Hair Presented By: Alesa McGregor. The Musical 1967/68- On the Stage1979- On the Screen.
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Transcript of Hair Presented By: Alesa McGregor. The Musical 1967/68- On the Stage1979- On the Screen.
![Page 1: Hair Presented By: Alesa McGregor. The Musical 1967/68- On the Stage1979- On the Screen.](https://reader036.fdocuments.in/reader036/viewer/2022062720/56649f185503460f94c2eea0/html5/thumbnails/1.jpg)
HairPresented By: Alesa McGregor
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The Musical1967/68- On the Stage 1979- On the Screen
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The Musical1967/68- On the Stage 1979- On the Screen
• Book & lyrics: James Rado and Gerome Ragni
• Music: Galt MacDermot• Premiere: Shakespeare
Public Theatre in 1967 (NYC)• Broadway Premiere:
April 29, 1968-July 1, 1972 • Multiple Tony nominations
(2009 win- musical revival)
• Director: Milos Forman• Choreography: Twyla Tharp• Primary Film Locations:
Central Park & Washington Square Park
• Golden Globe Nominations• Generally positive reviews
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Historical ContextVietnam War
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Historical Context1967/68- On the Stage 1979- On the Screen
• Vietnam War: 1954-1975• 1967: Loving v. Virginia,
Summer of Love, Human Be-In • 1968: assassination of Martin
Luther King, Jr (4.4) & Robert Kennedy (6.6)
• 1968: Paris student riots (May)• 1969: Greenwich Village’s
Stonewall Riots
• 1972: Watergate Scandal
• 1972-73: End of the U.S.
Military Draft
• 1974: Nixon resignation
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Adaptation
• Much more “far out” including a space alien as Claude
• Scenic Design: Ming Cho Lee
• Many negative reviews
Original (pre-Broadway) version
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Adaptation
• Addition of 13 songs• Claude as human• Positive reviews & a
four-year run• International tours• Introduction of nudity• Audience “Be-In”
Broadway Version
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Adaptation
• The Tribe– Claude (leader)– Sheila (NYU student-
activist)– Berger (free-spirit)
• Draft-dodging• Free-love, nudity as
protest• Unseen death of Claude
Broadway Version
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Adaptation
• Elimination of 11 songs• Change in character
background: Claude & Sheila
• Alternate ending• Nudity: swimming, joking• More specific, linear
plot-structure
Film Version
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Performance as Protest:
Stage• Non-linear plot• Evolving, improvisation-
based script• Multi-point staging focus• Abstract Setting• Involvement of the
audience (Be-In)• Addressing current events
Screen
Stage vs. Screen
• So HOW are these methods incorporated on the screen?– Realistic setting (the script is
“opened up”)– Change in primary character– Recreation of a time in history– Religious allusion– Be-In?
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Let the Sun Shine In!
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Video Clips
• 1969: http://www.youtube.com/watch?v=WxSGikrhrnI
• 1969 (1:30 secs): http://www.youtube.com/watch?v=eGx7IBn7HCM
• 2009 revival: http://www.youtube.com/watch?v=xPLg5gA-9ck