pine in mountain landscape14in. (35.5cm.) long$1,000-1,500

254

•Ψ254

A CHINESE LARGE MOTTLED PALE GREEN

JADEITE DOUBLE GOURD-FORM VASE AND

COVER,

the vase hollowed out as a cave and surrounded by an elaborate network of immortals aloft on clouds with various attributes, the cover similarly carved12ºin. (31.1cm.) high (2) $2,000-3,000

255

•Ψ255

A CHINESE CELADON JADE PLAQUE, AND A

LAVENDER AND GREEN JADEITE CARVING,

the frst rectangular and carved on one side with immortals beneath pine and set within a carved hardwood frame; the second carved in high relief with cranes and fsh amongst lotusThe second 8in. (20.3cm.) long (2) $2,500-3,000

256

•Ψ256

A CHINESE MOTTLED PALE GREEN JADEITE

CARVING OF A GOURD

intricately carved and pierced as an openwork basket surrounded by birds and insects on berried foliage and enclosing another bird11in. (28cm.) high$1,500-2,000

257

•Ψ257

A CHINESE MOTTLED GREEN AND WHITE

JADEITE CARVING OF GOURD,

intricately carved as an openwork basket enclosing a bird, with another perched on foliage above, rockwork base6 ºin.( 15.8cm.) high$1,500-2,000

258

•Ψ258

A CHINESE RUSSET-SPLASHED LAVENDER

JADEITE FIGURAL GROUP,

carved as the immortal Wenshu astride a mythical beast, his face framed by a fame mandorla8in. (20.3cm.0 high$2,000-3,000

259

•259

A CHINESE MOTTLED GREEN HARDSTONE

CARVING OF TWO ELEPHANTS,

carved as a mother with her baby behind, a string of cash trailing across her back17in. (43.2cm.) long$2,000-3,000

260

•Ψ260

TWO CHINESE JADEITE CARVINGS,

the frst carved in relief from the pale greenish lavender stone with a shou medallion and cranes amidst pine; the second pierced and carved from the brown and green stone depicting a dragon and phoenix and a medallion9Ωin.(24.1cm.) wide (2) $2,000-3,000











32



•Ψ270

A CHINESE PALE LAVENDER AND GREEN

JADEITE CARVING OF A FRUIT BASKET,

carved on both sides with chrysanthemums, pomegranates, fnger citrons, lingzhi, lychee, peanuts and other foliate berries17in.(44.5cm.) high$2,000-3,000

270

•Ψ269

A CHINESE MOTTLED LAVENDER AND GREEN

JADEITE LARGE FRUIT BASKET,

carved and pierced in high relief on both sides, with chrysanthemums, peony, pomegranates, and peaches all with lush foliage22 Ωin. (57.1cm.) wide$1,000-1,500

269

•Ψ268

A CHINESE RUSSET AND LAVENDER JADEITE

GROUP OF VEGETABLES,

carved in high relief with cabbage, leafy gourds and peanuts, with butterfies taken from the russet skin of the stone11 Ωin.(29.2cm.) wide$3,000-5,000

268

•267

A CHINESE SPINACH GREEN JADE

OCTAGONAL LANTERN,

each thin panel carved in shallow relief with birds and seasonal fowers, joined by dragon-form fanges.11 Ωin.(29.cm.) high$3,000-5,000

267

•Ψ266

A CHINESE LARGE PALE LAVENDER AND

GREEN JADEITE CARVING,

carved in high relief depicting Shoulao and a pantheon of immortals on a rocky precipice with peach trees and swirling clouds22 Ωin. (57.1cm.) wide$2,000-3,000

266

•Ψ265

A PAIR OF CHINESE MOTTLED GREEN AND

PALE LAVENDER JADEITE FIGURES OF

COCKERELS,

each carved in mirror image and standing on a rock base with millet, a small boy astride its back11in. (27.9cm.) wide (2) $1,500-2,000

265

•Ψ264

A CHINESE PALE GREEN AND LAVENDER

JADEITE CARVED GROUP,

carved and pierced in high relief with two deer beneath a gnarled pine tree, birds nestling within the branches11in. (28cm.) high$1,500-2,000

264

Ψ263

A CHINESE MOTTLED GREEN JADEITE

BOULDER CARVING,

carved in high relief depicting a seated fgure of Buddha within a mountainous retreat with attendants38in. (97cm.) high$6,000-8,000

263

•262

THREE CHINESE SPINACH GREEN JADE

ARCHAISTIC VASES AND COVERS,

each vase of fattened form and two carved in relief on each side with archaistic motifs, the third with phoenix and blossoms, the shoulders fanked by mask and loose ring handles, each cover surmounted by a Buddhist lionThe tallest 15 Ωin. (39.4cm.) high, overall (6) $3,000-5,000

262

•261

A CHINESE PALE GREEN JADE FIGURE OF A

STANDING GUANYIN,

wearing long robes with foral jardiniere next to her8 æin. (22.2cm.) high$2,000-3,000

261













33

•280

A CHINESE TEADUST GLAZED BOTTLE VASE,

QING DYNASTY (1644-1911)

14 ºin. (36.2cm.) high$800-1,200

280

•279

TWO CHINESE WUCAI JARS,

17TH/18TH CENTURY

The larger 7 Ωin. (19cm.) high (2) $2,000-4,000

279

PROPERTY FROM THE COLLECTION OF ALFRED

E. GUNTERMANN (LOTS 278-287)

•278

A CHINESE BLUE AND WHITE PORCELAIN

SHALLOW BOWL,

JIAJING MARK AND OF THE PERIOD (1522-1566),

Bajixiang decoration8in. (23cm.) diameter$2,000-3,000

278

•277

A PAIR OF CHINESE SMALL DOUCAI CONICAL

BOWLS,

decorated with vines and blossoms, each with underglaze blue apocryphal six-character Yongzheng mark within double circle4 æin. (12.1cm.) diameter (2) $4,000-6,000

PROPERTY FROM THE COLLECTION OF

CHARLES AND MARGOT NESBITT, OKLAHOMA

CITY

•276

A CHINESE JUNYAO-TYPE SMALL CONICAL

BOWL

5in. (12.7cm.) diameter$800-1,200

•275

A CHINESE CELADON-GLAZED SMALL CUP

STAND,

UNDERGLAZE BLUE SIX-CHARACTER QIANLONG

MARK AND OF THE PERIOD

4 æin. (12.1cm.) diameter$4,000-6,000

•274

A CHINESE PORCELAIN ‘OIL SPOT’ SMALL

CONICAL BOWL

5in. (12.7cm.) diameter$2,000-4,000

273

A CHINESE CELADON AND RUSSET JADE

ARCHAISTIC SEAL,

carved as a crouching kilin on a rectangular base, seal script underneath3 ºin. (8.4cm.) high$2,000-3,000

273

272

A CHINESE GREY-GREEN AND RUSSET JADE

CARVING OF THREE RAMS,

each beast carved in a recumbent, a cloud-loft yinyang symbol at the hollowed center4 ºin. (10.4cm.) long$2,000-3,000

272

•Ψ271

A CHINESE APPLE-GREEN FLECKED PALE

LAVENDER JADEITE CARVING,

boldly carved in high relief with a dragon and boy amidst a cluster of pomegranates, the base formed from the dark green skin of the boulder14in. (36cm.) long$3,000-5,000

271 276

274

275

277











34



281

•281

A CHINESE FLAMBE GLAZED BOTTLE VASE,

QING DYNASTY (1644-1911)

14in. (35.5cm.) high$600-800

282

282

A CHINESE FAMILLE ROSE MEIPING,

QIANLONG MARK AND POSSIBLY OF THE PERIOD,

decorated with fgures beneath a pine tree8 æin. (22.2cm.) high

$4,000-6,000


Applied paper label for Chait Galleries, New

York.

283

•283

THREE CHINESE BLUE AND WHITE VASES,

17TH-19TH CENTURY,

comprising a gu-form vase with molded peony ground, with fan and roundel panels, underglaze blue artemesia leaf within double circle to base; a phoenix tail-form vase painted with birds amongst bamboo, underglaze blue double circle to base; and a rouleau vase with immortals and attendantsThe rouleau vase 19in. (48.3cm.) high$2,000-3,000

284

•284

A CHINESE PINK GROUND BOTTLE VASE,

decorated with two writhing dragons amongst peony below a yellow foliate band and furhter fower and fruit motifs, iron-red apocryphal six-character Guangxu mark to base16 Ωin. (41.9cm.) high$2,000-3,000

285

•285

A CHINESE FAMILLE ROSE VASE,

the baluster form with fattened shoulder decorated with three square landscape panels below three roundel foral panels all on a scrolling foliate lotus ground, apocryphal Qianlong mark9 ºin. (23.5cm.) high$1,500-2,000

286

•286

THREE CHINESE GLAZED PORCELAIN

VESSELS,

comprising a powder blue bottle vase, a faceted white vase, and a green archaistic-style vessel14in. (35.5cm.) high (3) $2,000-3,000

287

•287

THREE CHINESE SMALL CELADON JADE

CARVINGS,

comprising a fgure of a recumbent horse, a seated fgure of Budai with his kilin and a brown-fecked archaistic ringThe ring 1 æin. (4.4cm.) diameter (3) $1,500-2,000

288

288

A CHINESE GRAYISH CELADON JADE

ARCHAISTIC BI DISC,

carved in relief with stylized confronted chilong to one side, taotie masks to the reverse3 æin. (9.5cm.) diameter$2,000-3,000

289

289

A CHINESE CARVED WHITE AND RUSSET

JADE CYLINDRICAL BRUSH POT,

the stone with russet inclusions and carved in relief on the sides with a continuous scene of scholars in a mountainous landscape, supported on three feet5 Ωin. (13cm.) high$4,000-6,000

290

290

A CHINESE GRAY JADE ARCHAISTIC CONG,

the corners carved in relief with stylized taotie masks2 Ωin. ( 6.4cm.) high$800-1,200













35

291

291

A CHINESE FLECKED GRAY JADE

ARCHAISTIC CONG,

carved in relief with stylized horizontal bands of taotie masks3 Ωin. (8.9cm.) wide$3,000-5,000

PROPERTY OF A PRIVATE COLLECTOR (LOTS

292-293)

292

A CHINESE FAMILLE VERTE BALUSTER JAR,

19TH CENTURY,

decorated with fgures and attendants in a pavilion in a continuous landscape, underglaze blue double circle to base11 Ωin. (29.2cm.) high$1,200-1,800

293

A CHINESE FAMILLE ROSE SHALLOW DISH,

LATE QING DYNASTY,

decorated with large blossoms on branches on an apple green ground, iron-red four characters seal for ‘Hall for the Embodiment of Harmony’ to reverse9 Ωin. (24.1cm.) diameter$2,000-3,000

294




AND BOTANICAL GARDENS

•294

A CHINESE FAMILLE ROSE ENAMEL

CIRCULAR DISH,

QING DYNASTY, 19TH CENTURY,

painted on the interior with a shaped medallion depicting children in a garden within diaper and scrolling peony borders,the exterior and underside with bats blossoms and dragons10 ºin.(26cm.) diameter$2,000-3,000

295




•295

TWO CHINESE ENAMEL BOXES AND

COVERS, AND TWO SIMILAR TRAYS,

the rectangular boxes painted with alternating pomegranates and blossoms or fgural panels; the lobed trays with foliageThe larger box 6in. (15.2cm.) long (5) $700-900

296

•296

A CHINESE GILT-BRONZE MOUNTED GREEN

HARDSTONE RECTANGULAR BOX WITH

HINGED COVER,

20TH CENTURY,

the cover panel carved in relief with birds and magnolia, engraved mounts; together with another Chinese hardwood box inset with carved serpentine panelsThe frst 5in. (12.7cm.) long (4) $800-1,200

297

•297

A CHINESE SPINACH JADE ARCHAISTIC

GU-FORM VASE, MOUNTED AS A LAMP,

of fattened angular form carved with three pairs of loose ring handles and taotie masks; together with another green quartz vessel and cover carved with foliage and a bird, mounted as a lampThe frst, the stone, 15 Ωin. (39.5cm.) high$2,000-3,000

298

•298

A CHINESE YELLOW-GREEN SERPENTINE

TEAPOT AND COVER,

the globular body carved with panels of lotus and chrysanthemum, with bamboo-form handle and knopped cover8 Ωin. (21.5cm.) long over handle (2) $800-1,200

299

•299

A GROUP OF CHINESE HARDSTONE TABLE

ARTICLES,

comprising two rose quartz fgures of Guanyin, a small amethyst vase and cover, and a mottled green hardstone carving of a mountainThe tallest Guanyin 13in. (33cm.) high (4) $800-1,200

300

•300

A PAIR OF CHINESE CLOISONNE ENAMEL

AND HARDSTONE JARDINIERES,

each of rectangular form decorated with stylized peony scroll, the tree foliage carved from jade, serpentine, amethyst and other hardstones16 Ωin. (42cm.) high (2) $1,200-1,800

292

293

301 No Lot











36



311 No Lot

•310

A PAIR OF CHINESE CELADON-GLAZED

GU-FORM VASES MOUNTED AS LAMPS,

2OTH CENTURY,

each with crackled glaze16 Ωin.(42cm.) high (2) $1,000-1,500

309

A CHINESE GREEN AND GRAY FLECKED JADE

MODEL OF A RECUMBENT WATER BUFFALO

9 Ωin. (23.5cm.) long$1,800-2,200

309

PROPERTY FROM THE BEL AIR ESTATE OF DRS.

ISOBEL AND SALIM DALALI

•308

A CHINESE PALE GREEN JADE

BRUSHWASHER,

18TH/19TH CENTURY,

carved with confronting chilong; together with a carved amethyst model of an eagle on a branch, and a carved hardstone model of a recumbent water buffaloThe eagle 10Ωin. (26.6cm.) wide (3) $2,500-3,500

•307

A CHINESE CARVED MOTTLED GREYISH-

GREEN JADE MODEL OF A RECUMBENT

TIGER,

with ftted wood stand10Ωin. (26.6cm.) long$2,000-3,000

•Ψ306

A CHINESE CARVED PALE GREEN AND

RUSSET JADEITE FIGURAL GROUP OF

COCKERELS

6Ωin. (16.5cm.) high$2,000-3,000

305

A CHINESE ROCK CRYSTAL BRUSH WASHER,

of shallow oval form carved on the rim with a rooster and along the sides with swimming carp4 Ωin. (10.8cm.) long$700-900

305

304

A CHINESE CARVED ROSE QUARTZ VASE

AND COVER,

the vase of baluster form with handles and carved in high relief with lotus stems, bats and ducks amongst waves, the cover surmounted by another duck holding an aquatic stem in its beak16in. (40.5cm.) high, overall (2) $1,500-2,000

304

•303

A CHINESE GOLD EMBROIDERED RUST-

GROUND SILK ROBE,

LATE QING DYNASTY,

With side closing and horseshoe cuffs, embroidered on each side with fve-clawed dragons amongst cloud whorls, cranes and Buddhist symbols above a crashing wave border and diagonal stripes60in. (153cm.) long$800-1,200

303

•302

A CHINESE CLOISONNE ENAMEL INSET GILT

BLACK LACQUERED WOOD STOOL,

20TH CENTURY,

the top inset with a circular cloisonné enamel plaque decorated with birds on rockwork beneath peony, on fve cabriole supports and conjoined stretcher18 ºin. (46.5cm.) high$800-1,200

302

306

307

308

310












37




•n320

A LOUIS XVI STYLE MARBLE AND GILT

METAL-MOUNTED PORTICO CLOCK

23in. (58.5cm.) high, 13in. (33cm.) wide, 6ºin. (16cm.) deep$1,000-1,500

320

•319

AN INDIAN PICCHVAI OF KRISHNA

VENUGOPALA,


painted in bright colors on cloth depicting the blue skinned deity at center surrounded by devotees, framedThe image 46 Ωin. (118cm.) high$800-1,200

319

PROPERTY FROM THE COLLECTION OF ANN

AND GRAHAM GUND

•318

A CONTEMPORARY JAPANESE BLUISH-

WHITE PORCELAIN SCULPTURE, ENTITLED

KAYO,

MASAMICHI YOSHIKAWA, (B.1946) EARLY 21ST

CENTURY,

26 Ωin.(67cm.) long$2,000-3,000

317 No Lot



FAMILY COLLECTION

•316

A JAPANESE SATSUMA-TYPE MASSIVE

POTTERY VASE,

CIRCA 1900,

of elongated baluster form, thickly enameled with scenes of court fgures and fanked by beast-form and fxed ring handlesin. (cm.) high$1,000-1,500

316

•315

A PAIR OF OF CHINESE REVERSE PAINTINGS

ON GLASS OF LADIES,

LATE 19TH CENTURY,

each rectangular, depicting a court lady in three-quarter portrait, framedThe image 19 æin.(49.5cm.) (2) $800-1,200

315


(LOTS 314-315)

•314

A PAIR OF CHINESE ANCEST0R PORTRAITS,

QING DYNASTY, LATE 18TH/19TH CENTURY,

each rectangular portrait painted in ink and colors on silk, framedThe image 62in .(157.5cm.) high (2) $2,000-3,000

314

PRIVATE FROM A DISTINGUISHED PRIVATE

COLLECTION

•313

A PAIR OF CHINESE WHITE-GLAZED MASSIVE

FIGURES OF SCHOLARS,

20TH CENTURY,

each standing in long robe36in. (91cm.) high (2) $4,000-6,000

313

312

A PAIR OF CHINESE SPINACH AND EGG

GLAZED MODELS OF BUDDHIST LIONS,

each stylized beast modeled in mirror image with forepaw raised8 ºin. (21cm.) long (2) $1,800-2,200

312

318

Japanese and Southeast Asian Works of Art (Lot 316-319)

Furniture and Decorative Works of Art (Lots 320-488)

Wednesday 25 February

at 10.00 am









38



321

•n321

A FRENCH MAHOGANY AND GILT BRONZE-

MOUNTED SWIVEL FAUTEUIL DE BUREAU,

LATE 19TH CENTURY

36in. (91.5cm.) high, 22Ωin. (57cm.) wide, 23in. (58.5cm.) deep$800-1,200

322

•n322

A LOUIS XV STYLE ORMOLU-MOUNTED

KINGWOOD BUREAU PLAT

32in. (81.5cm.) high, 104in. (264cm.) wide, 51in. (129cm.) deep$4,000-6,000

323

•n323

A LOUIS XV STYLE ORMOLU THIRTY-LIGHT

CHANDELIER

33in. (84cm.) high, 31in. (78.8cm.) diameter$5,000-7,000

324

•n324

A GROUP OF THREE TABLE ACCESSORIES,


comprising a gilt metal-mounted glass bowl, a gilt metal, marble and glass table bell, and a gilt bronze fgure group on a malachite baseThe bowl 7Ωin. (19cm.) high (3) $800-1,200

325

•n325

A PAIR OF LOUIS XV STYLE FRAMED WALL

PANELS IN GILTWOOD FRAMES,

AFTER FRANCOIS BOUCHER

43in. (109cm.) high, 37Ωin. (95cm.) wide (2) $3,000-5,000

326

•n326

A PAIR OF LOUIS XV STYLE SHIELD-SHAPED

OVER DOOR PANELS IN GILTWOOD FRAMES,

AFTER FRANCOIS BOUCHER,

together with a similar exampleThe pair 155in. (139.5cm.) high, 50Ωin. (128.5cm.) wide (3) $3,000-5,000

327

•n327

A LOUIS XV STYLE SHAPED OVER DOOR

PANEL IN A GILTWOOD FRAME,


43in. (109cm.) high, 65in. (165cm.) wide$2,000-3,000

328

•n328

A PAIR OF LOUIS XV STYLE SHAPED OVER

DOOR PANELS IN GILTWOOD FRAMES,


48in. (122cm.) high, 70in. (178cm.) wide (2) $4,000-6,000

329

•329


[Genre Scenes]: Twelve Platestwelve engravings on wove paper, with marginsThe largest P. 14 º x 18 º in. (36.2 x 46.4 cm.)$1,000-1,500

330

•n330

A PAIR OF LOUIS XV STYLE FRAMED WALL

PANELS IN GILTWOOD FRAMES,


43in. (109cm.) high, 37Ωin. (95cm.) wide (2) $3,000-5,000













39

331

•n331

A PAIR OF LOUIS XVI STYLE GILT METAL-

MOUNTED KINGWOOD PARQUETRY

BEDSIDE TABLES

29in. (74cm.) high, 15in. (38cm.) wide, 20in. (51cm.) deep (2) $1,000-1,500

332

•n332

A LOUIS XV STYLE GILTWOOD AND MARBLE

TOP CONSOLE TABLE

43in. (109cm.) high, 62in. (157.5cm.) wide, 22in. (56cm.) deep$3,000-5,000

333 No Lot

334

•334

TWO SIMILAR CHINESE MARBLE-INSET

HARDWOOD STANDS,

LATE 19TH/20TH CENTURY

The larger 37Ωin. (95cm.) high, 19in. (48.5cm.) diameter, the smaller 37in. (94cm.) high, 17in. (43cm.) diameter (2) $1,000-1,500

335

•n335

A PAIR OF CUT GLASS CANDLEHOLDERS,

20TH CENTURY,

together with a pair of gilt metal and molded glass candelabra13æin. (35cm.) high (4) $1,000-1,500

•336

AN AMERICAN GILT METAL-MOUNTED

INLAID WHITE MARBLE TABLE CLOCK,

BY E.F. CALDWELL & CO., NEW YORK, EARLY 20TH

CENTURY

9Ωin. (24cm.) high$1,500-2,000

337

•n337

A WROUGHT IRON AND MARBLE TOP

CENTER TABLE,


37in. (94cm.) high, 56in. (142cm.) wide, 25Ωin. (65cm.) deep$3,000-5,000

338

•n338

A WROUGHT IRON AND MARBLE TOP

CENTER TABLE,



•n339

A PAIR OF ENGLISH BRASS COACHING

LANTERNS

30Ωin. (77.5cm.) high (2) $800-1,200

•n340

A PAIR OF LOUIS XV STYLE GILTWOOD AND

MARBLE TOP CONSOLE TABLES,

26in. (66cm.) high, 30in. (76cm.) wide, 17Ωin. (44.5cm.) deep (2) $1,000-1,500

336

339

340










40



•n350


CHANDELIER


350

•349

A PAIR OF GILT METAL ALTER STICKS

MOUNTED AS LAMPS,


53in. (134.5cm.) high (2) $800-1,200

349

•n348

TWO PAIRS OF FRENCH GILT METAL

CHENETS,


comprising a pair in the Regence style, one signed ‘F. BARBADIENNE’, both lacking log braces, and a pair in the Louis XV style; together with a set of four black-painted wrought iron fre tools and stand and a brass freguardThe Regence style chenets 24Ωin. (62cm.) high, the Louis XV style chenets 16in. (40.5cm.) high

(10) $2,000-3,000

348

•n347

AN ENGLISH BRASS FIRESCREEN, FIRE

FENDER AND THREE PAIRS OF BRASS

ANDIRONS

20TH CENTURY

The frescreen 37ºin. (94.5cm.) high, 21Ωin. (54.5cm.) wide (8) $2,000-3,000

•n346

A PAIR OF LOUIS XV STYLE GILTWOOD AND

MIRRORED VITRINE CABINETS,

each with three glass shelves67in. (170cm.) high, 39in. (99cm.) wide, 14in. (35.5cm.) deep (2) $5,000-7,000

•n345

A LOUIS XVI STYLE MARBLE AND GILT

METAL-MOUNTED THREE-PIECE CLOCK

GARNITURE,

comprising a mantle clock and a pair of candelabraThe clock 20in. (51cm.) high, 10Ωin. (26.5cm.) wide, 5æin. (14.5cm.) deep (3) $1,500-2,000

345

•n344

A LOUIS XV STYLE ORMOLU MANTLE CLOCK

18Ωin. (47cm.) high$1,000-1,500

344

•n343

A LOUIS XV STYLE GILTWOOD AND MARBLE

TOP CONSOLE TABLE,

together with a pair of Louis XV style giltwood chaisesThe console table 31in. (81cm.) high, 26in. (66cm.) wide, 13in. (33cm.) deep (3) $1,000-1,500

343

•n342

A PAIR OF LOUIS XV STYLE ORMOLU AND

CUT GLASS FIVE-LIGHT CANDELABRA

27in. (68.5cm.) high (2) $1,500-2,000

342

•n341


CHANDELIER


341

346

347













41

•n360

AN EMPIRE STYLE ORMOLU-MOUNTED

MAHOGANY AND MARBLE TOP CYLINDER

BUREAU,

19TH/20TH CENTURY

48æin. (124cm.) high, 50in. (127cm.) wide, 26in. (66cm.) deep$4,000-6,000

360

•n359

A CARVED MARBLE JARDINIERE

17Ωin. (44.5cm.) high, 44in. (112cm.) wide, 15in. (38cm.) deep$1,500-2,000

359

•n358

A LOUIS XVI STYLE COBALT AND PARCEL

GILT PORCELAIN AND GILT METAL-

MOUNTED THREE PIECE CLOCK GARNITURE

The clock 21in. (53.5cm.) high, 11in. (28cm.) wide, 9in. (23cm.) deep (3)$1,500-2,000

358

•n357

A PAIR OF REGENCY STYLE GILT BRONZE

FIVE-LIGHT WALL LIGHTS,

FIRST QUARTER 20TH CENTURY

17Ωin. (44.5cm.) high (2) $1,500-2,000

•n356

A WROUGHT IRON AND PARCEL GILT

JARDINIERE,

20TH CENTURY

13in. (33cm.) high, 48Ωin. (123cm.) wide, 12in. (30.3cm.) deep$800-1,200

356

354-355 No Lots

•n353

A GILTWOOD AND PLASTER MIRROR,


50in. (127cm,) high, 40in. (101.5cm.) wide$1,500-2,000

•n352

A PAIR OF LOUIS XV STYLE GILT AND

PATINATED BRONZE SIX-LIGHT CANDELABRA

29Ωin. (75cm.) high (2) $2,000-3,000

352

•n351

A FRENCH ORMOLU-MOUNTED AND

MALACHITE-VENEERED PORTICO CLOCK,


22in. (56cm.) high$2,000-3,000

351

353

357









42



•n361

A FRENCH PATINATED BRONZE FIGURAL

GROUP OF AN ARAB ON HORSEBACK,

‘CHASSE A LA GAZAELLE AU GUEPARD

PERSE’,

CAST FROM THE MODEL BY ALFRED DUBUCAND,


the naturalistic base inscribed DUBUCAND23in. (58.5cm.) high$1,500-2,000

•n362

A BRONZE FIGURAL GROUP OF THE

ABDUCTION OF PROSERPINA,

LATE 19TH CENTURY, AFTER FRANCOIS GIRARDON,

stamped 4700 on the base21Ωin. (53.5cm.) high$1,000-1,500

•n363

A FRENCH GILT AND PATINATED BRONZE

FIGURAL GROUP,

LATE 19TH/EARLY 20TH CENTURY, CAST FROM A

MODEL BY JEAN VERSCHNEIDER,

the base inscribed Jean Verschneider. and with foundery stamp LNJL Paris 2327 Ωin. (70cm.) high

$1,000-1,500

•364

A PATINATED BRONZE FIGURAL GROUP OF

PAN AND A FAUN,

CAST FROM A MODEL BY CHARLES ANTOINE

COYSEVOX , LATE 19TH CENTURY,

the base inscribed ‘F. BARBEDIENNE FONDE UA’ and ‘A. COYZEVOX F 1702’ as well as with a circular reduction seal30in. (76cm.) high$2,500-3,500

365 No Lot

366

•n366

A LOUIS XV STYLE GILT COMPOSITE PIER

MIRROR AND CONSOLE TABLE,

EARLY 20TH CENTURY,

the console table with a composition stone top103Ωin. (263cm.) high, 34Ωin. (88cm.) wide, 12æin. (32.5cm.) deep, overall$1,500-2,000

367

•n367

A FRENCH ORMOLU AND SEVRES STYLE

PORCELAIN-MOUNTED BURLWOOD

BONHEUR DU JOUR,

LATE 19TH/EARLY 20TH CENTURY

68in. (173cm.) high, 32in. (81cm.) wide, 22in. (51cm.) deep$4,000-6,000

•n368

A PATINATED BRONZE FIGURE OF MERCURY,

LATE 19TH CENTURY, AFTER GIAMBOLOGNA,

inscribed J de Bologne; on a dark green marble stepped base with a cast bronze band depicting the arts raised on a dark green marble pedestal84Ωin. (214.5cm.) high overall$3,000-5,000

•n369

A PATINATED WHITE METAL FIGURAL GROUP

OF ST. GEORGE AND THE DRAGON,

19TH/20TH CENTURY,

with inscription on green marble base (illegible)20in. (51cm.) high, 17¡in. (44cm) wide including base$1,000-1,500

•n370

A FRENCH PATINATED BRONZE FIGURE OF

AN ARAB TRIBESMAN,

19TH/20TH CENTURY,

the plinth inscribed ‘El. Guillemin’, with foundry inscription ‘Barye Fils’ and with roundel ‘FABRICATION FRANCAISE’ 32in. (81.5cm.) high, 24in. (61cm.) wide$2,000-3,000

371 No Lot

361

362

363

364

368

369

370












43

372

•n372

A LOUIS XVI STYLE GILT METAL-MOUNTED

MAHOGANY TWO-TIER TEA TABLE

33Ωin. (85cm.) high, 30in. (76cm.) wide, 21in. (53cm.) deep$800-1,200

373

•n373

A PAIR OF LOUIS XVI STYLE KINGWOOD

MARQUETRY AND PARQUETRY BEDSIDE

TABLES

32in. (81.3cm.) high, 19in. (48cm.) wide, 14in. (35.5cm.) deep (2) $800-1,200

374

•n374

A PAIR OF CARVED OAK SQUARE

PEDESTALS,

20TH CENTURY

41Ωin. (105.5cm.) high, 21in. (53.5cm.) square (2)

$2,000-3,000

375

•n375

AN ITALIAN INLAID WALNUT OCTAGONAL

CENTER TABLE,

LATE 19TH CENTURY, INCORPORATING EARLIER

ELEMENTS

32in. (81cm.) high, 47Ωin. (120.5cm.) wide, 47Ωin. (120.5cm.) deep$4,000-6,000

•n376

A PAIR OF GEORGE III STYLE GILT METAL

AND MIRRORED GLASS FIVE-LIGHT WALL

LIGHTS

30in. (76cm.) high, 16in. (40.5cm.) wide, 7in. (18cm.) deep (2) $1,500-2,000

•n377

TWO AMERICAN PATINATED METAL

WEATHERVANES,

comprising an eagle-topped example and a running horse exampleThe eagle-topped weathervane 50in. (127cm.) high; the running horse weathervane 30in. (76cm.) high (2) $2,000-3,000

378

•n378

A PAIR OF BLEACHED AND CARVED WOOD

MIRROR-TOP SIDE TABLES,

20TH CENTURY

28ºin. (72cm.) high, 22Ωin. (57cm.) wide, 16Ωin. (42cm.) deep (2) $1,000-1,500

379

•n379

A PAIR OF GEORGE III STYLE EBONIZED AND

PARCEL GILT SIX-LIGHT TORCHERES

89in. (226cm.) high, 16in. (40.5cm.) diameter (2)

$4,000-6,000

380


(LOTS 380-407)

•n380

A GEORGE III MAHOGANY LIBRARY

ARMCHAIR,

LATE 18TH CENTURY, RE-RAILED

39in. (99cm.) high, 29in. (73.5cm.) wide, 23in. (58.5cm.) deep$1,500-2,000

376

377










44



•n390

AN ENGLISH BLACK AND GILT JAPANNED

SIDE CABINET,

20TH CENTURY

36in. (91.5cm.) high, 36in. (91.5cm.) wide, 19in. (48cm.) deep$1,000-1,500

390

•n389

A NORTH EUROPEAN MAHOGANY WING

ARMCHAIR,

19TH CENTURY

46in. (117cm.) high, 25in. (63.5cm.) wide, 22in. (56cm.) deep$1,000-1,500

389

•n388

A GEORGE III MAHOGANY ARMCHAIR,

LATE 18TH CENTURY

38in. (97cm;) high, 26in. (66cm.) wide, 21in. (53cm.) deep$1,000-1,500

388

•n387

A GEORGE III MAHOGANY WRITING DESK,

EARLY 19TH CENTURY,

with a stepped back36in. (92cm.) high, 40in. (102.5cm.) wide, 28in. (71cm.) deep$3,000-5,000

•n386

AN ENGLISH MAHOGANY TUB BERGERE,

19TH CENTURY


386

•n385

A CONTINENTAL POLYCHROME-PAINTED

WALLPAPER FOUR-PANEL FLOOR SCREEN,

THE WALLPAPER LATE 19TH/EARLY 20TH CENTURY

each panel 84in. (213.5cm.) high, 22in. (56cm.) wide$1,500-2,000

385

•n384

A SET OF EIGHT REGENCY MAHOGANY

DINING CHAIRS,

EARLY 19TH CENTURY,

with tan leather seats35in. (89cm.) high, 18in. (46.5cm.) wide, 17in. (43cm.) deep (8) $2,500-3,500

384

•n383

AN ENGLISH PINE WELSH DRESSER,

20TH CENTURY, PROBABLY INCORPORATING

EARLIER ELEMENTS

87Ωin. (222cm.) high, 94in. (239cm.) wide, 22in. (56cm.) deep$3,000-5,000

383

•n382

A GILTWOOD PICTURE FRAME, NOW A

MIRROR,



382

•n381

A CONTINENTAL TOOLED LEATHER FOUR-

PANEL FLOOR SCREEN

Each panel 63in. (160cm.) high, 23in. (58.5cm.) wide$1,000-1,500

381

387













45

•n400

A CONTINENTAL MAHOGANY AND PARCEL

GILT CENTER TABLE,


29in. (74cm.) high, 40in. (101cm.) diameter$1,500-2,000

400

•n399

A SET OF FOUR VICTORIAN OAK DINING

CHAIRS,

SECOND HALF 19TH CENTURY


399

•n398

AN EBONIZED PEDESTAL,

19TH/20TH CENTURY

41in. (104cm.) high, 17in. (43cm.) wide, 17in. (43cm.) deep$800-1,200

•n397

AN ENGLISH BLACK AND GILT JAPANNED

SIDE CABINET,

20TH CENTURY


397

•n396

A PAIR OF MARBLE OBELISKS,

together with a William IV mahogany tea caddy, second quarter 19th centuryThe obelisks 18Ωin. (47cm.) high (3) $1,000-1,500

•n395

A GEORGE II STYLE MAHOGANY AND

WALNUT AND MARBLE TOP CONSOLE TABLE

31Ωin. (80cm.) high, 44in. (112cm.) wide, 20Ωin. (52cm.) deep$3,000-5,000

395

•n394

A PAIR OF LANCASHIRE STYLE MAHOGANY

ARMCHAIRS

37in. (94cm.) high, 24cm. (61cm.) wide, 25in. (63.5cm.) deep (2) $1,000-1,500

394

•n393

A REGENCY STYLE MAHOGANY CENTER

TABLE,

IRISH, LATE 19TH/EARLY 20TH CENTURY,

with a paper label for ‘A. MORGAN & CO....CABINET MAKERS TO HIS MAJESTY...DUBLIN’; together with a Regency mahogany hall chair, early 19th century29in. (74cm.) high, 53in. (134.5cm.) wide, 26Ωin. (67.5cm.) deep (2) $1,500-2,000

393

•n392

AN ENGLISH MAHOGANY LIBRARY

ARMCHAIR,


covered in crimson plush39in. (99cm.) high, 24Ωin. (62.5cm.) wide, 27in. (68.5cm.) deep$1,500-2,000

392

•n391

A VICTORIAN EBONIZED TALLCASE CLOCK,

LATE 19TH CENTURY,

the dial inscribed ‘WEBSTER/QUEEN VICTORIA ST./LONDON’86in. (218.5cm.) high, 21in. (53.5cm.) wide, 13in. (33cm.) deep$1,500-2,000

391

396

398

•n397A

A GEORGE III MAHOGANY LIBRARY

ARMCHAIR,

THIRD QUARTER 18TH CENTURY

40in. (101cm.) high, 30in. (76cm.) wide, 29in. (73.5cm.) deep$3,000-5,000

397A










type=external_link&url=http://www.christies.com/LotFinder/lot_details_proxy.aspx?saleroom=NYR&sale=3711&lot=0397A


46



401

•n401

A SET OF MAHOGANY LIBRARY STEPS,

20TH CENTURY

38Ωin. (98cm.) high, 16in. (41cm.) wide, 25in. (63.5cm.) deep$800-1,200

402

•n402

AN ENGLISH MAHOGANY CONSOLE

CABINET,

19TH CENTURY, THE TOP LATER, ADAPTED

39Ωin. (100cm.) high, 59in. (150cm.) wide, 21in. (53.5cm.) deep$2,500-3,500


The Christopher Hodsoll Collection, Sotheby’s

London, 29 Oct 2002, lot 189.

403

•n403

A WILLIAM IV MAHOGANY LIBRARY

BERGERE,

SECOND QUARTER 19TH CENTURY

41Ωin. (145.5cm.) high, 31in. (78.5cm.) wide, 32in. (81.5cm.) deep$1,000-1,500

404

•n404

A NORTH EUROPEAN MAHOGANY

COMMODE,

FIRST HALF 19TH CENTURY

32Ωin. (82.5cm.) high, 45in. (114cm.) wide, 20æin. (50cm.)$1,000-1,500

•n405

A BAROQUE STYLE GILTWOOD SIX-LIGHT

CHANDELIER,

together with a pair of gilt metal two-light wall lights, modern45in. (114cm.) high, 35in. (89cm.) diameter $2,000-3,000

406

•n406

AN ENGLISH MAHOGANY BUTTON-TUFTED

LIBRARY BERGERE,


42in. (106.5cm.) high, 28in. (71cm.) wide, 31in. (79cm.) deep $1,500-2,000

•n407

A FRENCH PROVINCIAL STAINED

FRUITWOOD BUREAU PLAT,


with a later leather top30in. (76cm.) high, 41in. (104cm.) wide, 23in. (58.2cm.) deep$1,000-1,500

408

PROPERTY FROM A DISTINGUISHED NEW YORK

COLLECTION

•n408

A GLASS AND CHROMED METAL FIVE-LIGHT

CHANDELIER,

LATE 20TH CENTURY

20in. (51cm.) high, 22Ωin. (57cm.) diameter$700-900

PROPERTY FROM THE COLLECTION OF

DOROTHY TREMAINE HILDT

•n409

A GROUP OF THREE BRASS AND GLASS

TABLES,

SECOND HALF 20TH CENTURY,

comprising a console table and two side tablesThe console table 27Ωin. (70cm.) high, 54in. (137cm.) wide, 24in. (61cm.) deep (3) $2,000-3,000

410

410

A PAIR OF FRENCH STAINED FRUITWOOD

AND UPHOLSTERED ARMCHAIRS,

CIRCA 1930

29 in. (73.5 cm.) high (2) $2,500-3,500

405

407

409

PROPERTY FROM A NEW YORK COLLECTION

•n409A

A GILT BRONZE FLOOR LAMP,

20TH CENTURY

58in. (147cm.) high$1,000-1,500

409A








type=external_link&url=http://www.christies.com/LotFinder/lot_details_proxy.aspx?saleroom=NYR&sale=3711&lot=0409A






47


(LOTS 411-413)

•n411

AN ENGLISH MAHOGANY AND BRASS-

BOUND TWO-DAY MARINE CHRONOMETER,

BY RICHARD HORNBY, CIRCA 1840

silvered dial signed RICHARD HORNBY/ Liverpool No. 9896¬in. (17cm.) high$1,500-2,000

•412

AN ENGLISH MAHOGANY CASED TWO-DAY

MARINE CHRONOMETER,

BY FRODSHAM & SONS, MID 19TH CENTURY,

dial signed Frodsham & Sons/Gracechurch St. London. 60296Ωin. (16.5cm.) high, 6ºin. (16cm.) square$1,500-2,000

•n413

AN ENGLISH MAHOGANY-CASED EIGHT-DAY

MARINE CHRONOMETER,

MID 19TH CENTURY,

dial signed Edw,, Baker,/London No.12017Ωin. (19cm.) high, 7¿in. (18cm.) square$2,000-3,000


•n414

A NORTH EUROPEAN GILT METAL-MOUNTED

WALNUT BEDSIDE TABLE,

19TH CENTURY

32Ωin. (82.6cm.) high, 19Ωin. (49.5cm.) wide, 16in. (40.6cm.) deep$1,000-1,500

415 No Lot

ESTATE OF BETTY BARTON EVANS

•n416

A FEDERAL MAHOGANY BOW FRONT CHEST

OF DRAWERS,

MID-ATLANTIC STATES, 1800-1820

38in. (96.5cm.) high, 41in. (104cm.) wide, 23æin. (60cm.) deep$1,000-1,500

417

PROPERTY OF A LADY (LOTS 417-430)

•n417

AN AMERICAN MAPLE AND OAK DRESSING

TABLE

30ºin. (77cm.) high, 34in. (88cm.) wide, 20in. (51cm.) deep$1,500-2,500

418

•n418

A FEDERAL MAHOGANY BOW FRONT CHEST

OF DRAWERS


•n419

AN AMERICAN GILTWOOD LOOKING GLASS,

mounted with a painted panel41Ωin. (106cm.) high, 22in. (56cm.) wide$3,000-5,000

420

•n420

A GEORGE II WALNUT AND STAINED

BEECHWOOD SIDE CHAIR,

MID 18TH CENTURY

38Ωin. (98cm.) high, 23in. (58.5cm.) wide, 18in. (46cm.) deep$300-500

411

416

412

413

414

419










48



•n430

AN ENGLISH GILTWOOD MIRROR

47in. (120cm.) high, 22Ωin. (57cm.) wide$2,000-3,000

430

•n429

AN AMERICAN OAK STRETCHER-BASE SIDE

TABLE

28in. (71cm.) high, 27æin. (70.5cm.) wide, 21Ωin. (55cm.) deep$1,000-2,000

429

•n428

TWO SIMILAR CHINESE EXPORT BRASS-

BOUND POLYCHROME-PAINTED LEATHER

AND CAMPHOR WOOD FOOT LOCKERS,

19TH CENTURY,

together with a wallpaper-covered small foot lockerThe largest foot locker 9Ωin. (24cm.) high, 25in. (84cm.) wide, 12ºin. (31cm.) deep (3) $300-500

428

•n427

A CHIPPENDALE MAHOGANY FOLD TOP

GAMES TABLE,

with a drawer28in. (71cm.) high, 33in. (84cm.) wide, 17in. (43cm.) deep$1,000-1,500

427

•n426

AN AMERICAN LATE FEDERAL MAHOGANY

WORK TABLE

29in. (74cm.) high, 19in. (48cm.) wide, 14Ωin. (37cm.) deep$400-600

•425

A PARCEL-GILT AND INLAID-MAHOGANY

LOOKING GLASS,

PROBABLY ENGLISH, 18TH CENTURY

47in. (119.4cm.) high, 26in. (66cm.) wide$2,000-3,000

425

•424

A GEORGE III INLAID MAHOGANY

CELLARETTE ON STAND

28in. (71cm.) high, 18Ω in. (47cm.) wide, 18Ω in. (47cm.) deep

$2,000-3,000


According to family tradition, this was once

owned by Patrick Henry

424

•n423

TWO AMERICAN POLYCHROME-DECORATED

CHILD’S CHAIRS,

one with a rush seat, the other with a caned seatThe larger 27Ωin. (70cm.) high. 15Ωin. (39cm.) wide, 12Ωin. (32cm.) deep; the smaller 24in. (61cm.) high, 13in. (33cm.) wide, 11æin. (30cm.) deep (2) $400-600

•n422

AN AMERICAN MAHOGANY AND PARCEL

GILT LOOKING GLASS

38ºin. (98cm.) high, 16in. (41cm.) wide$1,000-1,500

422

•n421

A WILLIAM AND MARY WALNUT GATE LEG

TABLE

26in. (66cm.) high, 9in. (22.8cm.) wide, 25in. (63.5cm.) deep closed$1,000-2,000

421

426

423













49


COLLECTION (LOTS 440-446)

•n440

A FRENCH BRASS-MOUNTED MAHOGANY

WRITING TABLE,


29Ωin. (75cm.) high, 51Ωin. (131cm.) wide, 27Ωin. (70cm.) deep$2,000-3,000

440

•n439

A PAIR OF BRASS SWING ARM FLOOR

LAMPS,

20TH CENTURY,

55Ωin. (141cm.) high (2) $700-900

439

•n438

A PAIR OF NORTH-EUROPEAN STYLE

COMMODES,

20TH CENTURY,

with an open shelf above two drawers30¡in. (77.2cm.) high, 42in. (106.7cm.) wide, 22in. (55.9cm.) deep (2) $1,500-2,000

438

•n437

AN ITALIAN CREAM PAINTED AND PARCEL

GILT FAUTEUIL,

18TH CENTURY

35Ωin. (90.2cm.) high, 25in. (63.5cm.) wide, 19in. (48.3cm.) deep$700-900

437

•n436

A PAIR OF CLUB CHAIRS COVERED IN

CREAM UPHOLSTERY,

20TH CENTURY

32Ωin. (82.6cm.) high, 33æin. (85.7cm.) wide, 35in. (88.9cm.) deep (2) $1,000-1,500

436

•n435

A GILTWOOD AND GILT METAL SIX-LIGHT

CHANDELIER,

20TH CENTURY

35in. (89cm.) high, 34in. (86cm.) diameter, excluding chain$1,500-2,000

435

•n434

A PAIR OF GILT METAL AND MIRRORED

GLASS TWO-TIER TABLES,

20TH CENTURY

25in. (63.5cm.) high, 15in. (38.1cm.) square (2) $1,000-1,500

434

•n433

A MAHOGANY AND PARCEL GILT DOUBLE

PEDESTAL DESK,

MODERN,

with a pale blue leather top30in. (76cm.) high, 64in. (162.5cm.) wide, 30in. (76cm.) deep$1,500-2,000

•n432

A PAIR OF GILTWOOD AND ROSE GLASS

MIRRORS,

20TH CENTURY


432

•n431

A LOUIS PHILIPPE MAHOGANY WRITING

TABLE,


30Ωin. (77.5cm.) high, 44in. (112cm.) wide, 25Ωin. (65cm.) deep$1,000-1,500

431

433











50



•n441

A VICTORIAN OAK AND LEATHER

BUTTON-TUFTED OPEN ARMCHAIR,

AND A CONTINENTAL BRASS-MOUNTED

MAHOGANY AND CANED SIDE CHAIR,

19TH CENTURY

The open armchair 34in. (86.5cm.) high, 27in. (68.5cm.) wide, 25Ωin. (65cm.) deep; the side chair 29Ωin. (75cm.) high, 21Ωin. (54.5cm.) wide, 18Ωin. (47cm.) deep (2) $800-1,200

442

•n442

A CONTINENTAL GREY-PAINTED SECRETAIRE

BOOKCASE,

LATE 19TH/20TH CENTURY, REDECORATED

84in. (213.5cm.) high, 40Ωin. (103cm.) wide, 18æin. (47.5cm.) deep$3,000-5,000

443

•n443

A CONTINENTAL WROUGHT IRON AND TOLE

ROOSTER-FORM CRUCIFIX,

mounted on a modern patinated metal base87in. (221cm.) high$800-1,200

•n444

A PAIR OF CONTINENTAL GILT METAL-

MOUNTED HANGING CABINETS,



445

•n445

A BALTIC BRASS-MOUNTED MAHOGANY

AND WALNUT SECRETAIRE A ABATTANT,



446

•n446

A CONTINENTAL WHITE-PAINTED SETTEE,

POSSIBLY INCORPORATING LATE 18TH CENTURY

ELEMENTS,

decoration refreshed; together with fve throw cushions45in. (114cm.) high, 71Ωin. (181.5cm.) wide, 25in. (63.5cm.) wide$1,500-2,000

447


AND EDWARD MALAKOFF (LOTS 447-461)

•n447

AN AMERICAN BRONZE THREE-LEGGED

FLOOR LAMP,

BY TIFFANY STUDIOS, CIRCA 1910,

the base stamped TIFFANY STUDIOS/NEW YORK/423, shade associated55in. (139.5cm.) high$1,500-2,000

448

AN AMERICAN COUNTERBALANCE FAVRILE

FABRIQUE GLASS AND GILT BRONZE

‘LINENFOLD’ TABLE LAMP,

BY TIFFANY STUDIOS, CIRCA 1920

15in. (38cm.) high, 7¬in. (19.3cm.) diameter of shade$6,000-8,000

449

AN AMERICAN PATINATED BRONZE AND

FAVRILE GLASS DESK SET,

BY TIFFANY STUDIOS, EARLY 20TH CENTURY,

in the Grapevine pattern, most stamped ‘Tiffany Studios’, comprising a mantel clock; a pair of candlesticks; two large picture frames; two smaller picture frames; two letter holders; two large rectangular covered boxes; two smaller covered rectangular boxes; two small rectangular open boxes; a large inkstand; three smaller inkstands, two square, one hexagonal; an ashtray with match holder; a footed ashtray; a cigarette box/match box; a cigarette box; a match book cover; a pair of bookends; a pair of large blotter ends; a paper blotter; a desk calendar, enameled ‘Tiffany’ on dial; a paper clip; a large letter scale; a pen holder; a paper sticker; a penholder; a letter opener; a desk lamp (electrifed); a receipt holder; a desk clock and a desk thermometer holder; together with a rectangular covered box, the sides in the Grapevine pattern, the top in the Pinecone patternThe mantel clock, the largest, 10Ωin. (26.5cm.) high, 6in. (15cm.) wide, 5in. (12.5cm.) deep (39) $10,000-15,000

•450

THREE BRONZE SMALL PAPERWEIGHTS,


comprising a gilt bronze recumbent tiger, a patinated bronze bulldog head and a patinated bronze sphinx; each stamped TIFFANY STUDIOSThe tiger, the largest, 4æin. (12cm.) wide (3) $800-1,200

441

444

448

449

450













51

•451

A PATINATED BRONZE AND FAVRILE GLASS

HEART-SHAPED PENDANT,


apparently not stamped; together with a favrile glass spherical-form drop,6in. (15.3cm.) high, 3ºin. (8cm.) wide$1,500-2,000

•452

A GILT BRONZE DESK SET IN THE ZODIAC

PATTERN,


most stamped TIFFANY STUDIOS with pattern numbers, comprising a pair of desk blotter ends, a set of four blotter corners, a picture frame, two large letter holders, an octagonal inkwell, a canted square smaller inkwell, a smaller letter holder, a paper tablet cover, a paper blotter, a magnifying glass, a mail scale, a pen tray, a rectangular paperweight, a rectangular covered box, a rectangular small covered box with tripartite interior, and a canted rectangular pot (lacking cover)The octagonal inkwell 6Ω in. (16.5cm.) high, 4Ω in. (11cm.) wide (21) $5,000-7,000

•453

AN AMERICAN FAVRILE FABRIQUE GLASS

AND BRONZE ‘LINENFOLD’ TABLE LAMP,

BY TIFFANY STUDIOS, CIRCA 1910

19in. (48.3cm.) high, 8in. (20cm.) diameter of shade$3,000-5,000

•454

AN AMERICAN ENAMEL AND GILT BRONZE

PARTNER’S DESK INKSTAND IN THE ZODIAC

PATTERN,

BY TIFFANY STUDIOS,

with replaced glass liner4in. (10cm.) high, 10æin. (27.3cm.) wide, 9æin. (24.8cm.) deep$2,000-3,000

•455

A GILT BRONZE AND FAVRILE GLASS TABLE

CLOCK IN THE GRAPE LEAF PATTERN,

TIFFANY STUDIOS, EARLY 20TH CENTURY,

stamped on base TIFFANY STUDIOS NEW YORK 8799Ωin. (24cm.) high, 6æin. (17cm.) wide, 5in. (12.5cm.) deep$2,000-3,000

•456

A BRONZE STANDING ASHTRAY,


stamped TIFFANY STUDIOS, NEW YORK 1561; adjustable height36in. (91.5cm.) high, fully extended$700-900

•457

A GILT BRONZE DESK CALENDAR, A GILT

BRONZE SMALL TWO-HANDLED DISH AND A

SET OF FOUR BRONZE NESTING DISHES,

TIFFANY STUDIOS, EARLY 20TH CENTURY,

each stamped TIFFANY STUDIOS NEW YORK with pattern number; the calendar in the Adam patternThe desk calendar 6in. (15cm.) high, 6Ωin. (16.5cm.) wide; the two-handled dish 5ºin. (13cm.) wide overall; the largest nesting dish 5in. (12.5cm.) wide (6) $1,000-1,500

n458

AN AMERICAN BRONZE AND FAVRILE GLASS

EXTENSIVE DESK SET IN THE PINE NEEDLE

PATTERN,

BY TIFFANY STUDIOS, EARLY 20TH CENTURY

most stamped TIFFANY STUDIOS NEW YORK with pattern number; comprising a jardinière, a handkerchief covered box; a three-panel table screen; a rectangular box; a small mail scale (lacking platform); four picture frames in three sizes; a pair of large blotter ends; a pair of smaller blotter ends; a hexagonal covered box; two large footed rectangular covered boxes in two sizes; two small footed rectangular covered boxes; a seal; a paper tablet with hinged cover; a pen tray; an inkpot; two nib brush stands; two larger letter holders; three smaller letter holders in two sizes; a large inkpot; a letter opener; a small vase; a calendar standThe jardnière, the largest, 4in. high, 12in. diameter (36) $6,000-8,000

459 No Lot

•460

A BRONZE TWO-LIGHT CANDELABRUM,

AND A PAIR OF SILVERED METAL FIVE-LIGHT

CANDELABRA,

EARLY 20TH CENTURY, THE BRONZE

TIFFANY STUDIOS, THE SILVERED PAIRPOINT

MANUFACTURING CO.,

the bronze candelabra stamped TIFFANY STUDIOS NEW YORK 1230; the pair stamped PAIRPOINT MFG WITH P WITHIN DIAMONDThe bronze candelabrum 9in. (23cm.) high, 8in. (20.5cm.) wide; the silvered candelabra 11ºin. (28.5cm.) high, 12æin. (32.5cm.) wide$2,000-3,000

451

456

452

453

454

455

457

458

460










52



•n470

TWO AFRICAN SIDE TABLES,

comprising a metal and wood drum-form example and a patinated metal exampleThe larger, the drum-form example, 16in. (40.5cm,) high, 20in. (51cm.) diameter (2) $1,000-1,500

470

•n469

AN ART DECO STYLE LIMED OAK CENTER

TABLE

29Ωin. (75cm.) high, 58in. (147cm.) diameter$1,000-1,500

469

•n468

A MAHOGANY AND WALNUT EXTENSION

DINING TABLE AND FIVE CHAIRS,


the chairs comprising two armchairs and three side chairs; with four leavesThe table 29in. (74cm.) high. 48in. (122cm.) diameter (6) $1,000-1,500

•n467

AN ART DECO STYLE LIMED OAK CONSOLE

TABLE


467

PROPERTY FROM THE HASCOE FAMILY


•n466

AN ART DECO STYLE ALABASTER LIGHT

FIXTURE

40in. (101cm.) high, 20in. (51cm.) diameter$1,500-2,000

466

•n465

A MODERN SILVER MODEL OF THE WRIGHT

FLYER,

20TH CENTURY,

mounted on a wood stand, marked ‘Sterling’, with plexi coverThe silver model 12Ωin. (31.8 cm.) wide

$800-1,200

Please see www.christies.com for addtional information on this lot.

465

•n464

A PAIR OF BRASS-MOUNTED AND RED-

LEATHER DECK-CHAIRS,

EARLY 20TH CENTURY,

with an apocryphal plaque engraved The Great-Eastern/Liverpool 181137in. (94cm.) high, 23in. (55.5cm.) wide, 48in. (122cm.) deep overall (2) $2,000-3,000

464

•n463

A PAIR OF ENAMELED METAL WORK

SCREENS,

20TH CENTURY,

stamped J.G.B.CO. CORP. 196594in. (238.5cm.) high, 47in. (119.5cm.) wide, 1ºin. (3cm.) deep (2) $3,000-5,000

463

•n462

A GLASS BEAD AND ALABASTER

CHANDELIER,

20TH CENTURY, AFTER A DESIGN BY ARMAND-

ALBERT RATEAU

36in. (91.5cm.) high, 21in. (53.5cm.) diameter$1,500-2,000

462

•461

A LEADED GLASS BUTTERFLY-FORM

PENDANT,

IN THE STYLE OF TIFFANY STUDIOS

6¡in. (25.4cm.) high, 10in. (16cm.) wide$1,000-1,500

461

468













53

PROPERTY OF A PRIVATE COLLECTOR, A

VENETIAN GENTLEMAN (LOTS 480-481)

•n480

A PAIR OF ITALIAN CUT AND BEADED GLASS

OCCASIONAL TABLES,

MODERN,

electrifed33ºin. (84.5cm.) high, 22in. (56cm.) diameter

(2) $4,000-6,000

480

•479

A PATINATED BRONZE DESK SET,

DESIGNED BY YSTAD BRONS, CIRCA 1930S,

comprising a matchbox holder, two candle sticks, a letter opener, a letter rack, two inkwells, two paperweights, and a pen trayThe tallest piece: 4√in. (12.4cm.) high (10) $1,500-2,000

•n478

A BRUSHED STEEL FLOOR LAMP,

LATE 20TH CENTURY,

with chromed metal shade60 in. (152.5 cm.) high$800-1,200

478

•n477

A CLOSE NAILED, STAMPED LEATHER AND

ROPE LARGE MIRROR,

MODERN

75Ωin. (192cm.) high, 54in. (137cm.) wide$1,500-2,000

477


•476

A PAIR OF BLACK MARBLE-MOUNTED

PARCEL GILT AND PAINTED VASES,


23in. (58.4cm.) high (2) $2,000-3,000


COLLECTION, TEXAS

•475

A FRENCH PATINATED BRONZE FIGURE OF A

FEMALE BATHER,

signed Jean Chorel30æ in. (78.1 cm) high$1,500-2,000

475

•n474

A PAIR OF GLASS AND CHROMED METAL

RADIATOR LAMPS,

20TH CENTURY

25Ωin. (64.8cm.) high, 13æin. (34.9cm.) wide, 6in. (15.2cm.) deep (2) $2,000-3,000


•n473

A FRENCH PORCELAIN AND ETCHED GLASS-

MOUNTED GILTWOOD OVER MANTEL

MIRROR,

LATE 19TH/ 20TH CENTURY,

regilt70in. (178cm.) high, 43in. (109cm.) wide

$3,000-5,000


Sotheby’s, 16 February 1994, lot 544.

473

•n472

A GEORGE III MAHOGANY CANTERBURY,

LATE 18TH CENTURY

17Ωin. (44.5cm.) high, 17in. (43cm.) wide, 12Ωin. (32cm.) deep$1,000-1,500

472

•n471

A PAIR OF STAINED WOOD CLUB CHAIRS,

MID 20TH CENTURY

37in. (94cm.) high, 39in. (99cm.) wide, 38in. (96.5cm.) deep (2) $1,500-2,000

471476

479

474











54



481

•n481

A SET OF FOUR ITALIAN BEADWORK

APPLIQUES,

20TH CENTURY,

electrifed32in. (81.5cm.) high (4) $3,000-5,000

PROPERTY FROM A NEW YORK COLLECTOR

•n482

A PAIR OF CHROMED METAL-MOUNTED

GLASS TRIPLE GOURD-FORM TABLE LAMPS,

OF RECENT MANUFACTURE

35Ωin. (90cm.) high (2) $3,000-5,000

PROPERTY FROM A PROMINENT NEW YORK


•n483

A PAIR OF GREEN AND CREAM-PAINTED

PEDESTALS,

20TH CENTURY

48in. (122cm.) high, 12in. (30.5cm.) diameter (2)

$700-900

484

•n484

A GROUP OF ELEVEN BALLROOM CHAIRS,

20TH CENTURY,

comprising ten brown-painted examples and one stained example, with cushions36in. (91.5cm.) high, 17in. (43.2cm.) wide, 16in. (40.5cm.) deep (11) $800-1,200

485

•n485

AN OIL CLOTH AND BAMBOO-COVERED

BOX,

19TH CENTURY

16in. (40.5cm.) high, 19in. (48.2cm.) wide, 14in. (35.5cm.) deep$600-900

486

PROPERTY OF A GENTLEMAN (LOTS 486-488)

•n486

A COROMANDEL LACQUER-INSET LOW

TABLE,

THE LACQUER 19TH/EARLY 20TH CENTURY, THE

TABLE OF A LATER DATE

18in. (45.7cm.) high, 40½ in. (102.8cm.) wide, 25in. (63.5cm.) deep $1,000-1,500

•n487

A SET OF FIVE ENGLISH BLEACHED

MAHOGANY OPEN ARMCHAIRS,


36in. (91.4cm.) high, 23in. (58.4cm.) wide, 17in. (43.2cm.) deep (5) $1,000-1,500

•n488

A VICTORIAN GLASS AND BRASS FLUID

LAMP,

LATE 19TH CENTURY, THE GLASS SHADE

ASSOCIATED,

together with a brass columnar-form lamp32in. (81.3cm.) high$800-1,200

489

•489

AN ACRYLIC BALL-FORM CLOCK,

20TH CENTURY,

face marked ‘S.L.Y. Namtug Co.’, with an associated base; together with a horseshoe form table clock8in. (20.5cm.) high (2) $800-1,200

490

•490

A ‘CHELSEA SHIP’S BELL’ CLOCK,

RETAILED BY TIFFANY, 20TH CENTURY,

on stand, dial signed ‘TIFFANY & Co.’6Ωin. (16.5cm.) high on stand$800-1,200

482

483

487

488

Furniture, Decorative Works of Art and Rugs (Lots 489-637)

Wednesday 25 February

at 2.00 pm













55

491

•491

AN ENGLISH ENGRAVED GILT-BRASS STRUT

TIMEPIECE,

IN THE MANNER OF THOMAS COLE, MID 19TH

CENTURY, RETAILED BY HUNT & ROSKELL

works signed HUNT & ROSKELL LONDON6ºin. (16cm.) high$3,000-5,000

492

•492


TIMEPIECE,


CENTURY, RETAILED BY HUNT & ROSKELL,

face signed HUNT/LONDON; works signed HUNT & ROSKELL LONDON6æin. (17cm. ) high$3,000-5,000

•493

A GILT-BRASS TABLE CLOCK AND TWO

BRASS CARRIAGE CLOCKS,

20TH CENTURY, RETAILED BY TIFFANY,

together with a double-dial carriage timepiece by L’Epee, retailed by AspreyThe largest 7æin. (19.5cm.) high (4) $2,000-3,000

494

•494

A FRENCH BRASS CARRIAGE CLOCK,

20TH CENTURY,

with repeat and alarm, dial signed ‘Arnex’5Ωin. (14cm.) high$1,000-1,500

495

•495

A TEMPLE-FORM FAUX BURLWOOD

STRIKING AUTOMATON TABLE CLOCK,

20TH CENTURY,

dial signed ‘Cartier’15ºin. (38.5cm.) high, 6ºin. (16cm.) square$300-500

496

•496


TIMEPIECE,

BY THOMAS COLE, MID 19TH CENTURY, RETAILED

BY HANCOCK

works signed THOS COLE LONDON6Ωin. (16.5cm.) high$2,000-3,000

497

•497

AN ENGLISH ENGRAVED GILT-BRASS SMALL

STRUT TIMEPIECE,


CENTURY, RETAILED BY M.F. DENT

face signed ‘M.F. DENT 34 COCKSPUR...’; together with an English small strut timepiece retailed by London & RyderEach 4√in. (12.5cm.) high (2) $3,000-5,000

498

•498


TIMEPIECE,

BY THOMAS COLE, MID 19TH CENTURY

face signed ‘THOS. COLE/LONDON’6Ω in. (16.5cm.) high$3,000-5,000

499

•499

THREE FRENCH MINIATURE TIMEPIECE

CARRIAGE CLOCKS,

LATE 19TH-20TH CENTURY,

Comprising an oval engraved brass example by L’Epee and retailed by Tiffany &Co., a gilt brass example by Leroy circa 1890, and a larger gilt-brass exampleThe oval carriage clock 4ºin. (11cm.) high; the gilt brass example by Leroy 3ºin. (8.5cm.) high; the larger gilt-brass example 5Ωin. (14cm.) high

(3) $1,000-1,500

•500

A GROUP OF EIGHT ENAMEL TABLE CLOCKS,

The largest 4ºin. (11cm.) high (8) $2,000-3,000

493

500











56



•510

A FLEMISH CARVED STONE BAPTISMAL

FONT FRAGMENT,

9Ωin. (24.2cm.) high, 16in. (40.5cm.) wide, 4æin. (12cm.) deep

$3,000-5,000


Margaret E. Fuller Purchase Fund

510

•509

A GERMAN CARVED LIMEWOOD FIGURE OF

CHRIST,

16TH CENTURY,

on a later base, cut at the mid-section11in. (28cm.) high$1,000-1,500

509

•508

A SPANISH SILVERED AND GILT COPPER

RELIEF OF THE CORONATION OF THE VIRGIN,

EARLY 17TH CENTURY

5ºin. (13.3cm.) high, 3Ωin. (9cm.) wide$1,000-1,500

508

PROPERTY SOLD TO BENEFIT THE ART

ACQUISITION FUND OF THE SEATTLE ART

MUSEUM (LOTS 507-534)

•507

A GERMAN CARVED OAK ROUNDEL OF THE

ADORATION OF THE MAGI,

EARLY 16TH CENTURY

11Ωin. (29cm.) high, 14in. (36.5cm.) wide$3,000-5,000

507

•n506

AN ART NOUVEAU MARQUETRY INLAID

ETAGERE,

BY LOUIS MAJORELLE, LATE 19TH/EARLY 20TH

CENTURY

top signed ‘L. Majorelle’39ºin. (99.7cm.) high, 23Ωin. (59.7cm.) wide, 22in. (55.9cm.) deep$4,000-6,000

506

•505

AN ART NOUVEAU BRASS STRIKING CLOCK,


twin barrel movement with a visible brocot escapement22¡in. (57cm.) high$800-1,200

505

•504

A SET OF FOUR GILT-METAL FRAMED

PORCELAIN MINIATURES,

LATE 19TH CENTURY,

The largest 5Ωin. (14cm.) high (4) $800-1,200

•503

A SET OF THIRTEEN TABLE BELLS,

together with four decorated metal doorstoppersThe largest 8in. (20.5cm.) high (17) $1,000-1,500

•502

AN ART DECO MARBLE AND GILT-METAL

MANTLE CLOCK,

RETAILED BY TIFFANY & CO, EARLY 20TH CENTURY,

dial marked ‘TIFFANY & CO.’6æin. (17cm.) high, 12in. (30.5cm.) wide$800-1,200

502

•501

AN ENGLISH ENGRAVED GILT-BRASS

INKWELL TIMEPIECE,


CENTURY, RETAILED BY HANCOCK

6ºin. (16cm.) high open$1,000-1,500

501

503

504













57

•520

A FRENCH POLYCHROME-DECORATED

GROUP OF SAINT CHRISTOPHER CARRYING

THE CHRIST CHILD,

ELEMENTS POSSIBLY LATE 15TH CENTURY,

Depicted standing24æin. (63cm.) high, 9in. (23cm.) wide, 7æin. (22cm.) deep$4,000-6,000

520

•519

A FLEMISH CARVED ALABASTER FIGURE OF

THE MADONNA,


with traces of gilding12ºin. (31cm.) high$5,000-7,000

•n518

A CARVED OAK RELIEF OF CHRIST BEARING

THE CROSS,

BRUSSELS, 16TH CENTURY,

with traces of polychrome24in. (61cm.) high, 15in. (38cm.) wide, 5in. (12.5cm.) deep$2,000-3,000

•517

A FRENCH ORMOLU GROUP OF THE VIRGIN

AND CHILD,

19TH CENTURY

12in. (30.5cm.) high$2,000-3,000

517

•516

A SPANISH BRONZE CORPUS FIGURE,

PROBABLY 19TH CENTURY,

on a later walnut cross14Ωin. (37cm.) high$1,500-2,000

516

•515

A FLEMISH CARVED WALNUT RELIEF OF THE

PRESENTATION OF CHRIST CHILD IN TEMPLE,


20Ωin. (52cm.) high, 17ºin. (44cm.) wide, 6in. (15cm.) deep$4,000-6,000

•514

AN ITALIAN GLAZED POLYCHROME-

DECORATED TERRACOTTA RELIEF OF CHRIST,

POSSIBLY BY THE WORKSHOP OF LUCA DELLA

ROBBIA (1399-1482), 15TH-16TH CENTURY,

a fragment within a metal and stone-inlaid, gilt and ebonized frame11in. (28cm.) high, 6in. (15.2cm) wide, 2¿in. (5.3cm.) deep (terracotta)22æin. (58cm.) high, 17in. (43cm.) wide, 2Ωin. (6.5cm.) deep (overall)

$3,000-5,000


David Benzaria, New York, by 1947

Purchased by Seattle Art Museum (funds from

Mrs. A.M. Young), 14 May 1947

514

•513

A FLEMISH CARVED OAK RELIEF OF CHRIST

AMONG THE DOCTORS,

CIRCA 1500


513

•512

A NORTH ITALIAN CARVED MARBLE PROFILE

OF A MALE HEAD,


20in. (50.8cm,) high, 11in. (28cm.) wide, 2Ωin. (6.5cm.) deep$2,000-3,000

512

•511

A FLEMISH CARVED BOXWOOD RELIEF OF

THE ADORATION OF THE SHEPHERDS,

CIRCA 1500

3in. (7.5cm.) high$1,500-2,000

511

518

515

519











58



•521

A FLEMISH CARVED BOXWOOD FIGURE

OF THE GOOD THIEF FROM CHRIST’S

CRUCIFIXION SCENE,

LATE 15TH CENTURY,

depicted contorted on the cross, elements missing10æin. (27cm.) high$4,000-6,000

522

•522

AN ITALIAN CARVED WHITE MARBLE

ROUNDEL OF THE VIRGIN AND CHILD,

POSSIBLY 17TH CENTURY,

within a crimson plush display holderThe roundel 10Ωin. (26.5cm.) diameter$1,500-2,000

•523

A SPANISH POLYCHROME AND GILT-

DECORATED CARVED FIGURE OF SAINT

PAUL,

POSSIBLY 16TH CENTURY

24Ωin. (62cm.) high, 10in. (25.5cm.) wide, 6Ωin. (16.5cm.) deep$1,500-2,000

524

•524

A GILTWOOD AND POLYCHROME-

DECORATED LIMEWOOD FIGURE OF THE

VIRGIN,

AUSTRIAN OR SOUTH GERMAN, MID-18TH

CENTURY,

on a rocaille-carved base7in. (17.8cm.) high$1,000-1,500

•525

A GILT BRONZE FIGURE OF A SAINT,

ITALIAN OR SPANISH, 17TH CENTURY,

on a porphyry base6in. (15.25cm.) high$2,000-3,000

n526

A FLEMISH CARVED WALNUT FIGURAL

GROUP OF THE DESCENT FROM THE CROSS,

MID 15TH CENTURY

20in. (51cm.) high, 10√in. (27.5cm.) wide, 6ºin. (16cm.) deep$5,000-7,000

527

•527

A FLEMISH CARVED OAK GROUP OF THE

SEATED MADONNA AND CHILD,

16TH CENTURY,

on a later base13in. (33cm.) high$1,500-2,000

528

•528

A FRENCH CARVED POLYCHROME AND GILT-

DECORATED FIGURE OF A MALE SAINT,

15TH CENTURY

17Ωin. (44.5cm.) high$1,500-2,000

529

•529

AN ITALIAN BRONZE FIGURE OF A MALE

ECORCHÉ,

19TH CENTURY, AFTER THE MODEL BY LODOVICO

CARDI DA CIGOLI,

on a later marble base8in. (20cm.) high$1,000-1,500

530

•530

A GERMAN CARVED OAK RELIEF OF THE

BAPTISM OF CHRIST,

16TH CENTURY,

the reverse with a paper label for ‘MATHIAS KOMOR/WORKS OF ART/H676/NEW YORK’9Ωin. (24cm.) high, 11Ωin. (29.2cm.) wide$2,500-3,500

521 526

523

525













59

531

•531

A SPANISH CARVED WALNUT AND

FRUITWOOD TRIPTYCH,


depicting scenes of the life of Christ13in. (33cm.) high, 17in. (43cm.) wide$2,000-3,000

•532

A CENTRAL EUROPEAN CARVED LIMEWOOD

FIGURE OF THE MADONNA,

ATTRIBUTED TO FRANZ PREISS. MID 18TH CENTURY

7Ωin. (19cm.) high$2,500-3,500

533

•533

AN ITALIAN CARVED WHITE MARBLE

RELIEF OF A PAIR OF LIONS AND PEACOCKS

FLANKING THE TREE OF LIFE,


on a later ebonized wood base33in. (84cm.) high, 18in. (46cm.) wide, 6in. (15cm.) deep$2,000-3,000

534

•534

A CARVED BOXWOOD CORPUS FIGURE AND

CARTOUCHE,

ITALIAN OR GERMAN, LATE 16TH CENTURY,

within a later velvet and walnut stand10ºin. (26cm.) high$1,500-2,000

535

PROPERTY OF THE METROPOLITAN MUSEUM

OF ART (LOTS 535-539)

•n535

AN AMERICAN CHIPPENDALE MAHOGANY

SLANT-FRONT DESK

43Ωin. (110.5cm.) high, 45æin. (116cm.) wide, 24ºin. (61.5cm.) deep$3,000-5,000

536

•n536

AN AMERICAN QUEEN ANNE STYLE

MAHOGANY RUSH-SEAT ARMCHAIR,

38Ωin. (89cm.) high, 23in. (58.5cm.) wide, 20in. (51cm.) deep$1,000-1,500

537

•n537

AN AMERICAN CHERRYWOOD PEMBROKE

TABLE

28in. (71cm.) high, 34æin. (88cm.) wide, open, 18Ωin. (47cm.), closed, 32ºin. (82cm.) deep$1,000-1,500

538

•n538

A MAHOGANY ROUNDABOUT CHAIR

47in. (119.5cm.) high, 29in. (73.5cm.) wide, 25ºin. (64cm.) deep$1,000-1,500

539

•n539

A MAHOGANY TILT-TOP CANDLESTAND

28Ωin. (72.5cm.) high, 24Ωin. (62cm.) wide, 25in. (63.5cm.) deep$800-1,200

540

PROPERTY FROM A PRIVATE NEW YORK


•n540

A GEORGE III MAHOGANY AND MARBLE

TOP CONSOLE TABLE,


32in. (81.5cm.) high, 63in. (160cm.) wide, 29Ωin. (75cm.) deep$3,000-5,000

532











60




(LOTS 550-554)

•n550

A GOTHIC REVIVAL WALNUT, OAK AND

FRUITWOOD HALL CHAIR,

LATE 19TH CENTURY,

with lift-top seat48æin. (124cm.) high, 20in. (51cm.) wide, 18in. (45.5cm.) deep$100-200

550

•n549

A ROSE TOILE SMALL SOFA,

MODERN

36in. (91.5cm.) high, 60in. (152cm.) wide, 33in. (84cm.) deep (2) $800-1,200

549

•n548

A FRENCH STEEL AND BRASS CAMPAIGN

BED,

SECOND HALF 19TH CENTURY AND ADAPTED

42Ωin. (108cm.) high, 85Ωin. (217cm.) wide, 54Ωin. (138.5cm.) deep$1,500-2,000

•n547

A FRENCH BRONZE-MOUNTED MAHOGANY

AND YEWWOOD ETAGERE,

BY ESCALIER DE CRISTAL, PARIS, LAST QUARTER

19TH CENTURY,

the underside stamped ESCALIER DE CRISTAL/PARIS39æin. (101cm.) high, 32æin. (83cm.) wide, 20in. (51cm.) deep

$2,000-3,000

•n546

A THREE-SEAT COCOA PLUSH SOFA,

MODERN


546

PROPERTY OF A PRIVATE COLLECTION (LOTS

545-549)

•n545

A NORTH EUROPEAN BURR BIRCH AND

FRUITWOOD FALL-FRONT SECRETAIRE,


48Ωin. (123cm.) high, 45ºin. (115cm.) wide, 21in. (53.5cm.) deep$1,000-1,500

•n544

A TWO-SEAT SOFA COVERED IN BROWN

PLUSH,

MODERN

33in. (84cm.) high, 77in.(195.5cm.) wide, 33in.(84cm.) deep$1,000-1,500

544

•n543

A LOUIS PHILLIPPE WALNUT CHAISE-

LONGUE,


41in.(104cm.) high, 74in. (188cm.) wide, 29in. (73.4cm.) deep$1,000-1,500

543

•n542

A CONTINENTAL MAHOGANY OVAL

EXTENSION DINING TABLE,

FIRST QUARTER 19TH CENTURY

with three later leaves30in. (76cm.) high, 57in. (147.5cm.) wide, 46in. (117.cm.) deep$2,000-3,000

•n541

A SET OF TEN ENGLISH MAHOGANY DINING

CHAIRS,


with leather seats35in. (98cm.) high, 21in. (53cm.) wide, 18in. (56cm.) deep (10) $2,500-3,500

541

548

542547

545













61

•n560

A LOUIS XVI STYLE POLYCHROME PAINTED

AND MARBLE TOP COMMODE,


560

•n559

A LOUIS XVI STYLE GREY-PAINTED PORTER’S

CHAIR


559

•n558

A PAIR OF FRENCH ORMOLU CHENETS,

19TH CENTURY

16in. (40.5cm.) high, 20in. (51cm.) wide, 6in. (15cm.) deep (2) $1,000-1,500

•n557

A LOUIS XV STYLE ORMOLU AND PIETRA

DURA INLAID GUERIDON


557

•n556

A PAIR OF GEORGE III STYLE MAHOGANY

WINGBACK ARMCHAIRS

39in. (99cm.) high, 29in. (79.4cm.) wide, 23in. (53cm.) deep (2) $1,000-1,500

556



•n555

A PAIR OF ROCOCO STYLE GILTWOOD

GIRANDOLE MIRRORS,



555

•n554

A LAMINATED WALNUT ARMCHAIR,

20TH CENTURY

27ºin. (69cm.) high, 24ºin. (61.5cm.) wide, 19in. (48.5cm.) deep$700-900

554

•n553

THREE BLACK LEATHER UPHOLSTERED

BARSTOOLS,

20TH CENTURY, MANUFACTURED BY FREM ROJLE,

stamped ‘FREM ROJLE/MADE IN DENMARK’ to underside of seat31in. (78.5cm.) high, 14in. (35.5cm.) diameter

(3) $200-300

553

•n552

A FIBERGLASS REINFORCED POLYESTER

‘HARI’ TABLE AND THREE ‘OM’ CHAIRS,

DESIGNED BY SWAMI ANAND & MARZIO RUSCONI

CIRCA 2000

The table 18in. (45.5cm.) high, 50Ωin. (128.5cm.) wide; the chairs 19in. (48.5cm.) high, 31Ωin. (80cm.) wide, 27in. (68.5cm.) deep

(4) $800-1,200

552

•n551

A PAIR OF BLACK LACQUER AND YELLOW

PONY SKIN BARSTOOLS,

20TH CENTURY

38in. (96.5cm.) high, 19Ωin. (49.5cm.) wide, 17in. (43cm.) deep (2) $400-600

551

558











62



•561

AN OIL ON COPPER PANEL WITHIN A

GILTWOOD FRAME,

FOLLOWER OF JEAN-MICHEL MOREAU II, 19TH

CENTURY,

The copper panel measures 10√in. (27.6cm) high, 8√in. (22.5cm.) wide$2,000-3,000


Christie’s London, 10 June 1994, lot 17.

562

•n562

A REGENCE GILTWOOD MIRROR,


58in. (147.5cm.) high, 32in. (81cm.) wide$4,000-6,000

563

•n563

A LOUIS XVI ORMOLU-MOUNTED

MAHOGANY TABLE A ECRIRE,

BY DENIS LOUIS ANCELLET, LATE 18TH CENTURY,

stamped D L ANCELLET to one long rail28in. (71cm.) high, 32Ωin. (82.5cm.) wide, 18in. (46cm.) deep

$3,000-5,000

Denis Louis Ancellet maître in 1779.

564

•n564

A LOUIS XVI GREY-PAINTED BERGERE,

LATE 18TH CENTURY,

covered in grey and cream silk38in. (96.5cm.) high, 27in. (68.9cm.) wide, 22in. (56cm.) deep$1,500-2,000

•n565

A PAIR OF FRENCH ORMOLU FIGURAL

CHENETS,

19TH CENTURY,

in the style of Francois Thomas Germain19in. (48cm.) high (2) $1,500-2,000

566

•n566

A LOUIS XV GILTWOOD BENCH,

PROBABLY 18TH CENTURY AND ADAPTED


567

•n567

A REGENCY BRASS-BOUND MAHOGANY

WRITING TABLE,

EARLY 19TH CENTURY

29in. (73.5cm.) high, 36in. (91.5cm.) wide, 23in. (58.2cm.) deep$1,000-1,500


The Estate of Ambassador Pamela Harriman,

Sotheby’s New York, 19-21 May 1997, lot

937.

•n568

A PAIR OF FRENCH ORMOLU FIGURAL

CHENETS,

19TH CENTURY,

in the style of Francois Thomas Germain19in. (48cm.) high (2) $2,000-3,000

•n569

A PAIR OF LOUIS XVI STYLE GILTWOOD AND

MARBLE TOP GUERIDONS

27Ωin. (70cm.) high, 20in. (50.8cm.) diameter (2)

$2,000-3,000

•n570

A SILVERED METAL DRESSING TABLE,

20TH CENTURY


561

565

568

569

570













63

•n571

A MARBLE BUST OF A GIRL,

AFTER JEAN-ANTOINE HOUDON, LATE 19TH

CENTURY,

inscribed HOUDON 17Ωin. (44.5cm.) high

$1,500-2,000

572

•n572

A FRENCH PATINATED AND GILT METAL,

MAHOGANY AND SODALITE TWO-TIERED

SIDE TABLE,

20TH CENTURY

29in. (74.5cm.) high, 14in. (35.5cm.) wide, 21Ωin. (54.5cm.) deep$1,500-2,000

573 No Lot

574


(LOTS 574-580)

•n574

A PAIR OF NORTH EUROPEAN ORMOLU AND

PATINATED BRONZE THREE-BRANCH WALL

LIGHTS,

SECOND QUARTER 19TH CENTURY,

drilled for electricity11in. (28cm.) high (2)

$2,000-3,000


Acquired from Ouaiss Antiques, Paris,

September 1995.

575

•n575

A PAIR OF LOUIS XVI GILTWOOD CANAPES,

BY ANTOINE GAILLARD, CIRCA 1785,

upholstered in crimson velvet, stamped A. GAILLARD to the backrail of one52 in. (132 cm.) wide (2)

$6,000-8,000


Acquired from Galerie Perrin, Paris, September

1989.

Antoine Gaillard, maître in 1781.

576

•n576

A FRENCH ORMOLU AND BRONZE-

MOUNTED MAHOGANY CENTER TABLE,


29in. (74cm.) high, 37ºin. (94Ωcm.) diameter

$1,500-2,000


Acquired from Phillipe Delpierre, Paris,

September 1981.

577

•n577

A LOUIS XVI ORMOLU-MOUNTED PORTICO

CLOCK,

CIRCA 1790,

the movement with anchor escapement and silk suspension26in. (66cm.) high, 17æin. (45cm.) wide, 7in. (18cm.) deep

$3,000-5,000


Acquired from Wolff-Mueller, Copenhagen,

July 1989.

578

•578

A PAIR OF RUSSIAN ORMOLU

CANDLESTICKS,

EARLY 19TH CENTURY, NOW MOUNTED AS LAMPS,

electrifed13in. (33cm.) high, excluding ftments (2)

$2,000-3,000


Acquired from Jean Wanecq, Paris, September

1987.

579

•579

A LATE LOUIS XVI ORMOLU STRIKING

MANTEL CLOCK,

BY ARMINGAUD, PARIS, CIRCA 1790,

the enameled dial signed Armingaud Lne á Paris, leather inventory label inscribed 1138 to underside18in. (46cm.) high, 15in. (38cm.) wide, 5in. (13cm.) deep

$4,000-6,000


Acquired from Galerie Perrin, Paris, September

1990.

Please see www.christies.com for additional information on this lot.

580

•580

A PAIR OF FRENCH ORMOLU TWO-BRANCH

CANDELABRA,

MID-19TH CENTURY

15æin. (40cm.) high (2)

$1,500-2,000


Acquired from La Tour Camoufe, Paris, June

1989.

571










64



•n590

A FRENCH FRUITWOOD TRIC TRAC TABLE,


31in. (78.8cm.) high, 45in. (114.5cm.) wide, 24in. (61cm.) deep$1,000-1,500

590

•n589

A LOUIS XVI BRASS-INLAID MAHOGANY

AND FRUITWOOD WRITING TABLE,



589

•n588

A CONTINENTAL LOUIS XV STYLE ORMOLU-

MOUNTED TULIPWOOD CENTER TABLE


588

•n587

A CONTINENTAL GILTWOOD MIRROR,

PROBABLY 18TH CENTURY, ADAPTED FROM A

PICTURE FRAME

39Ωin. (100cm.) high, 21in. (71cm.) wide$2,000-3,000

•n586

A DIRECTOIRE BRASS-MOUNTED INLAID

MAHOGANY COMMODE,

LATE 18TH CENTURY, PROBABLY BY PIERRE

JOURDAIN

stamped P.J. JOURDAIN JME36in. (91.5cm.) high, 50Ωin. (128cm.) wide, 25in. (63.5cm.) deep

$4,000-6,000

Pierre Jourdain maître in 1779

586

•n585

AN EBONIZED AND PARCEL GILT MIRROR,

20TH CENTURY


•n584

A CONTINENTAL PATINATED BRONZE LOW

TABLE,

20TH CENTURY

15æin. (40cm.) high, 16in. (40.5cm.) diameter$1,500-2,000

584

•n583

A BRONZE, GILT BRONZE AND RESIN FLOOR

LAMP,

20TH CENTURY

63æin. (162cm.) high$1,500-2,000

583

•n582

A NORTH EUROPEAN INLAID FRUITWOOD

CONSOLE TABLE,

19TH CENTURY, THE SHELVES ASSOCIATED

33in. (84cm.) high, 42in. (107cm.) wide. 16in. (40.5cm.) deep$1,000-1,500

582

PROPERTY OF A NEW YORK PRIVATE

COLLECTOR (LOTS 581-585)

•n581

AN ART DECO INLAID MAHOGANY AND

FRUITWOOD CENTER TABLE,

DESIGNED BY MAXIME OLD,

stamped to underside28Ωin. (72.5cm.) high, 71in. (180.5cm.) wide, 37in. (94cm.) deep$2,000-3,000

581

585

587













65

•n600

AN ENGLISH INLAID MAHOGANY DOUBLE

PEDESTAL DESK,

20TH CENTURY

30in. (76cm.) high, 54in. (137cm.) wide, 30in. (76cm.) deep$700-900

600

•n599

A DUTCH BAROQUE STYLE BRASS TWELVE-

LIGHT CHANDELIER

51in. (129.5cm.) high, 71in. (79cm.) diameter$1,000-1,500

599

•n598

A PAIR OF ENGLISH MAHOGANY

ARMCHAIRS,

20TH CENTURY

35in. (89cm.) high, 23Ωin. (60cm.) wide, 20in. (51cm.) deep (2) $800-1,200

598

•n597

A GEORGE III STYLE MAHOGANY LARGE

BREAKFRONT SECRETAIRE BOOKCASE,

MODERN


•n596

A PAIR OF DECORATIVE BRASS DOORS,


84in. (213cm.) high, 21Ωin. (54.5cm.) wide, 1Ωin. (4cm.) deep (2) $3,000-5,000

596

•n595

A BAROQUE STYLE STAINED WOOD

TWELVE-LIGHT CHANDELIER

47in. (119cm.) high, 36in. (92cm. diameter$2,000-3,000

595

PROPERTY FROM THE FORBES COLLECTION

(LOTS 594-603)

•n594

A CHROMED METAL, GLASS AND MOOSE

ANTLER CENTER TABLE,

MODERN

29Ωin. (75cm.) high, 40in. (101cm.) diameter$1,500-2,000

594

•n593

A LOUIS XVI INLAID MAHOGANY WRITING

TABLE,

LATE 18TH/ EARLY 19TH CENTURY

28in. (71cm.) high, 25in. (63.5cm.) wide, 16in. (40.5cm.) deep$1,000-1,500

593

•n592

A LOUIS XVI MAHOGANY, AMARANTH AND

MARBLE TOP SIDE TABLE,

LATE 18TH CENTURY

29Ωin. (72.5cm.) high, 19in. (48cm.) wide, 14Ωin. (34.5cm.) deep$700-900

592

•n591

A LOUIS XVI STYLE ORMOLU-MOUNTED

MAHOGANY CONSOLE DESSERT

38in. (96.5cm.) high, 48in. (122cm.) wide, 18in. (45.8cm.) deep$1,000-1,500

591

597











66



601

•n601

AN EMPIRE STYLE GILT AND PATINATED

BRONZE EIGHT-LIGHT CHANDELIER

51in. (129.5cm.) high, 27in. (68.8cm.) diameter$2,000-3,000

602

•n602

A WILLIAM AND MARY STYLE OAK CENTER

TABLE


603

•603

AN OAK BOOKCASE CABINET,


55Ωin. (141cm.) high, 48in. (122cm.) wide, 13in. (33cm.) deep$1,500-2,000

604

PROPERTY FROM A PRIVATE ENGLISH


•n604


PINE SIDE CABINET,

19TH CENTURY,

the cornice painted with an inscription ‘IACOB BIEREL CATARI NA SCHAUB 1818’75Ωin. (191.5cm.) high, 68in. (173cm.) wide, 22in. (56cm.) deep$1,500-2,000

605

•n605

A CONTINENTAL PALE GREEN-PAINTED PINE

BUFFET A DEUX CORPS,

19TH CENTURY


606 No Lot

•n607

A FRENCH PROVINCIAL OAK ARMOIRE,

PARTS POSSIBLY 18TH CENTURY, THE CORNICE

ALTERED AND POSSIBLY ASSOCIATED


608

•n608


ARMOIRE,

19TH CENTURY

73in. (185.5cm.) high, 45in. (114.3cm.) wide, 23in. (58.5cm.) deep$2,000-3,000

PROPERTY FROM THE ESTATE OF KENNETH

BATTELLE (LOTS 609-615)

•609

A FRUITWOOD PARCEL EBONIZED SIDE

CABINET,


36in. (91.5cm.) high, 64in. (162.5cm.) wide, 22in. (56cm.) deep$800-1,200

•610

A PAIR OF BLUE-GLAZED LARGE TABLE

LAMPS,

20TH CENTURY

40in. (101.5cm.) high (2) $800-1,200

607

609

610












67

•611

A STAINED OAK SOFA COVERED IN STRIPED

VELVET,

20TH CENTURY,

with two bolster cushions33Ωin. (85cm.) high, 77in. (196cm.) wide, 30in. (76cm.) deep$1,000-1,500

•612

A RED-PAINTED SQUARE LOW TABLE, A PAIR

OF RED-PAINTED CARVED MIRRORS, AND

A CONTINENTAL BLACK JAPANNED PIANO

STOOL,

20TH CENTURY

The low table 17in. (43cm.) high, 34Ωin. (87cm.) wide, 34Ωin. (87cm.) deep (4) $1,000-1,500

•613

A GROUP OF THREE TABLE LAMPS,

19TH-20TH CENTURY,

comprising a Carcel bronze lamp with frosted glass shade, stamped label to the base; a bronze-painted wood archickoke-form lamp; and a marble vase-form lampThe Carcel lamp and shade 25Ωin. (65cm.) high

(3) $800-1,200

•614

A DISTRESSED PINE CORNER CUPBOARD,


97in. (246.5cm.) high, 57in. (144.5cm.) wide, 30in. (76cm.) deep$800-1,200

•615

A MODERN TWO-SEAT SOFA COVERED IN

WHITE TWILL,

together with seven throw pillows30in. (76cm.) high, 76in. (193cm.) wide, 40in. (101.5cm.) deep$800-1,200

616

PROPERTY OF A NEW YORK COLLECTION

(LOTS 616-618)

•n616

A PAIR OF BALTIC ORMOLU AND CUT-GLASS

FOUR-BRANCH WALL-LIGHTS,

EARLY 19TH CENTURY

41Ωin. (105.5cm.) high, 20æin. (52.5cm.) high (2)

$2,500-3,500

617

•n617

A FRENCH ORMOLU-MOUNTED MAHOGANY,

TULIPWOOD, SATINWOOD AND PARQUETRY

SIDE TABLE,

CIRCA 1880

32in. (81cm.) high, 22in. (56cm.) wide, 14ºin. (36cm.) deep$3,000-5,000

618

•618

A NORTH EUROPEAN VERRE EGLOMISE

MIRROR,


the arch cresting centered by an M monogram81Ωin. (207cm.) high, 41æin. (106cm.) wide$3,000-5,000

619

PROPERTY FROM THE COLLECTION OF NATHAN

AND JOAN LIPSON (LOTS 619-620)

•619

A GEORGE I WALNUT, YEWWOOD AND

PARCEL-GILT BUREAU CABINET,

CIRCA 1720,

the slant-front enclosing a ftted interior, the top of the lower section inscribed in black AMC/10866, the brasses and feet later91æin. (233cm.) high, 40Ωin. (103cm.) wide, 23ºin. (59cm.) deep$4,000-6,000

620

•620

A FRENCH ORMOLU-MOUNTED BLUE JOHN

AND FLUORSPAR URN,

19TH CENTURY, THE MOUNTS LATE 19TH CENTURY,

NOW MOUNTED AS A LAMP,

electrifed16ºin. (41cm.) high, excluding ftment$3,000-5,000

611

612

613

614

615











68



•n630

A HERIZ CARPET,

NORTHWEST PERSIA, CIRCA 1930

Approximately 10ft. x 7ft. (305cm. x 213cm.)$3,000-5,000

•n629

A KIRMAN RUG,

SOUTHEAST PERSIA, LATE 19TH CENTURY

Approximately 6ft. 7in. x 3ft. 7in. (201cm. x 109cm.)$4,000-6,000

•n628

A KASHAN RUG,

CENTRAL PERSIA, CIRCA 1930


PROPERTY OF A PRIVATE COLLECTION

•n627

TWO BESSARABIAN KILIM CARPETS,

19TH CENTURY

Approximately 10ft. x 8ft. 10in. (305cm. x 269cm.) and 6ft. 5in. x 4ft. 1in. (196cm. x 124cm.) (2) $800-1,200

627

PROPERTY OF A PRIVATE COLLECTOR,

NEW YORK

•n626

AN EMPIRE AUBUSSON CARPET,

FRANCE, CIRCA 1810,

reduced in lengthApproximately 16ft. 10in. x 12ft. 4in. (513cm. x 376cm.)

$2,000-3,000


Acquired from Dominique Chevalier, Paris,

1985.

PROPERTY FROM A PRIVATE NEW YORK

COLLECTION

•n625

A SUZANI EMBROIDERY,

UZBEKISTAN, CIRCA 1880,

now mounted on a stretcherApproximately 7ft. 7in. x 7ft. 7in. (231cm. x 231cm.)$5,000-7,000

625


•n624

A FLEMISH MYTHOLOGICAL TAPESTRY,

EARLY 17TH CENTURY,

depicting Cupid and Psyche103Ω x 100in. (262.8 x 254cm.) approx.$4,000-6,000

624

•n623

A LARGE SEAL STUFFED ANIMAL,

IN THE MANNER OF STIEFF, SECOND HALF 20TH

CENTURY

46in. (117cm.) long$800-1,200

623

•n622

AN ART DECO PAINTED CANVAS PANEL

FROM THE ORIGINAL ZIEGFELD THEATER,

MOUNTED AS A SCREEN,

PAINTED BY LILLIAN GAETNER PALMEDO CIRCA

1926-1927, UNDER THE DIRECTION AND DESIGN OF

JOSEPH URBAN

125in. (317.5cm.) high

$2,000-3,000 622

PROPERTY FROM A PRIVATE SOUTHEAST

COLLECTION

•621

A FRENCH ORMOLU-MOUNTED MAHOGANY

AND SATINE COMMODE A L’ANGLAISE,

BY EUGENE POTEAU, PARIS, LATE 19TH CENTURY,

with a later rose breccia marble top, the top of the cabinet door with plaquette signed E. POTEAU/Ameublement/59 Rue de Turenne/PARIS, Poteau stencil to the top of the case40æin. (103.5cm.) high, 72in. (183cm.) wide, 24in. (60.5cm.) deep$3,000-5,000

621626

628

629

630

Due to recent changes in US law, a permit will be required for the export of any carpet of Iranian origin. While Christie’s will assist the purchaser with a permit application, the purchase is not conditional upon receiving a permit.

Please see the Conditions of Sale paragraph 4(e) titled “Export license” for further details.













69

•n637

TWO MOROCCAN FLATWEAVES,

20TH CENTURY

Approximately 9ft. 3in. x 4ft. 9in. (282cm. x 154cm.) and 6ft. 4in. x 3ft. 7in. (193cm. x 109cm.) (2) $1,000-1,500

637



•n636

AN EAST TURKESTAN CARPET,

CIRCA 1900


636

PROPERTY OF A LADY

•n635

A CHRISTOPHER FARR CARPET,

CIRCA 2000


635

•n634

A CHINESE NICHOLS CARPET,

CIRCA 1930


634

PROPERTY FROM A DISTINGUISHED NEW YORK


•n633

A CHINESE NICHOLS CARPET,

CIRCA 1930


633

•n632

A SHIRVAN MARASALI RUG,

EAST CAUCASUS, LAST QUARTER 19TH CENTURY

Approximately 6 ft. x 3 ft. 3 in. (183 cm. x 99 cm.)

$3,000-5,000


Anonymous sale; Christie’s New York,

19 June 2003, lot 67.

632

•n631

A MELAS RUG,

WEST ANATOLIA, CIRCA 1900

Approximately 5 ft. 10 in. x 4 ft. 2 in. (147 cm. x 127 cm.)

$3,000-5,000


Anonymous sale; Sotheby’s New York,

1 April 2003, lot 161.

631

Due to recent changes in US law, a permit will be required for the export of any carpet of Iranian origin. While Christie’s will assist the purchaser with a permit application, the purchase is not conditional upon receiving a permit.

Please see the Conditions of Sale paragraph 4(e) titled “Export license” for further details.

END OF SALE








Fine Art Index

AAdrion, L., 136Aïzpiri , P., 12, 13Aïzpiri, P., 22American School, 58, 60, 62, 63, 67, 68, 69, 70, 71, 148Antonakos, S., 147Archuleta, F.B., 48Artist Unknown, 87

BBak, S., 126, 127Baldus, E., 102, 103Bassano, J., 76Baum, D., 47Bidner, R., 106Bonheur, R., 93Boriani, D., 36Brandi, G., 101Brasilier, A., 18British School, 57Brouwer, A., 81Burlin, P., 113, 114

CCampbell, L., 109Campus, P., 139Capron, J., 6, 7, 8Carlson, W., 37Charon, G., 3, 4Chorel, J., 475Ciry, M., 30Continental School, 86Cornell, J., 46Crocker, J.D., 66

Dd’Orgeix, C., 52De Lempicka, T., 131, 132, 133, 134, 135de Zwart, W., 84Di Cavalcanti, E., 120Dickson, J., 108Dine, J., 141Dunow, E., 110

EEdwards, B., 124Eggleston, W., 140

FFerguson, M., 107Ferrero, 21Fox, E.M., 72, 73, 74, 75French School, 56, 94

GGail, W., 78Gainsborough, T., 89German School, 100Gromaire, M., 29Gullager, C., 104

HHajdu, E., 41Helleu, P., 137Hermanus, P., 98

IIcart, L., 138Ipoustéguy, J.R., 42

JJansem, J., 11, 16, 17, 27, 31Janszoon van Mierevelt, M., 91Johnson, M., 61

KKolar, J., 49Koons, J., 54

LLaing, G., 142Lanyon, E., 53Lipchitz, J., 121Lucchesi, B., 112Lurçat, J., 14

MMaris, J., 83Martin, F., 122Mexican School, 116, 117, 118, 119Milder, J., 145Moretti, L.P., 20Morland, G., 77Morris, K., 115Morris, W., 40Moskowitz, R., 125Müller, R., 50

NNatkin, R., 123Neilson, R., 130nendo, 55Newman, A., 45

OOldenburg, C., 143

PPayne, E.A., 65Picasso, P., 35

RReeves, R.S., 129Richards, W.T., 64Rigaud, J., 95Rizek, E., 79Robert-Fleury, J.N., 99

SSavin, M.L., 5, 9, 10Sébire, G., 1, 2, 23Simbari, N., 19, 32, 33Simons, F., 80Steckel, H., 111Suñol Muñoz Ramos, A., 15, 34

TTeniers, D., 90Thurber, J.G., 43

UUbeda, A., 24, 25

Vvan Mieris, F., 82Venard, C., 28Venetian School, 92

WWaldman, P., 146Walt Disney Studios, 44Ward, E., 85Westchiloff, K., 97Wharton, M., 38Wilem van Soest, L., 105

YYoungerman, J., 144

ZZynsky, T., 39

Auction Calendar Interiors 2015

N E W Y O R K

Wednesday-Thursday

1-2 APRIL

Rockefeller Center

Tuesday-Wednesday

23-24 JUNE

Rockefeller Center

1

All written bids are subject to the Conditions

of Sale and Notices printed in the catalogue.

2

Although to be certain of buying a lot you

should attend the auction, Christie’s will use

reasonable efforts to carry out written bids

delivered to us prior to the sale. A maximum

price should be given against each lot and the

auctioneer will bid on your behalf. Written

bids should be consistent with the normal

increment in bidding at the relevant level.

3

If your bid is successful, the purchase price

payable will be the aggregate of the final

bid and a buyer’s premium of 25% on each

lot up to and including $100,000 plus 20%

of the excess above $100,000 up to and

including $2,000,000 plus 12% of any sum

in excess of $2,000,000, together with any

additional applicable charges, such as sales

or compensating taxes.

4

Please ensure you have left bids on the

correct lots and that your written bids are

received by no later than the day before the

sale begins. In certain circumstances it may

not be possible to execute bids received after

the start of the sale.

5

If we receive written bids on a particular lot

for identical amounts, and at the auction

these are the highest bids for the lot, it will

be sold to the person whose written bid

was received and accepted first. Written

bids submitted on “no reserve” lots will, in

the absence of a higher bid, be executed

at approximately 50% of the low pre-sale

estimate or at the amount of the bid if it is

less than 50% of the low pre-sale estimate.

The auctioneer may execute absentee bids

directly from the rostrum clearly identifying

these as “absentee bids,” “book bids,””order

bids” or “commission bids.” Absentee Bids

Forms are available in this catalogue, at any

Christie’s location or online at christies.com.

6

Please note that we do not accept

responsibility for notifying you of the result of

your bid and request that you contact us after

the sale for your result.

7

Purchases must be paid for and picked

up within 35 days of the sale, after which

handling and administration fees may accrue

in accordance with notices in salerooms

and as set forth in the POST-SALE CARE

section in this catalogue.

8

To ensure that bids will be accepted and that

delivery of lots is not delayed, new clients

or existing clients planning to spend sums

inconsistent with their buying history may be

asked to supply written bank or other suitable

references to Christie’s. The references should

be supplied in good time before the sale.

Collection orders for purchased lots will not

be posted. Please enquire with Cashiers

+1 212 636 2480.

9

At the time of making payment for successful

bids, please inform us if you wish to contact

Christie’s Art Transport Department for

shipping or removal.

10

Export Licences: Overseas buyers, please

ensure that you are aware of any restriction

or licence requirements for your intended

purchase. If you are unsure, please contact

your local customs authority, an international

shipper or Christie’s Art Transport Department

on +1 212 636 2480.

11

Execution of written bids is a free service

undertaken subject to other commitments

at the time of the sale. The volume of goods

is such that we cannot accept liability in any

individual instance for failing to execute a

written bid or for errors and omissions in

connection with it arising from circumstances

beyond our reasonable control.

Absentee Bids

Is it like a Sealed Bid?A little. The key difference is that a sealed bid

is a fixed sum which, if you are successful,

you will end up paying regardless, whilst

a written bid is your maximum level (plus

buyer’s premium and applicable taxes)

and you may end up paying less than that.

What will I pay?If you are successful, the purchase price

payable will be the aggregate of the final

bid and a buyer’s premium of 25% on each

lot up to and including $100,000, plus 20%

of the excess above $100,000 up to and

including $2,000,000, plus 12% of any sum

in excess of $2,000,000, together with any

additional applicable charges, such as sales

or compensating taxes.

Can I change my mind?Yes of course, but only before the auction

has begun. Contact the Bids Office as soon as

possible on +1 212 636 2437

If I’m successful, what happens next?To find out if your bid was successful call the

auction results line at +1 212 703 8080.

We will send you an invoice and payment

information sheet to the address provided,

you can then make payment and collect

your lots. Please check with our cashiers

about lot locations prior to picking up your

purchases. Their telephone number is

+1 212 636 2495. Remember, lots can be subject to handling and administration charges after the sale, always check the

catalogue for precise details on when charges

begin.

Can I have my items delivered? Yes. Our Art Transport team can arrange all

your transport needs, from local deliveries to

international freight. Their telephone number

is +1 212 636 2480

FREQUENTLY ASKED QUESTIONS

IMPORTANT INFORMATION

73

Absentee BidsPlease see reverse for Important Information

SALE DETAILS

Sale title: CHRISTIE’S INTERIORSSale date/time: Tuesday 24 February at 10 am Tuesday 24 February at 2 pm Wednesday 25 February at 10 am Wednesday 25 February at 2 pm

Sale number: SADIE-3711

TO BID NOW

ONE

DECIDE ON YOUR MAXIMUM BID You might not end up paying this much. We will bid on your behalf

up to your limit in order to buy the lot for you at auction. Of course,

written bids always remain totally confidential. Don’t forget that your

final invoice will also include buyer’s premium and any additional

applicable charges, such as sales or compensating taxes where

applicable.

TWO

PLACE YOUR BID

FormComplete this form by filling in the lot numbers and your maximum

bids together with your contact details.

Hand this form into the Bids Department or fax it to us on

+1 212 636 4938. Please remember this form should only be used

for the sale detailed above. Please write in clear, BLOCK CAPITALS.

OnlinePlease log onto christies.com and follow the simple instructions.

TelephonePlease call the Bids Department on +1 212 636 2437.

Written Bids must be received the day before the sale.

If you have not previously bid or consigned with Christie’s,

please attach copies of the following documents. Individuals:

government-issued photo identification (such as a driving

licence, national identity card, or passport) and, if not shown

on the ID document, proof of current address, for example a

utility bill or bank statement. Corporate clients: a certificate

of incorporation. Other business structures such as trusts,

offshore companies or partnerships: please contact the Credit

Department at +1 212 636 2490 for advice on the information

you should supply. If you are registering to bid on behalf

of someone who has not previously bid or consigned with

Christie’s, please attach identification documents for yourself

as well as the party on whose behalf you are bidding, together

with a signed letter of authorization from that party.

New clients, clients who have not made a purchase from any

Christie’s office within the last two years, and those wishing

to spend more than on previous occasions will be asked to

supply a bank reference.

THREE

CHECK THE RESULTSTo find out if you have been successful you can call the automated

results line on +1 212 703 8080.

Remember, lots can be subject to storage charges after

the sale.

Please ensure your details are correct as we cannot change the

invoice name once the invoice has been issued.

LOT NUMBER MAXIMUM BID (US$) (EXCLUDING BUYER’S PREMIUM)

!

to fa

x this fo

rm, p

lease

trim h

ere

.

If you can’t attend an auction in person,

don’t miss out, leave a written bid and we’ll

do the rest — BID NOW it’s quick, convenient

and confidential.

YOUR CLIENT ACCOUNT NUMBER

NAME

INVOICE ADDRESS

ZIP/POSTCODE

COUNTRY

EMAIL

TELEPHONE

MOBILE

FAX NUMBER

BIDDERS NOT YET KNOWN TO CHRISTIE’S SHOULD SUPPLY A BANK REFERENCE

NAME OF BANK(S)

ADDRESS OF BANK(S)

ACCOUNT NUMBER(S)

NAME OF ACCOUNT OFFICER(S)

BANK TELEPHONE NUMBER(S)

I HAVE READ AND UNDERSTOOD THE TERMS AND CONDITIONS SET OUT ON THE REVERSE

SIGNED

DATED

Please check if you would like to receive an email with the results of your bid(s) and if successful, a link to your invoice on Christies.com

74

All you need to knowEXPLANATION OF

CATALOGUING PRACTICE

Some of the terms we use in catalogue descriptions might be unfamiliar to you. We’ve outlined below these expressions and their explanations.

FOR PICTURES, DRAWINGS, PRINTS AND MINIATURESTerms used in this catalogue have the meanings ascribed to

them below. Please note that all statements in this catalogue

as to Authorship are made subject to the provisions of the

CONDITIONS OF SALE and LIMITED WARRANTY. Buyers are

advised to inspect the property themselves. Written condition

reports are usually available on request.

Name(s) or Recognised Designation of an Artist without any QualificationIn our opinion a work by the artist.

*”Attributed to …”In our opinion probably a work by the artist

in whole or in part.

*”Studio of …”/ “Workshop of …”In our opinion a work executed in the studio or workshop of the

artist, possibly under his supervision.

*”Circle of …”In our opinion a work of the period of the artist and showing

his influence.

*”Follower of …”In our opinion a work executed in the artist’s style

but not necessarily by a pupil.

*”Manner of …”In our opinion a work executed in the artist’s style

but of a later date.

*”After …”In our opinion a copy (of any date) of a work of the artist.

“Signed …”/”Dated …”/ “Inscribed …”In our opinion the work has been signed/dated/inscribed

by the artist.

“With signature …”/ “bears signature...”/“With date …”/ “bears date...”/“With inscription …”/”bears inscription...”In our opinion the signature/date/inscription appears to be by a

hand other than that of the artist.

The date given for Old Master, Modern and Contemporary

Prints is the date (or approximate date when prefixed with

‘circa’) on which the matrix was worked and not necessarily the

date when the impression was printed or published.

*This term and its definition in this Explanation of cataloguing

practice are a qualified statement as to Authorship. While the

use of this term is based upon careful study and represents

the opinion of specialists, Christie’s and the consignor assume

no risk, liability and responsibility for the authenticity of

authorship of any lot in this catalogue described by this term,

and the Limited Warranty shall not be available with respect

to lots described using this term.

EUROPEAN CERAMICSBuyers are recommended to inspect the property themselves.

Written condition reports are usually available on request.

“A German cup and saucerMeissen, Blue crossed swords, mark, date”In our opinion both were made at the factory

named and match.

“A German cup and a saucerThe cup Meissen, Blue crossed swords”In our opinion both pieces were made at the factory

named but do not necessarily match.

“A Worcester style plate”In our opinion not made in the factory, place or region named

but using decor-ation inspired by pieces made therein.

“A Sèvres-pattern plate”In our opinion not made in the factory, place or region named

but using decor-ation inspired by pieces made therein.

“A Pratt-ware plate”In our opinion not made in the factory, place or region named

but near in the style or period to pieces made therein.

“Modelled by…”In our opinion made from the original master mould made

by the modeller and under his supervision.

“After the model by…”In our opinion made from the original master mould made

by that modeller but from a later mould based on the original.

“Painted by…”In our opinion can properly be attributed to that decorator

on stylistic grounds.

FOR FURNITURE AND OBJECTS OF ARTA LOUIS XV KINGWOOD COMMODEMID-18TH CENTURYThis heading printed in capital letters, with the inclusion

of the date in capital letters, means that in Christie’s opinion

the piece is essentially of the period.

A LOUIS XV KINGWOOD COMMODEThis heading printed in capital letters, without the date included,

means that in Christie’s qualified opinion the piece is essentially

of the period.

A LOUIS XV STYLE KINGWOOD COMMODEThis heading printed in capital letters, with the word “STYLE”

included in capital letters, means that in Christie’s qualified

opinion the piece is an intentional copy of an earlier design.

FOR SILVERA GEORGE II SILVER CUP AND COVERMark of Paul de Lamerie, London, 1735In Christie’s opinion either made in the workshop of the

master or struck with his sponsor’s mark prior to retailing and

hallmarked at the London Assay Office between May 29, 1735

and May 29, 1736. The date letter has usually, but not always,

changed since the early 18th century on, or around, May 29.

Prior to the 18th century, the date letter changed on various

dates ranging from May 8 to August 3. Since 1975, the date

letter has run from January 2 to January 1 of the subsequent

year. Other countries and English, Irish and Scottish provincial

offices have varying dating systems.

A GEORGE II SILVER CUP AND COVERcirca 1735In Christie’s opinion made during the specified monarch’s reign

and unmarked or struck with illegible marks.

A GEORGE II SILVER CUP AND COVERBearing marks for London, 1735, with the mark of Paul De LamerieIn Christie’s opinion made during the specified monarch’s reign

and, in all probability, in the workshop of, or sponsored by,

the maker cited, but with marks transposed from a previously

hall marked object. In some instances the catalogue may note

that these transposed hall marks have been cancelled to bring

them into conformity with modern English hallmaking laws.

Please note that the ounce weights given in this catalogue

are troy ounces.

OTHERNone of the electrical goods offered in this catalogue

have been tested. We strongly advise that all electrical items

be inspected by a certified electrician and any intended

re-commissioning is undertaken by an appropriately qualified

electrician.

In respect of mechanical pieces such as clocks, no

representation is made or warranty given that any such item is in

working order and nothing in the catalogue description should

be taken as such.

The date given for Old Master, Modern and Contemporary

Prints is the date (or approximate date when prefixed with

‘circa’) on which the matrix was worked and not necessarily the

date when the impression was printed or published.

Measurements of Prints are taken where possible from the

platemark (‘P’), otherwise they record the size of the sheet (‘S’)

or the borderline of the subject (‘L’). All measurements are in

centimeters to the nearest centimeter and are approximate.

ALL DIMENSIONS ARE APPROXIMATE

IMPORTANT NOTICES

CONDITION All property is sold “as is”. It is yours or your agent’s

specific responsibility to inspect the property and to read the

Conditions of Sale section contained in this catalogue before

bidding upon it. The existence or absence of a condition report

relating to the property does not imply that the lot is limited to

any defects referred to nor free from any defects not referred to

in that condition report. A condition report is given for guidance

only and the extent of any damage or restoration must be

confirmed by your examination of that lot prior to the sale.

A GUIDE TO SYMBOLS

•

NO RESERVE (the title line of the lot description

and the symbol are printed in red)

In these cases the lot is sold without reserve.

∆ / ºCHRISTIE’S INTERESTFrom time to time, Christie’s may offer a lot which it owns in

whole or in part. Such property is identified in the catalogue

with the symbol ∆ next to its lot number.

On occasion, Christie’s has a direct financial interest in lots

consigned for sale, which may include guaranteeing a minimum

price or making an advance to the consignor that is secured

solely by consigned property. Where Christie’s holds such

financial interest on its own we identify such lots with the

symbol º next to the lot number.

Where Christie’s has financed all or part of such interest through

a third party the lots are identified in the catalogue with the

symbol º u. When a third party agrees to finance all or part of

Christie’s interest in a lot, it takes on all or part of the risk of

the lot not being sold, and will be remunerated in exchange

for accepting this risk based on a fixed fee if the third party is

the successful bidder or on the final hammer price in the event

that the third party is not the successful bidder. The third party

may also bid for the lot. Where it does so, and is the successful

bidder, the remuneration may be netted against the final

purchase price. If the lot is not sold, the third party may incur a

loss. Please see http://www.christies.com/ financial-interest/ for

a more detailed explanation of minimum price guarantees and

third party financing arrangements.

Where Christie’s has an ownership or financial interest in every

lot in the catalogue, Christie’s will not designate each lot with a

symbol, but will state its interest in the front of the catalogue.

~PROPERTY INCORPORATING MATERIALS FROM ENDANGERED AND OTHER PROTECTED SPECIESProperty made of or incorporating (irrespective of percentage)

endangered and other protected species of wildlife are marked

with the symbol ~ in the catalogue. Such material includes,

among other things, ivory, tortoiseshell, crocodile skin, rhinoc-

eros horn, whale bone and certain species of coral, together

with Brazilian rosewood. Prospective purchasers are advised that

several countries prohibit altogether the importation of property

containing such materials, and that other countries require a

permit (e.g., a CITES permit) from the relevant regulatory agen-

cies in the countries of exportation as well as importation. Ac-

cordingly, clients should familiarize themselves with the relevant

customs laws and regulations prior to bidding on any property

with wildlife material if they intend to import the property into

another country. For example, the U.S. generally prohibits the im-

portation of articles containing species that it has designated as

endangered or threatened if those articles are less than 100 years

old. Please note that it is the client’s responsibility to determine

and satisfy the requirements of any applicable laws or regula-

tions applying to the export or import of property containing

endangered and other protected wildlife material. The inability of

a client to export or import property containing endangered and

other protected wildlife material is not a basis for cancellation or

rescission of the sale. Please note also that lots containing poten-

tially regulated wildlife material are marked as a convenience to

our clients, but Christie’s does not accept liability for errors or for

failing to mark lots containing protected or regulated species.

NOTICE REGARDING BURMESE STONES

Items which are made of, or contain, rubies or jadeite originating

in Burma (Myanmar) may not be imported into the U.S. As a

convenience to our bidders, lots which contain rubies or jadeite

of Burmese origin or of indeterminate origin have been marked

with Ψ. Please be advised that a purchaser’s inability to import

any such item into the U.S. or any other country shall not

constitute grounds for nonpayment or cancellation of the sale.

Please note that with respect to items that contain any other

types of gemstones originating in Burma (e.g., sapphires),

such items may be imported into the U.S., provided that the

gemstones have been mounted or incorporated into jewelry

outside of Burma and provided that the setting is not of a

temporary nature (e.g., a string).

75

All you need to knowHOW DOES THE AUCTION WORK?

Bidding generally opens below the low estimate

and advances in increments of up to 10%, subject

to the auctioneer’s discretion. Written bids that

do not conform to the increments set below may

be lowered to the next increment.

$0 to $2,000 by $100’s

$2,000–$3,000 by $200’s

$3,000–$5,000 by $200, 500, 800 (i.e $4,200, 4,500, 4,800)

$5,000–$10,000 by $500’s

$10,000–$20,000 by $1,000’s

$20,000–30,000 by $2,000’s

$30,000–$50,000 by $2,000, 5,000, 8,000

(i.e. $32,000, 35,000, 38,000)

$50,000–$100,000 by $5,000’s

$100,000–$200,000 by $10,000’s

above $200,000 at auctioneer’s discretion

The auctioneer may vary the increments during the course

of the auction at his or her own discretion.Note that published

estimates do not include buyer’s premium or applicable

sales taxes. Buyers should not rely upon estimates as a

representation or a prediction of actual selling prices.

CONDITION REPORTS

Condition reports for most lots in the Interior Sales are

available online at www.christies.com. Condition reports are

provided as a service to interested clients. Prospective buyers

should note that descriptions of property are not warranties

and that each lot is sold “as is”.

SALEROOM NOTICES

Details in this catalogue can be subject to change after it

has been printed. For example, some extra provenance or

information might have come to light over a particular lot, or

the lot itself might have been withdrawn from the sale, or the

estimate might have changed.

These details will appear in the saleroom notice for that

particular sale and is available at the Bids Office,

+1 212 636 2437.

Please check with the Bids Office for last minute changes

prior to the sale.

PAYMENT & SUCCESSFUL BIDS

All you need to know on how, when and where to pay

New clients or existing clients planning to spend sums

inconsistent with their buying history may be asked to supply

written bank or other suitable references.

PAYMENTUnder normal circumstances, buyers are expected to pay for

purchases within seven calendar days after the auction and

to remove the property that they have bought by that date.

Payment can be made by personal check, bank wire transfers,

cash (in US currency up to $7,500), Travellers checks (in US

currency up to $7,500), and money orders (in US currency up

to $7,500).

If you are planning on paying in person, our Cashiers will

accept payment for collection Monday through Friday from

9:30 am until 5:00 pm at both Christie’s Rockefeller Plaza and

Redstone in Long Island City. Purchased property can only

be picked up on those days up to 4:30 pm at both Christie’s

Rockefeller Plaza and Redstone in Long Island City.

Checks and money orders should be made payable to

Christie’s Inc.. Bank transfers should be made to: JP Morgan

Chase Bank, N.A., 270 Park Avenue, New York, NY 10017,

ABA# 021000021, FBO: Christie’s Inc., Account # 957-

107978. For international transfers, SWIFT: CHASUS33. Please

be sure to specify your name, invoice number, sale and lot

numbers to ensure proper credit to your account.

Please note that Christie’s will not accept payments for

purchased Lots from any party other than the buyer, unless

otherwise agreed in writing between the buyer and Christie’s

prior to the sale.

SUCCESSFUL ABSENTEE BIDSChristie’s is not able to notify successful absentee bidders.

While invoices are sent out by mail after the auction we do

not accept responsibility for notifying you of the result of

your bid. Buyers are requested to contact us by telephone or

in person as soon as possible after the sale to obtain details

of the outcome of their bids to avoid incurring unnecessary

handling charges.

Auction Results: +1 212 703 8080

SALES TAX AT CHRISTIE’S NEW YORK

Purchases picked up in New York or delivered to locations

in California, Florida, Illinois, Massachusetts, New York,

Pennsylvania, Rhode Island or Texas may be subject to sales or

compensating use tax of such jurisdiction.

It is the buyer’s responsibility to ascertain and pay all taxes

due. Buyer’s claiming exemption from sales tax must have the

appropriate documentation on file with Christie’s prior to the

release of the property. For more information, please contact

Purchaser Payments at +1 212 636 2495.

CHARGES

Administration (per lot, due on Day 36)

Handling (per lot/day beginning Day 36)

ALL PROPERTY

$150.00

$12.00

76

All you need to know –Taking it Home

Every year we sell tens of thousands of lots of all shapes and sizes. Lots from Interiors Sales marked with a square n will go to Christie’s Redstone in Long Island City following the sale. All other lots will be kept at Christie’s Rockefeller until they are transferred to Redstone 21 days after the sale

WHERE TO COLLECT

You can pay for and collect all sold lots from Christie’s

Rockefeller only until 5.00 pm on the last day of the sale.

Items marked with a square n in the catalogue are transferred

to Christie’s Redstone Post-Sale Facility in Long Island City at

that time. They will be available at Redstone on the following

Monday. All other lots will be kept at Christie’s Rockefeller for

21 days, after which they will be transferred to Redstone and

available for collection after two business days. Property

may be transferred at Christie’s discretion following the sale

and we advise that you contact Purchaser Payments on

+1 212 636 2495 to confirm your property’s location at

any given time.

Failure to collect your property within 35 calendar days of the auction date from any Christie’s location, will result in handling and administration charges plus any applicable taxes.

Please see information below which contains a location map,

contact details for Christie’s and Redstone, days and times

when property is available for pick-up, and rate information

related to handling, loss and liability coverage, administration

and transfer of your property.

HOW TO COLLECT

All lots must be paid for at Christie’s prior to collection.

Please ensure that you bring your invoice as well as some form

of identification such as a drivers licence or passport to obtain

a Collection Order that will allow your lot to be released to

you directly, your agent or via Art Transport.

If you are collecting from Redstone you will need your invoice

and proof of identification. In order to ensure

this, please schedule a collection time in advance, and bring

a copy of your Collection Order with you. Please note that

payment for lots will be accepted at the Redstone.

SHIPPING

A shipping form is enclosed with each invoice. It is the buyer’s

responsibility to pick up purchases or make all shipping

arrangements. After payment has been made in full, Christie’s

can arrange property packing and shipping at the buyer’s

request and expense. Where Christie’s arranges and bills for

such services via invoice or credit card, an administration

charge will apply. We recommend that buyers request an

estimate for any large items or property of high value that

require professional packing. For more information, please

contact Christie’s Art Transport Department on +1 212 636

2480.

If you are arranging with your own carrier, please ask your

carrier to call Christie’s at least 24 hours in advance to book a

collection appointment to ensure your purchases/lots will be

ready for collection.

Please ensure your carrier arrives with:

1. Written authority to collect

2. Proof of their own identification

3. A copy of your invoice or accurate detail of sale

and lot numbers

EXPORT/IMPORT PERMITS

Buyers should always check whether an export and/or import

licence is required before exporting to a foreign country. It is

the buyer’s sole responsibility to obtain any relevant export or

import licences.

The denial of any licence or any delay in obtaining licences

shall neither justify the rescission of any sale nor any delay in

making full payment for the lot.

Christie’s can advise buyers on the detailed provisions of the

export licensing regulations and will submit any necessary

export licence applications on request. If a license is obtained

on a buyer’s behalf, a minimum fee of $150 per item will be

charged. However, Christie’s cannot ensure that a licence

will be obtained. Local laws may prohibit the import of some

property and/or may prohibit the resale of some property

in the country of importation. For more information, please

contact Christie’s Art Transport Department on

+1 212 636 2480.

CHRISTIE’S REDSTONE POST-SALE32-23 48th Avenue

Long Island City, NY 11101

+1 212 974 4500

Main Entrance on 48th Avenue

Receiving/Shipping Entrance on 48th Avenue

Hours: 9.30 am to 5.00 pmMonday-Friday except Public Holidays

CHRISTIE’S ROCKEFELLER CENTER20 Rockefeller Plaza,

New York, NY 10020

+1 212 636 2000

Main Entrance on 49th Street

Receiving/Shipping Entrance on 48th Street

Hours: 9.30 am to 5.00 pmMonday-Friday except Public Holidays

Property can be transferred to Christie’s Fine Art Storage Services (CFASS) New York

at any time for environmentally controlled long term storage, per client request.

CFASS is a separate subsidiary of Christie’s and clients enjoy complete confidentiality. Contact

CFASS New York for details: Tel: + 1 212 974 4570, [email protected]

77

These Conditions of Sale and the Important Notices and

Explanation of Cataloguing Practice contain all the terms on

which Christie’s and the seller contract with the buyer. They

may be amended by posted notices or oral announcements

made during the sale. By bidding at auction you agree to be

bound by these terms.

1. CHRISTIE’S AS AGENT

Except as otherwise stated Christie’s acts as agent for the

seller. The contract for the sale of the property is therefore

made between the seller and the buyer.

2. BEFORE THE SALE

(a) Examination of propertyProspective buyers are strongly advised to examine personally

any property in which they are interested, before the auction

takes place. Condition reports are usually available on request.

Neither Christie’s nor the seller provides any guarantee in

relation to

the nature of the property apart from the Limited Warranty in

paragraph 6 below. The property is otherwise sold “as is.”

(b) Catalogue and other descriptionsOur cataloguing practice is explained in the Important Notices

and Explanation of Cataloguing Practice after the catalogue

entries. All statements by us in the catalogue entry for the

property or in the condition report, or made orally or in writing

elsewhere, are statements of opinion and are not to be relied

on as statements of fact. Such statements do not constitute

a representation, warranty or assumption of liability by us of

any kind. References in the catalogue entry or the condition

report to damage or restoration are for guidance only and

should be evaluated by personal inspection by the bidder or a

knowledgeable representative. The absence of such a reference

does not imply that an item is free from defects or restoration,

nor does a reference to particular defects imply the absence of

any others. Estimates of the selling price should not be relied on

as a statement that this is the price at which the item will sell or

its value for any other purpose. Except as set forth in paragraph

6 below, neither Christie’s nor the seller is responsible in any way

for errors and omissions in the catalogue or any supplemental

material.

(c) Buyer’s responsibilityExcept as stated in the Limited Warranty in paragraph 6

below, all property is sold “as is” without any representation

or warranty of any kind by Christie’s or the seller. Buyers are

responsible for satisfying themselves concerning the condition

of the property and the matters referred to in the catalogue

entry.

3. AT THE SALE

(a) Refusal of admissionChristie’s has the right, at our complete discretion, to refuse

admission to the premises or participation in any auction and

to reject any bid.

(b) Registration before biddingProspective buyers who wish to bid in the saleroom can

register online in advance of the sale, or can come to the

saleroom on the day of the sale approximately 30 minutes

before the start of the sale to register in person. A prospective

buyer must complete and sign a registration form and provide

identification before bidding. We may require the production

of bank or other financial references.

(c) Bidding as principalWhen making a bid, a bidder is accepting personal liability to

pay the purchase price, including the buyer’s premium and

all applicable taxes, plus all other applicable charges, unless it

has been explicitly agreed in writing with Christie’s before the

commencement of the sale that the bidder is acting as agent

on behalf of an identified third party acceptable to Christie’s,

and that Christie’s will only look to the principal for payment.

(d) Absentee bidsWe will use reasonable efforts to carry out written bids

delivered to us prior to the sale for the convenience of clients

who are not present at the auction in person, by an agent or

by telephone. Bids must be placed in the currency of the place

of the sale. Please refer to the catalogue for the Absentee Bids

Form. If we receive written bids on a particular lot for identical

amounts, and at the auction these are the highest bids on

the lot, it will be sold to the person whose written bid was

received and accepted first. Execution of written bids is a free

service undertaken subject to other commitments at the time

of the sale and we do not accept liability for failing to execute

a written bid or for errors and omissions in connection with it.

(e) Telephone bidsIf a prospective buyer makes arrangements with us prior to the

commencement of the sale we will use reasonable efforts to

contact them to enable them to participate in the bidding by

telephone but we do not accept liability for failure to do so or

for errors and omissions in connection with telephone bidding.

(f) Currency converterAt some auctions a currency converter may be operated. Errors

may occur in the operation of the currency converter and we

do not accept liability to bidders who

follow the currency converter rather than the actual bidding in

the saleroom.

(g) Video or digital imagesAt some auctions there may be a video or digital screen. Errors

may occur in its operation and in the quality of the image and

we do not accept liability for such errors.

(h) ReservesUnless otherwise indicated, all lots are offered subject to a

reserve, which is the confidential minimum price below which

the lot will not be sold. The reserve will not exceed the low

estimate printed in the catalogue. If any lots are not subject

to a reserve, they will be identified with the symbol • next to

the lot number. The auctioneer may open the bidding on any

lot below the reserve by placing a bid on behalf of the seller.

The auctioneer may continue to bid on behalf of the seller up

to the amount of the reserve, either by placing consecutive

bids or by placing bids in response to other bidders. With

respect to lots that are offered without reserve, unless there

are already competing bids, the auctioneer, in his or her

discretion, will generally open the bidding at 50% of the low

pre-sale estimate for the lot. In the absence of a bid at that

level, the auctioneer will proceed backwards in his or her

discretion until a bid is recognized, and then continue up from

that amount. Absentee bids will, in the absence of a higher

bid, be executed at approximately 50% of the low pre-sale

estimate or at the amount of the bid if it is less than 50% of

the low pre-sale estimate. In the event that there is no bid on

a lot, the auctioneer may deem such lot unsold.

(i) Auctioneer’s discretionThe auctioneer has the right at his absolute and sole discretion

to refuse any bid, to advance the bidding in such a manner

as he may decide, to withdraw or divide any lot, to combine

any two or more lots and, in the case of error or dispute, and

whether during or after the sale, to determine the successful

bidder, to continue the bidding, to cancel the sale or to reoffer

and resell the item in dispute. If any dispute arises after the

sale, our sale record is conclusive.

(j) Successful bid and passing of riskSubject to the auctioneer’s discretion, the highest bidder

accepted by the auctioneer will be the buyer and the striking

of his hammer marks the acceptance of the highest bid and

the conclusion of a contract for sale between the seller and

the buyer. Risk and responsibility for the lot (including frames

or glass where relevant) passes to the buyer at the expiration

of seven calendar days from the date of the sale or on

collection by the buyer if earlier.

4. AFTER THE SALE

(a) Buyer’s premiumIn addition to the hammer price, the buyer agrees to pay to

us the buyer’s premium together with any applicable value

added tax, sales or compensating use tax or equivalent tax in

the place of sale. The buyer’s premium is 25% of the final bid

price of each lot up to and including $100,000, 20% of the

excess of the hammer price above $100,000 and up to and

including $2,000,000 and 12% of the excess of the hammer

price above $2,000,000.

(b) Payment and passing of titleImmediately following the sale, the buyer must provide us with

his or her name and permanent address and, if so requested,

details of the bank from which payment will be made. The

buyer must pay the full amount due (comprising the hammer

price, buyer’s premium and any applicable taxes) not later

than 4:30pm on the seventh calendar day following the sale.

This applies even if the buyer wishes to export the lot and

an export license is, or may be, required. The buyer will not

acquire title to the lot until all amounts due to us from the

buyer have been received by us in good cleared funds even in

circumstances where we have released the lot to the buyer.

(c) Collection of purchasesWe shall be entitled to retain items sold until all amounts due

to us, or to Christie’s International plc, or to any of its affiliates,

subsidiaries or parent companies worldwide, have been received

in full in good cleared funds or until the buyer has satisfied such

other terms as we, in our sole discretion, shall require, including,

for the avoidance of doubt, completing any anti-money laun-

dering or anti-terrorism financing checks we may require to

our satisfaction. In the event a buyer fails to complete any anti-

money laundering or anti-terrorism financing checks to our

satisfaction, Christie’s shall be entitled to cancel the sale and

to take any other actions that are required or permitted under

applicable law. Subject to this, the buyer shall collect purchased

lots within seven calendar days from the date of the sale unless

otherwise agreed between us and the buyer.

(d) Packing, handling and shippingAlthough we shall use reasonable efforts to take care when

handling, packing and shipping a purchased lot, we are not

responsible for the acts or omissions of third parties whom

we might retain for these purposes. Similarly, where we may

suggest other handlers, packers or carriers if so requested,

we do not accept responsibility or liability for their acts or

omissions.

(e) Export licenceUnless otherwise agreed by us in writing, the fact that the

buyer wishes to apply for an export license does not affect his

or her obligation to make payment within seven days nor our

right to charge interest or storage charges on late payment.

If the buyer requests us to apply for an export license on his

or her behalf, we shall be entitled to make a charge for this

service. We shall not be obliged to rescind a sale nor to refund

any interest or other expenses incurred by the buyer where

payment is made by the buyer in circumstances where an

export license is required.

(f) Remedies for non paymentIf the buyer fails to make payment in full in good cleared

funds within the time required by paragraph 4(b) above, we

shall be entitled in our absolute discretion to exercise one

or more of the following rights or remedies (in addition to

asserting any other rights or remedies available to us by law):

(i) to charge interest at such rate as we shall reasonably

decide;

(ii) to hold the defaulting buyer liable for the total amount

due and to commence legal proceedings for its recovery

together with interest, legal fees and costs to the fullest extent

permitted under applicable law;

(iii) to cancel the sale;

(iv) to resell the property publicly or privately on such terms

as we shall think fit;

(v) to pay the seller an amount up to the net proceeds

payable in respect of the amount bid by the defaulting buyer;

(vi) to set off against any amounts which we, or Christie’s

International plc, or any of its affiliates, subsidiaries or parent

companies worldwide, may owe the buyer in any other

transactions, the outstanding amount remaining unpaid by the

buyer;

Conditions of Sale

(vii) where several amounts are owed by the buyer to us,

or to Christie’s International plc, or to any of its affiliates,

subsidiaries or parent companies worldwide, in respect of

different transactions, to apply any amount paid to discharge

any amount owed in respect of any particular transaction,

whether or not the buyer so directs;

(viii) to reject at any future auction any bids made by or on

behalf of the buyer or to obtain a deposit from the buyer

before accepting any bids;

(ix) to exercise all the rights and remedies of a person

holding security over any property in our possession owned

by the buyer, whether by way of pledge, security interest or

in any other way, to the fullest extent permitted by the law

of the place where such property is located. The buyer will

be deemed to have granted such security to us and we may

retain such property as collateral security for such buyer’s

obligations to us;

(x) to take such other action as we deem necessary or appropriate.

If we resell the property under paragraph (iv) above, the

defaulting buyer shall be liable for payment of any deficiency

between the total amount originally due to us and the

price obtained upon resale as well as for all costs, expenses,

damages, legal fees and commissions and premiums of

whatever kind associated with both sales or otherwise arising

from the default. If we pay any amount to the seller under

paragraph (v) above, the buyer acknowledges that Christie’s

shall have all of the rights of the seller, however arising, to

pursue the buyer for such amount.

(xi) Failure to collect purchases

Where purchases are not collected within 35 calendar days

from the date of the sale, whether or not payment has

been made, we shall be permitted to transfer the property

to our Long Island City facility at the buyer’s expense, and

only release the items after payment in full has been made

of transportation, administration, handling, insurance and

any other costs incurred, together with payment of all other

amounts due to us or our affiliates.

(xii) Selling Property at Christie’s

In addition to expenses such as transport and insurance, all

consignors pay a commission according to a fixed scale of

charges based upon the value of the property sold by the

consignor at Christie’s in a calendar year. Commissions are

charged on a sale by sale basis.

5. EXTENT OF CHRISTIE’S LIABILITY

We agree to refund the purchase price in the circumstances

of the Limited Warranty set out in paragraph 6 below. Apart

from that, neither the seller nor we, nor any of our officers,

employees or agents, are responsible for the correctness of

any statement of whatever kind concerning any lot, whether

written or oral, nor for any other errors or omissions in

description or for any faults or defects in any lot. Except as

stated in paragraph (vi) below, neither the seller, ourselves,

our officers, employees or agents, give any representation,

warranty or guarantee or assume any liability of any kind

in respect of any lot with regard to merchantability, fitness

for a particular purpose, description, size, quality, condition,

attribution, authenticity, rarity, importance, medium,

provenance, exhibition history, literature or historical

relevance. Except as required by local law any warranty of any

kind whatsoever is excluded by this paragraph.

6. LIMITED WARRANTY

Subject to the terms and conditions of this paragraph,

Christie’s warrants for a period of five years from the date

of the sale that any property described in headings printed

in UPPER CASE TYPE (i.e. headings having all capital-letter

type) in this catalogue (as such description may be amended

by any saleroom notice or announcement) which is stated

without qualification to be the work of a named author or

authorship, is authentic and not a forgery. The term “author”

or “authorship” refers to the creator of the property or to

the period, culture, source or origin, as the case may be, with

which the creation of such property is identified in the UPPER

CASE description of the property in this catalogue. Only UPPER

CASE TYPE headings of lots in this catalogue indicate what

is being warranted by Christie’s. Christie’s warranty does not

apply to supplemental material which appears below the

UPPER CASE TYPE headings of each lot and Christie’s is not

responsible for any errors or omissions in such material. The

terms used in the headings are further explained in Important

Notices and Explanation of Cataloguing Practice. The warranty

does not apply to any heading which is stated to represent a

qualified opinion. The warranty is subject to the following:

(i) It does not apply where (a) the catalogue description

or saleroom notice corresponded to the generally accepted

opinion of scholars or experts at the date of the sale or fairly

indicated that there was a conflict of opinions; or (b) correct

identification of a lot can be demonstrated only by means

of either a scientific process not generally accepted for use

until after publication of the catalogue or a process which at

the date of publication of the catalogue was unreasonably

expensive or impractical or likely to have caused damage to

the property.

(ii) The benefits of the warranty are not assignable and shall

apply only to the original buyer of the lot as shown on the

invoice originally issued by Christie’s when the lot was sold at

auction.

(iii) The original buyer must have remained the owner of the

lot without disposing of any interest in it to any third party.

(iv) The buyer’s sole and exclusive remedy against Christie’s

and the seller, in place of any other remedy which might be

available, is the cancellation of the sale and the refund of

the original purchase price paid for the lot. Neither Christie’s

nor the seller will be liable for any special, incidental or

consequential damages including, without limitation, loss of

profits nor for interest.

(v) The buyer must give written notice of claim to us within

five years from the date of the auction. It is Christie’s general

policy, and Christie’s shall have the right, to require the buyer

to obtain the written opinions of two recognized experts in

the field, mutually acceptable to Christie’s and the buyer,

before Christie’s decides whether or not to cancel the sale

under the warranty.

(vi) The buyer must return the lot to the Christie’s saleroom

at which it was purchased in the same condition as at the time

of the sale.

7. COPYRIGHT

The copyright in all images, illustrations and written material

produced by or for Christie’s relating to a lot including the

contents of this catalogue, is and shall remain at all times the

property of Christie’s and shall not be used by the buyer, nor

by anyone else, without our prior written consent. Christie’s

and the seller make no representation or warranty that

the buyer of a property will acquire any copyright or other

reproduction rights in it.

8. TITLE INSURANCE

For certain specified lots in this sale, the seller has arranged to

purchase – for the benefit of and at no cost to the buyers – an

art title insurance policy (ATPI®) issued by ARIS Title Insurance

Corporation. Policies insure against defective title and provide

indemnity for full value of the work (hammer price plus

buyer’s premium) plus outside the limit of liability defense

costs. Detailed information about how to obtain your art title

insurance policies for certain designated lots will be provided

upon request to successful bidders and other interested

parties. Policies will be dated and provide coverage from the

date that title transfers pursuant to paragraph 4(b) herein

and the buyer provides ARIS with their name and contact

details. Christie’s hereby disclaims any and all responsibility

and/or liability associated with said title insurance and the

provision thereof. For specific inquiries about coverage and

inception of coverage for purchased lots please contact ARIS

at 303.773.7300, 212.563.3600 or [email protected]. For

general information about art title insurance please visit the

ARIS website www.aristitle.com.

9. SEVERABILITY

If any part of these Conditions of Sale is found by any court

to be invalid, illegal or unenforceable, that part shall be

discounted and the rest of the conditions shall continue to be

valid to the fullest extent permitted by law.

10. LAW AND JURISDICTION

The rights and obligations of the parties with respect to

these Conditions of Sale, the conduct of the auction and

any matters connected with any of the foregoing shall be

governed and interpreted by the laws of the jurisdiction in

which the auction is held. By bidding at auction, whether

present in person or by agent, by written bid, telephone or

other means, the buyer shall be deemed to have submitted,

for the benefit of Christie’s, to the exclusive jurisdiction of

the courts of that country, state, county or province, and (if

applicable) of the federal courts sitting in such state.

79

Christie’s Specialist Departments and Services

For a complete salerooms & offices listing go to christies.com

ARGENTINA

BUENOS AIRES

Tel: +54 11 43 93 42 22

Cristina Carlisle

BERMUDA

BERMUDA

+1 401 849 9222

Betsy Ray

BRAZIL

RIO DE JANEIRO

+5521 2225 6553

Candida Sodre

SÃO PAULO

+55 11 3061 2576

Nathalie Lenci

CANADA

TORONTO

+1 416 960 2063

Brett Sherlock

CHILE

SANTIAGO

+56 2 2 2631642

Denise Ratinoff de Lira

COLOMBIA

BOGOTA

+571 635 54 00

Juanita Madrinan

FRANCE

•PARIS

+33 (0)1 40 76 85 85

INDIA

•MUMBAI

+91 (22) 2280 7905

Sonal Singh

ITALY

•MILAN

+39 02 303 2831

JAPAN

TOKYO

+81 (0)3 6267 1766

Ryutaro Katayama

MEXICO

MEXICO CITY

+52 55 5281 5503

Gabriela Lobo

THE NETHERLANDS

•AMSTERDAM

+31 (0)20 57 55 255

PEOPLES REPUBLIC OF CHINA

•HONGKONG

+852 2521 5396

SWITZERLAND

•GENEVA

+41 (0)22 319 1766

Eveline de Proyart

•ZURICH

+41 (0)44 268 1010

Dr. Bertold Mueller

UNITED ARAB EMIRATES

•DUBAI

+971 (0)4 425 5647

UNITED KINGDOM

•LONDON,KINGSTREET

+44 (0)20 7839 9060

•LONDON, SOUTH KENSINGTON

+44 (0)20 7930 6074

UNITED STATES

BOSTON

+1 617 536 6000

Elizabeth M. Chapin

CHICAGO

+1 312 787 2765

Lisa Cavanaugh

DALLAS

+1 214 599 0735

Capera Ryan

HOUSTON

+1 713 802 0191

Jessica Phifer

LOS ANGELES

+1 310 385 2600

Rita Boyle

MIAMI

+1 305 445 1487

Jessica Katz

NEWPORT

+1 401 849 9222

Betsy D. Ray

•NEWYORK

+1 212 636 2000

PALM BEACH

+1 561 833 6952

Maura Smith

PHILADELPHIA

+1 610 520 1590

Christie Lebano

SAN FRANCISCO

+1 415 982 0982

Ellanor Notides

06/12/13

Worldwide Salerooms and American Offices

• Denotes Saleroom

DEPARTMENTS

AFRICAN AND OCEANIC ARTPAR: +33 (0)140 768 386 NY: +1 212 484 4898

AMERICAN DECORATIVE ARTSNY: +1 212 636 2230

AMERICAN FURNITURENY: +1 212 636 2230

AMERICAN ARTNY: +1 212 636 2140

ANGLO-INDIAN ARTKS: +44 (0)20 7389 2570

ANTIQUITIESNY: +1 212 636 2245

ASIAN 20TH CENTURY AND CONTEMPORARY ARTNY: +1 212 468 7133

AUSTRALIAN PICTURESKS: +44 (0)20 7389 2040

BOOKS AND MANUSCRIPTSNY: +1 212 636 2665

BRITISH & IRISH ARTKS: +44 (0)20 7389 2682NY: +1 212 636 2120SK: +44 (0)20 7752 3257

BRITISH ART ON PAPERKS: +44 (0)20 7389 2278SK: +44 (0)20 7752 3293NY: +1 212 636 2120

BRITISH PICTURES 1500-1850KS: +44 (0)20 7389 2945

CARPETSNY: +1 212 636 2217

CERAMICS AND GLASSNY: +1 212 636 2215

CHINESE PAINTINGSNY: +1 212 636 2195

CHINESE WORKS OF ARTNY: +1 212 636 2180

CLOCKSKS: +44 (0)20 7389 2357

CORKSCREWSSK: +44 (0)20 7752 3263

COSTUME, TEXTILES AND FANSSK: +44 (0)20 7752 3215

ENTERTAINMENT MEMORABILIASK: +44 (0)20 7752 3281

FOLK ARTNY: +1 212 636 2230

FURNITURENY: +1 212 636 2200

HOUSE SALESSK: +44 (0)20 7752 3260

ICONSSK: +44 (0)20 7752 3261

IMPRESSIONIST AND MODERN ARTNY: +1 212 636 2050

INDIAN AND SOUTHEAST ASIAN ARTNY: +1 212 636 2190

INDIAN CONTEMPORARY ARTNY: +1 212 636 2190KS: +44 (0)20 7389 2700

INTERIORSNY: +1 212 636 2032SK: +44 (0)20 7389 2236

ISLAMIC WORKS OF ARTKS: +44 (0)20 7389 2370SK: +44 (0)20 7752 3239

JAPANESE ARTNY: +1 212 636 2160KS: +44 (0)20 7389 2595

JEWELLERYNY: +1 212 636 2300

KOREAN ARTNY: +1 212 636 2165

LATIN AMERICAN ARTNY: +1 212 636 2150

MINIATURES NY: +1 212 636 2250

MODERN DESIGNSK: +44 (0)20 7389 2142

MUSICAL INSTRUMENTSNY: +1 212 636 2000

NINETEENTH CENTURY FURNITURE AND SCULPTURENY: +1 212 707 5910

OBJECTS OF VERTUNY: +1 212 636 2250

OLD MASTER DRAWINGSNY: +1 212 636 2120

OLD MASTER PAINTINGS AND 19TH CENTURY EUROPEAN ARTNY: +1 212 636 2120

PHOTOGRAPHSNY: +1 212 636 2330

PICTURE FRAMESSK: +44 (0)20 7389 2763

POST WAR AND CONTEMPORARY ARTNY: +1 212 636 2100

POSTERSSK: +44 (0)20 7752 3208

PRINTSNY: +1 212 636 2290

RUSSIAN WORKS OF ARTNY: +1 212 636 2260

SCIENTIFIC INSTRUMENTSSK: +44 (0)20 7752 3286

SCULPTURE KS: +44 (0)20 7389 2331SK: +44 (0)20 7389 2794

SILVERNY: +1 212 636 2250

TOPOGRAPHICAL PICTURESKS: +44 (0)20 7389 2040SK: +44 (0)20 7752 3291

TWENTIETH CENTURY DECORATIVE ART AND DESIGNNY: +1 212 636 2240

VICTORIAN PICTURESKS: +44 (0)20 7389 2468SK: +44 (0)20 7752 3257

WATCHESNY: +1 212 636 2320

WINENY: +1 212 636 2270

AUCTION SERVICES

CHRISTIE’S AUCTION ESTIMATESTel: +1 212 492 5485Fax: +1 212 636 4930www.christies.com

CORPORATE COLLECTIONSTel: +1 212 636 2901Fax: +1 212 636 4929Email: [email protected]

ESTATES AND APPRAISALSTel: +1 212 636 2400Fax: +1 212 636 2370Email: [email protected]

MUSEUM SERVICESTel: +1 212 636 2620Fax: +1 212 636 4931Email: [email protected]

PRIVATE SALESUS: +1 212 636 2557Fax: +1 212 636 2035Email: [email protected]

OTHER SERVICES

CHRISTIE’S EDUCATIONNew YorkTel: +1 212 355 1501 Fax: +1 212 355 7370 Email: [email protected]

Hong Kong Tel: +852 2978 6747 Fax: +852 2525 3856 Email: [email protected]

LondonTel: +44 (0)20 7665 4350 Fax: +44 (0)20 7665 4351 Email: [email protected]

ParisTel: +33 (0)1 42 25 10 90Fax: +33 (0)1 42 25 10 91Email: ChristiesEducation-Paris@ christies.com

CHRISTIE’S INTERNATIONAL REAL ESTATENew YorkTel: +1 212 468 7182Fax: +1 212 468 7141Email: [email protected]

LondonTel: +44 (0)20 7389 2551Fax: +44 (0)20 7389 2168Email: [email protected]

Hong KongTel: +852 2978 6788Fax: +852 2845 2646Email: [email protected]

CHRISTIE’S FINE ART STORAGE SERVICESLondon+44 (0)20 7622 0609 [email protected]

New York+1 212 974 [email protected]

SingaporeTel: +65 6543 5252 Email: [email protected]

CHRISTIE’S REDSTONETel: +1 212 974 4500

KEY TO ABBREVIATIONS:

KS: London, King Street

NY: New York,

Rockefeller Plaza

PAR: Paris

SK: London,

South Kensington

ENQUIRIES?— Call the Saleroom or Office EMAIL— [email protected]

81

LONDON Tuesday evenings

Module 1

The Art Market

4–18 March 2014

Module 2

Art Law

25 March – 8 April 2014

Module 3

Artistic Creativity & Art Business

15–29 April 2014

Module 4

Valuation & Art Appraisal

6–20 May 2014

Module 5

Collecting & Dealing in Art

27 May – 10 June 2014

Module 6

Auction Business

17 June – 1 July 2014

Module 7

Museums & the Art Market

8–22 July 2014

NEWYORK Wednesday evenings

Module 1

Art and the Law

September 10 – October 8, 2014

Module 2

The Art Market

October 15 – November 12, 2014

Module 3

Art and Valuation

January 7 – February 4, 2015

Module 4

Auction Business

February 11 – March 11, 2015

Module 5

The Art World Today

April 8 – May 6, 2015

Contact Information

To register or receive

further information visit

www.christies.edu or please call:

London + 44 (0) 20 7665 4350

New York +1 212 355 1501

In this course prominent art world leaders and members of the

Christie’s Education faculty guide participants through lectures

and discussions designed to provide an in-depth understanding

of the practical and theoretical aspects of the global art market.

Flexibly organised, you can take the course in its entirety or

subscribe to individual modules of particular interest.

The Christie’s Art Business Course

New

York – Interiors24-25 February 20

153711

Interiors

Documents

Transcript of Interiors