How Great Is Our God (Preview only) - praisecharts.com · The To contact us: Email feedback@...

19
www.praisecharts.com To contact us: Email feedback@ praisecharts.com or call (800) 695-6293 How Great Is Our God Words & music by Chris Tomlin, Jesse Reeves, and Ed Cash Arranged by Dan Galbraith Based on the popular recording from the Chris Tomlin album “Arriving” The PraiseCharts Worship Band Series is a unique and growing series of arrangements by some of today’s top new arrangers. These arrangements are geared towards a contemporary “R&B horns” praise band sound while at the same time being scalable up to a medium-sized church orchestra. The core parts (rhythm, vocals, and brass) may be enhanced with the other parts in any combination. Rhythm section: The Rhythm part is for the section player (pianist, guitarist, or drummer) with all the specific rhythms and chords necessary for the arrangement. The Lead Sheet is a combination rhythm and vocal chart meant for the vocalists, worship leader, or rhythm player needing more vocal cues. The Piano, Vocal part includes a full piano part in “songbook format” for those not comfortable with playing from a chord chart. When playing with a complete band the pianist would be advised to simplify this part in order to "stay out of the way". Vocals: We include both an SAT Lead Sheet and a SATB Vocal/Piano score. When using the SAT part (soprano/alto/tenor), the baritone/basses should sing the melody (soprano) down an octave – any exceptions are listed on the score. When the part is written in unison, the men should sing it down one octave or it may be done as a solo. This method provides a contemporary sound in an easy-to-learn fashion. Alternate keys: There is at least one alternate key included to accommodate either a keyboard-based band or a guitar-based band, to give the orchestra a more playable key, or to make the vocal range more accessible if necessary. Other notes: Rehearsal numbers are given in the form of “1”, “2”, and “3”, providing the easy use of finger signals by the worship leader who may want to make impromptu changes during worship. Normally, “1” is the verse of the song, “2” is the chorus, and “3” is a bridge or other section, but there are exceptions. When a section is repeated in its entirety later in the arrangement, it is labeled “1a” or “2a”, etc. All endings and repeats are clearly notated to facilitate these impromptu changes. Finally, each instrumental part includes lyric cues to aid the player in keeping their place. A note on brass stylings: For most titles, the brass parts should be interpreted with jazz articulations and inflections in mind. They have been notated very carefully to aid the player in this interpretation. Parts included in the PraiseCharts Worship Band Series Lead Sheet (SAT) – for worship leader and vocal team Piano/Vocal (SATB) – includes written-out piano part and SATB vocals Rhythm – a more detailed chart for keyboard, guitars, and drums. Ac. Guitar – modified Rhythm part in appropriate capo keys Core Worship Band instrumental parts (written as a section): Trumpet 1-2 Trumpet 3 (doubles Alto Sax) Alto Sax Tenor Sax 1-2 (doubles Trombone) Trombone 1-2 Additional Orchestral parts (these enhance the arrangement, but the Worship Band parts may also stand alone): Bass Trombone/Tuba Percussion 1,2 (Timpani, Bells, Sus. Cym., etc) Bari Sax (doubles Bass Trombone) Horn 1-2 (French Horn) Flute/Oboe 1-3 Clarinet (doubles 3 rd Flute) Individual string parts - Violin, Viola, Cello-Bass (note, all multi-note parts are divisi) Strings (Synth) – string reduction for keyboards Written with core brass Written as a section Written as a section

Transcript of How Great Is Our God (Preview only) - praisecharts.com · The To contact us: Email feedback@...

Page 1: How Great Is Our God (Preview only) - praisecharts.com · The To contact us: Email feedback@ praisecharts.com or call (800) 695-6293 How Great Is Our God Words & music by Chris Tomlin,

www.praisecharts.com

To contact us:

Email feedback@

praisecharts.com or call

(800) 695-6293

How Great Is Our God

Words & music by Chris Tomlin, Jesse Reeves, and Ed Cash

Arranged by Dan Galbraith

Based on the popular recording from the Chris Tomlin album “Arriving”

The PraiseCharts Worship Band Series is a unique and growing series of arrangements by some of today’s top new arrangers. These arrangements are geared towards a contemporary “R&B horns” praise band sound while at the same time being scalable up to a medium-sized church orchestra. The core parts (rhythm, vocals, and brass) may be enhanced with the other parts in any combination. Rhythm section: The Rhythm part is for the section player (pianist, guitarist, or drummer) with all the specific rhythms and chords necessary for the arrangement. The Lead Sheet is a combination rhythm and vocal chart meant for the vocalists, worship leader, or rhythm player needing more vocal cues. The Piano, Vocal part includes a full piano part in “songbook format” for those not comfortable with playing from a chord chart. When playing with a complete band the pianist would be advised to simplify this part in order to "stay out of the way".

Vocals: We include both an SAT Lead Sheet and a SATB Vocal/Piano score. When using the SAT part (soprano/alto/tenor), the baritone/basses should sing the melody (soprano) down an octave – any exceptions are listed on the score. When the part is written in unison, the men should sing it down one octave or it may be done as a solo. This method provides a contemporary sound in an easy-to-learn fashion.

Alternate keys: There is at least one alternate key included to accommodate either a keyboard-based band or a guitar-based band, to give the orchestra a more playable key, or to make the vocal range more accessible if necessary.

Other notes: Rehearsal numbers are given in the form of “1”, “2”, and “3”, providing the easy use of finger signals by the worship leader who may want to make impromptu changes during worship. Normally, “1” is the verse of the song, “2” is the chorus, and “3” is a bridge or other section, but there are exceptions. When a section is repeated in its entirety later in the arrangement, it is labeled “1a” or “2a”, etc. All endings and repeats are clearly notated to facilitate these impromptu changes. Finally, each instrumental part includes lyric cues to aid the player in keeping their place.

A note on brass stylings: For most titles, the brass parts should be interpreted with jazz articulations and inflections in mind. They have been notated very carefully to aid the player in this interpretation.

Parts included in the PraiseCharts Worship Band Series Lead Sheet (SAT) – for worship leader and vocal team Piano/Vocal (SATB) – includes written-out piano part and SATB vocals Rhythm – a more detailed chart for keyboard, guitars, and drums. Ac. Guitar – modified Rhythm part in appropriate capo keys Core Worship Band instrumental parts (written as a section): Trumpet 1-2 Trumpet 3 (doubles Alto Sax) Alto Sax Tenor Sax 1-2 (doubles Trombone) Trombone 1-2

Additional Orchestral parts (these enhance the arrangement, but the Worship Band parts may also stand alone):

Bass Trombone/Tuba Percussion 1,2 (Timpani, Bells, Sus. Cym., etc) Bari Sax (doubles Bass Trombone) Horn 1-2 (French Horn) Flute/Oboe 1-3 Clarinet (doubles 3rd Flute) Individual string parts - Violin, Viola, Cello-Bass (note, all multi-note parts are divisi) Strings (Synth) – string reduction for keyboards

Written with core brass

Written as a section

Written as a section

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& bb 44Acoustic Ballad q = 76

œœœœPœœœœ œœœœ œœœœ œœœœ Û Û Û Û Û Û

Bb(2)

Gtrs, loop only

’ ’ ’ ’simile...

’ ’ ’ ’

& bb4

’ ’ ’ ‰ jœPThe

W.L. only

1 Verse œ œ œ œ œ œ ≈ œ œBb

splen - dor of a king,

œ Œ Ó œ œ œ œ œ œ œ œGm

clothed in maj - es - ty,

& bb8

œ ‰ jœ œ œ œ œ œ œlet all the earth re - joice,

œ Œ œ œ œ œ œ œEbma7

all the earth re - joice.

œ Œ Œ œ œE bma7(2)

He wraps

& bb11

œ œ œ jœ ‰ œ œBb

Him - self in light

œ Œ Œ . jœand

œ œ œ jœ ‰ œ œGm

dark - ness tries to hide

& bb14

œ ‰ . rœ œ œ œ œ œ œand trem- bles at His voice,

œ Œ œ œ œ œ œ œEbma7

trem- bles at His voice.

œ Œ Œ œF œœ

E bma7(2)

How great1x - All on mel.

& bb ..P-Fˆ

2 Chorus

17

˙̇ ‰ jœœ ..œœ œœBb

is our God,

2x - Altos on bottom

1x - very light - no bass2x - full groove œœ Œ œœ œœ œœ œœ œœ

sing with me how

˙̇ ‰ jœœ ..œœ œœGm

great is our God

& bb20

œœ ‰ œœ œœ œœ œœ ..œœ œœand all will see how

jœœ ..œœ Œ œœ œœE bma7

great, how great

2nd X to Codaı˙̇ ‰ jœœ œœ œœF

is our God.

& bb23

’ ’˙Bb(2)

’ ’ ’ ’All - mel.

1a Verse œ œ œ œ œ œ œ œBb

Age to age He stands

bass in - Stronger feel œ Œ Œ . jœand

& bb27

œ œ œ œ œ œ œ œGm

time is in His hands,

œ .œ ‰ . rœ œ œ œ œ œ œBe - gin- ning and the End,

Key: BbLead Sheet

How Great Is Our God(based on the recording from the Chris Tomlin album "Arriving")

Chris Tomlin, Jesse Reeves, Ed CashArr. by Dan Galbraith

© 2004 worshiptogether.com songs (Admin. by EMI Christian Music Publishing)Six Steps Music (Admin. by EMI Christian Music Publishing)

Alletrop Music (Admin. by Music Services). All rights reserved. Used by permission.Duplication of this music is not allowed except under the terms outlined at www.praisecharts.com/copyright.

Page 19: How Great Is Our God (Preview only) - praisecharts.com · The To contact us: Email feedback@ praisecharts.com or call (800) 695-6293 How Great Is Our God Words & music by Chris Tomlin,

& ### 44Acoustic Ballad q = 76

œœœœPœœœœ œœœœ œœœœ œœœœ Û Û Û Û Û Û

A(2)

Gtrs, loop only

’ ’ ’ ’simile...

’ ’ ’ ’

& ###4

’ ’ ’ ‰ jœPThe

W.L. only

1 Verse œ œ œ œ œ œ ≈ œ œA

splen - dor of a king,

œ Œ Ó œ œ œ œ œ œ œ œF#m

clothed in maj - es - ty,

& ###8

œ ‰ jœ œ œ œ œ œ œlet all the earth re - joice,

œ Œ œ œ œ œ œ œDma7

all the earth re - joice.

œ Œ Œ œ œDma7(2)

He wraps

& ###11

œ œ œ jœ ‰ œ œA

Him - self in light

œ Œ Œ . jœand

œ œ œ jœ ‰ œ œF#m

dark - ness tries to hide

& ###14

œ ‰ . rœ œ œ œ œ œ œand trem-bles at His voice,

œ Œ œ œ œ œ œ œDma7

trem-bles at His voice.

œ Œ Œ œF œœ

Dma7(2)

How great1x - All on mel.

& ### ..P-Fˆ

2 Chorus

17

˙̇ ‰ jœœ ..œœ œœA

is our God,

2x - Altos on bottom

1x - very light - no bass2x - full groove œœ Œ œœ œœ œœ œœ œœ

sing with me how

˙̇ ‰ jœœ ..œœ œœF#m

great is our God

& ###20

œœ ‰ œœ œœ œœ œœ ..œœ œœand all will see how

jœœ ..œœ Œ œœ œœDma7

great, how great

2nd X to Codaı˙̇ ‰ jœœ œœ œœE

is our God.

& ###23

’ ’˙A(2)

’ ’ ’ ’All - mel.

1a Verse œ œ œ œ œ œ œ œA

Age to age He stands

bass in - Stronger feel

œ Œ Œ . jœand

& ###27

œ œ œ œ œ œ œ œF#m

time is in His hands,

œ .œ ‰ . rœ œ œ œ œ œ œBe - gin- ning and the End,

Key: ALead Sheet

How Great Is Our God(based on the recording from the Chris Tomlin album "Arriving")

Chris Tomlin, Jesse Reeves, Ed CashArr. by Dan Galbraith

© 2004 worshiptogether.com songs (Admin. by EMI Christian Music Publishing)Six Steps Music (Admin. by EMI Christian Music Publishing)

Alletrop Music (Admin. by Music Services). All rights reserved. Used by permission.Duplication of this music is not allowed except under the terms outlined at www.praisecharts.com/copyright.