Inspire Inspire inspire Here ’ s your shot Academics.

25
inspire inspire inspire inspire inspire inspire inspire inspire inspire inspire inspire inspire inspire inspire inspire Here’s your shot Here’s your shot Academics

Transcript of Inspire Inspire inspire Here ’ s your shot Academics.

Page 1: Inspire Inspire inspire Here ’ s your shot Academics.

inspire inspireinspire inspire inspire inspireinspire inspire inspireinspire inspireinspire inspire inspire inspireinspire inspireinspire inspire inspire inspire inspireinspire Inspire inspire inspire inspireinspire inspire inspire inspire inspireinspire

Here’s your shotHere’s your shotAcademics

Page 2: Inspire Inspire inspire Here ’ s your shot Academics.

inspire inspireinspire inspire inspire inspireinspire inspire inspireinspire inspireinspire inspire inspire inspireinspire inspireinspire inspire inspire inspire inspireinspire Inspire inspire inspire inspireinspire inspire inspire inspire inspireinspire

Here are your tips:• Shoot activities with involved students.• Find a unique angle.• Wait for the moment.• Shoot no less than 100 shots.• Have teachers alert the staff when special presentations or activities are used.• Avoid shooting toward windows. Outside light is too bright and will cause silhouettes.• Look for one-person, two-people, small group, large group moments.

Page 3: Inspire Inspire inspire Here ’ s your shot Academics.

inspire inspireinspire inspire inspire inspireinspire inspire inspireinspire inspireinspire inspire inspire inspireinspire inspireinspire inspire inspire inspire inspireinspire Inspire inspire inspire inspireinspire inspire inspire inspire inspireinspire

Page 4: Inspire Inspire inspire Here ’ s your shot Academics.

inspire inspireinspire inspire inspire inspireinspire inspire inspireinspire inspireinspire inspire inspire inspireinspire inspireinspire inspire inspire inspire inspireinspire Inspire inspire inspire inspireinspire inspire inspire inspire inspireinspire

• The photographer uses the fetal pig in the foreground for a point of reference.

• By squatting below the subjects, he avoids the cluttered background and captures the girls’ faces as well. • Avoid angles where you’ll be forced to shoot the top of someone’s head.

Photocomposition• Unique angle• Fill the frame

Page 5: Inspire Inspire inspire Here ’ s your shot Academics.

inspire inspireinspire inspire inspire inspireinspire inspire inspireinspire inspireinspire inspire inspire inspireinspire inspireinspire inspire inspire inspire inspireinspire Inspire inspire inspire inspireinspire inspire inspire inspire inspireinspire

Page 6: Inspire Inspire inspire Here ’ s your shot Academics.

inspire inspireinspire inspire inspire inspireinspire inspire inspireinspire inspireinspire inspire inspire inspireinspire inspireinspire inspire inspire inspire inspireinspire Inspire inspire inspire inspireinspire inspire inspire inspire inspireinspire

• The lower angle gives the appropriate background.

• Turning the flash off and adjusting the aperture is key to setting the mood of the overhead light.

Photocomposition• Unique angle• Fill the frame• Rule of thirds

Page 7: Inspire Inspire inspire Here ’ s your shot Academics.

inspire inspireinspire inspire inspire inspireinspire inspire inspireinspire inspireinspire inspire inspire inspireinspire inspireinspire inspire inspire inspire inspireinspire Inspire inspire inspire inspireinspire inspire inspire inspire inspireinspire

Page 8: Inspire Inspire inspire Here ’ s your shot Academics.

inspire inspireinspire inspire inspire inspireinspire inspire inspireinspire inspireinspire inspire inspire inspireinspire inspireinspire inspire inspire inspire inspireinspire Inspire inspire inspire inspireinspire inspire inspire inspire inspireinspire

• The lower angle gives the appropriate background.

• The laptop gives us a point of reference for the content of the class.

Photocomposition• Unique angle• Fill the frame• Framing

Page 9: Inspire Inspire inspire Here ’ s your shot Academics.

inspire inspireinspire inspire inspire inspireinspire inspire inspireinspire inspireinspire inspire inspire inspireinspire inspireinspire inspire inspire inspire inspireinspire Inspire inspire inspire inspireinspire inspire inspire inspire inspireinspire

Page 10: Inspire Inspire inspire Here ’ s your shot Academics.

inspire inspireinspire inspire inspire inspireinspire inspire inspireinspire inspireinspire inspire inspire inspireinspire inspireinspire inspire inspire inspire inspireinspire Inspire inspire inspire inspireinspire inspire inspire inspire inspireinspire

• When shooting teachers, try to catch their interaction with students.

• The game board is an important aspect of the story-telling quality of this photograph.

Photocomposition• Rule of thirds• Fill the frame• Small group

Page 11: Inspire Inspire inspire Here ’ s your shot Academics.

inspire inspireinspire inspire inspire inspireinspire inspire inspireinspire inspireinspire inspire inspire inspireinspire inspireinspire inspire inspire inspire inspireinspire Inspire inspire inspire inspireinspire inspire inspire inspire inspireinspire

Page 12: Inspire Inspire inspire Here ’ s your shot Academics.

inspire inspireinspire inspire inspire inspireinspire inspire inspireinspire inspireinspire inspire inspire inspireinspire inspireinspire inspire inspire inspire inspireinspire Inspire inspire inspire inspireinspire inspire inspire inspire inspireinspire

• The repetition of the students diagonally adds interest.• The shallow depth of field softens the background.

Photocomposition• Repetition of pattern• Fill the frame• Rule of thirds

Page 13: Inspire Inspire inspire Here ’ s your shot Academics.

inspire inspireinspire inspire inspire inspireinspire inspire inspireinspire inspireinspire inspire inspire inspireinspire inspireinspire inspire inspire inspire inspireinspire Inspire inspire inspire inspireinspire inspire inspire inspire inspireinspire

Page 14: Inspire Inspire inspire Here ’ s your shot Academics.

inspire inspireinspire inspire inspire inspireinspire inspire inspireinspire inspireinspire inspire inspire inspireinspire inspireinspire inspire inspire inspire inspireinspire Inspire inspire inspire inspireinspire inspire inspire inspire inspireinspire

• The photographer gets on the level of the little ones and captures their point of view.

• Controlling the aperture and blurring the background creates visual interest.

Photocomposition• Unique angle• Aperture control• Rule of thirds

Page 15: Inspire Inspire inspire Here ’ s your shot Academics.

inspire inspireinspire inspire inspire inspireinspire inspire inspireinspire inspireinspire inspire inspire inspireinspire inspireinspire inspire inspire inspire inspireinspire Inspire inspire inspire inspireinspire inspire inspire inspire inspireinspire

Page 16: Inspire Inspire inspire Here ’ s your shot Academics.

inspire inspireinspire inspire inspire inspireinspire inspire inspireinspire inspireinspire inspire inspire inspireinspire inspireinspire inspire inspire inspire inspireinspire Inspire inspire inspire inspireinspire inspire inspire inspire inspireinspire

• A shallow depth of field frames the soft focus subject for an artistic touch.

• This type of photo works well for sidebars.

Photocomposition• Unique angle• Fill the frame• Aperture control

Page 17: Inspire Inspire inspire Here ’ s your shot Academics.

inspire inspireinspire inspire inspire inspireinspire inspire inspireinspire inspireinspire inspire inspire inspireinspire inspireinspire inspire inspire inspire inspireinspire Inspire inspire inspire inspireinspire inspire inspire inspire inspireinspire

Page 18: Inspire Inspire inspire Here ’ s your shot Academics.

inspire inspireinspire inspire inspire inspireinspire inspire inspireinspire inspireinspire inspire inspire inspireinspire inspireinspire inspire inspire inspire inspireinspire Inspire inspire inspire inspireinspire inspire inspire inspire inspireinspire

• The photographer shot this angle more than 30 times waiting for the students to get back to work.

She stood over the computer and shot. • The lesson here is patience.

Photocomposition• Unique angle• Fill the frame• Rule of thirds

Page 19: Inspire Inspire inspire Here ’ s your shot Academics.

inspire inspireinspire inspire inspire inspireinspire inspire inspireinspire inspireinspire inspire inspire inspireinspire inspireinspire inspire inspire inspire inspireinspire Inspire inspire inspire inspireinspire inspire inspire inspire inspireinspire

Page 20: Inspire Inspire inspire Here ’ s your shot Academics.

inspire inspireinspire inspire inspire inspireinspire inspire inspireinspire inspireinspire inspire inspire inspireinspire inspireinspire inspire inspire inspire inspireinspire Inspire inspire inspire inspireinspire inspire inspire inspire inspireinspire

• Bird’s eye view provides a unique perspective.• The paintbrush and student’s arm act as a leading line.

Photocomposition• Unique angle• Fill the frame• Leading lines

Page 21: Inspire Inspire inspire Here ’ s your shot Academics.

inspire inspireinspire inspire inspire inspireinspire inspire inspireinspire inspireinspire inspire inspire inspireinspire inspireinspire inspire inspire inspire inspireinspire Inspire inspire inspire inspireinspire inspire inspire inspire inspireinspire

Page 22: Inspire Inspire inspire Here ’ s your shot Academics.

inspire inspireinspire inspire inspire inspireinspire inspire inspireinspire inspireinspire inspire inspire inspireinspire inspireinspire inspire inspire inspire inspireinspire Inspire inspire inspire inspireinspire inspire inspire inspire inspireinspire

• The stylus and the subject’s eyes create strong leading lines.• Even though the subject’s face is not fully visible, the

shoulder and neck frame the pottery.

Photocomposition• Unique angle• Fill the frame• Framing• Leading lines

Page 23: Inspire Inspire inspire Here ’ s your shot Academics.

inspire inspireinspire inspire inspire inspireinspire inspire inspireinspire inspireinspire inspire inspire inspireinspire inspireinspire inspire inspire inspire inspireinspire Inspire inspire inspire inspireinspire inspire inspire inspire inspireinspire

Page 24: Inspire Inspire inspire Here ’ s your shot Academics.

inspire inspireinspire inspire inspire inspireinspire inspire inspireinspire inspireinspire inspire inspire inspireinspire inspireinspire inspire inspire inspire inspireinspire Inspire inspire inspire inspireinspire inspire inspire inspire inspireinspire

• The worm’s eye view allows the viewer to see the faces at the board rather than the backs of their heads.• Note: Don’t attempt this if any of the subjects are wearing skirts.

Photocomposition• Unique angle• Fill the frame• Leading lines

Page 25: Inspire Inspire inspire Here ’ s your shot Academics.

inspire inspireinspire inspire inspire inspireinspire inspire inspireinspire inspireinspire inspire inspire inspireinspire inspireinspire inspire inspire inspire inspireinspire Inspire inspire inspire inspireinspire inspire inspire inspire inspireinspire