Heather Jane Richardson | Entrance Portfolio 2013
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Transcript of Heather Jane Richardson | Entrance Portfolio 2013
H E A T H E R R I C H A R D S O N
Table of Contents
H E A T H E R R I C H A R D S O N
U n d e r g r a d u a t e S t u d e n t
M c G i l l U n i v e r s i t y
F a c u l t y o f E n g i n e e r i n g
1. Self Portrait. Computer Graphics.
2. Versailles. Photography.
3. ROM. Pencil Drawing.
4. Architectural Photography. Photography.
5. Coffee Culture. Photography.
6. Literary Soldier. Linocut.
7. Renderings. Marker, pencil and pastel renderings.
8. Wired. Mixed Media.
9. Human Levels. Computer Graphics.
10. Wire Art. Wire.
Table of Contents
H E A T H E R R I C H A R D S O N
U n d e r g r a d u a t e S t u d e n t
M c G i l l U n i v e r s i t y
F a c u l t y o f E n g i n e e r i n g
1. Self Portrait. Computer Graphics.
2. Versailles. Photography.
3. ROM. Pencil Drawing.
4. Architectural Photography. Photography.
5. Coffee Culture. Photography.
6. Literary Soldier. Linocut.
7. Renderings. Marker, pencil and pastel renderings.
8. Wired. Mixed Media.
9. Human Levels. Computer Graphics.
10. Wire Art. Wire.
Self Portrait
H E A T H E R R I C H A R D S O N
March 2013
Independent work
Computer graphic
Exploring the dark, light and midtone
values of a photo with colour.
The graphic protrays an optimistic
outlook on the future, without turning
one’s back on the past.
JANEHEATHER
Self Portrait
H E A T H E R R I C H A R D S O N
March 2013
Independent work
Computer graphic
Exploring the dark, light and midtone
values of a photo with colour.
The graphic protrays an optimistic
outlook on the future, without turning
one’s back on the past.
JANEHEATHER
Versailles
H E A T H E R R I C H A R D S O N
September 2010
Independent work
Photography
Geometry and perspective
help to exaggerate the long
views on the palace grounds
Versailles
H E A T H E R R I C H A R D S O N
September 2010
Independent work
Photography
Geometry and perspective
help to exaggerate the long
views on the palace grounds
ROMMarch 2013
Independent Project
Pencil drawing I 8” x 10”
Inspired by the Fall 2012 Drawing
Assignment from ARCH 250 displayed in
the MacDonald Harrington Building,
I decided to put my own modern twist on
the concept of a building and its context.
The ROM is a vibrantly modern addition to
a historic, monumental building. I chose
to display this by depicting the addition
in the stone, which represents the historic
piece of the composition.
Although such a modern addition
protruding from the stone should seem
out of context here, it does not due to
our preexisting understanding of the
ROM’s historic beauty, emphasized by
its dramatic addition.
H E A T H E R R I C H A R D S O N
ROMMarch 2013
Independent Project
Pencil drawing I 8” x 10”
Inspired by the Fall 2012 Drawing
Assignment from ARCH 250 displayed in
the MacDonald Harrington Building,
I decided to put my own modern twist on
the concept of a building and its context.
The ROM is a vibrantly modern addition to
a historic, monumental building. I chose
to display this by depicting the addition
in the stone, which represents the historic
piece of the composition.
Although such a modern addition
protruding from the stone should seem
out of context here, it does not due to
our preexisting understanding of the
ROM’s historic beauty, emphasized by
its dramatic addition.
H E A T H E R R I C H A R D S O N
Architecture
H E A T H E R R I C H A R D S O N
September - December 2010
Independent work
Photography
Studying form, shadows,
and lines in architecture.
Architecture
H E A T H E R R I C H A R D S O N
September - December 2010
Independent work
Photography
Studying form, shadows,
and lines in architecture.
Co�ee Culture
H E A T H E R R I C H A R D S O N
December 2010
Independent work
Photography
Vancouver’s busy Robson Street
supports the coffee culture with
kitty-corner Starbucks.
Co�ee Culture
H E A T H E R R I C H A R D S O N
December 2010
Independent work
Photography
Vancouver’s busy Robson Street
supports the coffee culture with
kitty-corner Starbucks.
H E A T H E R R I C H A R D S O N
August 2012
Independent Project
Linocut I 5” x 7”
The world’s most powerful weapon is
within our reach, but remains out of sight,
as it resides within each of us. The literary
soldier raises his weapon, his words,
against his suppressors and critics to
protect his freedom.
Literary Soldier
H E A T H E R R I C H A R D S O N
August 2012
Independent Project
Linocut I 5” x 7”
The world’s most powerful weapon is
within our reach, but remains out of sight,
as it resides within each of us. The literary
soldier raises his weapon, his words,
against his suppressors and critics to
protect his freedom.
Literary Soldier
Rendering
H E A T H E R R I C H A R D S O N
December 2012 - March 2013
Independent work
Marker, Pen, Pencil, and Pastel
Each I 8” x 10”
Creating 3-Dimensional
figures using shading
and light.
Rendering
H E A T H E R R I C H A R D S O N
December 2012 - March 2013
Independent work
Marker, Pen, Pencil, and Pastel
Each I 8” x 10”
Creating 3-Dimensional
figures using shading
and light.
WiredMarch 2013
Independent work
Mixed Media I pencil drawing, photography, computer graphics
Our culture is so wired to, and feels so
empowered by, our rapidly developing
technologies. But at what expense do
these powers come?
In the end, who, or what, has the power?
H E A T H E R R I C H A R D S O N
WiredMarch 2013
Independent work
Mixed Media I pencil drawing, photography, computer graphics
Our culture is so wired to, and feels so
empowered by, our rapidly developing
technologies. But at what expense do
these powers come?
In the end, who, or what, has the power?
H E A T H E R R I C H A R D S O N
Human Levels
H E A T H E R R I C H A R D S O N
July 2012
Independent work
Pencil Drawing I 8” x 10” and Computer Graphics
A woman’s figure showing light and shadow
on the contours of her back followed by
an illustrative interpretation of the tonal
values through gradated line.
Human Levels
H E A T H E R R I C H A R D S O N
July 2012
Independent work
Pencil Drawing I 8” x 10” and Computer Graphics
A woman’s figure showing light and shadow
on the contours of her back followed by
an illustrative interpretation of the tonal
values through gradated line.
Wire Art
H E A T H E R R I C H A R D S O N
April 2013
Independant Work
Wire I 3” x 6”
Depicting the facial features
of inspiring artists using only wire.
Wire Art
H E A T H E R R I C H A R D S O N
April 2013
Independant Work
Wire I 3” x 6”
Depicting the facial features
of inspiring artists using only wire.
