|Interior Design Magazine January 2013

2013: looking up

JANUARY2013

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Anything is possible with a new state of mind.


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MESAdESign: The Collaborative

MESA pairs integrated technology with a modern design that is

entirely uncompromised by the connectivity needs of today’s ato

deliver a seamless and intuitive interface that is literally at the

user’s fingertips. Table surfaces are pure in material and form,

with cantilevered spans engineered to maximize the comfort of

luxurious leg room.

w w w . h a l c o n c o r p . c o m

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MESAdESign: The Collaborative

MESA pairs integrated technology with a modern design that is

entirely uncompromised by the connectivity needs of today’s ato

deliver a seamless and intuitive interface that is literally at the

user’s fingertips. Table surfaces are pure in material and form,

with cantilevered spans engineered to maximize the comfort of

luxurious leg room.

w w w . h a l c o n c o r p . c o m


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SEATING SYSTEM POWELL | DESIGN RODOLFO DORDONI

AGENT ANNA AVEDANOTEL. 240 [email protected] www.minotti.com

Interior Design(USA)Gennaio13_Minotti 13/12/12 14.26 Pagina 1


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SEATING SYSTEM POWELL | DESIGN RODOLFO DORDONI

AGENT ANNA AVEDANOTEL. 240 [email protected] www.minotti.com

Interior Design(USA)Gennaio13_Minotti 13/12/12 14.26 Pagina 1


INTRODUCING “ANKARA VINE”ONE OF THE EXCITING NEW PATTERNS IN THE PATTY MADDEN VOLUME III COLLECTION

OF WALLCOVERINGS FROM LUXE SURFACES. 214.744.6700 WWW.LUXESURFACES.COM

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JAN.13 INTERIORDESIGN.NET 7

welcome

editor’s

On your mark, get set, go! Happy New Year! No, HAPPY NEW YEAR! Yes, I was pondering. . .trying to imagine the best way to rev the engine and fi re the starter pistol welcoming

Design in 2013 with the loudest blast tolerable. And what do you know—bing! bang! boom!—we found that our 42-page photo essay, jam-packed with veritable design beacons, would fi t the bill purrrfectly!

Squarely in the realm of the inspiring and useful, or dwelling irrevocably in the province of the outlandish, each page and image creates a memorable light path one can easily follow. Whether interiors or architecture, art, fashion, or even commerce, it’s all high-octane powered—with the added bonus of sparing your eardrums.

Speaking of a good start, let’s keep ALL booms, pops, and fl ashes limited to the use of staple, glue, and nail guns only. Nothing else.Have a safe one.

—Cindy

firepower

PAUL GODWIN

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CUMBERLANDbeautiful objects that work

American craft, comfort, élan: A robust palette for architectural spaces. Clover Collection chairs and occasional table

designed by 5d Studio; Christina occasional tables designed by Norman Diekman; Classic sofa.

cumberlandfurniture.com 800.401.7877

ID_JAN_2013_CUMBERLAND_3S_#2S ID Cumberland spread 16.75x10.875 1/2/13 7:48 AM Page 1


CUMBERLANDbeautiful objects that work

American craft, comfort, élan: A robust palette for architectural spaces. Clover Collection chairs and occasional table

designed by 5d Studio; Christina occasional tables designed by Norman Diekman; Classic sofa.

cumberlandfurniture.com 800.401.7877

ID_JAN_2013_CUMBERLAND_3S_#2S ID Cumberland spread 16.75x10.875 1/2/13 7:48 AM Page 1


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AVIATORWWW.PHILLIPJEFFRIES.COM

Phillip Jeffries IntDes Aviator ad:Layout 1 1/3/13 5:26 PM Page 1


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Gleam. March 2013.

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ON THE COVER Man Ray’s Tears has been rendered in woven cotton and framed in embroidery hoops at Ina Matt’s Hotel the Exchange in Amsterdam. Photography: Arjan Benning.

feature 142 TAKING IT ALL IN

by Matthew PowellInspired—and inspiring—interiors, archi-tecture, and art from the past year.

108 UNDER PARIS ROOFTOPS

by Judy Fayardkitchen/bath supplement

112 NORTHERN EXPOSURE

by Mark Pupo

interior design giants 87 STILL GROWING

by Mike Zimmerman and Wing Leung

01.13CONTENTS JANUARY 2013 VOLUME 84 NUMBER 1

WWW.INTERIORDESIGN.NET

116 MEETING IN THE MIDDLE

by Raul Barreneche

walk-through 61 GREEN PIECE

by Judy Fayard

FROM LEFT: FRANCIS PELLETIER; ERIC LAIGNEL; COURTESY OF M

CSWEENEY’S

hospitality supplement 185 ON THE ROAD AGAIN

Our hotel tour travels to three continents.

121 KITCHEN/BATH PRODUCTS

by Mark McMenamin

142

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jean prouve raw limited editions, designed 1930-51 - made in germany by Vitra

vitra fritz hansen kartell bensen herman miller knoll flos artek artifort foscarini moooi emeco moroso montis and more!please inquire about our A&D trade program

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jean prouve raw limited editions, designed 1930-51 - made in germany by Vitra

vitra fritz hansen kartell bensen herman miller knoll flos artek artifort foscarini moooi emeco moroso montis and more!please inquire about our A&D trade program

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45 CROSSLINES

by Edie Cohen

52 CLOSE-UP

by Athena Waligore 69 MARKET

by Mark McMenamin

132 MATTERS OF DESIGN

by Craig Kellogg

137 CENTERFOLD

by William L. Hamilton

214 BOOKS

by Stanley Abercrombie and C.C. Sullivan

216 CONTACTS

228 SNAPS 231 INTERVENTION

by Deborah Wilk

CONTENTS JANUARY 2013 VOLUME 84 NUMBER 1

121

CROSSING THE BOSPORUS

Long the interface between Europe and Asia, Turkey is absorbing—and producing—contemporary global design.

NOTES FROM ABROAD

Dorell.Ghotmeh.Tane/Architects maintains an international practice in every sense of the word.

REALITY BYTES

Complex in form, but simple in construction, a New York gallery installation by FreelandBuck turns a virtual rendering into a physical object.

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departments

28 INTERIORDESIGN.NET 33 DESIGNWIRE

by Annie Block, Mark McMenamin, and Matthew Powell

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Cindy Allen

EXECUTIVE EDITOR Elena Kornbluth

DEPUTY EDITOR Edie Cohen (West/Southwest)

ARTICLES EDITOR Annie Block

SENIOR EDITORS Mark McMenamin

Deborah Wilk

MANAGING EDITOR Helene E. Oberman

EDITORIAL ASSISTANT Matthew Powell

DESIGNERS Zigeng Li

Karla Lima

ASSISTANT TO THE EDITOR IN CHIEF Athena Waligore

BOOKS EDITOR Stanley Abercrombie

EDITOR AT LARGE Craig Kellogg

CONTRIBUTING EDITORS Raul Barreneche

Aric Chen

Laura Fisher Kaiser

Nicholas Tamarin

Peter Webster

Larry Weinberg PRODUCTION MANAGER Sarah Dentry 646-805-0236 [email protected] PREPRESS IMAGING SPECIALIST Igor Tsiperson

RESEARCH DIRECTOR Wing Leung 646-805-0250

REPRINTS Ness Feliciano 708-660-8612 fax 708-660-8613

Interiordesign.net

ASSOCIATE WEB EDITOR Meghan Edwards

ASSISTANT WEB EDITOR Olivia Farquharson

ASSISTANT RESEARCH EDITOR Ava Burke

DESIGNWIRE DAILY CONTRIBUTORS Jesse Dorris

Sara Pepitone

Andrew Stone

Ian Volner

editor in chief

SUBSCRIPT ION INFORMATIONCONTINENTAL U.S. 800-900-0804

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ASSOCIATE PUBLISHER Carol Cisco

DIGITAL MEDIA DIRECTOR Pamela McNally

STRATEGIC AD DIRECTOR, NEW YORK Gayle Shand

MARKETING DIRECTOR Tina Brennan

EVENTS DIRECTOR Rachel Long

ASSISTANT TO THE PRESIDENT Kalyca Rei Murph

marketing ART DIRECTOR Denise Figueroa

SENIOR DESIGNER Selena Chen

SENIOR MANAGER Yasmin Spiro

COORDINATOR Andrea Rosen 646-805-0277

interiordesign.net ASSISTANT WEB PRODUCER Ashley Teater

services BOOK SERIES DIRECTOR Kathy Harrigan 646-805-0243

HALL OF FAME DIRECTOR Regina Freedman 646-805-0270

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SPECIAL PROJECTS MANAGER Kay Kojima 646-805-0276

sales INTEGRATED MEDIA SALES Karen Donaghy 646-805-0291

SALES REPRESENTATIVE Gina SanGiovanni-Ristic 646-805-0283

INSIDE SALES DIRECTOR Jonathan Kessler 646-805-0279

SALES ASSOCIATE Xiang Ping Zhu 646-805-0269

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SALES ASSISTANT Alana Taylor 646-805-0271

PHILADELPHIA Greg Kammerer 610-738-7011 fax 610-738-7195

ATLANTA Craig Malcolm

BUYERS GUIDE, E-SALES MANAGER 770-712-9245 fax 770-234-5847

CHICAGO Tim Kedzuch 847-907-4050 fax 847-556-6513

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LOS ANGELES Reed Fry 949-223-1088 fax 949-223-1089

FRANCE/GERMANY/POLAND Mirek Kraczkowski [email protected] 48-22-401-7001 fax 48-22-401-7016

ITALY Riccardo Laureri [email protected] 39-02-236-2500 fax 39-02-236-4411

ASIA Quentin Chan [email protected] 852-2366-1106 fax 852-2366-1107

audience marketing SENIOR DIRECTOR Katharine Tucker

CHAIRMAN AND CEO OF SANDOW Adam I. Sandow

CHIEF FINANCIAL OFFICER AND CHIEF OPERATING OFFICER Chris Fabian

VICE PRESIDENT, CREATIVE AND EDITORIAL Yolanda E. Yoh

VICE PRESIDENT, WEB TECHNOLOGY Christopher J. Coleman

EXECUTIVE VICE PRESIDENT, INFORMATION TECHNOLOGY Juan Lopez

Mark Strauss president

SANDOW, publisher of NewBeauty®, Worth®, Luxe Interiors + Design™, Watch Journal®, Furniture/Today® Group, and Interior Design®, is a leader in building multi-platform brands that inform, inspire and engage highly coveted consumer and business audi-ences. Meeting at the intersection of luxury and design, the SANDOW brands—all powered by innovation—span digital and print media, licensing, consulting, e-commerce and retail, business information and marketing services. Learn more at sandow.com.

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Hybrid Resilient Modular Broadloom Woven800.655.1075

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Projects and products, people and places—all online exclusives

interiordesign.net

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1. Video explaining Mickael Boulay’s device for measuring blood-sugar levels, among our roundup of young Dutch designers and their recent products. . .interiordesign.net/dutchvideo13.2. Trailblazing women designers, including Interior Design Hall of Fame member Clodagh,

who did this New York town house. . . interiordesign.net/women13.

3. Proposal rendering for Staten Island’s Freshkills Park by M-Rad’s Matthew Rosenberg, profiled in our

Ones to Watch series. . .interiordesign.net/OTWjan13.4. Eccentric textiles from Germany’s Heimtextil trade fair, part

of the 2013 trend forecast. . .interiordesign.net/trend13.5. Our inaugural “Memo From” city design guide, featuring the Four Seasons Hotel Toronto by Architects Alliance. . .interiordesign.net/torontomemo13.6. 10 Questions With Nila Leiserowitz of Gensler. . . interiordesign.net/leiserowitz13.

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DESIGNwireAt age 65, Gilbert Garcin was near retiring as the manager of a lamp-manufacturing plant in Marseilles, France. After taking a workshop at the 1997 French festival Les Rencontres d’Arles, he did give up his job. But only to embark on a whole new career: surrealist photographer.

Now 83, the Frenchman is having his second stateside show: “Damion Berger/Gilbert Garcin” at Lisa Sette Gallery in Scottsdale, Arizona, from February 7 to March 2. The show’s 12 new and old black-

and-white works possess a magical quality. At the center of each fairytalelike image is Garcin himself, or “Mister

G,” as some have called the tall, trench coat–clad fi gure standing beneath a towering dande-

lion, sitting inside a sea urchin shell, or dangling from puppet strings.

Surprisingly, Garcin does not use Photoshop; instead, the out-of-

scale images are made using simple cut and paste. Garcin fi rst poses for a self-portrait, cuts out the resulting image, places it in a setting hand-made from such materials as cardboard and string, and photographs it again.

Gilbert Garcin’s gelatin silver print Lorsque le Vent Viendra (When the Wind Will

Come) will be displayed at Lisa Sette Gallery in Scottsdale,

Arizona, from February 7.

Late Bloomer

edited by Annie Block

text by Annie Block, Mark McMenamin, and Matthew Powell

Go to interiordesign.net/sette13 for more Garcin images as well as those by Damion Berger.

COURTESY OF THE ARTIST AND LISA SETTE GALLERY


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DESIGNwire

Next Q: Check out the Designwire Weekly e-newsletter to participate.

Happy New Year! We asked designers, “What’s your design resolution for 2013?”

“Influence my clients to reinvent their style and step out of their comfort zone. That’s our job.” —Susan Schwartzman of Metamorphosis Interior Design

“Rededicate ourselves to producing en-riching, engaging, and sustainable design to create the kind of world we all want to live in.” —Stephen Swicegood of Gensler

“Push the boundaries so that the result drives the end-user to experience new heights. And, of course, do what didn’t get done last year.” —Adam Stover of Populous

“Do the best work with the best clients and best staff, have fun, and be rewarded for our work.” —Howard Elkus and David Manfredi of Elkus Manfredi Architects

“Devote more attention to my painting while starting a new design business venture, a collaborative fine-art atelier. Anyone interested?” —John DeWitt Morris of Avokado Design Lab

He won renown for his prolific portfolio of modern architec-ture, but as it turns out, Ezra Stoller’s lens had a much wider field of vision. “Beyond Archi-tecture,” January 24 to March 2 at New York’s Yossi Milo Gallery, celebrates the late photogra-pher’s rarely seen black-and-white images of industry, technology, and transportation. Primarily a paean to mid-century America’s working class, the 50-piece show nonetheless in-cludes a few Stoller signatures, from shots of New York’s United Nations headquarters to Chica-go’s John Hancock Center, many of which are included in the newly released book, Ezra Stoller, Photographer.

Full Exposure

From top: Ezra Stoller’s 1962 photo of Skidmore, Owings & Merrill’s Kitt Peak National Solar Observatory in Arizona is among the images in “Beyond Architecture” at New York’s Yossi Milo Gallery. Chicago’s John Hancock Center, circa 1967, by SOM.

Hurricane Sandy wreaked mass destruction on the tri-state area.

But, New Yorkers being a resilient lot, it has since generated mass creativity as witnessed in Reclaim NYC. Two dozen local

designers teamed up to raise money for the American Red Cross in Greater New York with an auc-tion of furniture and artwork made with materials salvaged from the storm. The auction, held at the SoPo outpost of Ligne Roset on December 19, brought in $15,000. For those who missed it, select pieces are available for purchase at reclaimnyc.org.

From left: UM Project’s Après lamp, made from a salvaged electrical junction box, was auctioned off at Reclaim NYC in December. Kiel Mead’s stained and shellacked hooks in

driftwood collected from Breezy Point, Queens.

Design Surge


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senseIt just makes

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Maestro® occupancy sensing switch automatically turns lights on when you enter a room, and off when you leave.

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DESIGNwire

When a bank does most of its business online, what’s the point of having branches? The rationale in the case of the ING Direct Café: to lure customers into a loungelike setting to bond with the brand.

At the 2,150-square-foot outpost in Lyon, France, design fi rm Outsign unleashed the bank’s signature orange through an all-glass storefront that’s a striking contrast to the grand 19th-century building above. Oak parquet fl ooring and Patricia Urquiola armchairs lend residential warmth to the Wi Fi–equipped relaxation space, where customers can read and sample liquid assets (i.e., coff ee and tea). Similarly, in the private consultation area, comfy sofas surround circular tables—no desks in sight. But the homey milieu also fi nds room for a fl amboyant architectural gesture: A continuous series of expanded-plastic ceiling panels swoops down in an undulating wave.

Bank Job

Clockwise from top: Tom Dixon pendant fi xtures hang above the information counter at the ING Direct Café in Lyon, France, by Outsign. Patricia Urquiola chairs beneath expanded-plastic ceiling panels. The beverage service niche clad in walnut veneer. The bank’s signature orange clearly visible across the Rhône river.


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CONFLUENCES 3-seat sofa by Philippe Nigro.800-BY-ROSET

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DESIGNwire

A longtime friend of architect Gustavo Penna off ered a unique commission: a private chapel in the middle of his farm in Martinho Campos, Brazil. Aiming at seamless communion with the surroundings, the Gustavo Penna Arquiteto & Associados principal preserved the prevailing treescape by building the resulting All Saints Chapel on a natural clearing.

Travertine walkways frame the exterior baptismal font and adjacent refl ecting pool, overshadowed by the 1,700-square-foot structure’s concrete blind wall, its cross-shape profi le soaring 18 feet heavenward. Inside, slender strips of peroba form a ribbon that, mirroring the path of the narrow pool outside, traverses the length of the chapel fl oor before climbing the wall behind the altar and spilling across the entire ceiling. Frameless glass walls allow unfettered views of the zenithal-lit interior, sym-bolically underscoring the connection between nature and spirit.

Cross Country

From top: Fluorescent zenithal lighting glows inside All Saints Chapel in Martinho Campos, Brazil, by Gustavo Penna Arquiteto & Associados. The peroba-lined interior. The concrete blind wall before the refl ecting pool.

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Impression, Acorn, Eden, Lumiere

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Creative wallcovering for inspired spaces


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At the turn of the 20th century, a 19-year-old Pablo Picasso was emerging on the French art scene. From February 14 to May 26, London’s Courtauld Gallery presents “Becoming Picasso: Paris 1901,” which gathers paintings from his debut exhibition with the important dealer Ambroise Vollard, works that mark his divergence from art of the Belle Époque and immediately predate his Blue Period. Harlequin and Companion, an oil on canvas, is among the earliest pieces to bear the famous Picasso signature, which he began using that year.

Chloro-phyll, saf-fron, beet juice. Not exactly tra-ditional art materials. However, the work of Viet-namese

multimedia artist Tam Van Tran incorporates such ingredients. Among the 15 ceramics, paintings, and assemblages in his namesake show at New York’s Ameringer McEnery Yohe gallery, February 14 to March 16, is this untitled wall relief incorporating spirulina, a type of blue-green algae, along with acrylic, staples, paper, and canvas.

DESIGNwire

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CevisamaFebruary 5-8Feria Valencia, Spain; 34-90-274-7330; cevisama.feriavalencia.com.

Australian International Furniture FairFebruary 6-8Sydney Exhibition Centre, Australia; 61-3-8672-1200; aiff.net.au.

IIDA Leaders BreakfastFebruary 14Vancouver Convention Centre, British Columbia; 888-799-4432; iida.org.

AmbienteFebruary 15-19Messe Frankfurt; 49-69-75-75-0; ambiente.messefrankfurt.com.

Building EnergyMarch 5-7Seaport World Trade Center, Boston;

413-774-6051; nesea.org/buildingenergy.

Thailand International Furniture FairMarch 13-17Impact Muang Thong Thani, Bangkok; 66-2-507-8363; thailandfurniturefair.com.

Dragon Furniture FairMarch 17-20Qianjin Exhibition Center, Foshan, China; 86-757-2388-8888; quianjin.com.

Domotex Asia/ChinafloorMarch 26-28Shanghai New International Exhibi-tion Center; 86-21-6195-6088; domotexasiachinafloor.com.

IIDA Leaders BreakfastMarch 28Hyatt Olive 8, Seattle; 888-799-4432; iida.org.

february - march

Titus Kaphar is in the house—literally. In “The Vesper Proj-ect,” a massive in-stallation opening February 28 at Friedman Benda in New York, the art-ist weaves his sculptures, paint-ings, and furniture into the actual in-teriors of an 1870’s

Connecticut house, its main structural components dismantled and reconstructed in the 5,700-square-foot gallery. Gilt frames, vintage typewriters, and old pho-tographs lend period authenticity while intertwining the history of the Vespers, who owned the house, with elements from Kaphar’s autobiography.

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LUKE HANSCOM, COURTESY OF FRIEDM

AN BENDA AND THE ARTIST

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Leather since 1933

Leather to the trade 800 737 0169 mooreandgiLes.com

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DGT Architects is all over the map. Literally. Based in Paris, the firm’s global reach extends to Italy, Lebanon, Japan, and Estonia. Its 14-member team is similarly in-ternational, with designers hailing from New Zealand and North Africa as well as the U.S., Europe, the Middle East, and South America. Founding partners Dan Dorell, Lina Ghotmeh, and Tsuyoshi Tane are, respec-tively, Italian, Lebanese, and Japanese. They met in London where Dorell and Ghotmeh were working at Ateliers Jean Nouvel, and Tane at Adjaye Associates. When the call came for an open competition to design the Estonian National Museum, the three went for it—teaming up at night without quitting their day jobs.

Winning that commission led to DGT’s formation in 2006, when the studio moved to Paris to follow a mul-tidisciplinary approach encompassing architecture and urban planning. Just two years later, the firm received Le Ministère de la Culture et de la Communication’s architec-ture prize and the Italian Rassegna Lombarda di Architettura. The three principals expound on the adventure.

crosslines

notes from abroad

Dorell.Ghotmeh.Tane/Architects maintains an international practice in every sense of the word

From top: Dorell.Ghotmeh.Tane/Architects principals Dan Dorell, Lina Ghotmeh, and Tsuyoshi Tane. The Bump, Renault’s traveling exhibition, which debuted in Paris last year and goes to some 20 worldwide cities through 2015.

FROM TOP: GASTON BERGERET; TAKUJI SHIM

MURA


idx130101_cl 45 1/9/13 9:40:28 AM

Tell us about the Bump, your high-profile traveling exhibition for Renault. Dan Dorell: Renault’s brief for the project included marketing, identity, and communication aspects, but input on the practical side was limited. We opted to design it like a kit of parts so the same elements would be usable over the four years it travels around the world. This way, it answered the client’s requests and is ecological as well.

What are the kit’s components?Dorell: There are two hills or “bumps” in the flat surface that represent

change—a reference to the compa-ny’s slogan, “Drive the Change.” Above are 388 suspended pendant globes lit by computer-controlled LEDs. The globes change color and move vertically, like dancers. On the floor, which is an off-white outdoor carpet, are foam “stones” for people to sit on.

Is there an emotional component, too? Lina Ghotmeh: The colors of the LEDs elicit different moods. Red, for exam-ple, makes viewers more alert. But the movement of the globes creates soothing waves.

The scope of your work is far-reaching: in location, project type, and diversity of scale. Some of the more unusual projects have been set designs where you’ve col-laborated with masters in other disciplines. Tsuyoshi Tane: Yes, we’ve worked with the choreographer and director Jo Kanamori, whom I’ve known for seven years, on sets for The Miracu-lous Mandarin, Bluebeard’s Castle, and Shikaku.

Dorell: The first two, a double-bill, started out in Japan, then traveled to China, and ended up in Italy for the


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Opposite, clockwise from top left: A computer rendering of the Estonian National Museum in Tartu, slated for 2015 completion. LED globes above and polypropylene carpet and foam seating below at the Bump in Paris. Polystyrene-foam panels above dancers in Shikaku, a 2007 Tokyo performance in collaboration with choreographer Jo Kanamori.Clockwise from top left: An art collector’s Paris apartment, slated for 2013 completion. A retrospective for the fashion label Minä Perhonen at the Textile Museum in Tilburg, Netherlands, 2009. “Luce Tempo Luogo,” an exhibition for Toshiba during the 2011 Salone Internazionale del Mobile in Milan.

Maggio Musicale Fiorentino. We’ve also done set design for Play 2 Play, a dance performance in Tokyo; an installation for Toshiba during Salone in Milan; and two projects—one in the Netherlands, the other in Paris—for the fashion label Minä Perhonen.

Do you approach designing permanent and ephemeral works differently?Tane: Yes. Designing scenography, we focus more on the notion of time: How a space can be changed over the course of a three-hour performance. Architecture, instead, focuses on space.

Let’s go back to the project that started it all: the Estonian National Museum. It’s emblematic of the DGT process, one that entails sociology and digging into history. Ghotmeh: Yes, we engage in critical thinking. How can architecture link to discourses in history? How can we tell stories that create a path for architec-ture? Part of that comes from our cul-tural differences, which affects each of our perspectives.

Dorell: Instead of locating the build-ing on the proposed site, we chose an ex-Soviet military base. It was contro-versial, but our goal in connecting the

base with the nearby airfield and bridging it over a lake is to tell the story of Estonia’s history and establish its identity. The roof of our building looks like it’s taking off—as if Estonia, which recently entered the European Union, is taking off.

Do you take on residential projects? Dorell: Yes. In Paris, we’re working with a client who’d been living in the Place des Invalides collecting ancient art. Now he wants to live in a contem-porary minimal space coinciding with his new interest in collecting contem-porary art. He bought the apartment


CLOCKWISE FROM

TOP LEFT: TAKUJI SHIMM

URA; KOOMI KIM

; NIKI TAKEHIKO

idx130101_cl 47 1/9/13 2:27:59 PM

that used to belong to chef Alain Ducasse; we’re making it like an art gallery. We’re working on Ducasse’s new apartment, too.

Ghotmeh: Back in 1999, when I was a student, I interned with a local developer in Tucson design-ing single-family dwellings for a housing complex. That experience has made me interested in desig-

From top: Set design for Play 2 Play—Interfering Dimensions, a 2007 dance performance in Niigata, Japan. “365 Charming Everyday Things,” a 2012 exhibition at the Bastille Design Center, Paris.

linescross

ing community housing. I’d love the challenge of building a tower with a mixture of uses.

About the only locale missing from your project portfolio is North America. Is anything on the horizon?Ghotmeh: Not yet. New York would be a great place to work. —Edie Cohen

MORE NATURAL THAN A CHAT WITH YOUR BARISTA.

Light, natural and adaptable. The Quarry Collection. Asymmetrical shapes support multiple seating postures and, when nested together, create social spaces that make collaborative work easy and comfortable. With casual seating, table and media options, your space becomes as inviting as the local coffee shop.

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idx130101_cl 48 1/9/13 6:19:26 PM

25 Years of DesignThe 25th annual International Contemporary Furniture FairMay 18-21 2013 at New York City’s Jacob K. Javits Convention Center800-272-7469 or 212-204-1060 icff.com

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Circle 34


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Circle 31


choice seatThe color and material variations are limitless in this perch by Philippe Hurel

1. Tobias low stool in MDF with leather top in Venise Spot and base in matte-lacquered bronze. 2. Tobias high stool in MDF with leather top in Beverly Marron and base in satin-lacquered red. 3. Tobias high stool in MDF with leather top in Beverly Cuivre and base in satin-lacquered blue. 4. Tobias low stool in MDF with top in matte-lacquered bronze 3 and base in satin-lacquered khaki. 5. Tobias low stool in MDF with top in satin-lacquered purple and base in matte-lacquered Inox. circle 400See page 56 for sources.

1 2

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Circle 1


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This table’s configuration is open-ended

1. Toad side table in ash with tops in lacquered white RAL 1013 and blue RAL 5024 by Philipp Beisheim. circle 401See page 56 for sources.

1

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idx130101_clu 54 1/11/13 12:23:25 PM

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Bookcase: white oiled oak, designed by Mogens Koch.Easy chair: CH25 in smoked oak with natural weave, designed by Hans J. Wegner.

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Circle 16


closeupSOURCES

choice seatPhilippe Hurel, 33-153-009-500; philippe-hurel.com.

a new twistPhilipp Beisheim, 49-171-8315854; philippbeisheim.com.

No. 8 Lighting offers a selection of elegant LED down-light solutions in recessed or monopoint configurations, and are available in a variety of quality finishes for any ceiling environment.

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Circle 97


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Circle 96


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Circle 33


green pieceAt Wanderlust, a dining-and-entertainment complex, the pavilion’s tensile canvas membrane is stretched on a steel frame.

fi rm: jakob + macfarlanesite: paris

walkthrough

ROLAND HALBE


idx130101_wtjm 61 1/11/13 2:09:08 PM


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throughwalk

pictured a venue for concerts, movie screenings, art exhibits, and kids’ fairs.

The architects found the key to the project in the new spot’s carefully chosen name, Wanderlust, “with its connota-tions of travel, escape, free-dom, of getting away from stress,” says MacFarlane. The word brought two things in-stantly to mind: fi rst, guin-guettes, late 19th- and early 20th–century open-air restau-rants with music and dancing, often found outside Paris on the banks of the Marne river. “They were relaxed places to spend time with other people—popular, not chic,” notes Jakob, who is French. The second inspiration —the traditional “batch,” a small, hammered-together vacation cabin in

Three years ago, Domi-nique Jakob and Brendan MacFarlane converted a city-owned, 1907 concrete indus-trial warehouse along the Seine river into the commercial and cultural center now called Les Docks, Cité de la Mode et du Design. Last January, Jakob + MacFarlane was asked back by one of the building’s new con-cessionaires to create a dining-and-entertainment complex. The clients already ran exclu-sive Paris nightspots including Silencio, designed with fi lm director David Lynch, but they envisioned something differ-ent for the 21,500-square-foot space, two-thirds of it an out-door platform terrace overlook-ing the river. In addition to a nightclub with DJs, a dance fl oor, and a restaurant, they

Clockwise from top left: The painted aluminum deck chairs are based on the 1923 civic design for the seating in Paris’s Jardin du Luxembourg. The restaurant’s custom tables are iroko. An 18-by-42-foot movie screen is hung on an adjacent building’s wall for outdoor screenings. Lined with aluminum stools, the pavilion’s bar is faced and topped with iroko slats. The pavilion’s curves were developed using CAD. The custom color echoes the facade for Les Docks, Cité de la Mode et du Design’s main building.


ROLAND HALBE

idx130101_wtjm 63 1/9/13 9:12:38 PM

throughwalk

the woods or at the beach—comes from MacFarlane’s homeland, New Zealand.

Simple, rustic elements adapted from both vernacular forms and zapped into the 21st-century setting include solid ipe fl ooring and decking and ta-bles and bars in slatted iroko. The terrace and restaurant seating, painted a warm gray, is based on the iconic chairs in the Jardin du Luxembourg.

But the Wanderlust element that combines open-air and

hammered-together best—and is also the most eye-catching—is the terrace pavilion. Its free-form shape was computer-developed , and its chartreuse tensile fabric is stretched on a steel frame and pinned down to the cement fl oor beneath the decking. Although the city’s cold, rainy winter weather keeps the terrace in hiberna-tion for half the year, it makes spring and summer that much sweeter. —Judy Fayard

FROM FRONT SERGE FERRARI: CANVAS (PAVILION). FERMOB: STOOLS, SPOTLIGHTS (PAVILION), CHAIRS (DECK, RESTAURANT). MONACO LIGHTING DESIGN: LANTERNS (RESTAURANT). QUINZE & MILAN: STOOLS (CLUB). TRAXON TECHNOLOGIES: CEILING FIXTURES. KNAUF: CEILING PANELS (RESTAU-RANT). THROUGHOUT THORN: LIGHTING CONSULTANT. RFR: STRUCTURAL ENGINEER. SIRC INDUSTRIES: METALWORK. PROTOTYPE DESIGN: WOODWORK.

From top: The club’s DJ station, bar, and Quinze & Milan cubes are illuminated by lighting that pulsates with the music. Movies are projected from the top of the pavilion’s interior structure. The restaurant’s concrete ceiling is lined with acoustic panels.


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Circle 8


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Circle 82


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1 . 6 5 0 . 2 5 9 . 0 2 0 7 | w w w . e r i c b r a n d . c o m


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marketedited by Mark McMenamin

Salone of the SouthFor more than 15 years, Leif Petersen has brought high-

lights of Milan to High Point via his multiline showroom. The most recent import: Miniforms, which, since its

founding in the 1970’s, has established a reputation for attracting a stable of young talent.

The tradition continues with 33-year-old Ionna Vautrin and her Retroviseur Domestique. The painted oak mirror resembles a vanity version, but, with an 18-inch diameter and 51-inch height, is better suited for the wall. Casa1796’s equally youthful partners Alessandro Ruga and Carlotta

Perissinotto designed their beech Trex stool for duel functions: The removable lacquered-steel tray can be

placed on top of the cotton-upholstered cushion to become a low side table. Their 77-inch-long Skap X con-

sole, with a lacquered-MDF top and fronted in oak veneer, also multitasks: By incorporating a universal smart-device dock and two speakers, it’s a stereo system, too. 415-925-2701; leifpetersenfurniture.com. circle 402

High Point Market, North Carolina

RETROVISEUR DOMESTIQUE

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idx130101_mkt 69 1/10/13 4:32:35 PM

9highpointmarket

Trunk ShowWood is the word for this varied selection

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1. Divona media cabinet in chestnut and steel by Maria Yee. circle 4032. Gladys screen in reclaimed pine tobacco sticks and steel by VanCollier. circle 4043. Grand Tour’s SA8196 lamp in mahogany, bronze, and linen by Century Furniture. circle 4054. Chamcha Blocks wall décor in chamcha wood and iron by Phillips Collection. circle 4065. Barry Dixon’s Geo Pentagon lamp in walnut and linen by Arteriors Home. circle 4076. 33450COD chest in reclaimed teak and mahogany by Urban Houzz. circle 4087. Kisimi table in acrylic and found driftwood by Bleu Nature . circle 4098. Nilleq table in acrylic and found driftwood by Bleu Nature . circle 4109. WW bench in walnut and oak spindles by Janosi Designs . circle 41110. Michael Rupich’s Ripple cocktail table in cherry and glass by EndGrain. circle 41211. Christian Lyon’s Origami chest in New Guinea walnut and high-gloss loquat by Matsuoka. circle 41312. City Life sideboard in walnut and steel by Nine6 Design. circle 414See page 80 for sources.

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idx130101_mkt 71 1/10/13 4:33:10 PM

Global StorageNearly 10 years after establishing his namesake design studio in England, John Reeves took his fi rst bow at High Point in the always-inventive Interhall section of the Interna-tional Home Furnishings Center. Although such manufacturers as Henry Hall continue to avail themselves of the designer’s sturdy and soulful perspective, his emphasis has clearly shifted toward his now Vietnam-based brand: ReevesDesign.

Mixing the East with a nod to the Dutch De Stijl movement is the Lacquer & Walnut collection. Lacquered shelves are snugly fi tted through square posts to form the 4 ¼-by-6-foot shelving system. The drawer and doors of the dressing table are deliberately proportioned to resemble a bento box. The three-drawer chest features self-closing runners. The two-tier side table stands at a bantam 2 feet, while the super-symmetrical bookcase rises nearly 7 feet above a gener-ous drawer.

The 10-piece collection is made of polyurethane-coated, Forest Stewardship Council–certifi ed walnut frames topped in walnut veneer and fi tted with MDF pan-els, lacquered blue or purple. 84-8-35129317; reevesd.com. circle 415

marketcollection highpoint


idx130101_mkt 72 1/10/13 4:33:32 PM

Arc-Com Fabrics, Inc.(800) 223-5466

www.arc-com.comUPHOLSTERY PATTERN

Metro


Circle 7


Whatever Your WhimsyWhether on furniture or accessories, creative flourish is serious business

1. Calhoun chair with alder frame and Aurora linen in Multi by Kim Salmela Atelier. circle 4162. Balloon pendant fixture in wrought iron by Currey & Company. circle 4173. Graphic pillows in hand-screened cotton by Gus Design Group. circle 4184. Ronna Griest’s 7038 ottoman in vintage sari cloth by Massoud Furniture. circle 4195. Dax desk in cherry and mahogany by French Heritage. circle 4206. Matthew Weatherly’s Bink mobile media table in powder-coated aluminum by BDI. circle 4217. Denise Landi’s acrylic on canvas through

Lucky Fish Gallery. circle 422See page 80 for sources.

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highpoint

2


idx130101_mkt 74 1/11/13 12:34:30 PM

SERPENTINE CHAIR HANDCRAFTED IN AMERICA WWW.HANCOCKANDMOORE.COM

HM_Serpentine_IntDesign_Jan2013.indd 1 11/28/12 10:32 AMUntitled-1 1 11/30/12 1:32 PM

Circle 85


market

1. Allison Paladino’s Juan Carlos table in mahogany and alabaster by E.J. Victor. circle 4232. Joel Dupras’s Lyrics modular storage system in walnut veneer, smoked glass, and microtextured lacquer by Huppé. circle 4243. Winston Mosaic ottoman in pol-ished stainless steel and leather by Mitchell Gold + Bob Williams. circle 4254. Jean’s Puzzle table in lacquered acacia with inlaid snakeskin by A Lacquer Piece. circle 4265. Cocoon sofa in pine and organic flax by Eilersen. circle 4276. Cube tables in glass and cinnamon wood lacquered white, black, or yellow by Roberta Schilling Collection. circle 428See page 81 for sources.

2

4

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Block PartyThere’s nothing square about them

63

highpoint


idx130101_mkt 76 1/10/13 4:33:50 PM

Maki-San, available in standard as well as commissioned sizes and colors.

GoodWeave®the best assurance that no child labor was used.©2013 Stephanie Odegard. Protected by the copyright laws of the United States and by international copyright conventions.

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odegard ID 0113_Layout 1 12/20/12 3:39 PM Page 1


Circle 59


Factory Days

market

1. Aspen chair in steel and leather by Bernhardt Furniture Company. circle 4292. Double Shade lamp in bronze and brass by Global Views. circle 4303. Wythe sconce in steel by Ralph Lauren Home. circle 4314. Words Take Flight desk in louro preto veneer, aluminum, brass, and leather by Theodore Alexander. circle 4325. Necklace mirror in hand-carved painted mahogany and Swarovski crys-tals by Alden Parkes. circle 4336. Avalon sofa in painted cast steel,

viscose -polyester blend in cream, and leather in Smoke by Camerich. circle 4347. Crimp lamp in bronze-finished iron by Studio A. circle 435See page 81 for sources.

2

From the industrial warehouse to your house

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idx130101_mkt 78 1/10/13 4:33:57 PM


Circle 79


Trunk Show1. Maria Yee, 831-457-2900; mariayee.com.

2. VanCollier, 252-721-0250; vancollier.com.

3. Century Furniture, 828-852-5552; centuryfurniture.com.

4. Phillips Collection, 336-882-7400; phillipscollection.com.

5. Arteriors Home, 877-488-8866; arteriorshome.com.

6. Urban Houzz, 248-825-4495; urbanhouzz.com.

7. Bleu Nature, through Four Hands, 866-654-9433; fourhands.com.

8. Bleu Nature, as above.

9. Janosi Designs, 213-910-6900; janosidesigns.com.

10. EndGrain, 862-210-8596; endgrainfurniture.com.

11. Matsuoka, 704-932-2686; matsuokainternational.com.

12. Nine6 Design, 717-515-2266; nine6.com.

Whatever Your Whimsy1. Kim Salmela Atelier, 310-205-7905; kimsalmela.com.

2. Currey & Company, 877-768-6428; curreyandcompany.com.

3. Gus Design Group, 416-534-0773; gusdesigngroup.com.

4. Massoud Furniture, 800-762-2797; massoudfurniture.com.

5. French Heritage, 800-245-0899; frenchheritage.com.

6. BDI, 703-803-6900; bdiusa.com.

7. Lucky Fish Gallery, 336-427-0131; luckyfishgallery.com.

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Circle 56 80 INTERIORDESIGN.NET JAN.13

idx130101_mkt 80 1/14/13 12:00:53 PM

Factory Days1. Bernhardt Furniture Company, 828-758-9811; bernhardt.com.

2. Global Views, 888-956-0030; globalviews.com.

3. Ralph Lauren Home, through Visual Comfort, 713-686-5999; visualcomfort.com.

4. Theodore Alexander, 336-885-5005; theodorealexander.com.

5. Alden Parkes, 336-885-2265; aldenparkes.com.

6. Camerich, 206-762-2828; camerichusa.com.

7. Studio A, 888-956-0030; studioa-home.com.

Block Party1. E.J. Victor, 828-437-1991; ejvictor.com.

2. Huppé, 819-758-1529; huppe.net.

3. Mitchell Gold + Bob Williams, 828-632-9200; mgbwhome.com.

4. A Lacquer Piece, 561-603-0543; alacquerpiece.net.

5. Eilersen, 45-64-85-10-08; eilersen.eu.

6. Roberta Schilling Collection, 305-477-7786; rscollection.com.

Circle 46JAN.13 INTERIORDESIGN.NET 81

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Circle 84


Produced &Managed byAMC, Inc.

In collaboration with The IlluminatingEngineering Society

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Circle 106



Circle 14


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Circle 47


giantsThe Astellas Pharma Europe headquar-ters in London is by Perkins+Will. 3


COURTESY OF PERKINS+WILL

idx130101_giants 87 1/11/13 10:27:43 AM

still growing

The world did not end on December 21, and some might feel the Mayans let them down. The rest of us can apply an epic sense of es-cape to the Great Recession, which still echoes like not-too-distant thunder in our memories. With the world still intact, we can officially say that for Interior Design’s top 100 Giants, the industry looks pretty good.

The big number: Total fees for these Giants piled up to $24.8 billion in 2012, beating the year’s forecast by a cool billion. Still, total fees only rose 4 percent over 2011, and expected fees in 2013 should only rise a few token points to $25.3 billion. Even with that modest total growth, firms are feeling good. “We are returning to pre-2009 revenue levels, before everything ground to a halt,” says Stephen Yates, senior associate at Perkins Eastman.

While fees-per-employee remained even at $225,000, the value of projects per square foot exploded. In 2011, the rate jumped from $80 to $91; 2012 saw another gain to $97 per square foot. Total square footage rose, too, the reported 716 million being 12 percent higher than the 2012 forecast. Giants expect 726 million more square feet in 2013. (For fun, compare those stats to the 2009 number: 553 million square feet.)

Interior-designer staff numbers expanded 11 percent in 2012 to a total head count of nearly 12,000. That figure tops the 11,000 designers on staff in prerecession 2008. Another sign of good times: 29 percent of Giants report their biggest challenge is retaining qualified staff (only 15 percent said so last year). As a result, the aver-age designer salary has risen from $65,000 to $70,000. Some 70 percent of Giants worry about recruiting new talent, with each firm planning to hire an additional 33 designers, on average, in 2013. With hourly billing rates rising for individ-ual designers, too—$125 an hour, up $10 since 2010—all bodes well for expanded revenue.

While the volume of work has risen, the jobs haven’t changed dramatically. New construction has trumped renovation, 56 percent to 44 per-cent, for about four years now. Contract work re-mains the biggest slice of the pie at an unchanged 35 percent. Hospitality jobs rose slightly to 18 percent of the total, up from 16. Health care re-mained at 15 percent. Government work has declined for the third straight year, down to 7 percent. Two-thirds of the Giants worked on res-idential projects in 2012. Of those, 80 percent took on mixed-use/condominium jobs. That’s a steady rise from 73 percent two years ago.

Interior furnishings and fixtures provided another bust-out statistic: These crushed 2012 estimates by 22 percent, $65.2 billion actual

versus $53.5 billion expected. That’s up from $57.8 billion in 2011—in fact, it’s held around $58 billion all the way back to 2008—so this is a nice breakthrough. The Giants expect an-other $67.4 billion in 2013.

Firms have been using the Internet to gen-erate new work for the last 15 years. But 2012 is the first year in which all the top 100 Giants claimed to build business via the Web, specifi-cally social media. “We are making a greater effort, with success, to get the word out,” says TPG Architecture principal Jim Phillips. “As a re-sult, some great brands are calling us directly.”

International expansion, trending upward since 2002, continues apace. Firms with for-eign projects hit 25 percent in 2012, an all-time high. Some 85 percent of global firms did work in Asia and the Pacific Rim, the highest number since we began tracking it in 2008. Canada is also heating up, with 58 percent of Giants finding work there, com-pared to 39 percent three years ago. Other fast-growing areas: Central and South Amer-ica (37 percent, up from 26) and Africa (up to 27 percent from 22). The Middle East holds steady at around 46 percent, down from 61 percent in 2009. The Giants expect the big-gest international growth opportunities in China as well as Central and South America for 2013. Who’s fading? The United Arab Emirates. In 2010, 28 percent said it was hot; this year, only 11 percent. The biggest growth potential in 2013, according to 83 percent of the Giants, will come from the U.S.—the high-est number in four years.

After years of upward trending, sustain-ability has leveled out and taken a perma-nent place in the business philosophies of most Giants (89 percent). A per-firm average of 35 percent of staffers are LEED-accredited, and 59 percent of all products specified—$38 billion worth—are sustainable. An average of 48 percent of all firm fees come from green design, up from 37 percent last year.

One last stat to top it all off: 86 out of the 100 Giants feel great about 2013. Wimberly Interi-ors vice president of strategy Raj Chandnani sums up the sentiment: “The market is re-bounding. Clients are more comfortable pur-suing significant renovations and ground-up opportunities across the globe. We are bull-ish about 2013.” Take that, Apocalypse. —Mike Zimmerman

giants

The St. Regis Shenzhen in Guangdong, China, is by Cheng Chung Design.

15

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idx130101_giants 88 1/11/13 10:27:56 AM

The ABET Wood collection of high pressure laminates combinesthe look and feel of real wood veneer with technically enhanceddurability. Real richness, real texture, real veneer… Low VOC emissions: LEED contributing product.


Circle 3


WORK INSTALLED

100giantsGensler san francisco | gensler.com

Jacobs* pasadena, california | jacobs.com

Perkins+Will chicago | perkinswill.com

HOK st. louis | hok.com

HBA/Hirsch Bedner Associates Design Consultants los angeles | hbadesign.com

Cannon Design chicago | cannondesign.com

Leo A Daly omaha | leoadaly.com

Callison seattle | callison.com

Interior Architects san francisco | interiorarchitects.com

NBBJ seattle | nbbj.com

Nelson philadelphia | nelsononline.com

HKS dallas | hksinc.com

AECOM los angeles | aecom.com

Wilson Associates dallas | wilsonassociates.com

Cheng Chung Design hong kong | ccd.com.hk

Perkins Eastman new york | perkinseastman.com

SmithGroupJJR detroit | smithgroupjjr.com

PageSoutherlandPage houston | pspaec.com

Skidmore, Owings & Merrill new york | som.com

HDR omaha | hdrarchitecture.com

Peter Marino Architect new york | petermarinoarchitect.com

Fentress Architects denver | fentressarchitects.com

HLW new york | hlw.com

TPG Architecture new york | tpgarchitecture.com

DLR Group omaha | dlrgroup.com

EwingCole philadelphia | ewingcole.com

Rockwell Group new york | rockwellgroup.com

Space Matrix Design Consultants singapore | spacematrix.com

Bilkey Llinas Design palm beach gardens, florida | bilkeyllinas.com

M Moser hong kong | mmoser.com

ZGF Architects portland, oregon | zgf.com

Flad Architects madison, wisconsin | fl ad.com

Corgan Associates dallas | corgan.com

Ted Moudis Associates new york | tedmoudis.com

Studios Architecture washington | studiosarchitecture.com

FRCH Design Worldwide cincinnati | frch.com

DWP bangkok | dwp.com

Yabu Pushelberg toronto | yabupushelberg.com

Shepley Bulfi nch boston | shepleybulfi nch.com

Vocon cleveland | vocon.com

VOA Associates chicago | voa.com

Little charlotte, north carolina | littleonline.com

Checkland Kindleysides leicester, england | checklandkindleysides.com

RTKL Associates baltimore | rtkl.com

ASD atlanta | asdnet.com

Daroff Design + DDI Architects philadelphia | daroff design.com

Marc-Michaels Interior Design winter park, florida | marc-michaels.com

CBT boston | cbtarchitects.com

Gresham, Smith and Partners nashville | greshamsmith.com

Mancini-Duff y new york | manciniduff y.com

Elkus Manfredi Architects boston | elkus-manfredi.com

DBI Architects washington | dbia.com

DiLeonardo International warwick, rhode island | dileonardo.com

Roger Ferris + Partners westport, connecticut | ferrisarch.com

Lawrence Group st. louis | thelawrencegroup.com

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10111213141516171819202122232425262728293031323334353637383940414243444546474849505152535455

$402.000$111.367$101.000$102.000$95.824$68.000$63.696$61.640$57.122$56.067$52.000$47.150$47.000$46.000$43.023$42.900$40.900$39.000$35.914$32.500$29.250$28.990$27.084$26.730$26.680$26.400$25.457$24.320$23.675$23.328$23.000$22.950$22.930$22.500$20.850$19.550$18.200$18.000$17.221$17.205$16.907$16.805$15.135$15.100$15.000$14.300$14.300$14.200$13.400$13.200$13.000$12.600$12.100$12.000$11.753

$1,400.00$2,004.60$1050.00$3,206.00$5,653.62

NRNRNR

$1,095.00NRNRNR

$2,000.00$3,000.00

$163.33$858.00

NRNRNRNR

$300.00NR

$725.00NRNR

$500.00NR

$250.00NR

$192.90$1,353.40$918.60$843.00$250.00$178.00

NRNRNR

$207.48$286.75$240.00$283.00

NR$225.00

NR$190.00$17.00

NR$325.25$740.00

$51.11$200.00

NR$395.00$255.30

57.0022.2731.5036.1733.7621.00

NRNR

24.04NR

25.84NR

15.00NR

2.904.64NRNRNRNR

3.507.80NR

10.008.122.75NR

7.00NR

5.945.117.66

10.006.008.45NRNRNR

1.012.87

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8.00NR

4.75NR

4.803.655.801.703.25NR

1.203.12

1,200435300271893200199128290183258247140313284193161104126197118188315012413312137511851160965782

1801512458111859013066848847354050914954873248

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FIRM (headquarters | web site)RANK2013 (millions) (millions) (millions)

DESIGN STAFF

RANK 2012

DESIGN FEES VALUE SQ. FT.

* Includes KlingStubbins. NR Not Reported -- new to the list


idx130101_giants 90 1/11/13 10:27:59 AM

mdcwall.com800.621.4006

The Trusted Source for Design Solutions

Sequin-MDC-IntDesign-final.indd 1 12/27/12 5:47 PMFull Page.indt 1 1/2/13 12:37 PM

Circle 50


Ware Malcomb irvine, california | waremalcomb.com

Rapt Studio san francisco | raptstudio.com

FKP Architects houston | fkp.com

Creative Design Consultants costa mesa, california | cdcdesigns.com

Environetics los angeles | environetics.com

Ballinger philadelphia | ballinger-ae.com

RMW Architecture & Interiors san francisco | rmw.com

HMC Architects los angeles | hmcarchitects.com

Populous kansas city, missouri | populous.com

Stonehill & Taylor Architects new york | stonehilltaylor.com

RSP Architects minneapolis | rsparch.com

OTJ Architects washington | otj.com

Planning Design Research houston | pdrcorp.com

VeenendaalCave atlanta | vcave.com

Kasian vancouver, british columbia | kasian.com

Spector Group new york | spectorgroup.com

Gettys chicago | gettys.com

Harley Ellis Devereaux southfield | harleyellisdevereaux.com

Staff elbach dallas | staff elbach.com

Huntsman Architectural Group san francisco |huntsmanag.com

Cooper Carry atlanta | coopercarry.com

LS3P Associates charleston, south carolina | ls3p.com

Robert A.M. Stern Architects new york ny | ramsa.com

Aedifi ca montreal | aedifi ca.com

Baskervill richmond, virginia | baskervill.com

KNA Design los angeles | knadesign.com

Francis Cauff man new york | franciscauff man.com

Rottet Studio houston | rottetstudio.com

Bergmeyer Associates boston | bergmeyer.com

Tricarico Architecture and Design wayne, new jersey | tricarico.com

Swanke Hayden Connell Architects new york | shca.com

Smallwood, Reynolds, Stewart, Stewart & Associates atlanta | srssa.com

H. Chambers Company baltimore | chambersusa.com

Switzer Group new york | theswitzergroup.com

Ziegler Cooper Architects houston | zieglercooper.com

Milo Kleinberg Design Associates new york | mkda.com

JPC Architects bellevue, washington | jpcarchitects.com

Wimberly Interiors new york | wimberlyinteriors.com

BHDP Architecture cincinnati | bhdp.com

Design DMU dallas | designdmu.com

Partners by Design chicago | pbdinc.com

SAA culver city, california | saaia.com

Steelman Partners las vegas | steelmanpartners.com

FXFowle Architects new york | fxfowle.com

EDG Interior Architecture + Design san rafael, california | edgdesign.com

5657585960616263646566676869707172737475767778798081828384858687888990919293949596979899

100

$11.600$11.556$11.500$11.056$10.800$10.629$10.598$10.460$10.320$9.993$9.400$9.300$9.282$9.200$9.033$9.000$9.000$8.960$8.950$8.750$8.750$8.400$8.400$8.300$8.299$8.200$8.200$8.000$8.000$8.000$8.000$8.000$7.875$7.800$7.696$7.500$7.500$7.280$7.200$7.100$7.056$7.020$7.000$7.000$6.936

$371.00NR

$375.00$6.23

$198.00$384.20$268.58

NRNR

$330.00NR

$195.00$505.00$71.33

NR$420.00

NR$175.00$195.00$140.00$100.00$421.00$58.00

$220.00$625.00$485.00$290.00$202.00$112.00$75.00

NRNR

$75.50$260.00

NR$100.00

NR$750.00

NR$240.00$178.00$365.00$300.00$120.00$99.20

4.60NR

1.50NR

2.000.991.68NR

3.491.90NR

2.004.185.52NR

3.60NR

2.901.231.001.509.002.321.606.502.507.50NR1.121.302.50NR

0.682.604.381.35NR

4.00NR

2.452.172.002.140.400.40

455017267113524534565860356750377545567118371792192848343957593020354132416312583170471847

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108133

FIRM (headquarters | web site)RANK2013 (millions) (millions) (millions)

DESIGN STAFF

RANK 2012

DESIGN FEES VALUE SQ. FT.

Four Seasons Hotel Pudong, Shanghai is by Wilson Associates.

14

NR Not Reported-- new to the list

giants100

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idx130101_giants 92 1/11/13 10:28:00 AM

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Circle 130


TOP 10 IN OFFICE FIRM DESIGN FEESGensler (1) $201,000,000HOK(4) $57,120,000Jacobs (2) $54,569,615Interior Architects (9) $51,409,800Nelson (11) $49,400,000Perkins+Will (3) $37,370,000M Moser (30) $23,328,000HLW (23) $21,667,200Space Matrix Design Consultants (28) $21,158,400TPG Architecture (24) $21,116,645

100giants

From top: The Snagajob headquarters in Richmond, Virginia, is by Baskervill. Interior Architects designed the Metro-Goldwyn-Mayer Studios headquarters in Los Angeles.

80

top9

TOP 10 IN RETAIL FIRM DESIGN FEESGensler (1) $40,200,000Peter Marino Architect (21) $17,550,000Jacobs (2) $16,704,984Callison (8) $15,410,000FRCH Design Worldwide (36) $13,098,500Checkland Kindleysides (43) $12,865,087Tricarico Architecture and Design (85) $7,520,000Aedifi ca (79) $5,727,000Bergmeyer Associates (84) $5,440,000Yabu Pushelberg (38) $5,400,000

TOP 10 IN GOVERNMENT FIRM DESIGN FEESGensler (1) $40,200,000Jacobs (2) $27,841,641PageSoutherlandPage (18) $15,600,000Leo A Daly (7) $14,650,079AECOM (13) $13,160,000HOK (4) $10,200,000Skidmore, Owings & Merrill (19) $10,055,849Fentress Architects (22) $8,697,000HDR (20) $6,500,000DLR Group (25) $5,336,000

TOP 10 IN HOSPITALITYFIRM DESIGN FEESHBA/Hirsch Bedner Associates Design Consultants (5) $95,824,000Wilson Associates (14) $45,540,000Gensler (1) $44,220,000Cheng Chung Design (15) $37,860,240Bilkey Llinas Design (29) $23,675,000Callison (8) $15,410,000Rockwell Group (27) $14,001,152Daroff Design + DDI Architects (46) $13,442,282Leo A Daly (7) $12,739,199DiLeonardo International (53) $10,890,000


FROM

TOP:

CHR

IS C

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idx130101_giants 94 1/11/13 10:28:03 AM

Set theStage

Create a dramatic foundation with the Drama Collection from J+J/Invision. Acting on contemporary color, design, scale and texture combinations, Drama takes center stage with three epic patterns: Curtain Call, Marquee and Cameo.

FEATURED – CURTAIN CALL MODULAR

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Untitled-2 1 11/15/12 4:12 PM

Circle 41


100giantsTOP 10 IN HEALTH CARE/ASSISTED LIVINGFIRM DESIGN FEESNBBJ (10) $39,246,900Perkins+Will (3) $37,370,000Cannon Design (6) $36,040,000Perkins Eastman (16) $24,453,000Leo A Daly (7) $22,293,598HKS (12) $21,217,500AECOM (13) $21,150,000HDR (20) $17,875,000SmithGroupJJR (17) $15,951,000PageSoutherlandPage (18) $13,650,000

TOP 10 IN EDUCATIONAL FIRM DESIGN FEESCannon Design (6) $21,760,000Gensler (1) $20,100,000DLR Group (25) $11,205,600Perkins+Will (3) $11,110,000Shepley Bulfi nch (39) $9,816,118HOK (4) $7,140,000SmithGroupJJR (17) $5,726,000Perkins Eastman (16) $5,148,000HMC Architects (63) $4,811,600Flad Architects (32) $4,590,000

TOP 10 IN RESIDENTIAL FIRM DESIGN FEESMarc-Michaels Interior Design (47) $12,870,000Creative Design Consultants (59) $11,056,061Peter Marino Architect (21) $10,822,500Robert A.M. Stern Architects (78) $4,956,000DWP (37) $4,550,000Callison (8) $3,082,000Kasian (70) $2,709,768CBT (48) $2,556,000Rockwell Group (27) $2,545,664KNA Design (81) $2,460,000

TOP 10 IN CULTURAL FIRM DESIGN FEESGensler (1) $24,120,000Rockwell Group (27) $3,563,930Cheng Chung Design (15) $3,011,610DLR Group (25) $2,668,000EwingCole (26) $2,640,000SmithGroupJJR (17) $2,454,000HKS (12) $2,357,500Fentress Architects (22) $2,029,300AECOM (13) $1,410,000Roger Ferris + Partners (54) $1,200,000

TOP 5 IN TRANSPORTATION FIRM DESIGN FEESGensler (1) $24,120,000Fentress Architects (22) $13,915,200Corgan Associates (33) $8,254,750HOK (4) $8,160,000Leo A Daly (7) $3,821,760

MOST FOREIGN PROJECTS FIRM % OF PROJECTSCheng Chung Design (15) 100%Space Matrix Design Consultants (28) 100%DWP (37) 100%Bilkey Llinas Design (29) 99%HBA/Hirsch Bedner Associates Design Consultants (5) 98%DiLeonardo International (53) 98%M Moser (30) 89%Wilson Associates (14) 85%Design DMU (95) 80%Yabu Pushelberg (38) 75%Steelman Partners (98) 75%

17

University of California, Berkeley’s Energy Biosciences Building is by SmithGroupJJR.

BRUC

E DA

MON

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idx130101_giants 96 1/11/13 10:28:06 AM

www.millikencarpet.com 800.824.2246

SolStice

When the sun is lowest on the horizon at the southern solstice, it accentuates the intricate textures of winter and shadowy lines of the barren trees. Our observation is an abstract play of shadow and silhouette, where the tracery of branches and the highlight of exposed texture convey a change of time and the beauty in stillness.

Circle 52


TOP 10 FASTEST GROWINGFIRM 2012 FEES 2011 FEES GROWTHHKS (12) $47,150,000 $11,800,000 300%Elkus Manfredi Architects (51) $13,000,000 $5,249,000 148%Gresham, Smith and Partners (49) $13,400,000 $6,210,000 116%EDG Interior Architecture + Design (100) $6,935,600 $3,463,109 100%HMC Architects (63) $10,460,000 $5,500,000 90%Jacobs (2) $111,366,562 $69,507,381 60%Peter Marino Architect (21) $29,250,000 $19,800,000 48%FXFowle Architects (99) $7,000,000 $5,000,000 40%Swanke Hayden Connell Architects (86) $8,000,000 $5,800,000 38%TPG Architecture (24) $26,729,930 $19,694,430 36%

GenslerStudios Architecture(2)

Rottet Studio(3)

(1)

THE MOST ADMIRED FIRMS (VOTED BY THE TOP 100 GIANTS)

Chicago’s 1871, a shared offi ce space for start-ups, is by Gensler.

100giantsMEDIAN ANNUAL SALARY

MEDIAN HOURLY RATE

Other($52,000)

Principal/Partner ($160,000)

Project Manager ($100,000)

Designer ($70,000)

20

Principal/Partner ($225)

Other($90)

Project Manager ($170)

Designer ($125)

1


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manningtoncommercial.com 800.241.2262 NeoCon Showroom 10-1039 Choices that Work.

the connected collection

Define your space.

Rich texture, layered patterns.

Connected, A collaboration with Corgan.


Circle 49


100giants

2012 FEES BY PROJECT TYPE % OF FEES ACTUAL FEESOffi ce 35.4% $924,160,965Hospitality 18.1% $474,001,772Health Care/Assisted Living 14.5% $378,352,451Government 7.7% $201,829,745Retail 7.1% $184,546,238Educational 6.8% $177,457,289Residential 3.1% $80,219,232Transportation 2.3% $61,332,285Cultural 2.0% $52,791,912Other 3.0% $77,429,571Total 100% $2,612,121,460

2013 FEES BY PROJECT TYPE % OF FEES FORECAST FEESOffi ce 34.1% $920,999,282Hospitality 19.8% $535,138,126Health Care/Assisted Living 14.0% $379,181,400Retail 7.7% $206,836,499Government 7.5% $201,398,836Educational 6.8% $182,461,240Residential 3.2% $87,286,910Transportation 2.2% $58,160,000Cultural 2.0% $55,065,993Other 2.8% $76,320,343Total 100% $2,702,848,630

Above: The Switzer Group designed Sojitz Corporation of America in New York.Opposite, from left: Global Upholstery Co. showroom in Washington is by OTJ Architects. DLR Group’s Diné College library is in Shiprock, New Mexico.HMC Architects designed Bluepoint Solutions in Henderson, Nevada.

89

Lounge Chair& Ottoman

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LAI

GNEL

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67 25 63

FROM LEFT: HOACHLANDER DAVIS PHOTOGRAPHY; M

ARK BOISCLAIR PHOTOGRAPHY; BRUCE DAMONTE

modern fires

Fire, PerfectFully redesigned 6' Fire Ribbon, now with Power Venting, affords greater creativerange by achieving horizontal venting runs up to 110‘ and vertical runs up to 66‘.www.sparkfires.com or contact us directly at 866.938.3846

Greeneagle Residence, Oakville Ontario,Direct Vent 6ft.Designer|Guido ConstantinoPhoto|Domenico Roda

Circle 72

idx130101_giants 101 1/14/13 12:04:08 PM

The fi rst installment of the two-part annual business survey of Interior Design Giants comprises the 100 largest fi rms ranked by interior design fees for the

12-month period ending December 31, 2012. The second 100 Giants fi rm ranking will be published in July. Interior design fees include those attributed to:

1. All types of interiors work, including commercial and residential.2. All aspects of a fi rm’s interior design practice, from strategic planning and programming to design and

project management.3. Fees paid to a fi rm for work performed by employees and independent contractors who are “full-time

staff equivalent.”Interior design fees do not include revenues paid to a fi rm and remitted to subcontractors who are not

considered full-time staff equivalent. For example, certain fi rms attract work that is subcontracted to a local fi rm. The originating fi rm may collect all the fees and retain a management or generation fee, paying the remainder to the performing fi rm. The amounts paid to the latter are not included in fees of the collecting fi rm when determining its ranking. Ties are broken by the dollar value of products installed. The data was compiled and analyzed by the Interior Design market research staff in New York, led by Wing Leung, research director.

Methodology

100giantsNEW TO THE TOP 100 GIANTS FIRM RARANKCheng Chung Design 15DWP 37Yabu Pushelberg 38Checkland Kindleysides 43Elkus Manfredi Architects 51FKP Architects 58HMC Architects 63Populous 64RSP Architects 66Harley Ellis Devereaux 73Bergmeyer Associates 84Wimberly Interiors 93BHDP Architecture 94FXFowle Architects 99EDG Interior Architecture + Design 100

London’s Virgin Atlantic Airways headquarters is by Checkland Kindleysides.

43

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Distinctly American. Uniquely Crossville.

Questions: 931-456-3136 | CrossvilleInc.com

Congratulations to the 2012 Interior Design Hall of Fame inductees in recognition of their signifi cant contributions to our industry. All of us at Crossville are proud to lend ongoing support for this important and exciting event.


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NY11Plus-2013-design-show-AD-InteriorDesign(fp).indd 1 12/17/12 3:40:53 PM

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new york delray beach abchome.com

textured wool and silk rugs from nepalincognita


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fit to Calm kitchens and beautiful baths

counter a crazy world

be tiled

ERIC LAIGNEL

idx130101_kbcv 107 1/10/13 8:08:34 PM

Laurent Vassilian, a French 30-something TV writer, knew exactly what he wanted. After a multiyear search, he’d fi nally found the right apartment on a particular Paris street: a 750-square-foot fi xer-upper under the slanting mansard roof of a 17th-century building. But its warren of tiny rooms needed to be replaced, he told his architect, Marie Deroudilhe, and suggested a renovation in the style of the

Under Paris Rooftopsfi rm: agence marie deroudilhesite: paris

city’s mid 19th–century make-over by civic planner Georges-Eugène Haussmann.

But the Agence Marie Der-oudilhe principal thought Second Empire frou-frou would contradict the apart-ment’s historic bohemian charm, namely its high ceil-ings and elegant moldings. The solution was a serendipi-tous meeting of the minds: a contemporary loftlike look with a freestanding Haussmannian

black volume enclosing the bedroom. The apartment was gutted, the original oak support beams exposed, and the dilapi-dated fl ooring replaced with oak herringbone parquet. Lined with white ceramic tile, the long, narrow bathroom now fl aunts fi xtures by Philippe Starck, a mirror he designed entirely covering the door leading to the small laundry room.

Intended for a man-about-town who doesn’t cook


ERIC

LAI

GNEL

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kitchenbath

Opposite: Lined with Harry Bertoia stools and beneath a Mario Mengotti pendant fi xture, the kitchen’s 13-foot-long island is clad in ceramic tile and incorporates the sink and garbage chute. Clockwise from top: The living area is furnished with Mathieu Matégot nesting tables and a Charles and Ray Eames rocker; the oak structural beams date to the 17th century. A Philippe

Starck lamp illuminates the oak parquet fl ooring that runs throughout the 750-square-foot apartment. Starck’s sofa and a Jean Prouvé sconce back up to the new plaster-and-wood volume housing the bedroom and water closet.

ERIC LAIGNEL


idx130101_kbmd 109 1/10/13 2:55:51 PM

much but keeps the refrigera-tor stocked with champagne, the kitchen runs along one side of the new volume. The wall and lengthy island, which doubles as a dining area, are also faced in white tile—here outlined in dramatic black grout. The sink and garbage chute are built into the island; other appli-ances are tucked discreetly into a niche on the exterior of the bedroom box. At the kitchen’s far end, a cushioned seat be-neath a window was Vassilian’s special request: a perch for enjoying the view of the 11th-century Saint-Germain-des-Prés bell tower. —Judy Fayard

FROM FRONT CHÊNE DE L’EST: FLOORING (KITCHEN, LIVING AREA). KARTELL: SIDE TABLE (LIVING AREA). KNOLL: CHAIRS (KIT-CHEN). D TILE: TILE. PRANDINA: PENDANT FIXTURE. AXOR: SINK FITTINGS (KITCHEN, BATHROOM), TUB FITTINGS (BATHROOM). BENSIMON: CHAIR (LIVING AREA). LOEWE: TV. FLAMANT: COCKTAIL TABLE. CASSINA: SOFA. VITRA: SCONCE (LIVING AREA), TABLE (BATHROOM). MODULAR LIGHTING IN-STRUMENTS: ART SCONCE (LIVING AREA), RECESSED CEILING FIXTURES (BATHROOM). FLOS: LAMPS (LIVING AREA, BEDROOM). SIMMONS: BED (BEDROOM). THROUGH CMR: FLOORING (HALL). VILLEROY & BOCH: TILE (BATHROOM). DURAVIT: TUB, SINK. FIAM ITALIA: MIRROR. ACOVA: RADIATOR. THROUGH OUT FARROW & BALL: PAINT. MG POSE: WOODWORK. BATIROD: GENERAL CONTRACTOR.

From top: Pocket doors close off the bedroom from the corridor leading to the bathroom. An Eames table sits on the bath-room’s ceramic tile amid Starck fi xtures and fi ttings.

kitchenbath


ERIC

LAI

GNEL

idx130101_kbmd 110 1/10/13 2:56:18 PM

SENSOWASH® SHOWER TOILET.FOR THAT FRESHLY-WASHED FEELING.

SensoWash® - gentle cleansing with water. The SensoWash® shower toilet seat cleanses you with water after using the toilet - it is gentle, clean and safe. In combination with toilets from the Starck 2, Starck 3 and Darling New ranges the result is an elegant and cohesive design. SensoWash® offers more than just toilet hygiene, it also greatly enhances quality of life. www.duravit.us

Austin Morrison (512) 928 1110, Boston Splash (800) 686 6662, Chicago Studio 41 (312) 222 4900, Dallas Elegant Additions (214) 745 0088, Denver Bella Vie (720) 382 1090, Los Angeles Snyder Diamond (310) 450 1000, New York Grande Central Showroom (212) 588 1997, Miami Decorator‘s Plumbing (305) 576 0022, Perrysburg Waterhouse Bath Studio (419) 874 3519, Phoenix Central Arizona Supply (602) 943 3488, San Francisco The Bath & Beyond (415) 552 5001, San Juan Luis Freire (787) 622 0505, Seattle Keller Supply Kitchen & Bath Showcase (206) 285 3300, South Norwalk Klaff‘s (203) 866 1603.


Circle 30


kitchenbath

Come winter, the Lau-rentian Mountains, a jagged range in Quebec, are blan-keted in powdery snow, mak-ing them a prime skiing desti-nation. It’s there, in the rural township of La Conception, that a Montreal couple chose to build a year-round chalet for themselves and their two young children. The pair had only two requests: a calm,

contemplative atmosphere and a spa. Marie-Claude Hamelin and Loukas Yiacouvakis, prin-cipals of Yiacouvakis Hamelin, Architectes, designed a moun-tain retreat that’s as meditative as a monastery with a mini-malist’s attention to detail. Al-though the house is only 1,300 square feet, the spare palette of materials and colors makes it feel expansive.

A traditional wooden tobog-gan inspired the structure’s sloping shape as well as its siding of white cedar planks. (For variation, one section is clad in Cor-Ten steel.) In sum-mer, sliding doors open the house to the 1 ¼-acre tim-bered property. Interior walls and the ceiling are paneled in horizontal and vertical strips of untreated cedar, evoking

fi rm: yiacouvakis hamelin, architectes site: la conception, quebecnorthern exposure


idx130101_kbyh2 112 1/10/13 2:47:42 PM

Clockwise from left: In the kitchen, maple cabinetry is custom, stainless steel tops the island, and the countertop is ipe. The cantilevering portion of the cedar-clad house that contains the children’s and guest bedrooms is faced in Cor-Ten steel. In the living area, the steel hearth hovers over a round of cement fl oor panels, which is inset into the oak planks fl owing throughout. The walls and ceiling are untreated cedar.


FRANCIS PELLETIER

idx130101_kbyh2 113 1/10/13 2:47:48 PM

kitchenbath

a Scandinavian spa. Flooring throughout is mostly white oak.

In the living area, a sus-pended hearth provides a focal point for après-ski gatherings. The adjacent open kitchen is outfi tted with custom maple cabinetry—garage-door panels craftily concealing appliances—and countertops of stainless steel and ipe.

The architects didn’t skimp on the requested spa ameni-ties. Although the cedar deck’s sunken hot tub is used even in the snowiest months, it is un-derstudied by the bathroom’s freestanding soaking tub. And while most saunas are boxy and claustrophobic, this ver-

Clockwise from top: The sauna looks onto the cedar deck’s custom sunken hot tub. The bathroom’s cedar-enclosed water closet faces the acrylic soaking tub. Walnut forms the custom bunk beds and paneling in the children’s room. The sec tional sofa in the living area is upholstered in cotton.

FROM FRONT LA FAB’RIC 1996: ISLAND TOP MATERIAL, COUNTERTOP MATERIAL (KITCHEN), CUSTOM CABINETRY (KITCHEN, LIVING AREA). AMERICAN STANDARD: SINK FITTINGS (KITCHEN). FIREORB: FIREPLACE (LIVING AREA). DOMISON: SOFA. FINEX: FLOOR PANELS (LIVING AREA, BATHROOM). ALCOVE: TUB, TUB FILLER (BATHROOM). CONTRAST LIGHTING: RECESSED CEILING FIXTURES (BATHROOM, BEDROOM). THROUGHOUT LES MOULURES HAUTE GATINEAU: FLOORING, DECKING. SICO: PAINT. CONSTRUCTION CYG: WOODWORK.

sion offers a fl oor-to-ceiling nature view for as many as four occupants. There’s no doubt the sight of northern wildlife passing silently among the trees answers the call for contemplative calm. —Mark Pupo

FRAN

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Handmade surface art created from semi-precious stone. Infused with energies known to a myriad of ancient cultures worldwide.

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Circle 83


kitchenbath

meeting in the middlefi rm: widawscy studio architektury site: warsaw

The husband-and-wife team of Katarzyna and Tomasz Widawscy favor minimalist, white interiors. But their clients, a married couple with two young children, asked that bright color fi gure prominently in the 970-square-foot Warsaw apartment Widawscy Studio Architektury was designing for them. So, the architects negotiated a happy medium be-tween monotone and polychrome with a few graphic elements inspired by Pop Art.

But fi rst, the layout needed tending to. The architects merged living functions into a single loftlike space: Cooking, dining, socializing, work, and play commingle in the brightly lit public half. The private half is given over to the master suite and children’s bedroom and bath, along with numerous closets. A small entry hall terminates in a mirrored wall that bounces daylight throughout the compact apartment.

The envelope is predominantly white walls and red oak fl ooring. Color is introduced gen-tly at the entry via dove-gray porcelain fl oor tiles, which reappear to demarcate the kitchen. Bolder hues turn up in small doses: The lime green of a pair of stools in the foyer is echoed in the two cabinets above the kitchen sink,


LUKA

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A

idx130101_kbwi.indd 116 1/8/13 10:51:14 AM

Opposite, clockwise from top left: Verner Panton chairs and glass pendant fi xtures combine with a refi nished vintage table in the dining area. The living area’s wallpaper is custom. Amid the apartment’s oak fl ooring, a zone of porcelain tiles defi nes the kitchen, which has an olivewood island topped with plastic laminate.From top: A wall separating the entry hall from the kitchen is covered in wallpaper with English words. The wallpaper continues at the other end of the kitchen, where all cabinetry is lacquered MDF.


LUKASZ KOZYRA

idx130101_kbwi.indd 117 1/8/13 10:51:23 AM

kitchenbath

FROM FRONT VITRA: CHAIRS (DINING AREA). SOTTO LUCE: PENDANT FIXTURES. BOCONCEPT: VASES (LIVING AREA). IKEA: CABINETRY (LIVING AREA), BED, STOOL, CHAIR, TABLE, STORAGE BINS, HAMPER (CHILD BEDROOM). PAN POPI: SOFA (LIVING AREA). MOMA STUDIO: TABLE. SZTUKA BESKIDZKA: RUG. MIUKI: BEANBAG. CHORS: CEILING FIXTURES. VILLEROY & BOCH: FLOOR TILE (KITCHEN), WALL TILE (BATHROOM). KRISTALIA: STOOL (KITCHEN). FRANKE MANAGEMENT: HOOD. KOZIOL: STOOLS (ENTRY). MAMITA STUDIO FOTOTAPET: WALL-PAPER (HALL, KITCHEN). SAMSUNG: OVEN, MICROWAVE (KITCHEN). BLANCO: SINK FITTINGS. TIGER PRODUCTS: BASIN, VANITY, SINK FIT-TINGS, HOOKS, SHOWER DOOR (BATHROOM). PLANETA DESIGN: SIDE TABLE (MASTER BEDROOM), CEILING FIXTURE (CHILD BEDROOM). JMB: BED (MASTER BEDROOM). ZARA HOME: BEDDING. MARKSLÖJD: SCONCE. MARIMEKKO: WALLPAPER (CHILD BEDROOM). THROUGHOUT KÄHRS: FLOORING.

the living area’s rug, and the wall tile in the kids’ bathroom. Pattern emerges through wall-covering selections: a swath of exuberant stripes in the living area, a convoy of toy trucks in the chil-dren’s bedroom, a black-and-white cityscape in their bathroom, and soothing damask in the master bedroom. “It has a glamorous vintage style,” Katarzyna Widawscy says of the latter. The entryway’s graphic wallpaper pleases everyone: It has the subtle color palette Widawscy Studio likes, while its words are helping the clients’ children learn English. —Raul Barreneche

Clockwise from top: Porcelain tiles, custom wall covering, and a ceramic basin outfi t the children’s bathroom. A side table in lacquered MDF and aluminum stands before dam-ask wallpaper in the master bedroom. The children’s bedroom features wallpaper by Katsuji Wakisaka.


LUKA

SZ K

OZYR

A

idx130101_kbwi.indd 118 1/8/13 10:51:29 AM

Beverly, DESIGNER BATH, (978) 998-7021Brooklyn, FOCAL POINT, (718) 336-6900Chicago, COMMUNITY HOME SUPPLY, (773) 281-7010Coral Gables, SOPHISTICATED HARDWARE + PLUMBING, (305) 444-5847Dallas, TKO ASSOCIATES, (214) 741-6060Fairfield, HARDWARE DESIGNS, (973) 808-0266Great Neck, KOLSON KORENGE, (516) 487-1224Montreal, BATIMAT, (514) 735-5747New York, BLACKMAN, (212) 337-1000 / New York / SoHo, DAVIS & WARSHOW, (212) 680-9000Newton, SPLASH, (800) 696-6662Portland, CHOWN HARDWARE, (503) 243-6526Santa Monica, SNYDER DIAMOND, (310) 450-1000South Norwalk, KLAFF´S, (203) 866-1603Vancouver, CANTU, (604) 688-1252

MeiréundMeiré

dornbracht.com /deque [email protected] Product Design Sieger Design


Circle 29


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Client: Davis & WarshowProject: Rohl WaveDate: 11/29/12Version: v.1.1

File: oLo.dw.RohlWave_ID.pdfPublication: Interior Design MagazineIssue: Jan 2013 Color: CMYK Unit: Full pageTrim: 8.375 x 10.875”Live: .25 from trimContact: John Sadowski 212-489-1122 [email protected]

W W W . D W N Y . C O M

M A N H A T T A N

A&D Building

150 E. 58th St.

212.688.5990

96 Spring St.

212.680.9000

207 E. 119th St.

212.369.2000

L O N G I S L A N D

222 Rte. 109

Farmingdale

631.391.9506

75 Garden St.

Westbury

516.997.9200

W E S T C H E S T E R

369 Lexington Ave.

Mt. Kisco

914.666.5127

Q U E E N S

57-22 49th St.

718.391.4936


Circle 27


Now you can really rock it out in the shower thanks to Moxie, Kohler’s latest showerhead. Fitted with a Bluetooth-enabled speaker pod, it interfaces with smart phones and other compatible devices to provide musical accompaniment while you lather. A power button discreetly incor-porated into the capsule activates the lithium battery, which provides seven hours of playtime. Secured to the water source with a magnet, the speaker quickly detaches for recharging with the included USB cord. 800-456-4537; kohler.com. circle 436

kitchenbathproductsedited by Mark McMenamin

Wet ’N’ Wild


idx130101_kbprod 121 1/10/13 1:51:49 PM

Explore the East and West Coasts from the comfort of your own kitchen with Urban, a new series of limited-edition tiles by photographer Peggy Wong. It’s the debut offering from PW.Travelogue, the ongoing collaboration between tile producer Clé and the founder of multi-disciplinary studio Bluepoolroad.

Scouring her vast archives, Wong, who’s also a graphic and product designer, settled on seven images that celebrate the architectural character of metropolitan settings. Lithographs of those original photos have been hand-applied to premium Thassos marble, measuring 12 or 18 inches square.

Among the site-specifi c images: Los Angeles, featuring palm trees in the shadows of a high-rise, and New York, which hones in on the exterior of Frank Lloyd Wright’s Guggenheim Museum. Intersection shows a skyscraper behind crossed steel beams, Journey captures the view through an airplane window, and Push/Pull presents a mysterious pair of doors. 415-887-9011; cletile.com. circle 437

kitchenbathcollection

A Tile of Two CitiesINTERSECTION JOURNEY LOS ANGELES NEW YORK PUSH/PULL


idx130101_kbprod 122 1/10/13 3:07:31 PM

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Circle 6


1. Aqua-Sense showerhead in polished stainless steel with LEDs by Graff. circle 4382. Reflex Aztec sink in tempered glass by Xylem. circle 4393. Touch sinks in EcoMortar composite, chrome-plated brass, fir, and hickory by Milldue Arredi. circle 4404. Vasca tub in mineral composite by Ceramica Globo. circle 4415. Energy whirlpool tub in acrylic by Jacuzzi. circle 4426. Blu-Stone freestanding tub in quartzite com-posite by Blu Bathworks. circle 443See page 128 for sources.

Water, Water Everywhere

kitchenbathproducts

It graces tubs, showers, and sinks

1

2

3

4

5

6


idx130101_kbprod 124 1/10/13 1:52:16 PM


Circle 87


The Bold and the Beautiful Color and size fuel potent design, and two recent introductions from Italian bath master Regia do exactly that. Big washbasin is an above-the-counter sink that measures a whopping 31 ½ inches wide, 17 ½ deep, and 6 high. Specify it in glass, resin, or polyester-glass composite, in solid shades or bicolor combinations. Bruna Rapisarda’s Batik Light is a modular assortment of sinks with integrated cabinets that come in three standard sizes, but can grow lengthwise with the addi-tion of four auxiliary modules, making double-basin applications possible. In resin or glass, the top comes in 35 colors, while the cabinet can be had in an equal number of choices of glossy or matte lacquers. Coordinating mirrors and touch-activated LEDs complete the picture. 39-39-2782510; regia.it. circle 444

kitchenbathproducts

BIG

BATIK LIGHT

BIG

Circle 80

idx130101_kbprod 126 1/10/13 3:08:26 PM

ISN’T IMAGINATION A WONDERFUL THING It’s where perfect spaces are born. Where eye-catching combinations of clean lines and fl awless surfaces come together in the designs and colors you’ve always dreamed of. Preserving the purity of those visions is what fi res our imagination. It’s how we created OKITE®. A beautiful all-purpose quartz surface that transforms the most important vision of all: your projects.

countertops, wall cladding and more

www.okite.us - [email protected] - 1-866-654-8397


Circle 68


Water, Water Everywhere1. Graff, 800-954-4723; graff-faucets.com.

2. Xylem, 866-395-8112; xylem.biz.

3. Milldue Arredi, 39-0423-756611; milldue.com.

4. Ceramica Globo, 39-0761-516568; ceramicaglobo .com.

5. Jacuzzi, 800-288-4002; jacuzzi.com.

6. Blu Bathworks, 604-299-0122; blubathworks.com.

kitchenbathproductssources

BELVÉDÈRE

BÉNITIER

kitchenbathproducts

BÉNITIER

Pick a Pocket

Proper punctuation isn’t confi ned to the printed word. Consider, for instance, the bathroom wall. Inga Sempé’s two pocket shelves for Moustache do the trick in solid beech. The circular edge of Bénitier rises 1 ½ inches, boosting its capacity for powder-room minutiae. Belvédère incor-porates a rotating mirror, 5 inches in diameter and 9 high, which can attach to either side of

the 5 ½-inch support. Made in France, each version easily attaches to the wall with screws. 33-1-42-40-92-58; moustache.fr. circle 445

www.sloanvalve.com

Suite LifeVisually striking. Impeccably crafted. Thoughtfully functional. Remarkably durable. Sloan's premier sink systems bring elegance and advanced performance to thewashroom space.

Our sinks stay at the best hotels

Circle 70


idx130101_kbprod 128 1/10/13 4:28:57 PM

A1008LVROHL 3-HOLE WIDESPREAD LAVATORY FAUCET

Sold exclusively through fine decorative plumbing & hardware

showrooms nationwide.

PHONE: 800.777.9762

www.rohlhome.com

COLLEZIONE ITALIA

RO

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Circle 64


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Circle 23


Crossing the BosporusLong the interface between Europe and Asia, Turkey is absorbing—and producing—contemporary global design

I watched double-knot rug-making and was invited to throw clay blanks for the region’s highly patterned glazed pottery. Though undeniably beautiful, these products are cribbed from museum masterpieces and hold few surprises, except that nowadays their models are sourced on the Internet.

By contrast, much of Turkey’s coastline is experiencing a contem-porary design explosion in the form

of upscale hotels and resorts aimed at international visitors. On the

Çesme peninsula, Istanbul-based Emre Arolat Archi-

tects’s sleek 7800 Çesme Hotel will be joined

by Delano and Four Seasons properties in the next few years, though what the Turk-ish design component

will be is unclear. In nearby Bodrum, Swissôtel Hotels & Resorts is build-

ing a neo-space-age beach resort by Istanbul and New York-based

architect Gökhan Avcıoglu’s Global Architectural Development. Render-ings suggest James Bond would feel right at home.

“Bodrum is our Hamptons,”explains hotelier AhuBüyükkusoglu, who is among the vanguard upping the resort area’s design ante. Her Casa

It may seem unlikely, but sail-ing in a hot air balloon over Central Anatolia provided a fi ne perspective on my recent exploration of contem-porary design in Turkey. The bleached volcanic landscape, so easily exca-vated, is full of ancient caves that have sheltered Anatolians for mil-lennia, and still continue to do so: My hotel, Argos in Cappadocia, fi ve restored stone buildings in a former monastery, in-corporates original tunnels and caves—some guest suites even have private swimming pools in their hand-carved cellars. Several Turkish architects and designers have a hand in the property’s 15-year-long restoration, including the late Turgut Cansever, three-time winner of the Aga Khan Award for Architecture, and Gülnur Özdaglar, an Ankara-based architect whose innovative decorative objects and jewelry, made of recycled plastic bottles, I encounter elsewhere on my trip.

As in the case of the hotel, design in Anatolia is often about the adapta-tion or reuse of traditional forms and materials.

Clockwise from left: A 24-karat gold fi sh-shape pendent by Ali Riza Akdolu. A bronze faucet on the 1898 German Fountain near the Blue Mosque in Istanbul. At the Istanbul Design Biennial, a display of kid’s toys using the OpenStructures modular system, including a sled by Artin Aharon and Thomas Lommée, a sand digger by Tristan Kopp and Ricardo Carneiro, and a suitcase by Marijn van der Poll. An antique rug at Istanbul’s Museum of Turkish & Islamic Arts. Central Anatolia’s Argos in Cappadocia hotel, formerly a hillside monastery. Prehistoric cave shelters cut into volcanic rock in Cappadocia.

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up the atmosphere. That’s why the region’s ever-present “evil eye” motif, which adorns houses, vehicles, and even tree branches at a Cappadocia roadside overlook, also emblazons British industrial designer Sebastian Bergne’s Eye collection of porcelain vases made in traditional Iznik ce-ramics factories. The Grid vessels by prolifi c Spaniard Jaime Hayon feature Turkish-made silver mesh that recalls Ottoman arches. But Cevikel doesn’t neglect Turkish-born talent: Architect Emir Uras’s hand-fi nished ceramic Bloom bowls are covered in abstract fl owers, and the mouth-blown, hand-cut crystal vases by Defne Koz, who studied at Domus Academy in Milan, are lined in silver.

Cevikel and I cruise down the Bosporus, en route to an al fresco dinner at the postmodernist water-front mansion of Turkish billionaire industrialist Bülent Eczacıbası. (His designer, Patrice Nourissat, was French.) Eczacıbası’s family is behind the Istanbul Museum of Modern Art; it’s in the museum’s gift shop that I discover the delicate bowls, jewelry, and decorative objects that Argos in

Cappadocia hotel designer Özdaglar conjures from recycled plastic.

On Eczacıbası’s terrace, I meet industrial designer Özlem Yalim Özkaraoglu, best known for her minimalist tea glasses, which are used throughout the city. She served as director of the inaugural Istanbul Design Biennial—the major stop on my trip—launched because “we didn’t have platforms in Turkey to show what we do,” she says. The biennial, which ran from October 13 to Decem-ber 12, also helped bring locals up to speed on global design. In one exhi-bition, Belgium-based Unfold studio set up “Stratigraphic Manufactury,” which digitally printed porcelain cups and vases. (The designs arrived by e-mail and, once output, were fi red locally.) Another Belgian, photogra-pher Xavier Delory, showed images of real buildings that had been digitally contorted to create images of dysto-pian surrealism. And Design Academy Eindhoven–educated Tristan Kopp’s clever connection hardware wittily transformed tree branches into a bicycle frame.

But Turkish-born, American-educated industrial designer Can Yalman’s project, “Reactions in a Square,” proved to be the biennial’s literal showstopper. He placed a replica of La Chaise—Charles and Ray Eames’s 1948 sculptural seat, which is little-known in Turkey—in various locations around the city and fi lmed the responses of passersby to this icon of modern design. Maybe they thought it came from outer space, but the fi berglass form halted most people in their tracks, just as it did most of us when we fi rst saw it. —Craig Kellogg

Dell’Arte hotel comprises postmodern pavilions on a waterfront estate, with her family’s personal collection of mostly Turkish art, spanning mid 19th–century to modern masters, adorning the walls and landscaped grounds. The back lawn features an LED billboard by Scottish artist Robert Montgomery whose work New Yorker’s may know from the Dior Homme store.

Beside the Bodrum harbor, I visit Ali Riza Akdolu’s jewelry boutique, the ARA Collection. The designer’s 24-karat gold pieces, such as fi sh-shape pendants studded with gems, are inspired by ancient Aegean and Mediterranean ornamentation. The ring I buy for a friend is a chunky citrine solitaire set in hammered gold, with a silver band. When it fl ashes on her fi nger, our guide, Mehmet, quips: “Byzantine!” Indeed, the bold, elemental design confi dently updates Late Antiquity for the Digital Age while avoiding historical kitsch.

Since the latter appears to be the favored style of Turkey’s new religious conservative ruling elite, it’s fortunate for ARA that overseas sales are surg-ing; he even has a boutique in Santa Barbara, California. Markets in the U.S., Asia, and the Middle East have also proven strong for Istanbul-based home-accessories manufacturer Gaia

& Gino. Founder Gaye Cevikel works with a roster

of mainly foreign, blue-chip designers including David Adjaye, Oki Sato, and Arik Levy,

but she makes certain each travels

to Turkey to soak

Clockwise from top: Slump-glass “evil eye” charms decorating a tree in Cappadocia. Dyed wool at Carpetium, a Cappadocia rug-weaving studio. Chandeliers in a courtyard at the Casa Dell’Arte hotel in Bodrum. A bowl made from a recycled plastic bottle by architect Gülnur Özdaglar. Unfold studio’s digitally printed ceramic bowls and vases at the biennial.

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Circle 65


CAD appears to have come full circle. Initially concerned with whether it could render physical objects realis-tically enough, designers now experi-ment with whether the software’s extra-vagant virtual realities can produce actual structures: a contemporary version of the historical divide between drawing and building. Slipstream , an installation at Man-hattan’s Bridge Gallery by Freeland-Buck, a 4-year-old architecture fi rm, addressed the problem of “how to make digital more material ,” says principal David Freeland, “how to make it spatial and occupiable.”

The solution, developed using Grasshopper, a visual programming language for creating 3-D geometry , was a kitlike system of 1,860 pieces; oriented in two perpendicular directions, the sequentially numbered parts made a multitude of intersections, many triangular, forming a stable—and buildable—virtual structure. Its concrete manifestation comprised fl at CNC-cut ply-wood boards, ranging from 12 to 24 inches in length, slotted together egg-crate style, into a 30-foot-long, 7 ½-foot-high wall that refracted views like a faceted crystal. In its intricate, revers-ing unrest, Slipstream looked like a streamer whipping in the wind. Or, wind itself. The plywood was painted in eight modulated shades of blue, each panel a different color on each side, which added to the wall’s visual velocity.

Coprincipal Brennan Buck says the project began with an interest in the qualities of fl ow—a condition of constancy and change the team try to imbue in buildings—inspired by studies of the late Lebbeus Woods, a cult conceptual architect who died in October. Buck refers to Slip-stream as “an extruded drawing,” bringing two dimensions into three. But it was not by the push of a button. It took four 10-to-12-hour days to put it together. “Inevitably, in this kind of very digi-talized, fabricated project, there’s a heck of a lot of old-fashioned craft-and-hand effort,” he says, as though the design was a paradox as well as a wall. “It was easy to get lost.” —William L. Hamilton

centerfoldreality bytes

Complex in form, but simple in construction, a New York gallery installation by FreelandBuck turns a virtual rendering into a physical object

Counterclockwise from top: Working drawings show how Slipstream, an installation at Bridge Gallery in New York last summer, began as a two-dimensional representation in the street-front window and

extruded into a 3-D wall snaking through the space. The fl at-pack components were fab ricated in New Haven at the Yale School of Architecture and transported compactly by truck. Designed using Grasshopper software, the kitlike system of 1,860 sequentially num-bered plywood pieces was assembled into a complex honeycomb. On entering the gallery, viewers had the sensation of a digital rendering come to moving life. For the exhibit, FreelandBuck produced prints of its digital studies of fl ow, the painterly contours of which were achieved exclusively by the dense hatch-ing of straight lines.

UNFOLD

THROUGHOUT BENJAMIN MOORE & CO.: PAINT.


CLOCKWISE FROM

BOTTOM LEFT: KEVIN KUNSTADT; COURTESY OF FREELANDBUCK (7)

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Plywood panels were CNC-cut with a three-axis mill and slotted together, resulting in a 7 ½-by-30-foot wall painted eight shades of blue.


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01.13


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ANDREW M

EREDITH/PHOTOFOYER

Rain or shine,

design has you covered


idx130101_intro 141 1/11/13 1:15:09 PM

taking it all inInspired—and inspiring—interiors, architecture, and art from the past year

text: matthew powell


idx130101_essay03 142 1/11/13 12:38:16 PM

COREY THOMAS Spinifex, in steel, resin, and ash, at Croajingolong National Park, Victoria, Australia. Photography: Caroline McCredie.

idx130101_essay03 143 1/11/13 12:37:52 PM

STUDIO GANG ARCHITECTS The plan rendering for the inaugural Expo Chicago. Photography: courtesy of Studio Gang Architects.


idx130101_essay03 144 1/7/13 5:17:49 PM

SHOP ARCHITECTS Barclays Center, clad in Cor-Ten steel, in Brooklyn, New York. Photo-graphy: Bruce Damonte.

GLORIA VANDERBILT Conversation, in acrylic on canvas, from “The World of Gloria Vanderbilt” at 1stdibs at NYDC in New York. Photo-graphy: courtesy of Gloria Vanderbilt.


idx130101_essay03 145 1/7/13 5:17:57 PM

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idx130101_essay03 146 1/7/13 5:18:06 PM

ELLIOTT + ASSOCIATES ARCHITECTS Dichroic acrylic panels at Chesapeake Energy Corporation in Oklahoma City. Photography: Scott McDonald/Hedrich Blessing.


idx130101_essay03 147 1/7/13 5:18:12 PM

INA MATT Man Ray’s Tears rendered in woven cotton at Hotel the Exchange in Amsterdam. Photography: Arjan Benning..


idx130101_essay03 148 1/7/13 5:18:16 PM

YAYOI KUSAMA Eyes Are Singing Out, in steel and enamel, for the Brisbane Supreme Court and District Court, Queensland, Australia. Photography: John Gollings/courtesy of the artist and Roslyn Oxley9 Gallery, Sydney.


idx130101_essay03 149 1/7/13 5:18:23 PM

E/B OFFICE Seat, approximately

400 pine chairs bolted together

in Freedom Park, Atlanta. Photogra-

phy: Eve Styles.

LAZERIAN Pupa, 3,972 recycled-

cardboard pieces glued together at Bloomberg, Lon-

don. Photography: Alex Maguire.


idx130101_essay03 150 1/7/13 5:18:29 PM

PABLO REINOSO Bentwood with a cast-iron base for Veuve Clicquot Ponsardin’s VIP guesthouse in Reims, France, designed by 4BI Bruno Moinard. Photography: Eric Laignel.

LIN CHEN-YOU, SU JIA-XIAN, and LIN WEI-YOU Shipping container with branches of fi ber-reinforced plastic for the Kaohsiung International Container Arts Festival in Taiwan. Photography: cour-tesy of Kaohsiung Museum of Fine Arts..


idx130101_essay03 151 1/7/13 5:18:35 PM

JACOB HASHIMOTO Gas Giant, in acrylic on paper, nylon, thread, and bamboo, at the Rhona Hoffman Gallery, Chicago. Photography: David Robert Elliott/courtesy of the artist and Rhona Hoffman Gallery.

+VG ARCHITECTS–THE VENTIN GROUP and MADE Ontario boathouse with white-pine log siding. Photography: Ben Rahn/A-Frame.


idx130101_essay03 152 1/7/13 5:18:40 PM

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idx130101_essay03 153 1/7/13 5:18:47 PM

BALL-NOGUES STUDIO Yevrus 1, Negative Impression, in pigmented molded biodegradable paper pulp, at SCI-Arc Gallery, Los Angeles. Photography: Joshua White/SCI-Arc.


idx130101_essay03 154 1/8/13 12:49:23 PM

S-X-L Skydance Bridge, tubular steel and LEDs, in Oklahoma City.

Photography: Joseph Mills.


idx130101_essay03 155 1/7/13 5:19:00 PM

AI WEIWEI Grapes, Qing Dynasty wooden stools, in “According to What?” at the Hirsh-horn Museum and Sculpture Garden in Washington, DC. Photography: Cathy Carver.

DANIEL HILL A pair of untitled acrylic-polymer emulsions on paper in “Angie Drakapoulos and Daniel Hill” at McKenzie Fine Art, New York. Photography:

courtesy of McKenzie Fine Art, New York.


idx130101_essay03 156 1/8/13 12:58:48 PM

KAZUNORI MATSUMURA The Voice of Winds, in ceramic, at La Galleria Post Design in Milan. Photography: courtesy of the artist.


idx130101_essay03 157 1/7/13 5:19:07 PM

NATHALIE DJURBERG The Parade, her installation of 80 clay, wire, and painted canvas birds at the New Museum, New York. Photography: Benoit Pailley.

THOMAS HIRSCHHORN Concordia, Concordia at Gladstone Gallery, New York. Photography: Anna Kowalska/courtesy of the artist and Gladstone Gallery New York and Brussels.


idx130101_essay03 158 1/7/13 5:19:13 PM

JOAN GIORDANO The mixed-media collage Magical Thinking in “Spin Out” at New York’s June Kelly Gallery. Photography: courtesy of the artist and June Kelly Gallery.


idx130101_essay03 159 1/7/13 5:19:19 PM

GENSLER A mural by a Facebook employee at the company’s headquarters in Menlo Park, California. Photography: Matt Harnack/Facebook.


idx130101_essay03 160 1/7/13 5:19:23 PM

URBANA Draper, in recycled stainless

steel, at Florida State University

in Tallahassee. Photography: Alan

Tansey.

JAUME PLENSA Istanbul Blues, in painted stainless

steel, for FIAC in Paris. Photography: courtesy of Galerie Lelong/Photo

Fabrice Gibert.


idx130101_essay03 161 1/7/13 5:19:26 PM

idx130101_essay03 162 1/8/13 12:59:33 PM

ANISH KAPOOR The steel ArcelorMittal Orbit at the Olympic Park, London. Photography: Dave Morgan.

ERIK RAVELO Dance of the Missionary, woolen mannequins at the Art of Knit pop-up shop in New York by United Colors of Benetton. Photography: courtesy of United Colors of Benetton.


idx130101_essay03 163 1/7/13 5:19:42 PM

RAEL SAN FRATELLO ARCHITECTS Hedge Gallery’s straw booth at SF 20/21: San Francisco Art and Design Show & Sale. Photography: Matthew Millman.


idx130101_essay03 164 1/7/13 5:19:44 PM

DAVE EGGERS The Wild Things faux-fur book jacket in “Graphic Design: Now in Production” organized by the Cooper-Hewitt, National Design Museum, on Governors Island, New York. Photography: courtesy of McSweeney’s.


idx130101_essay03 165 1/9/13 2:30:18 PM

KAUFFMANN THEILIG & PARTNER FREIE ARCHITEKTEN A canopy of PVC-coated polyester at Palais Thermal in Bad Wildbad, Germany. Photography: Roland Halbe..


idx130101_essay03 166 1/7/13 5:19:59 PM

F.A.D.S. (FUJIKI ARCHITECTURAL DESIGN STUDIO) Artifi cial Topography, 1,000 sheets of glued and carved soft plastic foam, at Kobe Biennale’s Art in a Container International Competition. Photography: Masahiro Hoshida.


idx130101_essay03 167 1/7/13 5:20:03 PM

HEATHERWICK STUDIO London’s new double-decker bus. Photography: Iwan Baan.


idx130101_essay03 168 1/8/13 1:00:07 PM

GARY MORGENROTH ARCHITECT and TSAO & MCKOWN ARCHITECTS A wall surfaced in custom-tinted encaustic on canvas in a New York apartment. Photography: Eric Laignel.


idx130101_essay03 169 1/8/13 1:00:37 PM

MANOLO VALDÉS The bronze and Cor-Ten Alhambra at the New York Botanical Garden. Photography: The New

York Botanical Garden/Mark Pfeffer.


idx130101_essay03 170 1/7/13 5:20:21 PM

A. MAGROT and A. SVATEK You Cannot Escape, in printed paper ads, at Prague’s Artbanka Museum of

Young Art. Photography: Eric Laignel.


idx130101_essay03 171 1/10/13 2:52:34 PM

STANDARD Artifi cial-turf signage for Park(ing) Day in Los Angeles. Photography: courtesy of Standard.

RAAD STUDIO A computer rendering of New York’s Delancey Underground, aka the Low Line. Photography: courtesy of RAAD Studio.


idx130101_essay03 172 1/7/13 5:20:27 PM

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idx130101_essay03 173 1/7/13 5:20:32 PM

MARIA BLAISSE A video still of the bamboo Moving Meshes at Domaine de Boisbuchet, France. Photography: Enrique Mellado..


idx130101_essay03 174 1/8/13 1:01:07 PM

DANIEL ESCOBAR Atlas of Urban Anatomy, cut paper maps for “Fictitious Topographies” at RH Gallery, New York. Photography: courtesy of RH Gallery and the artist.


idx130101_essay03 175 1/7/13 5:20:39 PM

DROR BENSHETRIT Reach, in steel, outside the Brazilian Museum of Sculpture in São Paulo. Photography: courtesy of Mekal.

TOMOAKI SUZUKI The painted bronze Carson, part of “Lilliput” at the High Line park, New York. Photography: Austin Kennedy/courtesy of Friends of the High Line.


idx130101_essay03 176 1/7/13 5:20:43 PM


idx130101_essay03 177 1/7/13 5:20:58 PM

OLIVER RUUGER An umbrella, origami birds, and a hand-stitched bridle-leather briefcase at Selfridges & Co. in London. Photography: Andrew Meredith/Photofoyer.


idx130101_essay03 178 1/11/13 12:38:35 PM

MAKOTO TOJIKI Hope and Dream, in steel, PVC, copper wire, and LEDs, for “L’Art de la Radiance”

at ArtisTree, Hong Kong. Photography: Stephen Lee.


idx130101_essay03 179 1/10/13 2:54:00 PM

PRESTON SCOTT COHEN Stone-veneer panels on the exterior of the Taiyuan Museum of Art, China. Photography: courtesy of Preston Scott Cohen.

MARIO BELLINI and RUDY RICCIOTTI The undulating glass

and metallic-mesh roof of the De-partment of Islamic Art in the Cour

Visconti at the Musée du Louvre, Paris. Photography: Musée du

Louvre/Antoine Mongodin.


idx130101_essay03 180 1/7/13 5:21:11 PM

JENNY CHAPMAN and MARK A. RIEGELMAN II Manifest Destiny!,

a cabin made of reclaimed wood, bolted to the side of the

Hotel des Arts in San Francisco. Photography: Cesar Rubio.


idx130101_essay03 181 1/7/13 5:21:16 PM


idx130101_essay03.indd 182 1/11/13 3:26:28 PM

THOMAS FRUIN Watertower, 1,000 thermoplastic scraps framed in steel in Brooklyn, New York. Photography: Robert Banat.


idx130101_essay03.indd 183 1/11/13 3:26:55 PM

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Circle 42


on the road againOur hotel tour travels to three continents

idx130101_hcv 185 1/14/13 6:59:04 PM

197 IT TAKES A VILLAGE

by Craig Kellogg

202 LOGGING INN

by Edie Cohen

ON THE COVER A Sol LeWitt mural adorns the lobby of Conrad New York by Jill Greaves Design, Kohn Pedersen Fox Associates, Kuwabara Payne McKenna Blumberg Architects, and Monica Ponce de Leon Studio. Photography: Garrett Rowland.


hospitality 188 IN THE LOOP

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209 COLOR FIELD

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209

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Circle 78



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hospitalityClockwise from top: This is dummy text and the real caption duisi bla feuis dit vent lor iliquip suscin volorer ad dolutat. Duisl inibh elesenim exero do consendrer sum inibh eugiam zzriusto core magna facilit nis ad eratis aliqui tem venim dio ea faccums andipis nisit ad eu feuipit vel enisse tat prat loreet volum eu feugue esto commy nis et vullute tion ea amet, sustie duisim quisl ute velit aliquisl ea conulputpat.

When Goldman Sachs bought the Embassy Suites in downtown Manhattan, it was a building without adjectives. The single notable feature in the nondescript brick-faced structure was a heroic 13-story blue and purple mural; painted in 1999 by Sol LeWitt, it commanded the towering atrium lobby. Initially consulting with Deborah Berke Partners

in the loop

Clockwise from top left: A Sol LeWitt mural spans an 80-foot-high wall in Conrad New York hotel’s lobby atrium, at the top of which Monica Ponce de Leon Studio installed a tubular steel-aluminum armature to suspend painted-steel triangles from polymer strings. The lobby’s curtain wall of steel-framed glass looks out to the Hudson River. Carpeted in nylon, the corridors leading to guest rooms have a close-up view of the rainfall of strings. The mural, Loopy Doopy (Blue and Purple), dates to 1999, when the property was an Embassy Suites.

fi rms: jill greaves design; kohn pedersen fox associates;

kuwabara payne mckenna blumberg architects; monica

ponce de leon studiosite: new york

photography: garrett rowland


idx130101_hcd 189 1/11/13 7:27:35 PM

hospitalityfor the hotel and retail concept, Goldman Sachs upgraded the existing property, entering into an operating agreement with Hilton Worldwide’s luxury chain, Conrad Hotels & Resorts.

Timur Galen, managing director of Goldman’s cor-porate services and real estate, orchestrated the renovation of Conrad New York by assembling a di-verse team. An architect himself, Galen is a design strategist: For large-scale projects, he mixes voices—emerging talents with seasoned fi rms—a risk he takes in order to yield hybrid vigor and invention.

Kohn Pedersen Fox Associates worked as full-service architect for the 16-story exterior and execu-tive architect for the 612,400-square-foot interior,

coordinating the synergistic efforts of Monica Ponce de Leon Stu-dio for the lobby, the conference center’s stair-way, and Atrio, the res-taurant; Jill Greaves De-sign for the guest and conference-center rooms; and Kuwabara Payne McK-enna Blum-berg Archi-tects for the lobby’s furni-ture plan.

The build-ing itself dates from the great style wars of the 1970’s and ’80’s, when postmodernists trumped modernists in Battery Park City, where they recre-ated the traditional fabric of New York via the city’s grid and its brick vernacular. Since then, the pendu-lum has swung back. KPF retrofi tted handsome storefronts articulated in stainless-steel trim around the base to humanize the streetscape and spatialize the facade at a pedestrian scale. Slowing the pace and inviting strolls, “The storefronts now reinforce and engage the arcade space,” says KPF design principal Josh Chaiken.

Inside, the impetus for the team was not the post-modernist issue of historical context, but the free-hand LeWitt mural, its gestural squiggles cuing spir-ited, curvilinear designs. Energy was the message. What seem to be drawings hovering in space now greet visitors ascending the escalators or monumen-tal granite staircases at either end of the lobby.


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Opposite, clock-wise from far left: Just beyond Rich-ard Nonas’s oil on paper, street-level escalators lead up to the second-fl oor lobby. The triangles each weigh 1,000 pounds and are fi tted with LEDs. The hotel has 13 fl oors of guest rooms; the Corian-clad beveled railings help modu-late acoustics. The lobby combines granite fl ooring and wool-silk carpeting with underlit wool-covered seating, all custom by Kuwabara Payne McKenna Blumberg Architects and arranged in micro-environments for socializing. Right: The atrium is 134 feet high, while the sofa is 64 feet long.


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Left: A switchback granite stairway strung on walnut struts connects the conference center and the ballroom. Opposite, clock-wise from top left: The gallery at the entrance to the conference center has granite fl ooring and ottomans up-holstered in leather. A trapezoidal open-ing was carved out between the fl oors to accommodate the stair. Atrio, the hotel’s restaurant, has walnut fl ooring and custom stools, chairs, and tables by Monica Ponce de Leon Studio. The conference stairway surrounds a structural column and incorporates a custom walnut bench; photog-raphy: Michael Moran/Otto.

hospitality192 INTERIORDESIGN.NET JAN.13

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Monica Ponce de Leon suspended tubular triangles and rectangles on a veil of strings, distorting the hanging shapes into curving lines that look computer-generated. The strings themselves delineate beguil-ing conical volumes in the vast space. “The atrium felt quite vacuous, but we wanted to capitalize on its monumentality without killing it with something obscenely large,” Ponce de Leon states. “The strings connect the upper and lower shapes and them-selves make the fi gures.”

The nonlinear geometry contrasts with the or-thogonal footbridges at the front of the lobby, in a counterpoint of eras that pits the apparently irratio-nal against the rational. The computer left its signa-ture. Seen from the balconies, lines play against lines: The parallax rewards movement by making vision experi-ential. Ponce de Leon fac-eted the sur-rounding bal-cony rails to control the acoustics.

She trans-ports the same idea of volumes outlined in space to the conference center beyond. Tactile walnut struts fanning at progressive angles sus-pend a grand staircase in a trapezoidal opening carved be-tween previ-ously stratifi ed fl oors. “I thought of the staircase as a displaced veil, one that has gone awry,” the archi-tect explains.

The LeWitt mural also suggested the approach for the lobby’s furniture, which KPMB partner Marianne McKenna choreographed as a handsome gray land-scape of convex and concave curves moving people through the dedicated public area. “We confi gured the sofas for use and for sociability, whether working on a laptop, enjoying drinks, or having breakfast near the cafe,” she notes, “and adjusted the ergonomics of seat depths and back heights of each accordingly.”

Inheriting the Embassy Suites’s basic layout, de-signer Jill Greaves oversaw the upstairs corridors and 463 guest rooms. In all, a bathroom separates the bedroom and the sitting room. Having also in-herited a distinguished art collection from the origi-nal program, Greaves responded with a warm, sub-tle palette of wood and light fabrics and carpets:


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“The overall theme was comfort but with a business-like atmosphere,” she says. Meetings could be held here. She paneled one wall of each room from door to window with white-oak millwork that gives the spaces a visual through-line leading to the Manhat-tan views. Sliding glass walls allow guests to com-partmentalize the sitting room, bath, and bedroom. “With more than 45 room types, the coordination was challenging,” Greaves continues.

Indeed, coordination was the name of the game for Conrad New York. The dirty little secret of Battery Park City is that the master plan resulted in a boring enclave of look-alike buildings that blanket it in monotony and convention. But, no longer. The hotel avoids the chill of the cor-porate touch and, in so doing, claims a new list of adjectives: elegant, com-plex, smart, appropriate, unexpected. —Joseph Giovannini

FROM FRONT FEATURE WALTERS: CUSTOM SCULPTURE (ATRIUM). COURISTAN: CUSTOM CARPET (HALL, CONFERENCE CENTER, GUEST ROOM). MIRI TECH CARPETS: CUSTOM RUG (LOBBY). MOROSO: CUSTOM SOFAS, CUSTOM CHAIRS, SIDE TABLES (LOBBY), CUSTOM OTTOMANS (LOBBY, GAL LERY). KVADRAT THROUGH MAHARAM: SOFA, CHAIR FABRIC. YAMI GAWA CORP-ORATION: LAMPS (LOBBY). BENCHMARK FURNITURE MANU FAC TURING: CUSTOM TABLES (RESTAURANT). VOGEL OF CANADA: CUS TOM CHAIRS, STOOLS (RESTAURANT), CUSTOM SOFA (GUEST ROOM). CARNEGIE: CHAIR FABRIC (RESTAURANT). EDELMAN LEATHER: STOOL UPHOLSTERY. MARK DAVID: CUSTOM ARMCHAIRS (GUEST ROOM). WOEL LER GROUP: SOFA FABRIC. ARTCO INTERNATIONAL: CUSTOM TABLES, CABINETRY, BED. TAI PAN LIGHTING: CUSTOM LAMP. IWORKS: CUSTOM SCONCES. SFERRA: BED LINENS. MAHARAM: WALL COVERING (HALL). THROUGHOUT L’OBSERVATOIRE INTERNATIONAL: LIGHTING CONSULTANT. POULIN + MORRIS: GRAPHICS CONSULTANT. VIRIDIAN ENERGY & ENVIR ONMENT: ENVIRONMENTAL CONSULTANT. SHEN MILSOM & WILKE: ACOUSTICAL CON-SULTANT. GORDON H. SMITH CORPORATION: CURTAIN-WALL CON SUL TANT. KEN SMITH LANDSCAPE ARCHITECT: LANDSCAPING CON SULTANT. MICHAEL RAISER ASSOCIATES: TECHNOLOGY CONSULTANT. THORN TON TOMASETTI: STRUCTURAL ENGINEER. AMBROSINO, DEPINTO & SCHMIEDER; WSP FLACK AND KURTZ: MEPS. HUNTER ROBERTS CON STRUCTION GROUP; F.J. SCIAME CONSTRUCTION CO.: GENERAL CON TRACTORS.

Go to interiordesign.net/conrad13 for more images of the hotel.

hospitalityClockwise from top left: In a standard guest room, the furniture and carpet are custom by Jill Greaves Design and the millwork is oak. Kohn Pedersen Fox Associates designed the new canopy and mullion-less glazing at the hotel’s entrance. The custom beds are stained oak. The entries to the 463 guest rooms are delineated by vinyl wall covering.


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EXPERIMENT WITH DESIGN. CUSTOMIZE YOUR PALETTE.

design is nature

view the vivid palette cyp carpet collection and make it your own at www.shawhospitalitygroup.com


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A LT U R A F U R N I T U R E . C O M N E W Y O R K S A N F R A N C I S C O C H I C A G O S E A T T L E P O R T L A N D K A N S A S C I T Y D E N V E R W A S H I N G T O N D C M I A M I C A L G A R Y

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From top: At Amanruya, a wall treatment in the lobby is rendered from painted clay pipe. A guest house’s private pool area has a shaded pavilion formed from a roof and beams of African mahogany.

hospitality

it takes a village

fi rm: emine ögün mehmet ögün architects co.site: bodrum, turkey

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COURTESY OF AMAN RESORTS


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“Life in Turkey is very fast and never comes to a complete stop,” says Emine Ögün, coprincipal with her husband of Emine Ögün Mehmet Ögün Architects Co. As an antidote, almost three decades ago, her late father, architect Turgut Cansever, developed a small vacation village on the Bodrum peninsula, utilizing the Aegean stone-cottage vernacular. When the 123-acre property passed to the couple, they recognized that a part of it, a hidden valley of olive and pine groves, had the ideal castaway quality for an Aman resort.

The luxury hospitality operator agreed, and engaged the architects to create Aman-ruya, a 97,000-square-foot compound that includes 36 freestanding stone guesthouses connected by a labyrinth of stone paths. Walls are locally quarried strawberry stone, the

regional name for rose-colored slate, grouted with pink mortar. “It adds a joyful quality,” Mehmet Ögün says of the effect.

The many lounges take the form of Turkish open-air pavilions ringed by traditional built-in sofas. Some have ceilings and fl oors of Afri-can mahogany, which gives way to Turkish marble in the major public spaces, guest rooms, and bathrooms, where it also covers the

From top: Custom benches, covered in linen and polyester, fl ank a sapele table, also custom, on the lobby’s fl oor of local Mugla marble. Olive trees dot the 123-acre property.Opposite, clockwise from top left: Ratina Moeggiano’s handmade nickel-fi nished copper vases and marble um-brella vessels stand at a guesthouse entry, where fl ooring is marble. Between a living area’s sapele fl oor and ceiling are custom sofas. A trio of sconces in the lobby are nickel-fi nished copper. The guesthouses’ strawberry stone is quarried locally.

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walls, one of the few touches of conventional opulence. But the resort mostly emulates the design aesthetics of its predecessor: traditional materials, forms, and practices used in a low-key modern way. Take the fantastical pebble-mosaic paths made by local women, for example. “The whole team became part of the design,” explains Emine Ögün, their contribution now literally set in stone. —Craig Kellogg

FROM FRONT AYHAN MOR: MATTRESS (POOL AREA). PROLUX LIGHTING: SCONCES. OLUCE: LAMPS (LOBBY). TARGETTI: SCONCES. KALDEWEI: TUB (BATHROOM). ZAZZERI: TUB FITTINGS. CERAMICA FLAMINIA: SINK. YATAS: MATTRESS (BEDROOM). TITAN TEKSTIL: BEDDING. THROUGHOUT AKEL FURNITURE DECORATION CO.: CUSTOM FURNITURE. PARLAR MÜHENDÝSLÝK MÜÞAVÝRLÝK: STRUCTURAL ENGINEER. TANRIÖVER ENGINEERING: MEP. HB TECH ELECTRICAL ENGINEERING DESIGN AND CONSULTING CO.: ELECTRICAL ENGINEER. BLACK JOINERY AND FURNITURE: WOODWORK.

Clockwise from top left: A dry-wall staircase opens onto the lounge. A guest bathroom’s freestanding tub is enameled steel. A sleeping area features a Hans Wegner table and chairs, a fi replace incorporating a trad i-tional copper brazier, and a sapele bed draped with linen curtains.

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Go to interiordesign.net/ogun13 for more images of Amanruya.

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A 1960’s hotel turned student housing that fell into yellow-painted dereliction—such was the downward tra-jectory of a two-building complex in Santa Cruz, Califor-nia. Totaling 116,300 square feet, it was ripe for conversion. The price was right for hotelier

logging inn

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BPR Properties, and ODADA principal David Oldroyd was convinced of its potential. “I could see it as refi ned white concrete boxes surrounded by redwood trees,” recalls the designer.

The modernist aesthetics re-fl ect the lexicon developed

fi rm: odadasite: santa cruz, california

Clockwise from top: The recep-tion desk is a 25-foot-long, naturally weathered eucalyptus log. Resin squirrels are screwed to hallway walls. Pillars of board-formed concrete, nearly 19 feet high, stand at the entry.


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by ODADA president and Interior Design Hall of Fame member Orlando Diaz-Azcuy. As for the obeisance to na-ture: the site, which is at the wooded base of the Santa Cruz Mountains, demanded it. Once the dual design concept was established, the proper-ty’s name was a no-brainer: Hotel Paradox.

Oldroyd employed digital simulation and nature-inspired furnishings to bring those woods inside. Beyond the new porte cochere and pair of massive concrete pil-lars, granitelike porcelain fl oor tiles kick off the earthy vibe in the lobby, which, like all the public spaces, is housed in the single-story fi rst building. The reception desk is an enormous felled eucalyptus log; side ta-bles are the same wood. A glass-fronted photomural of a stand of redwoods encloses the adjoining conference room. A fl oor-to-ceiling cy-press bookcase, seemingly endless and inset with a sky-blue banquette, lines the cor-ridor linking the lobby to

Clockwise from top left: In the corridor linking the lobby to the restaurant, velvet-upholstered custom seating accompanies a continuous built-in cypress bookcase. A eucalyptus side table and a custom walnut-and-acrylic chair stand before Ron-

nie Genotti’s oil on canvas in the lobby. The lounge’s cypress bar is topped with fl amed granite. The single-story concrete box houses public spaces, while the fi ve-story tower behind contains 170 guest rooms.Opposite: Under a ceiling of vinyl digitally printed with Gary Crabbe’s photograph of area oak trees, the lounge’s eucalyptus-trunk host station fronts a 30-foot-long branch sculpture by Paul Schick.


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Solaire, the restaurant and lounge; a digitally printed canopy of leafy branches overhangs a portion of the latter. Outside, the swimming pool is ringed with cypress planks.

The 170 guest rooms in the separate fi ve-story structure continue the theme. Art and upholstery supply the woodsy palette. The genuine thing comes via headboards: vertical planks repurposed from Colo-rado snow fences. But in hall-ways, the scampering squirrels are resin. —Edie Cohen

Clockwise from top left: Guest rooms have headboards of repurposed Colorado snow-fence planks. Linen panels form a shaded pavilion by the swim-ming pool. Eucalyptus stumps paired with Angela Cameron’s forest-fl oor photography mounted on aluminum are part of the hotel’s paradox. Mature redwoods, cypress planks, and poured-in-place concrete sur-round the pool.

FROM FRONT MARCO FINE FURNITURE: CUSTOM ARMCHAIRS (RECEPTION). AR- BOR ICA: CUSTOM DESK (RECEPTION), CUS TOM SIDE TABLES (RECEPTION, GUEST ROOM, POOL AREA), CUSTOM HOST STAND (LOUNGE). PULP STUDIO: GLASS PANELS (CON FERENCE ROOM). CHIOSSO BROTH-ERS UPHOLSTERY: CUSTOM BANQUETTE (RECEP TION). DE SIGNERS GUILD: BLUE WALL COV ERING. MURPHY DESIGNS: CUSTOM LOUNGE CHAIR. LANARK WALL-COVERING: GRAY WALL COVERING. ELE-MENTS CON TRACT FURNITURE: CUSTOM STOOLS, CHAIRS, TABLES (LOUNGE), CHAIRS (GUEST ROOM). FOX MARBLE: BAR TOP (LOUNGE). ASTEK: CEILING MURAL. ARTERIORS HOME: LAMP (GUEST ROOM). BORDEN LIGHTING: SCONCES. CHARTER FURNITURE: DESK CHAIR. GRIGSBY FURNITURE DIRECT: SEC TIONAL SOFA (POOL AREA). AW POT TERY USA: FLOWER POTS. CRATE AND BAR REL: SOFA (GUEST ROOM). TROPITONE FURNITURE COMPANY: CHAISES, UMBRELLAS (POOL AREA). THROUGHOUT GRANITIFIANDRE: FLOOR TILE. MOHAWK INDUSTRIES: CAR PET. BENJAMIN MOORE & CO.: PAINT. ARRIS STUDIO ARCHITECTS: ARCHITECT OF RECORD. LUMINAE SOUTER ASSOCIATES: LIGHTING CONSULTANT. CASA GRANDE WOODWORKS: WOODWORK. HOGAN & PINCKNEY: GENERAL CONTRACTOR.

Go to intereriordesign.net/odada13 for more images of Hotel Paradox.


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Well actually, it is. The residence here is in MGM Mirage’s Veer°TM Tower—located within the CityCenter® complex in Las Vegas—where all the sourced materials are sustainable.

You don’t need 3D glasses to see why we were chosen to cover more than 25,000 windows with roller shades and draperies in the complex.

But, if you want a pair of glasses to appreciate the full impact of truly functional window coverings, e-mail [email protected]. And we’ll send you a pair.

It’s not a mirage.

T: +1 (800) 437-6360 F: +1 (718) 729-2941 E: [email protected]: mechosystems.com

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color fieldThe steel panels of the Meininger Hotel Berlin Airport are coated in 11 colors of a polyester-varnished zinc-magnesium alloy that is antiglare and UV-stable.

fi rms: petersenarchitekten; studio aisslingersite: berlinhospitality

JAN BITTER FOTOGRAFIE


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From top: Porcelain-tile fl ooring and built-in wood seating defi ne the lobby. Just 10 minutes from the Berlin-Schönefeld International Airport, the 105,000-square-foot hotel offers 151 guest rooms. Opposite, from top: Steel lockers in the lobby face a kitchen available for use by backpackers. Seating in the lounge is covered in a wool-synthetic blend. The bunk beds in a family suite are constructed from high-pressure laminated particleboard.

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To redefi ne traditional hospital-ity codes in a radically innovative and user-friendly style. That was the brief the German Meininger Hotel Group gave PetersenArchitekten and Studio Aisslinger, the respective architecture and interior design fi rms behind its Meininger Hotel Berlin Airport. Inspired by Le Corbusier’s Dom-ino House model, founder Ralf Petersen sublimated the 105,000-square-foot building’s bulk into a pile of colorful steel slabs. “It’s an abstract composition—ecological and modular,” he says. The horizontal stripes on the facade are composed of interchangeable steel panels and windows that enable unrestricted conversion for future use. Technolo-gical innovation comes courtesy of the nonfl ammable, polyester-varnished color coating, a zinc-magnesium alloy that is antiglare and UV-stable.

Principal Werner Aisslinger and his team broke up the large interior volumes to create spaces that are at once open, understated, and cozy. “The emergence of a new type of traveler—more noma-dic, seeking simple spaces where the essentials are available—drove the design,” he says.

JAN BITTER FOTOGRAFIE


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FROM FRONT AVANDEO: SEATING (LOBBY, LOUNGE). LUX CAMBRA: CUSTOM PENDANT FIXTURES (LOBBY), BLACK PENDANT FIXTURES (BAR). BILLIANI: CHAIRS (LOBBY, BAR), STOOLS (BAR). VILLEROY & BOCH: FLOORING (LOBBY, BAR, DECK). AMTICO INTERNATIONAL: FLOORING (LOUNGE, GUEST ROOMS). THÜMER

CURTAINS: CURTAINS (GUEST ROOMS). HABITAT: PAPER PENDANT FIXTURES (BAR). THROUGHOUT BRILLUX: PAINT. KAMEL LOUAFI: LANSCAPING CONSUL-TANT. W33 INGENIEURGE-SELLSCHAFT: MEP. SPECHT, KALLEJA + PARTNER INGENIEURE: CIVIL ENGINEER. TISCHLEREI ZEHETNER-GRASL FRANZ: WOODWORK. ALPINE BAU: GENERAL CONTRACTOR.

The lobby is a true living area with a relaxed atmosphere to foster guest interaction. Simple painted wood chairs and tables, facing a wall-length ban-quette, offers similar fl exibility. In the 151 guest rooms, Teutonic-infl ected austerity translates into the clean min-imalist lines of the laminated-panel platform beds and built-in seating and desks. Families catching an early fl ight may take advantage of rooms equipped with bunk beds. The color palette throughout is somewhat sub-dued with an occasional pop to main-tain cheer. It’s a wise choice to keep from competing with the candy-striped exterior that must seem like a wel-coming rainbow to landing aircraft. —Caroline Bertran de Balanda

From top: PVC tables and chairs sit on the concrete-tiled terrace. A lacquered beech chair pulls up to the desk in a single guest room. The bar features paper pendant fi xtures and painted beech chairs.

Go to interiordesign.net/petersenaisslinger13 for more images of the Meininger Hotel Berlin Airport.


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books

The Racing Bicycle: Design, Function, Speededited by Richard Moore and Daniel BensonNew York: Rizzoli International Publications, $40352 pages, 600 color illustrations

Some designers will fl ip for Damien Hirst’s iridescent butterfl y Trek, a bicycle ornamented with real insects by the infamous British artist for the equally infamous Lance Armstrong, or

Artful Decoration: Interiors by Fisher Weismanby Andrew Fisher and Jeffry WeismanNew York: Monacelli Press, $50224 pages, 200 color illustrations

It might have been a recipe for disaster: two partners of a design fi rm with markedly different backgrounds and inclinations. California College of the Arts alumnus Andrew Fisher worked for “carriage-trade decorator” Johnny Hallock and names opu-lent designer Tony Duquette

his kindred spirit and chief inspiration. Jeffry Weisman studied art and design at Stanford University and also earned an MBA there. He worked at Skid-more, Owings & Merrill under the

perfectionist Charles Pfi ster and at Gensler under another one, Orlando Diaz-Azcuy, both Interior Design Hall of Fame members. Somehow Fisher and Weisman, two disparate talents, mingled to create a wide range of expression, from serene to fl amboyant; in his preface to this collection of 13 projects, Weisman refers to his part-ner’s artistic yin and his own practical yang.

A San Francisco penthouse inserts a white palette and contemporary furnishings into a classical shell by Andrew Skurman. A Palm Springs, California, retreat has a Moroccan theme. A Chicago duplex satisfi es the client’s request for a riot of color. But perhaps the three most inter-esting interiors shown are those Weisman and Fisher designed for their own use: an apartment on San Francisco’s Nob Hill; a country complex near Healdsburg, California; and a house in San Miguel de Allende, Mexico. In the main house of the Healdsburg property, an immense Parsons-style island dominates the kitchen, and in the circular master bath, a freestanding steel tub is fi lled from a shell-encrusted chandelier. Inside the rustic redwood-faced tree house is a glittering and surprisingly spacious interior, the contrast exemplifi ed by tree-trunk stools with gilded tops. Evident in all this work is Weis-man’s rare sense of order and organization enlivened with Fisher’s furniture designs and large abstract paintings. Pfi ster meets Duquette, in the right hands, turns out to be wonderful. —Stanley Abercrombie

FIND YOUR ZEN

safcoproducts.com

ZENERGY™

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The Pale of Memoryby Peter Halsey SherwoodBloomington, Indiana: iUniverse, $14180 pages

“This is not the kind of book I normally read,” admits Benjamin Noriega-Ortiz, who typically eschews novels. But as the nation’s highest court prepares to hear cases on marriage equality, this seems the perfect moment to take in Peter Sher-wood’s noirish narrative set in New York’s gay community 20 years ago. “It’s so visual, it made me nostalgic for places I used to go,” says the interior designer. From the Big Cup coffee shop to the Hotel Chelsea, “You will learn a lot about New York in the ’90’s.” The author also cuts the thriller’s tension with more than a few amusing turns of phrase for the design-minded. “During a fight, one of the characters actually tosses a throw pillow,” Noriega-Ortiz notes. “The writing is just so funny and clever.” Beyond social consciousness, it’s the perfect literary companion for midwinter jaunts to spots such as the Bahamas, where Noriega-Ortiz is currently designing a Mondrian for the Morgans Hotel Group. —Deborah Wilk

TOP: MICHAEL LUPPINO

What They’re Reading ...

the Keith Haring disc wheels on the sharply raked 1987 Cinelli Laser, which enjoys cultlike devotion among cycling afi cionados. The unconverted may not fi nd themselves paging through Rich-ard Moore and Daniel Benson’s hefty brand hug, an A-to-Z compendium of bike makers, but for those with even an ama-teur interest, the title is worth a look as its century-plus survey of speed and beauty offers valuable takeaways.

Rule one: Don’t reinvent the wheel—or, more precisely, the diamond frame, a robust pairing of tubular triangles that de-buted in the late 19th century. It still works best, in spite of recent cantilevers, girders, and blobby monocoques, such as Chris Boardman’s 1992 Lotus 108 and Miguel Indurain’s Pinarello Espada, both created for time-trial racing. Rule two: Ergonomics can always be im-proved, as tweaks in the 1980’s and ’90’s proved. Rule three: Materials matter. Steel and aluminum -alloy tubes have given way to form molds and cast carbon fi ber, although titanium is edging up of late. Rule four: Study the Italians. Rule fi ve: Make bikes pretty. Even if the athletes are drugged and dirty, their machines remain sleek, sexy, and haute tech. —C.C. Sullivan

Benjamin Noriega-OrtizPrincipal designer of BNO Design

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Interior Design (USPS#520-210, ISSN 0020-5508) is published 15 times a year, monthly except semimonthly in April, May, and October by Interior Design Media Group. Interior Design Media Group, 360 Park Avenue South, 17th Floor, New York, NY 10010-1710, is a division of Sandow, 3731 NW Eighth Avenue, Boca Raton, FL 33431. Periodicals postage paid at New York, NY, and additional mailing offices. Subscrip-tions: U.S., 1 Year: $69.95, Canada and Mexico, 1 year, $99.99. All other countries, $199.99 U.S. funds. Single copies (prepaid in U.S. funds): $8.95 shipped within U.S. ADDRESS ALL SUBSCRIPTION REQUESTS AND CORRESPONDENCE TO: Interior Design, P.O. Box 5880, Harlan, IA 51593-1380. TELEPHONE TOLL-FREE 800-900-0804 (continental U.S. only), 515-247-2984 (all others), or [email protected]. POSTMASTER: Send address changes to: INTERIOR DESIGN, P.O. Box 5880, Harlan, IA 51593-1380. Publications Mail Agreement No. 40624074. Please return undeliverable Canadian addresses to APC, P.O. Box 503, R.P.O. West Beaver Creek, Richmond Hill, ON L4B 4R6.

DESIGNER IN CROSSLINES

Dorell.Ghotmeh.Tane/Architects (“Notes From Abroad,” page 45), 6 Rue Desargues, 75011 Paris, France; 33-1-43-38-12-47; dgtarchitects.com.

DESIGNER IN WALK-THROUGH

Jakob + MacFarlane (“Green Piece,” page 61), 13-15 Rue des Petites-Écuries, 75010 Paris, France; 33-1-44-79-05-72; jakobmacfarlane.com.

PHOTOGRAPHER IN WALK-THROUGH

Roland Halbe Photography (“Green Piece,” page 61), 45 Böheimstraße, 70199 Stuttgart, Germany; 49-711-607-4073; rolandhalbe.de.

DESIGNERS IN KITCHEN/BATH

Agence Marie Deroudilhe (“Under Paris Rooftops,” page 108), 23 Rue Henri Chevreau, 75020 Paris, France; 33-9-64-25-02-27; mariederoudilhe.com.

Widawscy Studio Architektury (“Meeting in the Middle,” page 116), 72b Broniewskiego, 42-520 Dabrowa Górnicza, Poland; 48-32-445-08-64; widawscy.pl.

Yiacouvakis Hamelin, Architectes (“Northern Exposure,” page 112), 281 Rue Bélanger, Montreal, Quebec H2S 1E6, Canada; 514-272-7592; yh2architecture.com.

PHOTOGRAPHERS IN KITCHEN/BATH

Łukasz Kozyra (“Meeting in the Middle,” page 116), Miód Malina Studio, 48-60-051-95-04; miodmalina.com.

Eric Laignel (“Under Paris Rooftops,” page 108), ericlaignel.com.

Francis Pelletier (“Northern Exposure,” page 112), 5370 3E Avenue, Montreal, Quebec H1Y 2W5, Canada; 514-291-1418; francispelletier.com.

DESIGNERS IN HOSPITALITY

Jill Greaves Design (“In the Loop,” page 188), 56 Cowan Avenue, Toronto M6K 2N4, Canada; 416-516-7426; jillgreavesdesign.com.

Kohn Pedersen Fox Associates (“In the Loop,” page 188), 11 West 42nd Street, New York, NY 10036; 212-977-6500; kpf.com.

Kuwabara Payne McKenna Blumberg Architects (“In the Loop,” page 188), 322 King Street West, 3rd Floor, Toronto M5V 1J2, Canada; 416-977-5104; kpmb.com.

ODADA (“Logging Inn,” page 202), 201 Post Street, 9th Floor, San Francisco, CA 94108; 415-362-4500; odada.net.

Emine Ögün Mehmet Ögün Architects Co. (“It Takes a Village,” page 197), 54/10 Altinba-sak Apartment, 13 Suleyman Seba Caddesi, 34357 Istanbul, Turkey; 90-212-3278816; ogunogun.com.

PetersenArchitekten (“Color Field,” page 209), 156 Brennenstraße, 10115 Berlin, Germany; 49-30-34396747; petersenarchitekten.de.

Monica Ponce de Leon Studio (“In the Loop,” page 188), 416 West 13th Street, 311, New York, NY 10014, 212-691-6835; monicaponcedeleon.com.

Studio Aisslinger (“Color Field,” page 209), 46-52 Heidestraße, 10557 Berlin, Germany; 49-30-31505400; aisslinger.de.

PHOTOGRAPHERS IN HOSPITALITY

Jan Bitter Fotografie (“Color Field,” page 209), 222 Prenzlauerallee, 10405 Berlin, Germany; 49-163-7282673; janbitter.de.

Matthew Millman Photography (“Logging Inn,” page 202), 415-577-3200; matthewmillman.com.

Garrett Rowland (“In the Loop,” page 188), 917-774-9166; garrettrowland.com.

Rien van Rijthoven Architecture Photography (“Logging Inn,” page 202), 415-810-0973; architecturephotography.org.

DESIGNER IN CENTERFOLD

FreelandBuck (“Reality Bytes,” page 137), 442 Atlantic Avenue, 2, Brooklyn, NY 11217; 347-263-8476; freelandbuck.com.

CORRECTIONS

In “Lighting” (Fall Market, page 173), the manufacturer of the N1R floor lamp is Nosanchuk.

In “Business of Design” (November, page 53), the association percentages represent our sample list, not the industry overall.

The Endémico (December, page 56) was photographed by Undine Pröhl.

In “Best of Year Products” (December, page 199), Halcon’s Mesa, circle 414, won the Contract Table category.

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2013 HI-MACS® Annual Design Contest

LIMITLESS POSSIBILITYwww.LGhimacsusa.com

Circle 45


Companies with the Library icon have their complete catalog & brochure available for viewing online and printing at www.InteriorDesign.net/Library

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Giulia Tufted SofaThe Giulia sofa is adorned with snowball tufting, a technique rarely seen today due to the large amount of skill and craftsmanship required. Chairs, love seats, ottomans and benches are also available. All of them are crafted to order in Couture's workroom. Completely made in the USA. 108 W x 39 D x 29 H inches. Design: Luigi Gentile. t. 212.689.0730 or visit coutureshowrooms.com circle 225


Trinity FurnitureFacelift Serpentine Seating includes individual chairs/sofas with fully upholstered arms, exposed wood, urethane task arms and tablet arms. Solid aluminum blade or round legs, dual wheel casters, and wood legs are available. 100% renewable com-ponents, a lifetime warranty and proudly made in the USA. Certified: BIFMA Level Sustainability Standard. t. 855.311.6660 or www.trinityfurniture.com circle 228

Cascade CoilWoven wire mesh offers many advantages over conventional drapery. Besides being durable, fireproof, and virtually maintenance-free, the material diffused and enhances lighting without blocking views or ventilation. Complement your project using Cascade Coil for space division, window treatment, wall covering, lighting effect, retail display, building cladding, semi-security, and much more. t. 800.999.2645 or visit us online at www.cascadecoil.com circle 226

Gyford StandOff Systems® Frame, build and construct your interiors with StructureLite from Gyford StandOff Systems®. Visit our website to discover a variety of unique architectural elements and custom furniture components. What will you create? t. 775.829.7272 or visit us online at standoffsystems.com circle 227

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JAN.13 iNteriordesigN.Net 219

Whiting & Davis Metal Mesh FabricsManufactured in USA Since 1876

Whiting & Davis metal mesh can be used in a variety of design applications to create an atmosphere ranging from luxurious opulence to industrial chic. Shimmering, fluid and dramatic mesh creates a simple, yet lustrous pattern of texture unlike any other material. Feel the difference. t. 800.876.MESH or visit whitinganddavis.com circle 234

Zia-PrivenThe Palermo Chandelier

Hand formed layers of brass and steel produce a dynamic sculptural fixture surround-ing a bold inner core with frosted, tempered glass diffusion. Extraordinary lighting handmade in the USA for the Residential, Commercial & Hospitality industries. Custom lighting available. t. 818.765.2777, [email protected] or ziapriven.com circle 229

Powell & BonnellThe Mulholland chaise by Powell & Bonnell is essential Hollywood glamour. The curved upholstered backrest with enveloping cantilevered arms, offers secure comfort and great style. The down envelope seat cushion is accented by piping and nail head trim on an elegant show-wood base. It’s the perfect place to toss a robe or curl up with a romance novel. Available in standard wood and trim finishes, COM/COL. t. 800.272.2058 or visit powellandbonnell.com circle 232

Peter Pepper Products OASIS provides a natural setting for interaction, collaboration or contemplation in cor-porate, healthcare, hospitality and educational spaces. Suitable for interior and exterior spaces and resistant to UV, moisture, corrosion and temperature changes. Vacuum formed ABS plastic available in white, taupestone or custom colors. Optional seat pads and security mounting available. t. 800.496.0204 or peterpepper.com circle 231

BeaufurnFusion tabletops give you the detailed beauty and character of reclaimed wood, heart pine or driftwood at a fraction of the cost. Our proprietary process fuses finely detailed high-res photography onto wood, acrylic or metal tabletops. t. 888.766.7706 or visit us online at www.beaufurn.com circle 233

TillysClassic 2" bronze drapery rod featuring Elegant Crystal finial with 1 3/16" traverse drap-ery rod behind. Rods are made to measure in a wide choice of finishes and styles. Call for a catalog or visit us online. t. +4423.9225.2525 or tillysinteriors.com circle 230

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VestaVesta's DecoTrax collection features precision extruded aluminum tracks with multiple mounting options and smooth operating glides. The tracks are available in four contemporary finishes and two rail heights. t. 800.638.3782 f. 864.225.0228 www.ivesta.com circle 237

CX DesignOur Cristallo collection of hand-blown Murano glass pendants, chandeliers, and wall sconces combines old world silhouettes with contemporary sensibilities to create a unique line of elegant lighting for any interior. All our fixtures are built to specification in our Soho, New York studio. cxny.comcircle 239

Littman Littman Brands Contract & Hospitality is the global contract and hospitality division of Littman Brands. It is a single source for designers, specifiers and interior architects to access the unique design and manufacturing strengths of subsidiary companies Troy Lighting, Corbett Lighting and Hudson Valley Lighting.t. 626.336.4511www.troycontractlighting.com circle 235

Palmpring Organic Coconut Mattress Our 100% organic coconut fiber, natural latex mattresses are available in standard and custom sizes. Rubberized coconut fibers offer durable, spring-like resilience. Our luxurious, hypoallergenic, chemical- and metal-free beds lack heat and water reten-tion, resulting in a cool, bacteria-free environment. t. 213.351.1301 or visit us online at www.palmpringUSA.com circle 240

Sloan BASYS™

Elegant form is the hallmark of our BASYS™ family of hands-free faucets. Designed with modular components for custom specification and easy service. Wall mount design now available. Visit our website to view the complete BASYS™ lineup and download BIM models. t. 800.982.5839 or visit www.sloanvalve.com circle 236

Avery BoardmanA strong silhouette and streamlined shape bring an air of deco drama to Style 613, a key piece in any seating arrangement and part of the Avery Boardman Signature Collection. Glamorous in any room and available in infinite custom variations. As with all Avery Boardman designs, the 613 can be upholstered in the fabric of your choice. Shown 92” W x 37” D x 29” H. Visit averyboardman.com circle 238

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Rakks® Shelving SystemsRakks is the source for sophisticated and flexible shelving solutions for your storage and display needs. Shown here with aluminum extruded shelves, our patented L-Bracket shelving system is exceptionally strong and features infinitely adjustable shelves. For more information, visit rakks.com or call 800.826.6006 circle 245

Donovan's CubesMatte, opal acrylic cubes, many sizes, many lamping options. Crisply executed with satin aluminum turned hardware. Shown here our 12" x 12" x 10" deep with (2) 18 watt compact fluorescent lamps. Semi-flush as shown or stem mounted. Sizes up to 54" tall. UL listed and Made in New York State. t. 607.256.3640www.donovanlighting.comcircle 242

High Gloss Thermofoil by RikenHigh quality 3D High Gloss laminate for seamless cabinet doors, furniture and fixtures available in thirty stock colors including short rolls. Vacuum and membrane press the most complex dimensional profiles on routed fiberboard substrates in both solids and patterns.t. 609.387.2011 www.riken-usa.comcircle 244

Charles LoomisThe Pia’11 Platinum award winning Palisade S15 Sconce, combines hand-cut fused crystal clear glass, polished stainless steel, and energy efficient LED or halogen lamping. The result is a contemporary, made in the USA, UL listed, gorgeous “green” sconce. t. 800.755.0471 www.charlesloomis.com circle 246

DU VERRE: The Hardware Co. MARCEL by Goodman Charlton

DU VERRE HARDWARE is an industry leader in quality and original design for contem-porary cabinet hardware. Made from environmentally friendly recycled aluminum, DVH is compatible with LEED objectives. Suits hospitality, commercial, high-end residential interiors and fine furniture. Most items in stock. We ship around the world. Visit us at www.duverre.com circle 243

California FaucetsFrom the makers of award-winning StyleDrain®, a drain that virtually disappears. StyleDrain Tile™ allows you to integrate any tile or stone to seamlessly match the rest of the shower. Easy installation compatible with every water-proofing method. Proudly carries the Made in California designation. t. 800.822.8855 or please visit us online at styledrain.com/ID circle 241

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Todd HaseSince 1995 Todd Hase has been offering his namesake collection of home furnishings to the design professional. The collection's silhouettes, proportions, color palette and craftsmanship are inspired by Todd’s passion for history and travel. A return to essential line and classic proportion coupled with an attention to detail and quality construction epitomize Todd Hase Furniture in 2013.t. 631.488.4800www.toddhase.com circle 249

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Okite Pietre PrezioseIntroducing OKITE® Pietre Preziose, the world’s first and only quartz surfacing inspired by natural onyx. An uplifting kaleidoscope of deep, luminous color that will bring to your interior design projects infinite depth and an irresistible allure of precious stones. Pietre Preziose is highly heat, stain and scratch resistant and is extremely durable and non-porous. It never needs sealing and is easy to clean and maintain. t. 866.654.8397 or visit www.okite.us circle 250

Stone ForestSYNC Drop-In Bamboo Vessel Sink

Durable. Sustainable. Easy to maintain. Winner of the GREEN GOOD DESIGN™ Award. Call for a catalog. t. 888.682.2987 or visit us at stoneforest.com/interior circle 252

Bone Simple DesignBone Simple Design specializes in contemporary custom, hand-made-to-order lighting fixtures for commercial, retail, hospitality and residential applications. We have a simple, modern design aesthetic and work with a variety of materials. Shown here is our 4 Square Boxed Pendant in satin brass finish. Our designs can be customized and are UL listed. t. 212.627.0876 www.bonesimple.com circle 247

Pratt & Larson Ceramics Celebrating 30 years of produing the finest in handmade cramic tile in Portland, Oregon. Our luxurious offering of custom tile is made to order in any color. Visit our website to locate a dealer and ordera color catalog.t. 503.231.9464 www.prattandlarson.com circle 251

INCASE Crypton TechnologyCustomize Your Interiors

INCASE is advanced fabric protection powered by revolutionary Crypton Technology. Providing superior liquid and stain repellency, odor protection and microbial resis-tance, INCASE is perfect for cubicle curtains, drapery, bedding... just about anywhere that a moisture barrier isn’t necessary. Order a sample today. t. 800.279.7866 or visit cryptonfabric.com circle 248

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Conant Metal & LightDiscover Repurposed LightingWe are designers and makers of original lighting and decorative metalwork. As a creative force working wonders since 1979, we provide energy efficient and innovative opportunities to build your brand. Express yourself sustainably and let found objects (yours or ours) tell your story. UL Listed. t. 800.832.4482 conantmetalandlight.comcircle 254

Putnam Rolling LadderSince 1905, Putnam Rolling Ladder Company has been manufacturing custom-made rolling ladders. The No.1 rolling ladder comes in several hard woods: oak, ash, birch, maple, cherry, mahogany, walnut and teak. 16 different stains are now available. Hardware comes in several styles including black, brass-plated, satin-nickel, pewter, copper, chrome-plated and many more. Putnam–since 1905. t. 212.226.5147 or visitputnamrollingladder.com circle 258

Chic Glass Collection by BendheimFrom timeless pleats and delicate crinkles to dazzling metallic hues, this new architectural glass collection combines the elegance of fourteen contemporary textiles with the durability of Bendheim laminated safety glass. Ideally suited for luxury hos-pitality, healthcare, retail, and corporate interiors. t. 800.221.7379 or visit us online at www.BendheimArchitectural.com circle 255

WherEver in Sans Hands from Sonoma Forge Stand-alone sensor faucets with our Sans Hands technology. The minimal, modern look fits the current trends for sleek simplicity. Available in rustic nickel, pizzazz nickel, rustic copper or oil-rubbed bronze, as well as more contemporary finishes by special order. Visit us online at sonomaforge.com circle 253

Neo-MetroNeo-Metro is the premier manufacturer of luxury bathroom fixtures. Our products are manufactured to the highest quality by metal artisans in Southern California. Custom pieces are always welcome. ADA compliant.t. 800.591.9050www.neo-metro.comcircle 256

The FIORE Lounge Collection by AcerayCommitted to delivering distinguished styling, Aceray is proud to introduce an array of contemporary & unique seating designs suitable for furnishing hotels, cafés, bars, res-taurants, corporate environments, reception areas, health care facilities, schools, store displays, museums, public spaces, private residences and more. Call 303.733.3404 or visit www.aceray.com circle 257

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Cascade Coil .................................................circle 226 .......... 218

CCN International .........................................circle 17...............43

Centiva ......................................................circle 84 ..............83

Charles Loomis .......................................circle 246 .......... 221

Cherner Chair Company .................................circle 18 ............ 100

Colour & Design ...........................................circle 19 ..............30

Conant Metal & Light ...................................circle 254 ..........223

Concertex ....................................................circle 21 ..............19

Conrad ........................................................circle 23 ............ 131

Couture Showrooms ......................................circle 225 .......... 218

Coverings ....................................................circle 56 ..............80

Craftmade ...................................................circle 105 .............82

Construction Specialties ................................circle 130 ............93

Crossville, Inc. .............................................circle 24 ............ 103

Crypton ......................................................circle 25 ..............29

Crypton .......................................................circle 248 ..........222

Cumberland Furniture ...................................circle 26 ............8, 9

CX Design ....................................................circle 239 ..........220

Davis & Warshow .........................................circle 27 ............ 120

ddc Domus Design Collection ...................circle 13 ............ 201

Design Within Reach .....................................circle 28 ..............67

Donovan Lighting ...................................circle 242 .......... 221

Dornbracht Americas ...............................circle 29 ............ 119

Duravit ..................................................circle 30 ............ 111

page

3Form .........................................................circle 1 ................53

ABC Carpet & Home ......................................circle 2 .............. 106

Abet Laminati ..............................................circle 3 ................89

Aceray ...................................................circle 257 ..........223

Altura Furniture ......................................circle 4 .............. 196

Amtico ........................................................circle 6 .............. 123

Antron® Carpet Fiber .....................................circle 82 ..............66

Arc-Com Fabrics, Inc. ....................................circle 7 ................73

Architex International ...................................circle 8 ................65

Atelier ........................................................circle 9 ................18

Avery Boardman .....................................circle 238 ..........220

B&N Industries .......................................circle 11 ..............40

Beaufurn ...............................................circle 233 .......... 219

Bendheim Architectural .................................circle 255 ..........223

Bluworld of Water .........................................circle 14 ..............85

Bone Simple Design ......................................circle 247 ..........222

Caesarstone/ Concetto ............................circle 83 ............ 115

California Faucets .........................................circle 241 ........... 221

Carl Hansen & Son ........................................circle 16 ..............55

Carnegie Fabrics ...........................................circle 35 ..............39

Companies with the CEU Center icon offer free Continuing Education

Classes online at www.InteriorDesign.net/ceucenter

Companies with the Library icon have their complete catalog & brochure

available for viewing & printing at www.InteriorDesign.net/library

adindex

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pagepage

For easy use with reply card. Reply form also available

online at www.InteriorDesign.net/readerservicecard

DU VERRE HARDWARE ..............................circle 243 .......... 221

Elitis ...........................................................circle 31 ..............51

Eric Brand ...................................................circle 32 ..............68

Ferguson Enterprises, Inc. .............................circle 104 ........... 130

Flexform SPA ...............................................circle 33 ..............60

Grand Rapids Chair Company ..........................circle 36 ............ 102

Gyford StandOff Systems ..........................circle 227 .......... 218

Halcon ........................................................circle 37 ............2, 3

Hancock & Moore .........................................circle 85 ..............75

Harmonic Environments ................................circle 38 ..............C3

Hive ...........................................................circle 39 .........14, 15

Hubbardton Forge ...................................circle 40 ..............44

Hudson Valley Lighting ............................circle 46 ..............81

Innovations in Wallcoverings ..........................circle 100 .............21

Interior Design - Best of Office Architecture & Design ..................230

Interior Design - Hospitality Giants Thank You ............................227

Interior Design - Designwire .......................................................50

International Contemporary Furniture Fair .......circle 34 ..............49

IIDA Leaders Breakfast ...........................................................232

J&J / Invision ..............................................circle 41 ..............95

JANUS et Cie ................................................circle 42 ............ 184

JSI a Jasper Group Brand...............................circle 43 ............ 135

KnollTextiles ................................................circle 44 ..............25

Lacava ........................................................circle 87 ............ 125

Leland ........................................................circle 103 .............48

LG Hausys....................................................circle 45 ............ 217

Lightfair International ..................................circle 106 .............84

Ligne Roset .................................................circle 88 ..............37

Littman .......................................................circle 235 ..........220

Lumens Light + Living ...................................circle 47 ..............86

Lutron Electronics .........................................circle 48 ..............35

Luxe Surfaces ..............................................circle 89 ................6

Maharam ................................................................................C4

Mannington Commercial ................................circle 49 ..............99

Masiero .......................................................circle 90 ............ 215

Mayer Fabrics ...............................................circle 25 ..............29

MDC Wallcovering .........................................circle 50 ..............91

MechoSystems .............................................circle 51 ............208

Milliken .......................................................circle 52 ..............97

Minotti S.p.a. ...............................................circle 53 ............4, 5

Modern Fan ............................................circle 54 ..............41

Modular Arts ......................................................................... 216

Moore & Giles...............................................circle 55 ..............42

No. 8 Lighting ..............................................circle 57 ..............56

New York Eleven Plus, Inc. .............................circle 93 ............ 104

Nourison .....................................................circle 58 ............207

This index is provided as a service. The publisher does not assume any liability

for errors or omissions.

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Stephanie Odegard Collection .........................circle 59 ..............77

Stone Forest ...........................................circle 252 ..........222

StonePeak ...................................................circle 73 ..............11

Summit Furniture .........................................circle 96 ..............58

Sunbrella Fabrics ..........................................circle 97 ..............57

Sunbrella Contract Fabrics..............................circle 98 ............ 213

Sun Valley Bronze .........................................circle 75 ............ 186

Tandus Flooring ............................................circle 76 ..............27

The Mohawk Group .......................................circle 92 .......... C2, 1

The Rug Company .........................................circle 65 ............ 136

Tillys ...........................................................circle 230 .......... 219

Todd Hase ...................................................circle 249 ..........222

TRI-KES .......................................................circle 77 ..............32

Trinity Furniture ...........................................circle 228 .......... 218

Tuuci...........................................................circle 78 ............ 187

Ultrafabrics .................................................circle 79 ..............79

Usona .........................................................circle 80 ............ 126

Vesta ....................................................circle 237 ..........220

Williams-Sonoma ..........................................circle 12 ..............31

Whiting & Davis ......................................circle 234 .......... 219

Wolf Gordon .................................................circle 81 ..............12

Zenus Fabrics ...............................................circle 22 ..............17

Zia-Priven ..............................................circle 229 .......... 219

OFS ............................................................circle 60 ..............22

Okite .....................................................circle 68 ............ 127

Okite .....................................................circle 250 ..........222

Palmpring ...................................................circle 240 ..........220

Peter Pepper Products .............................circle 231........... 219

Phillip Jeffries ..............................................circle 61 ..............10

Pollack ...................................................................................59

Powell & Bonnell ....................................circle 232 .......... 219

Pratt & Larson ........................................circle 251 ...........222

Putnam Rolling Ladder ............................circle 258 ..........223

Rakks ....................................................circle 245 .......... 221

Riken ..........................................................circle 244 .......... 221

Rocky Mountain Hardware ........................circle 62 ..............26

Rohl Bath ....................................................circle 64 ............ 129

Safco ....................................................circle 66 ............ 214

Samuel Heath & Sons ....................................circle 67 ..............20

Shaw Contract ..............................................circle 94 ..............23

Shaw Hospitality ..........................................circle 98 ............ 213

Skyline Design .............................................circle 102 .............24

SLOAN ........................................................circle 70 ............ 128

SLOAN ........................................................circle 236 ..........220

Snaidero International ............................circle 71 ............ 105

Sonoma Forge ........................................circle 253 ..........223

Spark Modern Fires .......................................circle 72 ............ 101

adindex

This index is provided as a service. The publisher does not assume any liability

for errors or omissions.

pagepage

1301_AdIndex.indd 3 1/11/13 6:21 PM

Thank you Hospitality Giants of Design partners

for making the inaugural conference

extraordinary.

1302 GofHosp-thank you-Fullpg.indd 1 1/11/13 10:38 AM

snaps 1. Tables draped in fabrics by KnollTextiles.2. Inductees Jim Olson and Tom Kundig, principals of Olson Kundig Architects.3. Rex Ray’s Little Wonder lamp, a table centerpiece.4. Alexander Gorlin Architects principal Alexander Gorlin and Hall of Fame member Murray Moss.5. Gensler principal and creative director John Bricker and design director Todd Heiser.6. The gala program. 7. Luna Textiles president and

CEO Anna Hernandez with her husband, Vanderbyl Design principal and inductee Michael Vanderbyl. 8. Jouin Manku Studio cofounder Patrick Jouin accepting his honor.9. IIDA executive vice president and CEO Cheryl Durst and senior vice president Dennis Krause.10. Stephanie Odegard Collection president and creative director Stephanie Odegard and Hall of Fame member Paul Siskin.11. Malene B design director

More than 1,100 design enthusiasts once again packed the grand ballroom of New York’s Waldorf Astoria for the annual Interior Design Hall of Fame gala. The unofficial yet indisputable kickoff of the community’s holiday season, the evening welcomed five newly minted members into the fold:

Alexandra Champalimaud, Patrick Jouin, Jim Olson, Tom Kundig, and Michael Van-derbyl. Diamond sponsor

Kohler Co. led the list of industry heavyweights serving as benefactors for the event, the proceeds of which benefitted Alpha Workshops and the Council for Interior Design Accreditation.

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and principal Malene Barnett and Gensler senior associate Zenos Morris.12. Interior Design deputy editor Edie Cohen and Hall of Famer Rysia Suchecka, partner at NBBJ.13. Champalimaud president and principal and inductee Alexandra Champalimaud.14. Interior Design president Mark Strauss.15. VOA Associates director of interiors Jeannette Lenear and firm design principal and Hall of Fame member Nick Luzietti.

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16. Daroff Design + DDI Archi-tects president Karen Daroff and principal of hospitality design D.B. Kim flanking Hall of Famer Clodagh.17. Belzberg Architects principal Hagy Belzberg and Ralph Lauren executive vice president and chief retail creative officer Alfredo Paredes. 18. Molo Design’s Urchin Soft-light, another table centerpiece.19. Dennis Miller Associates president Dennis Miller and Hall of Fame member Jamie Drake.

20. Vanderbyl on the dais. 21. Hall of Famer Orlando Diaz-Azcuy and textile designer Gretchen Bellinger.22. The ballroom ceiling.23. M Moser director of design Bill Bouchey, WPP senior di-rector design and construction Fran LoMonaco, and Skidmore, Owings & Merrill director of interior design Jamie Velez.24. Swag inside bags made from Bentley Prince Street carpet, lined with Luna Textiles fabric.25. Sandow CEO Adam Sandow, executive vice president of

communications Jessica Kleiman , and business development manager Monica Del Borrello.26. Interior Design editor in chief Cindy Allen.27. Inductee Jouin surrounded by Jouin Manku Studio cofounder Sanjit Manku, Jouin’s wife, Leanne Sacramone, his mother Annick, and father Jean-Claude.28. Hall of Fame members Debra Lehman-Smith and Ronette King.


6, 7, 9, 17, 24, 26, 27: KEITH CLAYTOR; 5, 16, 18, 28: CHINENYE CLAYTOR; 8, 19, 20, 25: MATTHEW

CARASELLA

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under the volcanoIt would be easy to dismiss the work of Atelier 37.2 as precious. The Paris-based studio, a collaboration between Italian architect Francesca Bonesio and French photographer Nicolas Guiraud, produces site-specific microstructures, all less than 215 square feet, which it dubs Inhabitable Sculptures. What makes these art installations more than cute follies is their active engagement with the landscape and their joy in the beauty of vernacular architecture. “We work between ab-straction and figuration,” Bonesio says of their output, which always provides an interactive function no matter how deconstructed the form.

Case in point: Sloping House, the fi fth iteration in the ongoing series, is made of recycled painted pine and set on the side of Puy de Serveix, an extinct volcano in France’s Auvergne region. At fi rst glance, the installation looks like a stream of wood planks erupting from the ground and assembling themselves into a classic pitched-roof hiker’s hut. The fully formed portion of the makeshift structure is a 160-square-foot one-person shelter accessed through the missing end wall. The hut’s steep downhill angle and 8-foot ceiling height restrict the crouching occupant’s view to the land immediately in front of the open portal; recline on the hut’s low-slung minimalist chaise, however, and the vista shifts upward to include the sky. “It’s a development of two points of view,” Guiraud says of this dramatic change in perspective, which, as with all the Inhabitable Sculptures, is created by the interaction of people, architecture, and landscape. —Deborah Wilk

intervention

NICOLAS GUIRAUD


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National Benefactors

*In partnership with

Watch for details of speakers and honoreeslater this yearSpring: VancouVer February 14, 2013

Seattle March 28, 2013

new YorkMay 23, 2013

Fall:loS angeleS San FranciScoDallaSchicago

winter: atlantatoronto

Reserve tickets or tables today. For more information, www.iida.org312-467-1950

Seattle March 28, 2013

Hyatt at Olive 8 1635 8th avenue, Seattle, Wa

enjoy: Vincent Stanley, Keynote Speaker VP of Marketing, Patagonia

celebrate: Denis HayesPresident and CeO, Bullitt FoundationFounder, the earth Day Network

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InspIrIng Keynotes

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irving harper works in paper

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|Interior Design Magazine January 2013

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Transcript of |Interior Design Magazine January 2013