Ink, Variety of Line and the 'Strip' Exercise
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Pen and Ink Texture and the Strip Exercise Glenn Hirsch, Instructor
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Glenn Hirsch, Instructor www.glennhirsch.com
Transcript of Ink, Variety of Line and the 'Strip' Exercise
Pen and Ink
Textureand the
Strip Exercise
Glenn Hirsch, Instructor
What makes drawing beautiful?
Variety of line ….
Light to dark …
Fast to slow …
Thick to thin
Leonardo
parallel, curving (directional)
short dashes
cross-hatched
loose wandering (jagged)
Rembrandt
contour
Durer
Picasso
Picasso
Cross hatching
Picasso
Cross hatching behind the figure
Cross hatching behind the figure
Barry Coombs
Texture
The illusion of texture and the texture of the
ink itself.
The illusion of texture: metal, straw, leather, wood, cloth.
RepinThe illusion of texture: metal, straw, leather, wood, cloth.
PicassoThe illusion of fur.
Texture
The illusion of rope.
Jeff Raymond
Texture of the ink itself in cross-hatched line
Texture of the ink itself in circular pattern
Albrecht Dürer 1471–1528
master of line and texture
strips
You fill in the spaces between
Xeroxed strips from art books
using your own variety of line,
texture and imagination.
The red color marks the master
strip, the student fills in what’s in
between.
The yellow is
the student’s
drawing in
between strips
from a master.
The yellow is
the student’s
drawing in
between strips
from a master.
The red
color
marks the
master
strip, the
student
fills in
what’s in
between.
The red
color
marks the
master
strip, the
student
fills in
what’s in
between.
Texture
Texture
