How the Graduate Was Put on Stage

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    BognrAlexandra

    ProjectandEventManagement

    2011.04.11.

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    HOWTHEGRADUATEWASPUTONSTAGE

    Doestheworld-famous"Mrs.Robinson,you'retryingtoseduceme!"sentenceringsthe bell? It is a quote from the same titled movie made in 1967 starring Dustin

    Hoffman(ashisdebut)andAnneBancroft.Theplayisanadaptionoftheold-time

    favoritemoviewithminorchanges.Thispaperisgoingtoshowthewholeprocedure

    ofhowa"TheGraduate"wasputonstage,alsoanalyzesthefundingofthetheaterand

    theperformance.

    MadchTheaterhastwosourcesofincome.The majority of it comes from the

    government - directly from the local

    government. (Just a short note: since the

    2010 change in the political system, the

    governmentisplanningtostopsupporting

    some theaters including Operettsznhz

    and Madch Sznhz, but these are justideasofthebrainstorming)Inexchangefor

    themoney,thetheaterhastoproduce3-4

    stage musicals and plays each year.

    Secondly, the ticket sales cover the other

    part of the income. Madch Theater is a

    non-profit organization (MadchSznhzNonprofit Kft.), therefore all themoney is

    reinvestedinthefuture"products".

    Thewhole procedure of putting a play onto stage can be split up into five parts,

    startingwiththelegalsteps,thenwritingthescript, followedbythecasting (onlyif

    needed),rehearsalandfinally,thepremierandfuturewould-beperformances.Inthe

    followingparagraphs,thesestepsaregoingtobedetailed.

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    LEGALSTEPS

    Since "The Graduate" isoriginally an American novel by CharlesWebb which was

    later turned into a script (written by CalderWillingham and Buck Henry) for the

    movie,theplayrequiredspecialpermissionfromStudioCanal.TheoriginalBroadway

    productionwasmanagedbyJohnReidandSachaBrooks.Waybeforetheplanningof

    creatingastageplay,legalactionstakeplace-allthepermissionsneedtobereceived,

    contractsneedtobesignedandagreementontheroyaltyfee,too.

    WRITINGTHESCRIPT

    Thefirststepwastochooseadirectorwholaterwritesthescript.SzirtesTams,the

    main director of the theater chose HerendiGborwho is famous for his films like

    "MagyarVndor"or"ValamiAmerika"butcompletelynewinthetheaterbusiness.He

    welcomedthisnewchallengeandwrotethescriptbasedontheoriginalversionbut

    healsoaddedtwosceneswhichofcourseneededpermission.

    Thestoryremainedthesame:"RecentcollegegraduateBenjaminBraddockistrapped

    intoanaffairwithMrs.Robinson,whohappenstobethewifeofhisfather'sbusiness

    partnerandthenfindshimselffallinginlovewithherteenagedaughter,Elaine."

    (www.imdb.com)

    The original genre of the film was rather a drama, although the story calls for a

    comedy. Now, more than 40 years later the desires are fulfilled because Herendi

    Gbor,thedirectoroftheplayturned"TheGraduate"intoafascinatingfarce.

    CASTING

    Castingisagain,notaneasything.Itisfineifthedirectorhasacertainconceptofthe

    would-becharacters,butsincemostof theactorsdonotbelong toMadchTheater,

    "having"theactorsisabeneficialconsequenceofnegotiationswithothertheater.

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    Theplayhasadoublecast,whichisanordinarymethodofabiggerplay:

    Benjamin:KOVCSLEHEL/SZENTEVAJK

    Mrs.Robinson:NAGY-KLZYESZTER/UDVAROSDOROTTYA

    Mr.Robinson:PUSZTASZERIKORNL

    Elaine:FODORANNAMRIA/HOLECSKORSOLYA

    Mr.FrankBraddock:SZEREDNYEYBLA

    Mrs.OliveBraddock:HVSVLGYIILDIK

    Receptionist:BARTATTILA

    Asitwasmentionedearlier,someoftheseactorsplayregularlyatMadchTheater,butmost

    of themdo not. Udvaros Dorottya for example belongs to the National Theater, therefore

    bargainingwithAlfldiRbert(directorofNationalTheater)wasfundamental.KovcsLehelworksforKatonaJzsefTheater,FodorAnnamriabelongstojTheaterandNagy-Klzy

    Eszterisindependent.Afterthesenegotiations,contractsareneedtobesignedeitherdirectly

    withtheactororwithhis/heragentorwiththetheater.

    REHEARSAL

    Havingbeenselectedtheactors,the7-week-longrehearsalperiodtakesplace.The

    firstweekisthereadingrehearsalwhichisonlyaboutthetext.Thesecondweekis

    aboutthe"motion"rehearsal,whichunlikethepreviousone,focusesononlythebody

    languagepartlikegesturesoftheactors.Fromthethirdweekon,threeweeksofscene

    rehearsal.

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    Duringtheseweeks:fittingonthecostumesandthesceneryshouldalsobecreated.

    Then,thereisoneweekrehearsalwithcostumes.Itisimportantthatalltheseactions

    take place on the rehearsal stagewhich isof coursecompletely different from the

    "real"one.

    After this 6-week-long period, the theater closes foroneweek and this is the time

    whenthetheateroffersthestageforthefull-dressrehearsalweek.Thefirsthalfof

    thisweekisforgettingusedtothestageandthenewatmosphere,whilethesecond

    halfisopenedtospecialguests.Theaimistoplayinfrontofaudiencebeforethe

    premiere. The audience usually consists of retired people (since these rehearsals

    startsat11inthemorningandalso,theticketsarefreebutyouhavetoknowwhotoask), therefore the attending community is not very diverse but they fulfill their

    "function".Thencomesthepremiere...

    Theparagraphsaboveshowedthepracticalpartofhowtomakeashowoutofanidea

    (oroutofaforeignbutexistingplay).Thefollowingparagraphsaregoingtohighlight

    thefundingofsuch.

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    ABOUTMONEY...

    Making"TheGraduate"costaltogether30million

    HungarianForints.Unlikethetheater,theplayhas

    three sources of income. The additional one

    includes the sponsors (they support the

    advertisements).Thewholebudgetcanbesplitup

    intoseveralareas-40%ofthemoneygoesforthe

    actors and the staff, 17% for the scenery. In this

    casethisamountwasrelativelylowbecausethere

    isonlyonescenerywithminorchangesatdifferent

    scenes.Thiswasduetothelowbudget"szentel"to

    theplay.24%wasspentonmarketing.Therewere

    approximately 45-50 costumes which made up

    12%of the30-million-budget.The remainingwas

    spent on others. And, there is an additional

    unrealizedlossforthetheaterduringthefull-dress

    rehearsalweekwhentherearenoperformancesin

    the evening, therefore the estimated money for

    ticketsalescannotbecollected.

    There are differentmethodswhen paying for the

    staff. The whole system is quite complicated

    because the theater has only a few employees.

    Their own employees are the tire-women or the

    propguybutalltheothersarefreelancers.But,if

    youlegallydonotbelongtoacertaintheateritalso

    implies that a "bunch" of contracts are needed to

    bedonebetweenthetheaterandthestaffasitwas

    highlightedearlier.

    The director gets 50% of his salary at the very

    beginningandtheremaining50%atthepremiere.

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    As for the actors, there are two "common practice", the actors are free to choose

    which one they prefer: (as in the director's case), they can receive the half of the

    paymentatthebeginningandtheother50%atthepremiereorbepaidoccasionly.

    So,letscalculate...Altogetherthereare800chairsinthetheater.

    Theticketpricesdifferatweekdaysandweekendsandalso,thereare6distinguished

    categoriesaccordingtotheseatwhereitissituated.Thereforethe1stcategorycosts

    4700Ft/5200Ft, the 2nd 4200Ft/4800Ft, the 3rd 3400Ft/3800Ft, the 4th

    3000Ft/3400Ft,the5th1900Ft/2100Ftandfinally,the6th1000Ft.Byaddingthem,

    theresultwegetis2,8milliononweekendsand2,5milliononweekdays.

    The difference is not that significant considering the additional costs. From this

    money, tax and royalty fee have to be paid instantly, 1,8 million Ft remains.

    Subtractingthecostofelectricityandthesalaries,1millionFtremainsas"profit",or

    rathersayincomeaftereachplay.Itisnotahardmathematicaltasktocalculatethat

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    30millionFt(thewholebudget),devidedby1millionFtis30.Therefore,therehasto

    beatleast30performancestogetbacktheinvestedmoneyandstill,wecannotspeak

    aboutprofit.

    Let'sfollowthelogic:thepremierwas24thand25thofMayin2010,thefollowing

    months'programlookedlike:

    Generally speaking, 9 performanceswithin 2 months. Continuning the calculation,

    whatwefaceisthattheinvestedmoneyreturnsinapproximately7-8months.Donot

    forgetwestillcannotevenimagineprofit...

    DespitethattheMadchTheaterisanon-profitorganizationahugeamountofmoney

    circulatesinordertomaintainthetheateranditsimage.Ticketsarenotatallcheap,

    this study clearly showed that a performance is a long-term investment and not

    particularlyagoodone...butprofitisnotanaim.Afteraproductiongetsitspayback

    thedirectorofthetheaterdecideswhethertocontinuetheplayorremovefromthe

    repertoire.

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    REFERENCES:TheGraduate,TheInternetMovieDatabase,accessed2011.03.27.:

    http://www.imdb.com/title/tt0061722/

    Diploma Eltt, Madch Sznhz Official Website, accessed 2011.03.27.:

    http://madachszinhaz.hu/Ea_Madach/Diploma_elott/Diploma_elott_h.php

    All the information that are not referred was told during discussions with:

    Herendi Gbor, the director of the play HnigZsuzsa,thefinancialdirectorofMadch Theater Szente Vajk, actor

    Pictures were downloaded from the Official Website of Madch Sznhz

    Program of May/June 2010 was downloaded from Official Website of Madch Sznhz