Hiring Deck Han and Kelsey V3
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Transcript of Hiring Deck Han and Kelsey V3
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PLANNING THE
CREATIVE JOB SEARCH
kelsey harris & hannah tabor
university of oregon, 2013
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Over the course of two months, we
interviewed current and former
University of Oregon advertising
students.
Our criteria:
High-achieving and self-motivated
students who are well-recognized
by faculty, as well as alumni whoare working in the industry.
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What wewanted to
know fromthe students
1. post-graduate views on
the advertising program
2. perceptions on what is
necessary to be ready forthe job market
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We also interviewed 5 Portland ad
professionals.
Agencies represented:
Mutt Industries, Yonder, Uncorked
Studios, and NORTH.
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What wewanted
to knowfrom fivePortland ad
professionals
1. impressions of entry-
level creative applicants
2. what our program
does well
3. how our students
can better prepare
themselves to be
competitive in the jobmarket
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The professionals we interviewed came from
different agency cultures, ranging from long-
established to cutting-edge.
While these professionals each provided a unique
perspective on the industry, they voiced a similar
opinion. This was concurrent with feedback we got
from UO advertising students.
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Strengths of theUO advertising program1. The extensive professional
network and support system it
provides
2. The competitive atmosphere,
which fosters self-motivation to
create a portfolio
3. Development of creativeproblem-solving skills
4. Flexibility to explore numerous
facets of the advertising profession
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However, while the generalist nature of the
program has its benefits, it seems to make students
feel lost and unable to hone in on their professional
area of focus.
This affects how they pick classes and approach
projects. What follows are excerpts from our
qualititative research that contributed to this
insight.
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THE T-SHAPED DILEMMA
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The T-shaped model, which encourages versatility
across a multitude of media platforms while honing
in on one area of expertise, has been embraced by
our program in the past few years.
While it allows an acquisition of many skills, it
seems to be making it difficult for some students to
find their focus.
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I do think there should be a T-shaped person but I
think there has been a confusion about what the top
of the T should be.
There should be a focus...there are some assumptive
things, like strategy, that should be at the top of your
T whereas there are some things that fall outside the T
because they are just too far outside.
Dave Ewald
Uncorked Studios
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Its good to have anunconventional approachand really get behind crossingthe genres of titles andbeing multifaceted, but as a
professional school we stillhave to acknowledge that youhave to put yourself in somekind of role if you want to geta job.
Current UO ad student
There are very few jackof all trades that achieve
greatness. You have to begreat at something in orderto succeed in any industry...
Im not saying its not good toknow other things. I think anaccount guy [planner] shouldbe a creative motherfuckerbut he doesnt need to be awriter or an art director.
Jason EhrlichYonder
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COURSE CONFUSION
There are some redundanciesin the beginning courseworkof the program, I wish I hada year to go back and developthings more.
Current UO ad student
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With the emphasis on versatility, some students
seem to have issues when approaching projects and
choosing classes.
Students are required to take three advertising
classes before taking a capstone campaign class.
Due to the accelerated pace of the curriculum, some
students do not always feel they choose the classes
that would best help develop their portfolio.
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Prior to participating in our focus group, the agencyrepresentatives attended final project presentations
from students in the Winter 2013 Writing Design
Concepts class.
The following insights refer to their experience inthat capacity.
FOCUS YOUR
TALENTS
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[During presentations]I looked at what thepresentation was about andfelt, Its ok, but then I askedthem what they wanted tobe and it was not what theywere presenting.
Dave AllenNORTH
I thought overall everyonehad pretty slick presentationsand I was like Wow,everybody knows how todesign and use Photoshop,even if they come to thetable and they are like, Im awriter...Im like Wait, back
up. You said you were awriter, convince me you are awriter. Tell me a story, proveto me that you can writesomething. Dont show mebeautiful typography with
smoke and stuff. You didnttell me a story.
Mike McCommonMutt Industries
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I asked a professor, Well does everyone have to designthe work that they are showing? and the answer was yesand I kind of thought, well, why?
I dont understand that, its just breeding mediocrity. Ifyou are a designer or you are a planner, then go hook upwith two other people [that write or design] and take that
planning that you did and let it play out and actually dosomething with it. Thats where development happens.
Jason EhrlichYonder
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CONCLUSION:
find yourbrilliance
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You have to pick something,they arent going to hire a
swiss army knife. They wantsomeone who has one strongskill set.
Current UO ad student
Find what you are brilliantat and then maybe there is a
title for that and maybe thereis not.
Dave EwaldUncorked Studios
Were too stressed out all the time. Were like, we need to do this inorder to get to the next step, higher up the corporate ladder.
If we figured out what we like in this mess of ad smorgasbord and made
stuffactually created stuff, which none of us do enoughthat wouldget us in the right direction. What came out of that would help you findyour job title.
Current UO ad student
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Both students and agency professionals reminded
us that finding a focus is important before entering
the industry.
Finding a focus is more than choosing a titlebecause it is also about finding what you excel at
and enjoy doing.