In the Habitus of the New - University of Illinois at ChicagoIn the habitus of the new 2 The habitus...

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In the habitus of the new 1 In the Habitus of the New Structure, agency and the social media habitus Zizi Papacharissi Emily Easton Because things are the way they are, things will not stay the way they are. Bertolt Brecht Change requires both processes of interruption and continuity in order to advance newer modes of doing. Breaks from practices of the past enable switching over to practices of the present and future. At the same time, a measure of stability helps individuals integrate these practices into their everyday routines and reassures all that change is here to stay. Thus, gradual change stabilizes only to be again rearranged by the same processes of interruption and continuity that brought it into being. The dynamics of new media are founded upon the premise and the promise constant change and permanent evolution. This chapter examines how the dynamics of new media interrupt and sustain the sociality of everyday life. We use Bourdieu’s construct of the habitus, to understand what sorts of social places media of permanent novelty present and the texture of social dispositions these places invite. We also examine the practices that habituated dispositions cultivate and how those are engaged by communities of practice. Ultimately, we employ the concept of the habitus to trace how structure and agency are evoked and reconciled via the practices of everyday [mediated] sociality.

Transcript of In the Habitus of the New - University of Illinois at ChicagoIn the habitus of the new 2 The habitus...

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Inthehabitusofthenew1

IntheHabitusoftheNewStructure,agencyandthesocialmediahabitusZiziPapacharissiEmilyEaston

Becausethingsarethewaytheyare,thingswillnotstaythewaytheyare.BertoltBrecht

Changerequiresbothprocessesofinterruptionandcontinuityinorderto

advancenewermodesofdoing.Breaksfrompracticesofthepastenableswitchingover

topracticesofthepresentandfuture.Atthesametime,ameasureofstabilityhelps

individualsintegratethesepracticesintotheireverydayroutinesandreassuresallthat

changeisheretostay.Thus,gradualchangestabilizesonlytobeagainrearrangedby

thesameprocessesofinterruptionandcontinuitythatbroughtitintobeing.The

dynamicsofnewmediaarefoundeduponthepremiseandthepromiseconstant

changeandpermanentevolution.Thischapterexamineshowthedynamicsofnew

mediainterruptandsustainthesocialityofeverydaylife.WeuseBourdieu’sconstruct

ofthehabitus,tounderstandwhatsortsofsocialplacesmediaofpermanentnovelty

presentandthetextureofsocialdispositionstheseplacesinvite.Wealsoexaminethe

practicesthathabituateddispositionscultivateandhowthoseareengagedby

communitiesofpractice.Ultimately,weemploytheconceptofthehabitustotracehow

structureandagencyareevokedandreconciledviathepracticesofeveryday

[mediated]sociality.

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ThehabitusisperhapsoneofBourdieu’smostpopularideas,developedto

overcomeanumberofbinarydivisionsinthesocialsciences,andinparticular,to

addressthedualityofstructureandagency.Inexplicatingthisrelationship,Giddens

(1979)underscoredthat“socialstructuresarebothconstitutedbyhumanagency,and

yetatthesametimearetheverymediumofthisconstitution”(p.121).Broadlydefined

asasetofdurabledispositionsthatenablestructuredimprovisationsofindividuals,all

guidingsociallife,thehabitusbothinvitesambiguityandflexibilityintermsofhowitis

interpreted,perhapsbydesign(Park,2009).Regardless,isitusefulbecauseitdoesnot

separatestructurefromagency,explaininghow“embodieddispositions...are

generatedbystructuralfeaturesofthatsamesocialworld”and“agents’dispositionsto

actarethemselvesformedoutofpreexistingsocialcontexts”(Couldry,2004:358).In

mediatedarchitecturesofeverydaysociality,likethosepresentedbysocialnetwork

sites,socialbeings’behaviorsemergeoutofthesocialcontexttheyfindthemselvesin.

Agencyclaimedchallengespre‐existingstructurebutissimultaneouslyreproducedby

andreproductiveofstructure.Inthecontextoftechnologicalconvergence,the

propertiesofonlinemediaaffordthedualityofstructureandagencyanaccelerated

reflexivity.

Wearguethatthisacceleratedreflexivityisbothsustainedandremediatedviaa

habitusofthenew;asetofdispositionsinvitedandregeneratedbyandviaastateof

permanentnovelty.Thisideaisappliedtothecontextofsocialitybywhatonemight

refertoasasocialmediahabitus:asetofdispositionsthatemergeoutofthesocial

architectureofsocialmedia,andframebutalsoconstantlyinvitetheremediationof

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agency.Althoughwerefertomediaplatformsthatdiffer,thetermisdefinedbroadly

andintendedtocapturetheubiquityofabrandforsocialitythatpopularsocialnetwork

siteshaveintroduced.Forgreaterspecificity,onemightrefertoaFacebookhabitus,or

speakofaTwitterhabitus,oraGoogle+habitus,inreferencetothepredispositions

thatpopulatethesesocialenvironments.All,however,aredefinedbythehabitusofthe

new,theworkofnetworkedenvironments,actors,andconvergentnewtechnologies.

Webeginwithanoverviewoftheoryofthehabitus,andexaminehowitconnectswith

Bourdieu’scommunitiesofpracticeandgenerationofavarietyofformsofcapital.We

thenreviewtheaffordancesofnew(er)orconvergentmedia,anddiscussthesocial

architecturestheyassemble,outofwhichahabitusofthenew,andthatofFacebook,is

formed.

Habitus,agencyandstructure

Bourdieu’sconceptofhabitusprovidesawayoftranscendingthedualismsof

theoreticalparadigmsandmodels(Abdelhay,2010;Park,2009).Throughhistheoryof

practiceandthenotionsofhabitusandfield,Bourdieumakesitpossibleto

problematizecommonsensepracticesthatarefrequentlytakenforgranted(Abdelhay,

2010).Bourdieu(1990)suggeststhat“beingtheproductofaparticularclassofobjective

regularities,thehabitustendstogenerateallthe‘reasonable,’‘commonplace’,

behaviours,”whichprovidesacomfortinghomogeneityfortheindividual.Thehabitusis

theproductoflong,andongoingprocessesofsocializationthatimpartpracticestaken

forgranted,butisbynomeansmerelyacollectionofembodieddispositionsthatare

actedoutmechanically.Thereflexivityembeddedinthehabituspermitsthecultivation

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ofpracticesthatconnecttofields,ororganizedstructures,dialecticallyandrelationally.

Thesepracticesdopresenthabituatedactionsbutareexercisedthroughpatternsthat

maybemoreorganicandlesscodifiedorobedienttothesestructures.Atthesame

time,thesepracticesgainmeaningastheyareenactedwithincommunitiesofpractice,

thusreferencingstructuralcontext.

Habitusofferstheoreticalgroundingthatrecognizesandincorporatesboththe

internalandexternalconstructionofacquiredanddevelopingpredispositions,

schemata,andtastes,wherethe“habitusisnotonlyastructuringstructure,which

organizespracticesandtheperceptionofpractices,butalsoastructuredstructure”

(Bourdieu,1984:170).WithrootsinthewritingsofAristotleandmentionsintheworks

ofmanysociologists,thehabitushasemergedasanoptimalconstructthatreconciles

structureandagencyasmutuallydefined,inthatstructure“becomessomethingthatis

givenmeaningtotheextentthatitisembodiedinindividuals”(Park,2009:4).In

responsetodichotomiesthatperceiveagencyandstructureasseparateandopposing

processes,Bourdieu’sdescriptionofhabitus“depictssocialpracticeastheoutcomeofa

dialecticofincorporationandobjectification”(Sallaz,2010:296).Forexample,in

discussingnewentrantstothefieldofjournalism,Bensonnoteshowboththe

“objectivestructure”andthemorepersonalhabitusofeachindividualagentconflateto

informhowtheindividualisabletostructuretheirreality;sothatthe“complexity,

capacities,andcharacterofanyparticularagentisduenottohisorhersubmissiontoor

freedomfromtheeffectsofafield,butrathertotheparticularityofanylife’strajectory

withinandthroughaseriesoffields”(Benson,1999:467).Allactionandmeaningare

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bothpersonalandsubjective,whileformingamutualfeedbackloopwiththemore

objectivesocialstructuresoutsidetheindividual.

Thisprocessofnavigationoccursorganicallyandwithoutconscious

consideration,asthehabitusresidessodeeplyinone’sexperienceandexpectationof

sociallifeastobeimpossibletoseparatefromtheauto‐pilotofalmosteverysocial

action;weactreflexivelywithintheboundariesofoursocialconditionasthehabitus

“generatesandorientsanagent’spractice,despitethefactthatanagentwouldbe

hard‐pressedtoexplainany‘rule’or‘purpose’behindtheiraction”(Anderson,2004:

266).Sincethesemutuallyreinforcingexchangesoccursoseamlessly,thetheoryaffords

anewwaytoexplicatesocialrelationsandphenomenawithoutassigningtheburdenof

explanationtotheobjectiveorsubjective.Assuch,ithasbeenusedtoreconcileand

exploreissueswheretheseingrainedpracticesmightbeproblematicaspersonalhistory

andexpectationconfrontanewsocialstructure,forexample,culturalassimilation

(Adkinsetal.,2006;Kim,2007;Bangeni,2009;Sallaz,2010);translation(Inghilleri,2003;

Ben‐Ari,2010;Meylaerts,2010);languagerightsandusage(Boussofara‐Omar,2006;

BrownandCrawford,2009;Abdlehay,2010);andoccupationofphysicalspace(Parker,

UprichardandBurrows,2007;Centner,2008).Theinterplayofchange,theold

intersectingwiththenew,offersanotherdichotomywherehabituscanhelptoexplain

howtheindividualnavigatesashiftingculturalstructure,whileherselfbeinganagentof

thatchange.

Socialactorsnavigatemorespecificsocialrealms,orfields,whichareshapedand

shapingofahabitus,accordingtoBourdieu.Thesearebroadlydelineatedassocial,

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political,cultural,economic,andaredifferentiatedbasedonthedifferentformsof

capitaltheyaffordandtheirrelativeautonomyfromeachotheranddominantpolitical‐

economicfields(Benson,1999).Eachfieldoperatesasadistinct,butinterconnected

andmutuallyinfluentialculturalsphereofthelargersocialrealm,madedistinctbywhat

typesofcapitalofferthemostvaluetotheindividualholders.Much(ifnotall)ofthis

capitalisnotliteral,butsymbolic,“accordedspecialmeaninglargerthanitselfbythose

exchangingthecapital”(Centner,2008:197).Avastcollectionofrarevintagesor

patchworkquiltsmayofferholdersintherightfieldanadvantageovertheirpeers,but

notbecauseanyoneisthirstyorchilly;thefieldanditsmembersassignhighersymbolic

capitaltocertainobjectsandpractices,regardlessofthephysicaloractualbenefitsthat

mightarisefrompossession.Unintentionally,everyagentinthefieldwilltrytoextract

themaximumamountofprofit(or,additionalcapital)fromeverysymbolicexchange

(Bourdieu,1991).Assymboliccapitalisexchangedandmaximized,agentsgainstatusin

thefieldandadjusttheirdispositions,inrelationtopeers,fieldandthoseoutside,along

witharevisedsocialstanding.Thevalueofcapitalthusshiftsone’shabitus,whilethe

fieldadjuststotheindividualchangesaswell,alongwiththevalueofthecapital;fields,

symboliccapitalandhabitusareallinterconnectedandfluid.

Habitushasalsobecomeapopulartheoryformediaculturescholars,interested

inhowproducersandconsumersinfluenceeachothertocreateaudiencetastesand

understandings(Jewkes,2004;O’Connor,2004;Lewis,2006;Park,2009).While

populistswouldassigntastetothepersonalandthoseintheFrankfurtSchoolwould

faultthemediaproducers,Bourdieu’stheorytakesamorecomprehensiveviewofhow

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tasteisformed.Asaproductofthehabitus,tasteacquiresa“doublenature:ontheone

handitisimmediateandemotional,beyondstrategiccalculation;ontheother,itis

structuredbyandfundamentallylinkedtopowerandsocialposition”(Scheuer,2003:

145).Asaresult,whatwelikeisconnectedtowhowearerelativetoourplaceinthe

largerstructure,specificallywhichfieldsweassociateandareassociatedwith,sothat

“thereallocusofstruggleovermeaningliesnotintherelationbetweenanyparticular

setofculturalproducersandtheiraudiences,butamongfieldsofculturalproduction

(bothproducersandhomologousaudiences)thatvieamongthemselvesoverthepower

toproducelegitimateknowledgeaboutthesocialworld”(Benson,1999:487).Meaning

arisesfromthemutuallyconstructedandagreeduponvaluesandmoresofeveryfield,

leavingneitherproducerorconsumerpowerlessorincontrol,butsubjecttothesame

push‐and‐pullofstructureversusagencythatthetheoryofhabitushelpstoexplain.In

explainingour“culturalhabitus,”wemusttakeintoaccountbothourowncapabilities,

butalsothesurroundingfieldthathelpstoshapewhatispossibleandwhatwecometo

valueandprefer.

Structureandagencyinthehabitusofthenew Asthemediaindustryexpandstoincreasinglydigitalterritories,producersand

audienceshavecometooccupynewlydefinedfieldsthatactandreacttomodifytheir

collectivehabituses.Analysesofthesocio‐culturalandpoliticalimpactoftheinternet

frequentlyevokedualitiesofdystopiaandutopia,promiseandperil,constructionism

andessentialism,determinismandfreewillandmanyotherdichotomiesthatservethe

purposeoforganizingthoughtandtheoryaroundthenet.Whileitisimportantto

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engagetheperspectivesimpliedintheoreticaldichotomies,itisalsonecessarytorealize

thatpeoplelivetheireverydaylivesbyconstructingpracticesinthehopeofreconciling

andpolarities,andsomustatheorythatexplainshumanbehaviors.

Naturally,thehabitusisbothstructuringstructureandisstructuredstructure

itself,reconcilingfixityandchange,whilealsoallowingthatchangeisdefinedbythe

parametersofstructurethatpresentitscontext(Abdelhay,2010).Thus,ahabitusbased

analysisexaminesnotonlymacro‐levelstructuresatwork,butrather,howtheyconnect

tomicro‐levelpraxis.Inthecontextofnewmedia,ahabitusbasedanalysiswould

acknowledgedominationpatternsinmediaownershipandconvergencebutwould

focusonconnectingmicro‐levelpraxisthatdevelops(Park,2009).Itistheflexible

structureofthehabitusthatprovidesaperson,andthefamilytheabilitytodealwith

theuncertaintiesineverydaylife,eventhoughthatflexibilityisframedbypre‐existing

structures(Bourdieu,1984).

Theconceptofthehabitusisintendedtodescribethegeneraltendencyof

peopletoreproducecertainpatternsofaction,includingconformity,butalso

divergence(Sela‐Sheffy,2005).AccordingtoBourdieu(1990),actionsarenotmechanic

orrule‐based,butstrategic.Actorsemployconformityanddivergenceasspecific

strategiesinrelationtocultural,political,social,oreconomicfieldsofactivity.Thus,the

habitusisnotstatic,althoughitisdurable.Thedynamicsofnewmediainviteand

rewardchange,whichcanonlybesustainedatthemicro‐levelviaahabitusoffamiliar

predispositionsthatgrantindividualssome[promiseof]agencyinhowchangesimpact

theireverydayspheresofsociality.Inthecontextofchange,agencymeansthat

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individualsareabletomaintainfamiliarpracticesdespitechange.Anditalsomeansthat

individualsmaintainautonomytodefinechange,althoughwithinthehabitus,this

autonomyisexercisedmostlyviahabituatedactionsthatdevelopgraduallythrough

communitiesofpractice.Thehabitusofthenewpromisestheseformsofagency.

Theaffordances,orpotentialities,ofthestructuralenvironmentformasocial

architecturethatsuggestsaflexiblesetofchoicesforagency,whichbothadvances

changeinthehabitusofthenewbutalsosustainsacomfortingfamiliarity.Thesetof

choicesisflexibleandaffordsautonomyinchoosing,butalsospecificviaasocial

architecturethatinvitesorencouragesparticulardispositionsandactions.Inthenext

paragraphs,wediscusstheaffordancesofthissocialenvironment,thesetofembodied

dispositionstheylendthemselvesto,andthepracticesthatdevelopoutofahabitusof

thenew.Alternatively,wemaythinkoftechnologiesas“crystallizationsofsocially

organizedaction,”andnot“asexceptionalorspecialphenomena,”butrather,as“other

kindsofsocialpracticesthatrecurovertime”(Sterne,2003:367).Inthatsense,

technologyishabitus,andthehabitusofthenewisconvergence.

Affordancesandthehabitus

Thedynamicsofnewmediarestupontechnologiesofconvergence,which

collapseboundariesandcombinethemeansthroughwhichindividualssocialize

(convergenceoftechnologies),butalsothephysicalandimaginedarchitecturessocial

individualstraverse(convergenceofspaces)andthecontinuumofactivitiesthatshape

andareshapedbyaconvergedtechnologicalarchitecture(convergenceofpractices)

(Papacharissi,2010).Likeallfields,technologiesareassociatedwithhabitsand

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practices.Theystructureandarestructuredbypractices,andembodythedispositions

oftheepochthatgivesbirthtothem.Digitaltechnologiesshapeandareshapedby

usersandproducers,workingwithinnewfieldswheresymbolicvaluesshiftwithnew

meansofcommunication.Thisimpactsculturalconsumptionsandoutputsfrommicro

tomacrolevels,since“notonlydotheconditionofthereaderandtheconditionofthe

spectatoroverlapwithmoreandmorefrequency;botharereinventedwhen,as

Internetuser,wedownloadbooks,movies,andsongsfromtheWeb.”(Canclini,2009:

142)Ourtasteschangeasourabilitytotasteinthenewstructuresshapeswhatwehave

cometoconsiderpossibleinourculturalrealms.

Thesetofembodieddispositionsthatformahabitusareturnedintopraxis

throughcommunitiesofpractice,andinthecontextofconvergentarchitectures,these

taketheformofnetworkedpublics.boyd(2010)theorizesthefollowingpropertiesas

thefourstructuralaffordancesofnetworkedpublics:persistence,replicability,

scalability,andsearchability.Persistencereferstotheautomaticrecordingandarchival

ofonlineexpressions,replicabilityconcernstheeasewithwhichcontentmadeoutof

bitscanbeduplicated,scalabilitycapturesthepotentialofgreatervisibilityofcontentin

networkedpublics,andsearchabilitypermitscontentinnetworkedpublicstobe

accessedthroughsearch.Papacharissi(2011)suggestsafifthstructuralaffordance,

pertainingtoshareability,orthetendencyofnetworkeddigitalstructurestoencourage

sharingoverwithholdinginformation.Whatrendersnetworkslivelyistheflowof

informationbetweenindividualnetworknodes.Withoutinformationflowingbetween

individuals,thenetworkbecomesastatic,asocialenvironment(Papacharissi,2009).

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Stutzman(2006)hasreferredtothisattributeastheinherentsocialityofsocialnetwork

communitiesandhasexplainedthatitaccountsforthehighlevelofdisclosureof

personalinformationonline.

Theseaffordancesdisposenetworkedpublicstowardparticularbehaviors.

Together,theypresentasetofembodieddispositionsthatcometoformahabitusof

thenew,characterizedbypersistence,replicability,scalability,searchabilityand

shareability.Inthismanner,thehabitusofthenewreflectsthedynamicsofconvergent

technologies,butisalsosuggestiveofacommonplacedrivinglogicthatblursprivate

andpublicboundariesinwaysthatruncontrarytothedominanthabitusofthefieldof

sociality.Thehabitusproducespractices,throughthe“durablyinstilledgenerative

principleofregulatedimprovisations”(Bourdieu,1977:78).Thus,developingpractices

aimtoreconciletheseconflicts,soastoadapttothenewbutsustainthefamiliar.

Forexample,inthefielddefinedbyasocialnetworkingtechnologylike

Facebook,orTwitter,thetheoryofthehabituscanbeusedtodescribedhowactors

movethroughonlinespacesasnewandcrowdedfieldsofmeaning‐making.Whilethe

premiseofFacebookmayappeartobetoexpressone’suniqueandsubjective

personality,allusersmayonlypresentthemselvesinthestandardstructureofthepage

template.Withintheseconfines,however,individualagencyandtasteallowusersto

articulateandrenegotiatethepossibilitiesofthesiteanditsmeaninginthelargerfield,

creatingnewmeaningsfromfamiliarstructuresandcommandingthenewlyvaluable

userattentionwithnovelty.FreishtatandSandlin(2010)understandFacebookasa

culturalspace,whereinnormativebehaviorsareestablishedandpolicedviathe

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premiseofthehabitus.Theydiscusshowthehabitusoperatesindigitalandphysical

worldssimilarly,leadinguserstoadoptandadaptnormativebehaviorsbyperforming

online“inwaysthataresimilartothewaystheyperforminface‐to‐faceinteraction—

policingthepersonaandactionsofotherswithinthesocialnormsassociatedwiththose

personasinparticularculturalcontexts(p.517).Innavigatingtheseonlinespaces

individualspermitahybridsetofestablishedandnewlyformedpredispositionstoguide

theirbehavior(Papacharissi,2009).Still,thepremiseofthehabitusguidesandexplains

howindividualreconcilenewwitholdpracticesonterritoriesdigitalandphysical.

Individualsclaimagencytoreconcilethecommonplacelogicofthenewinto

praxis.Theydosobydrawingfromtheaffordancesofthenewtomaintain/adapt

dominantsocialpracticesandtodefinetheshapeofthehabitusofthenew,through

meansthatareprimarilylinguistic(Anderson,2004;Bird,2007;Osterman,2003).

Markersofclass,suchaseducationandprofessioninformthehabitusofindividuals,

whichinturnshapesdigitaltastes,creatingandreproducingdigitalcastesystems

(Kvansy,2005;North,Snyder&Bulfin,2008).Localityandspacearealsofurther

reflectedinhowsystemsoftastearedigitallyexpressed,remixed,andreproduced

(Centner,2008;Parkeretal,2007).Thehabitusofthenew,asconvergence,situates

theuserassocialactorbyinvitingandproducingcertainpracticesthatdominateonline

behavior.Thesearetypicallypracticesthatrevolvearoundexpressionoftheselfand

connectionwithothersocialactors.Weidentifythreedominantpracticesthatare

characteristicofthehabitusofthenew.Thesepracticesarerichlyaffordedbythe

technologybutarealsoaremediationofembeddedpredisposition.

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(Authorshipand)Disclosure

Bourdieu(1984)explainsthatthehabitusisconstitutedviadiscursivepractices.

Inthismanner,structureisrhetoricallycreatedandaffirmed,aslanguageisa

constituentdimensionofthehabitus(Abdelhay,2010).Agencyisalsodiscursively

claimed.Thisrenderssocialactorsbothcreatorsandproductsoftheirhabitus,asthey

usenarrativepracticesforsensemakingandidentityconstruction(Bird,2007).Bourdieu

definedthelinguistichabitusas:

Asetofsociallyconstituteddispositionsthatimplyapropensitytospeakin

certainwaysandtoutterdeterminatethings(anexpressiveinterest),aswellasa

competencetospeakdefinedinseparablyasthelinguisticabilitytoengenderan

infinitearrayofdiscoursesthataregrammaticallyconforming,andasthesocial

abilitytoadequatelyutilizethiscompetenceinagivensituation(Bourdieu&

Wacquant,1992:145).

Inthehabitusofthenew,technologiesofconvergenceoffer,emphasizeand

rewardauthorshipasanarrativestrategy.Thelinguistichabitusisconstructedvia

authorshippracticesaffordedthroughblogs,microblogs,socialnetworksitesandother

platformsofexpressionandsocialawareness.Narrativepracticessuchasblogging,

tweets,orstatusupdatessustainwhatGiddens(1991)termedtheongoingstoryorthe

reflexiveprojectoftheself.Textualeventscallnetworkedpublicsintobeing.Language

itselfbecomesmediatedandremediated,andthediscursivespacesaffordedby

convergenceencouragepersistence,scalability,searchability,replicabilityand

shareability.Individualsareinvitedtotellstoriesaboutthemselves,andthestoriestold

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aremadeofwordsdigitallytraceable,remixable,andbroadlyaccessible.Thesocial

architecturecompelsindividuals,morethanever,totellstoriesaboutthemselves,and

tomakethosestoriespublic.Thisisfrequentlymistakenforexcessivenarcissismor

excessivelyself‐referentialbehavior,butmayalsobeunderstoodasanexpressionof

agencythatconformstoandseekstorelatetheindividualtothehabitus.Itisthrough

thepracticeofauthorship,affordedsorichlythroughconvergence,thatindividuals

constructdiscourse,whichservesassymbolicassetinBourdieu’sunderstandingofthe

habitus.InthecontextoftheFacebookhabitus,authorshiptakesonaparticularform

thatsupportsspecifictropesofconnectionandexpression.InthecontextoftheTwitter

habitus,theformofauthorshiplendsitselftodifferenttropesofsociality,privacyand

publicity.

Forexample,theperformativityandfrequentdramatismoffacebookstatus

updatesortwitterpostsobserve,butalsoprovokethehabitusofthenew.They

conformtoitbygivingintoitsshareability;theydissentbysharinginwaysthatare

distinctivefromdurablesetsofsocialdispositionsthatthehabitusofthenewrests

upon.Asrhetoricalclaimsofagency,theyreferenceandremediatetheirstructural

context.Thehabitusofthenewaffords,andrewardsauthorship,yieldingsocialcapital

forthosewhoshareminiorlengthiernarrativeswiththeirnetworksofcontact.It

compelsindividualstoauthor,totellstories,andtosharestoriesaboutthemselves.The

habituspredisposesinawaythatisneitherconsciousnorintentional(Anderson,2004).

Ofcourse,individualshavealwayscreatednarrativestosustainhabitus,butthedigital

architectureenablesandaugmentsauthorship,inwaysthatpromoteparticularformsof

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storytellingandinviteotherstolisteninthroughspecificpractices.Andbeyond

sustainingauthorship,italsorewardsdisclosureofnarratives.Asaresult,whereasa

personalnarrativelikethatofadiarycontainedpersonalcapitalfortheauthor,upon

disclosedwithinthehabitusofthenewasablogentry,itprovidesaccesstosocial,

cultural,politicalandpossiblyeconomiccapital.Authorshipisencouraged,andpublicity

becomesagency,inthesensethatitpermitsauthorsaccesstofieldsandformsof

capitalthatwerepreviouslyinaccessible.Thehabitusofthenew,assustainedby

convergentmedia,presentsastructuredstructureandaffordsparticularavenuesfor

agency.

Listening

Itisnotuncommonforlatemodernitytocreatespacestowhichindividualsare

invitedasflaneursorvoyeurs.Pritchard(2000)arguedthatbyremovingpersonalized

salesassistance,supermarketsrenderconsumersandcommoditiesasimpersonaland

voyeuristic(inAdkinsetal,2006).McCarthy(2001)hasexplainedthatambient

functionsoftelevisioninpublicplacesservetoaffordindividualsasenseofprivacyin

public,renderingtheindividual“captiveandmobile,bothreceptiveandhostile”(p.

100).Similarly,technologiesliketheWalkman,andmorerecentlytheipodenable

privacyinpublicspaces(duGay,Hall,etal,1997).ApplecommercialshailiPod‐wearing

individualsmaneuveringuponneon‐coloredbackdropsasdisplacedyetconnected

urbanflâneurs(Papacharissi,2010).Communicationtechnologiesfrequentlycreate

spacesthatindividualsmustinhabitascomplexcontainertechnologies(Adkinsetal,

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2006).Thecontainertechnologyembeddedinsocialmediafrequentlyinvites

participantstoengageeitherinvoyeurorflaneurmode(boyd,2011).

Voyeurismandflaneuringpresentmodesofobservationthatcanalsobe

understoodaswaysoflisteninginonone’speripheralenvironment.Inthecontextof

socialnetworksites,thepracticeofsurveyingandtraversingthroughfriends’profiles

permits“peripheralawarenessandambientcommunity”(Erickson,2010:1194).The

practiceoffollowingopinionleadersonTwitterhasbeenlikenedtoemergingdisciplines

oflisteninginsocialmedia,characterizedbybackgroundlistening,reciprocallistening,

anddelegatedlistening(Crawford,2009).Inthismanner,thepracticeoflisteningmay

strengthenconnectednesswithothers(Hennenburgetal.,2009),resemblethe

practicesofconversation(HoneycuttandHerring,2009;Steiner,2009),andadd

elementsofphysicalitytowebdesign(Hohl,2009).Individualsmaintainasocial

informationhabitusthathelpsthemsustainsocialandperipheralawarenessoftheir

surroundinglifeworlds(Bock,2006).Peopleclaimagencyviadiscursivepracticesof

speaking(authorship)andlistening(Scollon,2001).Inthecontextofnewsaggregator

sites,forexample,thepracticeofreadingandendorsinganarticleconveysagency,in

theformofdissent,agreement,orinterestinaparticularviewpoint.Thetechnologies

inviteindividualstosurveyandtraverse,restinguponthehabituatedcustomofsocial

curiosity.Inseveralcasesinvolvingorganizedstructure,surveillanceandflaneuringare

commerciallyexploited.

InthecontextoftheFacebookhabitus,thepracticeofsurveyingandtraversingthrough

others’profilesisaremediationoflistening;areinterpretationofperipheralawareness

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withthemeansthatthedigitalplatformaffords.Thus,predispositionsthatturninto

practicesofeverydaysocialityaresustainedandreinventedinthehabitusofthenew.

Asahabitusofinformation,thehabitusofthenewsetsahighpriceonattention,and

listeningishowwearesocializedtocommunicateattention.Inthismanner,the

structuredpracticeoflisteningisreintegratedintothecontextofnew,asattentiontoor

distractionfrominformation.Likestructureandagency,theoldandthenewmodalities

oflisteningexistinperpetual,dialecticalshift,buttocommandattentionintheonline

field,themostvaluablecapitalstandsasthemostnovel.

Redaction

Thepracticesofexpressionandconnectiononthehabitusofthenewinvolve

bothproductionofperformancesandsimultaneousorsubsequenteditingofthese

performances.Redactionenablesthebringingtogetherandeditingofidentitytraces,to

formandframecoherentperformancesofsocialityandselfexpression(Hartley&

Rennie,2009;Papacharissi&Yuan,2011).Thus,redactionalfiguresareprodusedas

representationaloftheself‐figuresthatpresenteneditedmixofavailablemeanings

(Bruns,2008;Hartley,2003).Redactionalprocessesaresimultaneouslysimplifiedand

compromisedbythestructuralaffordancesofplatformsathand.Localandtranslocal

performancesofsocialityareconstantlyedited,re‐tweaked,andremixed,tomaintain

thecoherence(orpurposefulincoherence)oftheperformancewithvarying

audiences/publics.Theseredactionalpracticesaredevelopedsothatindividualscan

managethepersistence,searchability,replicability,scaleabilityandshareability

convergenttechnologiesafford.

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Self‐editinghasalwaysbeenapartofhowwepresenttheselftoothers,but

onlineplatformsfrequentlypromptself‐sharingbydefaultwithouteasilypermitting

self‐editing.RecentcontroversiesaroundFacebookprivacysettingpresentanexample

ofhowimportantself‐editingisforindividuals.Bycontrast,Google+circlespresenta

structuralstrategyforcontrolleddisclosureandredaction,whichareappealingtousers

whowanteditwhatgetssharedandwithwhom.Inthehabitusmediatedthroughsocial

awarenesssystems,self‐awarenessandself‐monitoringareheightenedasindividuals

advanceintoaconstantstateofredaction,oreditingandremixingoftheself.Hartley

referstoresultingperformanceasreflectiveofa“homonuntius,”orthe“messaging

human,”acontemporaryspeciesthatexpressesidentityviaandasmessage,and

“producesindividualidentityoutofsocial‐networkinteraction.”1InHartley’swords,“‐

Individualsinthespecieshomonuntiusdon’tjust‘send’messagesasanaction

(‘message’asverb),theyareasystemofmessages(‘message’asnoun);theyareboth

constitutedbyandproductivethroughmessages,whicharetheprocessbymeansof

whichreasonemerges(itistheproductofaprocess,notaninput).Wewouldinturn

addinthehabitusofthenew,agencyisclaimedthroughauthoring,listening,and

redactingmessagesabouttheselfandothers.Thispracticebecomesfluidandmay

presentastrategicclaimofcapitalacrossdistinct,orcombinedfields.

DigitalLiteracyasAgency

Thistheoryofhabitusoffersinsightintohowactorsareabletoaccessandmake

senseoftheresourcesintheirfield;someactorsmaynotpossesstheproperdisposition

1. Hartley, “Homo Nuntius,” 19.

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Inthehabitusofthenew19

toappropriatetheestablishedmeaningsofthetechnologicalresources.Inthesecases,

socialactorsmaystillclaimagency,butarriveatdifferentunderstandingsofhowa

technologycanbeandultimatelyisused.Theselimitationsformtheboundariesofthe

fieldinwhichfreeplaycomestoconstitutethesocialreality;withinthe“rules”ofthe

game,eachactresscanbeliberatedtoinvokeherstyle,motivation,actionandreaction

tocontributetothesocialworld.Withinthelargersocialstructure,technologyemerges

asanotherfieldwithitsownstructures,shapedbyactorsandthelimitationsofsocial

world,thatreactstothecapabilitiesandactionsoftheusers;usersdrivetechnologyas

muchastechnologydrivestheusers.

Wearguethatindividualswithredactionalacumenmaybeabletomanagethe

structuralaffordancesofconvergentenvironmentsfluently.Notonlymaytheybeable

tooptimallyexploittheexpressiveandconnectivepotentialofonlineplatforms,but

theyareabletocapitalizeontheembeddedconvergencetocombineandaccumulate

capitalthathasvalueandtranslatesacrossfields.Indoingso,theymaybeabletoedit

performedactionsinwaysthatremediatehabitsofthepastintothehabitusofthenew,

thusalsoavailingthemselvesofaperformativefluencythatleadstoenhancedagency.

Theabilitytoproduce,buttoalsotoeditrestsuponheighteneddigitalliteracy,or

fluency,thatisessentialforagencyinthehabitusofthenew.Digitalliteracypermits

dialogicnegotiationofacomplexsetoftextsthatflowacrossavarietyoffieldsand

spaces(Bulfin&North,2007).Digitalfluencyinturnsupportsperformativefluency

online,acrossallfieldsofinteraction,andpermitsthatindividualscultivateredaction

acumen.

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Inthehabitusofthenew20

Thehabitusofthenew,isahabitusofinformation,containingcultural,andthus

linguistichybridity(Robinson,2009).Embeddedintothepremiseofconvergence,it

collapsesseveralpublicsandaudiencesthatwemustsomehowreconcile,relyingon

practicesthatfrequentlyborrowfromtranslationalnormsandrequireskillsthat

resembleadigitalformofmultilingualism(Inghilleri,2003).Innavigatingthespacesthe

habitusofthenewaffords,wearenotjustconsumersbutprodusersofpolysemic

messages,someofwhicharecentraltocraftingoursenseofself.Redactionalacumen

isaneditingsensibilityessentialtothestorytellingoftheself,asthatunfoldsthrough

thehabitusofthenew.Structuredaroundthetendencytoeditandintegrateaspectsof

one’sidentity,redactionalacumenenablesindividualstopresentacoherentand

polysemicperformanceoftheselfthatmakessensetomultiplepublics,without

compromisingone’sauthentic,orrather,intendedsenseofself.Inthehabitusofthe

new,digitalfluencypavestheroadtoagencyandredactionalacumenpresentsthe

meansforcapitalaccumulation.

Asrecentfindingsonthedigitaldivideindicate(e.g.,boyd&Hargittai,2010;

Hargittai,2010),itbecomesclearthatitisnotjustaccesstotechnologythatblocks

lowerclassesfromusingthem–itisafundamentallydifferentdispositionthatdoesnot

enablethemoreacceptable(bycertainstandards)formsofaction.Digitalfluency,like

thepreferenceforsmallerportionsofhautecuisineortheabilitytochatatacocktail

party,comesfromthedeeplyingrainedworldsproducedinclassandeducation.While

therulesofthehabitusmayhavechanged,theclassconnectionremainsfirmlyinplace;

thosewithoutfluencyloseagencyandfluencyisaproductofclass.

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