Index [] · Tagg: Everyday Tonality — Index 319 Index Abba 32, 88, 112, 143, 144, 178, ......

Tagg: Everyday Tonality — Index 319

IndexAbba 32, 88, 112, 143, 144, 178, 182, 206, 218, 235, 238, 257

Abbey Road 214, 225Abilene 248, 250abolitionists 261, 262absolute pitch 30AC/DC 236accentuation 65accidentals 98, 270, 271, 279accompaniment 9, 57, 95, 265–269

accordion 40, 43, 165acoustic 6

discrepancies 38placement 266

Adams, William 241added chords CHORDAddinsell, R 142Adeste Fideles 110aeolian 8, 39, 46, 47, 52, 53, 55, 64, 99, 101, 115, 116, 117, 118, 121, 122, 138, 185, 186, 187, 191, 195, 213, 214, 227, 234, 237, 239, 241, 276, 279, 291cadence 108, 125, 192, 228, 233

descending melodic minor 47directionality 227harmony 117, 125, 227–234loops 227–234shuttle 186–189, 227

affirmation 261, 262Africa 9, 38, 50, 56, 89African American 55, 78, 252, 263After Midnight 235agogic 66, 273Ain’t No Mountain 144Air (suite in D, Bach) 112, 249Akst, Harry 72Alabama Song 141, 142alap 77Albion Country Band 120, 130, 189, 197

Alexiou, Haris 121, 122Alfvén, Hugo 83alienation 55, 256All Along The Watchtower 121, 185, 187

All My Loving 214All Saints 184All The Things You Are 106All This Time 178All Together Now 259, 260All You Fascists Are Bound To Lose 247

alla breve 65, 194

Allan, Lily 176, 177Alleluia 77Already Gone 218Am I Blue 72ambient music 83Amen 103, 210, 229, 245, 262Amorosa guajira 230Amos, Tori 184anacrusis 18, 195, 211, 212, 221‐224, 279

anaphora 70, 71, 72, 279And I Love Her 214Andean 9, 50, 230, 243–245, 273Angel Baby 206anger 255, 256anhemitonic pentatonic 40, 48, 49, 50, 55, 120, 126, 133, 279

Animals 239Anka, Paul 206Another Girl Another Planet 241, 259

El antechispa 231anthemic 241, 259, 260, 262Antioch 36antiphony 9, 83anti‐Vietnam war mvt. 213Any Colour You Like 181Apache 178, 179Apel, W 90aperiodic sounds 22, 27Apollo‐Soyuz 128Appalachia 40, 195appoggiature 68Arab/Arabic 38, 42, 48, 54, 55, 64, 68, 84music theory 39

The Archies 177, 178Argentina 230Arlen, Howard 203Armenia 42A‐Roving 66arpeggiation 83, 164, 165Arrested Development 177, 178arrogations 229Artists United Against Apart‐heid 263

Ashley, Clarence 134Ashley, Monty 201At Last 203At The Hop 206Atacama 231‘atonal’ music 23attack (timbre) 26, 28Aturov, T 70augmented CHORD, INTERVALAustralia 83

Autumn Leaves, see Feuilles mortesavant‐garde 214Ave Maria chord 112, 279Ave verum corpus 112Axel F 65, 71Aya‐Zehn 70

BBa‐Benzélé 272, 306Baby It’s You 185Baby, Now That I’ve Found You 144, 224

Bach, J.S. 3, 29, 106, 112, 156, 249, 279

Bacharach, Burt 142, 143, 181Bachelor Boy 189, 191Bachman Turner Overdrive 225backing 9, 265

vocals 87, 95, 257Badalmenti, Angelo 84, 185, 186Baez, Joan 258bagpipes 82, 83, 130, 132, 266balalaika 42Bali 273Balkans 38, 54, 55, 83, 122, 123La Bamba 1, 116, 121, 198, 200, 212, 215, 217, 218, 222–226, 230, 233, 280

Band Aid 262Band, The 225, 235, 257, 258, 263bandola 245banjo 83, 41, 134Banks of Newfoundland 69Bar Kays 225Bare, Bobby 165Barn av vår tid 187Baroque 106, 204barré 118

in ionian mode 116–117Barry, John 142Bartók, Béla 109, 123, 128, 135Basarwa 272bass 41, 87, 132, 211, 253

line 32, 89, 90, 100, 114, 133, 212, 248, 254, 257

scalar motion 114, 248, 249slap 273

bawling 256bayati 39BBC 237

World News jingle 180Be My Baby 206Beach Boys 144, 235Beatles 3, 12, 36, 62, 63, 78, 106, 123, 140, 141, 142, 143, 144, 178, 207, 208, 209, 213, 214, 217, 218,

320 Tagg: Everyday Tonality — Index

225, 227, 228, 258, 259, 260, 263audience in Hamburg 213harmony 213–215

Beautiful South 218bebop JAZZBecause (Beatles) 143Beethoven, L van 83, 160, 174, 175, 182, 184

Being For The Benefit Of Mr Kite 141

bel canto 65Belfast Child 128Bell‐Bottom Blues 248, 257Bénech, F L 165Benton, Brook 189Bernstein, Elmer 128Bernstein, Leonard 128Berry, Chuck 159, 160, 163–164, 173, 207, 209

Bertolucci, B 88Bertrand, Simon 15El beso discreto 230Beverly Hills Cop 65Bhairavi 54big bands 204, 210Big Ben Banjo Band 143Big Country 218, 300bïlinï 77Billboard 206, 212Billy Boy 66Billy The Kid 128bimodal[ity] MODEBitches Brew 129bitonal 157bitter‐sweet 144Björnberg, Alf 55, 125, 187, 251black gospel 78The Blacksmith 239Blazing Saddles 125Blood Sweat & Tears 168Blowing in the Wind 75Blue Danube 110, 141Blue Moon 106, 203, 206bluegrass 38blues 38, 49, 50, 55, 61, 120, 121, 159, 163, 167, 168, 200pentatonic 50, 118‐120rock 236, 245smudge (piano) 163turnaround 170–171twelve‐bar 6, 159, 207, 210, 212, 213

vamp v. rock 209–215Blues Brothers 237Bo Diddley 160, 162Bobbies, all those goddam 204body mvt and melody 66–67bolero 230Bonny Labouring Boy 69boogie‐woogie 210

Book Of Love 206Booker T and the MGs 121, 138, 168, 235

Bootie Call 184Borodin, A.P. 127bossa nova 142Bothy Band 189bottleneck GUITARBoulez, Pierre 23Bound For The Rio Grande 66bouzouki 41, 42Bowie, David 185, 186, 187, 235, 238

The Boys of Wexford 69Bradby, Barbara 241, 252Brassens, G 75Brazil 230

mixolydian 124Breathe (Pink Floyd) 180breathing 58bridge (middle 8) 202Brill Building 212British Isles 38, 50, 55, 56, 195, 214, 224, 239melismatic singing 77melodic formulae 68

Broadway shows 204Brooks, Mel 125Brother, Can You Spare A Dime 63brotherhood 259Brown Sugar 108, 121Brown, James 273Brown, Nacio Herb 176Brubeck, Dave 163Bron‐yr‐Aur Stomp 235Buckingham Palace 225, 227bucolic 83Buddhists 234Bulgaria 176Burke, Solomon 237El burrito 231The Byrds 184

CC’mon Everybody 211, 212, 217‐8Cade’s County 124cadence 102–104, 182

aeolian 108, 125, 192, 228, 233

cowboy half 124, 281finality marker 223half 102, 122, 124, 183, 234‘imperfect’ 102, 234interrupted 103–104, 234melodic 67–70, 75‘perfect’ 4, 47, 96, 101, 102, 103, 119, 210, 217, 234

plagal 38, 102, 103, 219, 234problem terms 103–104uninterrupted 104, 227, 228

Cain, Jeffrey 187Calchakis, Los 230, 244Cale, J.J. 235Calendar Girl 185Caliche 231California (Flash & the Pan) 187call and response 90, 269Camino 233Can I Get A Witness 167Can’t Get You Out Of My Head 184Can’t Buy Me Love 62, 214Candy Store Rock 235Canned Heat 235canons 89capo 246capstan shanty 66Cara, Irene 108, 185carefree 218, 219Carissimi, G 69Carmichael, H 74Carnaval salteño 231carnavalito 231Carnes, Kim 187Carpenter, John 109, 128The Carpetbaggers 128carrousel loop 165, 166The Cascades 206Cathédrale engloutie 109, 128celebratory 217cello 26‘Celtic mood’ 83The Chain Gang 185The Champions 74The Champs 163, 189, 194Chan Chan 230Chandler, Gene 206Change Your Mind 185, 187chanson 165chanting 60charango 41, 245charity stringalong 263Charles, Ray 122, 200, 201Charleston departure 236The Charleston 106, 236, 248, 249, 250

Che Guevara 231, 232chord loop 231, 280

Checker, Chubby 206cheerful 219Chernoff, J M 272Chester, Andrew 5, 98, 162Chianis, S 85The Chiffons 178, 179Chile 230, 232

solidarity 231, 244Chinese 64Chopin 141, 185, 187chorales 77


chord[s] 7, 82, 137–158accompaniment 87added chords 149, 155

sixth 141ninth 143

altered fifths 154altered minor‐mode tonic or fifth 118‐120

augmented triad 138, 141 CHORD LOOP ♣ CHORD SHUTTLE

common triad 92, 95, 99, 103, 137

definition 92, 137diminished 54, 50, 109, 152diminished 7th 135, 143diminished triad 115, 138 ‘DOMINANT’

‘double dominant’ 110dyad, triad, tetrad 137easy ones on guitar 247eleventh 114, 135, 143, 148, 153, 163, 166

half diminished 142incoming 211, 212, 220, 221, 239, 284

interchangeable ii & IV 205inversions 110, 112, 133, 134, 140–141, 144, 155, 156, 248, 257

lead sheet chords 145–158major nine 143major seven 142major triads 97, 138 in minor mode 118–120

medial 211, 212, 220, 221, 239, 284

minor add nine 144minor major nine 142minor, major seven 142minor nine 143minor seven 142minor seven flat five 142minor triad 138ninth 148, 153omitted notes 154one‐chord changes 159–171outgoing chord 211, 212, 220, 221, 239, 285

pivot 98, 110plagal extension of 167‐169plus nine 143progression CHORD LOOP ♣ QUARTAL

recognition chart 141–144rhythm 89roman numeral designation 9, 139‐141, 275‐276

root position 249, 254sequence CHORD LOOP + ♣

seven flat five 142sevenths 148, 152, 204

chain of 106, 107shorthand 145–158shorthand chart 148–149 SUSPENSION

symbols 139‐141, 148–149 TERTIAL

tetrad 94, 95thirteenth 114, 143, 148, 153triads 95, 117–125, 137, 138, 139‐141, 148, 275‐276

tritone substitution 113, 202turnaround 211, 212, 221

chord loop 1, 5, 8, 9, 10, 14, 35, 36, 108, 116, 166, 189, 198, 199–240, 280, 281aeolian 227–234La Bamba 116, 121, 200, 212, 215, 217, 218, 220, 222, 223, 233, 234

Che Guevara 231circularity of 199–202dorian (rock) 235, 236–237; MEDIANTAL

durations of 207, 208ionian 116–117, 201‐213, 217‐226

mediantal 235–240mixolydian 108, 221‐226not a shuttle 251single‐caesura 208part of groove 215plagal 217‐223rock dorian 235, 236–237vamp 201–209

chord shuttle 5, 8, 10, 173–198, 207, 220, 231, 281 1‐ vs. 2‐chords 173aeolian 186–189, 227dorian 178–182, 183dominantal + QUINTALdouble shuttle 237, 251drone 133fifths 165, 166ionian 110, 174, 182, 183lower limit of duration 194mediantal (rare) 175, 176mixolydian 124, 189–191no I‐III 175, 176phrygian 176plagal 177–182, 258pole 166quartal PLAGALquintal 182–184repertoire selection and pre‐sentation 173–176

sandwich technique 196submediant 185–189subtonic (I‐VII) 189–197

supertonic 176–177varying frequency of 175v. loop 251

Chordettes, The 206choro 230chromatic

alteration 113chromaticisation 109chromaticism 41, 113definition 50descending 256scale 34

‘church’ mode 6, 50–53, 117, 281Cielito Lindo 111circle of fifths 4, 7, 97, 98–109, 201, 204, 210, 217, 219, 225, 245, 251anticlockwise FLATWARDSclockwise SHARPWARDSflatwards (anticlockwise) 4, 97, 99, 101, 102, 103, 105–107, 114, 125, 126, 201, 204, 210, 217, 249, 219, 220, 226, 237, 245, 283

key‐specific VIRTUALmodulatory REALprogressions 105–109real circle of fifths progres‐sion 105, 106, 113

sharp side 251, 288sharpwards (clockwise) 97, 99, 101, 102, 104, 108, 110, 114, 125, 126, 127, 210, 219, 221, 225, 226, 227, 237, 245, 288

virtual circle‐of‐fifths pro‐gression 105, 106, 107, 113

circular motion (loops) 199‐202civil rights (USA) 213, 252, 254Clapton, Eric 144, 235, 238, 248, 250, 257

Clarida, Bob 15, 112clarinet 21, 27, 85The Clash 177, 178classical harmony 7, 93–114, 116, 119, 142, 144, 209, 210, 213, 236, 244, 245and ‘classicalness’ 249dissolution of 108–109in popular music 110–114popular music 91pseudo‐classical 260

classical music 105, 142, 144melody 68musicians 101

Classics IV (band) 178Cline, Patsy 248‘clink‐clink‐clink jazz’ 249Close To You 143closure 96Cochran, Eddy 211, 212, 217, 218Cole Porter 142


Cole, Nat King 142collaboration 263collective 256Collins, Phil 187Collins, Shirley 197Comandante Che Guevara 121, 122, 231

Come On, Eileen 235Coming to America 79ComingThrough The Rye 67common triad CHORDcommunity 263community songs 95Compay Segundo 230concert pitch 19, 21, 29, 30, 41

escalation of 30Concrete And Clay 184confidence 256Congratulations 218conjunct SCALARConlan, J 84connotation 7, 9, 55, 56, 60, 73, 76, 84, 112, 186, 187, 194, 219, 253, 254I‐III 256aeolian 125classical harmony 111drones 83, 84Japan 40melody types 73–75modal melodic 64–65Yes We Can 261–263

consolation 219continuation (harmonic) 248, 249, 254

contour MELODYcontrapuntal POLYPHONYCoo‐Coo Bird 134Cooder, Ry 83, 119Cooke, Sam 185, 206Coomaraswamy, A K 84Cooper, Alice 236, 247Copland, Aaron 128copyright 145Cordigliera 68Corea, Chick 129Corelli, A 106, 204, 245corporeal 209Costello, Elvis 185, 187countepoint POLYPHONYcounterpoise 4, 10, 131, 132, 196, 197, 281

Counterspy 74Country music 42, 78, 95, 124, 164, 165, 166, 210, 212, 219, 246

Country Roads 259country rock 262, 263courage 218Covay, Dan 168cowbell 253

cowboy half cadence 124, 281Cowsills 184Cradle Of Love 185Cramer, Floyd 165, 174, 178Crazy 248, 250Creedence Clearwater Revival, 225

Creep 235, 248, 249, 250, 253, 255–257

Crew Cuts, The 207criollo 229crisis chord 281crooning 65Crosby, Bing 65, 141, 176cross‐association 252Cuba 230, 232La cucaracha 110cueca 231, 232Cuil Duibh‐Re 77cultural relativity 103cultural stereotypes of place 55cúmbia 116Cwm Rhondda 78, 87cynical 256

DDagar, M & A 77Dakota 124Daley, Mike 241Dallas 74dance: rel. to melody 66Dancing Queen 32Daniel And The Sacred Harp 257Daniels, Charlie 247Danny & The Juniors 206Darin, Bobby 185, 206Dark Side of the Moon 8, 179–181Darling Corey 118dashtgah 73Dave Clark Five 178Davidson, A T 90Davis, Bob 15, 169, 273Davis, Miles 109, 129, 142, 143A Day In The Life 258¿De donde viene usted? 230Dead End Street 108Dead or Alive 178, 235, 239Dean, James: look‐alikes 186death 218Debussy, Claude 109, 128decay (timbre) 26, 28Decimas a un niño 230, 232Deep Purple (band) 121Deep Purple (song) 63, 73Degeyter, Pierre 141, 143Delta blues 42democratic 261, 262Denver, John 259Derek and the Dominoes 59, 187, 257, 267

Desafinado, 142Deschesnaux, Audrée 15Le déserteur 110despair, despondency 255, 256detectives 142, 268determination 255, 260, 262Detroit City 165detune TUNINGThe Devil In Disguise 206Dexy’s Midnight Runners 189, 191, 235dhrupad 77diabolus in musica 52Diana 206diatonic 93, 271, 282

modes & definition 50–53Dick & Dee Dee 185Diddley, Bo 160, 162didgeridoo 83diminished CHORD, INTERVALDinning, Mark 206Dion [and The Belmonts] 206Dire Straits 186, 187, 227directionality 7, 47, 183, 211, 226, 228, 245, 271harmonic 96–109, 210unidirectional 227, 234

Disco Aid 263disgust 256Dixie Chicks 31, 242, 246, 259, 260, 262

Dixon, Willie 240Do They Know It’s Christmas? 262, 280Do You Know The Way To San José? 178Do You Love Me? 217, 218dobro 42Dock Of The Bay SITTING ON THE…Dodecachordon 53dodecaphonic 70, 109doh‐pentatonic PENTATONICdoina 77dominant 1, 4, 34, 35, 36, 47, 98, 99, 110, 166, 174, 183, 193, 211, 217, 219, 234, 2377th 97, 99, 105, 110, 111, 114, 118, 142

9th 14311th 163‘double’ 110shuttle CHORD SHUTTLE

dominantal 110, 111, 126, 127, 244, 251; see also QUINTALDon’t Bet Money, Honey 206Don’t Look Back In Anger 178Don’t Stand So Close To Me 184, 185, 188–189Don’t Stop Believing 241, 260Don’t Think Twice 246


Don’t Throw Your Love Away 185Don’t You Want Me Baby? 8, 189, 191–194

Donaldson, Walter 141Donna 206doomsday megadrone 84Doors 185, 186doo‐wop 282dorian 8, 39, 51, 52, 53, 55, 64, 115‐118, 120‐121, 130, 138, 177, 179‐182, 190, 195, 213, 214, 219, 233, 234, 237, 239, 282harmony 7, 117, 118–120, 236loop CHORD LOOPshuttle CHORD SHUTTLErock loops 235, 236–237

‘double dominant’ CHORDdouble flat/sharp 270doubling tracks 43Douglas, Carl 176, 177Dowland 118Dr. Strangelove 88drawbars 43Dream 206dream melody type 73Dream Lover 185, 206The Dream of Olwen 73, 74The Drifters 206drone 7, 18, 38, 42, 50, 52, 82, 83, 84, 115, 130–134arrangement 133connotations 83doomsday megadrone 84effect 242in Euro art music 83Tailor and the Mouse 130

drum loops 199drumkit 18, 81, 253dualism figure‐ground, individ‐ual‐environment, melody‐ac‐companiment 265‐266

Duel in the Sun 124Duke Of Earl 206duma 77Duncan, Trevor 68Dvořák, Antonín 127, 191dyad 95Dylan, Bob 58, 75, 185, 218, 219, 220, 221, 235, 238, 241, 246, 247, 258, 262

Dylan, Jesse 241Dynasty 74

EE a vida continua 230¡E viva España! 102, 121The Eagles 218, 219, 220Easy Now 235ecclesiastical mode CHURCH MODE

Eddy, Duane 186Eden (Hooverphonic) 121, 123Edström, Olle 77Edwards, M 203Edwin Hawkins Singers 178Egyptian trad. 69, 70Eight Days A Week 123Eileen 238Eine kleine Nachtmusik 160Eleanor Rigby 214electronica 123eleven chord CHORDElizabethan music 118, 119Ellington, Duke 62ELO [Electric Light Orchestra] 248 241, 248, 252, 253, 254

empowerment 261encouragement 259, 260, 261, 262

Engdahl, Göran 159English

language and rhythm 67trad. 62, 63, 66, 124, 196

enharmonic 9, 38, 157, 256, 270–272

envelope (timbre) 26, 27episodic device/marker 200, 267epistrophe 70, 71, 282EPMOW 1, 292equal temperament/equal‐tone tuning 34, 37–40

equidurational 282Ermályk 176Escape from New York 128ethnocentric 24, 25, 36, 39Europe 39, 55, 83, 245

Eurocentric 39Euro‐North‐American 45Europeanness 245

Everly Brothers 121, 186, 206, 235

Every Little Thing She Does (Po‐lice) 174, 184

Everybody Loves Somebody 237extensional 98, 162, 283extra‐octave tuning TUNING

FFabbri, Franco 1, 15fado 230Fado marujo 230Faith, Percy 206Falla, Manuel De: Farruca 127Faltermeyer, Harold 65Fame, Georgie 185fanfare 268Fanfare for the Common Man 128Farewell To Erin 189, 197The Farm 259, 260Farnaby, Giles 118

Farnaby’s Dreame 118farruca 127The FBI Theme 74, 75Fender Stratocaster 25Ferlosio, J.A.S. 67Fernando 88, 206Les feuilles mortes (Autumn Leaves) 58, 59, 71, 106, 142A Few More Rednecks 247fiddle, fiddler 41, 83Fifth Dimension 184fifths 42, 100, 101, 120, 126

flat 116Hollywood use of 135open/bare 83, 120, 130–134, 157

parallel PARALLEL MOTIONpower fifths 115, 120shuttling 165, 166

film music 40, 55, 95final chorus (trad. jazz) 85, 89finalis 75, 232finality CADENCEFine Young Cannibals 237Fire Down Below 66The First Cut Is The Deepest 184flamenco 122Flash and the Pan 187Flashdance 108, 121, 185, 187flatward[s] see CIRCLE OF FIFTHSFleetwood Mac 218, 221flute

alto and piccolo 20Neanderthal (bone) 40, 48pan pipes, zampoñas 273shakuhachi 40wave form, transverse 27

La flûte indienne 230, 233, 244A Foggy Day in London Town 71, 73The Foggy Dew 36La folia 243, 244folk, ‘folk’ 42, 258, 262

ballad/tune/song 58, 214, 236

dorian 120, 235, 238–239harmony 130–134rock 83, 123, 165, 219, 228, 245, 262, 263

Folk och Rackare 83, 123Folkways 134Fontana, Wayne 104, 227, 228foot stamp 81For Your Love 235foreground (musical) 265‐266form

12‐bar blues 6, 159, 207, 210, 212, 213

32‐bar AABA 6, 202, 203, 213Fortunate Son 225


The Foundations 144, 224The Four Seasons 206fourths QUARTALFoxy Lady 168, 169Francis, Connie 206, 248Franklin, Aretha 177, 178Freberg, Stan 249Free Bird 260French

horn 26note names 21Psalter 86

frequency ratio 32, 34spectrum 27, 28

Frequency X 187Frère Jacques 89, 265From A Window 62From Under The Covers 218‘functional’ 7, 10

harmony: problem term 93fundamental pitch 22, 27, 28, 32funeral 187, 234

march 141, 185funk 9, 224, 266, 273Funktionsharmonik 96fusion music 129

GGaelic melodic rhythm 67El gallo negro 67, 71gamelan 85, 273games music 40Garner, Erroll 32, 142A garota da Ipanema 142, 143Gaye, Marvin 144, 167, 252General Motors commercial 128Geno 189, 191genre synecdoche 111gentrification (harmonic) 249Gentry, Bobbie 163, 167George Jackson 246German note names 21Gershwin, George 71, 73, 128, 141Get Back 142Get Together 189Giâi phóng mièn nam 110Gillett, Charlie 213Gimme All Your Lovin’ 28, 225Gimme Shelter 134Gipsy Kings 233Girl From Ipanema GAROTA…The Girl Sang The Blues 121, 235Glad All Over 178Glarean, Heinrich 4, 52–53, 232, 233

God Only Knows 144God Save The Queen 45, 227

in different modes 64Goffin, Gerry 212

Gogo (Tanzania) 272Going Down Slow 167Going Hollywood 176Golden Gate Orchestra 248Goldenberg, W 75, 129, 143, 268, 269

gong 20, 27Good Golly Miss Molly 169Good Thing 237Good Time Baby 206Goodbye, My Love 78Le gorille 75gospel 224, 245, 254, 262

piano in 207white 78

Graham, Larry 273Grand Coulee Dam 246Grand Old Duke of York 63Grandmaster Flash 65Great Balls Of Fire 209Great Gig In The Sky 8, 178, 179–181, 192

Great Pretender (parody) 249Greece/Greek 48, 54,55, 84, 85, 122, 231

Green Onions 118, 121, 138, 168, 235Greenback Dollar 138, 236, 239Greenfield, Howard 212Greensleeves 121Gregorian plainchant 265Grieg 127groove 8, 163, 164, 173, 188, 191, 194, 195chord loops as part of 215tonal aspects of 117

Guantanamera 1, 121, 218, 223, 308Guardame las vacas 243Guess Who 176Guevara CHE 231Guide Me O Thou Great Jehovah 78güiro 253guitar 26, 41, 87, 165, 186, 188, 194

acoustic 244alternative tunings 42amateur 247bottleneck 116chord shapes 31, 242electric 253, 260folk 83G 1st position 242, 246–247open E 119overdriven 28, 255six‐string 261slide 42, 119, 240steel‐stringed 244strum 195, 209, 244, 249, 258, 261

twelve‐string guitar 18, 42Guitar Player magazine 53Gun Fight at O.K. Corral 74

Guthrie, Woody 119, 246, 247, 263Gypsy Kings GIPSY KINGS‘gypsy mode’ MODE

HHagen, Earle 142Haider, Hans 68Haley, Bill 209half cadence CADENCEhalf diminished CHORDHallelujah I Love Her So 200Hamburg 213Hamilton, George IV 248Hamm, Charles 128hammer‐on 165Hammond organ 250Hancock, Herbie 167, 168, 272hand clap 81Handel, Georg F 36, 83Handy Man 185Hang On Sloopy 1, 218, 219, 309Hangman 257, 258Happy Birthday 141Happy Birthday Sweet 16 206Happy Hour 235, 238Haralambos, Michael 252Harburg, E Y 63hardship 259, 261, 262Hare Krishna 181Hark, All Ye Lovely Saints 119Harlem Nocturne 142harmonic + HARMONY, PITCH, TONE, TIMBREdeparture PROGRESSIONS direction DIRECTIONALITYfinality CADENCEgentrification 249harmonic minor MODEnarrative 96poles 233rhythm 198sandwich 196series 27, 120stasis 200

harmonica 124harmonics (frequency) 27harmony 1, 2, 3, 7, 10, 11, 15, 35, 36, 47, 53, 57, 81, 82, 84, 88, 89, 91–263

AEOLIAN CHORD CHORD LOOPS CHORD SHUTTLES

bebop 95, 109, 113, 142, 154, 159, 245

classical 91‐113definition 91–93 DIRECTIONALITY

‘dissonance’ 96 DORIAN


established discipline 91etymology 92folk song 130–134history of concept 91–93ideology in 209 IONIAN

incompatible 250jazz 113 LYDIAN MIXOLYDIAN

modal tertial 6, 7, 115‐125 211, 212, 213, 214, 215

non‐classical 115–136non‐tertial 157–158non‐tonalist 24one‐chord changes 159–171 PHRYGIAN

quartal 125–136rock MODAL‐TERTIALsequences CHORD LOOP +♣syntax 96problem terms 93–96progression CHORD LOOP ♣reversibility of 227, 234tertial 93, 94–114, 115‐125

Harris, Emmylou 78Harrison, George 178, 181, 186, 214

Has Anybody Seen My Gal? 106Hasta Mañana 257, 258Hauser, William 134Havana (La Habana) 230Have I The Right? 184Having A Party 206Hawaiian tuning 42Hawkins, Edwin 178, 179Hayes, Isaac 170He’s So Fine 179Hear’n Aid 263Hearing Things 187Hebrides 40, 85Hejjaz/Hijaz/Hicaz 54, 122Hello 144, 156Help! 214Helpless 218hemiola 244Henderson, R 106Hendrix, Jimi 108, 168, 169, 185, 226, 245

heptatonic MODEheroic 268Herrmann, Bernard 54Herz 19, 32, 33heterophony POLYPHONYhexatonic MODEHey Joe 226, 245Hey Jude 36, 121, 140, 208, 225Hey Lolly Lolly 247Hey Paula! 206high life 116

Higher Ground 235hi‐hat 20, 23, 27Hijaz, Hijjaz, Hicaz HEJJAZHill, Bertha ‘Chippie’ 145himene 83Hindemith, Paul 109, 128L’hirondelle du faubourg 110, 165Hirt, Al 144His Latest Flame MARIE’S THE…Hispanicism 55

melodic stereotype 68phrygian stereotype 122

Hit The Road Jack 122hocket 9, 266, 272–273Holly, Buddy 76Hollywood 54Homburg 112, 123, 144Homeward Bound 144Un homme et une femme 58homophony POLYPHONYHoneycombs 184Hoochie Coochie Man 58Hooker, John Lee 83Hoola Bandoola Band 260Hooverphonic 121, 123hope 255, 256, 259, 260, 261, 262hopelessness 219, 256horn in F (French) 21, 268horn section 273horror music 109Hound Dog 209, 212House Of Fun 189House of the Rising Sun 82, 239Housemartins 235, 238Houston, Whitney 79How The West Was Won 74, 75Howarth, Alan 128Howlin’ Wolf 240huayno 231, 244Huayra Muyhoj 231Hubbard, Freddy 129Hucbald 103Hucklebuck (Do The) 70, 72Hughes, Herbert 127, 128Hughes, John 87Human League 8, 189, 191–194humanitarian 263Hunter, Tab 206hurdy‐gurdy 83, 132Hutchings, Ashley 120, 197hymn[s] 87, 89, 95, 110, 266

shape‐note 134‘hypomodes’ MODEhypothetical substitution 268, 269

IIASPM 241, 256I Believe I Can Fly 178I Can Hear Music 235I Can’t Get Enough Of Your Love 247

I Don’t Want To Know 218I Get A Kick Out Of You 62I Hear Music 238I’ll Be Back 141I’m Fixing A Hole 141I Pity The Poor Immigrant 246, 258I Remember You 190I Saw Her Standing There 142I Shall Be Released 246I Walk The Hill 218I Wanna Be Your Man 142I Will Follow Him 185, 206If I Needed Someone 63Ifield, Frank 190Imagine (Lennon) 178, 248immigrants 261, 262imperfect cadence CADENCEIn A Monastery Garden 73, 74In seculum 272In The Air Tonight 187inclusiveness 263incoming chord CHORD India 38, 42, 54, 77, 83, 84

music theory 39note names 21

Indian Lake 184Indonesia 54, 85Ingelf, Sten 129initium 75injustice 262intensional 98, 162, 284Internationale 111, 141, 143interpunctuation 273interrupted cadence CADENCEintertextual 242intervals 31–37

augmented 2nd 34augmented 4th 34, 109, 123augmented 5th 34, 54, 152augmented 6th 34charts of 34, 37, 39 diminished 5th 34, 50, 109, 152flat 6: 47flat 7: 36, 47mad arithmetic of 9, 273–274major 2nd 34, 35major 3rd 34, 35, 51

in harmonic series 120major 7th 34, 37, 47, 51major 6th 34, 35

just temperament 38minor 2nd 34, 35minor 3rd 34, 47, 51

in harmonic series 120just temperament 38

minor 6th 34, 47minor 7th 34, 35, 37, 47, 51names of 34perfect 4ths/5ths 34, 35, 101, 126


semitone 34, 35, 36, 37, 38, 97, 98

sevenths 36sharp seven 47

sharp four 123tables of 34, 37, 39 tritone 34, 52, 109, 110whole tone 34

intra‐octave tuning TUNINGinversion

chord CHORDmelodic 70‐71

inverted dotting 67IOCM 242, 248, 283Yes We Can 261–263

ionian 6, 39, 45, 46, 47, 51, 52, 53, 55, 64, 96–109, 110, 111, 114, 115–117, 118, 121, 123, 125, 131, 138, 139, 174, 183, 190, 211, 213, 217‐219, 222, 224, 226, 228, 230, 233, 234, 238, 270, 275, 276barré 116–117ionianisation 190loops 116–117, 201‐213, 217‐226

mediantal ‘narrative’ 235, 238–239, 257–258

shuttles 110, 174, 182, 183Irish/Ireland 36, 42, 55, 83, 127, 195, 196 + BRITISH ISLES

Isaac, Heinrich 135Isley Brothers 78, 185, 218It Ain’t Me Babe 246It Won’t Be Long 141, 214It’s All Over Now Baby Blue 246, 258

It’s Not Unusual 142, 176It’s Over 184Itchycoo Park 235, 238

JJames Bond Theme, 142Japan 50, 55jazz 54, 100, 101, 105, 113, 127, 130, 154, 157, 159, 165, 210, 236bebop 95, 109, 113, 142, 154, 159, 245

fusion 129standards 6, 58, 95, 142, 202, 204, 245

Je chante pour 64Jeepers Creepers 106, 143Jefferson Airplane 176, 184Jesus Christ is Ris’n Today 77Jew’s harp 83Jingle Bells 110jitterbug 210jive 210Jobim, A.C. 59, 142, 143, 267John Barleycorn 69

John Wesley Harding 246John, Elton 82, 112Johnny B Goode 209Johnny Come Down To Hilo 66jojk 77Jones, George 78Jones, Jimmy 185, 206Jones, Richard M 145Jones, Tom 142, 176, 177Joplin, Janis 81, 265Jordan, Laura 232Journey 241, 260Joy To The World 36jump bands 210Jumping Jack Flash 108, 134Jungle 241, 248, 252, 254Jungle Book (Rózsa) 128Just Like A Woman 235Just One Look 206just temperament TUNING

KKansas City 213Kaper, B 75K‐Doe, Ernie 185keening 77Keep On Running 178Kell‐Kirkman, Dylan 251Kelly, R 177, 178Kern, Jerome 106, 128Kerry Recruit 69Ketelby, A 74key (Tonart) 271, 272

CIRCLE OF FIFTHSclock 7, 100, 104–105, 225change MODULATION

quartal 135–136 KEYNOTE

home key 47minor key 99modulation 96, 98, 110, 113, 160, 203

relative major 99, 103, 233, 244relative minor 99, 103, 104, 233signature 23, 99, 104subdominant minor 188

keyboard players 38keynote 23, 24, 35, 37, 50, 109

identifying in modal harmo‐ny 52, 115, 221–226

key‐specific circle‐of‐fifths pro‐gression CIRCLE‐OF‐FIFTHS

Khaled, Cheb 77Khoisan 272kick drum 23Kind of Blue 109, 129kinetic 267King Crimson 129King of Denmark’s Galliard 118King Oliver 89

King, Ben E 206, 241, 252King, Carole 129, 212King, Martin Luther 261The King Will Come 235Kingpin (I’m Your) 129, 130Kingston Trio 138, 236, 239Kinks 108, 184, 189, 191, 225, 226Kirghizstan 83Knocking On Heaven’s Door 218, 246Knowing Me, Knowing You 235Knudsen, T 85Kodály, Z 49Kojak theme 74, 75, 129, 135, 143

different accompaniments 268, 269

komuz 83Kosma, J 59, 106, 142koto 55Kouyioumtzis, Stavros 122, 231Kraftwerk 184, 185Kramer, Billy J [& the Dakotas] 62Kubrick, Stanley 88Kung Fu Fighting 176kwela 116Kyrie eleison 77

LLa Grange 235Labelle 178Lacasse, Serge 43, 266Lady Madonna 121, 227Lady Marmalade 178, 179Lai, Francis 58Lamentation of Hugh Reynolds 124language and melody 67–70la‐pentatonic PENTATONICLärling 259Latin American music 116Latin language rhythm 67launeddas 83Laura (Raksin) 143Lavava no rio lavava 230Lawrence, Steve 185Lay, Lady, Lay 246Layla 58, 59, 187, 267lead (musical part) 265lead guitar 90, 267lead sheet chord shorthand 145–158anomalies 156basic rationale 150chord chart 148‐149definition 146full names 149history 145–146symbol component syntax 150–158


leading note 10, 34, 35, 37, 47, 96, 97, 98, 113, 183, 190, 270, 284fixation 109v. subtonic 36

Led Zeppelin 65, 211, 235Lee, Pedro van der 244Legrand, M 106Leib, Sandra R 145Leiber, Jerry 212Lennon, John 177, 178, 228, 248, 253, 254, 255

Lester, Ketty 207, 208Let It Be 259, 260Let It Grow 144Let’s Twist Again 206Lewis, Jerry Lee 204, 212Liberty Bell 111library music 68Library of Congress 145Light Cavalry 111Light My Fire 185light‐hearted 218Ling, Jan 77Lipstick On Your Collar 206Little Eva 185Little Red Rooster 240Little Richard 169, 209, 212Little Rock 213Little Town Flirt 206liturgical music 48Lively Up Yourself 169, 173, 178Liverpool 259Living For The City 168, 224LMR 10, 12, 275, 284Lobos, Los 223The Loco‐Motion 185locrian mode 52, 115, 116Lollipop 206, 208Lomax, Alan 263London’s Burning 89Lone Ranger 72Lonely Teardrops 206Long And Winding Road 143Long Tall Sally 209, 213loops 199

chord CHORD LOOPLopez, Trini 218, 223The Lost Soul 40Loth to Depart 118love and marriage 213Love Letters 207Love Me Do 178Love’s Old Sweet Song 111Lowlands Of Holland 239Lucille 209Lucy In The Sky With Diamonds 218lullaby 67, 265Lulu 78, 185Luxembourg Waltz 143

lydian mode 53, 117, 121, 123, 124, 234, 238, 276, 284harmony 117, 122–123

Lymon, Frankie 207Lynch, David 186Lynn, Vera 88Lynyrd Skynyrd 18, 36, 140, 222, 224, 260

lyrics 65, 258

MMack The Knife 141Mack, C 106Madness 176, 189, 191Magic Flute 204Magnificent Seven 121Maines, Natalie 262major

CHORD, INTERVAL, KEY, MODEMajor Lance 104, 227Make It Soon 235malagueña 121, 122, 231Malmsteen, Yngwie 116Mameluk 70Man måste veta vad man önskar sig 260

Man On The Moon 123Mancini, Henry 124mandolin 18, 41Manfred Mann 235, 238Mann, Barry 206, 212Mann, Manfred 129, 130, 177, 178

maqam 48, 73maracas 253Marcels, The 206March, Little Peggy 185, 206Marche funèbre FUNERALmarches 67, 95, 110Marconi, Luca 57, 60, 73, 75Marie’s The Name Of His Latest Flame 186, 206

Marley, Bob 169, 173, 177, 178, 241, 259, 260

Marmalade (UK band) 235, 238Maróthy, János 266La marseillaise 111Martha and the Vandellas 129Martyrdom 85, 86Marvelettes, The 78, 90, 185, 214Maxwell’s Silver Hammer 218May, Brian 227Maybellene 209Mayfield, Curtis 104Mbuti 272McCarthyism 213McCartney, Sir Paul 174, 177, 178, 225, 253, 254, 255

McCoys 218McCrae, George 177, 178

McLaughlin, John 129McManus, Michelle 178McRae, George 177Me voy paʹl monte 230medial chord CHORDmediant 34, 285mediantal 214, 228

+ CHORD LOOP, DORIANloops 235–240narrative 257–258progressions 214, 215shuttle 214, 236

Médicis, François de 204medieval 272, 273melisma 7, 55, 76–79, 86Mellers, Wilfrid 127, 214melody 7, 53, 57–79, 265, 266

arched 61body movement and 66–67cadence formulae 67–70, 75centric 61connotative typology 73–75contour 7, 61–64, 219dance and 66dream type 73dualism with accompani‐ment 95, 265, 266

dynamics 65falling 61general characteristics of 57–59

hispanicism 68language and 67–70less memorable than accom‐paniment 267–268

metaphorical nomenclature 59–60

modal connotaions 64–65mode of articulation 65–67oscillatory 61patterns of recurrence 70–73recitation type 74rhythmic profile 65–70rising 61structural typology 60–73‘supermusic’ type 74terraced 61tonal vocabulary 64–65transcendental quality of 60tumbling 61typologies of 60–73V‐shaped 61wavy 61

Melody in F 111Memphis Tennessee 173, 207Mendelssohn, F 110, 142Mercedes Benz 82, 265Mercy Mercy 168Merseybeat 78metal (rock) 28


metre 267Miani, G 62Michelle 142middle eight 202, 203Middleton, R 70, 72, 73MIDI 17, 18, 40Midnight In Moscow 70Midnight Rambler 225Mikaelidagen 70Mike Hammer theme 142Mila moja 182–183, 234Milestones 109milksap 186, 204, 206, 212, 213

recordings, list of 206vamp 14

Milksap Montage 186, 207Miller, Glenn 106Milord 111Milton, Roy 72Mindbenders, The 104, 228minichromatics 285Minogue, Kylie 183, 184, 185minor

CHORD, INTERVAL, KEY, MODEminor pentatonic PENTATONICMisirlou 63, 122Miss Grace 176Mission (band) 235Misty 142mixolydian 9, 35, 36, 51, 53, 55, 108, 115, 116, 117, 119, 128, 130, 131, 189‐191, 192, 194, 195, 198, 208, 213, 214, 221‐226, 223, 224, 225, 226, 227, 233, 234, 237, 285list of tunes from British Isles 274–275,

loop 108, 221‐226harmony 117, 119, 124–125shuttle 189–191

Mixolydian Mini‐Montage 224, 225, 226

mixture of styles 263mixture stops 43modal

Country music 245harmony 6, 7, 115‐125 211, 212, 213, 214, 215

literacy 122major triads 117–125

modality MODEmode 6, 45–56, 109

AEOLIANaeolian v. phrygian 122bhairavi 54bimodal 8, 52, 228–234, 237, 243–245, 280reversibility 4, 234, 280

blues PENTATONIC‘church’ 50–53descending melodic minor 47

diatonic 50–53 DORIAN

harmonic connotations of 121–125

‘gypsy’ mode 54harmonic minor 47, 54, 122, 190, 230, 231Hejjaz/Hijaz/Hicaz 54, 122heptatonic 6, 21, 34, 45, 50, 52, 116, 283

hexatonic 54, 283‘hypomodes’ 52‐53, 232, 233

hypoaeolian 53, 232hypodorian 103hypoionian 53hypomixolydian 53, 103 IONIAN

locrian 52, 115, 116 LYDIAN

‘major scale’ 35, 45, 46, 52, 116, 217 + IONIAN

major and minor modes 51major‐minor dualism 45, 46major‐minor tonality 55, 56melodic connotations of 54–56, 64–65

‘melodic minor’ 47, 52minor‐mode 47‘minor scale’ 46 MIXOLYDIAN

identifying 52as mood 55‘natural minor’ 46, 47octatonic 54 PENTATONIC

Picardy 3rds in minor 118–120 PHRYGIAN

‘pure’ minor 47purvi 54white notes on piano 117whole tone 54zokugaku‐sempô 50, 55

Model (Kraftwerk) 184non‐diatonic 54

Modugno, D 59modulation KEYmodulatory circle‐of‐fifths pro‐gression CIRCLE‐OF‐FIFTHS

Molloy, J.L. 111Moloney, Mick 77monadic 70Money (Pink FLoyd) 187Money’s Too Tight 178monocentric 234monodirectionality 4monody 57, 265monomodal 6, 229, 231monotonality 4Monotones, The 206Montgomery, Wes 32

Moonlight Serenade 106Moore, Allan 4, 15, 241, 248MoR 285Morricone, E 88, 273Morris, John 125Mosaïque 233Mother‐In‐Law 185Motivo andino 231Motown 78, 224, 257The Mountain’s High 185Mozart 112, 160, 182, 204

Symphony no. 40 184Mr. Wendal 178Mr. Tambourine Man 184muezzin 60, 77multi‐layering 266multiplicity 43Murphy, Eddy 65, 79museme 285music: definition 17music hall 95Music To Watch Girls By 144Musica Enchiriadis 90musica ficta 39musicals 110Musique Celtique des Îles Hébrides 40, 85musique concrète 214Mussorgsky, M 127My Blue Heaven 141My Bonnie 213My Sweet Lord 178, 181, 186My Way 144mystery cue 54

NNadine 159, 160, 163–164, 166Name Of The Game 143, 178, 182, 218

narrativeharmonic 96

Nashville Teens 62national anthem 45, 64, 65, 95, 110

Nationalteatern 187Neanderthal flute 40, 48Nelson, Ricky 185, 206neo‐classicism 109Nessun’ dorma 265new age 42New World Symphony 191Newman, A 75Newman, E 109Night And Day 142Night Boat To Cairo 176Nightingale Sang In Berkeley Square 202, 203, 208

Nilsson 1431984 187Nketia, J.H.K. 78, 89, 272


no frills aesthetic 259No quiero celos contigo 230No Reply 214No Woman No Cry 241, 259, 260, 261

Nobody Home 235Nobody Knows You When You’re Down And Out 248, 250

Norman, M 142Northumbria 66Norway: lydian tunes 123Norwegian Wood 214Not A Second Time 78, 214, 228, 229

Not Ready To Make Nice 31, 242, 246, 259, 260, 261

notation 2, 3, 145, 146, 147, 155, 279note 6, 17–19

names of 21–22Novecento 1900 (film) 88Nowhere To Run 129Nuñes, Elida 244nursery rhymes 58

OO’Súillebháin, D 77Oasis 177, 178Obama, Barak H.

campaign 9, 241, 241, 247, 252, 262, 263

election video 6, 241–263 ethos and agenda 261inauguration festivities 247

Obladee Obladah 218obstacles 261octatonic scale MODEoctave 6, 31–35

diminished 270, 271doubling 32, 43parallels PARALLEL MOTION

Ode To Billy Joe 163, 167Oh Carol 208Oh Happy Day 179Oh! For the Wings of a Dove 110Oklahoma Hills 246Old 100th 86Oliver, Paul 145ominous 55On The Rebound 178On The Road Again 235On The Waterfront 128Once In A While 203One Note Samba SAMBA DA…one‐chord changes 5, 8, 159–171Only Ones, The 241, 259, 260Onward Christian Soldiers 111oompa 133, 254open fifths FIFTHSopen strings 83open‐chord tuning 83

opera 77operetta 95, 110oppression 55oratorio 77Orbison, Roy 184, 185organ 40organum 90, 132ornamentation 18Orozco, Danilo 241, 243, 244outgoing chord CHORDOver The Rainbow 203overcoming hardship 256, 260overtones 28Oyé como va? 178, 179

PPachelbel Canon 258–261Paint It Black 184El pajarillo 231pan pipes FLUTEpanning 266parallel motion 119

3rds 86, 90, 110, 1145ths 90, 110, 114, 116, 128, 132, 133, 219, 220

6ths 86, 110, 1148ves 32, 90, 110, 114, 219, 220

paramusical 285Paravonian, Rob 259Parks, Rosa 213parlour song 95, 110, 245parody 249partials 43participation 261, 262Partisan Song 70Parton, Dolly 78pastoral 65, 83Pata Pata 1, 121, 308El Patio restaurant (Havana) 230Paul & Paula 206Peggy Sue 76pelog 39pentatonic 6, 40, 48‐50, 56, 68, 77, 79, 85, 86, 125‐126, 129, 130, 133, 134, 169, 286anhemitonic 50blues MINORdoh‐ MAJORextended 50hemitonic 50in quartal harmony 125–126la‐ MINORmajor 49, 55, 64, 126, 245, 282minor 49, 50, 55, 64, 118, 119, 195, 236, 284dorian harmony 118–120

percussion 257perfect CADENCE, INTERVALperfect pitch 30periodic (sounds) 22, 27

periodicity 198, 202, 267Perkins, Frank 203Peter & Gordon 248, 253, 254Peter, Paul & Mary 257, 258phrasing 65phrygian 8, 51, 52, 53, 55, 64, 101, 115, 116, 117, 118, 121, 123, 178, 228, 234, 270, 276, 286cadence 122harmony 121–122, 227–234

connotations 122loop 230–234shuttle 176, 190

piano 14, 18, 19, 26, 40, 42, 43, 253, 257, 260keyboard 33reduction 163, 164, 170roll view(MIDI) 18

Picardy third 138, 227, 232, 236I and V in minor modes 118–120

piccolo FLUTEPickett, Wilson 237, 252pickup = anacrusis 224Pinball Wizard 75Pink Floyd 8, 121, 123, 141, 178, 179–181, 183, 187, 192, 194, 235

Pinkard, M 106pitch 6, 19–20, 34

concert 19, 21, 29, 30, 41contour 57difference 34doubling 18fundamental 22heavier, darker, bigger 20higher, lighter, smaller 20pole 197rules 41standard 30vertical placement 19‐20

pivot chord 98, 110plagal 203, 210, 245, 251, 286

aeolian 228 CADENCE

etymology 103extension, expansion, orna‐mentation of chord[s] 108, 167–169, 173

loop 217‐223shuttle 177–182, 258turnaround 218, 241, 245

plainchant 77, 90Playboy (Marvelettes) 185Please Mr. Postman 78, 90, 214Plennitsa 176PMFC: Yes We Can 261–263Podmoskovskoye Vechera 70Poitín 68, 71Police 174, 183, 184, 185, 188–189, 194


Polish trad. 62polka 164Polo Margariteño 244polyphony 7, 76, 81–90, 93, 94, 95, 96, 116, 134, 135, 136, 137, 265, 292counterpoint 7, 82, 86, 87, 88–90, 92, 137, 169, 266

definition 81–82 DRONE

heterophony 7, 82, 84–86, 89, 90homophony 7, 78, 82, 86, 86–88, 89, 90, 93, 95, 266

polyrhythm 265Polythene Pam 225Pomus, Doc 212Poole, Brian 218Poor Little Fool 206Poor Murdered Woman 120, 121Pope John XXII 273Porter, Cole 62Positive Education 176Pour le piano (Debussy) 128power fifths FIFTHSPowers, Harold S 52, 103preaching 263present time/extended present 9, 57, 98, 161–162, 173, 188, 195, 275, 287

Presley, Elvis 186, 189, 191, 193, 193–194, 206, 209

Preston, Johnny 185Pretty Blue Eyes 185Pretty Flamingo 178Pretty Woman 185Price, Alan 167prime (unison) 34problems 262Procol Harum 112, 123, 144, 249, 257Professional Widow 184prog rock 123, 260progressions CHORD LOOP, ♣ progressive politics 262P.S. I Love You 121, 227psalmody tone 2: 75, 229Puccini, G 265Puebla, Carlos 121, 122, 230, 231, 232, 234

Puff The Magic Dragon 257Puna 231Puppet On A String 184Purple Haze 168purvi (thata) 54Put Your Head On My Shoulder 206Pythagorean comma 100

Qquartal 4, 115, 157–158, 287

chords 149drones 130‐134

harmony 109, 125–136, 157bass‐note changes 133defined 94history 127–130, 134–136key changes 135–136stacking 133triads and tetrads 126

Queen Elizabeth II 65Quiquenita 230, 237, 244Quo Vadis 128

RRadiohead 65, 235, 248, 253, 255–257, 263

raga 21, 48, 73, 214, 269ragtime 43Rainy Night In Georgia 189, 191Raitt, Bonnie 78raj music 77Raksin, D 143Rander, Tommy 204rap 58, 263, 265rasgueio 233rast 39Rays, The 206‘ready‐steady‐go’ 70, 72‘Real Book’ 156‘real’ circle CIRCLE OF FIFTHSrebetiki 42Rebetís tís Bagdátís 176recapitulation 70, 71receptional 287recitative 58

melodic category 74reciting tone 74

recurrence: melodic patterns 70–73Red Clay 129Redding, Otis 235, 237, 241, 248, 250–252, 263

Reel Thing 197, 224reflection 219reggae 165register 32, 219reiteration 70, 71relative major/major KEYREM 123Renaissance 87, 92, 243–245Respect 178Return To Sender 189, 191, 193–194reverberation 60, 82reversal/reversible/reversibility

aeolian progressions 234bimodal 234harmony 227mediantal shuttle 214shuttle 174

Revolutionens vagga 258Rhythm of the Rain 206rhythmic profile 57

melody 65–70

Richard, Cliff 189Richie, Lionel 144, 156riffs 58, 87, 266

vocal 83Righeira 76Righteous Brothers 143, 189, 191Rimsky‐Korsakov 127Ring My Bell 178Rio Manzanares 244Road To Nowhere 129Robertson, Fiddlin’ Eck 83Robeson, Paul 263Rochon, G 64rock 28, 38, 49, 124, 166, 210, 213, 236, 262, 287blues‐based rock 236, 245dorian loops 235, 236–237modality 228repertoire 258rock and roll 287rock’n’roll 209, 210, 212, 213, 288

Rock And Roll Hoochie Coo 235Rock And Roll Suicide 235, 238Rock Around The Clock 209Rock Me Baby 177, 178Rockens Roll 204Rocking In The Free World 187Rocky Racoon 142Röda Kapellet 244, 258, 259, 260Rodgers, Nile 79Rodgers, Richard 106, 203Rodrigues, Amália 230Rolling Stones 32, 59, 90, 108, 134, 144, 161, 175, 178, 184, 209, 225, 237, 240, 267

roman numeral chord designa‐tion 9, 139–141, 275–276

Romania 77, 123romantic 142Romeo and Juliet (Rota) 144Ronettes 206root position 249, 254Rose, P De 63Rosie & Originals 206Rossa’s Farewell to Erin 69Rossini, G 72Rota, N 144round (canon) 265Rounding The Horn 124Row Your Boat 89Royal Welsh Fusiliers 82Rózsa, Miklós 128Rubinstein, A 111Ruffin, Jimmy 241, 257Rumours 218Runaround Sue 206Runaway 206rundgång 199Running With The Devil 189


Rusholme Ruffians 186Russian 55, 66, 68, 70, 77Rydell, Bobby 206

SSaami 77Sabicas 121, 122, 231Sacrilege 235Sakomoto, Kiu 257Samba da una nota só 58, 59, 70, 142, 267

sample bank 41Sancta Lucia 111Sandbladh, Håkan 204Sanders, E H 272, 273sandwich, chordal 195–197Santana 178, 179Sarabande (Debussy) 128Sardinia 83Satin Doll 62Satisfaction 32, 58, 59, 90, 144, 161, 162, 174, 175, 178, 267

sawal‐jawab 269saxophone 21, 194, 253saz 41, 42scalar motion 220, 226

aeolian 227ascent 221bass line 114, 248, 249descent 221link 220

scale[s] 45–47degrees 34, 45, 270, 271in European art music 46

Scandinavia[n] 38, 41, 55, 68, 123Scarborough Fair 121, 236, 239Schenker[ian] 1, 91, 189Schertzinger, Victor 190Schlager 95Schönberg, A 109School’s Out 247Schumann, R 73, 74scordatura 42Scotch snap 67Scotland 67, 68, 83, 196Scott, Linda 206sea shanties 66sean‐nós 77Searchers 78, 185, 218Sedaka, Neil 185, 206, 212See You Later Alligator 209Seeger, Pete 223, 263Selected Sounds 68self‐celebration 209self‐deprecation 256semiotics 6, 9semitone INTERVALsequence

harmony CHORD LOOP + ♣melodic category 70, 71

Serbia 182Seven Days 127, 129Sh’Boom 207Shadows 124, 178, 189Shaft 170, 224shakuhachi 40, 55Shankar, Ravi 82Shannon, Del 206Shape Of Things To Come 235Shapiro, Helen 185Sharp Dressed Man 225sharpwards see CIRCLE OF FIFTHSShaw, Sandie 184She Loves You 141, 214She Moved Through the Fair 127, 128

She’s A Woman 142She’s Leaving Home 143, 214sheet music: unreliable 156Sherwin, Manning 202Shine OnYou Crazy Diamond 141Shirelles 185, 206Shoot To Thrill 236Should I Stay Or Should I Go? 178Shout 78, 185, 186Shuman, Mort 212Shut Up and Sing 262shuttle CHORD SHUTTLEsicut erat in principio 229Silber, Irwin 263Silhouettes 206Silvers, L 72Simon & Garfunkel 121, 144Simon, Paul 236, 239Simple Minds 128Sinatral F 144Sing Out! 263singable 259singalong 217, 218, 288sitar 41, 82Sitting On The Dock Of The Bay 235, 237, 248, 249, 250, 250–252

Skog, Inge 60Skye Boat Song 68Slade 235Slam (band) 176slaves 261, 262Slayer 52Sleeping Princess 127slendro 39Sly And The Family Stone 168Small Faces 235, 238Smile 176Smith, Bessie 248, 250The Smiths 186, 235, 239Smoke On The Water 118, 121smudged blues thirds 166Snow, M 63So Emotional 79So What 129, 143

socialism 259Solidaritetssång för Chiles folk 244solo v. accompaniment 267Soloviov‐Sedoy, V 70Sombrero de tres picos 127Something (Beatles) 142‘somewhere else’ 176, 256son 116, 230Song of the Dark Forest 127soul music 236, 254, 262, 263

lead vocalists 252Soul Finger 225Soul Glow shampoo jingle 79sound wave 22, 27Sous le ciel de Paris 111Southern Man 187, 241Spain/Spanish 54, 55, 64, 127Spanish Autumn 68Spartacus 259Speak Low 143Speak To Me (Pink Floyd) 180speech 57Spencer Davis 174, 177, 178spies 142Spinning Wheel 168Spooky 178, 179Sprechgesang 58St. Patrick’s Hymn 224Ståbi, Björn 83staccato 40Stamitz, Carl 128Stand By Me 206, 241, 252Star Wars 74, 75Stardust 73, 74Stars Fell On Alabama 203Star‐Spangled Banner 111stasis (harmonic) 200Steamy Windows 235Steeleye Span 83, 130, 239Stefani, Gino 57, 60, 73, 75Stella By Starlight 142Step To The Rhythm 178Stewart, Rod 184Sting 127, 129Stoller, Mike 212Stoned Soul Picnic 184storytelling 262Strachey, Jack 202Strauss, J 141Strawberry Fields 143string pad 253strings 257strum GUITARsubdominant[al] 1, 4, 34, 35, 36, 97, 98, 99, 103, 105, 112, 113, 125, 126, 183, 211, 217, 279minor 188

submediant 34, 35, 214 AEOLIAN

shuttles 185–189


Substitute 224Subterranean Homesick Blues 58subtonic 10, 34, 36, 288

MIXOLYDIANshuttles 189–197

Suffragette City 185Sugar Sugar 178Sukyaki 257, 258Sultans Of Swing 186, 187, 227Superman 74, 75‘supermusic’ melodies 74supertonic 34, 35

shuttles (I↔II) 176–177suspension 96, 155, 149

fourth 144quartal: no! 94, 127

Svensk rock mot apartheid 263Swan Silvertones 83Swanee 141Swedish trad. 63, 70, 260Sweet Georgia Brown 106, 213, 245Sweet Home Alabama 18, 35, 121, 140, 198, 222–226, 233

Sweets For My Sweet 218swing 95, 113Swinging Blue Jeans 178syllabic (not melismatic) 76, 77syncopation 65synthesiser 40, 81

TTagg, Mrs. O.M. 130Tagg, P 74, 78, 112, 129, 266, 268Tahiti 83Tailor and the Mouse 130–134, 196Take Five 163Take Good Care Of My Baby 206Take Me To The River 235Taking The Long Way Round 246Talking Heads 235tambur 42tanpura 83Tanzania 272La tarijena 231Taste Of Honey 214Taxman (1966) 142Taylor, Eva 145Tea For Two 142technology: musical conse‐quences of 160

teenage idols 212Teenager In Love 206Teenager’s Romance 206teenagers 204, 213tempo 219, 254Temptation 17610cc 6, 185Tequila 163, 189, 194–195, 196, 197Terminal Frost 121, 123tertial 4, 7, 10

definition 94‐95, 288common triads 138chord recognition 141–144chords 35classical harmony 94–114modal harmony 115–125tetrad 99triads 137–146, 151, 152

Texas 262Thank You (For Lettin’ Me Be My‐self Again) 168

That’s Alright Mama 209There Goes My Baby 206These Eyes 176Things We Said Today 143, 214thirteenth CHORDthirty‐two bar FORMThis Boy 142, 207This Guy’s In Love With You 142This Land Is Your Land 247Thomas, George 145Thompson, Nic 15thrash metal 52Three Blind Mice 89Three Tenors 265tierce de Picardie PICARDY 3RDTill I Kissed You 186Till There Was You 143, 213Tillotson, Johnny 206timbre 26–28, 65Time (Pink Floyd) 181Times They Are A‐Changing 246La Tinya 231Tiomkin, D 124tiple 245Tired Of Waiting 184, 189, 191Tobacco Road 62Tomorrow Never Knows 214Tonada de corte andaluz 230, 232tonal 6

definition 23–25problem term 22–25centre 50harmony: problem term 93identity 40languages 25monocentricity 229pole 131, 229v. ‘atonal’?! 23v. modal?! 24vocabulary 45–47melody 64–65tonalist or tonalitarian? 24

tonalityadjectival derivatives 23definition 23–25

tone 6definition 22–23different meanings of 25v. timbre 25, 26–28

tonic 8, 34, 35, 36, 42, 50altered modal triad 118–120extended 203target 219sol‐fa 21, 22

Top of the Pops 237Torry, Clare 179trad jazz 85, 89, 113Trago fados nos sentidos 230transpose 30transposing instruments 21Träumerei 73, 74Traveler In Time 225Traveling Wilburys 218Travelling Man 185, 206Treis i ora nykhta 121, 122Tremeloes, The 218triad 137, 148

defined 95major/minor/diminished 138modal major 117–125

‘triadic’ harmonyproblem term 7, 93

Trista Pena 233Tristan and Isolde 108tritone 34, 52, 109, 110

substitution 113, 202trivialisation 115trombone 169trote 231Trottier, Danick 15troubles 259, 260Troy, Doris 206Trukeros, Los 232trumpet 21, 169Tsamiko music 85Tu me alegras 230tuning 6, 29–43

CONCERT PITCHdetuning 30, 38, 43equal‐tone 34, 37–40extra‐octave 29–31instrument‐specific 40–43intra‐octave 31–32, 34–40just temperament 34, 37open chord 83, 119out of tune 43

Turkey 42, 54, 84, 122traditional music from 176

turnaround 8, 200–201, 202, 203, 204, 211, 289blues 170–171change 245chord 211, 212, 221

Turner, Tina 235Tutti Frutti 209, 212TV 268twelve‐string GUITARtwelve‐tone music 23, 109Twentieth Century Man 225, 226


Twin Peaks 84, 185, 186Twist And Shout 1, 121, 217, 218, 299, 306, 311

Twisted Sister 259, 260Two Good Men 246Tymes 176Tyner, McCoy 129

Uud 41, 42Uileann pipes 83ukelele 41Ukraine 77Um Um Um Um Um 104, 228–229, 234

Under My Wheels 236unidirectional 227, 234unification 263uninterrupted CADENCEunison 31, 43, 90Unit Four Plus Two 184up and out 256Uriah Heep 225Uruchaqina 244USA 55, 252, 258USA for Africa 263Uskovich, David 241

VV (TV series) 84Valens, Ritchie 206, 218, 223Valentine Brothers 177, 178valse chantée 164, 166, 170, 196Vamos a la playa 76vamp 8, 114, 140, 201–209, 210, 214, 217, 289turnarounds and 202v. blues and rock 209–215

Van Diemen’s Land 189, 197Van Halen 189Värmeland du sköna 63Vårvindar friska 70, 71Vaughan Williams 127Vee, Bobby 206Vega, Carlos 4, 229, 243Vernallis, Carol 241Viento de la arena 233Vigilante Man 119Vigneault, G 64Vilborg på kveste 123Villa, Trond 123vina 83Viola, Paulinho da 230violence 218virtual progression

CIRCLE OF FIFTHSVitone, Luca 77Vittoria! (Carissimi) 69Vivaldi, A 106, 204

vocal delivery 209vocal timbre 219voice leading 89, 96–101, 134Volare 58, 59Volga Boatmen, Song of the 66Vorzon, B De 84Voyeur 187Vrethammar, Sylvia 102, 121

WWagner, R 108, 245Wailers, The 241Wake Me Up Before You Go Go 176Walk On By 142, 178, 181Walking Back To Happiness 185Wall Street Shuffle 185, 187Wallace, Sippie 145waltz 95, 141, 164, 165Waltzing Matilda 111Ward, Anita 177, 178Warren, Harry 106, 143, 203Warsaw Concerto 142Warszawjanka 62Warwick, Dionne 177, 178, 181Watching The Detectives 185Waterloo 112, 144Watermelon Man 167, 224, 272Waters, Muddy 62Watson, Doc 40, 77, 83, 118Waulking Song 40We Are The World 280We Shall Overcome 111We’ll Meet Again 88We’re Not Going To Take It 259Webern, Anton 23Wedding March 142Weelkes, Thomas 119The Weight 235, 238, 257, 258Weil, Cynthia 212Weill, Kurt 141, 143Western adventures 124Wham 176What Becomes of the Brokenhearted? 241, 257

What Difference Does It Make? 235What Shall We Do With The Drunken Sailor? 66, 195, 196, 197

When The Saints Go Marching In 111, 213

When You’re Down And Out NOBODY KNOWS YOU WHEN…

Where Do We Go From Here Now? 225Where Have All the Flowers Gone 111Whispering Thunder 187White Christmas 141White Rabbit 176, 184White, Barry 247Whiter Shade Of Pale 112, 144, 249, 257

Who Put The Bomp 206

Who, The 75, 224Who’s Sorry Now 248, 249, 250Whole Lotta Love 65, 211Whole Lotta Shakin’ 209whole tone INTERVAL, MODEWhy Do Fools Fall In Love? 207Wicks, S A 77, 78, 85wide open spaces 55Wild Thing 1, 218, 219, 315Will.i.am 235, 241William Tell Overture 72Williams, Charles 74Williams, Clarence 145Williams, John 75Wilson, Hugh 86Wilson, Jackie 206Windmills of Your Mind 106Wine Festival 68Winter, Johnny 235Wintzéus, Anders 84Winwood, Stevie 248, 250Wishbone Ash 235, 239With A Little Help From My Friends 225Within You Without You 214Without You 143Wohltemperiertes Klavier 112Woman Is The Nigger Of The World 248, 253, 254

Wonder, Stevie 168, 235Wonderful Land 189, 191Wondrous Love 135wood block 253Wood, Alexander 27workers 261, 262Workers of the World Awaken! 111World War II 210World Without Love 248, 253–255‘world‐musicky’ 253Wraggle Taggle Gypsies 62, 197Wreck Of The Hesperus 144

XX‐Files Theme 63Xtra Bass 177, 178xylophone 26

YYardbirds 235, 239Yeh‐Yeh 185yelling 65, 255Yellow Submarine 141Yes We Can 9, 235, 237, 241–263Yesterday 63, 71, 106You Ain’t Seen Nothing Yet 225You Are What You Is 79You Never Give Me Your Money 142, 214You Spin Me Around 178, 179, 235


You’re No Good 178, 179You’ve Got To Hide Your Love Away 144

You’ve Lost That Lovin’ Feeling 143, 189

Youmans, Vincent 142Young Love 206Young, Neil 185, 187, 218, 219, 220, 221, 241

Youngbloods 189Your Song 82youthful energy 209YouTube 130, 207, 224, 225, 227

Zzampoñas FLUTEZappa, Frank 79

Zara 176Zeybek 176Ziggy Stardust 235, 238zokugaku‐sempô 50, 55Z.Z. Top 28, 225, 235

Chord sequence indexi/I‐$II 190I‐$II 176I‐$II‐$III‐$VII 121I‐ii 175, 176, 177I‐II 176I‐II‐iii‐V 123I‐II‐V 121, 123, 234I‐ii‐vi 227

i‐$III‐iv‐V 230i‐$III‐IV 168, 234, 235, 239i‐$III‐IV‐$VI 121, 239i‐$III‐IV‐$VII 121i‐$III‐$VI‐$III 121, 236i‐$III‐$VII‐IV 234I‐$III‐v‐IV 237I‐iii 257–258I‐iii‐IV 235, 238, 257I‐iii‐vi‐IV 257–258I‐III 175, 235, 236, 248–257I‐III‐IV‐II 237I‐III‐IV‐iv 255I‐III‐vi 254I‐III‐vi‐I‐IV‐iv‐I‐I 253I‐III‐VI‐II‐V‐I 249I‐III‐vi‐IV 242–263

i‐iv 178i‐iv‐V 234i‐iv‐V 229, 231, 233i‐iv‐V‐i 230i‐iv‐V‐V 230i‐IV 178, 181, 182, 190I‐iv 178I‐iv‐$III‐iv 118I‐iv‐VII‐III‐VI‐ii‐V‐I 106I‐IV 175, 177, 178, 179, 180I‐IV‐$III‐I 240I‐IV‐$III‐IV 168I‐IV‐+iv° 201I‐IV‐V 116, 121, 200, 217, 218, 222, 223, 233, 234

I‐IV‐V‐I 215I‐IV‐V‐IV 218, 220I‐IV‐V‐V 212, 220I‐IV‐$VII 119, 121I‐IV‐$VII‐IV 237I‐IV‐$VII‐v 234

i‐v 184, 190i‐V 190I‐v 194I‐V 182, 183I‐V‐IV 218, 234I‐V‐IV‐I 210I‐V‐IV‐IV 218, 219, 220, 221I‐V‐V‐I 196I‐V‐vi‐iii‐IV‐I‐IV‐V 259I‐V‐vi‐IV 258–261I‐V‐vi‐vi‐IV‐IV‐V‐V 260

i‐$VI 185, 186, 227i‐$VI‐$VII 187i‐vi 186I‐vi 185, 196, 204I‐vi‐ii/IV‐V 186, 204, 208, 236I‐vi‐ii‐V 202, 203, 204, 205, 209, 220

I‐vi‐iii‐V‐239I‐vi‐IV/ii‐V 186I‐vi‐IV‐V 205, 206, 207, 209, 212ʺI‐vi‐IV‐V‐I 204I‐VI 185, 186I‐VI‐II‐V 201, 202

i‐$vii 189, 190, 196i‐$VII‐i‐$III‐IV‐i‐236i‐$VII‐$VI 122, 186, 187, 122, 234, 187

I‐$vii 190I‐$VII 189I‐$VII 190, 191, 194, 195 I‐$VII‐IV 36, 222, 225, 234I‐$VII 189

ii‐I 176ii‐iii‐vi‐ii‐V‐I‐IV 106ii‐V 178, 179, 180, 181, 182, 190, 203

ii‐V‐I 106, 179, 181, 190, 203, 211II‐I 122, 157II‐V 194II‐V‐I 215, 226II‐$VI‐$III‐$VII‐IV‐I‐108

$III‐$II‐I 231$III‐$III‐iv‐i 228

$III‐$VI‐$VII‐i 234$III‐$VII‐i 234$III‐$VII‐iv‐i 108$III‐$VII‐IV‐I 108iii‐VI‐ii‐V‐I 106III‐vi 251III‐VI‐II‐V‐I 106III‐VII‐iv‐i 108

iv‐i‐V‐i 230iv‐I 255iv‐$III‐$II‐I 122, 231, 234iv‐V/v 122iv‐VII‐III‐VI‐ii‐V‐i 106IV‐I 125, 177, 178, 182, 183, 210, 245, 246, 250, 251

IV‐I‐III‐vi 244IV‐V 193IV‐V‐I 192, 193

V‐I 96, 97, 101, 102, 103, 110, 114, 125, 182, 183, 200, 210, 211, 212, 215, 228, 232, 234, 246, 250

V‐IV 246V‐IV‐I 210, 211, 212, 222, 224V‐$VI‐$VII‐i 234V‐$VII‐I 222V‐vi 245

$VI‐i 188$VII‐I 189, 193$VI‐$III‐$VII‐IV‐I 108, 226$VI‐$III‐V‐i 230, 231, 233, 244$VI‐$VII‐i 192, 233 $VI‐$VII‐I 125, 227vi‐ii‐V‐I 106vi‐V‐I 234vi‐V‐IV‐I 234VI‐II‐V‐I 114, 201VI‐V/v 122

$VII‐IV‐I 225, 226$VII‐V‐I 250vii‐I 122vii‐iii‐vi‐ii‐V‐I 107vii‐III‐VI‐ii‐v‐i‐iv‐VII‐III‐VI‐ii‐V‐i 107

vii‐III‐VI‐IV/ii‐V‐I 106

Index [] · Tagg: Everyday Tonality — Index 319 Index Abba 32, 88, 112, 143, 144, 178, ......

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Transcript of Index [] · Tagg: Everyday Tonality — Index 319 Index Abba 32, 88, 112, 143, 144, 178, ......