IGC Group Storyboard vs 08 Final SCREEN

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    Storyboard

    CLIENT: IGC GroupPRODUCT: Century celebrationTITLE: Strength vs. BeautyLENGTH: 30 Sec

    Margot Roolant | Director & Producer | July 2012 | Strength vs. Beauty

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    2/35Margot Roolant | Director & Producer | July 2012 | Strength vs. Beauty

    We begin deep underground, where there is immensepressure and intense heat.

    The earth creaks and groans, as i the tectonic plates areshi ting and grinding against each other.

    We see a super close-up o

    the texture o earth as it grinds and moves, ...

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    the earth begins to crack under heat, hot coals glowing.

    We see a series o extreme close-ups o the body - soclose that at rst we do not yet recognize it is a body: thecreases in the palm o a hand while it starts to move;

    back muscles as they begin to expand and contort; the

    lines in the neck as it revolves and ficks around; ...

    the pointe shoe (ballet slipper) o the ballerina as sheturns on her toes. Sound e ects emphasize the grindingand creaking

    Margot Roolant | Director & Producer | July 2012 | Strength vs. Beauty

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    4/35Margot Roolant | Director & Producer | July 2012 | Strength vs. Beauty

    This tremendous pressure causes an eruption.The ballerina is getting ready to take fight, she makesone last turn to gain momentum.

    Red, hot liquid bubbles and explodes, re fickers lettingsparks burst and fy. Hot lava bursts into the air, dancingupward into the sky.

    When we reach this moment o eruption the dancer is in

    ull rame. She has projected hersel into the sky and ishanging weightlessly in the air as i foating.

    The moment when she is at her highest peak is sloweddown to an almost grinding halt, allowing us to witnessthe precision and grandeur o it in great detail.This e ect will be magni cent.

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    Once the hot liquid reaches the earths sur ace, it coolso rapidly. This is the point where the moodsubtly transitions rom hot to a cool. Fire and sparkstrans orm into drops o water and all rom the sky...

    landing on the ground and on the skin o the dancers.Raw uncut diamonds are captured hitting the sur ace owater like raindrops.

    The ballerinas eet hang in the air.

    As the water droplets all, the dancer simultaneouslylands back on the ground. We see close-ups o ligamentscaptured in slow motion as they all back to earth andland - the impact resonating through the body, in contrastwith the droplets crashing to the ground.

    Margot Roolant | Director & Producer | July 2012 | Strength vs. Beauty

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    We see a hand gliding through the air and droplets owater slipping rom its ngertips.

    Raw uncut diamonds hit the ground, bouncing on top oone another. We see a close-up o the uncut gleamingsur ace rotating be ore the camera.

    The ballerina hits the ground with impact...

    sending a cloud o diamond dust up into the air.

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    In an extreme close-up...

    shimmering dust explodes o the end o the ballerinaseyelashes as she closes her eyelids in seemingly highimpact.

    A sheet o glass breaks in slow motion, the shards fyingoutwards.

    Margot Roolant | Director & Producer | July 2012 | Strength vs. Beauty

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    8/35Margot Roolant | Director & Producer | July 2012 | Strength vs. Beauty

    In slow motion the dancers arm streaks through a paneo water that looks almost like a sheet o glasshanging mid air.

    Crashing through this liquid window seems to breakit into a million pieces as water is sent fying in everydirection.

    In a close-up we see ice crack and split open.

    Hundreds o small cut diamonds explode into the sky.They all back down through water like little silver bulletswhirling and spiraling downwards leaving behind trails oair bubbles.

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    Cool liquid fows over a smooth translucent sur ace, cas-cading over its contours.

    We see prismatic lines as the water fows over the object- these are the rst suggestions o the lines o a cutdiamond.

    The ballerina per orms a move that fows just like the

    water, her arms weaving and her back arching into acurve like the water.

    Light refects through the sur ace o the prism.We catch glimpses o abstract light re ractions cast bythe diamonds as we travel around and over themin extreme close-up.

    Margot Roolant | Director & Producer | July 2012 | Strength vs. Beauty

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    10/35Margot Roolant | Director & Producer | July 2012 | Strength vs. Beauty

    The ballerina spins on her toes, snapping her headaround.

    She is wearing a long fowing dress that seems to fowas the water.

    The turn is sped up then slowed up down just as sheaces the camera again,...

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    leaving her dress hanging weightlessly in the air, almostas i she is foating in water.

    The camera travels around a sea o diamonds - we catchglimpses o them as they refect iridescent colours andre ract light into the lens.

    We nally see a mountain o beauti ul glittering cut

    diamonds. The last ew are still alling out o thesky, toppling down over the mountain o diamondsbe ore they settle in place

    One large brilliant diamond hangs in the air and rotatesbe ore it drops. We reveal this one largediamond in all its glory rotating be ore the camera.

    Margot Roolant | Director & Producer | July 2012 | Strength vs. Beauty

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    12/35Margot Roolant | Director & Producer | July 2012 | Strength vs. Beauty

    As it turns we can see all the di erent colours andlight re ractions dazzling us. It is per ect. We are le t withthis one stunning, fawless diamond sparkling in thecentre o the screen.

    Text appears: Harnessing the natural strength andbeauty o diamonds since 100 years.

    Logo and slogan appear ICG: The make matters.

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    14/35Margot Roolant | Director & Producer | July 2012 | Strength vs. Beauty

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    18/35Margot Roolant | Director & Producer | July 2012 | Strength vs. Beauty

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    19/35Margot Roolant | Director & Producer | July 2012 | Strength vs. Beauty

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    26/35Margot Roolant | Director & Producer | July 2012 | Strength vs. Beauty

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    Alternative end screens