Inna Gogina INFO 281. Seminar in Contemporary Issues - Topic: Metadata Exercise … · ·...

1

Inna Gogina

INFO 281. Seminar in Contemporary Issues - Topic: Metadata

Exercise 1: Dublin Core

February 16, 2016

Create Dublin Code records 5 items that are close at hand and convenient, e.g., books, DVDs, etc.—using

the Dublin Core Generator http://www.dublincoregenerator.com/generator_nq.html. Before you begin the

exercise, think about a project that might use the metadata you are creating and what user model you

would construct for that project. This will help you make decisions about how to create the Dublin Core

elements. Write one paragraph or so with any observations on your results, including the user model that

you imagined.

1.

Eaton, J. (2004). 200 crochet blocks for blankets, throws, and afghans. Loveland, CO:

Interweave Press.

Dublin Core Record

<dc:title>200 crochet blocks for blankets, throws, and afghans.</dc:title>

<dc:creator>Eaton, J.</dc:creator>

<dc:subject>Crocheting – Patterns.</dc:subject>

<dc:subject>Textile arts.</dc:subject>

<dc:description>From Art Deco–inspired geometric designs to traditional checkerboard stripes and

elaborate motifs, this guide helps crafters rediscover crochet with more than 200 fabulous block patterns.

Employing traditional styles and contemporary colors, crocheted blocks inspire crafters to create a

dynamic palette of color, pattern, and texture by mixing, matching, and combining. Step-by-step

instructions accompany each pattern, along with stunning photographs that encourage crocheters to

explore a range of color combinations and coordinates. A directory of blocks is cross-referenced with

symbols that describe the techniques used and the degree of difficulty, and each pattern is designed so that

finished blocks are the same size when they are worked in yarn of the same weight.</dc:description>

<dc:publisher>Loveland, CO : Interweave Press.</dc:publisher>

<dc:contributor>U.S. Edition Editor Jean Lampe.</dc:contributor>

<dc:date>2004</dc:date>

<dc:type>Text</dc:type>

<dc:format>Print book.</dc:format>

<dc:format>Paperback: 128 pages.</dc:format>

http://www.dublincoregenerator.com/generator_nq.html

2

<dc:identifier>ISBN-13: 978-1931499682</dc:identifier>

<dc:language>en</dc:language>

<dc:relation>A QUARTO BOOK</dc:relation>

<dc:rights>Copyright ©2004 by Quarto Inc.</dc:rights>

2.

Paul, M. (2012). Sweet Paris: A love affair with Parisian pastries, chocolate and desserts.

Melbourne, Vic., London, UK: Hardie Grant Books.

Dublin Core Record

<dc:title>Sweet Paris: A love affair with Parisian chocolate, pastries and desserts.</dc:title>

<dc:creator>Paul, M.</dc:creator>

<dc:subject>Desserts.</dc:subject>

<dc:subject>Desserts -- France – Paris.</dc:subject>

<dc:subject>Pastry.</dc:subject>

<dc:description>An exquisitely photographed celebration of one of the world’s most beautiful cities: the

perfect gift for Francophiles and food lovers. An irresistible combination of classic French dessert recipes

and breathtaking photographic tour of this enchanting city, Sweet Paris is more than just a cookbook: it’s

a sweet-toothed guide to Paris, a city where even the desserts are chic. With more than thirty distinctly

Parisian recipes, ranging from tarts and macarons to madeleines and chocolates, let your taste buds do the

walking. A sophisticated design and stunning images help to make this book a timeless keepsake that will

be cherished for years to come.</dc:description>

<dc:publisher>Melbourne : Hardie Grant Books.</dc:publisher>

<dc:contributor>Design: David Rowley.</dc:contributor>




<dc:format>Hardcover: 160 pages.</dc:format>



<dc:rights>Text copyright and photographs © Michael Paul 2012.</dc:rights>

3

3.

Chekhonin, O., Chekhonina, S., Ivashevskaya, G., & Boyce, D. B. (1994). Three centuries of

Russian painting. St. Petersburg: Kitezh Art Publishers.

Dublin Core Record

<dc:title>Three centuries of Russian painting.</dc:title>

<dc:creator>Chekhonin, O.</dc:creator>

<dc:creator>Chekhonina, S.</dc:creator>

<dc:creator>Ivashevskaya, G.</dc:creator>

<dc:creator>Boyce, D. B.</dc:creator>

<dc:subject>Painting, Russian. </dc:subject>

<dc:subject>Painting, Modern.</dc:subject>

<dc:subject>Painting, Modern -- 20th century.</dc:subject>

<dc:description>A wonderful album of Russian paintings from 18th, 19th, and 20th centuries. Eighteenth

century painting in Russia was dominated by decorative works, especially mural painting, and portrait art.

Architectural portraiture and topographical landscapes appeared later in the century, as did early forms of

landscape proper, as well as cityscapes. With some notable and important exceptions, Russian artists

during the 18th century lagged behind their western counterparts. Despite this, huge artistic progress was

made, which led directly to the magnificent achievements of 19th century Russian

painting.</dc:description>

<dc:publisher>St. Petersburg: Kitezh Art Publishers.</dc:publisher>

<dc:contributor>Introduction by Vadim Matafonov</dc:contributor>

<dc:contributor>Selection by Oleg Chekhonin and Svetlana Chekhonina</dc:contributor>

<dc:contributor>English translation by Alexandra Loseva</dc:contributor>

<dc:contributor>Editor of Russian text, Galina Ivashevskaya</dc:contributor>

<dc:contributor>Editor of English text, Daniel Benjamin Boyce</dc:contributor>



<dc:format>Printed Book.</dc:format>

4

<dc:identifier>ISBN: 5862630024</dc:identifier>


<dc:coverage>18th century.</dc:coverage>



<dc:rights>© V.S. Matafonov, 1994 : introduction</dc:rights>

<dc:rights>© A.B. Loseva, 1994: translation</dc:rights>

<dc:rights>© E.B. Bolshakov, 1994: design</dc:rights>

<dc:rights>© O.Yu. Chekhonin, 1994: selection</dc:rights>

<dc:rights>© S.S. Chekhonina, 1994: selection</dc:rights>

4.

Yost, K. (1986). Piano reflections: A gentle selection of reflective light classics. Twin Falls, ID: Channel

Productions/Kelly Yost.

Dublin Core Record

<dc:title>Piano reflections: A gentle selection of reflective light classics.</dc:title>

<dc:creator>Yost, K.</dc:creator>

<dc:subject>Piano music.</dc:subject>

<dc:description>"The swan / Saint-Saens -- Traumerei op. 15, no. 7 ; Of foreign lands and people /

Schumann -- Jennifer's song / Hardy -- Concerto in F minor. Largo ; Prelude in C major ; Minuet in G /

Bach -- Sonatina op. 36, no. 1. Andante / Clementi -- Gymnopedie I & II / Satie -- Largo in E flat major ;

Prelude in A major / Chopin -- Canon / Pachelbel -- Nocturne I / Field --Sonata op. 13. Adagio /

Beethoven -- Impromptu op. 34, no. 3 (excerpt) / Faure -- Reflections in the rain / Noona -- Arietta on

variazioni (excerpt) / Haydn --Last spring / Gillock -- Waltz op. 39, no. 15 / Brahms -- Reverie /

Debussy."</dc:description>

<dc:publisher>Twin Falls, ID: Channel Productions/Kelly Yost.</dc:publisher>

<dc:contributor>Cover photo by David Stoecklein</dc:contributor>


<dc:type>Sound</dc:type>

5

<dc:format>CD</dc:format>

<dc:format>Music album</dc:format>


<dc:language>No Linguistic Content</dc:language>

<dc:rights>© 1986 Kelly Yost</dc:rights>

5.

Tchaikovsky, P. I., Mozart, W. A., Dvorak, A., Handel, G. F., Chopin, F., Boccherini, L.,

Pachelbel, J., ... Bach, J. S. (2003). Classics for relaxation. St.-Laurent, Canada: Madacy.

Dublin Core Record

<dc:title>Classics for relaxation.</dc:title>

<dc:subject>Symphonies.</dc:subject>

<dc:subject>Concertos.</dc:subject>

<dc:description>Disc 1: 1. Kanon in D major / Johann Pachebel -- 2. Piano concerto no. 1 in E minor, op.

11, Romance / Frederic Chopin -- 3. String serenade in C major, op. 48, Larghetto elegiaco / P.I

Tschaikovsky -- 4. Concerto for violin and orchestra no. 5 in A major (k 219) Adagio / Wolfgang

Amadeus Mozart -- 5. Symphony no. 22 in E flat major, Philosopher Adagio / Joseph Haydin -- 6.

Quintet in E minor, G, Allegro moderator / Luigi Boccerini 7/ Symphony no. 4 in D minor, op. 11,

Adante sostenuto e molto cantabile / Antonio Dvorak -- Disc 2: 1. Piano concerto no. 21 in C major (k.

467) Elvira Madigen Andante / Wolfgant Amadeus Mozart -- 2. Symphone no. 1, in G minor, op. 13

"Wintertraume" Adagio contabile ma no tanto / P.I. Tschaikovsky 3. Concero grosso in G minor, op. 6/6,

Musette Langhetto / George Frederic Handel -- 4. Symphony no. 6 in F major, op 68 "Pastorale Andante

motto mosso / Ludwig von Beethoven -- 5. Anees de Peleninage: au lac de Wallenstadt / Franz Liszt -- 6.

Symphony no. 4 in E minor, op. 98. Andante moderator / Johannes Brahams -- 7. Fast zu ernst from :

Scenes from Childhood, op. 15 / Robert Schumann -- 8. Violin concerto in E major (BWV 1042) Adagio /

Johann Sebastian Bach.</dc:description>

<dc:publisher>St.-Laurent, Canada: Madacy.</dc:publisher>

<dc:contributor>Haydn, Joseph, 1732-1809.</dc:contributor>

<dc:contributor>Brahms, Johannes, 1833-1897.</dc:contributor>

<dc:contributor>Mozart, Wolfgang Amadeus, 1756-1791.</dc:contributor>

<dc:contributor>Boccherini, Luigi, 1743-1805.</dc:contributor>

<dc:contributor>Chopin, Frédéric, 1810-1849.</dc:contributor>

6

<dc:contributor>Handel, George Frideric, 1685-1759.</dc:contributor>

<dc:contributor>Dvorak, Antonín, 1841-1904.</dc:contributor>

<dc:contributor>Tchaikovsky, Peter Ilich, 1840-1893.</dc:contributor>

<dc:contributor>Beethoven, Ludwig van, 1770-1827.</dc:contributor>

<dc:contributor>Schumann, Robert, 1810-1856.</dc:contributor>

<dc:contributor>Pachelbel, Johann, 1653-1706.</dc:contributor>

<dc:contributor>Bach, Johann Sebastian, 1685-1750.</dc:contributor>





<dc:format>set of 2 CD discs</dc:format>



<dc:relation>Series: Golden Classics</dc:relation>

<dc:rights>℗ & © 2003 Madacy Entertainment Group, Ltd.</dc:rights>

Personal observations

I envisioned these items to become part of a larger public library collection with emphasis on

hobbies and recreation, e.g. arts, music, and crafts. As the metadata was intended to be relevant to public

library patrons, I believed that the titles and the subjects would be most important part of metadata,

because they describe the aboutness of the work as it relates to the subject of leisure.

The difficulty of generating the metadata was mostly related in my instance to deciding on the

values to input in the Contributor, Format, Source, Relation, and Coverage fields. I found the definitions

of these fields in the Dublin Core generator a bit confusing.

Finally, I had a hard time with the item #5 on my list, the CD of symphonies and concertos – in

particular, deciding how to treat the music composers vs. music performers. I eventually decided to

include all the composers in the Contributors field, and leave out the performers.

7

Inna Gogina


Exercise 2: RDF/XML

February 21, 2016

This exercise will give you practice generating metadata using an XML schema.

1. Go to the Dublin Core Generator at: http://www.dublincoregenerator.com/generator_nq.html (Links to

an external site.)

2. Look at the 5 records you created for Exercise 1.

3. Generate DC-XML for your 5 records. Display output as: XML. Check mark all these options:

Include standard XML version/encoding declaration.

Include root element and namespace.

Desired root element: metadata

Include namespace reference for standard Dublin Core (DC Elements).

Include namespace reference for qualified Dublin Core (DC Terms).

4. Write a paragraph with any observations about your results.

1.

Eaton, J. (2004). 200 crochet blocks for blankets, throws, and afghans. Loveland, CO:

Interweave Press.

DC-XML Record

<?xml version="1.0" encoding="UTF-8"?>

<metadata

xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"

xmlns:dc="http://purl.org/dc/elements/1.1/">

<dc:title>200 crochet blocks for blankets, throws, and afghans.</dc:title>

<dc:creator>Eaton, J.</dc:creator>

<dc:subject>Crocheting -- Patterns.</dc:subject>

<dc:subject>Textile arts.</dc:subject>

<dc:description>From Art Deco–inspired geometric designs to traditional checkerboard stripes and

elaborate motifs, this guide helps crafters rediscover crochet with more than 200 fabulous block patterns.

Employing traditional styles and contemporary colors, crocheted blocks inspire crafters to create a

dynamic palette of color, pattern, and texture by mixing, matching, and combining. Step-by-step

instructions accompany each pattern, along with stunning photographs that encourage crocheters to

explore a range of color combinations and coordinates. A directory of blocks is cross-referenced with

symbols that describe the techniques used and the degree of difficulty, and each pattern is designed so that

finished blocks are the same size when they are worked in yarn of the same weight.</dc:description>

<dc:publisher>Loveland, CO : Interweave Press.</dc:publisher>

<dc:contributor>U.S. Edition Editor Jean Lampe.</dc:contributor>

8



<dc:format>Paperback: 128 pages.</dc:format>



<dc:relation>A QUARTO BOOK.</dc:relation>

<dc:rights>Copyright ©2004 by Quarto Inc.</dc:rights>

</metadata>

2.



DC-XML Record


<metadata



<dc:title>Sweet Paris: A love affair with Parisian chocolate, pastries and desserts.</dc:title>

<dc:creator>Paul, M.</dc:creator>

<dc:subject>Desserts.</dc:subject>

<dc:subject>Desserts -- France – Paris.</dc:subject>

<dc:subject>Pastry.</dc:subject>

<dc:description>An exquisitely photographed celebration of one of the world’s most beautiful cities: the

perfect gift for Francophiles and food lovers. An irresistible combination of classic French dessert recipes

and breathtaking photographic tour of this enchanting city, Sweet Paris is more than just a cookbook: it’s

a sweet-toothed guide to Paris, a city where even the desserts are chic. With more than thirty distinctly

Parisian recipes, ranging from tarts and macarons to madeleines and chocolates, let your taste buds do the

walking. A sophisticated design and stunning images help to make this book a timeless keepsake that will

be cherished for years to come.</dc:description>

<dc:publisher>Melbourne : Hardie Grant Books.</dc:publisher>

<dc:contributor>Design: David Rowley.</dc:contributor>







<dc:rights>Text copyright and photographs © Michael Paul 2012.</dc:rights>

</metadata>

3.

Chekhonin, O., Chekhonina, S., Ivashevskaya, G., & Boyce, D. B. (1994). Three centuries of

9

Russian painting. St. Petersburg: Kitezh Art Publishers.

DC-XML Record


<metadata



<dc:title>Three centuries of Russian painting.</dc:title>

<dc:creator>Chekhonin, O.</dc:creator>

<dc:creator>Chekhonina, S.</dc:creator>

<dc:creator>Ivashevskaya, G.</dc:creator>

<dc:creator>Boyce, D. B.</dc:creator>

<dc:subject>Painting, Russian.</dc:subject>

<dc:subject>Painting, Modern.</dc:subject>

<dc:subject>Painting, Modern -- 20th century.</dc:subject>

<dc:description>A wonderful album of Russian paintings from 18th, 19th, and 20th centuries. Eighteenth

century painting in Russia was dominated by decorative works, especially mural painting, and portrait art.

Architectural portraiture and topographical landscapes appeared later in the century, as did early forms of

landscape proper, as well as cityscapes. With some notable and important exceptions, Russian artists

during the 18th century lagged behind their western counterparts. Despite this, huge artistic progress was

made, which led directly to the magnificent achievements of 19th century Russian

painting.</dc:description>

<dc:publisher>St. Petersburg: Kitezh Art Publishers.</dc:publisher>

<dc:contributor>Introduction by Vadim Matafonov.</dc:contributor>

<dc:contributor>English translation by Alexandra Loseva.</dc:contributor>

<dc:contributor>Editor of Russian text, Galina Ivashevskaya.</dc:contributor>



<dc:format>Printed Book.</dc:format>







<dc:rights>© V.S. Matafonov, 1994 : introduction.</dc:rights>

<dc:rights>© A.B. Loseva, 1994: translation.</dc:rights>

<dc:rights>© E.B. Bolshakov, 1994: design.</dc:rights>

<dc:rights>© O.Yu. Chekhonin, 1994: selection.</dc:rights>

<dc:rights>© S.S. Chekhonina, 1994: selection.</dc:rights>

</metadata>

4.

Yost, K. (1986). Piano reflections: A gentle selection of reflective light classics. Twin Falls, ID:

Channel Productions/Kelly Yost.

10

DC-XML Record


<metadata



<dc:title>Piano reflections: A gentle selection of reflective light classics.</dc:title>

<dc:creator>Yost, K.</dc:creator>

<dc:subject>Piano music.</dc:subject>

<dc:description>"The swan / Saint-Saens -- Traumerei op. 15, no. 7 ; Of foreign lands and people /

Schumann -- Jennifer's song / Hardy -- Concerto in F minor. Largo ; Prelude in C major ; Minuet in G /

Bach -- Sonatina op. 36, no. 1. Andante / Clementi -- Gymnopedie I & II / Satie -- Largo in E flat major ;

Prelude in A major / Chopin -- Canon / Pachelbel -- Nocturne I / Field --Sonata op. 13. Adagio /

Beethoven -- Impromptu op. 34, no. 3 (excerpt) / Faure -- Reflections in the rain / Noona -- Arietta on

variazioni (excerpt) / Haydn --Last spring / Gillock -- Waltz op. 39, no. 15 / Brahms -- Reverie /

Debussy."</dc:description>

<dc:publisher>Twin Falls, ID: Channel Productions/Kelly Yost.</dc:publisher>

<dc:contributor>Cover photo by David Stoecklein.</dc:contributor>







<dc:rights>© 1986 Kelly Yost</dc:rights>

</metadata>

5.

Tchaikovsky, P. I., Mozart, W. A., Dvorak, A., Handel, G. F., Chopin, F., Boccherini, L.,

Pachelbel, J., ... Bach, J. S. (2003). Classics for relaxation. St.-Laurent, Canada: Madacy.

DC-XML Record


<metadata



<dc:title>Classics for relaxation.</dc:title>

<dc:subject>Symphonies.</dc:subject>

<dc:subject>Concertos.</dc:subject>

<dc:description>Disc 1: 1. Kanon in D major / Johann Pachebel -- 2. Piano concerto no. 1 in E minor, op.

11, Romance / Frederic Chopin -- 3. String serenade in C major, op. 48, Larghetto elegiaco / P.I

Tschaikovsky -- 4. Concerto for violin and orchestra no. 5 in A major (k 219) Adagio / Wolfgang

Amadeus Mozart -- 5. Symphony no. 22 in E flat major, Philosopher Adagio / Joseph Haydin -- 6.

Quintet in E minor, G, Allegro moderator / Luigi Boccerini 7/ Symphony no. 4 in D minor, op. 11,

Adante sostenuto e molto cantabile / Antonio Dvorak -- Disc 2: 1. Piano concerto no. 21 in C major (k.

11

467) Elvira Madigen Andante / Wolfgant Amadeus Mozart -- 2. Symphone no. 1, in G minor, op. 13

"Wintertraume" Adagio contabile ma no tanto / P.I. Tschaikovsky 3. Concero grosso in G minor, op. 6/6,

Musette Langhetto / George Frederic Handel -- 4. Symphony no. 6 in F major, op 68 "Pastorale Andante

motto mosso / Ludwig von Beethoven -- 5. Anees de Peleninage: au lac de Wallenstadt / Franz Liszt -- 6.

Symphony no. 4 in E minor, op. 98. Andante moderator / Johannes Brahams -- 7. Fast zu ernst from :

Scenes from Childhood, op. 15 / Robert Schumann -- 8. Violin concerto in E major (BWV 1042) Adagio /

Johann Sebastian Bach.</dc:description>

<dc:publisher>St.-Laurent, Canada: Madacy.</dc:publisher>

<dc:contributor>Haydn, Joseph, 1732-1809.</dc:contributor>

<dc:contributor>Brahms, Johannes, 1833-1897.</dc:contributor>

<dc:contributor>Mozart, Wolfgang Amadeus, 1756-1791.</dc:contributor>

<dc:contributor>Boccherini, Luigi, 1743-1805.</dc:contributor>

<dc:contributor>Chopin, Frédéric, 1810-1849.</dc:contributor>

<dc:contributor>Handel, George Frideric, 1685-1759.</dc:contributor>

<dc:contributor>Dvorak, Antonín, 1841-1904.</dc:contributor>

<dc:contributor>Tchaikovsky, Peter Ilich, 1840-1893.</dc:contributor>

<dc:contributor>Beethoven, Ludwig van, 1770-1827.</dc:contributor>

<dc:contributor>Schumann, Robert, 1810-1856.</dc:contributor>

<dc:contributor>Pachelbel, Johann, 1653-1706.</dc:contributor>

<dc:contributor>Bach, Johann Sebastian, 1685-1750.</dc:contributor>





<dc:format>Set of 2 CD discs</dc:format>



<dc:relation>Series: Golden Classics.</dc:relation>

<dc:rights>℗ & © 2003 Madacy Entertainment Group, Ltd.</dc:rights>

</metadata>

Personal Observations

In this assignment, I was unsure about the format of values in the Contributor field. Should the

field include only the name of the contributor, or should it include the contributor’s role as well―to

indicate the nature of their contribution? E.g.:

<dc:contributor>Cover photo by David Stoecklein.</dc:contributor>

or

<dc:contributor> Stoecklein, D.</dc:contributor>.

I checked the Dublin Core guidelines, at http://dublincore.org/documents/2012/06/14/dcmi-

terms/?v=elements#contributor, but they do not include guidelines on the format in which to input the

values in the field. Also, I was still undecided with the item #5 on my list, the CD of symphonies and

concertos – in particular, how to treat the music composers vs. music performers. As in the previous

assignment, I included all the composers in the Contributors field, and left out the performers.

http://dublincore.org/documents/2012/06/14/dcmi-terms/?v=elements#contributor

http://dublincore.org/documents/2012/06/14/dcmi-terms/?v=elements#contributor

12

Inna Gogina


Exercise 3: MODS

March 8, 2016

This exercise is designed to get some hands-on experience using MODS, and to contrast it with one of the

Dublin Core records that you created. There is a wonderful MODS workbook that was created at the

libraries of the University of Tennessee--Knoxville. It is found at:

http://dlc.lib.utk.edu/~cdeane/UTK_LIB_DLC/WB4/workbook.htm. The workbook allows you to create a

MODS record element by element, and then saves an XML file of your work. Choose one of the items

that you used in the Dublin Core exercise. You will make a MODS record for that item.



MODS Record

This is the generated xml script. Values entered are highlighted in red.

<?xml version="1.0" encoding="UTF-8" ?>

<mods:mods xmlns:mods="http://www.loc.gov/mods/v3" xmlns:xlink="http://www.w3.org/1999/xlink"

xmlns="http://www.loc.gov/mods/v3" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"

xsi:schemaLocation="http://www.loc.gov/mods/v3 http://www.loc.gov/standards/mods/v3/mods-3-2.xsd"

ID="MODS" version="3.2">

















<mods:titleInfo>

<mods:title>Sweet Paris: A love affair with Parisian pastries, chocolate and desserts. </mods:title>

</mods:titleInfo>

<mods:name type="personal" authority="LCNAF">

<mods:namePart type="family">Paul</mods:namePart>

<mods:namePart type="given">Michael</mods:namePart>

<mods:role>

<mods:roleTerm authority="marcrelator" type="text">Author</mods:roleTerm>

</mods:role>

http://dlc.lib.utk.edu/~cdeane/UTK_LIB_DLC/WB4/workbook.htm

13

</mods:name>

<mods:name type="personal">

<mods:namePart type="family">Rowley</mods:namePart>

<mods:namePart type="given">David</mods:namePart>

<mods:role>

<mods:roleTerm authority="marcrelator" type="text">Designer</mods:roleTerm>

</mods:role>

</mods:name>

<mods:typeOfResource>text</mods:typeOfResource>

<mods:genre authority="marcgt">book</mods:genre>

<mods:originInfo>

<mods:dateCreated keyDate="yes" encoding="w3cdtf">2012</mods:dateCreated>

<mods:dateIssued encoding="w3cdtf">2012</mods:dateIssued>

<mods:place>

<mods:placeTerm>Melbourne</mods:placeTerm>

</mods:place>

<mods:publisher>Hardie Grant Books</mods:publisher>

</mods:originInfo>

<mods:language>

<mods:languageTerm type="code" authority="iso639-2b">eng</mods:languageTerm>

<mods:languageTerm type="text" >English</mods:languageTerm>

</mods:language>

<mods:physicalDescription>

<mods:internetMediaType>text/plain</mods:internetMediaType>

<mods:note>Print book containing illustrations; Hardcover: 160 pages.</mods:note>

<mods:digitalOrigin>digitized other analog</mods:digitalOrigin>

</mods:physicalDescription>

<mods:abstract>An exquisitely photographed celebration of one of the world’s most beautiful cities:

the perfect gift for Francophiles and food lovers. An irresistible combination of classic French

dessert recipes and breathtaking photographic tour of this enchanting city, Sweet Paris is more

than just a cookbook: it’s a sweet-toothed guide to Paris, a city where even the desserts are chic.

With more than thirty distinctly Parisian recipes, ranging from tarts and macarons to madeleines

and chocolates, let your taste buds do the walking. A sophisticated design and stunning images help

to make this book a timeless keepsake that will be cherished for years to come.</mods:abstract>

<mods:subject authority="lcsh">

<mods:topic>Desserts</mods:topic>

<mods:topic>Desserts -- France – Paris</mods:topic>

<mods:topic>Pastry</mods:topic>

</mods:subject>

<mods:identifier type="isbn">978-1742701868</mods:identifier>

<mods:accessCondition type="useAndReproduction">Text copyright and photographs © Michael

Paul 2012.</mods:accessCondition>

<mods:recordInfo>

14

<mods:recordOrigin>Record created for SJSU INFO 281 Medatada class.</mods:recordOrigin>

<mods:recordCreationDate encoding="w3cdtf">2016-03-07</mods:recordCreationDate>

<mods:languageOfCataloging>

<mods:languageTerm type="code" authority="iso639-2b">eng</mods:languageTerm>

<mods:languageTerm type="text" >English</mods:languageTerm>

</mods:languageOfCataloging>

</mods:recordInfo>

</mods:mods>

Inna Gogina


Exercise 4: TEI

March 12, 2016

For this assignment, I created a TEI records for Robert Burns’ poem A Red, Red Rose. I copied the text of

the poem from the Poetry Foundation website, http://www.poetryfoundation.org/poem/173068, into a

Word document, and then converted it into TEI format.

Citation

Burns, R. (n.d.). A Red, Red Rose. Poetry Foundation. Retrieved March 12, 2016 from

http://www.poetryfoundation.org/poem/173068

TEI Record

<TEI xmlns="http://www.tei-c.org/ns/1.0">

<teiHeader>

<fileDesc>

<titleStmt><title/>

<author>inna</author>

</titleStmt>

<editionStmt>

<edition>

<date>2016-03-13</date>

</edition>

</editionStmt>

<publicationStmt>

unknown

</publicationStmt>

<sourceDesc>Converted from a Word document</sourceDesc>

</fileDesc>

<encodingDesc>

<appInfo>

<application xml:id="docxtotei" ident="TEI_fromDOCX" version="2.15.0">

<label>DOCX to TEI</label>

</application>

15

</appInfo>

</encodingDesc>

<revisionDesc><listChange><change><date>2016-03-13T04:52:04Z</date>

<name>inna</name></change></listChange></revisionDesc>

</teiHeader>

<text>

<body>

<hi rend="bold">A Red, Red Rose</hi>

By Robert Burns 

O my Luve is like a red, red rose 

 That’s newly sprung in June; 

O my Luve is like the melody 

 That’s sweetly played in tune. 

So fair art thou, my bonnie lass, 

 So deep in luve am I; 

And I will luve thee still, my dear, 

 Till a’ the seas gang dry. 

Till a’ the seas gang dry, my dear, 

 And the rocks melt wi’ the sun; 

I will love thee still, my dear, 

 While the sands o’ life shall run. 

And fare thee weel, my only luve! 

 And fare thee weel awhile! 

And I will come again, my luve, 

 Though it were ten thousand mile.

Source: <ref

target="http://www.poetryfoundation.org/poem/173068">http://www.poetryfoundation.org/poem/173068

</ref> 

</body>

</text>

</TEI>

Inna Gogina


Exercise 5: Crosswalk

March 26, 2016

In the Getty Research Institute Metadata Crosswalk1, choose two of the metadata schemes.

Create a metadata record for your Assignment 1 paper using the first scheme that you chose.

Include elements for author, title, date, subject(s), extent (pages, file size, etc.), brief abstract,

language, and so on. Try to use as many elements as you can. After you have created your

record, crosswalk it to the second scheme and create a record using the equivalent elements.

Briefly discuss any crosswalking problems, including things like lack of granularity in one of the

schemes, etc.

1 http://www.getty.edu/research/conducting_research/standards/intrometadata/crosswalks.html

http://www.getty.edu/research/conducting_research/standards/intrometadata/crosswalks.html

16

APA Citation for My Assignment 1 Research Paper

Gogina, I. (2016). The World Digital Library: Metadata crosswalks (Unpublished research

paper. INFO 281-11. Seminar in Contemporary Issues - Metadata). San José State University,

San José, CA.

Dublin Core Record

<dc:title>The World Digital Library: Metadata crosswalks.</dc:title>

<dc:creator>Gogina, I.</dc:creator>

<dc:subject>Metadata crosswalks.</dc:subject>

<dc:subject>Metadata.</dc:subject>

<dc:description>This graduate-level research paper offers critical

evaluation of the World Digital Library centralized content delivery

system, based on the WDL Descriptive Metadata Element Set and the WDL

Metadata Crosswalks. The research questions include: the advantages

and the challenges in the WDL content delivery system; controlled

vocabulary schemes used in the WDL Descriptive Metadata Element Set to

facilitate metadata consistency and subject access; and the extend of

the interoperability between the WDL contributors’ digital collections

the WDL Metadata Crosswalks help to accomplish.</dc:description>

<dc:description> Unpublished research paper. INFO 281-11. Seminar in

Contemporary Issues - Metadata. San José State University, San José,

CA. </dc:description>

<dc:publisher>Unpublished.</dc:publisher>



<dc:format>Electronic file</dc:format>

<dc:format> msword</dc:format>

<dc:format>approximately 20 pages</dc:format>


<dc:rights>Copyright ©2016 Inna Gogina.</dc:rights>

http://id.loc.gov/authorities/subjects/sh2010013649.html

http://id.loc.gov/authorities/subjects/sh96000740.html

http://www.iana.org/assignments/media-types/application/msword

17

MARC21 Record

006 m2

008 eng

082 $a 378

100 1 $a Gogina, Inna.

$d 1965-.

$f 2016.

130 0 $a The World Digital Library: Metadata crosswalks.

$l English

240 0 $a The World Digital Library: Metadata crosswalks.

245 0 $a The World Digital Library.

$b Metadata crosswalks.

$c Inna Gogina.

300 $a Approximately 20 pages.

336 $a text

347 $a text file

$a Microsoft Word format

500 $a Unpublished research paper. INFO 281-11. Seminar in

Contemporary Issues – Metadata. San José State University, San José,

CA.

505 $a Introduction--Statement of the Problem—Methodology--Research

Questions--Literature Review—Results—Discussion—Conclusion—References.

520 $a This graduate-level research paper offers critical

evaluation of the World Digital Library centralized content delivery

system, based on the WDL Descriptive Metadata Element Set and the WDL

Metadata Crosswalks. The research questions include: the advantages

and the challenges in the WDL content delivery system; controlled

vocabulary schemes used in the WDL Descriptive Metadata Element Set to

facilitate metadata consistency and subject access; and the extend of

the interoperability between the WDL contributors’ digital collections

the WDL Metadata Crosswalks help to accomplish.

521 $a MLIS students

650 $a Metadata

650 $a Metadata crosswalks

730 $a The World Digital Library: Metadata crosswalks.

Discussion: Crosswalk issues

The difficulty of generating the metadata crosswalks was mostly related to deciding on the type

of values to use in semantic mapping. In order to ensure semantic interoperability in the Subject fields, for

2 Computer file/Electronic resource - Coded data elements relating to either a computer file or an electronic resource in form. Source: https://www.loc.gov/marc/bibliographic/bd006.html

https://www.loc.gov/marc/bibliographic/bd006.html

18

example, I used the Library of Congress Subject Headings, both in the Dublin Core and MARC 21

schema. In the Format field, I used the list of Internet Media Types controlled vocabulary

[http://www.iana.org/ assignments/media-types/] defining computer media formats, according to the

DCMI Guidelines3. “For electronic resources, it is recommended that a value of DC.Format be selected

from the list of Internet Media Types (MIME values) whenever possible. The reference list is maintained

at http://www.isi.edu/in-notes/iana/assignments/media-types/media-types. Note that this list is a registry

and there is a well-defined procedure for adding new types if appropriate,” according to DCMI4. For the

Microsoft Word document, I used <dc:format> msword</dc:format> in Dublin Core record, which I had

selected from the MIME values at http://www.iana.org/assignments/media-types/application/msword.

The lack of granularity was most noticeable while mapping the DC Format field to the following

MARC fields: 336 Content Type, 337 Media Type, and 347 Digital File Characteristics.

Finally, I had difficulty in deciding how to catalog the genre of my research paper. I realized that

unlike MARC, the Dublin Core schema does not contain the field for genre of the work. Whereas MARC

schema does contain a genre field5 (655), I was unable to find the genre value for college research papers,

when looking it up, specifically, in the LCGFT General Terms6. Therefore, I did not include the 655

genre field in the MARC record for my research paper. For Dewey Decimal subject classification in

MARC record, I used the following classification scheme elements, in order to indicate the genre of my

research paper:

DDC Description

378 College and school magazines and papers

In summary, this exercise helped me realize that MARC schema provides for a greater level of

granularity than the Dublin Core metadata schema.

3 http://dublincore.org/documents/usageguide/elements.shtml 4 http://dublincore.org/documents/format-element/ 5 https://www.loc.gov/marc/bibliographic/bd655.html 6 https://www.loc.gov/catdir/cpso/genre_form_general_terms_hierarchies.pdf

http://www.iana.org/assignments/media-types/

http://www.isi.edu/in-notes/iana/assignments/media-types/media-types



http://dublincore.org/documents/usageguide/elements.shtml

http://dublincore.org/documents/format-element/

https://www.loc.gov/marc/bibliographic/bd655.html

https://www.loc.gov/catdir/cpso/genre_form_general_terms_hierarchies.pdf

Inna Gogina INFO 281. Seminar in Contemporary Issues - Topic: Metadata Exercise … · ·...

Documents

Transcript of Inna Gogina INFO 281. Seminar in Contemporary Issues - Topic: Metadata Exercise … · ·...