Hs ii lecture 1 wbg, online

Historical Styles II 1800-Present

France and the French Empire Style

Portrait of Mme. Récamier, Jacques-Louis David, 1800

The Coronation of Napoleon, Jacques-Louis David, 1807

Interior of Notre Dame decorated for Napoleon's Coronation

Malmaison, renovations and interiors by Charles Percier and Pierre François Léonard Fontaine

Napoleon’s Library, Malmaison,

Perceir and Fontaine

Napoleon’s Bedroom, Malmaison, Perceir and Fontaine

Josephine’s Bedroom, Malmaison, Perceir and Fontaine

Napoleon in Egypt

A page from Recueil de décoration intérieur (Collection of Interior Decorations), Percier and Fontaine, 1801 & 1812

England and the Regency Style

Thomas Hope, page from Household Furniture and Interior Decoration

A page from Household Furniture and Interior

Decoration, Thomas Hope, 1807

A page from Household Furniture and Interior Decoration, Thomas Hope, 1807

Chair and Chaise, Thomas Hope

Royal Pavilion, Brighton, John Nash

Banqueting Hall, Royal Pavilion, Brighton, John Nash

13 Lincoln’s Inn Fields, Sir John Soane, Home and Library

Section, through 13 Lincoln’s Inn Fields, Sir John Soane, Home and Library, (note skylights throughout )

Breakfast Room, 13 Lincoln’s Inn Fields, Sir John Soane

Interior with Soane’s collection, 13 Lincoln’s Inn

Fields, Sir John Soane

Piranasi, Carceri (jail) Plate VII, The Drawbridge, ca. 1750

Interior Bank of England, Sir John Soane

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Presentation Notes

Bank of England Interior, 1788-1823

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Rotunda, bank of england, Joseph Michael Gandy

Water Color, Interior Bank of England, Sir John Soane

German-speaking Europe and the Biedermeier Style

Schauspielhaus, Karl Friedrich Schinkel, Berlin, 1818-21

Charlottenhof, Karl Friedrich Schinkel, Potsdam, 1826-27

Garden View and Plan, Charlottenhof, Karl Friedrich Schinkel, Potsdam, 1826-27

Reception Room, Charlottenhof, K. F. Schinkel, Potsdam

Tented Room, Charlottenhof,

K. F. Schinkel, Potsdam

A page from, Goethe’s Color Theory, ca.1810 Color Wheel Developed by Goethe

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Gothe 1810 color theory

Queen Louise’s Bedroom, Charlottenburg Palace, K. F. Schinkel, Berlin

Side Chair, Charlottenburg Palace, K. F. Schinkel, Berlin

Interior for the Archduchess Sophie, Vienna, Austria

Samples of Veneer

Applying Veneer to a Curving Sofa Leg

Two Biedermeier Side Chairs, Vienna. The Chair on the right by Josef Danhauser

Fall Front Desk, Josef Danhauser, Vienna

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Fall Front Desk, Vienna ca. 1810, Josef Ulrich Danhauser

Table Base, from The workshop of Joseph

Danhauser

Two Washstands, French and German

America and the American Empire and the Greek Revival

Pier Table, Charles Pier Table, Charles-Honoré Lannunier, New York, 1815-19

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Pier table, 1815–19�Charles-Honoré Lannuier (French, 1779–1819)�New York City�Rosewood, white pine, ash, marble, lead, brass; 36 x 49 1/2 x 22 in. (91.4 x 125.7 x 55.9 cm)�Rogers Fund, 1953 (53.181a,b)�The gilded caryatids on this example make it the most overtly Grecian of Lannuier's square pier tables. Based on the carved marble figures of the Erechtheum on the Acropolis in Athens, the caryatids were cast in lead and treated with a gilded surface. They may have been made in a mold taken from a French bronze lighting device of a type similar in quality to the imported bronze clocks that Lannuier is known to have sold in his store. The gilded surface of the paw feet, brass ornaments along the apron, and rosettes along the base complement the figures in a pleasing manner.

Armchair, Charles-Honoré Lannuier, New York, 1805-12

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Armchair, 1805–12�Charles-Honoré Lannuier (French, 1779–1819)�New York City�Mahogany; 32 7/8 x 22 1/8 x 19 in. (83.5 x 56.2 x 48.3 cm)�The Sylmaris Collection, Gift of George Coe Graves, 1931 (31.44.2)�Although the proportions of this chair are much broader than the set produced by Duncan Phyfe for William Bayard and the out-turned saber legs have been replaced by straight, turned and reeded supports, one can see a distinct similarity in the shape of the arms, the orientation of the double-cross scroll back, and the rendering of the carved crest rail. Whether Lannuier copied this design directly from Phyfe's work or another of their competitors remains to be seen. While the ubiquitous scroll-back chair survives in great abundance, this is the only example with a label.

Two Chairs by Duncan Phyfe, Side Chair from 1815-20, and Gondola Chair from 1837

Federal Hall, Ithiel Town and Alexander Jackson Davis, New York, 1836-42l

Interior, Federal Hall

Rose Hill, Geneva, NY, 1835, American Greek Revival

Greek Revival Doorways, New York City, 1833-1840

Alexander Jackson Davis, Study for a Double Parlor, NYC, American Greek Revival

Grecian Couch or Day Bed, Hugh Finlay, Baltimore, MD, Greek Revival

Painted Side Chair, attribute to the Finley Brothers,

Baltimore MD

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Baltimore 1815-1820

Secretary Bookcase, New York, unatributed,

1830

Greek Revival Parlor, Duncan Phyfe, New York,1837

Meridienne (Couch), attr. Duncan Phyfe, New York City, Greek Revival

Meridienne (couch), Duncan Phyfe, Pillar and Scroll style

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Presentation Notes

Meridienne (Couch), 1837�Attributed to Duncan Phyfe (Scottish, 1768–1854)�New York City�Mahogany, pine, ash; 38 1/2 x 74 x 24 1/2 in. (97.8 x 188 x 62.2 cm)�Purchase, L. E. Katzenbach Fund Gift, 1966 (66.221.1)

Center Table, Joseph W. Meeks and Sons, New York, Greek Revival or Pillar and Scroll

Joseph Meeks & Sons, Advertising Poster-

Catalog, New york, 1833

Hs ii lecture 1 wbg, online

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