How To Write Like a Human - by Claire Dawson

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2640 Lyndale Ave. South | Minneapolis, Minnesota 55408 | T +1 612 279 1400 | www.zeusjones.com How to Write October 2, 2015

Transcript of How To Write Like a Human - by Claire Dawson

Page 1: How To Write Like a Human - by Claire Dawson

2640 Lyndale Ave. South | Minneapolis, Minnesota 55408 | T +1 612 279 1400 | www.zeusjones.com

How to WriteOctober 2, 2015

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All you have to do is say what you mean.

Writing isn’t scary.

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• Know what you want to say.

• Be concise.

• Be clear.

• Edit.

The Four Rules of Saying What You Mean

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Rule # 1: Know what you want to say

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Figure out what you want to say

Plan what you’re going to say

Key ideas:

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In order to say what you mean, you have to know what you mean.

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Jumping into writing can sometimes work, especially in long form, but in a short form like a keynote deck, it often causes the story to get muddled and told out of order.

Instead, take a minute (or an hour, or a day) to think about what you’re really trying to say.

Think first.

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Ways to plan

Outline

Reverse Outline

Boring, but classic. Organizing your thoughts into levels of importance helps you understand how evidence, examples, and ideas support your main points.

Start at the end and work backward. Once you’ve figured out where you want the deck to end up, work your way through the best outline to lead you there.

Visualize

Jump In

Mind maps or bubble charts can help group ideas together and show the relationships between them, especially if you’re a more visual thinker.

Start writing, but be prepared to go back through and destroy 90% of what you’ve created to get to the good stuff. (This is generally what we do at ZJ. It is not, you’ll note, the most efficient method of planning.)

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Solution - Belief and purpose

o Capitalize on brand history and recognition

o Articulate core values - Pursuits

o Show values through action o Connect with Gen X and

Millennials through shared values

Bring the brand back to life

History of the brand - 225 mya – Triassic

o Birth of the brand - 205-144 mya – Jurassic

o The classic dinosaurs – high penetration and brand loyalty

- 144-65 mya – Cretaceous o Declines in year-to-year sales,

loss of popularity over time o Bottom falls out of the market

- Modern era o Novelty brand (95% of market) o Lifestyle brand (5% of market)

Problem - Limited audience

o Kids are the main demo o Educated/niche adults

secondary demo o Gatekeeper moms

- Crowded market/competition o Dragons o Pirates o Other charismatic megafauna

- What’s missing? o Connection to heritage brand

status o Shared values o Actions over image

Classic OutlineHow do we bring an extinct brand back to life?

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Reverse Outline

Before we discuss the market, we need to evaluate the history of the brand

- 225 mya – Triassic o Birth of the brand

- 205-144 mya – Jurassic o The classic dinosaurs – high

penetration and brand loyalty - 144-65 mya – Cretaceous

o Declines in year-to-year sales, loss of popularity over time

o Bottom falls out of the market - Modern era

o Novelty brand (95% of market) o Lifestyle brand (5% of market)

How do we get to that framework for this brand?

- Pursuits o Actions resonate with audience o Actions bring core values to life o Shared values drive brand equity

– and therefore, sales - Belief and Purpose

o Capitalize on brand history o Articulate core values o Fuel pursuits (and make a

connection to values)

What problems do B&P solve? - No core values - No connections to audience - Limited audience

o Kids o Educated adults

- Crowded market o Dragons o Pirates o Ninjas o Charismatic megafauna

Belief, purpose, and pursuits framework can bring an extinct brand back to life.

Image credit: Charlotte Vogel, from Noun Project

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Bring an extinct brand back to life.

Brand history

Problem

Solution

Triassic

Jurassic

Creta.

Modern era “Lifestyle brand”

Crowded market

Limited audience

Kids

Edu. adults

NinjasPiratesDragons

What’s missing

ActionsValuesHeritage

Belief and Purpose

Values

History

Pursuits

Connect with Millennials and

GenX

Mind Map

Image credit: Charlotte Vogel, from Noun Project

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Figure out what you want to say

Plan what you’re going to say

Key ideas:

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Rule # 2: Be concise

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No extra words

Cut what you don’t need

Short sentences are powerful

Key ideas:

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It’s important that you don’t use more words than you absolutely need to.

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It’s important that you don’t use more words than you absolutely need to.

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Don’t use more words than you need.

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Don’t use more words than you need. Use only the words you need.

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Unless you think they’re vital for the audience to understand what you’re trying to communicate, cut words, phrases, and sentences that are padding your text. If you CAN get rid of them, you probably should.

When in doubt, cut extra words.

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Unless you think they’re vital for the audience to understand what you’re trying to communicate, cut words, phrases, and sentences that are padding your text. If you CAN get rid of them, you probably should.

When in doubt, cut extra words.

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Get rid of anything you can.

Cut extra words.

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Often, the shorter the sentence, the more powerful it is.

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Often, the shorter the sentence, the more powerful it is.

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Short sentences are powerful.

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No extra words

Cut what you don’t need

Short sentences are powerful

Key ideas:

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Rule # 3: Be clear

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Simplify

Avoid jargon*

Don’t invent words**

Key ideas:

*Unless it serves a clear purpose

**Unless you think the client needs to be impressed, and will be by invented words

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Sometimes it seems easier to use jargon as shorthand for ideas that you’re sure everyone understands. But you’d better be really sure.

In all other cases, reducing complexity makes messages MORE powerful, not LESS.

Making yourself hard to understand doesn’t help anyone

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Utilizing complexity in an attempt to create informational synergies routinely results in your audience’s failure to resonate with your key messages.

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When you complicate ideas in order to connect them to each other, people don’t understand what you’re saying.

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Jargon can act as shorthand: When jargon allows people to express complex ideas that everyone understands in a shorter form, it helps.

Jargon can recognize client needs: It can also be helpful in reflecting the clients’ own language so they know their priorities have been considered.

Jargon has its uses (but they’re few)

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Even in these cases, it still might be better to say what you mean clearly, because it helps people remember the real meaning behind the terms they’ve grown accustomed to.

In every other case, jargon makes you less clear, and less likely to successfully communicate your message.

You still might not need it

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T. Rexes and raptors respond to very different RTBs. Acronyms can provide easy shorthand for terms everyone’s clear on.

The extra clicks are going to be a big barrier to entry for the saurian demo. Technical terms and phrases with an established meaning can reinforce authority.

Our goals for the year are awareness, trial, and conversion. We need to sell more dinos.* Client-prioritized terms can make clients feel recognized.

*This one’s debatable. What if it said, “Our goals for the year are for people to know who we are, to try our product, and to become loyal buyers of all dinosaur products,” instead?

Helpful use of jargon

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We’ll bucket the learnings from our ideation session. Complexity for no reason is a way to avoid saying what you really mean. Better: We’ll find the themes that connect our best ideas.

The experience should be both disruptive and delightful. Buzzwords* make your message harder to understand. Better: The experience should be both innovative and fun.

We’ll leverage our assets to create a robust digital experience on our owned properties. Cliches don’t sound impressive; they sound cliched. They also omit detail. Better: We’ll create videos and tools with our partners that will live on our site.

*They can be useful for impressing the client, if that’s what needs to be done. But they also run the risk of being outdated, or of the client hating that particular trend or concept.

Unhelpful use of jargon

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Chances are good we already have a word for what you want to say.

Try to find one first.*

Then, if you must,** you can invent a new one or change an existing one into another part of speech.

*If you can’t find one, ask your resident grammarian. Or the internet. **The odds of this are almost zero.

Don’t invent or reinvent words

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What we say What it means

Agree

Agree

Agree

Cover

Come back

Script

Use

Request

Assigned

Built-in

Use

Head-nod

Align

Get on the same page

Cover off on

Circle back

Talktrack

Leverage

Ask

Tasked with

Baked-in

Utilize

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LEARNINGS

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LEARNINGS

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LESSONS

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You can use them, but make a decision to do it, and do it for a reason, not because you’re unclear about what you really want to say or because you’re being lazy.

Jargon and invented words should be a choice, not a crutch.

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Simplify

Avoid jargon*

Don’t invent words**

Key ideas:

*Unless it serves a clear purpose

**Unless you think the client needs to be impressed, and will be by invented words

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Rule # 4: Edit

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Restate your points

Take a break and come back

Read out loud

Show someone else

Key ideas:

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Try to read what you’ve written as though you’ve never read it, and then summarize it for yourself.

Does it make sense?

Does it say what you’re trying to say?

Are the ideas in the right order?

Restate your own ideas

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When you can’t figure out what you really need to say, step away from what you’re working on and come back later (ideally, at least overnight). You can’t read your own words over and over again and expect to see or understand what’s wrong.

This is a good reason to plan ahead so you can avoid doing things at the last minute. There’s a reason all-nighters are a bad idea.

Give your work some time

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Reading your work out loud will often help you catch confusing sentences and proofreading mistakes.

Read it out loud

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Even great writers are only as good as their editors. Someone else’s perspective is the best way to find errors in your writing and make the best possible changes.

You don’t have to do everything your editor suggests,* but at least you’ll be aware of more ways to improve your work.

*Except for the grammar stuff.

Ask for help

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Restate your points

Take a break and come back

Read out loud

Show someone else

Key ideas:

Image credit: Deviantart user AlexKonstad

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• Know what you want to say.

• Be concise.

• Be clear.

• Edit.

The Four Rules of Saying What You Mean

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And, most importantly…

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You’re a person, talking to people.

Write like it.

Be human.

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Bonus tips

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You are not required to avoid using contractions.

It is awkward and makes you sound like you cannot relax.

Image credit: Hascora, kwejk.pl

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You are not required to avoid using contractions.

It is awkward and makes you sound like you cannot relax.

Image credit: Hascora, kwejk.pl

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You’re not required to avoid using contractions.

It’s awkward and makes you sound like you can’t relax.

Image credit: Hascora, kwejk.pl

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Words in a row do not make a sentence.

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What is the most intuitive language we can use to easily navigate consumers through the optimal dinosaur experience?

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What is the most intuitive language we can use to easily navigate consumers through the optimal dinosaur experience?

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What’s the most intuitive language we can use to help consumers easily navigate the dinosaur experience?

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Over the course of the recent redesign, we evolved the dinosaur experience to better support the raptor promotion by making more of the content available, a better support system for individual species information and results as well as ensuring enthusiasts could easily find the page through search and our own navigation.

Parallelism is your friend.

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See?Over the course of the recent redesign, we evolved the dinosaur experience to better support the raptor promotion by making more of the content available, creating a better support system for individual species information and results, and ensuring enthusiasts could easily find the page through search and our own navigation.

Image credit: Deviantart user Mr. Jack

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One last thing

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Safety first. Always check your contractions.

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Your = belongs to you You’re = you are T. rex, your incorrect use of “your” means you’re not communicating well.

Their = belongs to them They’re = they are There = location/placeholder When it comes to velociraptors, their impressions of how they’re communicating are neither here nor there.

Its = belongs to it It’s = it is It’s not hard to see why grammar has its detractors.

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