URBAN MAPPING: IN AND ABOUT COPENHAGEN HARBOUR

URBANISTS: LOCALISING AND CONCEPTUALISING ACTIVISM

CONCEPTUALLY INFORMED PRACTICE AND PRACTICALLY INFORMED THEORETICAL DISCOURSE

COLLABORATION WITH URBAN DEVELOPERS, PLANNERS, POLITICIANS, GRASSROOTS, RESEARCHERS, ARTISTS ETC

URBANITY: THE POTENTIAL OF THE ‘URBAN’

A FUNDAMENTAL CURIOSITY IN THE POTENTIALS OF A DYNAMIC URBANITY

ARTICULATING AN EVERYDAY URBANITY WITH CONCRETE BODIES, ‘LIVED’ CULTURES AND STRUCTURES OF THE CITY

PERSONAL CONTEXT

HARBOUR CONTEXT

SUPERTANKER IN THE HARBOUR

PERSONAL CONTEXT

HARBOUR CONTEXT

WEST 8

EGERAAT

SOETERS

KRØYERS PLADS

KRØYERS PLADS: FROM A VAGUE TO A POLARISED SPACE

IMPOSSIBLE FOR DREAMS, INTERESTS  AND NEEDS TO UNFOLD 

BLACK AND WHITE (LACK OF) DIALOGUE

YELLOW ARROW:

VISIBLE IN PUBLIC SPACE AND INTERACTIVE

TOO GEEKY AND NON INCLUSIVE

SOUTH HARBOUR

VOICES OF THE SOUTH HARBOUR:

MAPPING

EMPOWERMENT

PUBLIC MEETING UPSIDE DOWN

YELLOW ARROW: SOUTH HARBOUR VOICES

CURATED AND MORE INCLUSIVE

PLAYFUL AND POLITICAL PROCESS

DREAM PATH

DREAM PATH: FROM DREAM TO PRODUCT

NUMEROUS TYPES OF INPUT - ENGAGED KIDS

PROCES WAS TOO LONG AND INVISIBLE (IN THE BEGINNING)

DO IT TOGETHER

DO IT TOGETHER:

DESIGNING AND BUILDING IN AND FOR PUBLIC SPACE

SPATIALISE THE DISCUSSION ABOUT SPACE

URBAN PROCES DESIGN

URBAN PROCESS DESIGN:

SENSING - REFLECTING - ACTING

MAPPING AND TAKING THE SPACE

CITYBEE

CITYBEE:

STORES IN AND ABOUT THE CITY

SPATIALIZING THE DISCUSSION ABOUT SPACE

DISCOVERING PATTERNS OF POSSIBILITIES

NEW NETWORKS AND INITIATIVES

THE BEST SENSOR

1 : 1 MAP

SIMPLE ORGANISATIONS

MOVING MAPS

SEEING NEW PATTERNS

NEW CONTEXTUALISED: IDEAS AND INITIATIVES

URBAN MAPPING:

1 : 1 MAPS AND SMALL VISIBLE INTERVENTIONS IN PUBLIC SPACE

CONSTRUCTIVE DIALOGUE

FROM VAGUE SPACES TO POROSITY (AND BACK)

POROSITYAT THE BASE OF THE CLIFF ITSELF, CAVES HAVE BEEN HEWN [...] AS POROUS AS THIS STONE IS THE ARCHITECTURE. BUILDING AND ACTION INTERPENETRATE IN THE COURTYARDS, ARCADES, AND STAIRWAYS. IN EVERYTHING THEY PRESERVE THE SCOPE TO BECOME A THEATRE OF NEW, UNFORESEEN THE STAMP OF DEFINITIVE IS AVOIDED. NO SITUATION APPEARS INTENDED FOREVER, NO FIGURE ASSERTS ITS “THUS AND NOT OTHERWISE”. THIS IS HOW ARCHITECTURE, THE MOST BINDING PART OF THE COMMUNAL RHYTHM, COMES INTO BEING HERE WALTHER BENJAMINMOST BINDING PART OF THE COMMUNAL RHYTHM, COMES INTO BEING HERE

ARCHITECTURE CAN ‘SPATIALISE’ THE DREAMS, DRIFTS, NEEDS AND INTERESTS THAT FLOWSTHROUGH THE CITY.

ARCHITECTURE CAN ACT AS A SPATIALISING MOMENT IN THE COLLECTIVE AND CONTINUOUSLY CHANGING OEUVRE, THE CITY