II: The corridor
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Transcript of II: The corridor
THE NATIONAL ORCHESTRA OF THEUNITED KINGDOM OF GOATS
e COMPENDIUM
FRAGMENT TWO
e Corido
THE PROPAGANDA OFFICE OF THEUNITED KINGDOM OF GOATS
REVISION 2.2
INTRIGUINGREVEALINGCONFIDENTIAL
- 5 -
The corridor
The overseer slowly started to wake up. Through a vision
still blurry he caught a glimpse of where he was. “This must be the
corridor” he thought to himself. The two war-guards were still
dragging him along. Somehow they managed to get out of that
massive riot down at the camp without any scratch, though their
axes were bloodstained. A sudden and incredibly painful sting
ripped the overseer out of his dream-state and pulled him back
into the world of the living. It was his nasty wound. He tried to
find out if it was still bleeding but it was too dark. One of the war-
guards realized that he was back and looked at him, smiling
wickedly.
"It's good to have you back overseer. We already thought we
would have to make you another one of those in order to wake
you up. You mortals should be proud to even have blood flowing
through you". He laughed out loud and bold, unwilling to hide the
sarcasm in his voice.
- 6 -
The overseer however tried to make his feet follow his will
again, but he had a hard time in doing so. He felt uncomfortable
and ashamed. He, the overseer of the fifth battalion, one who had
seen countless wars and battles. It was a sorry state he found
himself in.
The pain in his shoulder did not go away, but none of the
war-guards seemed to have any intention in giving him some kind
of rest or time to recover. They had orders. And apparently their
orders were strict. He had to be delivered to the high council. The
overseer did the best he could to make his appearance look less
pitiful. It was the high council he was being presented at after all.
As his senses slowly crept back into his head he started to feel a
little unwell, to say the least. Why on Phoebal was he treated like a
prisoner? The hands of the war-guards formed shackles as tight as
chains. It did not at all look like they were escorting him. There
was nothing for him to do as to wait an see. Besides, he did not
have any particular desire to wander around alone in this
frightening place either.
This must be the corridor. The corridor, as it was called by
most commoners. It was some kind of hallway at the very center
of the fortress of the Kramh. Rumors had it that it was the only
way to get to the throne room of the high council. But no one
knew for sure. Few people ever entered here. And most of them
were of a high position inside the Kramh. And high ranked officers
serve the population with information in very rare cases. And it
would've been hard to tell anyone anything about his place
anyway, as it was so dark that even if the whole place burned, the
fire itself would've been choked by this strangulating darkness.
- 7 -
One of the few things the overseer managed to see was that the
floor was made of dark-bluish stone tiles with countless carvings
on them. Carvings in a language that he did not speak. They were
finely arranged and almost perfectly cut. The overseer had never
seen anything like it. To the left and right of the hallway there
were pillars reaching up a few meters high. Only a few candles
were attached to them every now and then, giving some light. The
further the overseer looked up, the darker it got. Still he seemed
to catch some slight movements in the dark up there on the
ceiling. But then again, it could be his weary mind playing tricks
on him. Only the torch one of the war-guards held shed some light
to make out that they were not floating inside the ain soph
already. Every now and then there were small groups of three or
four Kramh standing around a pillar concentrated on performing
some kind of ritual. There was always one scribbling some words
or drawings on a pillar while the other two or three stood around
him chanting. Every group seemed to sing the same phrase over
and over again. Something like “The sleepless are dreaming with
him.” The words did not make any sense to the overseer. He did
not dare to palpably look at them, the gods only know what they
were up to. He kept his gaze pinned to the floor and kept on
walking with his companions.
The further they came, the more the strength of the war-
guards seemed to increase, almost impending the blood to flow
through his veins. The overseer felt a strong aura radiating from
them. An aura that was choking his thoughts. This place was
horrid. With every step he took things kept getting stranger. He
heard voices. Whispers. His head started to spin and his vision
- 8 -
became blurry again. The war-guards were unimpressed by all of
this. Was he the only one feeling it? Was it his wound that was
playing games with his wit? As the whispers started to get louder
and louder he started to lose his reason and felt like the walls of
the hallway were whispering at him, talking to him. Was he still
dreaming and floating unconscious somewhere?
“What is this place? Get me out of here! Do you hear them?
The walls! They are whispering to me! The are talking to me!
What is this?” he screamed in anguish almost beyond reason.
“The walls aren't talking to you, overseer. You are talking to
them. They are merely answering you. And besides, we are almost
near the gate. And you can surely imagine that the opening of the
gate is nothing a mortal should ever witness.”
And as soon as he finished the sentence the other war-guard
pulled out his axe and hit him straight in the face with its shaft
knocking him unconscious once more. He fell to floor to be
dragged around again.
“How unpleasant. I hope he doesn't get used to passing out
twice a day.” one war-guard said to the other, and both burst out
in laughter. The overseer however faded from consciousness
again, but anything was better than hearing walls speak to you, he
thought to himself as he drifted away.
Copyright © 2012
some rights reserved
This publication is released under the CreateCommons By-Nd-Nc license.
You are free:
to Share — to copy, distribute and transmit the work.
Under the following conditions:
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Noncommercial — You may not use this work for commercial purposes.
No Derivative Works — You may not alter, transform, or build upon this work.
Details of this license can be obtained here:
http://creativecommons.org/licenses/by-nc-nd/3.0/it/deed.en
Written and published by
The National Orchestra of the United Kingdom of Goats
(www.ukog.net)
Eternal bliss be yours.