Hall & Oates - Along The Red Ledge (piano).pdf
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Transcript of Hall & Oates - Along The Red Ledge (piano).pdf
Associate Music Editor- Dan FoxArt Director -Gil Gjersvik
©Copyright 1978 Cherry Lane Music Co.. Inc.International Copyright Secured All Rights Reserved
ISBN 0-89524-047-
/tot es
0
12
16 Ctje
2C
2
JLose ZJou
3 Seer i s4wau Coo J2^o~
35 S^oi(t
44 Serious
52 *fileasi(re
55 s4iiiiust flMMwry
64 JLytits
66 S&i
A new direction. An inner flow of energy and emotional expressioncombined with an instrumental framework perfectly matching thevocals of Daryl Hall and John Gates.
A new folio—ALONG THE RED LEDGE—that's the most excitingHall and Gates have ever created.
The songs in ALONG THE RED LEDGE are distinguished from thosein the past, for they are the result of the collaboration between Halland Oates and their new band. Daryl and John have spent years at-tempting to translate their music to studio musicians; they have nowfound a band that can produce the sounds that represent their mostcomplex moods and textures. Including some of the best musiciansin the industry, the band features lead guitarist Caleb Quaye, bassistKenny Pasarelli and drummer Roger Pope, along with David Kent onthe keyboard and saxophonist Charlie DeChant. They have been tour-ing with Daryl and John for the past year and a half, but ALONG THERED LEDGE is the first time the collaboration has worked in thestudio.
This folio marks the departure of Hall and Oates from the white rhythmand blues style so characteristic of their earlier recordings, and a re-newed commitment to rock.
A new direction—A new folio—A new experience.
Along Qje teed JLedge
Each album Hall and Gates have created has had a function, and car-ried a message. Their debut album, "Whole Gates," released in 1972delivered intimate sound with direct, uncomplicated music. The desireto reach a broader audience resulted in "War Babies," produced byTodd Rundgren. This album expressed the emotional upheaval of anation at war, a society dominated by television and electronics, andthe turmoil of life in NewYork City. "Beauty On A Back Street" was atransition album for Daryl and John, for it was a reply to those whohad typecast them as strictly R&B artists.
From soul to rock, Hall and Gates have effectively blended their ex-perience and growth into a kaleidoscope of musical sophistication,consciousness and energy. ALONG THE RED LEDGE reflects thepair's move toward rock and roll of the most powerful variety. Yet themusic refuses to abandon the qualities that have already earnedDaryl Hall and John Gates a wide following. They are headed in a newdirection.but without discarding any of the feeling or experience thatcame before. The result is their most mature group of songs.
/tot es
The music of Hall and Dates shows influences from many sources, most notably, rock and class-ical music. Their style, though often complicated, has been distilled to its essentials in thesearrangements. The music of Hall and Dates is always inventive, always unusual, always surprising.The piano part is within reach of the average player while remaining faithful to the original. Eachchart is in the same key as the record and, with the exception of a few difficult instrumental solos,matches it bar for bar.Guitarists will be interested to know that every chord diagram has been stamped in by hand.That is, each is individually tailored to fit the chord progression rather than using the cheaperpre-printed standard chord diagrams most generally used. Also, in cases where the pianoarrangement is in an awkward key for guitar, appropriate capo directions are given.We'd like to call your attention to some interesting spots in the songs: "It's A Laugh has a veryunusualprogression. Although the chorus is in the key of A major, the verse begins in C andwinds up in G; the chorus begins abruptly in A. Especially note the lovely chromatic line thatrises through the chords A, A+, A6, A7.1 n "The Last Time" extensive use is made of added bassnotes such as G/A, F/G, C/G, G/C, and F/C. This gives ordinary chords an extraordinary sound.In "I Don't Wanna Lose You "check out bars 13 and 14. Instead of dividing these two bars of 4/4time in half, the accents fall in two groups of 3 and one group of 2. That is. 4-4=8. but 3-3- 2also =8, a striking and unusual effect. Also worthy of note are the parallel 11th chords towardsthe end of the instrumental section."Have I Been Away Too Long" uses the unusual rhythm of 32nd notes over a sustained back-ground. "Alley Katz" starts out like a boogie rocker, but soon gets into stranger sounds likeparallel 5th chords (major triads with the 3rd omitted) and other clever cataphonic sounds. 'Don'tBlame It On Love" breaks the flow of 4/4 time with 3 bars of 3/4 time (bars 37-39. bars 41-43. andothers). Also note the parallel 6/9 chords (B56/9, Db6/9, E6/9, G6/9) and the Ab9"Pleasure Beach" is a more conventional 5Q's rocker; we've included the background to thesax solo just for fun. "Serious Music," a tribute to George Gershwin, starts with a 17 beat figure(4+4+4 + 5) that repeats before the vocal begins. This figure reappears throughout the songwith striking effect. "August Day" is a very free, rhapsodic piece with many unusual harmoniesworthy of study.
Words and Music by Daryl Hall
Moderately
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L-LV-
r-m— i j J 1* jg=i• 7 , 1 I H 1 ^« •• M m m *i 4 m 4*~~~~—* "-i_
You must be think - ing someMay - be I should feel guilt
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- thingy;
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t't say - ing noth -e_A - mer - ' can way ?_
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- ing.
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You re - mem - ber me,_But I just look at my -self
J*f ff ^ ?
F=>J B ^ — — J — J — J— 1— 1 ^ — — d — 1 — 1 — 1~~^/g m 9 m m
. I used to be your* as if T wer^ f\ —
^f f-f ^©Copyright 1978 HOT-CHA MUSIC CO. and SIX CONTINENTS MUSIC PUBLISHING, INC. (BMI)
6255 Sunset B l v d . , Hollywood, CA 90028International Copyright Secured Used by permission All Rights Reserved
boy friend.bove me.
There ain't no point in reaYou must be think - ing some
son,thing,
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it on - ly gets de - fenbut you ain't say - ing noth
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sive.ing.
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Why should we ruin the pur-i-You re-mem - ber me, —
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ty of thehave been here al
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i a laugh,
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what a laugh —
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got-ta laugh._ And the fun-ny thing_ is,_ ev- 'ry-one thought we were for- ev - er.
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11
Moderately
Words and Music by John Dates
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[Double left hand with lower 8va till *]
Em
And if you can't take me with you. r.-. ' - . - . ~el -o-dy for a
12©Copyright 1978 HOT-CHA MUSIC CO. and SIX CONTINENT;
6255 Sunset Blvd. , Hollywood, CA 90International Coovrieht Secured Used bv
INC . (BMI)
Deserved
Em
t i PPmem - o - ry_ Love in the morn -ing,
Em
Love in the late af - ter - noon, There'll_ be no
f
words when I leave you, girl,
S
Just a mel-o-dy for a mem - o - ry
i^ ^ fAm? Bm7 CmajT Dsus4
can't take me with you,) Then you'll have to take a part of me If you
13
Am? Bm7 Crnai? Dsus4
cant take me with you, now, All I want to give you, girl,— If you
cant take me with you,
mi r^
The in-fre-quent let-ters, : '.-. -. : : : - : er , The
^14
Am7 Bm7 CmaJT
• gtn-T-i n r^.cold dis-tant phone_calls_gon-na
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ien youll have to
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can't take me with you,
2
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can't take me with you,
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15
Moderately
Words and Music by Daryl Hall
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out
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mem-ber the Ic
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i your eyes ,
— &o
It real-ly
J
16©Copyright 1978 HOT-CHA MUSIC CO. and SIX CONTINENTS MUSIC PUBLISHING, INC. (BMI)
6255 Sunset B l v d . , Hollywood, CA 90028
ripped me a - part
Fmaj9
C/G
fl^ w^gg- NT rgave so much to make you mine,. how. can it (How
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can it be?) It's the
b"\ *^ — i c — i 1
F I I IF F F F1-ni-^Hi-^^^^ — "— ! — i t 1 —F F F •
sec -ond time a- round I've had this
j—
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I dont
— 1 h — 1
17
Am G/A Am G/A F/G
± 4m*fWhen it hap-pened be-fore I knew I'd
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:ome back
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_ all the
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— 1 S 1— j -BK •' a
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one last time,
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last. time— I gave so much to make you mine,. how.
18
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can it be? — (How
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can it be?)_ How
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19
Moderate rock
Words by Daryl Hall and John OatesMusic by Daryl Hall
Pf
F/C F/C
aa^
v=You and I have sep-'ratelives,. girl, You and I go dif-f rent ways On
» J. J' J- Jt m j. J j. j' j'j ffljAm Dm Am Dm Am Dm Bb F
roads that cross_where love and loss is ruled-by fate
m M i^^ r J r ff©Copyright 1978 HOT-CHA MUSIC CO. and SIX CONTINENTS MUSIC PUBLISHING, INC. (BMI)
R9.RS sunset Blvd.. Hollywood, CA 90028
F/C
Peo-ple have a tra-gic hab let-ting love get in the
Am Dm Am Dm Am Dm C9
IY?H — w* • — K — w — ? —
tend to lose_ their o
^\ • ji~~^*.• • m A* n r
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ver views and o
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' Some-thing I wan-na say, Some-thing I've got to do,
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To Coda-0-
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Feel like you're drift-ing a -way
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and I don't wan-na
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try to find a way to en - courge_ you. It's eas(encourage)
- y to con-vince my-self
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n~n j ±±D.S. al Coda
FB^Tcan't be-lieve_ you'd na be with some-bod-y else.
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P Ilose ynn.
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(InstrumentaZ)
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Feel like you're drift -ing a -way
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•" 1 Uand I dont wan-na
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23
Seen
c/Slowly
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Words and Music by Daryl Hall
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L.H.
There's a chance that I don't know_ you, May-be I won't like you.
Eb/F Bt>/F
It's a long, it's such a long, La-dy, it's been a long time.
©Copyright 1978 HOT-CHA MUSIC CO. and SIX CONTINENTS MUSIC PUBLISHING, INC. (BMI)u-n,„.,„„,< r A Qnnos
Cm
We were lov-ers in a dif-f'rent sto - ry, can you dup-li-cate it?
Ek/F Bt/F
9 f Q.*i(.
0
f
Can we make, can we make up,
J =
Can we make up the time, girl?—
3 3
Epmaj?
iT3
Dm?
J*—*—«
Or have I been a- way,— Have I Have I been a-way,— Have I been a-
iiEpmaj? Dm7 Ebmaj?
/. way from you too long? Have I been a- way,— Have I been a-way,
1
25
Dm?Eknaj?
Dm?
N.C.
Have I been a- way,have I been a -way_ from you too
±c
long?_
0 0 0 0 0
Cm
1. Left a mes-sagethat I'd be in town,_ I2. (Instrumental)
wish I had-n't sent it.
Eb/F Bb/F
I'm a play, I am play - ing, play - ing with dis-as - ter.)I
Cm
You're so close I al-most feel you breath-ing, mak-ing me twitch-y,yeah!
26
Eb/F Bb/F
I want I, I wan - na, I want to be wrong, girl.
ChorusDm?
* k6_Z »L- -Pi
f~ &
• r\J'* *4
.
Or have I
J-f -x^Q _
been a -
*
w
-d
/=? ^/n ^ j J J--f i . . . . .•".'•'- v •" - -.- •' - ••- ....been a-way I'lT1 a — fynirt tn «n-\r
•E' it
-.aj7 Dm7 Et>maj7
- Ebmaj7 Dm7 Dm7/G
D. S. % and fade
* y y — s — "•J
V • F^
: I'n a-fraid to sayt
Vl—KT 1 • 1-f <EIC -> : q\m* + '
•>*~y
^^9-
iat I've been a
-v-Q4-{•d
V J-
- way
— s.
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..
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fro
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m yo
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u too
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one;. P
on Chorus
*•^00
1 r, P-5-! 9= ^-^ U
27
Words by Daryl Hall and John DatesMusic by Daryl Hall
Boogie rock
9J — • -4 —-0- -0- -0
f- -»
^S3L* A^4 =
i -«pip
5 * ^
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1. fe line fi-ner-y, da2. Fe-lix is a puss in boots, he3. (Instrumental till *)
—^==r
-9
J J ^I J J. «
—-J
— d — d- —i J J J
• ii~if
kare
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_ ^
a• f- f* 0- 0- «*
tz are meet-ing down beal - ly likes to scratch and
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low.bite.
./n A
©Copyright 1978 HOT-CHA MUSIC CO. and SIX CONTINENTS MUSIC PUBLISHING, INC. (BMI)6255 Sunset Blvd., Hollywood, CA 90028
\t eIf youSyl -
feel like rock-ing with aves-ter is un-nat - u - ral, the
tab-by, torn and cal ikit-ty is a cat - a
G
CO..
mite..1. It will dirt-y up your
2.3. He will dirt-y up yourped-i-gree,ped-i-gree,
w M « •_M\:t
fBut we guar-an - tee aHe will guar-an - tee a
good timegood time
We got some cat-nip that-'llHe got some cat - nip that-'ll
set you free Iset you free)
29
C5 A5 C5 A5 C5 A5
5 ft. 3fr. 5fr . B ir.
Q5 A5 C5
8 fr. H U H 5 fr.
A5
m 8 fr.
Al-ley Katz, Al-ley Katz, come out and play, Yowl -in' and howl -in', a
eft& iN.C.
C5 45 C5
\ 8 fr. FFFm 5 fr.
A5 C5 A5
8fr. 5fr. 5fr.
so - cial bal - let. Out in the al - ley it's strict-ly low brow,
Q5 A5
8 ft.
C5 A5
5fr. 5fr.Last time to Coda
• •
N-C'
Al - ley Katz, Al - ley Katz, make me me - ow,_ me - ow,.
30
1.N.C. N.C.
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c/o CHAMPION ENTERTAINMENT ORGANIZATION, 130 W . 57th S t . , New York, NY 10019
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Words and Music by John Gates
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57
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©Copyright 19V8 HOT-CHA MUSIC CO. and SIX CONTINENTS MUSIC PUBLISHING, INC.6255 Sunset Blvd., Hollywood, CA 90028 and LITTLE GINO MUSIC CO. (BMI)
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* Instrumental chorus omitted. 61
*IT'S A LAUGHWords and Music by Daryl Hall
you must be thinking somethingBut you ain't saying nothing.You remember me, I used to be your boyfriend.There ain't no point in reason.It only gets defensive.Why should we ruin the purity of the moment?
It's a laugh, what a laughIt's so stupid, J gotta laugh.And the funny thing is, ev'ryone thought we were forever.It's a laughf what a laugh,It's so stupid, I gotta laugh.And the odd thing is I really thought we were special.
Maybe I should feel guilty;Is that the American way?But I just look at myselfAs if I were above me.You must be thinking something.But you ain't saying nothing.You remember me, I have been here always.
It's a laugh, what a laughIt's so stupid, I gotta laugh.And the funny thing is, ev'ryone thought we were forever.It's a laugh, what a laugh,It's so stupid, I gotta laugh.And the odd thing is I really thought we were forever.
* MELODY FOR A MEMORY
Words and Music by John Oates
One for the money,One song I'm writing for you.And if you can't take me with you, girl.Take this melody for a memoryLove in the morning,Love in the late afternoon.There'll be no words when I leave you, girl,Just a melody for a memory.
(If you can't take me with you,)Then you'll have to take a part of me.If you can't take me with you, now.All I want to give you, girl,If you can't take me with you.Take a melody for 3 memory.
She cried when he left her.Her eyes went black with the blue.The infrequent letters, the sooner the better.The cold distant phone calls gonna have to do.If you can't take me with you,Then you'll have to take a part of me.If you can't take me with you, now,All I want to give you, girl,If you can't take me with you,Take a melody for a memory.
* THE LAST TIMEWords and Music by Daryl Hall
There was something about the way you left tonightThat really tore my heart.I remember the look in your eyes,It really ripped me apart.
Oh the look, one last time.It can't be the last time.J gave so much to make you mine, how can it be?(How can it be?)
It's the second time around I've had this visionAnd I don't like it, no!When it happened beforeI knew I'd never come back all the way.
Oh the look, one last time.It can't be the last time.I gave so much to make you mine.How can it be?(How can it be?)How can it be?...
*I DON'T WANNA LOSE YOUWords by Daryl Hall and John OatesMusic by Daryl Hall
You and I have sep'rate lives, girlf,You and I go diff rent ways on roads that crossWhere love and loss is ruled by fate.People have a tragic habitOf letting love get in the way;They tend to lose their overviews and overplay.
Something I wanna say.Something I've got to do,Feel like you're drifting awayAnd I don't wanna lose you.
I try to find a way to encourage you.It's easy to convince myself'Cause I can't believe you'd wanna be
with somebody else.People have a tragic habitOf letting love get in the way;They tend to lose their overviews and overplay.
Something I wanna say,Something I've got to do,Feel like you're drifting awayAnd I don't wanna lose you.
* HAVE I BEEN AWAY TOO LONGWords and Music by Daryl Hall
There's a chance that I don't know you,Maybe I won't like you.It's a long, it's such a long,Lady, it's been a long time.We were lovers in a diff rent story,Can you duplicate it?Can we make, can we make up,Can we make up the time, girl?Or have I been away...Have J been away from you too long?
Left a message that I'd be in town,I wish I hadn't sent it.I'm a play, I am playing.Playing with disaster.You're so close I almost feel you breathing.Making me twitchy, yeah!I want I, I wanna,I want to be wrong, girl.Or have I been away...I'm afraid to say.Have I been away . ..I'm afraid to sayThat I've been away from you too long.
* ALLEY KATZWords by Daryl Hall and John GatesMusic by Daryl Hall
Put on your feline finery.Da katz are meeting down below.If you feel like rocking with a tabby, torn and calico.It will dirty up your pedigree.But we guarantee a good timeWe got some catnip that'll set you free
Come on, come on, paws on the line.Alley Katz, Alley Katz, come out and play,Yowlin' and howlin,'A social ballet.Out in the alley it's strictly low brow,Alley Katz, Alley Katz, make me meow, meow, meow.
Felix is a puss in boots,He really likes to scratch and bite.Sylvester is unnatural, the kitty is a catamite.He will dirty up your pedigree.He will guarantee a good timeHe got some catnip that'll set you free
Come on, come on, paws on the line.Alley Katz, Alley Katz, come out and play,Yowlin' and howlin,'A social ballet.Out in the alley it's strictly low brow,Alley Katz, Alley Katz, make me meow, meow, meow.
* DON'T BLAME IT ON LOVEWords by Daryl Hall and John DatesMusic by Daryl Hall
Mighty high or low down,Change around the words and they sayLow is not the last one'Cause you know if you knowYou'd be learning from a hit lipSuccess is sitting fat and limpBut don't blame it on the system.It's only natural, it's only natural.
You can blame it on yourself.Blame it on me.But don't blame it on love.(repeat)
Who'd ya think your heroes are?Failures ev'ry one but you allLove them for their innocenceWhen they fall, when they fall,The loser's always deifiedWinner only takes home the prizeBut don't blante it on the systemIt's only natural, it's only natural.
You can blante it on yourself,Blame it on me.But don't blame it on love, (repeat)
* * SERIOUS MUSICWords by John OatesMusic by John Oates and George Bitzer
To play to get rich and die baroque is wrong(If) you write a song for God will he sing alongWhile rows of robot symphonies read onIs that the way that you want it played?
Manuscripted memoriesSounds with no electricityConcentration lines on the face of serious music, (repeat)
You brought a bit of jazz to the concert hallYou won't hear violins at the darkies ballYour Rhapsody in Blue will out-live us allWish I was there the night you played it.
Manuscripted memoriesSounds with no electricityConcentration lines on the face of serious music.
(repeat)
* PLEASURE BEACHWords and Music by John Oates
Pleasure Beach,You may look but never findThat neglected place in timeLike a dream just out of reachPleasure Beach,Not a place you left behindOr a place you'll ever findIt's a dream just out of reachIt's a place called Pleasure Beach.
There ain't no waves in a swimming pool,There ain't no fun 'til you break the rules,We're ever young but never free,I guess that's how it was meant to be.On the beach our thoughts were hotBut our hearts were cool,We fell in loveBut we like to fool around with everyone we meet,It's you for you and me for me.
Pleasure Beach,You may look but never findThat neglected place in timeLike a dream just out of reachPleasure Beach,Not a place you left behindOr a place you'll ever findIt's a dream just out of reachIt's a place called Pleasure Beach, (repeat)
* * AUGUST DAYMusic by Daryl HallWords by Sara Allen
I saw the sun, though it didn't shine,Give up no shadows, gave out no way
to know the time,No wind to blow the silver leaves.The drone of clever talk just stopped...The air hangs out, hesitates to carry
a thought away from me
And the sky colored heavy grayAugust day.
Stir the dust and carve a rhyme,Barefoot blues watch and wait 'til
supper time;Will a smile break through?Distant thunder and the slow dance.Static lightning sky daring me to take
a chanceAnd say "I love you."
And the sky colored heavy grayAugust day^ August day.
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65
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Whole OatsAbandoned LuncheonetteWar BabiesNo Goodbyes
ATLANTIC, SD 7242ATLANTIC, SD 19139ATLANTIC, SD 18109ATLANTIC, SD 18213
Daryl Hall/John GatesBigger Than Both Of UsBeauty On A Back StreetLive TimeAlong The Red Ledge
RCA, APL1-1144RCA,APL1-1467RCA, AFL1-2300RCA, AFL1-2802RCA, AFL1-2804
5 ~ ---- - 1
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THE NEW YORK TIMESGREAT SONGS OF THE SEVENTIES This long anticipated songbook is a stunning musical documentation ofthe Seventies. Containing 81 of the best loved songs of the decade, it is expertly arranged for piano and voice with guitar symbols.Also contains photographs and an essay about the musical phenomenon of the Seventies. Includes AMERICAN PIE • BAD, BADLEROY BROWN • BAND ON THE RUN • CRACKLIN ROSIE • DANCING QUEEN • FEELINGS • I WRITE THE SONGS • JIVETALKIN • JUST THE WAY YOU ARE • LOVE SO RIGHT • LOVE STORY • MY LOVE • SEND IN THE CLOWNS • SWEET BABYJAMES • SUNSHINE ON MY SHOULDERS • SUPERSTAR • VINCENT • WE'VE ONLY JUST BEGUN • YOU SHOULD BE DANC-ING • pi us 63 more (available Oct. 15, 1978)THE NEW YORK TIMES Hardcover, Hidden Spiral $19.95
COUNTRY MUSIC'S GREATEST SONGS This superb collection of outstanding country favorites captures thespirit and style of country music at its best. Expertly arranged for piano and voice with guitar symbols, this handsome book featuresover 90 songs in 288 pages, a timely essay by Milton Okun on country music and photographs of Americas best loved country artists.Includes BACK HOME AGAIN • A BOY NAMED SUE • DETROIT CITY • EVERYTHING IS BEAUTIFUL • GENTLE ON MY MIND• GREEN, GREEN GRASS OF HOME • HEARTBREAK HOTEL • JOLENE • KING OF THE ROAD • LITTLE GREEN APPLES • LOVEOR SOMETHING LIKE IT • MAKE THE WORLD GO AWAY • ODE TO BILLY JOE • OKIE FROM MUSKOGEE • PAPER ROSES• RUBY, DON T TAKE YOUR LOVE TO TOWN • TAKE ME HOME. COUNTRY ROADS • TORN BETWEEN TWO LOVERS • WATER-LOO • WOLVERTON MOUNTAIN • plus many more. (available Oct. 30, 1978)THE NEW YORK TIMES Hardcover, Hidden Spiral 516.95GREAT SONGS OF THE SIXTIES ALFIE • BLOWIN IN THE WIND • ODE TO BILLY JOE* BRIDGE OVERTROUBLED WATER • HEY JUDE • DOWNTOWN • GENTLE ON MY MIND • THE IMPOSSIBLE DREAM • RAINDROPS KEEPFALLIN ON MY HEAD • A TIME FOR US (Love Theme from Romeo and Juliet") • WE SHALL OVERCOME • YESTERDAY...82great songs in all. Arranged for piano and voice with guitar chord diagrams. Hard Cover, Hidden Spiral $17.50THE NEW YORK TIMES Soft Cover $8.95GREAT SONGS OF THE SIXTIES, VOLUME 2 CLOSE TO YOU • FIRE AND RAIN • HERE COMES THESUN • HOLLY HOLY • MICHELLE • MR. BOJANGLES • MY SWEET LADY • PUFF THE MAGIC DRAGON • WITH A LITTLE HELPFROM MY FRIENDS • FOLLOW ME • ME AND BOBBY McGEE • GUANTANAMERA • THE MARVELOUS TOY • THE NIGHT THEYDROVE OLD DIXIE DOWN • THESE BOOTS ARE MADE FOR WALKING • YELLOW SUBMARINE. 64 great songs in all. Arrangedfor piano and voice with chord diagrams for guitar. Hard Cover, Hidden Spiral $14.95THE NEW YORK TIMES Soft Cover $6.95GREAT SONGS OF LENNON & McCARTNEY YESTERDAY* MICHELLE • SGT. PEPPER • PLEASE PLEASEME • HELP • WITH A LITTLE HELP FROM MY FRIENDS and 67 more great titles in fresh arrangements that capture the originalBeatles sound Hard Cover, Hidden Spiral $17.50
Sort Cover $8.95TEN YEARS OF GOLD. This folio contains Kenny Rogers greatest hits, color photographs, and spans the career of thistalented artist. Includes favorites like • LUCILLE • DAYTIME FRIENDS • RUBY, DON'T TAKE YOUR LOVE TO TOWN, and sevenmore golden songs. $5.95LOVE OR SOMETHING LIKE IT Matching folio to Kenny Rogers hit album. Includes the title song plus • THERE'SA LOT OF THAT GOING AROUND • BURIED TREASURES • SOMETHING ABOUT YOUR SONG • 7 more selections, plus full colorphotos. 55.95
I WANT TO LIVE—John Denver Matches the hit album containing 11 songs arranged for piano, voice with guitarsymbols and includes the songs, HOW CAN I LEAVE YOU AGAIN • I WANT TO LIVE • SINGING SKIES AND DANCING WATERS •TO THE WILD COUNTRY • plus photographs. $5.95
THE WORLD'S GREATEST GUITAR BOOK A superb 288 page collection of easy to intermediate materialfrom today and yesterday including AFTERNOON DELIGHT • ANNIE'S SONG • SUNSHINE ON MY SHOULDERS • MORE • GOIN'OUT OF MY HEAD • BLUEBERRY HILL • LET THE GOOD TIMES ROLL • FREE AS THE WIND • THE EXODUS SONG • SUMMER-TIME • BACK HOME AGAIN • TAKE ME HOME, COUNTRY ROADS • THANK GOD I'M A COUNTRY BOY* TINY BUBBLES •BEER BARREL POLKA • RUDOLPH THE RED NOSED REINDEER • plus over 700 more rock, pop, folk, country, classical, jazz andinspirational music $8.95
Obta/nab/e at your local music dealer or by sending check or money order to:WINTER HILL MUSIC Ltd. P.O. BOX 4247 • GREENWICH. CONNECTICUT oesso
(Please add 5OC postage and handling plus sales tax where applicable}. Free catalogue available upon request.
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