How to Choose a Black Belt Project

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a glance, what is going on and to lead more effectively, Kelsey says. It is about understanding the normal versus the ab- normal. Normal is operating the way we want it to operate, he says. Visual management is particularly powerful when used in combination with MBWA, or management by walk- ing around, he says. (MBWA emphasizes the practice of managing by going to th e work area directly and interacting with the work force to better understand and react to what is happening, as opposed to managing from a distance, or from be- hind a desk.) For example, where visual signals indicate that production lines are operating as they should, a plant manager or other leader can provide positive feed- back and quickly move along. Stop by a communication board that shows abnor- mal conditions, however, and that im - mediate feedback allows us to take action when we need to take action. In some instances, the issues challenging produc- tion lines can be management-created errors of commission or omission. Those issues become more quickly apparent if plant leaders walk the plant floor and in combination with the appropriate visual signals. It's a great way to understand what's going on, Kelsey notes. It's also the least wasteful way to lead. The continuous improvement manager points out that plant managers routinely visiting the plant floor and reviewing communication boards, and engaging with operators or value-stream managers, is visual management in and of itself. It says to the plant floor workers that th e managers care about quality, effort and improvement. H Editor s Note: Kelsey will co-present a session on visual management at hvDusTRYWEEK s 2011 Best Plants Conference April 4-6 in Atlanta. How to Choose a Black Belt Project If the selection process is all about the dollars, then it s all wrong. here exists a concept that cost savings is the measure that must be met for a project to qualify as a Six Sigma green belt project or a Six Sigma black belt project. That concept is wrong, says William Wes Waldo,  OO of consulting firm BMGI, who shared his ob- servation during a recent online training event Per- formance Metrics: How to Select Them, Adjust Them, and Tie Them Into Your Strategy. (The event is ar- chived on the IW website.) Waldo shared his objection first by outlining a typical conversation surrounding the selection of a black belt project: begins with a black belt proj- ect proposal, which likely is met with the question, How much is the project worth? Told that it is worth $50,000, the response becomes,  That can't possibly be your project. All black belt proj- ects must be worth at least $300,000. That's what makes it a black belt project. Where did that $300,000 figure (or similarly high figure) come from? It dates back to the measurement system that existed when Six Sigma programs first launched, explains Waldo. The programs often were kicked off in engineering- driven organizations, which looked at the typical al- located cost of an engineer, recognizing all the training necessary to turn that per- son into a dedicated black belt. The organization then determined it required at least a 3x return on that en- gineer's time, for example, and calculated that cost. Carrying out its calcula- tions further, the organiza- tion determined a black belt could complete tw o projects per year, therefore requiring each project be worth $300,000 for a total of $600,000 per year in cost savings.  So they backed into the math, Waldo points out. That's a very activity- driven approach and what we look at are results. Aren't the numbers th e results? No, says the BMGI chief operating officer. Th e conversation should be about matching the skill necessary to the problem.  So, if I have a problem that requires a ton of linear regression and a DOE [de- sign of experiments] an d all these types of analyses that clearly are the skill set of a black belt or a master black belt, then I should assign them to that regard- less of the dollar amount, especially if I don't have a million dollar project sitting out there, he says.  What we want to do is match skill on problem as opposed to dollar amounts, which is a fictitious type of program management met- ric that's out there.  If you are putting the right people on the right problems, thathave the right skill sets, the money eventu- ally will flow out of that, and that's something important for people to realize. m WWWINDUSTRYWEEK COM I JANUARY 2011 I IW I

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a glance, what is going on and to lead

more effectively, Kelsey says. "It is about

understanding the normal versus the ab-

normal. Normal is operating the way we

want it to operate," he says.

Visual management is particularly

powerful when used in combination

with MBWA, or management by walk-

ing around, he says. (MBWA emphasizes

the practice of managing by going to thework area directly and interacting with

the work force to better understand and

react to what is happening, as opposed

to managing from a distance, or from be-

hind a desk.) For example, where visual

signals indicate that production lines are

operating as they should, a plant manager

or other leader can provide positive feed-

back and quickly move along. Stop by a

communication board that shows abnor-

mal conditions, however, and "that im-

mediate feedback allows us to take action

when we need to take action." In some

instances, the issues challenging produc-

tion lines can be management-createderrors of commission or omission. Those

issues become more quickly apparent if

plant leaders walk the plant floor and in

combination with the appropriate visual

signals. "It's a great way to understand

what's going on," Kelsey notes. It's alsothe least wasteful way to lead.

The continuous improvement manage

points out that plant managers routinely

visiting the plant floor and reviewing

communication boards, and engaging

with operators or value-stream managers

is visual management in and of itself. It

says to the plant floor workers that the

managers care about quality, effort andimprovement. H4

Editor'sNote: Kelsey will co-presenta sessi

on visualmanagementat hvDusTRYWEEK's 2011

Best PlantsConference, April4-6, in Atlanta.

How to Choose a Black Belt ProjectIf the selectionprocess is all about the dollars,then it's all wrong.

here exists a conceptthat cost savings is

the measure thatmust be met for a project to

qualify as a Six Sigma green

belt project or a Six Sigmablack belt project.

That concept iswrong,says William "Wes" Waldo,COO of consulting firm

BMGI, who shared his ob-

servation during a recent

online training event "Per-formance Metrics: How to

Select Them, Adjust Them,

and Tie Them Into Your

Strategy." (The event is ar-

chived on the IW website.)

Waldo shared his objection

first by outlining a typicalconversation surroundingthe selection of a black belt

project: The conversation

begins with a black belt proj-ect proposal, which likely is

met with the question, "How

much is the project worth?"

Told that it is worth $50,000,

the response becomes,

"That can't possibly be your

project. All black belt proj-

ects must be worth at least$300,000. That's what makes

it a black belt project."

Where did that $300,000

figure (or similarly high

figure) come from? It dates

back to the measurementsystem that existed when

Six Sigma programs first

launched, explains Waldo.

The programs often werekicked off in engineering-

driven organizations, which

looked at the typical al-located cost of an engineer,

recognizing all the trainingnecessary to turn that per-son into a dedicated black

belt. The organization then

determined it required atleast a 3x return on that en-

gineer's time, for example,and calculated that cost.

Carrying out its calcula-

tions further, the organiza-

tion determined a black

belt could complete twoprojects per year, therefore

requiring each project be

worth $300,000 for a totalof $600,000 per year in cost

savings."So they backed into

the math," Waldo pointsout. "That's a very activity-

driven approach and whatwe look at are results."

Aren't the numbers theresults? No, says the BMG

chief operating officer. Thconversation should be

about matching the skill

necessary to the problem."So, if I have a problemthat requires a ton of linea

regression and a DOE [de-

sign of experiments] andall these types of analyses

that clearly are the skill se

of a black belt or a master

black belt, then I shouldassign them to that regard-

less of the dollar amount,

especially if I don't havea million dollar projectsitting out there," he says"What we want to do is

match skill on problem as

opposed to dollar amounwhich is a fictitious typeprogram management me

ric that's out there."If you are putting the

right people on the right

problems, thathave the rig

skill sets, the money event

ally will flow out of that, a

that's something importantfor people to realize." m

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How to Choose a Black Belt Project

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