HH^H HH^^ - Penn Libraries · HH^H HH^^ v t_—^tf 3 p-

14
-. - HH^H HH^^ v t_—^tf 3 p- <^1 By Dean Surkin For about eight years now, John Mayall's Mues bends have been regarded as the training grounds for English blues musicians. The first and most famous apprentice was Eric Clapton, who under Mayan's guidance grew from an un- distinguished rock guitarist to a derivative bluesman. Quartet after quartet earned for Mayall bands the reputation of transience. "I change personnel to keep from failing into a rut." Somewhere along the way came The Turning Point. "Nothing is new," John Mayall said. "Bands without drums hare been tried before." The change in roles of the instruments in that group prompted some to call it MayaU's first major contribution to the blues, as op- posed to rehashing Black America's music. "It's not the instrumentation, it's the musicians. The side effect of such a change, though, is that people credit it to just the instruments." There was the concert Friday night. Crazy Horse opened the show, utilizing the finest sound system I have ever heard in Irvine, even though it was too loud at first They played country rock - almost completely ua« yncopated. with chords so simple they hurt. The drummer holds his sticks like most rock drummers, that is, incorrectly. That overhand grasp forces usage of the whole arm in playing rather than just the wrists. Granted, it is easier to play louder at first (before wrist muscles are developed) but speed especially subtlety are impossible. I could see why Mayall did without drummers, if this is what he had available. Very little subtlety was displayed by any member of the group, as unimaginative guitar solos came and went without creating any themes, developments, or climaxes. The pianist was ignoraUe, as were the songs. The intonation in the harmony vocals was good, even though the lead singing was unexpressive. However the audience seemed to like the group; one girl sitting in the aisle said she liked Crazy Horse, especially the drummer. Then John Mayall unveiled a new band: Fred Robinson hunched over his big Gibson guitar, Larry Taylor with his Fender bass resting low on his hips, Ron Selico holding his drum sticks (correc- tly i. Cliff Solomon on the alto and tenor saxophones and Blue Mitchell con- Room to move.... where? T tributing trumpet and flugelhorn. Once again exploring low volume music, Mayall has put together the best blues band I have heard in a long time. Only he and Taylor are from the whites blues scene- the others are originals. This new band is not derivative blues, it Is the real thing. Mayall showed off his harmonica playing, at times lyrically puffing as he picked the same notes on his guitar, at times doing the "chickachicka" of "Room to Move" fame. His face showed the ecstacy of music as he listened to his sidemen. Ron Selico was funky as Billy Cobham with the lightness of Bobby Colomby, while tarry Taylor completed the rhythm section with his punched out lines and soloed with an orchestra of textures, including quad-ruple-stop voicings. The horn section improvised their arrangements, trading off riffs and contributing superbly melodic, well constructed solos. Fred Robinson was of particular note on guitar, an instrument so often the domain of the untrained amateur. His tone was rich, comping waa creative, and the technique was on a par with any jazz guitarist I could think of (I pointed this all out to the above- mentioned Crazy Horse fan and was rewarded with agreement). ... "The blues was the only thing I had heard that I thought was me." We sat backstage between shows; Mayall was accompanied by an extremely at- tractive girl and seemed tired and im- patient. "I started off listening to classical records-Segovia, Reinhardt, "Bolero" by Ravel-that has nice rnvmm. Then I heard some boogie woogle pianist...there was no one artist that did it; the whole spectrum of blues was what interested me. "I can't remember what my first instrument was-it was either piano or guitar., twelve bar blues is all I know, I've always played the blues. When R and B became popular, I moved to London. The end of "62 to '63 were the pioneer club dates, when blues began to break through. Most guys didn't survive; I don't know how I did, it was against the norm. At first the blues bands were imitating Muddy Waters, Chicago or Chuck Berry. But each person is dif- ferent, and learns to assimilate in- fluences into a personal style (rationalizing his own music). The (Continued on page 5) "The songs will come from my experiences, and I prefer to keep the meaning obvious. } '••!**• ' G C November 4. W!

Transcript of HH^H HH^^ - Penn Libraries · HH^H HH^^ v t_—^tf 3 p-

-. -■■

HH^H HH^^

■ v

t_—^tf

3 p- <^1

By Dean Surkin

For about eight years now, John May all's Mues bends have been regarded as the training grounds for English blues musicians. The first and most famous apprentice was Eric Clapton, who under Mayan's guidance grew from an un- distinguished rock guitarist to a derivative bluesman. Quartet after quartet earned for Mayall bands the reputation of transience. "I change personnel to keep from failing into a rut." Somewhere along the way came The Turning Point. "Nothing is new," John Mayall said. "Bands without drums hare been tried before." The change in roles of the instruments in that group prompted some to call it MayaU's first major contribution to the blues, as op- posed to rehashing Black America's music. "It's not the instrumentation, it's the musicians. The side effect of such a change, though, is that people credit it to just the instruments."

There was the concert Friday night. Crazy Horse opened the show, utilizing the finest sound system I have ever heard in Irvine, even though it was too loud at first They played country rock - almost completely ua« yncopated. with chords so simple they hurt. The drummer holds his sticks like most rock drummers, that is, incorrectly. That overhand grasp forces usage of the whole arm in playing rather than just the wrists. Granted, it is easier to play louder at first (before wrist muscles are developed) but speed especially subtlety are impossible. I could see why Mayall did without drummers, if this is what he had available. Very little subtlety was displayed by any member of the group, as unimaginative guitar solos came and went without creating any themes, developments, or climaxes. The pianist was ignoraUe, as were the songs. The intonation in the harmony vocals was good, even though the lead singing was unexpressive. However the audience seemed to like the group; one girl sitting in the aisle said she liked Crazy Horse, especially the drummer.

Then John Mayall unveiled a new band: Fred Robinson hunched over his big Gibson guitar, Larry Taylor with his Fender bass resting low on his hips, Ron Selico holding his drum sticks (correc- tly i. Cliff Solomon on the alto and tenor saxophones and Blue Mitchell con-

Room to move.... where? T tributing trumpet and flugelhorn. Once

again exploring low volume music, Mayall has put together the best blues band I have heard in a long time. Only he and Taylor are from the whites blues scene- the others are originals. This new band is not derivative blues, it Is the real thing.

Mayall showed off his harmonica playing, at times lyrically puffing as he picked the same notes on his guitar, at times doing the "chickachicka" of "Room to Move" fame. His face showed the ecstacy of music as he listened to his sidemen. Ron Selico was funky as Billy Cobham with the lightness of Bobby Colomby, while tarry Taylor completed the rhythm section with his punched out lines and soloed with an orchestra of textures, including quad-ruple-stop voicings. The horn section improvised their arrangements, trading off riffs and contributing superbly melodic, well constructed solos. Fred Robinson was of particular note on guitar, an instrument so often the domain of the untrained amateur. His tone was rich, comping waa creative, and the technique was on a par with any jazz guitarist I could think of (I pointed this all out to the above- mentioned Crazy Horse fan and was rewarded with agreement).

... "The blues was the only thing I had

heard that I thought was me." We sat backstage between shows; Mayall was accompanied by an extremely at- tractive girl and seemed tired and im- patient. "I started off listening to classical records-Segovia, Reinhardt, "Bolero" by Ravel-that has nice rnvmm. Then I heard some boogie woogle pianist...there was no one artist that did it; the whole spectrum of blues was what interested me.

"I can't remember what my first instrument was-it was either piano or guitar., twelve bar blues is all I know, I've always played the blues. When R and B became popular, I moved to London. The end of "62 to '63 were the pioneer club dates, when blues began to break through. Most guys didn't survive; I don't know how I did, it was against the norm. At first the blues bands were imitating Muddy Waters, Chicago or Chuck Berry. But each person is dif- ferent, and learns to assimilate in- fluences into a personal style (rationalizing his own music). The

(Continued on page 5)

"The songs will come from my experiences,

and I prefer to keep the meaning obvious.

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Volume 4 Number u November 4, !*»!

ELLIS WEINER Editor in-Chief

PETeft EGLiCK Associate Editor

KENNETH SALIKOF

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STAFF: Peter Baum, Judy Brussell, Coleen Dougherty, Barbara Flanagan, Marion Kahn, Patricia Loeb, John Riley, Rob Steeg, Julie Steele, Dean Surkin, Travis Toly, Helen Torelli, Valerie Wacks, Kan Girard, Shellie Sclan, Bob Lack, meyer, John Pastor, Mike Omansky, Susan Hirsch, Bob Kollby, Les Harris, Richard deVillalranca, Barbara Kir. schten, William Vitka

BUSINESS STAFF: John Silliman, Alice Goetz

J4lh Street magazine Is published Thursday at Philadelphia, Pa. during the tail and spring semesters, except during vacation periods. Articles, inquiries, letters to tne editor, and advertising may be sent to Sergeant Hall, 34th and Chestnut Streets, Philadelphia. Pa. 19104. Phone: 715/ 594 65*1

All articles represent the opinions o» individual authors and do not necessarily represent the editorial posWnn of 14th Street Magazine.

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The continuing legend P«g»3

By Steven Winn

WONDERLAND by Joyce Carol Oates, Vanguard Press, 512 Pages, $7.95.

With the publication of them in 1969, The Wheel of Love in 1970 and now Wonderland in 1971 Joyce Carol Oates has grown as a force in American literature as regular as the seasons, yet as mysterious and troubled as an exotic flower. At the age of thirty- three Miss Oates now has ten books behind her, and she simply writes a better one each time she tries, them, winner of the National Book Award two years ago, was a heavy overpopulated novel which, like Wonderland, spanned several decades and a sea of characters. Like much of her fiction the events of them were laid against a particular historical fabric, in this case the Detroit riots of 1967. The energy of her books, however, does not spring from any artificial cohesion between the fictional and the actual. Rather there was in the earlier novel a certain sensibility, an ambiguous mix- ture of external torments and internal confusion. In Won- derland this sensibility grows to the form of an idea which possesses and consumes the characters and bizarre events of this novel. As the stories in The Wheel »f Leve demonstrate, Joyce Carol Oates is gifted with a unique and urgent style, suited in some cases to creating near perfect stories of absolute in- tensity. What remains, and what she has begun to do in Won- derland, is to lend the sudden energy of her prose to the development of a novel and the complexity of ideas that spring from it.

Wonderland opens on a December day in 1939 in the upstate town of Yewville, New York. Uneasiness, fear and terror develop in the mind of Jesse. His family quarrels at breakfast; his father is closing the filling station - Where will the money come from? Jesse is sick during a Christmas assembly,

and finally the father hurries his son away from his job at the grocery store to kill him. Already, as he drives Jesse home, this man has shot his wife and children. Only Jesse remains.

Surging forward from this scene, his friends, his lovers, death, the world circle around him, but he is never touched by anything. Nothing registers. Oates mixes a perfect detatchment in her prose with a series of events and

JOYCE CAROL OATES

Slowly, agonizingly. Oates reveals the scene:

When he opens the door, he is grateful for the warm air. His face burns with it. And a smell of something sweet: some kind of food. The house is quiet except for a noise like arguing, almost inaudible. Jesse stands in the kitchen and his fingers instinctively grope for the zipper of his jacket. Then he sees a smear of blood on the floor.

Suddenly his father is upon him with a shotgun, firing at him, firing at his son In the livingroom of his house. Jesse escapes, he is injured, but he escapes - and he remains the survivor of this book.

images that confuse, confound and yet contribute to this idea.

For a while, Jesse lives with his maternal grandfather, whose wizened silence he grows to need and love, until the old man speaks out bitterly against Jesse and his dead family. The curious pact is shattered; nothing can be trusted. Jesse is taken in by a sympathetic aunt, sent to an orphanage and finally adopted by Dr. Karl Pederson, a rich and important clinic director in Lock- port.

The Pedersons (the doctor, his wife, and two children) are fat, immensely fat, their lives radiating from the dinner table, where each member of the family is required to auess the worth of

his day, what he has ac- complished. All this is engineered by Dr. Pederson, a ruthless authority figure over a freakish family that includes a daughter who is a mathematical genius (appearing for university "demonstrations"), as asthmatic son, apparently also a genius, who spend his days composing with one finger on a grand piano in his study, and a cheerful almost-wife and mother who hides her confusion in alcohol. The loneliness ' of this skeletal family frightens and confuses Jesse, but there is something in it he recognizes, something he can embrace. Jesse's growing up is tran- sformed to a kind of allegory of growing up, curious and somehow lost from the passage of time. Finally, in a grotesque eating scene, Mrs. Pederson convinces Jesse to flee the family, and for his troubles and innocence Jesse is rewarded by being disowned. Another failure. Another ending.

The long middle section of Wonderland deals with Jesse's development as an un- dergraduate at the University of Michigan, a medical student, intern and finally a successful doctor. A number of critics have complained that this is the weakest section of the novel. In a sense it is the least dramatic, but in the broadening that comes with age, Oates has room to develop the spreading per- sonality that Jesse carries into an empty marriage and painfully into his relationship with his younger daughter.

Naturally, the medical background, particularly in Jesse's field of neuro- surgery, provides a wealth of Images and metaphors for memory, the past, and the very substance of physical and mental life. The references and cross- references here are surely more intricate than even Miss Oates imagined. Jesse takes his future wife to an experimental farm, where the butchery is seen in the girl's face, dully reflecting the color in lier yellow dress.

In the final section, "dreaming america," Jesse

pursues his elusive daughter in the letters she sends from her travels around the country with Noel, who is trying to drain of her past. Franatically Jesse seeks her, seeks his own past out, and when he finds her in a dilapidated loft in Toronto she is sick and wasted beyond recognition. He weeps to her, to himself, "All of you...everyone...all my life, everyone...Always you are going away from me and you don't come back to explain..."

But for all its brilliance. Wonderland is destined to failure in a certain sense. For in this book, Oates has fully developed a nearly impossible notion of fic- tion. Fiction depends on people, things, events - it Is all there is to go on. Yet to sustain a character in such a tangled web, such complexity of events is nearly impossible. Throughout the book Jesse and Oates maintain a kind of belief in the things around them; only mystery lies beyond; only confusion awaits those who must organize. At one point Jesse (Oates) recalls:

Years ago, his freshman English instructor at the university had told him there was something odd about his understanding of literature - be was unable to follow a plot. He was unable to see the careful evolution of a story. The necessary pattern, the rhythm that demanded completion, the internal heat; the gravity that forced everything to a suitable conclusion...what did all these things mean?

I do not understand this to be an excuse or a defense of a novel with no conclusion. Rather through the spirals of events in Jesse's life we learn that there is little improvement. There Is little hope of growing closer, little hope of understanding. Early in the book, before the murder, Jesse follows his classmates td the Christmas assembly: "The girls walk quickly, in little clusters, as if fearful of the boys. They are all wearing bright red lipstick. Their lips move and are very red. Because it is the last day of

(Continued on page 5)

Where's the revolution? By Valerie Wacks

..WITHOUT MARX OR JESUS by Jean-Francois Revel; Double- day & Company, N.Y.; 269 pages; $6.95.

The United States as the cradle of the new revolution? Some Americans will be delighted and flattered at the suggestion; others will shudder and withdraw in consternation. Jean-Francois Revel, a Frenchman and political thinker, writer, and speaker, in his book, Without Marx or Jesas (or Nl Man. Nl Jem), methodica'lv delineates his theory of wiry the United States is the only nation in which the occurrence of a revolutition is not only feasible, but is in progress right now.

Revel begins by explaining the five conditions prerequisite for revolution, which (to paraphrase briefly) are: a critique of the injustice existing in economic, social and racial relations; a critique of management, directed at the waste of material and human resources; a critique of political power; a critique of culture; and a critique of the old civilization-as-sanction, or a vindication of individual freedom.

He goes on to negate the possibility of revolution in Western Europe and in Third World nations and maintains that it has not and cannot take place in the Communist coun- tries.

A revolution is only worthy of that name if it successfully ef- fects a change in political and

social institutions, in science and technology, in cultural values and standards, and in in- ternational and interracial relations. If one of these aspects should be missing, the others are incomplete and the revolution has failed. By this definition, the only revolution experienced by the world thus far has been the Industrial Revolution. The revolution that Revel predicts for the United States and even- tually the world will be the Second Revolution.

As Revel sees it. twentieth- century human survival depends on the elimination of the threat of atomic suicide, the enforcement of disarmament and the end of war, the stabilization of population, equalization of the standard of living, and the protection and correct usage of

the earth's resources. These problems can only be solved by a world government, and a world government can only be realized through the abolition of nationalism and foreign policy. "Beyond guaranteeing survival and security, however, the world government will have intrinsic revolutionary momentum, for it will oblige mankind Anally to focus its attention on qualitative problems rather than on quan- titative power relations." Revel may be accurate in his criticisms of national sovereignty and foreign relations, but like so many would-be innovators, be fails to explain how this Utopian world federation could evolve.

The use of violence is not a key factor in the second revolution. Historically viewed, violence has served more as a device of

counterrevolution; to oppress rather than to liberate. For example, Mussolini's Italy. Hitler's Germany, and Franco's Spain all had violent beginnings. However, what constitutes a violent act can be enacted through methods other than bomb -1hrowings and assassinations. "Violence is most effective when it is used within the existing legal situation, because then it can attain a maximum number of concessions while leaving itself open to a minimum of retribution." To exemplify the above, Revel cites the non-violence of Martin Luther King as a highlv potent and successful form of violence. In an insurrection, it Is always ad- visable to begin legally.

The prevalence of dissent, and (Continued on page 7)

Novtmtor «. Itri

alecta Five poems

October

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by Andrew Wylie bUd

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Andrew Wyllt will read Irom hit book Tenderleln at Everything lor Everybody. 517 South Streetall 30 P.M November 4th.

Revolution the freedom of information, i.e. the media, enable America to produce the model of the Second Revolution. Revel poinU out that despite all the talk of America becoming a police state. In reality, it enjoys more freedoms than any other nation. Not only are Americans Me to distent openly about such issues as morals, Black rights, women's rights, economic and technical social goals, educational methods, poverty, and American power abroad and foreign policy, but often their protestations cause a change to be made, or at least draw further attention to the contested area. This phenomenon of mass dissent concerning various topics exists nowhere else in the world. And it is only possible because of the free and pervasive flow of in- formation throughout the country.

Revel spends a good deal of lime comparing the United States to the rest of the world, specifically to Prance, and in destroying what he terms as anti- American myths and fallacis. After facing so much con- demnation of every aspect of American existence, it is refreshing, although perhaps not entirely convincing, to hear espoused such a positive view. Comparatively-speaking, we are in great shape; that is. in perfect shape for inducing the 2nd Revolution. Concerning the qualification:* necessary for the revolutionary role, the United States "enjoys continuing economic prosperity and rate of growth, without which no

revolutionary project can suc- ceed; it has technological competence and a high level of basic research; cultural!" it is oriented toward the future rather than toward the past, and it is undergoing a revolution in behavioral standards, and in the affirmation of individual freedom and equality; it rejects authoritarian control, and multiplies creative initiative in all domains-especially in art, life style, and sense experience-and allows the co-existence of a diversity of mutually com- plementary of alternative sub- cultures."

In the last chapter, Revel further discusses the issues of dissention and the birth of the counterculture in America. Through these factors, a social revolution in the United States has largely been achieved. Ac- cordingly, a revolutionary force has emerged through the existence of two conflicting societies whose views on the future cannot be reconciled. Unfortunately at this point Revel disgresses and never does tell us what path this revolutionary force should follow, but merely warns us to avoid repeating the patterned pitfalls of the past.

Following the last chapter is an afterward by Mary McCarthy in which she pays homage to Revel the man. but attacks some of his premises. Subsequently there is an author's note in which Revel defends himself and suggests that Mary is an example of the classical "Continental" Left, which is unable to disassociate

itself from the past. We are left to speculate on how Mary would react to his accusation, u the author's word remains the last.

VVKhost Marx or Jesas is worth reading for its optimistic, non- violent, and non-guilt evoking viewpoint. That is not to imply that Revel is not thought- provoking. Perhaps right. now we are participating in the second great historical Revolution, distined to change the life style of all m»n^ii»j

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(Continued from page 1) Room to move...where? Fates

i made people look to Europe, so the Maes revival was noticed there first. I later oa dropped piano because it's too bard to amplify. The electric piano, or the organ for that matter, is another toatrament. An organ is hard to move aroand-they're big and heavy, and they break dawn easily. When you're on the

moat be a workable unit- i you have to drive from one

& la another, if you take a plane, you l la gat on and off in one piece. The

bigger troupe need a whole organization jaat to move. No drums in the group was good lor that."

The f/XPN people asked him for an interview, bat Mayan had to refuse. "I caa't do hat sort of thing except when we have a day off ("Philly isn't the place to have a day off," someone added). We have no choice when we're on the road; we bat accept the bookings.

"My method is to hire musicians for a tam. The USA Union band became a drummerleas trio, then added a drum- mer for last February to May. Then I took a three month vacation and

I album with Larry Taylor on i and Jerry McGee on guitar." (This

album has hut been released). "Last month, I was in Europe with Larry Taylor, Jimmy McCuuough and Keef Hartly. This present band win run to the middle of December. I continue to work in the low volume frame-work in order to get a wide range of subtlety.

"Yes, I would like to get an album out of this group. That depends on timing...I prefer Uve albums, but you never know in advance what a gig will be like. I'm sort of sloppy in one respect; because I don't rely on material; we hist improvise on stage. For records, I have to be more duKipllned, as in the length of the songs, for example.''

I asked MayaU if he ever found 12 bar blues restrictive, and what he thought of modern Jazz, which is also improvised on stage without prepared material.

"Most of them are too far out for me, like Cedl Taylor. Ornette Coleman is even further out. Using blues as a base for the improvisation gives the audience something to identify with.

"My lyrics are usually not im- provised. I think of my voice as an in- strument, and on bad nights I'll sometimes just make sounds, not real words. On good nights, like this one, 111 Improvise lyrics... The songs will come

from my experiences, and I prefer to keep the meaning obvious. Bob Dylan is the one for levels of meaning in the lyric."

"What makes a good gig?" I asked. "It doesn't have as much to do with

the audience as it does with the sound. The worst places are sports stadiums, because there is no backdrop to throw sound out. You need a dead stage, that is, no echo back-we must hear each other. Since we have mikes on all the amps, if the sound is right on stage, then it win be good outside. The audiences are usually tolerant of what I do. Sometimes they'll cheer even if the sound is bad. You feel embarrassed up there—why do they applaud? The thing is, every group they hear at this same place has bad sound, and they've learned to overlook that. Sure, the name helps get the gig, but then it leaves more room for a let down."

I asked the band members what it is like to work with him. Ron Seiko said "sometimes you take a job because there's no one else to work with. But John MayaU is the best representative of his sidemen's music, because he lets you express yourself. You get accepted for what you are. He presents music in its truest form...Some guys get around by copying everyone else, but he's original, and that's harder.

"Playing with MayaU la really beautiful. He's totally dedicated and really loves music. In just a few minutes, I saw that Whoever he gets to play with him are true cats."

Fred Robinson could add little to that "I was doing the same thing almost 20 years ago. I've played jazz and also with Ray Charles."

"...Blue Mitchell was also with Charles," I interrupted. "Did Mayan hire you all from the Charles Band?"

"No. That was just coincidental." But not really, because the Ray

Charles band has sometimes been thought of as the place where black jazzmen go to get steady gig and ex- perience-similar to May all's group.

CUff Solomon related to me how Mayall saw him on film playing with Johnny Otis at Monterey and also heard him on a soundtrack with Quincy Jones. "Listen, I'm married to Tina Turner's sister and was their band leader for four years. That was before they hit big, when they were still on the Chilling Circuit. I've enjoyed the past week with John

Mayall more than aU four years with Dee and Tina Turner."

Larry Taylor enjoys playing with MayaU. "It's a great experience to play with new people, and I've stuck with him through a few bands. It's a different change everytime."

Blue Mitchell welcomes change.

Phofojy WILLIAM VITKA

"This is a lovable group. We play cards- lose SlOO-it must be a lovable group."

These comments definitely show that Mayall is a musician's band leader. The respect for him was evident in every

But perhaps being a band leader is MayaU's only skUl. His guitar playing consists of the usual blues notes in the usual blues phrasings with the usual mediocre technique. The singing is a thin and strained tenor with a countryish nasality, not the richness of B.B. King or Jimmy Rushing; the harmonica playing is rhythmic, but lacks melodic lyricism and creativity. Surrounding himself by good musicians (and his taste has con- stantly been improving) would serve to point up his own inadequacies were it not for the fact that he provides such a favorable emotional environment for the music. Because of this, he shines in the light of his sidemen.

I will caU the 12-bar blues restrictive, though. (In some moods I call any chords restrictive). Chord substitutions may be

utilized (as with mid-Jimmy Smith), different keys may be juxtaposed (mid- Dave Brubeck) and melodies can be created using aU the "wrong" notes i Thelonius Monk). In all ways, though, a blues still sounds like a blues. Differing emotions are portrayed as much in the lyrics as in the chord chances-imagine the inappropriateness of singing "Suite: Judy Blue-eyes" as a blues. Could Miles Davis have realized his musical por- trayals of life if he were always playing the blues? WhUe such Jazz greats as Charles Mingus play the blues, they also write music of constantly changing moods and textures. Where does MayaU stand in relation to the jazz world?

Performing simple music, even ' honestly, is still performing simple music. To improvise a set without prepared material is to my mind, much less sloppy and more intricate (at least, potentially) than is a tightly arranged and well rehearsed blues concert. J'ist as there is Muzak in doing another ve- sion of "More," there is laziness or per aps lack of true vital creativity in playing the blues exclusively for an entire lifetime. For example, Dave Brubeck started is a blues pianist but grew and matured, pioneering experiments in riythm.

Why is MayaU so restricted? A case muld be made for the untrained, un- focused talent. I have always felt, though, that musical talent will exhibit itself in constantly searching for more complexity and subtlety untU the extent of the talent is exhausted or new ground is broken (Scheoenberg started as a Romantic; look where he ended up.).

MayaU has not broken new ground, but he has served a valuable purpose. His popularizing efforts have focused at- tention on the history of Black American blues...a historian living what he chronicles. Eric Clapton et al have stuck in similar ruts to Mayall's blues, but for Johnny Almond, the recognition brought by The Turning Point will lead to n.any more people giving attention to his iazz efforts than might otherwise have listened.

The denial that any blues man is a copyist is an attempt at rationalization. Having Fred Robinson play guitar md contribute occasional vocals iften p> uits up MayaU's musical superfluousnes.;. As a leader, though, Mayall is in- despensible.

Oates (ContUmml from page 3) school before Christmas recess, they are dressed up, in wool dresaoi and stockings and high heels." Years later, Jesse, the father, searching for his daughter. "Jesse was conscious of a dozen girls who might be his daughter. They glanced at him, frankly and with curiousity, their eyes strangely keen, sharp - these were exaggerated eyes, outlined carefully in black. like eyes drawn into eyes" Years have passed, a whole life stands bet- ween, yet nothing is closer, nothing is more clear.

The themes and ideas Joyce Carol Oates injects into Wou-

are common, all too a, in American Uterature

I with the alienation of the individual from the public

spectacles of American life, the Kennedy assassination, anti-war demonstrations, even the huge shopping malls. Yet her characters and her ideas are startling and strong, distinct from their environment yet cruelly tied to it and victimized by it.

To many, Joyce Carol Oates is a marvel of productivity, ar.d as Alfred Kazin revealed this summer in an article in Harper's, she is a facile, almost naive writer, startled by her success. With such gifts, with such am- bition and improvement her real moment of acclaim is yet to come. Happily, the book jacket of Weederland announces she is at work on a new novel.

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By Andrew Solkin

The Oxford Dictionary defines "art" as "skill, especially human skill as opposed to nature; skillful execution as an object in it- self...." By these terms, the works of John Caldwell are in- deed art, for they are carefully designed and painstakingly structured. They do not have great draftsmanship, they do not represent a philosophical viewpoint or an interpretation of nature or life, but they are crafted with great skill, a working knowledge of com- plicated processes, and a won- drous imagination and eye for color.

Basically, the artworks consist of rectangular or cubic acrylic boxes with squares of fluorescent light placed behind them or fluorescent light sources within them. These boxes (or sometimes flat acrylic squares) reflect or refract light depending on the angle from which they are viewed and the direction of the source of light. From the side, that is, at a perpendicular angle to the light source, no color can be seen at all. Just a dark tran- sparent box. However from any other angle, the colors miraculously appear and blend into each other as the viewer shifts his position or the position of the piece (when the light source is external and the boxes are suspended on a nylon line so that they can be moved with a touch of a finger). This effect of combining and changing light is achieved through a number of

complicated processes such as acetate dips, iodine treatments, and other systems of fooling around with light, color, and chemicals. The artist explained them to me, but not being a professional photographer or a physical chemist, I didn't un- derstand very much of his ex- planations. However, I gleaned these facts: Special colored tapes are arranged in tasteful designs on clear acrylic boards, which are then glued into cubes or rectangular boxes, or sometimes left alone. When a fluorescent light is shone through these tapes, they show a different color from each angle at which they are viewed. From the side, the tapes cannot be seen and so no color can be observed. What results is a fascinating series of colored lines and lights which confuse the mind and please the eye.

A camera buff present at the opening (which was held at The Works, a small and pleasant gallery/store filled with native art from other countries and local works of pottery, as well as diverse artifacts and curiosities along with Caldwell's works, of course) showed me that his lens, when fitted with a polarizing filter and focused in a certain way, could not receive the image of a polarized work by John Caldwell. It was intriguing and somewhat magical. You Ektachrome enthusiasts and Minolta maniacs probably un- derstand.

Among the notable Caldwell pieces were three works com- posed of acrylic squares which were positioned one in front of the other behind external light sources. These squares were suspended on nylon line and could

be swung around independently of each other. The squares in each piece had a certain number of special tapes in different colors, imaginative combinations of which produced sparkling effects. But the works must be seen. Verbal description can convey only so much.

The polarized structures are priced a little beyond the average college student's means but they are worth seeing anyhow. But hurry up. The patrons of kinetic art who can afford to buy works like these will soon be depleting the numbers of works in this exhibit. Go down to The Works at 20th & Locust any day but Sun- day, from 11 to « before November 30th. John Caldwell's works are scientifically and aesthetically fascinating, and that distinguishes them as rare. And they're strangely beautiful, too.

atreWhen the bull goes marching in... By Mark J. Hosenball

There is something about the Hedgerow Theatre's current production, a play called "Bullfight" by Leslie Stevens, which gave me the strange feeling I had seen it all before.

Nothing particularly Freudian about "Bullfight" or my reaction to it. I had in fact seen it all before, in the guise of a hideous western flick I saw in England called "Five. Giants from Texas", starring someone named Guy Madison and the great Spanish multitudes.

Well, "Bullfight" isn't a Spanish-made American western (it's an American-made Mexican western instead), and features the great Media, Pa. multitudes rather than the great Spanish multitudes. But the quality of the story-line of "Bullfight" would seem as much a travesty of the stage as "Five Giants from Texas" was of the cinematic art. Under a facade of meaninfui drama and tragedy, "Bullfight" actually presents a ridiculously sordid melodrama, fraught unfortunately with many of the cliches common to cinematic endeavors of this genre.

"Bullfight" is about a good guy, named surprisingly Esteban, who is the son of what evidently was a pure-bred member of the Spanish-Mexican nobility. Esteban is married to Josefina,. of Indian (Mexican) lineage, and this fact is to prove a point of contention when Esteban's elder brother, Domingo, returns from the big, bad city (New York) to re- establish his supremacy as heir to .his father's name and nobility.

Domingo, played by Guil Fisher (who also directed the play), is one of those big, strong, handsome, and extremely nar- cissistic individuals who women (in this case Josefina's sister, Pilar i feel they must take to bed with them. Unfortunately, it also turns out that Domingo is very much a chicken at heart-

Domingo was on his way to becoming one of the greatest in the history of Mexican bullfighting when he was gored in the side during a big fight, evidently due to the fact that he was too scared to deliver the coup de grace.

So, thus humiliated, Domingo went off to the big city to seek his fortune and get away from the past. On his return, he tells his brother he was a big prizefighter, and was forced to leave the states because he refused to fix a fight. But Pedro, a friendly neigh- borhood townsperson and meanie, remembers seeing Domingo when he (Pedro) was in' the states, not as a prizefighter, but as a whoremaster.

Meanwhile, Domingo has taken

over from a lovable and courageous uncle the chores of managing Esteban, who is preparing for his first big bullfight. Domingo hopes to recapture some of his own pride through the success of his brother, and he pushes Esteban to practice difficult bullfighting maneuvers so that he and Esteban will be able to return in glory to Spain as Esteban becomes the supreme matador in • Mexico.

Whew! Needless to say, something goes wrong somewhere, and the play ends up with Esteban dead, Domingo proving himself by killing the bull that gored Esteban, and the rest of the great Media, Pa. multitudes in ersatz sorrow. So

much for the plot. There Is little else to be said

about "Bullfight" except that generally, the Hedgerow com pany did manage to make the best of a rotten play. Charac- terisations, though played to a stereotyped hilt, were moderately convincing, and staging, especially in the climactic bullfight scene where Esteban croaks and Domingo is redeemed, is effective. There is little other merit to the play.

"Bullfight" could be seen as a evening of escapist en- tertainment for someone who loves westerns, any kind of westerns. And the Hedgerow

production is generaly absorbing enough (except in a tedious first act) to bold one's interest for the play's full three hour duration. But Hedgerow is located about a mile from the Perm Central Moylan Station, which makes it a long haul for those do not have cars. And it's a fair ride for those who do. The Hedgerow players may be capable of good work, and some of this capability shines through in "Bullfight".

But better to sit this one out and wait until Hedgerow has something better to work with than to explore the wonders of suburban Delaware County for the sake of "Bullfight".

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Can a black troupe Page 7

nee By Rachelle Sclan

Arthur Mitchell's Dance Theatre ot Harlem, now in residence at the newly-renovated Waftint Street Theatre, is the first al black ballet dance company; and probably the fastest growing ballet company of any country in any time. Since its inception, the dance theatre and its school have developed into a leading and highly respected group that gathers its dancers and many of its supporters from Harlem.

In an interview with Dance

Magazine, Arthur Mitchell said, "In the Dance Theatre of Harlem we will prove that there is no difference, except color, between a black ballet dancer and a white ballet dancer."

In both his own choreographies and his staging of George Balanchine's, Mitchell has proved that a black ballet company can not only equal, but surpass many white dance companies. They present a program that is both exuberant and communicative-the dancers genuinly appreciate what they're doing and like the audience for watching it.

dance the ballet ? The four ballets presented are

all lyrical, with no story line and no definite emotional base. Watching them is like viewing a series of pictures that disappear as soon as the paint leaves the brush. Because they are so rapid and apparently unconnected, they left me feeling as though I had missed something, but that is more a compliment to their brief poetry than a criticism.

One ballerina, Lydia A bare a. deserves special accolade. In her first appearance she leapt like some long-legged bird and her various pas de deux were executed with such precision that

any apprehension caused by her .seemingly inhuman flexibility was neurotic and unnecessary.

This type of expertise reached its peak in Mitchell's Rhyth- mrtron. the most electric and emotionally involving dance on the program. It began with the emergence of a priestess draped in a red sea of cloth. This cloth rose above her to provide a suitable roof for her temple. Soon the worshippers descended, first dancing to themselves but permeated by her spirit. Eventually the priestess led her communicants into a frenzied

loss of self, all dancers merging into one moving mass of energy.

Mitchell utilized a natural •spirn emanating from the dan- cers that especially manifested itself in the strong rhythms established by the sounds of the dancers' feet.

Rhythmetron provided a fine contrast to the other dances which, though they possessed much of the same spirit, were much simpler, both conceptually and technically. If this is what modern ballet can produce it will maintain itself as a viable art form, equal in power to both classical ballet and modern dance.

Guide

(Continued from page 8)

MERE ARE THE LADIES Annenberg Center Zellerbach Theatre 594 6791 October 12, 1], 14 Nightly at 7:30 P M Sat also at 2 P.M.

TMa i» probably the most wor tbwbile theatrical event to come to Ph.ledelphie since last May's Mid- ■■■mm Night's Dream rendition at the Shubert But (his time Siobhan McKenne. perhaps the greatest living lr«sfi actress. Is coming to Annenberg. en the Perm Campus. And, while the advertised prices (SS.SO and S6 501 may seem a bit steep, students can get *2 M off these prices by presenting •tatr I.O cards at the Annenberg Canter Box Office. It would be a shame for any theatre or Eire al ficlonedo to miss this, even if It turns out to be rotten. And the chances of mat happening would teem to be quite film. HAMLBT Union Theatre, LaSalleCollege VI 6 •Mtext 37* 2Mi and Otney Ave. November 10th through 21st Monday fnraugh Sat, at 1:30 P.M.; Sunday at 1* P.M. PURLIB Shubert Theatre 2*# t, Broad Sf.

Opening Nov. 20. THE PISE AND FALL OF THE ENTIRE WORLD AS SEEN THROUGH THE EYES OF COLE retmn Manning Street Theatre KI 5-7306, 1*70 Lombard Street

Wednesday, Thursdays and, Fridays at • P M., Saturdays at 7, W» P.M. Sundays at 3 P V THE BOOM Dramatic Workshop I53« Pine Street

Friday at 8 30 P.M. Jf SUS CHBIST SUPERSTAR The Spectrum LOVE 222 %ro96 and Pattison Ave.

Sat. Nov J* at I P.M.; Monday, Nov 22 at I P M THE ME NOBODY KNOWS Nat* Locust Theatre Broad and Locust Sis

Toes Sat eves S P.M.; Thurs and Sat. mats 2 P.M. Sun. mat. 3 P.M. DRACULA Cafe Theatre of Allen's Lane VE 6 DM Allans Lane and McCellum St.

Fridays and Saturdays at 8:30 PM HOUGH IN BLAZES Prince Theatre, Annenberg Center

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Weds, thru Sat. at 9 30 P.M. THE WHITE HOUSE MURDER CASE Cheltenham Playhouse ES9 4660 43* Ashbourne Road.

Fridays, Saturdays at 8:40 P.M. BULLFIGHT Hedgerow Theatre, Moylan Pa. LO 6- 2482

Thursday, Friday, and Saturday at 8:30 P.M. BIRDBATH, HOME FIRE, ZOO STORY Penn Players, Houston Hall Auditorium

November 10. 11, 12, 13, 14 at 8:00 P.M. JACOUES BREL IS ALIVE ANO WELL AND LIVING IN PARIS New Locust Theatre Broad and Locust Streets

Opening Nov. 16 BLACK LIGHT THEATRE OF PRAGUE Walnut Street Theatre Ninth and Walnut Sts.

Nov. 9 13, Tues Sat. at * P.M.; Thurs and Sat. at 2 P.M.

Music ROCK/ FOLK/ JAZZ/ ETC

I GENO'S EMPTY FOXHOLE Parish House of St. Mary's Church 3*16 Locust Walk EV 6-3*16 November 546 Jaki Byard Unit. Former Mingus sideman leading his own group. Shows at 8 and 11 P.M. Advance tickets S2 available at the office: Christian Association. 3601 Locust Walk. MAIN POINT 874 Lancaster Ave. LA 5-3375 November 4-7 - Jame. Jame Brocket, king ot the wild frontier. MID CITY YWCA 2027 Chestnut St. November It 7- Winter festival featuring u Utah Phillips. Mike Seeger, David Brombey and others For Information, call Friends of Sing Out!, CH 7 4200. Tickets are S2.50 for afternoon, S3.50 night and S6 for all. And you thought you would never go to the Y!

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SPECTRUM Broad and Patterson Ave LOVE 222 November 5 -Seatrain & Poco Tickets are S4. SS. 8, S6. A night lor country rockers. November 13 - Emerson. Lake & Palmer with Yes. Tickets S5. SS.SO at the door. Keith Emerson is to the organ what Alvln Lee is to the guitar. TEMPLE UNIV Mitten Hall

Nov. 13 • Utah Phillips. Jack McGann, Rat, Alan Soeres. Diana Markowitz. John Roberts and Tony Barrand. Music galore. For info call RA 5 48*8 WALNUT STREET THEATRE Information call WALNUT 5 November 5 Thad Jones-Mel Lewis big band iazz at midnight. Tickets S5. If it Is not past your bedtime, do not miss it.

CLASSICA! MUSIC

Academy of Music Broad and Locust Streets PE 5-7378 Thurs. Nov 4 818 30; Frl., Nov. 5 at 2; Sat. Nov. 6 at 6:30: Bruno Maderne Conducting, Vladimir Ashkenazy, Piano. Mozart: Piano Con. no. 20 in d. K. 466. Mahler: Sym. no. 5 In c sharp. Sun Nov. 7 at 3 P.M.: Arturo Benedettl Michelangeli, Piano. Mon.. Nov. I at 1:30 P.M.: .New Philharmonla of Lomton directed by Lorin Maazel. Tues., Nov. » at 8:30 P.M. Philhar monia Orchestra, Ling Tung con- doctor Wagner; Rienzi Overture; Mozart: Concerto for Two Pianos in Eb, John Ogdon and Brenda Lucas - Pianists. Yardumlan: Piano Con certo. John Ogdon Pianist; Rach maninofl: Symphonic Dances. Campus Performance Society. Philomathean Art Gallery. University of Pa., 34th and Spruce Sts., Nov. Sat 8:30 P.M. A Piano Recital by Kevin Korsyn featuring the following works by Beethoven: Sonato no. 23 in F minor, opus 57, Sonata no. 27 In E minor, opus »0, Sonata no. 31 In A flat malor. opus 110. For info, call Tom HoltZ EV 2 8134 or BA 2 66*8 Academy ef Meslc Broad and Locust Streets Thurs. Nov. 4ot8:30; Frl. Nov 5 at 2; Sat.. Nov. 6 at 8:30:

Walnut Street Theater Sun.. Nov. 7 at 6 P.M. ■ Philadelphia Composers' Forum, Joel Thome. director concert of Schoenberg. Stockhausen and Wernick (wqrld premiere) Phone SH 7 2883 lor Ticket Intormefion.

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TV Movies THURSDAY, NOVEMBER 4 The War of the Wrolds 11*53' Gene Barry. 4:30 P.M. (10) (C). Strategy of Terror (1*67). Barbara Rush, Hugh O'Brlan. 6:30 P.M. (17) (C). Berserk! (1*68). Joan Crawford, Ty Hardin. » P.M. (10) (C). Monkey Business (1*52). Cary Grant, Ginger Rogers. 11:30 P.M. (17). Detective Story (1*51). Kirk Douglas. 1 A.M. (10) (C). FRIDAY. NOVEMBER 5 Bad Oay at Black Reck (1*54). Spencer Tracy 4-30 P.M. (10) (C). A Howling in the Woods (1*71) Bar bare Eden. Vera Miles. 8:30 P.M. (3) (C). Journey to Shiloh (1*68) Michael Sarrazin, Brenda Scott. 8:30 P.M. (17) (C). Black Moon (1*71). RoyThinnes. Ray Mllland. »:30 P.M. (10) (C). Suspicion (1*41). Cary Grant, Joan Fontaine. 11 P.M. (at). Imitation ef Life <1*5*1 Lena Turner. John Gevin. 11:30 PM. (10) (C). Destination Tokyo (1*43) Cary Grant. John Garfield. 11:30 P M. (17). The Blob (1958) Steve McQueen 1 A.M. (6) (C). Showdown at Abilene (1*56). Martha Hyer. 1:50 A.M. (10) (C). SATURDAY, NOVEMBER 6 Double Feature: I. The train Eaters (1*58) Edwin Nelson. 3. The Invasion ef the Saucer People (1*57) Frank Gorshin, Steve Terrell. 7 P.M. (17) Double Feature: l. Donovan's Brain (1*54) Lew Ayres. I. The Living Ghost (1*42) Joan Woodbury. James Dunn. 7:30 P.M. (48)

Revenge: (1*71) Shelley Winters, Bradford Dillman, Stuart Whitman 8 P.M. (6) (C) Gigi (1958) Maurice Chevalier, Leslie Caron. Louis Jordan. * P.M. (3) (C) Journey to Shiloh (1*68) Michael Sarrazin, Brenda Scott, James Caan. II P.M. (17) (C) Battle Hymn (1*5*) Rock Hudson, Martha Hyer, Anna Kashll. 11:30 P.M. (10) (C) Spider Woman (1*44) Basil Rathbone. 11:30 P M (46) The Ipcress File (1*65) Sue Lloyd. Michael Calne. 12:00 Mid. (3) (CO The Fighting Kentuckian (1»4») John Wayne. 1 A.M. (6) The Proud Rebel (1*58) Alan Ladd. 1:35 A.M. (10) (C)

SUNDAY, NOVEMBER 7 On Moonlight Bay (1*51) Doris Day. Gordon MacRae. 7 P.M. (17) (C) Marriage on the Rocks (1*65) Frank Sinatra. Dean Martin. 730 P M (10) o«e Upon a Time In the West (1*6*) Claudia Cardinal*. Henry Fonda. Jason Robards. * P.M. (6) (C) Leva* of a Blonde (1*65) Hana Breichova. 9 P.M. (17) Jazz Boat (i960) Anthony Newley. 12:45 A.M. (6) Love With The Proper Stranger (1*63) Natalie Wood. 1 A M. (10) The Mob (1*51) Broderlck Crawford. 2:55 A.M. (10)

MONDAY. NOVEMBER 6 Journey to Shiloh (1*68) James Caan. 6:30 PM (17) (C) Coogan's Bluff (1*68) Lee J. Cobb. Clint Eastwood » P.M. (3) (C) This Woman Is Dangerous (1*52) Joan Crawford. 11:30 P.M. (17) The Night Holds Teeror (1*55) John Cassavetes 2 A.M. (10)

TUESDAY. NOVEMBER * Where Love Has Cone (l*64i Bette Davis, Susan Hayward. 8:30 P.M. (17)

The Big Trees (1*52) Kirk Douglas', Eve Miller. 11:30 P.M. (17) (C) Night Passage (1*57) James Stewart. 1 A.M. (10) (C) WEDNESDAY. NOVEMBER * Psycho (1*60) Janet Leigh. Anthony Perkins. 6:30 P.M. (17) Journey to Shiloh (1*68) Michael Sarrazin 11:30 PM (17) (C) The Great Impostor (1*60) Tony Curtl*. 1 A.M. (10)

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Art A. I lance 25 S ltth SI K15 4302

Tnru Nov. 15: Silver Sculpture & Grlsolll* Enamels by Stig AKe Lund 8, Harold Helwiq. plus Batiks by Oetoro. Men thru Fri 1030 5. Sat. & Sun. 1-5.

Thru Nov. 24: Lovltz, Orensteln, Sali-ann- pt-otographs

T" ru Nov. 24: Benjamin Eisenstat "Downtown Mixed Media.

T -u No. 30: Demetrlos Ma« wdls ■ Sculpture.

Thru Nov 79: Dance In Sculpture Ti-ruNov. 29: Stephen TarantaI 3-

O Acrylics. Maorc Collage of Art 20th & Race Sts. L08 4515

Thru Nov. n>! "The New Land scap'-s," paintings & drawings by 10 artists, Mon. thru Sat. »•».• Sun. 1-4. Pennsylvania Academy of the Fine Arts Broad & Cherry Streets L04 0219

Thru Nov. It: "Edward Hopper (1842 19*7). "Tues. thru Sat. 10 5; Sun. 15. Philadelphia Museum of Art Parkway at 2»th St. PO5-O500

Thru Nov. 7: Chinese Calligraphy. Thru Nov. 28 Drawings 8. Prints

by Giovanni Benedetto Castiglione. Thru Jan. 2- City/ 2. 9-5 daily. Sat.

& Sun. Students free with ID. University Museum 33rd & Spruce Sts.

Thru Doc. 5: "The Tribal Image." Primitive Sculpture. Tues thru Sal 105. Sun. 15.

GALLERIES Pall Art Carousel High Rises South & East-U. of P. Group Show ol Tan. • Thru Nov. 19. Phila Artists. Marion Lacks Gallery 1524 Walnut St. 544-0322

Tnru Nov 30: "Gorillas, Dwarfs and a Couple of Dogs." by Tommy Dale Palmore Daily 116, Wed. 'till 9. Makler Gallery 171* Locust St PE5 2S40

Nov. 1 30: Sam Franc:s, Paintings and Lithographs. Mon Sat. 11-5.

McCleaf Caller, 1713 Walnut St. mtrnVOm

Thru Nov. 20: Paintings by Jimmy C. Leuders, Alton Sat. 9 5:30; Wat. eves, by appt. Newman Galleries 1625 Walnut St. L02 1779

Thru Nov. 6 Watercotors. Oi»» I Collages by Jay Hannah.

Nov. li Dec f. Wayne Morratl landscape paintings. Mon. thru Sat • 5:30; Wed. eves, 'til 9. Peale Galli las 1811 Chestnut St. L044JJ19

Thru Nov. 28 Paintings and lithe* by Israeli artist Shalom of Sated plus graphics by painter murellst Here" Appelof Holland. Tues.Set. tfJ-S; Sun 1-5. Philomattiean Art Gallery College Hall. 4th floor, 34th t Walnut University of Pennsylvania BA7 44M

Thru Nov. 16: "Art Works" fay Isadora Seltzer. Mon. Fri. 1-4 P.M. Print Club 1614 LatimerSt PES-44W

To Nov 27: Susan Squires Racanf Prints Victor Lesuchln: Print*,

Drawings, Structures;

St. Mary's Church 3914 Locust St.

Nov. 7: The Other Side of the Eye: Exhibit of artwork by aaeatn Hoimesburg & Graterford Prisons Proceeds go to artists. 12-4 P.M. The Wallnuts 2018 Locust St. 732 4*40

Thru Nov. 20: Tyler Faculty t Sludents Prints. Mon. Fri. 10a; Wee til 6; Sat. 115.

The Works ,2017 Locust St. L04 2454

Thru Nov. 30: John CekJweti Polarized Light Sources. Mon Sat 11 6. See article this issue.

Tail ****** COtWIECTION CtrasrawW l9fWaW.HI LO 9 4175

WITMOVT DOUBT THE lOUCtHWT DUO /MOST EXCITING FILM Of THf YEAR Directed by mmmm frttkm me Beys m the *mmt1. oajirinne; Gene Heck men in his •eel res* <a dexe, IM* tewt. suspense

^±*m* tm*nm*m tar chase of fMse, taSst) tfeexmen tyring to

m*m m ate.eted tram, it I cav cuaie <n

Maw a *» cert rat*. Tm mosmrw*** Hat—at tm*. Wmmmt Market LO 4 4222

Jeseew Laser t OeMen Palm Aaxord. muMm t*m efeout Edwardian ••catty lUrriiii Jette Christie. Alan

aw extraordinary child

» Treat law Haa»*)C»a»>w> u>330S4

',****. scarlet. I don't give a

«T 0MLV ******* TO OTHERS Wart*

LO 2-1234 with Mercello

Miifreienni and Catherine Oeneuve

LO 3-2775 JOMATMOM Mar, I tout* telk to. %A*OV I've never keen able to

tea* a* mm, ewi tOMATHOU: I warn realty getting

•satr efeevt nmr. Be* she was stuck- up. ana ■lea'ewt It* eat ley a hand on her. te, I warn mack te Ofer le.

iAMOr Yam ami perfection

Cinema THE LAST REBEL

*m LO3 7100

Mt Joe Nemeth and Wmmmr taraaa May mama ant store up

JOHNNY GOT HIS GUN Arcadia 16th and Chestnut LO 8 e*2»

Dalton Trumbo's powerful but overdone adaption of his classic 19*29 anti war novel about multiple em putees.

Of*E BAT IRJ TNS LIFE OF IVAN OENttOVICH ■VKII Wtttttmmt Lo;4»t6

Ce*ew Hreaf* excellent adaption at Rat tmmmmt Russian novel about life m a Umariam eeWticoi prison

Orgamtiattmm* ernemmUat event! In fn« caircerfay mmmm ettae*** ant eamptat* in- farmetM*. mt lam* am* mark i* advance to Hth U'tt ttmamrimr. Irttmmt Halt. 14th and Chtatmmt Ua Oatmme* aj tamer Hmjationt we caawof guarmmmt Mflmmm. bat well try.

" mmmmma—»

KOTCH 14th and Chestnut LO 3 9*41

The great Walther Matthau stars as a seventy-odd year old man who shacks up with a pregnant, unmarried teenager Needless to say, he Isn't the one who put her In the family way. Jack Lemmon directs for the first time. His direction is as creaky as Matthau's character.

THE ORGANIZATION Duke 16th and Chestnut LO 3-9841

Virgil Tibos rides again. PETER RABBIT AND THE TALES OF BEATRIX POTTER Midtown Broad and Chestnut LO 7-7821

Excuse, me, but I'm wooking low a wabbit. PLAY MISTY FOR ME Fox 16th and Market LO 7-4007

Clint Eastwood stars and directs. Which does he do with the least skill? Don't see the film and decide for yoursell. SUNDAY BLOODY SUNDAY Eric I 1907 Walnut LO 7-0220

A triangle romance with Glenda Jackson, Murray Head and Peter Finch. T.R. BASKIN Regency 16th and Chestnut LO3-23I0

A sometimes comedy about urban life featuring felicitous performances by Candice Bergen, Peter Boyle, Marc la Rood, James Caen and Eric O'Reilly. Well directed by Herbert Ross (The Owl and the Pussycat). THE WILD CHILD York town- Ba la-Castor

At last. A year after It was shown at the New York Film Festival, this strange film by Francois Truffaut is finally being released in Philadelphia. So see it quick, for we doubt if it will last long.

U OF P CAMPUS

Trash PUC Movie November 7. 7 4. 9:30 P.A/V Irvine Auditorium si

The Crook RLC Movie November 6. 7 & 9:30 P.M. Irvine Auditorium si

FRANCOIS TRUFFAUT FILM FESTIVAL Christian Association Film Society Christian Association Auditorium Nov 4: "THE WILD CHILD" 7:30. 9:00. & 10:20 P M Nov. 5: "THE BRIDE WORE BLACK" 7:20, 9:30. 11:20 P.M. Nov. 4: "STOLEN KISSES" 7:20, 9:15. 8. 11:00 P.M. S.75 each film or Si.50 festival ticket

Misc Group Melton's Media Workshop: Every Saturday at 8 P.M. Movement games and demonstrations, ex perlements with live/ electronic sounds and light, film showings. Audience participation. Donation: SI 500 South Street. WA 3 4*22

Oay Activist Alliance Meeting Christian Association, each Tuesday at 4 PM. for info, write Gey Liberation Front, Box 88, Temple Univ. Student Activities, Canter. Alice le Wenderlend - Sunday. November 7 at 7:20 PM Andre Gregory, the "Mad Hatter of Theater" the "Y" Gymnasium at the YM/YMHA, 401 S. Broad St Call Kl 5- 4400 for further information.

ENCOUNTER/SEMINAR: "Ac tualizing the Creative Process Through Art". The Council for Social Development, 414 S. 11thSt.. Sat. Nov. 4. 10:30 A.M.

ENCOUNTER/SEMINAR: "Ac tualizing the Creative Process Through 8mm Film". The Council for Social Development, 414 S. 11th St.; Mon Nov. 8. 8:30 PM.

ENCOUNTER/SEMINAR: "Ac tualizing the Creative Process Through Music". The Council For Social Development. 414 S. llth St.; Sun Nov. 7, 10:30 A.M.

Theatre FIDDLER ON THE ROOF Abbey Stage Door PI 2-8324 5415 Rising Sun Avenue

Friday and Saturday at 830 P.M.

(Continued on page 7)

34th Itraet Magazine presents the fllen of Peter Waist' brilliant play:

Ike Royal Shakespeare Co. in

THE PERSECUTION AND ASSASSINATION OF MARAT

AS PERFORMED BT THE INMATES OF THE

ASTLUM OF CHARENT0N ^ UNDER THE DIRECTION OF

THE MARQUIS DE SADE

* I • I I t 4 . I

Directed by Peter Brook

Wednesday, November 10

Irvine Auditorium

34th & Spruce Sts.

78.9:30 P.JM.

Tickets '!

-■■*■

Uy W T9 founded 1885 Vol. LXXXVII No. 72 Philadelphia, Pennsylvania Copyright 1971 The Daily Pennsylvania!! Thursday NovemberjE 1871 t

Rizzo Blitzed by Unified Black Vote as New Voting Patterns Emerge in City

DAN KASLE

AGAINST A BACKDROP of sagging crepe paper, elongated balloons, and an often seen campaign poster, a noticeably dejected crowd of longstreth sup- porters permeated their candidate's headquarters as election results came in early Tuesday evening.

Rizzo to Encounter Uncertain Future

By BEN GINSBERG Frank Rizzo's victory in Tues-

day's mayoralty election will have interesting ramifications for both the administration of Gov. Milton J. Shapp and Philadelphia's new City Council.

Although the traditional outward signs of post-victory unification were visible, beneath the surface there were rumblings in both instances which indicated that the start of the new. Mayor'rTelgn "may not W an altogether smooth one.

Despite Gov. Shapp's election night congratulations to the

News former police commissioner, the feud between the two is a

Analysis lon8 one> and one that un- doubtedly will not be easily forgotten by either man.

It began last spring, when Shapp tried to deprive Rizzo of the Democratic nomination by throwing his support to Congressmen William Green in the primary. In addition, the Governor at the same time announced an investigation into Rizzo's tenure as police commissioner.

Shapp's Tuesday night telephone message to Rizzo signaled an uneasy truce in the feud between the two most powerful Democrats in the state. However, it is dubious that a telephone call would dispel the lingering suspicion in Rizzo's mind that Shapp had secretly hoped for a Longstreth victory.

It is expected that the two will enter into a bitter battle for control of the Democratic party in Penn- sylvania.

In Harrisburg, there have been rumors that Shapp's advisors are preparing to counter what they expect to be Rizzo's direct or indirect support

of Republican Arlen Specter's challenge for the governorship in 1974.

It now appears that Philadelphia Democratic Chairman Peter J. Camiel is the man who will have to head off the impending confrontation between the state's two top Democrats. Camiel has successfully played both sides of the fence and maintained good relations with the two camps by aiding in the passage of Shapp's state income tax and by giving -strong sopport—to Rizzo's mayoralty candidacy. Presently Rizzo needs Shapp's aid in gaining funds for the city. And at the same time, Shapp needs Rizzo to prevent a split among the Pennsylvania delegation at the 1972 Presidential convention.

Although Rizzo will enjoy a 14 to three Democratic majority in City Council for the next four years, there appears to be a fight brewing for the Presidency of the Council.

Although the new mayor will be dealing with his Democratic com- patriots, it is not all certain that the strong-willed Mayor will be able to deal harmoniously with an in- dependent Council.

Specifically, Council Majority leader George X. Schwartz, who gained his third four-year term, ap- parently had the Council Presidency during the Rizzo administration wrapped up, since the present Council President, Paul D'Ortona, is retiring from politics.

However, in a move that came as somewhat of a surprise, Rizzo last night indicated that his choice for the post is Councilman Joseph L. Zazczny of the Sixth District in the Northeast. Zazczny is a strong "law and order"

(Continued on page 5)

By SCOTT GIBSON Recovering from a bitter and highly

emotional campaign which em- phasized Philadelphia's racial problems, the city Wednesday ap- peared divided in its support of mayor elect Frank Rizzo.

Blacks in North and West Philadelphia shattered historical polling patterns Tuesday, voting almost exclusively Republican in an effort to overturn Rizzo's election. The Democratic Party has, until now, absorbed a majority of the Philadelphia black constituency.

In the highly unusual polling pat- terns Tuesday, Republicans scored victories in every predominantly black ward except the 36th. Longstreth pulled a 81,016 vote plurality in black sections of the city, as Rizzo only carried one black ward in South Philadelphia.

In the University area's 3rd Council district, Republican Claude Ross narrowly lost to incumbent Charles Durham by a 2800 vote margin. In the 5th district, black osteopath Dr. Ethel Allen, a Republican, upset incumbent Democrat Thomas Mclntosh Sr. Poll experts regard the voting shift as the beginning of a new political party ties for Philadelphia blacks. As Bulletin columnist Claude Lewis noted Wednesday, "The blacks had finally

(Continued on page 3)

SUPPORTERS OF MAYOR-ELECT Frank Rbao carry mock coffin, complete with sagging argyle socks, bearing the name of defeated Republican candidate Thacher Longstreth.

DAN KASLE

The Incident took place at the door of the Bellevue-Stratford Hotel during Rizzo's victory celebration Tuesday night.

Variety of New Offered During

Courses Spring

Will Be Semester

JULES SCHTCK DR. OLIVER WILLIAMS

Cites Student Interest

~ By-RATHE ARCHDHACON A wide variety of new courses,

dealing with such topics as the impact of the mass media on politics and modern Japanese literature, has been approved by the College Committee on Instruction and are being offered for the upcoming spring term.

The political science department, is offering a series of five un- dergraduate seminars, grouped under the general heading of Political Science 299, "Selected Topics in Political Science." "We needed something to respond to student needs on a short-term basis," Dr. Oliver P. Williams, chairman of the political science department, said.

Commenting on trie direction these seminars have taken in the past, Williams said that although "this past fall we stressed political theory," the department felt "student interest and faculty interest" pointed to the need for courses that would "parallel public themes," bet would not con- stitute "current events seminars."

Topics offered in these seminars include the following':

-"The Politics of Participatory Democracy," taught by Dr. Roger Cobb;

-"Mass Media and Politics," taught by Dr. Neal Cutler;

"The .Youth Vote." Dr. Louis Seagull;

-"Religion and Politics in the Third World," Dr. Donald Smith;

-"Contemporary China and World Affairs," taught by Dr. William Brown.

Another department, Oriental Studies, has succeded in bringing Dr. Donald Keene, professor of Japanese at Columbia University, to lecture on Japanese literature at the University next semester. One of the world's most eminent translators and interpreters of Japanese literature, Keene was a close personal friend of Yukio Mishima, the Japanese writer whose suicide last year - via the medieval samurai ritual seppuku (hara kiri) - shocked the world.

Keene's course is open to all (Continued on page 5)

MAJORS DAY

Designed to provide students with general Information on un- dergraduate majors and any changes in major programs, Majors Day is being held today in all department offices from 10:00- 12:00 A.M. and 1:00-5:00 P.M. In addition, pamphlets containing course and requirement in- formation will be available in departmental offices and at two information booths on College Green and Locust Walk in front of Dietrich Hall. All undergraduate students are invited to par- ticipate.

Powell Given Top Rating For Court by ABA Panel

Superblock Coeds Nab Unregistered Bat

HOLY SUPERBLOCK SYNDROME, It's a real live bat! - or at least it was until the two University coeds shown came upon the unlucky invertebrate and requisitioned the help of

BOB SHASHA

some neighbors to eventually get it in its present pictured state. From left to right are Cathy Buch, the stuffed bat, and Jane Blrnbaum.

By STUART STERN

If you live in Superblock. forgot to register your bat, and didn't find him in your room last night, then there's a good probability that you can say goodbye to your bat. Not because the word has gotten out that you neglected to pay your $80 tuition fee for "Charlie." "Ralph," or whatever you called your bat, but simply because Superblock's first known killing has occurred and the victim is a bat.

But before you call the SPCA you might call Jane Birnbaum and Cathy Buch, the two College for Women coeds who confronted "the bat" in their 16th floor Harrison House room Tuesday night, and get all the gory details.

According to Jane, the bat, whose wingspread was later measured to be 81 v" was first thought to be a "moving shadow." But since Halloween is over and moving shadows are not onp of the normally ascribed attributes of Hi- Rise South, she immediately ran to the "boys next door" for help. And that meant the beginning of the end for "the bat."

Veggo Larsen, a Wharton sophomore recently seen in a photo on the front pages of The Dally Prnn-

(Continued on page S)

By United Press International WASHINGTON -- William H.

Rehnquist fell three votes short Wednesday of unanimously winning the American Bar Association's highest rating for the Supreme Court. But President Nixon's other ap- pointee, Lew F. Powell Jr., won that rating without a single dissent.

The findings of the 12 member Judiciary Committee of the ABA were announced as the senate Judiciary Committee opened confirmation hearings on the two nominees. The three ABA members who declined to give Rehnquist, an Assistant Attorney General, the top rating did not oppose him as a Supreme Court Justice.

The report of the ABA panel said the 47-year-old Rehnquist "mets the high standards of professional com- petence, judicial temperament and integrity" and added the consenus was that he "possesses outstanding ability and ... is well qualified to be an Associate Justice of the Supreme Court."

There was no equivocation about the endorsement of Powell, a prominent Richmond, Va., attorney. The report said he met in an ex- ceptional degree" the standards for the high bench and is one of the best qualified lawyes available for ap- pointment to the Supreme Court."

Rehnquist, a Justice Department legal authority, mixed concise replies with touches of humor in responding to liberal senators digging into his conservative philosophy. Speculation increased that he will be easily con- firmed.

Powell was scheduled to be heard after Rehnquist finishes

TIME LEWIS POWELL, JR. Receives Top Rating

Conservatively dressed but wearing long, mod sideburns, Rehnquist faced the Judiciary Committee in one of the Senate's largest hearing rooms, which waas filled to capacity with long lines of people in the corridor waiting to get in.

After Arizona Sens Barry M. Goldwater and Paul Fanning and Rep. John J. Rhodes introduced Rehnquist and praised his abilities, Chairman James O. Eastland, D- Miss , announced that the FBI had found Rehnquist and Powell "both clean, high-class gentlemen."

"I can't see any flws in Mr. Rehnquist or Mr Powell as a result of the full-field investigation," Eastland said

(Continued on page 5)

MSBBBBBBBSl 'e-iiSesi-: BBBBBBBBBBB mmmm sums

The Daily Pennsylvania!!

Netvs in Brief

November 5, 1971

Campus Events By Uetted Presi

HOUSE APPROVES AID BILL WASH INGTON-The house Wednesday tenatively approved

a $53 billion college aid bill. The bill, whose final authorization depends on the passage of the $13 billion education bill, provides for direct federal aid to private and public colleges. The measure's controversial anti-busing amendment has not reached the floor.

NOMINEE BEFORE COMMITTEE WASHINGTON-Supreme Court nominee William H.

Rehnquist testified Wednesday before the Senate Judiciary Committee. Rehnquist said that he opposes the long-distance )using of children to achieve racial integration, but no longer opposes an open housing law enacted in his home town. He also defended limited wiretapping and the government's efforts to sin-press the Pentagon Papers last spring.

LAIRD EXPECTS AID RESTORATION VIETNAM-Arriving Wednesday night, Secretary of

Defense Melvin Laird expressed confidence that the Senate would restore the foreign aids cuts it recently made. Laird said that the president must have a strong hand when he goes to Peking and Moscow this spring.

Iaternatioaal

NELSON PROPOSES DRUG CHANGES WASHINGTON-Sen. Gaylord Nelson, D-Wis., proposed a

sweeping drug regulation bill Wednesday to provide for government testing of new medicines and barring a new drug from the market unless it proved safer or more effective than existing remedies.

FOREIGN AID UNDECIDED WASHINGTON-The Senate and the administration failed

Wednesday in an attempt to resolve their differences and resurrect the foreign aid bill killed by a surprise Senate vote last week. Secretary of State William P. Rogers insisted that the program be continued at present levels.

ALIOTO FACES LAW SUIT 8AN FRANCISCO-Mayor Joseph Alioto, fresh from one

triumph over the sensational accusations which have shadowed his career from nearly two years, prepared Wednesday to Join the next battle. Alioto, re-elected Tuesday by a resounding margin over two strong challengers, will go to Vancouver, Wash., this week to testify in a 2.3 million dollar civil suit against him, resulting from a fee-splitting case in Washington, i

'.<M>\ TODAYatC A EATERY

"EXPERIMENT IN

INTERNATIONAL LIVING"

CAFE THEATER Coffee by Candlelight

'DRAGILA' Fri. ft Sat. 8:30 P.M.

Now thru Nov. I Student*$1.50 (Fri.)

VES-7S85 GE 8-4222 AUens Lane & MrCallum St.

one one one: DOC

I

Claude Lelouche's

THE CROOK The Bank of Europe is an elementary operation for the Crook, a true master mind. If you think you've been used, then the way the Crook deals with people will make you feel better.

Sat. Nov. 6 7-9:30 P.M. one one

IRVINE $1.00 RLC

YOU SAW A GREAT CONCERT

LAST WIEKIND

DON'T MISS TNI NEXT ONE

| PINK FLOYD \ One of the all time great fnqlish groups

\ FRIDAY HOY. 12 ©«• •••©* s P.M.

J tickets: $4 A 3" (advance for Penn Students only)

/ HOUSTON HALL T8CK2T SERVICE

BYARD Unit with

J.R. Mitchell PRESTIGE Record artist.

Available at Sam Goody's

& Radio Store 437.

FRI-SAT. NOV.5-6

Show* 8 PM & 11PM

Two set* per show intermission group fro* refreshments

TICKETS $2.00 In ADVANCE Available at -

Houiton Hall Ticket D.ik 3417 Sprucf Si.

Wall Philly Pood Co-op 3907 Spruce St.

Hurley'i Oetly Gee Station 42nd a Cheefnut St.

Temple U. Student Actlvltlea Ctr. IStb St. fc Montgomery Ave.

C.A. 3601 LOCUM Waft, Room No. S

COMING NEXT WEEK FRI. .SAT. NOV. 12-13

RASHIED All Quartet

COLUMBIA UNI VERSITY SCHOOL OF LAW: Professor Albert R own the I of the Selection Committee v.'ill hold one group session today (rom 4 S P.M. In the Harrison, Smith. Pennlman Rooms of Houston Hall. No appointment needed.

ORADUATE SCHOOLS OF BUSINESS AND INTERNATIONAL MANAOEMENT: campus to interview students planning further graduate study as follows: on Monday. November I Thunderbird Graduate School of International Management on Tuesday, Nov. 9. For appointments call Office of Fellowship Information and Study Programs Abroad. It College Hall, exl. B34S.

UNIVERSITY OF VIRGINIA SCHOOL OF LAW: Mr. Jerry Williams a member of the Black American Law Students Assoicatlon (BALSA) will be In the Bishop While Room, Houston Hall, from 1: JO to 4 on Friday. November 5, to meel with minority group students interested In at lending law school

UNIVERSITY COUNSELINO SER- VICE : available for all full time University students without fee For appointments call 594 7071 or come lo 3812 Walnut Street, Mon Frl. f-5.

URBAN STUDIES PROGRAM: Mulli faced new major program for interested undergraduates. Information and advising M F 12 1. MWF 12, T 3 5, Th 9 11, or by appointment. City Planning Office Room 127 Fine Arts, ext. 1379.

CAMPUS AGENDA

ACLU: Police and other civil liberties problems. Call EV 2 1337.

AN ANALYSIS OF U.S. MILITARISM: Seymour Melman, author of "Our Deep seated Soceity" and "Pentagon Capitalism" will speak on Friday. November S, • P.M. Sutler Hall Room B 12.

C A. EATERY: Back by popular demand Chicken Salad sandwich with soup offered today from 11:30 to 2:30 In the basement of the Christian Assoc.

C.A. FILM SOCIETY: The Francois Truffaut Film Festival starts tonight with "The Wild Child" at 7:30. 9. and 10 30

GENO'S EMPTY FOXHOLE: Phllly's new music cafe at St. Mary's Church Parish House. 3916 Locust Walk presents pianist KAKI BYARD'S Unit featuring percussionist JR. Mitchell on Frl..Sat., Nov. 5 6 at S P M and 11 P.M.

KUNDALINI YOGA CLASS: Sunday, Monday, Wednesday and Friday at 6:30 5046 Cedar Ave. SH 8 6050

KITE AND KEY: Meeting Sunday. Franklin Room 2nd Floor, Houston Hall. Executive committee, 7 P.M. General membership 7 30 P.M. All welcome.

HILLEL: Brunch on Sunday. November 7. at Hillei from 111 P.M. Members 50c, non members S1.00.

INDIAN STUDENTS ASSOC: presents the movie "Safer" with English subtitles on Sat. the 6th and Sunday the 7th at F Ine Arts Auditorium. 7:30 P.M.

LAW SCHOOL FORUMS: Sir Leon Radzinowici. Director of the Institute of Criminology, Cambridge, England, and visiting Prof, of Sociology at Penn, speaking on "Crime In it's International Context". Monday, Nov. 8, 4 P.M. Law School Room 100.

MARCHING BANDS: Would you like to have posters on the sides of the buses to Yale? Come to the band office today at 7 P.M. and help make some.

MAJORS DAY: All departments of the College and Wherton will be open to students to discuss malors today. Offices will be open from 10 12 and 15. An advisor will be present to help you.

MUSLIMS AND CATHOLICS IN DIALOGUE: "Gori's Prophet's Who ere They?" Ground floor Seminar Room, Harnwell. Sunday. Nov. 7. 7:30 lo 9:30 P.M.

PHILOMATHEAN SOCIETY AND CAMPUS PERFORMANCE SOCIETY: present Kevin Korsyn in a piano recital of all Beethoven music, tomorrow, 8:30 P.M. Phllomathean Art Gallery, 4th floor College Hall.

PIMU EPSiLON: (undergraduatemath club) presents "Orders of Magnitude", a lecture by Dr. Herbert Wilf. Monday, Nov. 6. at 8 p.m. in DRL A8. All interested per sons invited. Lectures are generally on a level that can be understood by second year or even first year students.

PUC CAMPUS CURATORS: present fall art carousel, Karen Krause, Artist and Photographer, 4 5 P.M. Harnwell Houase. Seminar Room. Exhibition of artworks In High Rise South and High Rise East.

RECORDORDERS: pictures for friends section are being taken thru Friday. November 5. Call 594 8720, 3 5 P.M. dally.

SEMINAR TODAY: Dr. Thomas A. Mutch. Brown University. "Exploring Mars with a Camera Possibilities and Problems", at 4 P.M. In Room 105 Hayden Hall. 240 S. 33rd Street. Coftee is served at 3:30. Parking available Call 594 5725

SCUE: Grading report committee will meet Thursday at 4:15 P.M. In the SCUE Office. 17 College Hall, and Saturday at Hal's.

TAKING ENGLISH COURSES?: Student advisors and a detailed guide to courses can be found In Bennett Hall lobby Thursday, Friday, Monday and Tuesday 10- 4.

TOIF PARTY: Celebrate Friday at Kappa Delia with fun and games November 5, 3 5 P.M. 3809 Walnut St.

THEATRE PENNSYLVANIA: Today "The General" (1926) Buster Keeton, star author and director. Annenberg. 7 and 9 30 P.M. Ji 00

THEATRE PENNSYLVANIA: will introduce the new film Series "Museum Without Walls," with a 55 min. color motion picture, "Picasso: War. Love and Peace, November 8 at Annenberg Center.

Il

DAVID BERK ROBERT KOTZEN STUARTSTERN

Night Editors

GLENN UNTERBERGER Sports Copy Editor

MICHAELS. GROSS Advertising Copy Editor

BOBSHASHA Photography Day Editor

Community of Students

Workgroups The Community of Stwdents will provide nominal funding for any group of of least 10 students who are working on an issue of general campus interest. Examples of topics are campus security, residential life, community service projects, etc. To apply for workgroup status find ten undergraduate students who share your interest, pick up a workgroup appli- cation, draw up your proposal, and submit it to the C.O.S. Administrative Committee, c/o C.O.S. Office in Houston Hall. Applications may be picked up in the C.O.S. office Tuesday through Friday from 10 to 5. Call 594-8908 for further information.

Muslims and Catholics in Dialogue

"Gods Prophets- Who Aro They?"

Sunday Nov. 7 - 7:30 to 9 JO p.m.

Harnwell . Ground

Floor Seminar Room .

PHOTOS FOR" APPLICATIONS

-PASSPORTS RESUMES

on campus at

SHAPIR STUDIOS -3Wr-WALe44JT ST.

BA 2- 7888

Early Univ. Photo's Exhibit Showing turn of Cent. University

Second floor Showcase Houston Hall

Union

x Horn • Nov. 18

Pall Art Carouiol Exhibition of Art Works

Hi Rise South, East

Fri Nov. 5.

The "JOYNT" Houston Hall Ivy Rm. 9pm

Coffee House entertainment & atmosphere

Weekend Movies Sat Nov. 6

Claude Lelouche's "THE CROOK"

Sun Nov. 7. Andy Warhols

"TRASH" Both Films in Irvine at 78.9:30

Every Sunday

Houston Hall Ivy Rm 9:30 p.m. all welcome

COFrREE

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34173

PUBLIC STENOGRAPHER. SPE clalizlng In Master's Thesis. Doc- toral Dissertations, Manuscripts. Re search Papers. Samples of Work in Area, Libraries. Flora Carlin. 379 Mil. 3675

INTERNATIONAL HOUSE 11 CITY European Tour. Oec. 14 Jan. 10. Cost SetO. « teats available. 3843

THE DANES. FRENCH FINISH. NOR- wegians & Dutch of International House invite you to tour Chicago with them Noy. 24 Nov. 31. Cost S57. Contact Program Office at EV 7-5125. 3842

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1 OIRLS - ORADUATE STUDENTS in Phlla Area would like to meet 3 guy's. Write P.O. Box 14455, Phila. .19115. M70

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MAJOR INTERNATIONAL AIR CAR rler seeking Individual to represent us on campus. The position is part time and on a commission basis. For de tails, please write to Box 4 c/o Dally Penntylvanlan and let us know why you think you would be a good salesman. 3894

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STUDENTS IFF.. I M, 1 BEDRM MOO ern furnished apts. On campus. M0. to S150.00 per month. Also 5 Bedrm townhouse. For appl. Call between 9 AM & 3 P.M BA 2 7111. 3838

APARTMENT 43RD a LUDLOW I rooms with bath and pullman kitchen. 1st or 2nd II. $85/ mo. SA 91557.

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COUNTRY APT. LIVING IN N.J., 20 min. lo U. ol P., luxury, spacious, l bedr. apt., pets. pool, tennis, will contrib. to deposit, call alter 5, 1 609 784 2441. 3891

MARINE CORPS UNIFORMS FOR sale: overcoat, summer and winter uniforms, trousers, shirts, and fatigues. Call WA 2 7378. 3830

1959 MERCEDES - CLASSIC CAR ■ black 89.000 miles 190 will bargain needs some work cheap. EV J- 2986 j.,7

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TYPIST: EXP. IN SCIENTIFIC AND other. Electric Pica Type. Call K. Maass. CL 9-1707. 3820

FOR SALE

FURNISHED EFFICIENCY APART ment. 75 per month. 40th SI between Chestnut, Walnut, must sublet now, phone EV 7 4540 3863

EFFICIENCY APARTMENT - EXCEL lent condition, new lormica top kit Chen, furnished, carpeted. Available immediately. EV 2 2986 3886

ART MUSEUM AREA VICINITY OF Spring Garden. Attractive Victorian Apartment. One & two bedroom avail able. Ideal for student or couple. S90 up CE 5 9726. J803

FOR SALE: 1958 SUNROOF VOLKS- wagon Antique or Dunebuggy. Highest offer. Call Betty. EV 7 5300. 3859

SKIS FOR SALE. KASTLE CPM specials. 195cm used twice brand new. Guarantee still good till March 72. $100.00 call Bill EV 3 1269. 3860

1969 FIAT 850 SPIDER. EXCEL lent condition 21,000 miles, new In- spection, $1350. (AFGHAN BOKHARA RUG) old, excellent condition, 7.5 x 14 II., $600. MA 7 3593 3861

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UNIVERSITY of PENNSYL VANIA Department of Geology

GE0L0GT COURSES OF GENERAL INTEREST Spring Term 1972

GEOLOGY 3-

GE0L0GY 4-

0CEAN0GRAPHY

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GEOLOGY 570- GEOLOGIC THOUGHT (history of the Earth sciences)

(See Catalog for dotollt)

GEOLOGY IS RELEVANT

m

1" ' -—

Thursday November 5, 1971 The Daily Pennsylvanian Pages

Rizzo Fails to Receive Black Mandate (Continued from page I)

broken the binds that had shackled them to the Democratic Party"

In response to the campaign and the subsequent election of a man they consider an open racist, blacks here appeared skeptical of Rizzo's promise to "make Philadelphia a better city of all the people."

The National Association for the Advancement of Colored People (NAACP) Wednesday issued a statement charging that Rizzo "cannot reunite the city unless he moves immediately to repudiate those forces who supported him because of their racist attitude." NAACP Regional Director, Philip Savage, added that "Rizzo's election reveals the depth of racism and hypocrisy existing in Philadelphia."

The Rev. Leo Sullivan, however, wished Rizzo well, and noted "I hope he will make a good mayor for all the people and I hope everybody will try to cooperate to make Philadelphia the city we all want it to be." Sullivan--an outspoken black civil rights leader who backed Longstreth --also said he was "particularly proud of black voters," as they crossed traditional

party lines to support Rizzo's Republican opponent

Mayor-elect Kizzo in his victory speech Tuesday night asserted that he was sure that "even those people voted against me will work to make Philadelphia a better city and a city of all the people."

In his effort to unify a polarized city, Rizzo has indicated that be will ap- point blacks to high administrative posts in January. Although he has made no specific appointments, ex- perts surmise that he may appoint Richard Gilmore to an important post. Gilmore is currently serving as the Deputy School Superintendent for administration.

In addition. State Representative Karl Vann gave Rizzo strong support during the campaign and his ap- pointment to an administrative post seems likely.

This machine runs on electricity and people

Electricity to move the paper and people to read it. Come down to the DP and turn the switch. Anyone interested in writing news or features come down to our 34th and Chestnut Sts. offices today at 3:30 and help us put out the paper.

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As everyone knows by now, Ralph Nader did not speak at Irvine Auditorium yesterday. Unexpectedly, Nader spent Wednesday preparing tor testimony before the U.S. Senate, his Washington office reported.

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In addition, State Representative Earl Vann gave Rizzo strong support during the campaign and his ap- pointment to an administrative post seems likely.

Although Republican Longstreth repeatedly charged throughout the campaign that Rizzo was "stupid" and otherwise incapable of running the highly complex municipal government, he urged the city to support the former police chief in his concession speech Tuesday.

"1 beg of you," Longstreth said, "you must give our new mayor your support. We are all citizens of Philadelphia and there is a job to be done, a job no man can do alone."

Despite its strong endorsement of Longstreth, The Evening Bulletin yesterday urged Philadelphians to support the new mayor. Although its

[Bahama islands -•169

editorial Wednesday warned Kizzo not to be swayed by party politics, it further stated that his election was "an impressive personal victory and he is to be congratulated on it. For the voters have expressed...their strong confidence in his personal ability to lead Philadelphia successfully through a maze of urban difficulties in the next four years."

Pennsylvania Governor Milton Shapp also offered his support of the mayor-elect, although chances for a state-wide power struggle within the Democratic Party do not appear diminished.

THE COMMITTEE ON BLACK STUDIES

invites off interested persons to

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i age 4 The Daily Pennsylvania!! Thursday November 5, 1971

tthe M Benneotoantan Hailg ■ '

1885 1971 The Newspaper of the University of Pennsylvania

MAURICE OBSTFELD, Editor-in-chief CLAUDIA COHEN .Managing editor

MATTHEW B. BOG IN, Business manager

ANITA SAMA, Editorial chairman MARK McINTYRE, News editor

ELLIS M. WEINER, 34th Street editor JEFFREY M. ROTHBARD, Sports editor

JEFF N. PRETSFELDER. 34th Street business manager JEFF BRYER, Photography Co-editor

ALAN SHELBY, Photography Co-editor THOMAS EWING, Financial manager LEO LEVINSON, Advertising manager

PETER EGLICK, 34th Street associate editor JOHN WERTHEIMER, Associate sports editor

PETER SUKIN, 34th Street advertising manager MERRY HENIG, Production manager PHYLLIS KANISS, Contributing editor

Letters to the Editor

A Chance to Improve For Uie past year, the subject of equality in hiring

and promotion at the University has been shuffled from one place to another with no apparent im- provement in what is clearly an unsatisfactory situation. Recognizing the problem of discrimination had become entrenched with time, President Meyerson vowed last year to make a thorough search for qualified blacks and women and give them hiring preference in an attempt to alleviate the situation University Council also expressed a desire to achieve sexual balance in the makeup of University personnel, and appointed a study committee, headed by Mildred Conn, to evaluate the status of women at Pennsylvania. The Conn committee delivered its report, which emphasized the need for employment reform, but the Council, at its last few meetings, found itself falling into its old habit of examining the report on a point by point basis. Fortunately, the last session of Council brought an about-face of this trend; Council voted to dispense with further analysis of the report and in- stead advised the President to take action against

discrimination as soon as possible. But a solid affirmative action plan has yet to be

formulated. The President and Provost have repeatedly turned to Council for advice and repeatedly complained that the body was too un- wieldy. However, even the slow-moving Council has delivered its opinion and given the President direction on the issue of discrimination. But still no real plan has come from College Hall.

Hiring and promotion policies still emanate from autonomous departmental offices under the same basic procedures that have generated the discrimination that presently exists. And even in the administration, the newly created position of Director of Personnel Benefits was quietly filled without any search for black or female applicants. With a number of positions now vacant - including those of Dean of Undergraduate Studies and Dean of Residential Life- the University has the opportunity to demonstrate its sincerity by actively seeking candidates from un- derrepresented groups.

TERROR IN PAKISTAN

Sir: In recent months the people of East Pakistan have suffered through a tragic chain of events; some of these were natural disasters, and some were man-made.

Last winter a cyclone swept across the countryside and Its winds and flood waters claimed thousands of lives and destroyed many thousands of acres of farmland.

The people had no sooner finished counting their dead and had gotten back to work when they were caught in the middle of a bloody civil war. At times it seemed as though this civil war was more than a question of loyalties - a question of a people's right to existence.

Thousands of people left their homes and they were pursued by soldiers, cholera,and hunger.

As many as six million refugees are established in camps on India's border, while several million more may be wandering the countryside and the streets of Calcutta.

The terror continues for the people of East Pakistan and 30,000 new refugees arrive every day from the interior.

Try to imagine a group of people as large as the population of Chicago or New York living in camps with no shelter, a minimum of food, and little medicine.

Each day the numbers increase by the size of one of our largest univer- sities.

India, which strives to feed all of her own hungry people and to battle her own floods, is now burdened with the devastating problems these newcomers have brought with them.

The cost of this vast undertaking is

The New Face of Philly Politics By MAURICE OBSTFELD

Philadelphia politics took on a new face Tuesday night: the face of Frank Rizzo, a face which seems barely alive, a characteristically ex- pressionless face prodded out of its claylike immobility only by the conscious and strenuous effort of its possessor. That face - seemingly molded, not out of flesh, but out of some synthetic substance - was oat. made for smile, or for the expression of passing emotions. The only ex- pression truly at home on that im- placable visage is one of rage.

And the rage, the anger, the resentment - though not always visible - seems ever present.

The face of Frank Rizzo, Philadelphia's new mayor, per sonifies so much that hid below the mainstream of Philadelphia politics during the decade in which reform mayors Joseph Clark and Richardson Di I worth ran the city. It personifies, among other things, the "common" working man's repudiation of the liberal, educated, financially- comfortable establishment that dominated Philadelphia during the 1950's an establishment of which Thacher Longstreth is, perhaps, a relic. It personifies the long-silent frustration that erupted so visibly at Rizzo's Bellevue-Stratford election headquarters Tuesday night.

The scene there was one of in- describable confusion and emotion, punctuated only by the sober demeanors of the many police officers present, who carefully prevented celebrants from entering certain rooms, and held back the crowd when "The Man" made his appearance.

The crowd - composed of Italians, Jews and middle-class black* -

- seemed happy, but only outwardly scv- —< Deep down, there was an undertone of hate, one of violence.

Every few minutes - as vote tallies poured in from Philadelphia's election districts - a Rizzo aide would stand before a microphone in front of the plush room and announce the newest totals, which each time, favored Rizzo. "He's dead!" mem- bers of the crowd screamed. "Thacher's dead!" "We're gonna bury Thacher Longstreth tonight, ladies and gentlemen. We're gonna bury him!" the loudspeaker replied. It seemed as if Longstreth - or even a Longstreth supporter - would have been torn to shreds had he dared step into that room.

The crowd screamed, and screamed loudest when Rizzo made his sudden appearance, waving a squat, beefy hand above his head. Longstreth was vilified, and Rizzo praised so loudly that his words, spoken into a microphone, were rendered in-

comprehensible. "Only in America can a guy like Frank Rizzo become mayor," the former police com- missioner declared. Rizzo's sup- porters cheered, and pushed, and screamed; very few "knew what they were doing, or why.

Across an alleyway, a few

yards down Broad Street, a tired, sweating Longstreth supporter pushed his way down the steps of the Republican contender's headquar- ters, a few minutes before the con- cession speech. "I wanna go home," he muttered. "I've had enough of this. I've watched Philadelphia go to hell tonight."

"Folks, This Is Your Captain Speaking — Lei Me Say Again Thai Everything Looks Fine—"

BRUCE WALLACE

estimated to be over 34 million a day. India does not have these funds and money is not coming in fast enough to avoid an even greater disaster.

The United States government is pledged to help, but even this aid will not be enough. Nine million people need your help, and if India is faced with this burden alone, there is a serious danger of war.

Your school can undertake a campaign on behalf of the refugees. You can begin by organizing a fast, presenting speakers, collecting funds at a benefit program, and informing as many others as you can about this tragic situation.

A massive fundraising drive is underway now.

Won't you help us? MARK NELSON

Michigan State University East Pakistan Emergency

Refugee Fund

FARM LABOR

Sir: As a member of the University community with some exposure to the problems of farm labor, I feel it in- cumbent upon myself to reply to the Truth About Coke written by William Pruett of their public relations department.

If indeed the Coca-Cola Company is engaged in a program to improve the conditions of its farm workers, this is as laudable as it is unique. We should however take note of the fact that the efforts of the company were not wholly self motivated. Threats of boycotts, real or imagined, resulted from an NBC-TV. white paper which indentified Coca-Cola as and exploiter of farm labor. The actual presence of boycott activity on the Penn campus

will no doubt serve to spur those ef- forts.

This summer as an organizer for the United Farm Workers headed by Cesar Chavez, I had contact with the Vice-President of Heublin another branch of American business responsible for the exploitation of farm labor. (Their products include Italian Swiss Colony Wines, Smirnoff Vodka and Col. Sanders Chicken among others). At first he denied Heublin's responsibility for more than 35 grape pickers. As a boycott develops however, Heublin accepted its responsibility and signed the best contract to date for agricultural labor (it pays $2.40/ hour).

I would hope that the efforts of the Coca-Cola Company are more than a mere public relations ploy. I would further hope that they are willing to„ bear the full responsibility for all their farm workers, not at group which parallels in size and significance, The Heublin 35.

Those who care to know more about farm workers and their efforts to help themselves are invited to attend my course in the Free University.

JOELFREEDMAN GSAS

All signed letters and columns appearing on this page represent the views of their authors, and In no way reflect upon the editorial position of The Dally Penn sylvanlan. All items submitted for publication must be signed and typed 6$ characters to the line.

After the Election: Dead Leaves and President Rizzo

BRUCE WALLACE

FRANK RIZZO

By ELLIS WEINER

"The crowd is untruth." -Goethe

Well, that's it. The omens, metaphors, and signs are all in order: dull autumn gloom, fetid air, rain, chill, dirty sky. And that must be why elections are held in November; now the defeated, the hopefuls, the also- rans turn up their collars to rage and scowl at the encroaching winter. No soothing snow, no beauty, no sunshine, no springtime hope of rebirth. Just damp Philly drizzle, cold coffee, stale and obscene cigarette butts, limp banners drooling red and blue in a wan dawn of submission and resignation. And the DP runs a house ad with a photo of the Washington Monument, the top of which resem- bles nothing so much as the cowl of a Ku Klux Klansman. Signs, omens, irony creeping out of the woodwork!

You can hear the doors slam in Harrisburg, the desks rapped in moments of tight-lipped frustration as pale and tired administrators discover that now they have to deal politically with this guy, talk to this muscleman on the phone, dicker with this man who looks like somebody's bodyguard. One recalls reporter Mike Royko answering Dick Cavett: "People are looking for a man who can come into a room and say 'AH right, everybody sit down and shut up; this is what we're going to do...' " Daly as the first of the new mayors, the unapproachable Boss who represents a massive and well-oiled machine which by now has reduced big-city politics to formula and

routine, the payoff taken for granted, the hack wardmen toting blackjacks, the dirty old men in robes we address as "Your honor." Daly, Rizzo, so it goes. One recalls disbelief and ner- vous laughter at the notion of "President Nixon??." But now...

The polling places; eighth ward, ninth district: dozens of old women mumbling and shuffling, wrinkled and fragile survivors from another planet, refugees from holocausts we only read about. Yiddish phrases; few of them can close the curtain unassisted, they must be physically directed in line to sign in. And while I wait for an intimation of greatness, a metaphysical flash of participatory democracy, a mental image of noble Greeks and 18th century British philosophers, I hear: "Are you ready already? All right, now Just...just pull the...pull the handle...that's it..no, just pull...wait, I'll help you..." On the registration desk, passive and im- plying some bizarre and irrecon- cileable ultimate duality, a King James Bible and a large dry donut.

So slap Longstreth on the back, somebody get him a drink and drive him home. Shrug at Milt Shapp and the mirror, nod solemnly at Royko and his prophecy ticking away in the corner like a bomb. Prepare to ac- cept, ignore, rationalize, re-group and start again. Or move down a level and maybe get a decent column from the whole affair. Better still, call the oil man and have him fill the tank. Christ, it's already November 4 and I need a new umbrella, check the anti- freeze, air out the camphorlzed sweaters.

DAN KASLE

THATCHER LONGSTRETH

mm

.Mi Wm^m^*^

Thursday November 5, 1971 The Daily Pennsylvanian Page 5

'Super' Bat Apprehended Rizzo Future New Courses (Continued from page 1)

sylvaniin demonstrating how people can hang out the window:, of the lounges, just happens to live next door to Jane. And, in addition to being a front-page acrobatist, Veggo is also an amateur taxidermist. So, with the help of one of his roommates he an- swered the summoning calls of the terrified Jane. Standing on Cathy's bed, the two stalwart bat-snatchers held a cardboard box under the shadowy bat, put a piece of cardboard over the box, and "Wham!" the bat was caught.

The boys next put the covered box with the bat inside in their freezer and waited a few minutes before injecting it with a death-inducing dose of alcohol. So it goes.

Whether the boys' methods are internationally accepted procedures practiced in most areas of the world is not known. What was definitely un- conventional, though, is what followed. As expected of any amateur taxidermist, Veggo stuffed the bat. But while the Wharton sophomore was doing his thing. Cathy served beer, Jane made popcorn, and all the floor residents looked on' - "drinking popcorn and eating beer."

Even Malcolm's (the "resource guy") 18 month old daughter was on hand for the occasion. She doesn't like popcorn and isn't into beer yet, but she reportedly jumped up and down waving her hand, and yelled "bat." (When this reporter asked the two traumatized coeds how the baby was astute enough to learn to say a new word so fast, they decided that maybe she just said "b-b-b-a.")

In any case, some palliating news was provided by the Philadelphia Department of Health. A spokesman for that group said Wednesday that "most of the bats, which have been out lately because of the warm weather, are insectivorous. They are usually not rabid and no cases of rabies from bats in Philadelphia area have been reported in the last 15 years."

In other words, don't get your "Superblock syndrome" up over the whole affair. Jack Meyers, the assistant managers of the affected

building who noted that "MiflwlMrf/to now sitting proudly mmvt my 4tm" remarked that it was CMMMtohm bats in the buildu* a* werfceW as previously Abo mnrtrnmi fee fat matter, the manager ef HMtter tmjth. Mike Haney, flippaatly aassriee" tatf "what bothers me was that at was a guest that didn't sign at."

In the end. Vetja waaw't arras***, Malcolm's daughter

'•rthor without the addition of anew ward m her vocabulary), and Cathy sad Jaw kept their windows closed.

W course, it should be noted that Jane reported sighting another 'waving shadow" in her room

Wednesday morning. This time, hawever, it disappeared "probably

r <A the noise that Cathy made i closing the door and running to

get Veggo " Score one for the bate, eastern, and Superblock.

ABA Report (Continued from peg* 11

For the moat part, die i was friendly and low-key. liberal senators like Philip A. rTirf.tr Mirn . and Edward M. Kennedy, D-nfee* congratulated Rebaxjtdat a* Ma nomination.

Noting that RensMHtot has a reputation as a tough towaederdsr advocate, Kennedy naked the i his feelings on the (ore* ased few OMe National Guardsmen (a pat dawn to* campus disorder at Kent State University in 1979.

Pleading lack of flrat-haad knowledge. Kenaontot aimtoHanj said he felt "It was a astogasded ee*S unwarranted use of tort* "

Pressed by Kennedy whttoar he had conveyed his feelings la Attamey General John N Milrtojj when there was thought of impending a grand jury. Rehnquist freely aditoskaj ",„ he never asked m»."

Rehnquist, head of the Jewfiee Department's legal staff, laid Mart that he would attempt to "dissassociate" hi* personal philosphy "from my rate aa Jadge" and, in reply to another ojaeaUan. said he would "without heaMatton" pratort the constitutional rights of any in- dividual or group* ihoatregard la their position

On the issue of wiretapping and eaveadrapptog, Rehnquist said they were legitimate tools in the ap- ■rthenaiia of a criminal or the solving efsef a crime but not to quell dissent.

Knmtpaet agreed with Hart that the M ef Rights was designed to put restraints on the government and added "The fad that the police are haadrafftd to no argument against h\"

The ABA report said "Those devoted to expanding concepts of civil righto regret bis (Rehnquist's) semination, yet a number of leading lateral and civil rights lawyers sup- part toe semination because of his srafeaajenal competence, intellectual ability. and character.

"One professor active in ths civil righto movement said that he felt Mr. Rehaojatot lacked the temperament of a Seereme Court Justice; that he was teteHy ruthless and in that sense larked integrity."

The report said that Rehnquist's "pprwrtion to public accommodations bill m his hometown of Phoenix was as "obviously conservative" position.

Bat M added: "When the legislation was enacted. Mr Rehnquist in no way attempted to frustrate oppose the eafsrcement of the law. and, indeed. he now acknowledges that its suc- cessful execution convinces him that Imposition was probably wrong on its merits.''

(Continued from page I) candidate, whose wards went heavily for Rizzo.

Schwartz said that he thought the report was merely a rumor. He also expressed confidence that he would be elected president of the Council and added that any attempt to push Zazczny for the post could result in an immediate straining of relations between the new Mayor and the Council.

The new Council President will be chosen by the Council members. In actuality, however, he will be selected in the Democratic caucus, where Rizzo will have great influence but no vote.

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(Continued from page I) members of the University com- munity.

Meanwhile, the College for Women (CW) announced that Philosophy 80, 275.and 345 will not receive ac- creditation unless the course in- structors - Dr. Gerald Doppelt and Jerome Segal - agree to grade students "in the usual fashion." In a memorandum sent out with preregistration materials this week, CW officials said that "since neither instructor has yet indicated that grades will be so assigned, the possibility exists that these courses will be designated 'experimental' and will not be accredited."

STATISTICS

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The Daily Pennsylvanian

Dragons Slain As Booters Laugh through 9-0 Shutout

NOT THIS TIME - Drexel goalie Otto Loaghraa leapt to knock a Stan StorUeU shot aside. Startzell however, was not

to be denied as he scored his third goal of the season In Penn's 9-0 victory over the Dragons yesterday at Franklin Field.

Modest SolowMakes Himself KnownOnly on theAstroturf

By TONY KOVATCH "Will the real Steve Solow please

stand up." Odds are that if the elusive Perm

safety ever appeared on To Tell the Truth, every member of the panel would be stumped. Even if Ho Chi Mihn and Tiny Tim were the other contestants, Miss Vicky could probably be more convincing.

For one thing, Steve is too unassuming and modest. "I knew him for two months," remarked his rommate's girlfriend, "before I found out he was a football player."

"He comes back to the room after a game and doesn't say one word," explained his roommates, Steve Spitz and Rick Smith. "We have to ask him one | imil Iffcfclllgfcir » atag anything out «f mm.

Aside from his relatively unim- pressive physical statistics - 5-8, 168 pounds, even lighter now than he was as a freshman after the so-called summer of Colt 45" -Steve doesn't

eat the typical "steak and eggs" diet of the typical jock. "He loves TV dinners, explained the roommates's girlfriend. "He eats at least two a night, and then tops it off with two ice cream sandwiches from the Abbott machines downstairs. His favorite though is his mother's spaghetti.

"He's also one of the most hard working persons I've ever seen, and maybe the best natured guy in the world," interjected Spitz.

But despite TV dinners, ice cream sandwiches, and all, the past few weeks have been hard for Steve to digest.

"My life is completely involved in and affected by football," explained the pre-dental student, "and when we lose, I don't feel like studying or doing other things. I believe the object of football is to win."

Despite being a frequent winner of the defensive award for the most tackles or the Headhunter award for being most agressive, Steve will admit that he doesn't like the physical contact of the sport as much as the actual playing-the art of running the ball or throwing a perfect pass, for example. "I don't like the agressive, physical part," he said, but when 60 guys are dependding on you, you can't let them down."

"He's not just physically agressive, but mentally agressive too," spoke coach Harry Gamble in a different vein. "Steve always makes the big play - he just wants to excel.

"He doesn't have speed, but he's very quick, elusive. But most of all he got a lot to savvy. In returns, for example, he's developed an un- derstanding how to use blockers," continued the mentor.

Whether he uses his blockers or not, Solow, whose brother plays baseball (or Arizona, has developed into the premier punt return specialist in the Ivy League, radiating an unex- plainable excitement everytime he gets his hand on the ball. An uncanny proficiency at picking his way through the densest wave of defenders was responsible for Steve's leading the nation in punt returns for the first half of last season until injuries limited his

JERRY MARCUS

STOPPED SHORT - Diminutive Quaker safety Steve Solow Is on the spot, bat not tall enough to prevent Yale's Dave Brooks from hauling In a pass In last year's a-2z sMWog vktory at fiaa*Ha FIcU. Solow wUI find himself defending against Tale again Iti2s Saturday when Peaa travels north to New Haven, Conn.

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play. "I don't run at full speed at first

because then you can't see the openings well enough. We usually set up a wall to one side of the Held which the other team picks up. I take a few steps toward the wall, and then cut back quickly the other way to get them all off balance," remarked the Honorable Mention All - Ivy selection, discussing his philosophy.

Solow, who was the leading scorer last spring on Jim Adams' lacrosse tetn, revealed one technique that has allowed him to improve his skill over the years - watching other people and picking up their moves.

"You have to watch what other people do well and then try to do it yourself. From playing safety, I pick up things that the runners do well, and then try them myself when I return the ball.

"For example, last Sunday our kicker, Steve Baumann was watching Jan Stenerud on TV. The other day in practice he was kicking them to the back of the endzone. A lot of people would become better athletes by watching better performers do things better than themselves," he con- tinued.

If that's the case then It's no wonder why Solow eats so many TV dinners - especially on Sunday afternoons.

By GLENN UNTERBERGER A soggy fldd tailed to dampen

Pean's potent scoring attack or their spirits as the booters breezed to a 9-0 win over an out-classed Drexel eleven.

The Quakers ( 9-1) took the AstroTurf match-up about as seriously as an intra-squad scrim- mage, but they really didn't need to worry even that much as four first- period scores extinguished the Dragons' fire early. The Red and Blue exchanged jokes freely on and off the field throughout the laugher, and by the end of the contest even had the Drexel bench calling for their hosts to break into double figures to "beat the point spread".

Penn controlled play from the start, and at 6:22 of the opening period soph Al Channel took a center from tri- captain Bob Walk ins and grounded in a screen shot from head on to begin the barrage. Six minutes later, fullback Don Ries fed Stan Startzell for a two-on-one break. Startzell drew out Dragon goalie Jim "Otto" Loughran and fed linemate Larry Houston, who only had to tap the ball in for the score. Later in the frame, Channel converted off a head by substitute John Burke, who then added another assist with a minute to go when Tom Liebermann kicked his throw-in off a startled Drexel defender into the net. The booters would have made Penn's hoopsters envious as they shot SO percent, scoring four times on eight shots.

Despite the fact that the game's competitive aspect was no longer important, Drexel coach Don Yonkers, who Is known for going strictly by the book, refused Quaker mentor Bob Seddon's request for unlimited substitution. Masochism must have motivated Yonkers, because besides incurring the wrath of the Red and Blue reserves who had to sit out the game, the visitors' coach

had to watch his squad being eaten alive by his opposition's first string.

The second stanza was all Penn again. Seven minutes into the period, fullback Nick Altmeyerl who is still waiting for his separated shoulder to heal completely)made a perfect lead pass to Watkins, who put in the period's only score. Tony Mastrodonalo replaced starter Jim Miller in the Red and Blue nets, but was no busier than he was on the sidelines, as his team outshot Drexel 21-2 for the half.

The Dragons were late coming out for the second half, and their reluc- tance was understandable. Burke continued the carnage when he picked up a Larry Houston pass deep in the corner and grounded what looked like a pass into the far end of the net for his fourth goal of the season. Watkins' turn came next as he headed a free kick from Liebermann over the befuddled Loughran.

In the fourth frame, Liebermann added to his team-leading scoring

4

mark with a goal off a Barry Prit- chard fted, while Startzell's tap-in of a Channel pass ended the deluge. The Red and Blue had numerous other good opportunities towards the end of the "contest", but too many passes and some good goaltending kept the score at 94. As one Dragon player put it, "Otto's doin' a job out there. We're just lucky the score's not 56-0."

Seddon and his Quakers were quite content with the nine goal spread. "We played very well against a poor team," remarked Seddon, "something that's usually hard to do. Our balance showed all the way through the game, as six of our guys were able to score."

Seddon's proteges should take all the goals they can get now, since they have to face defense-oriented Yale on Saturday. Yesterday's 9-0 romp was the last breather on the booters' schedule, and they'll have to get serious for their remaining three games with the Ells, Columbia, and Cornell if they want that Ivy crown.

RICK GALLOWAY

SPLASH - A puddle and two Drexel fullbacks combine to stop Penn forward Barry Prttchard. The wet AstroTurf did not hart the Quaker attack too much as the booters pounded out nine goals.

Future Star Looms on Quaker Horizon By KARL KATTERMANN

Well Harry Gamble, the future looks bright, with bright spelled Bellizeare.

The latest Ivy freshman running sensation is Penn's own Adolph Bellizeare. The freshman tailback has totalled five touchdowns in three games so far this season. A native of Massachusetts he was a High School All-American at Braintree High School, where he accumulated a wealth of impressive rushing statistics.

Adolph's biggest attributes are his speed and instant acceleration. As he runs it often appears that he is trapped, but a burst of speed leaves a cluster of confused tacklers behind him. The sub 10.0 hundred man feels there is no particular style in which he runs; he just has a feeling, and so far it appears that is good enough. "But if you were to describe it, I guess you'd call it running to daylight", the speedster commented, borrowing one of the late Vince Lombardis ex- pressions.

Bellizeare is not completely satisfied with his play yet. He feels there is definite room for im- provement in all aspects of his game. "I have a tendency to miss my boles, and my blocking is a definite weakness," he observed.

Adolph is certainly not con- templating any sort of superstardom as of yet. "I have not received any special treatment, either from my teammates and coaches or our op-

ponents," he reports. He feels the opponents be has faced have been equal to if not more than what he had expected. He has found no game easy, and he came out of the Navy clash (lost by Penn, 28-7) in anything but good shape. The diagnosis originally was bruised kidneys, but fortunately it was just general soreness, and he should be ready for Lehlgh on Saturday.

Bellizeare thinks his big advantage is his calmness. "Sure I get worked up before a game," the tailback says,

"but I don't have to scream and shout and beat on things lo get ready to play. I find this is an advantage in the game, for it is a lot easier to do the right thing if your head is cool.'' Some of his teammates draw on his coolness loo. "It is much easier to remain calm when you see a player of Adolph's ability remaining as loose as he does," commented reserve wide - receiver Arch Montgomery.

Quarterback Martin Vaughn feels great confidence in going to Bellizeare. "Of course it depends on

the situation, but it is nice to know you have a man like Adolph you can go to in a situation where you can rely on his ability," commented the frosh field general. "I like to get him in a situation where he can use his speed, and his size is not to his disad- vantage," Vaughn added further.

The way tilings shape up right now, Adolph Bellizeare should be finding himself in a lot more of these situations for the Quaker varsity and Harry Gamble in the next few years.

Intramurals Add Touch of Glory fV>*k ** - - * ■ W., .la.—_.!_.. — _J Mfii>lininnlinn in 11 iiriiiornrarinalo a M *«__ . * Each Monday, Wednesday and

Thursday nights and every Sunday afternoon, 88 undergraduate teams with a total of 1176 students engage in fierce gridiron action under the lights at Franklin Field.

The Intramural Sports Program under the direction of Mr. Robert Glascott was designed to provide all students with the opportunity to take part in different activities, regardless of their abilities and according to their available time and personal interests. It is hoped that students participating will benefit psychologically as well as physically, in that such activities provide not only a means of wholesome recreation but also serve as an outlet (or the academic and emotional tensions that sometimes characterize Penn life.

With 18 of 27 fraternities and nearlySOdonnor^house^Meams

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participating in 11 undergraduate leagues consisting of eight teams to a league, it is Glascott's policy to have each team play twice a week, on Sunday and at least one night. Such teams as Harrison House, or Kool and the Gang foster an "esprit de corps" and sense of community so often lacking in University life, by fielding intramural squads.

Under the watchful eye of the legendary trackman "Boo" Rich- mond Morcum, the teams play a round robin schedule In which each squad plays at least seven games.

As of October 28, there has been a total of 273 games played, with the best teams engaging in playoff competition this week for the un- dergraduate championship. There are also 11 graduate teams scheduled in the program, as well as numerous graduate teams that play in in-

dependent leagues. Perhaps the most fearsome team

is that representing the Dental School, the Extractors. Led by quarterback Pete Ryan, and a defensive front four averaging 240 lbs., the Extractors have only been scored upon once in the last two years.

Commenting about intramural football, rullback-comerback Roger Lacoste said, "It gives us an op- portunity to participate in athletics where we wouldn't otherwise. We're very happy about the way Mr. Glascott has been running the program. He has added a new dimension to life at the Dental School in the form of spirited intramural competition."

The Extractors only hope for an all University championship that would prove them the undisputed kingpins of the touch football world at Penn.

WILLIAM JULYE BEE -1

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