History of british film industry

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History of the British Film Industry Steph Webb

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Transcript of History of british film industry

Page 1: History of british film industry

History of the British Film Industry

Steph Webb

Page 2: History of british film industry

Le Prince• The very first motion picture camera patented in the WORLD.. was patented in

England by French-born Louis Aime Augustin Le Prince in 1888.

• The first films were made on a sensitised paper roll a little over 2 inches wide. In 1889, Prince was able to obtain celluloid roll film from Eastman when it was introduced in England.

• Prince started commercial development of his motion picture camera in early 1890 with an updated version.

• September 16 1890: Prince never arrived in Paris. No trace of Prince OR his motion picture camera were EVER found. The mystery was never solved.

• 2 fragments of film is all that has survived from Prince and his camera. Both taken in 1888, one at 10 frames per second and one at 20 frames per second.

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Early History• Innovations in the late nineteenth century, mostly in the United States, France and the United

Kingdom.

• In the first decade of the twentieth century, more than 30 film studios were established in and around London.

• British films rapidly established a substantial share of the market at home and abroad – 15% of American market by 1910.

• The industry's share of its home market fell from half to less than 10 per cent by 1914.

• Investment in cinemas surged, with the founding of many new companies and investment of £1.5m (£140m at current prices) in cinemas in 1908 alone.

• The rate (between 25 and 50 per cent of the price of cinema ticket), was reduced in the 1920s and then raised during the Second World War.

• It was finally abolished in 1960.

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First Government Support• By 1925, British film production had declined to a point where fewer than 40

feature films a year were being made, compared with over 150 in 1920.

• In 1927, the Government recognised the importance of film production to the British economy and its role in stimulating exports of other goods and services.

• The Act (Cinematograph Films Act 1927) recognised the interdependency of production, distribution and exhibition.

• The Act was a success - production of films in the UK more than doubled by the end of the decade + resulted in the establishment of several new production companies.

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The Challenge Of American Film Exports• American authorities were even quicker to recognise its importance as an export

industry.

• 1910s: American missions abroad were reporting on foreign film market opportunities.

• 1926: Congress appropriated $15,000 to set up the Motion Picture Section within the Bureau of Foreign and Domestic Commerce of the Department of Commerce.

• This collected market information through 44 foreign offices and 300 consular offices.

• The film industry was responsible for about 2 per cent of over-all U.S. GDP-growth and about 3 percent of overall productivity growth between1900 and 1938.

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The 1930s: Boom And Bust• The arrival of "talkies" in 1928 had a positive effect on British film production - the

result was that the industry experienced a boom.

• The most successful British film production company was London Film Productions, founded by an immigrant from Hungary, Alexander Korda.

• The company's breakthrough success was The Private Life of Henry VIII (1933).

• By the late 1930s, the boom in British film production came to a sudden end.

• Over-rapid expansion led to bankruptcies.

• The number of feature film productions peaked in 1936 at just under 200 and fell by two thirds in the next four years.

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The quota provisions in the Cinematograph Film Act 1927

• Had been agreed for ten years and the Act contained a sunset clause.

• The Cinematographic Films Act 1938 confirmed the retention of quotas, at 15 per cent for distributors and 12.5 per cent for exhibitors.

• This was intended to encourage bigger budget films, which could compete internationally.

• It also encouraged American film companies to make films in the UK, thus getting around the quota restrictions.

• Warner Bros and Twentieth Century Fox had already established production facilities in the UK.

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World War II And The Post-war Boom• The British film industry was still in recession at the beginning of the war but,

despite the constraints of the wartime economy, it began to flourish.

• Number of studios available decreased, but cinema attendance rose from 19m a week in 1938 to 30m a week by 1945.

• A series of popular films were made which helped to shape the image of a nation at war, including In Which We Serve (1942) and Millions Like Us (1943).

• The immediate post-war years saw a surge in British film production to more than 120 films in 1950.

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World War II And The Post-war Boom

• 1940s: Saw the rise of the first British company to attempt to compete with the Hollywood studios in size and scope.

• Starting in 1936, J Arthur Rank had built a vertically-integrated film organisation, buying up distributors, cinema chains and production companies.

• Between 1941 and 1947, The Rank Organisation financed half the films made in the UK, controlled over 600 cinemas and was the largest film distributor.

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UK cinema admissions and number of screens, 1945-2008

• British film production climbed steadily through the late 1990s to a peak of nearly 180 films in 2002—second only to 1936.

• This included many accomplished and financially successful films.

• February 2004: The Inland Revenue announced that it was closing a loophole in the tax relief arrangements to prevent tax avoidance schemes.

• The closing of this and other loopholes in 2004 caused the immediate collapse of a number of film projects in production or pre-production at the time - downturn in film production, with employment dropping by 33 per cent between 2003 and 2008.