I#IELY T^IUSICAL GOrEiEi^ · Musical. Musical. Musical. GUSTAV MAHLER. His fifth symphony willbe...
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Musical. Musical. Musical. GUSTAV MAHLER. His fifth symphony will be played by the Boston Orchestra. HAROLD BAUER. Pianist with th« Boston Symphony Orchestra on February 15. GRAND CONSERVATORY OF MUSIC, 68 W. 88d SL. near Central Park. (Thirty-eecond year.) TICK ONXY MTSIO SCHOOL, EMPOWERED BY ACT OP LEGISLATURE to confer the regular UNIVERSITY DEGREES. Special course for Teachers and Professionals. Thorough course for beginners. DB. E. EBERHARP. 68 W. 83d St. INSTITUTE OF MUSICAL ART OP THE CITY OF NEW YORK Endowed mMd Incorporated FRANK DAMROSCH DIRE C OR 53 Fifth Avenue, corner 12th Street, New York S«cond l«m opens January Ird. l»0«. OUt* a thorough nsustca! edacatioa to «T«rr \u25a0••iac* wtnAmrrt-m* music. profesßlonal or amateur. In all branch., of th* arc ° ™ •T«ry Hnnt wtoomttt «f The facuit, include GERSTER, GIRAUDET, HENSCHFTL, STOJOWSK KXEISEL, SCHROEDEHwd oih«r rr«*t tmchn*. Pro«p«ctu» on »pp;ic*tlon to t&• RSOI»TRjU«. NEW YORK COLLEGE OF MUSIC 128-130 East SSth St. Carl Hein — Directors — Fraemcke (Successors to Alexander Lambert.) Thorough education in piano, singing, violin, 'cello. 5S^S ay ' etc - and all orchestra Instruments by ?s3£?,P V THE MOST EMINENT ANDWELL KNOWN INSTRUCTORS. Terms from »15 up. Departments for beginners, amateurs, professionals and artists. Students can enter dally. SEND FOR CATALOGUE. OPERA and ORATORIO SCHOOL. an* mor. than «tr • *«* TLch^Op^oSto?- h£Z^&^f a^J'?**f «*« '*=*. menu to good volo.s^ Banner, of m.rlt invft^" bv^oin^nt MU^ cp ' Cl 1 lndtto^ \EGAH.\ BTCDIO3 OF MUSIC—I7OO BROADWAY. ygff YOBX. Edith P. Walrath, VOICE CULTURE. Good voices cultivated by contract: consultation Wednes- day mornings, at studio. No. 11 West 21st-st.; Wednesday evenings at residence. 691 Qulncy-et.. Brooklyn. WILLIAM PHILP, TENOR. Recital. Concert and Oratorio. Former leading Tenor. The Bostonlans. Pupil of Garcia. Medalist R. A. M. Sf n^. 0n " o , Specialties. Voloa Production. Coaching InOpera. Etudlo. 814 Carnejli Hall. Residence. Hotel Kndlcott. Max TOertheim, Opera and Concert Singer, formerly leading tenor of . yal -SB?™ Houge - Rotterdam. Frankfort-on-Maln. methoda? INSTRUCTION (Garcla-Stockhaus.n Studio. "THE MOORLAND." 269 W. 113th St.. N. T. NEW YORK INSTITUTE OF MUSIC 560 West End Avc. (Corner 87th), — THOROUGH MUSICAL EDUCATION »—* B. B. CLAY. Director. LEO BBAUX, mix Rtrrvv EXCEPTIONAL OPPORTUNITIES FOR STUDENTS WISHING TO BErOMfpßnwqstnvM « r-r _-— - ™§ia B TiS£ - TEACHERS' COURSE. LANGUAGES. sCHo2A^sfpT M foR R c!?ri S ZEai^ APp- LL V 33 Voice Placing. Breathing. Preparation for ''holr. Concert and Oratorio. 13*$ sth Aye.. X. Y. LUISA CAPPIANI THE GUILHINT ORGAN SCHOOL AGNES SUMNER GEER Professional Reader. Elocutionist. Concerts. Fusils ao> opted. 917 S«*satn-*»o. and 138 Firth-are. ALBERT MILDENBERG, „ PIANIST A>l> PIANO IX3TRCCTION. BTTPIO — 37U> -»t Entrance. CARXEGUE Hill. MME. TORPADIE Vocal Art. Special Method for Enunciation. ; CAAXEOIC H.4J^L. aiXDIO 839. PERRY AVERILL, B»r/tone. Concert, Opera and Oratorio. Vocal lujtrnctlon. Studio, 220 W. titix it. T»!»- phon* 1097 Columbus. X»w York City. BENJAMIN MONTEITH voice cri/rum: and DICTION. Studio. 277 Fifth Aye.. opp. Holland Houml FRANZ KALTENBORN \iolix iNSTßtrcncx. KALTENBORN QUARTETTE. VIC LIN SOlOiaT For concerts and lea-ions addr*«s dl Wut siti>-«i_ K«w-Torlc aty. T«l. IS3-^Biv«rsl<:«. ~-^* ROSE stance Italian school; op«ra. oratorio, concert. Social tsra« tj tiic*« posa«s.-" . : i.int. Mor.i«y». 1..; MM -111>U» 2T7 rim AVEXtTB. MARIE DECGA ' Vocal lnatructlpn. rat«« ts ttachsrs and ,r:rf»*jloe*la i I*s Carnacla Hall. Moo.. Wed. and Sat. 9 TO L LINDA H. PIRSSON. ' PIANO INSTKt'CTIO.N. DR. MASON JCETHQJX "Th» Sherwood" Studios, 53 W. S7ti St. Former Prima Donna of Itaiian and German Opera. Skill of singing; Interpretation. 'THE GOSFORD." 236 W. 65th St.. NEW YORK CITT SiQNOR G. ALDO RANDEGGER, . „ PIANIST In New Tork this season. Encasements. Instruction. , Suinway Hall or 11* VVESTJ IOBD ST. ' Mr '- OMfini/ Dfllfir voice and the ART Henry UWUuK HIJIIIT OF SiNGDiG. nenry UII|UUI\ UUIUL Concentration of Tone. Clear Enunciation. Correct Breath Control. Lost and Injured Voices R«»»nr«4. Italian Method. Successful with Male Voice*. Heferences. Studios: Carnegie Hall. Tues., FrL A Sat.; 400 Washington At#.. Brook- lyn. Mon.. Wed. & Thur*. Evenln«s. I.OCLS NORJJ.VN Pflf I in TECHNIQUE. \u25a0 II 11 I TECHNIQUE. II I L 1 DICTION. f>TX.T)IO 33 EAST 23RD ST JEAN AND EDCAKD DE BJBSZKX REi-Ei; STUDENTS TO HE! CAUTIC Studio. US sth At*. Ucl AnMo For voice Placing. 31153 ESTELLE DIEIJIAX. ACCOMPANIST. \u25a0ME. C. DE RIGAUD n,, UPHUDM KB TEACHER OF THE VOICE. Thorough Training, Concert it Opera. 2.647 B'dway. nr. lift CONCERTS— RECITALS—PIANO INSTRUCTION^ FLORENCE MOBHER. Certificated by theodore LESCHETISKV ix igo4. Address 100 E. "3d St.. New Tork City. JOHN HENDERSON, BAS.-*>; Specialist. Correct treathlnr and tolc* placing. May be seen from 11 to 12. Residence Studio 173 W. Mt.n. Al \u25a0\u25a0 \u25a0 . \u25a0 a Choir Excbaora. Eat. Chas. \U alkprc lss: - Position* far Wade If fIIUCI O Carnfgla Hall. City. EDWARD SCHLOEMANN LATE METROPOLITAN GRAND OPERA CO. VOICE CULTURE. Studio* 45 E. JOth St. •The Vatlamond." 180 St. Mchola« are. (lllth-at.) MM E. HERZOGST^UK: tone building, correct breathing. Voice trial fre*. Tuesday and Friday afternoons. 503 Carnegie Hall. Monday and Thursday, 10 to 12. Hotel St. George. Brooklyn. MME HI |\/AD| Grand Method MtLm ULIV A n 1 Voice Culture and Piano. Guarantee good results before 20 lessons. Terms moderate. 248 W. 105 th St.. near Broadway. :.". Kl&\u25a0\K 6* XI* Musical Courier. w nlco v l non o '•"\u25a0* sth Aye - n>w York. W\rr ni 1 I O Studios: SO East 23d Street. Wedn«»- IJL r\ir»Ll days and Saturdays; other days. 20T West 135 th Street; only representative of the old school. Placement of voice by natural method. Beat testimonials. MAURICE MITKE, CONCERT VIOLINIST AMI TEACHER. Studios. 106 East 13.1 St. and 418 Grand St.. N«w York. Studio for Modern Arts. Piano Instruction, Dr Mason Method. 120 W. 49th St. BAVINAC BROTHERS, piano, violin and vocal teachers; graduate French conservatory music; prac- tice and theory successfully taught; beginners a. sue- clalty. Afternoons. 270 West 119 th St. VAN YORK, "No* 6 EAST 17TH ST.. NEW YORK. GUSTAV L BECKER Conoert Pianist and Teacher. * Studio*: 1 West 104 th St. and Stelnway Hall. MARGUERETE CHAPMAN MACKAY, Elocution. Physical Culture and French Studio Room. 812. 1.&47 Broadway. .New York City. ~~MISS~NORA MAYNARD GREEN~ Vocal Teacher. "The Rutland." 07th St. & Broadway. 5SS.?ur R I? S S E X7~L VOICE CULTURE. SINGING. CARNEGIE HALU " MRS. WILLIAMS. KELSON J£sF~ Vocal Instruction. Accompanist. 1 EAST 40TH ST. HELEN GAUNTLETT WILLIAMS, Piano and Sight Reading. Van Dyke Studios, fllinrDlflD I'lanr. Instruction for adults; experienced SUrtHlUn teacher. ERNEST G. E.VOL'U 1931 Hroadway. Suite 307. EDMUND WHINGER, Kua ™£*s~ Studio. aW. 16th. R«i.. 36 W. Klh. 11 rocn unrMAUM TEN R - cultivation of vote ALrtILU nUrnflAnn and artistic Kinging Vibration; resonance; Interpretation. Studio. 147 West Mkh-sc ABT^ANTOLiy-HARP 'ffa;^,. H . a ' What will be In many respects the most Im- portant musical novelty of the season will be offered by the Boston Symphony Orchestra at It* next evening concert In this city on Thursday, February 15. It Is the fifth symphony, by Guirtav Mahler, which was played in Cincinnati list year, and, as revised by Its poser. InBos- ton on February 2 and 3. Mahler, the composer. Is known In N hrough his Fourth Symphony, which ..*•<! by the New-York Symphony Orctu.i :.. the fall of 1904. Considering that he vies with Richard Etrause and Max Reger In being the most dis- cussed man In musical Europe, this is all the x&ore strange, for America Is not as a rule so far behind Germany In the presentation of nov- elties. In American mlnda his name Is almost entirely connected with conducting, for In the years he ha* been In Viei.na lie has made a rep- utation as an operatic conductor and operatic director second to none In the world. A man of forty-six years, his name has appeared on pro- gramme* as a composer for over ten years, but It Is only within a comparatively recent time that his works have begun to march forward toward popular favor. Mahler is a most unusual per- sonality. He seems to possess certain charac- teristics which have made for him en-rules wherever he has gone, even among those who admire his works. He Is a mercilessly despotic and tyrannical master. Lacking tact, or scorning It,he knows not how to smooth the way before him. Striving aver after hi* ideals, he has no patience with those that will not follow him. While there is no question about his genius as a conductor, the most furious controversies have raged end contlnu*- to rare regarding him as a composer. In Germany there seem? to be no middle ground. Either must one proclaim him the greatest of al! moderns or condemn him as a madman without the slightest suspicion of crea- tive talent. His admirers profess to look to him as the man destined to work for the preservation o? the older and purer traditions of the art. \u25a0 gainvt the ino\ement which Is all for pro- rramme music. He himself has Given his idea cf a programme ac Bomethiac which is the re- eu'.t of the music rather than the cause. 6a*un2«r-— Metropolitan Opera Houea, 2 p. m.. Italian opera, "Marta"; 8 p. m.. German opera, "Tannhauser"; Carnegie Hall, 2:80 p. m.. ooncert of the Boston Symphony Or- chestra; 8:15 p. m., concert of the People's Symphony Bodety. Metropolitan Opera House. 8 p. m.. O«nnaa opera. "Lohengrin"; Grand Central Palace, 6:15 p. m., concert of th* People's Symphony Society; Baptist Temple, Brook- lm, a:l5 p. m., concert of the Boston Sym- phony Orchestra. Thursday. — Carnegie Hall. 8:15 p. m., concert of the Boston Symphony Orchestra, Wilhelm Gerlrke, conductor: Metropolitan Opera House. 8 p m., German oreretta. "Der Zl- Ceunerbaron" ;Hail of Ccper Union, 8:15 p. m.. concert of the People's Symphony So- ciety, WmOneai&y. — Metropolitan Opera House, 8 p. m.. Italian opera, "Lucia"; Carnegie Hall, 3 p. m., song recital by Mme. Emma Eames; No. 07 Paxk-ave., 11 a. in., recital of ponatae for pianoforte and violin by Mr. and Mrs. David Mannea; Association Hall, Brooklyn. 4 p. m., lecture on the programme of the Boston Symphony Orchestra concert, by Charles M. Rjf Inner. THE WEEKLY CALENDAR. Bun&ay. — Carnegie Hall. 8 p. m., concert of the New-York Symphony Orchestra, under the direction of Felix Weingrarlner; Metropolitan Opera House. 8:30 p. m. concert performance of Verdi's "Requiem"; Liederkrans Hall. If p. m.. private concert of the Liederkrana. Monday. — Metropolitan Opera House, 8 p. m.. Italian opera, "La Travlata"; Carnegie Hall, 8:80 p. m., concert of th* Banks Glee Club. Tuesday.— Carnegie Hail. 8:ir» p. m.. concert of the New-York Symphony orchestra, under the direction of Felix Welngartner; Mendels- •oan Hall. 6:30 p. m . private concert of the Mendelssohn Glee Club; Hotel Majestic, 3 p. ra.. concert of chamber music by the Men- delssohn Trio Club. MME. ANNA E. ZKGLEB. RTTTTUn f° r tJ»» *" oj 6ta»<ar. ladnfita* T^~ r , lr — . DIUi/iU tfliliil Art, Fencln* &aJ :...--..^7- ' 163 W. 49Ui St. Tel. 1500J CWurnau* FREDERICK UTTROPIDI \ *«««t &*••*« Thorough Instruction for Optra, oratorio, citxrch and concert. GIACOMO MINKOWSKI Voice 6pecl*!!«t. late Musical Critic of N. Y. Journal STLDIO. Sl»828 CARXEGIB HALX. WALTER S. YOUNG Vocm Ixmructlon. Votca Production. tMctlon. Style. Repertolr*. 801 * SO3 Camer.* H*l). EDMUND SEVERN VOICE. PIANO. VIOLJN. lai WEST WTH. \u25a0 \u25a0 111 A All Tenor St. Bartholomew*. 3 A ill vIIRI ' T * nor of T-niple Isr«*l. I It Mil AI I 111 Oratorio. Con«rt and PvsttvaX I H 11O U II 7WM vocj^stu^ y c OGDEN - CRANE SCHOOL OF OPERA and Studio at ulco Culture. JIME. OGDEX-CRAXt:. C*racgU> Hall. N. T. LUELLA PHILLIPS Ss^cSKs* 1""*1 ""* btudlo. Carnegie H*ll. Tel. 13CO— Coluaabm. lima llnaml Pnmiar ft* oo Teaching Recitals \u25a0OS. HOaml rOrniar . prt^ Conservatoire da p^rtm, ECOLE PS MARMONTfcL. Stailo 130 sth At». ARTHUR EDWARD STAHLSCH2dIDTr Sp«cUl!»t on Vole*. IT Kaat SUth st . X. Y. FREE VOICE trial t l£&R™w b«for* full term b««!n«. C J. KOOGS, J4-J« B. 2l»t it. GERRIT SMITH, Orsan. PUno. Theory. Studio 10 East «lat St.. N. T. RUSSIAN MUSIC MOSHER-BI'KHIMI LECTURE RECITALS of national mu.ic. For terms Addres. 100 E. TJ<l St. MARKS' CONSERVATORY voc«i civ™ ii i-i) ,«: month. Craauate Koyal CoutonraterUa of Dresden and Munich. 8 \V#»t ""'\u25a0 *'• 1100 C P PrUTCD A company tat. I'r.lqu. K:ndu>. ill 110. I. U. UkliI narton \u25a0jstetn. Advanced 'luwt. Hesldent Studio. Th» l»ham. 40 \V«»t lldth-.t. JANET BULLOCK WILLIAMS Teacher of Singing. Carn««t« Hall. \V»d. M Sat. CHAS. HERBERT CLARKE. VOCAL. INSTRUCTION. CARNEOIE HaLU MRS. L H. CANFIELD, -^ MARGAREf GOETZ, lt affi' tWt WIRTZ PIANO school^a^irg^ incmu lITIIIU Piano and Harm 07 (tiaa<^»> Juotrn ALIWAN, uunr-* M«taod>. sot w.iaiKh. DLVeiC TlinriD SOPRANO. Conceit. Racital. DL33IL 1 Ul'Ul\. Oratorio, ea W. liHth. MIDVCinn II DIIDT 6t(ht sln « ln « E » r Tralnin*. MARYFIDELIA DUn I. Harmony. Il3j Carn»»U Utll. SIG. MANUEL GARCIA 'ZZSSTiu U. LORES' CI^KMENTS. I Vole* Trial f-,. by VOICE ISstRHroK appolntm.nt. • E. UTli ST., COB. mi ATM. |'Phon* 525: Qra.-ti.ro The fifth symphony, which will be played h*r*, had Its lirst performance in Colopn" at a GUrzenlrh concert in October. 1004. It Is a long- work, its performance consuming considerably over an hour. Unlike Mahler's second, third end fourth symphonies, it has no vooal parts, but it is etill unconventional In that in the r^herzo there is a continuous horn obbligato. It contains three parts and live movements, the first and third parts each having two move- ments. Th« fir^\u25a0 movement is called <# A Funeral Train." which is followed by an allegro of "ut- most vehemence." The Fecond part the scherzo. la an old fashioned German Liindler. which is followed in th- third part by the clow move- ment, and finally the rondo-finale The sym- phony was completed in th« spring of 1903. Ow- ing to the length of the symphony only two ether numbers will be on the programme, Bee- thoven's overture to 'Ecrnonf and Schumann's concerto for the pianoforte the solo performer being- Mr Harold Ilauer. On Saturday afternoon the lioston Orchestra will iyr*siit D'lndy'e Symphony, so. 1, for pianoforte and orchestra. "On ; . Mountain Air." This work has already been played here this winter by the New-York Symphony Orcheutra but It trill bear repetition. The pianist will be Mr. Helnrlch Cebhard. whose appearances in chamber concerts here have ir.adt: a favorable Impression. • cniTU HAIMFC AccoinpanUt: piano teaehar. LLJlin n/11t1t.3 401 Carn««l« Hall. N. T. F. READE WINANT, F8&338& VIENNA CONSERVATORY. 65 20-ava. — Instruction. »!! > Instrument*. Empowered Diploma. Instruments free. 3* Lm«j"i. 19. HELEN AUGUSTA HAVES. \u0084.,-u 353 W«at J3th "it. A-roir.tro^nts by trill. MME. CAMPBELL, vocaltmltuul b«»^^ **'\u25a0 LflJUOtuiH «r«Ju«t*. Trial fr*« by ,^_ point men!. Tumi to suit muai. 403 Caxo««!. H*ll. M.11. DE BOIt •>•.-» Axtlstlo Slnctnc. pars I:«!u.i method of vole* plactn«. ton* bu:'. !'.n« 4--.a ,«..'«c: br«*t&. lo«. Btudtoa. 817. 813 Carn««i» H»U. PAUL DUFAULTt^ SIGHT READING w^fc&aj^gg" VIOLIN CORWIM PIANO SCHOOL 'rr^y^ MME. 0. DE NAUD, isssrt.rt %5 UIOO CUMA PAQCni I °Prano - Concert. 4 vocal mlbo tmmQ uflnnULL t««>n». u« w. lima sl SIG. CAYAKADOSSI &"&%?%*. nrocTT TTTTMITJ Mopruao. «"onc*rt. Ra iti, BESSIE TUJJUiI, ,ir»torlo 5« W 104 th. Guitar. Banjo, and Mandolin. ChaiUt Hetnline. Iknulci Helnllne. Residence htu«lio. 1.001 »th-*v«. N. T. Abrahir.a Nelson, who is described as a young American who has Juet returned from studies In QerniAtiy, where he was a pupil of the Stern Conservatory In Berlin and also at hi-tltzky In Vienna, announce* \u25a0 ulanoforts recital to be SfPM In Mendelssohn Hall on the evening or February I'l. The •-"!'> Dc-normer at this con- cert will be Miss MarJe Hall, who will clay M«n<l«>i:>.»iir]'B concerto, and the remaining number of the urocramtne will »>. Haydn'a • ymjhi/ii.v In D Major. Mo. 2. In IJreitkopf and H4rte»'« l!»t. Bureau .if Muatcal Hftiulrriunti and Choir Ex. eh«n«e.— High claw only. O. E. SMITH, 110 W. »OU. KITTY HUUUEK — ZlTHKK Concert*:^ entertainment* Instruction; celebrated method. 110 t. iotn. IIiRVP SP.MT S«prano. llJ! »- * oon> iJ. "*»«•- Charles Wade Walker will to-day open the n«wly Installed organ at the Washington Heights United Pr«sbyt«rl&a Church, Wast IT2O-at. and Audubon- »v«. \u25a0 . \u25a0 • .. \u25a0 v : :r \u25a0 It Is announced that the Opera Rehearsal Club and the Marks Musical and Social Club will give a musical at No. 6 West 90th-nt. on February 19. ren- dering the third, fourth and fifth act* from "Fauat," with full cast and chorus, under the di- rection of Charles Frank and Professor Eugene F. Marks. The aololsta will be Mies Grace E. R. Me- Klbbon. Miss Mabel E. I-^slie. Miss Hannah Ward. William Gay. Lami Matt and K. V. Richards. Agnes Sunnier Geer, elocutlonlßt, gives a concert at the Waldorf on ih« evening of March 8, assisted by well known artists. Ther»» was a son* recital at the studio of Walter Jolin Hall on Friday evening-. February 2. by his pupils, the Misses Edith Lenore Davies. Phyllis Fuchs. Btlle Tiffany and Lucy Isabella Marsh and Mrs. Constance Klnf. Signor Conte Cavaradowl is to sing the tenor role in Verdi's ••Requiem" at the Metropolitan tn < f« Housa thlß evening. Rudolph P- O. Grides gave a musical at hla etudlos. No. 133 West 12Sth-st., on Wednesday even- Ing, at which his pupils rendered an Interesting programme, those who took part Including the Misses Anna and Christine Relchenbach. Beatrice Goodacre. Ethr-1 Constable. Fannlo Brunsteln, Esther and Ruth Johanson and Carrie Myers and O Hauser, Muster George Knoth, George Haueer, M. Gatzsch and Mr. Grlcka. "Musical America," the new musical Illustrated newspaper, edited by John C. Freund. Is attracting the attention of the profession and the musical public. A recital by the Junior pupils will be given at the Wirtz Piano School, No. 120 West 124th-st., on Fri- day evening. February 16, at 8:15. The regular monthly pupils' recitals were held on Saturday morning, from 10 to 12 o'clock. \u2666 William C. Carl announces that he will. In re- sponse to many requests, give instruction In the interpretation of the oratorios and their traditions to vocalists; also in the art of diction and reper- tory In preparing for church choir positions. Mr. Carl's lecture on "Creation" will occur next Thurs- day at 4 o'clock In the chapel of the First Presby- terian Church, 6th-ave. and llth-st.. assisted by Kfn> Stewart, soprano: John Young, tenor, and Edwin Wilson, barytone. Th« vocal class of Slgnor Vegara. of the Vegan Studios of Music. No. 1.700 Broadway, Is almost filled, notwithstanding the fact that the studios were not opened until about January 1. Slgnor Vegara reports that he is training some remarka- bly fine voices, and Is preparing for a concert to be given In Carnegie Lyceum at an early date. Several of his pupils will appear, among them b<»- !nc Sefiorlta Joanna Buell, Mrs. Charles Bagley. Miss Laura Barnes. Miss Alma Marsden. Arthur Mulligan. A. V. West. A. Clark, of Toronto, and M. Murphy. of Boßton. Irwin Eveleth W assel . pianist; Miss Ida Mampel. pianist; Ida Branth Burgy. viounist; Miss Alevla Lynch and others of the faculty will appear. Continued on seventh page. STUDIO NOTES. Mme. CalvC's last concert in New-York this season will take place In Carnegrie Hall on the afternoon of February 22. The three concerts of the People's Symphony Society on Thursday, Friday and Saturday evenings of this week will present a programme The second of Mr. Beigel's concerts, which wag announced for next Wednesday evening, has been postponed to March 21. Programme of Mme. Emma Eames's song recital in Carnegie Hall on next Wednesday afternoon, Mr. Amherst Webber, accompanist: Air from "Armida — .Oluck (17*1-1737) M«ln gl&ublsaa Her»« Bach (1686-J.760) £?£? mll<> ben.. Glordanl (175»-1794) Clierpr Wp« Horn (1786-1&4&) Gretchen am Svlnnrado Schubert Traum duroh die Dkmmtnjnr R. strausa All die alte -Mu«erV.v::.v.v::.\v:;:::::::;;;: R Dvorak Melne Liab« Ist grUn Brahma "Who la 8ylvla?" „ Schubert &2J*™*~ :.V...:.H c^^t-^ai.ni:if;;;;.v;;.;;;";";::;;;;::;^ Hen^ 5° 11 Amherst Webber Pourquot court Tohalkow.ky court A Georf ei Tv (Hab* ...r.v.v::::::v.::v.:::::::s :^u^ The second private concert of the German Lledeikranz will take place in the society's hall this evening: under the direction of Arthur Claas- sen. Mr. Henri Marteau will play Mendels- Bohn's violin concerto, Beethoven's Romanza in P and Salnt-Safins's "Rondo Capriccioao." The principal choral numbers, with orchestra, will be Humperdlnck's "Wallfahrt nach Kevlaar," Julius Weismann's "FlngerhUtchen" and Carl Hlrach's "An das Meer." At the regular meeting of the Women's Phil- harmonic Society on Tuesday evening of this week In the Waldorf-Astoria, music will be fur- nished by Susan Douglas Edson, mezzo bo- prano; Ruth Anderson Reohr, violin; Mil ma Anderson, pianoforte, and W. G. Barker, tenor. At its third concert of chamber music In the Hotel Majestic on Tuesday afternoon of this week thj Mendelsaohn Trio Club will play a trio by Mozart and Tsehaikowsky's Trio op. 50. Ed- win Wilson will sing some songs and Mr. Sas- lavsky and Charles Gilbert Spross will play Dvorak'i sonatina for violin and pianoforte, op. 100. The programme of Helnrich Gebhard's piano- forte recital In Mendelssohn Hall on Tuesday afternoon, February 20. will contain Schumann's "Carnival" and pieces by Bach, Brahms. Chopin, Liszt, Debussy and Faure. hall. An afternoon of rare pleasure can be ex- pected on next Sunday. A concert of an entertaining character is that promised by the Vienna Quartet at CarnegU Lyceum on next Sunday afternoon. The quar- tet Is composed of four graduates of the Vienna Conservatory— Bchoenberffer, violin; Ugey. aec- ond violin; Krlst. violoncello, and Zucker. piano- forte—who have been associated with each other since ISUB for the purpose of providing music rhiefly at private entertainments. They began iheir oareer In Vienna, spent the year 1900 In Paris and then came to New- York. The charac- teristic feature of their performances Is refine- ment and finish. They purvey music of a lighter order their specialty being the dance measures of the Austrian capital, but always Inan artistic manner Their sentimental selections are ar- rangements of popular pianoforte places, songi, operatic potpourris and so forth, but In selection and arrangement good taste Is always subserved. The quartet ha* a host .if friends, especially among the German music lovers of, the <ilty. though it tiu not gtva a ooncert In a putollo To-morrow mornlnß the public sale of seats for the second and last cycle of "Per Ring dcs Nlbelungen" announced for this Reason will bepln at the Metropolitan Opera House. The performances will be given on the evenings of February 27 ("Das Rheingold"), .March \u2666) ("Die WalkUre"). March 8 r # Sl*»srfrle<l") and March 18 ("GCtterd&mmerunK"), with the casts heard in the first cycle of the season and under the musi- cal direction of Mr. Alfred Hertz. VcrAfa "Requiem" will be performer! under the direction of Mr. Viprna at the Metropolitan Optra House this evmlnp. The solos will be punp by Mmcc Jomelli and Walker and Messrs. Cavara'doMd and Plancon This is what the press agent of the Opera House has to say about "Der Zlgeunerbaron": On Thursday evening 1 we shall have the much talked of special all «tar production of "Der Zlgeunerbaron" ("The Gypsy Baron"), which during some weeks past has been In rehearsal at the Metropolitan under the personal super- vision of Mr. Conrled. It Is a good many years elnoo this characteristic and fascinating three- act opera of Johann Strauss has been heard here, and this will be Its first interpretation at the Metropolitan. Light though It may seem by comparison with the music dramas of Rich- ard Wagner or of the modern Italian school. it Is a favorite In many of the most dignified European opera houses, and seems likely to win fully as much attention as "Die Fledermaus," If not more. It abounds with tuneful muslo and picturesque Incidents, while the costumes and the scenery provided by the management will doubtless enhance its attractiveness. The plot, as many of the older opera goers will remem- ber, concerns the loves and adventures of Barln- kay. the "Gypsy Baron"; Baffl. his gypsy bride, and various other characters, among them Otto- kar, who Is courtlnsr Arnena. the daughter of a droll Hungarian landowner who raises hogs. In the third act of the opera we shall see the triumphal entry of the victorious Hungarians, including a gypsy regiment headed by Barln- kay. In this act will come the "sensation" of the night the appearance, in an Interpolated episode, of the stars and popular singers not in the regular fast, among them Mmes. Ahott. Emma Eames, Fremstad, Jacoby, Jomelll, Mul- ford. Nordlca. Poehlmann, Ralph, Sembrlch. Walker and Weed, with Messrs. Burgstaller, P.£gue. Caruso, Campanarl. Franke, Journet. Knote. Parvis, Plancon, Paroll. Relss, Rossi, Seoul and Van Roojr. These artists will be in- troduced as captives of the victorious troops. In various costumes, and at the request of the Gypsy Baron, will wing solos, duos and other selections for their ransom. The cast chosen for the performance of the opera proper will Include Miss Bella Alten as Saffl. Mme. Marie Rappold ns Arff-na. Mme. L.oulse Homer as Czipra, Miss Batiermelster as Mlrabella, Mr. Dippel as Barin- kay, Mr. Blass as Count Carnero. Mr. Muehl- mann as Homonay. Mr. Bars as Ottokar. Mr. Dufriche as Pall and Mr. Goritz in the humor- ous part of the hog raiser, Zsupan. Miss Frr.ehlich will head the ballet In the incidental dances, and Mr. Nahan FVanko will conduct. The regular lißt for tbio week is as follows 2 Monday, "La Travlata," with Sembrtch, Caruso and Scotti; Wednesday, "Ljucia dl Lammer- moor." with Sembrich. Caruso and Journet; Friday, "L«ohengrln." with Rappold, Walker, Knote. Van Rooy and Journet; Saturday after- noon, "Marta," with Sembrich, Homer, Caruso and Plancon; Saturday evening. "Tannhauser," with Jomelll. Premstad. Alten, Oorltz, Blaag and Miihlmann. Repetitions will be the rule at the opera this week on all the subscription occasions and Sat- urday night, so that the production of Strauss's operetta with vaudeville concert attachment on Thursday evening may have the momentous em- phasis which so frivolous and degrading a per- formance deserves. A plea has been put forth that the operetta Is on the lists of the German opera houses. That Is true, but only In a special sense. In most of the theatres grand opera, comic opera, operetta and the spoken drama are given in more or less regular alternation, but this cannot provide a standard for an in- stitution like the Metropolitan Opera House, in which, under the beet of circumstances, oper- ettas cannot be effectively performed. The popularity which "Per Zigeunerbaron" had for a space in Vienna was due to the comlo acting of Gerardy, who played the part of a Hungarian vulgarian grown rich on hog raising. The humor was local, and would be lost on all but Aus- triane and Germans, even if exploited In an appropriate theatre. It is utterly Inartistic to present It at the Metropolitan Opera House, with grand opera surroundings. gramme will be made to Include a symphony by Mozart- It will be as follows: Symphony in C ("Jupiter") Mozart Concerto for violin M«ndels»ohn Mill Marl* Hall. Scherzo (new, first time) Joseph 6uk Symphony In D. ••••••••••\u25a0••••••••\u25a0••««....«.*••\u25a0• Brahms The Oratorio Society's revival of Handel's "Judas Maocabaeus" on Tuesday evening. Feb- ruary 20, at Carnegie Hall, will be accomplished under Frank Damrosch's leadership, with the following: singers: Miss Laura Combs, soprano; Miss Elizabeth Elmer, contralto; Daniel Bed- doe, tenor, and Charles M. Clark, bass. The Oratorio Society's chorus and the New-York Symphony Orchestra will be the other forces concerned. TT> last coticmn of th» New- York Symphony Orchestra. und*r the direction <'f Ftlix Wtln- *fcrt:.cr, will take place In Carnes^e Hall up. this tfurr.oon and Tuesday evening. To satisfy a ouxl&clty wfclch ba« round expreeaion. Ok* pro- NEW- YORK DAILY TRIBUNE. SUNDAY. FEBRUARY 11. 1906. I#IELY T^IUSICAL GOrEiEi^ HEINRICH GEBHARD. Pl«n!«t with the Boston Symphony Orchestra on February 17. A CARrc«TUHE OF SCOTTI BY CARUSO. MISS MARIE NARELLE. She will give a concert at the Waldorf- Astoria. MME. EMMA EAMES. She will give a 6ong recital on Wednes- day afternoon. (Copyright by Alma Dupont.) 3
Transcript of I#IELY T^IUSICAL GOrEiEi^ · Musical. Musical. Musical. GUSTAV MAHLER. His fifth symphony willbe...
Musical. Musical. Musical.
GUSTAV MAHLER.His fifth symphony will be played by the
Boston Orchestra.
HAROLD BAUER.Pianist with th« Boston Symphony Orchestra
on February 15.
GRAND CONSERVATORY OF MUSIC,68 W. 88d SL. near Central Park. (Thirty-eecond year.)TICK ONXY MTSIO SCHOOL, EMPOWERED BY ACT
OP LEGISLATUREto confer the regular
UNIVERSITY DEGREES.Special course for Teachers and Professionals.
Thorough course for beginners.DB. E. EBERHARP. 68 W. 83d St.
INSTITUTE OF MUSICAL ARTOP THE CITY OF NEW YORK
Endowed mMd Incorporated
FRANK DAMROSCHDIREC OR
53 Fifth Avenue, corner 12th Street, New YorkS«cond l«m opens January Ird. l»0«. OUt*a thorough nsustca! edacatioa to «T«rr \u25a0••iac* wtnAmrrt-m*music. profesßlonal or amateur. In all branch., of th* arc° ™ •T«ry Hnnt wtoomttt «f
The facuit, include GERSTER, GIRAUDET, HENSCHFTL, STOJOWSKKXEISEL, SCHROEDEHwd oih«r rr«*t tmchn*. Pro«p«ctu» on »pp;ic*tlon to t&•RSOI»TRjU«.
NEW YORKCOLLEGE OF MUSIC
128-130 East SSth St.Carl Hein
—Directors
—Fraemcke(Successors to Alexander Lambert.)
Thorough education in piano, singing, violin, 'cello.5S^S ay' etc
-and all orchestra Instruments by
?s3£?,P V THE MOST EMINENT ANDWELL KNOWNINSTRUCTORS. Terms from »15 up.
Departments for beginners, amateurs, professionalsand artists.
Students can enter dally.SEND FOR CATALOGUE. OPERA and ORATORIO SCHOOL.
an* mor. than «tr•*«* TLch^Op^oSto?- h£Z^&^fa^J'?**f«*«'*=*.menu to good volo.s^ Banner, of m.rltinvft^" bv^oin^nt MU^ cp'Cl 1 lndtto^\EGAH.\ BTCDIO3 OF MUSIC—I7OO BROADWAY. ygff YOBX.
Edith P. Walrath,VOICE CULTURE.Good voices cultivated by contract: consultation Wednes-day mornings, at studio. No. 11 West 21st-st.; Wednesday
evenings at residence. 691 Qulncy-et.. Brooklyn.
WILLIAM PHILP,TENOR. Recital. Concert and Oratorio. Former leadingTenor. The Bostonlans. Pupil of Garcia. Medalist R. A. M.
Sfn^.0n"o,Specialties. Voloa Production. Coaching InOpera.Etudlo. 814 Carnejli Hall. Residence. Hotel Kndlcott.
Max TOertheim,Opera and Concert Singer, formerly leading tenor of. yal -SB?™ Houge- Rotterdam. Frankfort-on-Maln.methoda? INSTRUCTION (Garcla-Stockhaus.n
Studio. "THE MOORLAND." 269 W. 113th St.. N. T.
NEW YORK INSTITUTE OF MUSIC560 West End Avc. (Corner 87th),—
THOROUGH MUSICAL EDUCATION »—*
B. B. CLAY.Director.LEO BBAUX, mix Rtrrvv
EXCEPTIONAL OPPORTUNITIES FOR STUDENTS WISHING TOBErOMfpßnwqstnvM « r-r _-—-™§iaBTiS£
-TEACHERS' COURSE. LANGUAGES. sCHo2A^sfpT MfoRRc!?riSZEai^ APp-LLV33
Voice Placing. Breathing. Preparation for ''holr. Concertand Oratorio. 13*$ sth Aye.. X. Y.
LUISA CAPPIANITHE GUILHINT ORGAN SCHOOL
AGNES SUMNER GEERProfessional Reader. Elocutionist. Concerts. Fusils ao>opted. 917 S«*satn-*»o. and 138 Firth-are.
ALBERT MILDENBERG,„ PIANIST A>l> PIANO IX3TRCCTION.BTTPIO
—37U>-»t Entrance. CARXEGUE Hill.
MME. TORPADIEVocal Art. Special Method for Enunciation.
; CAAXEOIC H.4J^L. aiXDIO 839.
PERRY AVERILL,B»r/tone. Concert, Opera and Oratorio.
Vocal lujtrnctlon. Studio, 220 W. titix it. T»!»-phon* 1097 Columbus. X»w York City.
BENJAMIN MONTEITHvoice cri/rum: and DICTION.
Studio. 277 Fifth Aye.. opp. Holland Houml
FRANZ KALTENBORN\iolix iNSTßtrcncx.
KALTENBORN QUARTETTE. VIC LIN SOlOiaTFor concerts and lea-ions addr*«s dl Wut siti>-«i_
K«w-Torlc aty. T«l.IS3-^Biv«rsl<:«. ~-^*
ROSE stanceItalian school; op«ra. oratorio, concert. Social tsra« tjtiic*« posa«s.-" .: i.int. Mor.i«y». 1..; MM
-111>U» 2T7 rim AVEXtTB.
MARIEDECGA'
Vocal lnatructlpn. rat«« ts ttachsrs and ,r:rf»*jloe*laiI*s Carnacla Hall. Moo.. Wed. and Sat. 9 TO L
LINDA H. PIRSSON.'
PIANO INSTKt'CTIO.N. DR. MASON JCETHQJX"Th» Sherwood" Studios, 53 W. S7ti St.
Former Prima Donna of Itaiian and German Opera.Skill of singing; Interpretation.
'THE GOSFORD." 236 W. 65th St.. NEW YORK CITT
SiQNOR G. ALDO RANDEGGER,.„ PIANISTIn New Tork this season. Encasements. Instruction., Suinway Hall or 11* VVESTJ IOBD ST.
'Mr'- OMfini/ Dfllfir voice and the ARTHenry UWUuK HIJIIIT OF SiNGDiG.nenry UII|UUI\ UUIUL Concentration of Tone.Clear Enunciation. Correct Breath Control. Lost andInjured Voices R«»»nr«4. Italian Method. Successfulwith Male Voice*. Heferences. Studios: CarnegieHall. Tues., FrL A Sat.; 400 Washington At#.. Brook-lyn. Mon.. Wed. & Thur*. Evenln«s.
I.OCLS NORJJ.VN
Pflf IinTECHNIQUE.\u25a0 II1 1 I TECHNIQUE.
II IL 1DICTION.
f>TX.T)IO 33 EAST 23RD ST
JEAN AND EDCAKD DE BJBSZKXREi-Ei; STUDENTS TO
HE! CAUTIC Studio. US sth At*.Ucl AnMo For voice Placing.31153 ESTELLE DIEIJIAX. ACCOMPANIST.
\u25a0ME. C. DE RIGAUDn,,UPHUDM KB TEACHER OF THE VOICE.
Thorough Training, Concert itOpera. 2.647 B'dway. nr. lift
CONCERTS— RECITALS—PIANO INSTRUCTION^FLORENCE MOBHER. Certificated by
theodore LESCHETISKV ix igo4.
Address 100 E. "3d St.. New Tork City.
JOHN HENDERSON,BAS.-*>; Specialist. Correct treathlnr and tolc* placing.May be seen from 11 to 12. Residence Studio 173 W. Mt.n.
Al \u25a0\u25a0 \u25a0 .\u25a0 a Choir Excbaora. Eat.Chas. \Ualkprc lss: - Position* far
Wade IffIIUCI O Carnfgla Hall. City.
EDWARD SCHLOEMANNLATE METROPOLITAN GRAND OPERA CO.
VOICE CULTURE. Studio* 45 E. JOth St.•The Vatlamond." 180 St. Mchola« are. (lllth-at.)
MME. HERZOGST^UK:tone building, correct breathing. Voice trial fre*.Tuesday and Friday afternoons. 503 Carnegie Hall.Monday and Thursday, 10 to12. Hotel St. George. Brooklyn.
MME HI |\/AD| Grand MethodMtLm ULIVAn1 Voice Cultureand Piano. Guarantee good results before 20 lessons.Terms moderate. 248 W. 105 th St.. near Broadway.
:.". Kl&\u25a0\K 6* XI* Musical Courier.w nlco vlnon o '•"\u25a0* sth Aye-
n>w York.
W\rr ni1IO Studios: SO East 23d Street. Wedn«»-IJL r\ir»Ll days and Saturdays; other days. 20TWest 135 th Street; only representative of the old school.Placement of voice by natural method. Beat testimonials.
MAURICE MITKE,CONCERT VIOLINIST AMI TEACHER.
Studios. 106 East 13.1 St. and 418 Grand St.. N«w York.
Studio for Modern Arts.Piano Instruction, Dr Mason Method. 120 W. 49th St.
BAVINAC BROTHERS, piano, violin and vocalteachers; graduate French conservatory music; prac-tice and theory successfully taught; beginners a. sue-clalty. Afternoons. 270 West 119 th St.
VAN YORK, "No*6 EAST 17TH ST.. NEW YORK.
GUSTAV L BECKERConoert Pianist and Teacher.*
Studio*: 1West 104 th St. and Stelnway Hall.
MARGUERETE CHAPMAN MACKAY,Elocution. Physical Culture and French
Studio Room. 812. 1.&47 Broadway. .New York City.
~~MISS~NORA MAYNARD GREEN~Vocal Teacher. "The Rutland." 07th St. & Broadway.
5SS.?ur R I? S S E X7~LVOICE CULTURE. SINGING. CARNEGIE HALU"
MRS. WILLIAMS. KELSON J£sF~Vocal Instruction. Accompanist. 1 EAST 40TH ST.
HELEN GAUNTLETT WILLIAMS,Piano and Sight Reading. Van Dyke Studios,
fllinrDlflDI'lanr. Instruction for adults; experiencedSUrtHlUn teacher. ERNEST G. E.VOL'U 1931Hroadway. Suite 307.
EDMUND WHINGER, Kua ™£*s~Studio. aW. 16th. R«i.. 36 W. Klh.
11 rocn unrMAUM TEN R- cultivation of voteALrtILU nUrnflAnn and artistic Kinging Vibration;resonance; Interpretation. Studio. 147 West Mkh-sc
ABT^ANTOLiy-HARP 'ffa;^,.H.a
'
What will be Inmany respects the most Im-portant musical novelty of the season will beoffered by the Boston Symphony Orchestra at It*next evening concert In this city on Thursday,February 15. It Is the fifth symphony, by
Guirtav Mahler, which was played in Cincinnatilist year, and, as revised by Its poser. InBos-ton on February 2 and 3. Mahler, thecomposer. Is known In N hrough hisFourth Symphony, which ..*•<! by theNew-York Symphony Orctu.i :.. the fall of1904. Considering that he vies with RichardEtrause and Max Reger In being the most dis-cussed man In musical Europe, this is all thex&ore strange, for America Is not as a rule sofar behind Germany In the presentation of nov-elties. In American mlnda his name Is almostentirely connected with conducting, for In theyears he ha* been InViei.na lie has made a rep-utation as an operatic conductor and operaticdirector second to none In the world. A man offorty-six years, his name has appeared on pro-gramme* as a composer for over ten years, butItIs only within a comparatively recent time thathis works have begun to march forward towardpopular favor. Mahler is a most unusual per-sonality. He seems to possess certain charac-teristics which have made for him en-ruleswherever he has gone, even among those whoadmire his works. He Is a mercilessly despoticand tyrannical master. Lacking tact, or scorningIt,he knows not how to smooth the way beforehim. Striving aver after hi* ideals, he has nopatience with those that will not follow him.While there is no question about his genius as aconductor, the most furious controversies haveraged end contlnu*- to rare regarding him as acomposer. In Germany there seem? to be nomiddle ground. Either must one proclaim himthe greatest of al! moderns or condemn him as amadman without the slightest suspicion of crea-tive talent. His admirers profess to look to himas the man destined to work for the preservationo? the older and purer traditions of the art.\u25a0 gainvt the ino\ement which Is all for pro-rramme music. He himself has Given his ideacf a programme ac Bomethiac which is the re-eu'.t of the music rather than the cause.
6a*un2«r-— Metropolitan Opera Houea, 2 p. m..Italian opera, "Marta"; 8 p. m.. Germanopera, "Tannhauser"; Carnegie Hall, 2:80p. m.. ooncert of the Boston Symphony Or-chestra; 8:15 p. m., concert of the People'sSymphony Bodety.
Metropolitan Opera House. 8 p. m..O«nnaa opera. "Lohengrin"; Grand CentralPalace, 6:15 p. m., concert of th* People'sSymphony Society; Baptist Temple, Brook-lm, a:l5 p. m., concert of the Boston Sym-phony Orchestra.
Thursday.—
Carnegie Hall. 8:15 p. m., concert ofthe Boston Symphony Orchestra, WilhelmGerlrke, conductor: Metropolitan OperaHouse. 8 p m., German oreretta. "Der Zl-Ceunerbaron" ;Hail of Ccper Union, 8:15p. m.. concert of the People's Symphony So-ciety,
WmOneai&y.—
Metropolitan Opera House, 8 p. m..Italian opera, "Lucia"; Carnegie Hall, 3 p.m., song recital by Mme. Emma Eames; No.07 Paxk-ave., 11 a. in., recital of ponatae forpianoforte and violin by Mr. and Mrs. DavidMannea; Association Hall, Brooklyn. 4 p. m.,lecture on the programme of the BostonSymphony Orchestra concert, by Charles M.RjfInner.
THE WEEKLY CALENDAR.
Bun&ay.—
Carnegie Hall. 8 p. m., concert of theNew-York Symphony Orchestra, under thedirection of Felix Weingrarlner; MetropolitanOpera House. 8:30 p. m. concert performanceof Verdi's "Requiem"; Liederkrans Hall. Ifp. m.. private concert of the Liederkrana.
Monday.—
Metropolitan Opera House, 8 p. m..Italian opera, "La Travlata"; Carnegie Hall,8:80 p. m., concert of th* Banks Glee Club.
Tuesday.— Carnegie Hail. 8:ir» p. m.. concert ofthe New-York Symphony orchestra, underthe direction of Felix Welngartner; Mendels-•oan Hall. 6:30 p. m. private concert of theMendelssohn Glee Club; Hotel Majestic, 3p. ra.. concert of chamber music by the Men-delssohn Trio Club.
MME. ANNAE. ZKGLEB.RTTTTUn f°r tJ»» *"oj 6ta»<ar. ladnfita* T^~r,lr
—.DIUi/iU tfliliilArt,Fencln* &aJ :...--..^7-
'163 W. 49Ui St. Tel. 1500J CWurnau*
FREDERICK UTTROPIDI \ *«««t &*••*«Thorough Instruction for Optra, oratorio, citxrch and
concert.
GIACOMO MINKOWSKIVoice 6pecl*!!«t. late Musical Critic of N. Y. Journal
STLDIO. Sl»828 CARXEGIB HALX.
WALTER S. YOUNGVocm Ixmructlon. Votca Production.
tMctlon. Style. Repertolr*. 801 *SO3 Camer.* H*l).
EDMUND SEVERNVOICE. PIANO. VIOLJN. lai WEST WTH.
\u25a0 \u25a0 111 A All Tenor St. Bartholomew*.3 A illvIIRI'T*nor of T-niple Isr«*l.IIt MilAII111 Oratorio. Con«rt and PvsttvaXIH11O UII
7WMvocj^stu^ y c
OGDEN-
CRANE SCHOOL OF OPERAand Studio at ulco Culture.JIME. OGDEX-CRAXt:. C*racgU> Hall. N. T.
LUELLA PHILLIPS Ss^cSKs* 1""*1""*btudlo. Carnegie H*ll.Tel. 13CO— Coluaabm.
lima llnaml Pnmiar ft*oo Teaching Recitals\u25a0OS. HOaml rOrniar .prt^ Conservatoire da p^rtm,ECOLE PS MARMONTfcL. Stailo 130 sth At».
ARTHUR EDWARD STAHLSCH2dIDTrSp«cUl!»t on Vole*. IT Kaat SUth st. X. Y.
FREE VOICE trial tl£&R™wb«for* full term b««!n«. C J. KOOGS, J4-J« B. 2l»t it.
GERRIT SMITH,Orsan. PUno. Theory. Studio 10 East «lat St.. N. T.
RUSSIAN MUSICMOSHER-BI'KHIMI LECTURE RECITALS
of national mu.ic. For terms Addres. 100 E. TJ<l St.
MARKS' CONSERVATORY voc«i civ™iii-i) ,«: month. Craauate Koyal CoutonraterUa ofDresden and Munich. 8 \V#»t ""'\u25a0 *'•
1100 C P PrUTCD Acompany tat. I'r.lqu. K:ndu>.ill110. I. U. UkliI narton \u25a0jstetn. Advanced 'luwt.Hesldent Studio. Th» l»ham. 40 \V«»t lldth-.t.
JANET BULLOCK WILLIAMSTeacher of Singing. Carn««t« Hall. \V»d. M Sat.
CHAS. HERBERT CLARKE.VOCAL. INSTRUCTION. CARNEOIE HaLU
MRS. L H. CANFIELD, -^MARGAREf GOETZ, ltaffi'tWt
WIRTZPIANO school^a^irg^incmu lITIIIU Piano and Harm 07 (tiaa<^»>Juotrn ALIWAN, uunr-* M«taod>. sot w.iaiKh.
DLVeiC TlinriD SOPRANO. Conceit. Racital.DL33IL 1Ul'Ul\. Oratorio, ea W. liHth.
MIDVCinn IIDIIDT 6t(ht sln«ln« E»r Tralnin*.MARYFIDELIA DUnI.Harmony. Il3jCarn»»U Utll.
SIG. MANUEL GARCIA 'ZZSSTiu
U. LORES' CI^KMENTS. IVole* Trial f-,. byVOICE ISstRHroK appolntm.nt.•
E. UTliST., COB. miATM.|'Phon* 525: Qra.-ti.ro
The fifth symphony, which will be playedh*r*,had Its lirst performance in Colopn" at aGUrzenlrh concert in October. 1004. It Is a long-work, its performance consuming considerablyover an hour. Unlike Mahler's second, thirdend fourth symphonies, it has no vooal parts,but it is etill unconventional In that in ther^herzo there is a continuous horn obbligato. Itcontains three parts and live movements, thefirst and third parts each having two move-ments. Th« fir^\u25a0 movement is called <#A FuneralTrain." which is followed by an allegro of "ut-most vehemence." The Fecond part the scherzo.la an old fashioned German Liindler. which isfollowed in th- third part by the clow move-ment, and finally the rondo-finale The sym-phony was completed in th« spring of 1903. Ow-ing to the length of the symphony only twoether numbers will be on the programme, Bee-thoven's overture to 'Ecrnonf and Schumann'sconcerto for the pianoforte the solo performerbeing- Mr Harold Ilauer.
On Saturday afternoon the lioston Orchestrawill iyr*siit D'lndy'e Symphony, so. 1, forpianoforte and orchestra. "On ;. Mountain Air."This work has already been played here thiswinter by the New-York Symphony Orcheutrabut It trill bear repetition. The pianist willbeMr. Helnrlch Cebhard. whose appearances inchamber concerts here have ir.adt: a favorableImpression. • cniTU HAIMFC AccoinpanUt: piano teaehar.LLJlin n/11t1t.3 401 Carn««l« Hall. N. T.
F. READE WINANT, F8&338&
VIENNACONSERVATORY. 65 20-ava.—
Instruction. »!!> Instrument*. Empowered Diploma. Instrumentsfree. 3*Lm«j"i. 19.
HELEN AUGUSTA HAVES. \u0084.,-u353 W«at J3th "it. A-roir.tro^nts by trill.
MME. CAMPBELL, vocaltmltuul b«»^^**'\u25a0 LflJUOtuiH «r«Ju«t*. Trial fr*« b y ,^_pointmen!. Tumi to suit muai. 403 Caxo««!. H*ll.
M.11. DE BOIt •>•.-» Axtlstlo Slnctnc. pars I:«!u.imethod of vole* plactn«. ton* bu:'. !'.n« 4--.a ,«..'«c: br«*t&.lo«. Btudtoa. 817. 813 Carn««i» H»U.
PAUL DUFAULTt^SIGHT READING w^fc&aj^gg"VIOLIN
CORWIM PIANO SCHOOL 'rr^y^
MME. 0. DE NAUD, isssrt.rt %5
UIOO CUMA PAQCni I °Prano-
Concert. 4 vocalmlbo tmmQ uflnnULL t««>n». u« w. lima sl
SIG. CAYAKADOSSI &"&%?%*.nrocTT TTTTMITJ Mopruao. «"onc*rt. Ra iti,BESSIE TUJJUiI, ,ir»torlo 5« W 104 th.
Guitar. Banjo, and Mandolin. ChaiUt Hetnline.Iknulci Helnllne. Residence htu«lio. 1.001 »th-*v«. N. T.
Abrahir.a Nelson, who is described as a youngAmerican who has Juet returned from studiesInQerniAtiy, where he was a pupil of the SternConservatory In Berlin and also at hi-tltzkyIn Vienna, announce* \u25a0 ulanoforts recital to beSfPM In Mendelssohn Hall on the evening orFebruary I'l. The •-"!'> Dc-normer at this con-cert will be Miss MarJe Hall, who will clayM«n<l«>i:>.»iir]'B concerto, and the remainingnumber of the urocramtne will »>. Haydn'a•
ymjhi/ii.v In D Major. Mo. 2. In IJreitkopf andH4rte»'« l!»t.
Bureau .if Muatcal Hftiulrriunti and Choir Ex.eh«n«e.— High claw only. O. E. SMITH, 110 W. »OU.
KITTYHUUUEK—
ZlTHKK Concert*:^ entertainment*Instruction; celebrated method. 110 t. iotn.
IIiRVP SP.MT S«prano. llJ!»- *oon>iJ. "*»«•-
Charles Wade Walker will to-day open the n«wly
Installed organ at the Washington Heights UnitedPr«sbyt«rl&a Church, Wast IT2O-at. and Audubon-»v«. \u25a0 . \u25a0
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It Is announced that the Opera Rehearsal Cluband the Marks Musical and Social Club will give amusical at No. 6 West 90th-nt. on February 19. ren-dering the third, fourth and fifth act* from"Fauat," with full cast and chorus, under the di-rection of Charles Frank and Professor Eugene F.Marks. The aololsta will be Mies Grace E. R. Me-Klbbon. Miss Mabel E. I-^slie. Miss Hannah Ward.William Gay. Lami Matt and K. V. Richards.
Agnes Sunnier Geer, elocutlonlßt, gives a concert
at the Waldorf on ih« evening of March 8, assistedby well known artists.
Ther»» was a son* recital at the studio of WalterJolin Hall on Friday evening-. February 2. by hispupils, the Misses Edith Lenore Davies. PhyllisFuchs. Btlle Tiffany and Lucy Isabella Marsh andMrs. Constance Klnf.
Signor Conte Cavaradowl is to sing the tenor
role in Verdi's ••Requiem" at the Metropolitantn < f« Housa thlß evening.
Rudolph P- O. Grides gave a musical at hla
etudlos. No. 133 West 12Sth-st., on Wednesday even-Ing, at which his pupils rendered an Interestingprogramme, those who took part Including theMisses Anna and Christine Relchenbach. BeatriceGoodacre. Ethr-1 Constable. Fannlo Brunsteln,Esther and Ruth Johanson and Carrie Myers andO Hauser, Muster George Knoth, George Haueer,M. Gatzsch and Mr. Grlcka.
"Musical America," the new musical Illustratednewspaper, edited by John C. Freund. Is attractingthe attention of the profession and the musicalpublic.
Arecital by the Junior pupils willbe given at theWirtz Piano School, No. 120 West 124th-st., on Fri-day evening. February 16, at 8:15. The regularmonthly pupils' recitals were held on Saturdaymorning, from 10 to 12 o'clock. \u2666
William C. Carl announces that he will. In re-sponse to many requests, give instruction In theinterpretation of the oratorios and their traditionsto vocalists; also in the art of diction and reper-tory In preparing for church choir positions. Mr.Carl's lecture on "Creation" will occur next Thurs-day at 4 o'clock In the chapel of the First Presby-terian Church, 6th-ave. and llth-st.. assisted byKfn> Stewart, soprano: John Young, tenor, andEdwin Wilson, barytone.
Th« vocal class of Slgnor Vegara. of the Vegan
Studios of Music. No. 1.700 Broadway, Is almostfilled, notwithstanding the fact that the studioswere not opened until about January 1. SlgnorVegara reports that he is training some remarka-bly fine voices, and Is preparing for a concert to
be given In Carnegie Lyceum at an early date.Several of his pupils will appear, among them b<»-!nc Sefiorlta Joanna Buell, Mrs. Charles Bagley.
Miss Laura Barnes. Miss Alma Marsden. ArthurMulligan. A. V. West. A. Clark, of Toronto, and
M. Murphy. of Boßton. Irwin Eveleth W assel .pianist; Miss Ida Mampel. pianist; Ida BranthBurgy. viounist; Miss Alevla Lynch and others ofthe faculty will appear.
Continued on seventh page.
STUDIO NOTES.
Mme. CalvC's last concert in New-York thisseason will take place In Carnegrie Hall on theafternoon of February 22.
The three concerts of the People's SymphonySociety on Thursday, Friday and Saturdayevenings of this week willpresent a programme
The second ofMr.Beigel's concerts, which wag
announced for next Wednesday evening, hasbeen postponed to March 21.
Programme of Mme. Emma Eames's songrecital in Carnegie Hall on next Wednesdayafternoon, Mr. Amherst Webber, accompanist:
Air from "Armida—
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The second private concert of the German
Lledeikranz will take place in the society's hallthis evening: under the direction of Arthur Claas-sen. Mr. Henri Marteau will play Mendels-Bohn's violin concerto, Beethoven's Romanza inP and Salnt-Safins's "Rondo Capriccioao." Theprincipal choral numbers, with orchestra, willbeHumperdlnck's "Wallfahrt nach Kevlaar,"Julius Weismann's "FlngerhUtchen" and CarlHlrach's "An das Meer."
At the regular meeting of the Women's Phil-harmonic Society on Tuesday evening of thisweek In the Waldorf-Astoria, music will be fur-nished by Susan Douglas Edson, mezzo bo-prano; Ruth Anderson Reohr, violin; MilmaAnderson, pianoforte, and W. G. Barker, tenor.
At its third concert of chamber music In theHotel Majestic on Tuesday afternoon of thisweek thjMendelsaohn Trio Club willplay a trioby Mozart and Tsehaikowsky's Trioop. 50. Ed-win Wilson will sing some songs and Mr. Sas-lavsky and Charles Gilbert Spross will playDvorak'i sonatina for violin and pianoforte,op. 100.
The programme of Helnrich Gebhard's piano-
forte recital In Mendelssohn Hall on Tuesdayafternoon, February 20. willcontain Schumann's"Carnival" and pieces by Bach, Brahms. Chopin,Liszt, Debussy and Faure.
hall. An afternoon of rare pleasure can be ex-pected on next Sunday.
A concert of an entertaining character is thatpromised by the Vienna Quartet at CarnegULyceum on next Sunday afternoon. The quar-
tet Is composed of four graduates of the Vienna
Conservatory— Bchoenberffer, violin; Ugey. aec-
ond violin; Krlst. violoncello, and Zucker. piano-
forte—who have been associated with each othersince ISUB for the purpose of providing musicrhiefly at private entertainments. They began
iheir oareer In Vienna, spent the year 1900 In
Paris and then came to New- York. The charac-teristic feature of their performances Is refine-ment and finish. They purvey music of a lighter
order their specialty being the dance measuresof the Austrian capital, but always Inan artistic
manner Their sentimental selections are ar-rangements of popular pianoforte places, songi,
operatic potpourris and so forth, but In selectionand arrangement good taste Is always subserved.The quartet ha* a host .if friends, especiallyamong the German music lovers of, the <ilty.though it tiu not gtva a ooncert In a putollo
To-morrow mornlnß the public sale of seatsfor the second and last cycle of "Per Ring dcsNlbelungen" announced for this Reason will
bepln at the Metropolitan Opera House. Theperformances willbe given on the evenings ofFebruary 27 ("Das Rheingold"), .March \u2666) ("DieWalkUre"). March 8 r #Sl*»srfrle<l") and March 18("GCtterd&mmerunK"), with the casts heard inthe first cycle of the season and under the musi-cal direction of Mr. AlfredHertz.
VcrAfa "Requiem" will be performer! underthe direction of Mr. Viprna at the MetropolitanOptra House this evmlnp. The solos will bepunp by Mmcc Jomelli and Walker and Messrs.Cavara'doMd and Plancon
This is what the press agent of the Opera
House has to say about "Der Zlgeunerbaron":
On Thursday evening1 we shall have the muchtalked of special all «tar production of "DerZlgeunerbaron" ("The Gypsy Baron"), whichduring some weeks past has been In rehearsalat the Metropolitan under the personal super-vision of Mr. Conrled. ItIs a good many yearselnoo this characteristic and fascinating three-act opera of Johann Strauss has been heardhere, and this willbe Its first interpretation atthe Metropolitan. Light though Itmay seemby comparison with the music dramas of Rich-ard Wagner or of the modern Italian school. itIs a favorite In many of the most dignifiedEuropean opera houses, and seems likely to winfullyas much attention as "Die Fledermaus," Ifnot more. It abounds with tuneful muslo andpicturesque Incidents, while the costumes andthe scenery provided by the management willdoubtless enhance its attractiveness. The plot,as many of the older opera goers will remem-ber, concerns the loves and adventures of Barln-kay. the "Gypsy Baron"; Baffl. his gypsy bride,and various other characters, among them Otto-kar, who Is courtlnsr Arnena. the daughter of adrollHungarian landowner who raises hogs. Inthe third act of the opera we shall see thetriumphal entry of the victorious Hungarians,including a gypsy regiment headed by Barln-kay. In this act will come the "sensation" ofthe night the appearance, in an Interpolatedepisode, of the stars and popular singers notin the regular fast, among them Mmes. Ahott.Emma Eames, Fremstad, Jacoby, Jomelll, Mul-ford. Nordlca. Poehlmann, Ralph, Sembrlch.Walker and Weed, with Messrs. Burgstaller,P.£gue. Caruso, Campanarl. Franke, Journet.Knote. Parvis, Plancon, Paroll. Relss, Rossi,Seoul and Van Roojr. These artists willbe in-troduced as captives of the victorious troops. Invarious costumes, and at the request of theGypsy Baron, will wing solos, duos and otherselections for their ransom. The cast chosen forthe performance of the opera proper willIncludeMiss Bella Alten as Saffl. Mme. Marie Rappoldns Arff-na. Mme. L.oulse Homer as Czipra, MissBatiermelster as Mlrabella, Mr.Dippel as Barin-kay, Mr. Blass as Count Carnero. Mr. Muehl-mann as Homonay. Mr. Bars as Ottokar. Mr.Dufriche as Pall and Mr. Goritz in the humor-ous part of the hog raiser, Zsupan. MissFrr.ehlich will head the ballet In the incidentaldances, and Mr. Nahan FVanko willconduct.
The regular lißt for tbio week is as follows 2
Monday, "La Travlata," with Sembrtch, Carusoand Scotti; Wednesday, "Ljucia dl Lammer-moor." with Sembrich. Caruso and Journet;Friday, "L«ohengrln." with Rappold, Walker,
Knote. Van Rooy and Journet; Saturday after-noon, "Marta," with Sembrich, Homer, Carusoand Plancon; Saturday evening. "Tannhauser,"with Jomelll. Premstad. Alten, Oorltz, Blaagand Miihlmann.
Repetitions will be the rule at the opera thisweek on all the subscription occasions and Sat-urday night, so that the production of Strauss'soperetta with vaudeville concert attachment on
Thursday evening may have the momentous em-phasis which so frivolous and degrading a per-
formance deserves. A plea has been put forththat the operetta Is on the lists of the Germanopera houses. That Is true, but onlyIna specialsense. In most of the theatres grand opera,comic opera, operetta and the spoken dramaare given in more or less regular alternation,but this cannot provide a standard for an in-stitution like the Metropolitan Opera House, inwhich, under the beet of circumstances, oper-ettas cannot be effectively performed. Thepopularity which "Per Zigeunerbaron" had for aspace in Vienna was due to the comlo acting ofGerardy, who played the part of a Hungarianvulgarian grown rich on hog raising. The humorwas local, and would be lost on all but Aus-triane and Germans, even if exploited In anappropriate theatre. Itis utterly Inartistic topresent It at the Metropolitan Opera House,with grand opera surroundings.
gramme willbe made to Include a symphony by
Mozart- Itwillbe as follows:Symphony in C ("Jupiter") MozartConcerto for violin M«ndels»ohn
MillMarl*Hall.Scherzo (new, first time) Joseph 6ukSymphony InD.••••••••••\u25a0••••••••\u25a0••««....«.*••\u25a0• Brahms
The Oratorio Society's revival of Handel's"Judas Maocabaeus" on Tuesday evening. Feb-ruary 20, at Carnegie Hall, willbe accomplished
under Frank Damrosch's leadership, with thefollowing: singers: Miss Laura Combs, soprano;Miss Elizabeth Elmer, contralto; Daniel Bed-doe, tenor, and Charles M. Clark, bass. TheOratorio Society's chorus and the New-YorkSymphony Orchestra will be the other forcesconcerned.
TT> last coticmn of th» New- York SymphonyOrchestra. und*r the direction <'f Ftlix Wtln-*fcrt:.cr, will take place InCarnes^e Hall up. thistfurr.oon and Tuesday evening. To satisfy aouxl&clty wfclch ba« round expreeaion. Ok* pro-
NEW-YORK DAILY TRIBUNE. SUNDAY. FEBRUARY 11. 1906.
I#IELY T^IUSICAL GOrEiEi^
HEINRICH GEBHARD.Pl«n!«t with the Boston Symphony Orchestra
on February 17.
A CARrc«TUHE OF SCOTTI BYCARUSO.
MISS MARIE NARELLE.She will give a concert at the Waldorf-
Astoria.
MME. EMMA EAMES.She will give a 6ong recital on Wednes-
day afternoon.(Copyright by Alma Dupont.)
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