Hänsel and Gretel · 2016-2017 Season Schedule April 25, 2017 Piano Competition Winner presents...

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If you wish to participate in The Jefferson City Symphony Orchestra please contact either Patrick Clark or Bonnie Verdot. Upcoming JCCA Events Bill Forness & One More Round March 14, 2017 PROJECT Trio May 9, 2017 JCSO Chamber Orchestra Looking for live entertainment for a luncheon or wedding? The JCSO has a Chamber Orchestra that can suit any need you may have from a trio to full chamber ensembles. If you have an upcoming event and would like to add some world class entertainment please contact us for rates and availability. Email Bonnie Verdot: [email protected] 2016-2017 Season Schedule April 25, 2017 Piano Competition Winner www.jcsymphony.org presents Featuring MOstly Opera February 7, 2017 7:00 pm Lincoln University ~ Mitchell Auditorium Conductor ~ Patrick Clark Hänsel and Gretel Engelbert Humperdinck

Transcript of Hänsel and Gretel · 2016-2017 Season Schedule April 25, 2017 Piano Competition Winner presents...

If you wish to participate in The Jefferson City Symphony Orchestra please contact either Patrick Clark or Bonnie Verdot.

Upcoming JCCA Events

Bill Forness & One More Round

March 14, 2017

PROJECT Trio

May 9, 2017

JCSO Chamber Orchestra

Looking for live entertainment for a luncheon or wedding? The JCSO has a Chamber Orchestra that can suit any need you may have from a trio to full chamber ensembles. If you have an upcoming event and would like to add some world class entertainment please contact us for rates and availability. Email Bonnie Verdot: [email protected]

2016-2017

Season Schedule

April 25, 2017 Piano Competition Winner

www.jcsymphony.org

presents

Featuring

MOstly Opera

February 7, 2017 7:00 pm

Lincoln University ~ Mitchell Auditorium

Conductor ~ Patrick Clark

Hänsel and Gretel Engelbert Humperdinck

Dear Audience, Thank you so much for being here this evening. Please take a moment to thank the Orchestra Musicians who consistently contribute so many beautiful musical moments for Jefferson City and the mid-Missouri Community.

Hänsel and Gretel by Darstellung von Alexander Zick

Program

Engelebert Humperdinck (1854-1921)

Hänsel and Gretel (1892)

A fairy-tale opera in three acts Libretto by Adelheid Wette

English translation by Constance Bache Conductor: Patrick Clark

Prelude

Act I: “In the Broom-Maker’s House” We meet Hänsel and Gretel (Christine Nichols and Carline Waugh) at home. They live in poverty but still have a love for play that gets them into trouble with their Mother (Kristin Chisham) who soon enters angrily, accidentally breaking a jug of milk badly needed by the hungry family. She sends Hänsel and Gretel into the woods to collect berries for the family to eat. Father (Samuel Wright) soon returns joyfully with food after a successful day of broom sales. He is shocked to discover that the children have been sent into the woods where the Witch lurks.

Act II: “In the Woods” Hansel and Gretel soon find themselves lost in the woods and things become a bit frighten-ing when the Cuckoo bird calls “who’s there…” Ghouls and goblins are threatening but as night sets in the Sandman (Samantha Crabill) sprinkles her magic, putting H. & G. to sleep—famous “Evening Prayer” duet ensues. The Pantomime ballet follows (Dancers’ Alley) and the Second Act comes to a close in peace if somewhat uncertain as to the fate of Hänsel and Gretel.

INTERMISSION

Act III: “The Gingerbread House” The Dew Fairy (Sandra Troutt) delightfully awakens H. & G. Suddenly the Candy House, spyed by Gretel, bursts upon the scene—a temptation to any hungry child. Soon the Witch (Ruth Robertson) seduces H. & G. into her house with her own, different, plans for dinner. After outwitting the Witch by casting her into the oven prepared for themselves, the Ginger-bread Children (Children’s Chorus) return to life, Father finds his children and all accelerates to a quite victorious dénouement.

Synopsis by Patrick Clark

Personnel

VIOLIN I Cheryl Nield** Johanna Boyer Miguel Calleja Jeannie McGowan Destri Eichman Terrence Farley Tayla Hughes Crystal Remmel

VIOLIN II Rebecca Talbert* Ian Barton Marilyn Beissenherz Amy Cook Marty Gardner Jesús Gómez Kateryna Kalugina Kelby Kornrumpf Kristi Langendoerfer Quintera Lewis Emily Schweiss Emily Smith Savannah Thomas Alaina Thompson Shaelen Uthe Madjid Vasseghi Janna Volmert Esuga Yacim

VIOLA

Susan Wallace* E. F. Braun* John Christianson Laura Eggeman Aleta Gray Elijah Hiltey Hannah Keely Catherine Roehl Kirsten Schwandtner Warren Solomon

CELLO

Aimee M. Veile* Nathan Erickson Adrian Gómez Patricia Koonce Terry Jones Siera Richardson Greg Spillman Brahm Treiman Rachel Ulm

BASS

Bonnie Verdot* Kayleigh Little Alison Riggs Clara Scovill Blaine Smallwood

FLUTE/PICCOLO

Tisha Celada* Susan Capehart Kelly Copeland

OBOE/ENGLISH HORN

Andrew Marjamaa* Leigh Ann Torres

CLARINET

Steven Houser* Earl Kliethermes

BASS CLARINET

David Heise

BASSOON

Karel Lowery* Libby Robinson

FRENCH HORN

Molly White* Laura Griggs Ryan McFall Charles Turner

TROMBONE

T.J. Higgins* Casey Dillon Jim Merciel

TRUMPET

Barry Sanders* Liam Reagan

TUBA

Bruce G. Connor

PERCUSSION

Matt Musselman Eric Veile Dalton Wright

TIMPANI

Tom Higgins***

HARP

Janna Volmert

CONDUCTOR

Patrick Clark

***JCSO President **Concertmaster *Principal Violin, Viola, Cello and String Bass performers, except for the principal, are listed in alphabetical order.

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Symphony Angel? The Jefferson City Symphony Orchestra is comprised entirely of Volunteers who love to share music with our community. There are many costs associated with our performances, such as rental and purchase of sheet music, instruments and repairs, and even the cost of this program you are reading. We rely on family, friends, and businesses in the Jefferson City area to provide funds to continue bringing you beautiful and exciting music from around the world. If you or your business is interested in supporting the Jefferson City Symphony Orchestra please choose one of the options below: I would like to give a donation of $_________, the check is enclosed. (Payable to JCSO) I would like to give a donation of $_________, can you please send me an invoice for payment. I would like to learn more about sponsoring a concert or advertising in concert programs. Please mail to: The Jefferson City Symphony Orchestra (JCSO) PO BOX 104384 Jefferson City, MO 65110

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Symphony Angels Dr. Steven & Jan Houser

Don Schilling Sharon & James Merciel

Bonnie Verdot Nancy Luehrman Charles Turner Laura Eggeman

Dianne & Tom Higgins Patrick Clark

Mildred Tunnell Barbara &Roger Schmid

Patricia & John Koonce Candace Cheung

Cheryl Nield Doug Etter

The Richard Powell Family Robert Mansur

Karel & James Lowery Mary Wherritt Anonymous

Helias Catholic High School Dr. & Mrs. Jonathan Hanson

Jefferson City Public Schools Linn High School Lincoln University

Our Savior’s Lutheran Church

Willie Beatty, Mitchell Auditorium General Manager

Symphony Board of Directors Tom Higgins, President Karel Lowery, Vice President Jim Merciel, Secretary Patricia Koonce, Treasurer Patrick Clark, Conductor Bonnie Verdot, Past President Amiee Veile, JCPS Liaison

Julie McDonald Andrea Cheung Candy Cheung T.J. Higgins Crystal Remmel Greg Spillman

Patrick David Clark was born in St. Louis,

MO and is a composer and conductor, currently adjunct professor of music theory and composition at the University of Missouri. Patrick is conductor and musical director of the Jefferson City Symphony Orchestra and frequent guest conductor for the Columbia Civic Orchestra and Mizzou New Music Ensemble, and was musical

director for The Little Theater’s production of Bye Bye Birdie, Rent, The Odd Couple, and Peter Pan. Most recently Patrick has been commissioned to write an orchestral work, FE700°C, for the Illinois Symphony Orchestra in celebration of their 20th anniversary, and Snow Coming for St. Louis Symphony pianist Peter Henderson, performed as part of the Sheldon Concert Hall’s 100th anniversary, and a chamber work for The Odyssey Chamber Concerts Series in Columbia, MO. Orchestral works by Patrick have been programmed by the Seattle Symphony, San Antonio Symphony, Nashville Symphony, Spokane Symphony, and the Nederlands Ballet Orkest. Chamber works by Patrick have been performed and recorded in The Netherlands and Israel. Dr. Clark has worked with American Voices as Composition faculty on several trips to both Kurdistan and Thailand. Patrick holds his Bachelor’s degree in composition from MU where he studied with Thomas McKenney and John Cheetham. Patrick earned his Master’s degree from the University of Arizona, studying with Dan Asia, and his Doctor of Musical Arts degree in composition from the Shepherd School of Music, Rice University, studying with Arthur Gottschalk, Paul Cooper and Ellsworth Milburn. Patrick is a Tanglewood Fellow (1997), participated as a composer at June in Buffalo and studied with Louis Andriessen at the Royal Conservatory in the Hague in Holland on a Netherlands-America Foundation Grant (Fulbright). Patrick was one of eight composers selected to write a work for Alarm Will Sound, performed in July of 2011 as part of the Mizzou International Composers Festival. The resulting composition, Ptolemy’s Carousel, and many other works by the composer can be heard at: http://soundcloud.com/patrick-david-clark

Our Conductor

MOstly Opera

Cast in order of appearance

Children’s Choir

Carline Waugh

Christine Nichols

Kristin Chisham

Samuel Wright

Sandra Troutt

Samantha Crabill

Ruth Robertson

Dancers’ Alley

Gretel

Hänsel

Mother

Father

Dew Fairy

Sandman

The Witch

Dancers

Dancers

Payton Burcham Tayla Hughes

Audrey Bowman Dwyn Jones

Claire Cassmeyer Victoria Law

Allison Echelmeyer Emmie Lykowski

Abigail Gierer Sophia Schepers

Marie Gillam Maggie Stonner

Libby Hausman Eli Voss

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Evan N. Lowery Passion + Work Ethic= Success

Vice President / Director of Business Development

MOstly Opera

Children's Choir

Mia Andrade Olivia Jones

Courtney Bach Elsa Kelley-Marcum

Shin Beatty Amira McKee

Anastasia Bonney Adeline Mwajuma

Maggie Brown Hang Nguyen

Gillian Busche Thao Nguyen

Ellie Carver-Horner Kalinga Nihorimbere

Cameron Casady Quin O’Laughlin

J’aisa Conway Elizabeth Sherwin

Sunday Crane Cora Siewert

Finn Dack Holly Stock

Alyssa Donehue Aaron Talbert

Kate Faherty AllieTalbert

Hayley Fender Lauren Valentine

Mari Hagen Daniel Webb

Karisa Hayden Kaitlyn Weigand

Kiera Hayden Janell Whitfield

Leanna Huelsbergen Lily Williams

Special Thank You’s Our Savior’s Lutheran Church, Jefferson City for the gift of

rehearsal space.

State Fair Community College—Eldon, Nursing Program

Students for much needed assistance.

The Little Theater, Dancers’ Alley, Presser Performing Arts

Center in Mexico, MO for lending costumes and props.

Joan Fairfax for providing snacks.

Chris Kenneson for being our Videographer.

Special thanks to Capitol Plaza Hotel and Baymont Inn for

assisting in our fundraising efforts.

Production Crew

Executive Director Anne Riggs—MOstly Opera

Artistic Directors Patrick Clark & Bethany Kiral-Moebes

Music Director Patrick Clark

Vocal Director Bethany Kiral-Moebes

Stage Director Bethany Kiral-Moebes

Personnel Director Patrick Clark

Stage Conception Patrick Clark

Production Mangers Patrick Clark & Bethany Kiral-Moebes

Rehearsal Pianist Rebecca Talbert

Assistant Rehearsal Pianist Gary Sanders

Choreographer Katy Howland

Children’s Chorus Director Christine Nichols & Bethany Kiral-Moebes

Sound Joel Henslee

Lights Lucas Wolters

Text Projection Gary Sanders

Text Transcriptionist Ruth Robertson

Lead Cast Costumes Maria Bish (The Little Theater)

Children’s Chorus Costumes Katy Howland

Stage Props Brian Harper (The Little Theater), Presser Performing Arts Center

Set Pieces Rebecca and Boyd Talbert, Patrick Clark, Katy and Robert Howland

Stage Management Willie Beatty

Videographer Chris Kennison

Stage Crew Caitlyn Chisham, Clarissa Chisham, Boyd Talbert, Allie Talbert, Aaron Talbert, Gabby Bailey, Sean Bailey State Fair Community College-Eldon Nursing Program

Greg Spillman Production Manager

[email protected]

9821-B Big Meadow Spur, Jefferson City, MO 65101

573-761-4194 ph· 573-395-3159 fx dandkcollision.com

Music Notes

In the morning the Dew Fairy comes to wake the children by sprinkling dew on them. They tell each other of their mutual dream, of angels protecting them as they slept. Suddenly they notice behind them a glori-ous house made of gingerbread! The roof is slated with cakes, the windows are of licorice, and the walls are decorated with cookies. It has an oven, a cage, and around it all is a fence of gingerbread children. Unable to resist temptation, they take a little bit of the house and nibble on it.

As they nibble, they think they hear a voice, “…who's nibbling on my lit-tle house?" But Hansel and Gretel decide that the voice must have been the wind and they ignore it. The witch comes out, catches Hansel and explains that she likes nothing better than to feed children sweets. Suspicious of the witch the children begin to run away, but the witch takes out her magic wand, stops them, leads Hansel to the cage, and forces Gretel to dance and set the table. Hansel pretends to be asleep and hears the witch, overcome with excitement, describing how she plans to put them in the oven and turn them into gingerbread.

Gretel manages to steal the wand from the witch and frees Hansel. The witch, wanting to check the fire, opens the oven and leans forward. Hansel springs out of the cage, and he and Gretel shove the witch into the oven.

They dance with this success. The oven crackles and then explodes. The gingerbread children turn back into living boys and girls. Father and mother are heard in the distance, calling for Hansel and Gretel, and they are all happy to be reunited. Father gathers Hansel, Gretel and the other children around and tells them that this miracle is heaven's punishment for evil deeds, and he reminds them, "When the need is greatest, God the Lord puts out His hand." Jim Merciel December 2016

Music Notes Engelbert Humperdinck (1854 - 1921) was born in Siegburg, in the Rhine Province of Germany. As a child, along with taking piano lessons, he produced his first composition at the age of seven. Despite his parents’ disapproval of his plans for a career in music, he began taking music classes at the Cologne Conservatory in 1872. After winning scholarships and prizes, he took opportunities to travel throughout Europe composing for theater productions, working as a music teacher, and ultimately as a professor of composition at several conservatories. He continued composition work for opera and theater for the rest of his life.

"Hansel and Gretel" is a well-known fairy tale that may have originated in the German medieval period of the Great Famine (1315–1321), which caused desperate people to abandon young children, forcing them to fend for themselves. The version as told in 1812 by the popular pub-lishers of German folk stories The Brothers Grimm is of a young broth-er and sister kidnapped by a cannibalistic witch, living deep in a forest, in a house constructed of cake and confectionery. The two children save their own lives by outwitting her. As a fairy tale, the Hansel and Gretel story takes several variations - including whether the children’s mother is herself a victim of circumstances or a wicked step-mother; what their father does for a living; how they get lost in the forest and try to find their way with breadcrumbs; and other variations of minor episodes in the story plot.

Humperdinck's reputation rests chiefly on his opera Hänsel und Gretel. This work was started in 1890 in Frankfurt, on a VERY SMALL scale - by composing four songs to accompany a Hansel and Gretel puppet show his nieces were giving at home. Then, using a libretto (opera text) written by his sister that was loosely based on The Brothers Grimm ver-sion of the Hansel and Gretel fairy tale, Humperdinck composed a Singspiel of 16 songs with piano accompaniment and connecting dia-logue. By January 1891, with encouragement and assistance from his sister, he began working on complete opera ochestraion. Humperdinck’s Hänsel und Gretel opera premiered at the German National Theatre in Weimar on December 23, 1893, under the baton of Richard Strauss. Incorporating musical techniques of the German opera composer Rich-ard Wagner, and including traditional German folk songs, Hänsel und Gretel was an instant and overwhelming success, and has remained a popular work.

Music Notes

In 1923 the Royal Opera House in London chose it for their first complete radio opera broadcast. Eight years later, it was the first opera transmitted live from the New York Metropolitan Opera.

The story line for tonight’s opera performance is as follows: At home, Gretel stitches a stocking while singing to herself, and Han-sel is making a broom for his father to sell. Bored with their chores, they stop working and begin to dance, but are surprised when their mother comes home. Mother, furious upon finding that Hansel and Gretel have not been working, accidentally knocks over a jug of milk. Their situation is desperate, as the milk was the only nourishment in the house. So mother sends Hansel and Gretel to the forest to look for strawberries. Alone, she expresses her sorrow that she is unable to feed her children.

Father returns to the house singing about how hungry he is, but he has a surprise - beyond the forest, it is time for a festival, everyone is cleaning in preparation, and he went from house to house and sold his brooms at the highest prices. He was thus able to bring home a feast of bacon, butter, flour, sausages, eggs, beans, onions, and coffee! As they celebrate, he suddenly stops and asks where the children are. When mother says they are in the forest, father is scared and tells her that the forest is where the evil Gingerbread Witch dwells. This witch lures children with cakes and sweets, and then pushes them into her oven where they turn into gingerbread. Father and mother rush into the forest to search for their children.

In the forest, Gretel weaves a crown of flowers and sings as Hansel collects some strawberries. They hear a cuckoo calling. They begin to eat the strawberries, and finally Hansel dumps the last of them in his mouth. Gretel scolds him and tells him that mother will be upset. She tries to look for more, but the sun has set and it's too dark to see. As the forest darkens, Hansel and Gretel become scared, and think they see something coming closer. It is the Sandman who approaches them, tells them that he loves them dearly, and that he has come to put them to sleep. After saying their night prayers, they fall asleep. Fourteen angels come out and arrange themselves around the children to protect them as they sleep.

Congratulations to the Jefferson City

Symphony for bringing the Best of

Music to the Mid-Missouri community.

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