Hearing over time

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Hearing over time Using the neural representation of the time waveform of sound

description

Hearing over time. Using the neural representation of the time waveform of sound. These are interchangeable and equivalent representations of sound. . Auditory system also represents sound in these two ways. “rate-place code”. “temporal code”. + envelope. Fine structure. Firing rate. - PowerPoint PPT Presentation

Transcript of Hearing over time

Page 1: Hearing over time

Hearing over time

Using the neural representation of the time waveform of sound

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These are interchangeable and equivalent representations of sound.

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Auditory system also represents sound in these two ways

Position on the basilar membranebaseapex

Firin

g ra

te

“rate-place code”

Num

ber o

f acti

on p

oten

tials

“neural amplitude spectrum”

Time (ms)

“temporal code”

Fine structure + envelope

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Temporal aspects of hearing

• Periodicity and pitch (fine structure)• Temporal resolution (envelope)

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Characteristics of the neural representation of the sound

waveform

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Phase locking

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Phase locking?

• Indicates when there are positive peaks in the sound pressure

• Indicates when there are negative peaks in the sound pressure

• Traces out the positive parts of the time waveform

• Represents the phase spectrum of a sound

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Amplitude modulated (AM) tone

Fine structure v. envelope of waveform

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PST histogram in auditory nerve fiber for AM tone

From Joris et al. (2004)

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Why does phase locking occur?

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All of the events in transduction follow the waveform of sound.

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Limitations of phase locking

• Only the positive parts of the waveform are represented.

• Only at low and medium frequencies.• The waveform is broken down into 1/3 octave

bands.• Phase locking to the envelope is distorted by

adaptation.

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Phase-locked response traces out the positive parts of the waveform

?

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Half-wave rectification

Distortion

From Speaks (1992)

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Frequency limitation on phase locking

From Palmer (1995)

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Cochlear potentials at different frequencies

From Gelfand (1998)

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Period Histograms of Complex Sounds

From Brugge et al. 1969

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Representations in each nerve fiberFour components

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Time

high components

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low components

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base apex

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Envelope coding at high frequencies

Time (ms)

Rece

ptor

pot

entia

l (m

V)

500 Hz

5000 Hz

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Post-stimulus Time (PST) Histogram

From Gelfand (1998)

Onset response

Adaptation

Recovery

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From Gelfand (1998)

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Adaptation limits the

accuracy with which the temporal

characteristics of sound can

be coded

From Fay (1985)

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Temporal coding in the CNS

Inferior colliculus(From Schreiner & Langner, 1988)

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Which of the following is a test that you could use the temporal

code to perform?• Telling the difference between 500 and 501

Hz tone• Telling the difference between 5000 and

5010 Hz tone• Telling the difference between a 5000 Hz

tone amplitude modulated at 500 Hz and the same tone amplitude modulated at 510 Hz

• 1 and 3

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Conclusions

• The phase-locked response of auditory nerve fibers sends a representation of the waveform of sound to the brain.

• The fine structure of high-frequency sounds (> 5000 Hz) is not represented.

• The envelope of sounds is represented at all frequencies.

• Adaptation distorts the representation of the envelope.