Guitar Processing - c3. · PDF fileV1 and X1 5 Nova Pedals 6 ... Rock Solid User Interface...

HardwareG-SystemNova PedalsG-NaturalClassic PedalsVPD1SCFVintage PedalsG-SharpG-SwitchG-ForceG-MajorG-MinorKonnektPowerCore

Software TC-ThirtyTubifex

SPRING 2007 / EngliSH

Guitar Processing

Cov

er p

hoto

: Mic

hael

Mes

ker

� / SPRING 2007

G-System 3-5

V1andX1 5

NovaPedals 6

G-Natural 7

ClassicPedals 8

VPD1 9

SCF 9

VintagePedals 9-11

G-Sharp 12

G-Switch 12

G-Minor 12

G-Force 13

G-Major 13

Konnekt 14

PowerCore 14

TC-Thirty 14

Tubifex 14

G-System 15

NovaPedals 16

G-Natural 16

V1&X1 16

ClassicPedals 17

VPD1 17

SCF 17

VintagePedals 17

G-Sharp 18

G-Force 18

G-Major 19

Contents

Rack units

Floor units

The TC Guitar Heritage

TCElectronicemergedinthemidseventiesrapidlybuildinganameforitselfintheworldofguitarpedals.WhenfoundersJohnandKimRishojdecidedtherewasn’tapedalonthemarketgoodenoughforthemtheyquicklywenttoworkonwhatisnowaclassicguitarpedal– theSCF.Pedals like theSCFsoonbecameastandard in the industryandthepreferredchoiceofmanyguitaristsaroundtheworld.OverthreedecadesTCElectronichasrisentobecomealeadingmanufacturerofawidevarietyofaudioequipment,recognizedfortheirsuperiorandexcellentquality.AtTCwehavealwaysbeentruetoourfirstlove-guitarprocessing. Products like G-System andG•Force testify to that, and today TC is acknowledged as a leader in guitar effectsprocessing.

Buildingonthatlegacyandpushingtheboundariesevenfurther,we’reconstantlyaddingnewground-breakingguitarproductstoourcatalog,solidifyingourleadingpositioninthemarket.WeareexitedtowelcomeacousticguitarplayerstoourwiderangeofuserswiththelatestadditiontotheTCfamily:G-Natural.

Technical specifications

Plug-ins

SPRING 2007 / �

G-System – One Small Step For Man ...

It’s not just Quality, it’s TC Quality EveryguitarproductfromTCthathashitthemarket,hasbeencelebratedfor itsultimatesound.TheG-Systemisnoexcep-tion, and it sports the latest hardware technology and soft-ware innovations. All processing has been fine-tuned andoptimizedintheTClaboratories,resultinginasuperiorsoundqualitythatwillspellbindyouraudience.

Fully Fledged Flexibility Choosebetweenarackorafloorbasedsetup,decidehowtheeffects are routed, tailor the footswitch layout, and choosefrommorethan25differenton-boardeffects.

Sturdy and Stable – It’s Built for the RoadAliveproductmustbebuilttoliveontheroad,andG-Systemhasbeendesigned todo just that! TheG-Systemuser inter-faceandmechanicaldesignaretrulyunique.Withtheheavydutyaluminumfaceplate,extrudedsupportsandthe18giantmetallicchromeswitches,stabilityisensuredanddurabilityisagiven,nomatterhowhardlifegetsontheroad.

More than Meets the EyeG-Systemistheworld’sfirstcompletehighqualityfloorbasedGuitarSystem.Fromguitaristsseekingthebesttoseasonedprofessionalslookingfortheultimate,thesuperiorqualityofG-System will not disappoint. Delivering a complete anduncompromisedpackageof effects, control and integration,nootherproductwillmatchtheflexibilityorthequalityoftheG-System.

Integrate and Adapt Foreveryguitarplayerflexibilityiskey-twosetupsarerarelythesame.TheG-Systemenablesyoutointegrateandsimplifyyour existing system into one complete setup. If the needarisestoaddmoreeffects,loopsorcontrol,addingextensionsto theG-System iseasy.With itsuniquecombinationof twoDSPsectionsprovidingtheveryhighestqualityeffectsonthemarket,analogloops,ampswitching,floorcontrol,andeven9VDCpoweroutputsforyourpedals,theG-Systemoffersthehighestlevelofintegrationattainable.

... One giant leap for guitar effects

� / SPRING 2007

GUITAR EFFECTS / FlOOR UniTS

Analog Pedal LoopsItisawell-knownfactthatanydisengagedpedalwilleatintoyourguitartone.The4analogloopsinG-Systemgiveyoufullpresetcontrolaswellason-the-flyenabling/disabling,allow-ing “true bypass” of any pedal. The 5th loop is customdesignedforpre-ampinsertion.Buffereddriverdesignoftheinsert loop allows for extra long cable runs with no loss ofaudioquality.

Amp Switching4 relay switchesgive you remoteanalog control ofpreampsandamps.RelaysareunderG-Systempresetcontrolandcanbecontrolledon-the-flyaswell.

Pre Effects

Effectsthataretypicallyusedpriortoyour“crunchyeffects”arefoundinthepreeffectssection.Thepre-loopDSPsectionofG-Systemfeaturesahighimpedanceinstrumentinputandfull96kHz/24bitconversionandprocessing.Thishighresolu-tionprocessingensuresmaximumpreservationoftheguitar’soriginalharmonicswhicharevitaltothecharacterofanyover-drivepedalorpreamp.

FiltersThe filter section allows you to select between touch- andmanuallycontrolledfilters,rangingfromwah-wahoverform-antstohighpeakresonancefilters.

CompressionThe compressor section enables perfect dynamic control ofthepreviousfilters,apumpingstylecompressororthemoretransparent compression style that gives smooth dynamiccontrolandlengthysustain.

Post Effects

Thepost effects section includesall theeffects thatbelongafterthe’crunchy’section.

Noise GateTheposteffectsectionfeaturesanultrafastnoisegateallow-ing removal of background noise from potential high gainpedalsorpreampswhennotplaying.

ModulationModulation effects of your choice, including the famous TCchorus, flangers, phasers, tremolo, vibrato and more, areavailableinthemodulationsection.

PitchThedetunefeatureaddstoyourstereoimage,whilewhammyand octavers allow for more effected sounds. The regularpitchshiftingfeaturesuptoatwooctaveshift.Theintelligentpitchallowsyoutochooseascaleandthentiethepitchestothenotesplayed,creatingsoundsandharmoniestrulyoutofthisworld.

DelayThedelaysectionsportsmorethan6differenteffects,includ-ing legendary2290dynamicdelay, reversedelay, tapeechoandmore.Alldelaysfeaturetrue“spillover”allowingrepeatsofthedelaytoringoutacrossanypresetchange.TaptempoisagivenandcanofcoursebetiedtoMIDIclock.ReverbReverbs from the famous TC pallet are included. Plates,rooms,springsandhallsareavailableinthereverbsection,allspecificallytunedandtailoredforguitar.

But wait there’s more...TheG-Systemholdsnumerousextras.AchromatictunerandthreebandEQare included. Theboost functionmakes your‘fill’orsolostandoutattheflickofaswitch,alltempobasedeffects can be individually controlled by tap tempo orMIDIclock,andnumerousparametersareunderexpressionpedalcontrol.

SPRING 2007 / �


On the Floor or in the Rack?Doyouprefertohaveyourpedalsrightnexttoyouorwouldyou rather secure them in your rack? The GFX01 19” 1RUeffectsprocessorcaneasilyberemovedfromG-Systemandrackmounted-thedecisionisyours.Asinglecableconnectsthe GFX01 with the G-System floor unit putting your stompboxesandmessycablesoutofsightwhilekeepingthepowerandcontrolunderfoot.

Analog “True Bypass” Loops Keepyouroriginaltonewiththe4analog‘truebypass’pedalloops,allunderpresetaswellas“on-the-fly”control.A5thloopcanbeusedforinsertingapreampora5thpedalinyoursetup.

Rock Solid User InterfaceDirectaccessuserinterfacevia6rotary-switchencoders.Notonlyaretheseencodersprotectedbytheheavydutychromeswitch housing, but vital components are protected below.With no vulnerable plastic knobs and no obvious openingsG-Systemissealedagainstdust,dirt,moistureandtheinevi-table“liquidaccident”onstage.

EditorTheeditoraddsfurtherversatilitytoyourG-system.WiththeincludedsoftwareeditorforMacandPCyoucantweak,storeandpick theperfectpresets for thatupcominggig -all fromoneintuitiveeditorscreen.

V1 and X1 – Control for your G-System

Control.It’sessentialforanyguitarist.Controlofyourriffsandlicks.Controllingyourpickingandfrettinghandasyouripintothat scorching solo. Now, TC Electronic offers you completecontrol of your effects as well with the V1 volume and X1expressionpedal.

TheV1volumeandX1expressionpedalsfitperfectlywithyourG-System and give you control of volume and various otherG-Systemeffectparameters.

TheV1 volumepedal controls the volumeof your guitar andisused in thededicatedvolume inputof theG-Systemorasthe first pedal in the signal path. It features a high-quality250kOhmlogarithmicpotmeterthatisextremelydurable.TheV1 has input, output and »tuner out« which enables you toselectbetweensilentornormaltuning.

TheX1expressionpedalisusedtocontrolvariousparametersinG-System,fromthefeedbackparameterinadelayeffecttothetempoofatremoloeffect.Itfeaturesadurablehigh-qual-ity25kOhmlinearpotmeter.TheX1hasbothaninputandanoutput.

Both pedals work flawlessly with the G-System and compli-mentitperfectlyfromavisualstandpoint.Besidesthat,bothpedalsaremadewithtopqualitycomponentsandroad-worthyconstructionmethods.OfcourseboththeV1andtheX1pedalsareaworthyadditiontoanyG-System,buttheyworkwithanystandardpedalboard thathasvolumeandexpressionpedaloptions.

Expected shipping Summer 2007

� / SPRING 2007


Nova – Your Tone is Everything

BuiltuponthelegacyandknowledgeofTC’sworld-renownedTC2290DynamicDigitalDelayandlegendaryreverbproces-sors the releaseof theNovapedals raises thebar forguitareffectpedalsandredefineswhatitmeanstobe“state-of-the-art”.TheND-1NovaDelayandNR-1NovaReverbofferuncom-promised studio quality digital effects in a compact floor-baseddesign.

Yourtoneiseverything.TCknowsyouhavenumerouschoiceswhen considering effects that will capture and enhance thesoundsthatareinyourhead.Manymanufacturersofferdig-italdelayandreverbsolutions,butnonecancomparewiththeoverallperformanceandtonalqualityofTC’sNovaseries.

Nova Delay Features• 6 studio quality digital delay types • Two switchable set-tings:manualandpreset•AudioTapping™-audio-generatedtaptempo•Modulateddelay•Delayspillover

ND-1 Nova DelayDigital stereo delay pedalwith two settings:Manual,whichrepresentsthecurrentpositionoftheknobsandPreset,whichisastoredsoundthatcanberecalledatanytime.Thesemaybeselectedfromcontrolbuttonsorthemanual/presetfoots-witch.TheND-1NovaDelaypedal features6differentdelay types:Delay line, dynamic, reverse, ping-pong, pan and slap-backandeachof these typescanbecombinedwithadelaystylerangingfromvintagetapetomoderndigitaldelay.Thisuniquefeatureallowsyoutomixandmatchyourdelaytypeandstyletocreateuniquesounds.Bothsingledelayanddualdelay linescanbeappliedtoanytypeandstyleusingthetaptemposwitchordelaytimeknobtodeterminethespeedofthedelay.Threedifferenttypesofmodulation(light,mediumandheavy)canbeappliedtoanyofthedelaytypes–afeatureoriginatingfromthelegendaryTC2290DynamicDigitalDelayprocessor.The all-new Audio Tapping™ technology enables you to setthe tempo of the delay by playing a rhythm into the pedalwhileholdingdownthetaptemposwitch.Youcannowsetthetempo of the delay using your most important asset: Yourplaying.OthergreatNovaDelayfeaturesincludetheabilitytochoosebetweenms (millisecond)andbpm(beatsperminute) read-out,decideifyouwantspilloveronnone,oneorbothsettingsand turn global tempo – where tap tempo determines thedelaytimeonbothsettings-onandoff.

Nova Reverb Features:•5studioqualitydigitalstereoreverbtypes•Twoswitchablesettings:manualandpreset•DynaMix™-dynamicduckingreverb

NR-1 Nova Reverb Digital stereo reverb pedal with two settings selectable viathe two footswitches:Manual,which represents the currentpositionoftheknobsandPreset,whichisastoredsoundthatcanberecalledatanytime.Thepedalfeatures5differentreverbtypes:room,spring,hall,plateandspecials.ChoosebetweenanythingfromthewarmvintagesoundingClassicSpringtothepristineandstunninglyrealisticTCClassicHalloranysettinginbetween.TheNR-1NovaReverbalsohas auniquenew feature calledDynaMix™.DynaMix™actsasadynamicduckingeffectthatturnsdownthereverbwhileyou’replayingandturnsitbackup again when you’re not playing. This prevents the soundfromgettingmuddy–especiallywhenusinglargehallreverbtypes–butwillstillgiveyouthathugelivevenueeffectwhilethenotesdecay.TheDynaMix™effectcanalsobereversed,sothereverbisturnedupwhileplayingandgatedwhentheinput signal falls below a certain level, producing a trulyuniqueandout-of-this-worldeffect.


SPRING 2007 / �


G-Natural – Acoustic Breakthrough

VersatilityWith both a built-in mic preamp and standard instrumentinputs you can choose between using a piezo or pickupsystemormikingyourguitarwithacondensermic.OrwhynotdobothandmixthesignalsinsideG-Naturaltogetthebestofbothworlds?G-Naturalcomeswith99factorysettingsoptimizedforawidevarietyofmusicalgenresandplayingtechniques.The99user-customizable presets allow you to add that crucial personaltouchtoyoursound.G-Natural’smicprecanalsobeused forvocalperformance.JustputG-NaturalinsongmodeandyouautomaticallygetavocalstripEQandreverbblock.Thereverbcanbebypassedviaa footswitch toavoidunwantedeffectswhenyou’repre-sentingthenextsong.Toppinganalreadypackedfeaturelist,abuilt-intuner,digitalI/O, expression pedal input and MIDI make G-Natural thenumber one multi-effects solution for the serious acousticguitarplayer–allyouneedisafreshsetofstrings,aloadofkillertunesandyou’regoodtogo.

The world’s first multi-effects processor to address the serious acoustic guitar playerWithG-Naturalyounolongerhavetoputyourguitarsoundinthe hands of the sound engineer or to put up with effectsdesigned for electric guitars to boost your performance. Itgoeswithout saying that effects for electric instruments donottaketheconstructionofahollowbodyacousticguitarintoaccount.

High quality effects for acoustic guitarG-Naturalhousesasuiteofhighqualityeffectsfine-tunedforacoustic guitar. It’s all you will ever need to cut through toyouraudience:Compression,EQ,Boost,Modulation(Chorus,Detune,Thicken,Flange,Panner,etc.),ReverbandDelay.

Features:•Floor-basedmulti-effectsprocessor•10highqualityTCeffectstunedforacousticguitar•Micpreampforvocalsorguitar•Built-intunerandboost•Road-readyandportabledesign


� / SPRING 2007


Classic Booster + DistortionThisboostwasmadeforrocking!Closeencounterswiththou-sandsoffootsoles,millionsofmilesontheroadandahistoryofbeingkickedandtroton,thispedal,ifany,hastrulyearneditsclaimtofame.Whetheryouusethisbabyasanalwaysonsignal booster tomake your tubesworkharder, as anocca-sional boost for highlighting a solo, lick or passage or as adistortionpedaltogowithacleanamp,thispedalwillalwaysstaytruetoyourtonewithabsolutelynocolorationordegra-dationoftheoriginalsignal.

Classic Sustain + Parametric EQOneofthetruegrailsofvintageeffectspedals.Thisonereallyenhancesyourtone.Gofromsubtlecompressiontoextremesustainingeffectsatthetweakofaknob.Thissustainerwillprolonglifeofevenyourweakesttoneotherwisedestinedforprematuredeath. TheClassicSustain+ParametricEQgivesyou studio quality compression in a pedal. Crank it to theextremeandit’llgiveyoursoundthatpercussive“thud”bril-liantforfunkorcountry.AndwithitsparametricEQyou’reinfullcontrolofwhichfrequenciestotarget.

Classic TC XII PhaserFrom ethereal sounds to extremely grungy effects – in yourphase! The unsurpassed sound quality of the TC XII Phaserhas made it a true classic among vintage pedal collectors.Whileothereffectsmaysometimesbeusedtoaddsubtleandalmostinaudiblenuancestoyourtone,theTCXIIPhaserneverleavesyouindoubtwhetherornotitison.TheTCXIIPhasercanbeusedinnumerousways-fromcleanfunkychordsoveroverdrivenriffstoheavilysaturatedleads.

Yoursearchfortruevintagesoundendshere!TCElectronic’sversatilerangeofclassicvintageguitarandbasseffectspedalstakesyouona trip inamplifiedmusic; fromacid rockoverearlyhardrock to funkybeatsof the70sand further to themanycontemporarystylesthattrulycherishtheirroots.

TheTCpedalsareguaranteedtoawakenanyslumberingdesiretorevisitthepastwithtoday’stechnology.AllpedalsarebuiltonaclassicapproachtoguitareffectsandareperfectlyalignedwiththeTClegacy.Whetheryougoforwarmtube-likeoverdrive/distortionor richvintagedelayyou’ll soon findyourselfhookedon theTCsoundcraving formoreof that crispandauthentictone.

Stompbox Classics: Quality-driven, History-proven

SPRING 2007 / �


VPD1 – The Vintage Pre Drive PedalThe Vintage Pre Drive is in essence a basic drive pedal butwith an additional front endboost section. This extra stageprovidesanadditionallevelofoverdriveinthesamepedal.

Ontopofthattheresonancefiltersallowyoutoemphasizethetopormids,finetuningyourboostedtone.

SCF pedal – The Advanced Effect Pedal TheSCFhasearnedareputationasoneofthebestsoundingchoruspedalsintheworld.Theultraclean,smoothandcleartoneof theSCFallowsyoutomaintain theoriginal toneandcharacteristicsofyourinstrument.

Technicallywayaheadofitstime,withtheincredibledynamicrangeandlackofnoise,theSCFisstillinthisnewmillenniumatopsellingproductanda“musthave”onmanyguitarpedalboards.

Vintage Pedals Series

Vintage Octa ScreamerTheVintageOctaScreamerisnotforthefaintatheart!Itrecreatesthefamousandinstantlyrecognizableoctavedoublingeffectimmortalized by Jimi Hendrix. The Vintage OctaScreamer isbased on a unique new circuit design that greatly improvestracking and doesn’t kill sustain and overtones like otheroctavia pedals are prone to do. It also includes innovativenewfeaturesrefininganalreadylegendaryeffect.Usethemixknob to blend in the octave effect and transform the pedalfromafull-blownoctaviatoafuzz...andeverythinginbetween.Thebuilt-in30dB(!!!) trebleboost featuresaspecially tunedfilter circuit that pushes the octave effect to newextremes.Activateittogeneratescreamingovertonesfromouterspaceandblastyourtonebeyondthestratosphere.


10 / SPRING 2007


Vintage Bass DistortionAdd extra punch and roar to your bass. The Vintage BassDistortion will give you awe-inspiring distortion that pre-servesyournaturalmusicalexpressionwhileaddingloadsofhurlingfuzztothebottom.Applygrandiosesustaininnormalmode, enriching the overtones and enlarging the bottom.Engagetheboostandyou’reonthehighwaytoFuzz’n’Buzz.Controltheblendofdistortionandyouroriginaltonewiththemixfactorknob.Bewarethatyoudon’tcrush,bashandtrashyourampwiththisbasspedal.

Vintage DistortionOften versatility is called upon and the Vintage Distortionpedalgivesyouallthechoices.Fromjazzylaid-backsoundstomega fuzzsledgehammeraction thatwillblowyour toupeeoff.Withtheboostfunctionbypassedyou’llgetasoundthatmakesyouthinkoflatenightjazzsessions.Turnontheboostandyourguitarisonthefasttracktoroaringthunderssimilarto legend rockalbumsof thepast.Adjust theToneknob forthatextraedgetoyoursound–itwon’thaveaneffectonyouroriginalsonicquality,socrankitup!

Vintage Dual DistortionTheVintageDualDistortionbringsyoubackintime.Thefull-bodiedvintagesoundispleasantlywarmandcrispy,andaddssolidness to the bottom that spurs memories of the past.Switch between the two gain settings and enjoy the powerandthemoodofdualdistortion.Withthecolorfilteryoucangetthatextraedgetothetopend,whilekeepingtheoriginalsoundintact.Satisfyyourlongingforvintagedistortion.

Vintage DelayTheVintageDelaywillinstantlybringyoubacktothetimeofwarm,lush,“all-tube”echoes.Resurrectthetapeechoofthe60’ies and recreate the “analog” temperate sound of thetubes. Tap-tempo lets you set thepace, and several controlknobsgivesyouthepowertobedelayed,butnotlate.

SPRING 2007 / 11


Vintage OverdriveThevelvetyyetcrustyandcrunchysoundthatcomesfromtheVintage Overdrive will make your guitar sing. Normally youwouldhavetouseanoldtubeamptoacquirethebalmyandpoignantoverdrivethatthispedaldelivers.Yourdynamicsareloyally reproduced and the Vintage Overdrive will give youdeliciously sweet harmonics and a broad natural soundingtonal spectrum. Themid-range boost evokes the sounds ofthepast.

Vintage TremoloRemember thosetubeampswith thatextremelycreamyandalluring tremolo? The Vintage Tremolo reconstructs exactlythatsound,yetitgivesyouallthepowertoadjustaccordingtoyourtasteormood.Ifyoudigamoresaturatedexpression,justboostthesignal.Ifyouwanttogoreallyslowandreallydeepadjustthespeedanddepthknobs.Themodeknobletsyouswitchbetweensoftandhardtremolo.Don’tbesurprisedif you get the tremors the fist time you use the VintageTremolo.

Vintage CompressorDo you want true and original compression? The VintageCompressorgivesyouanuncoloredandunbiasedsound.Withclarity and dynamics of virtuosic dimensions and steadfastcharacter, you can crank up the compression level to max.Even out any indecisive signals by cranking down the high-input signals andboosting the lowones - anddo itwithoutloosinganyofthetastylucidityanddynamicsofyouroriginalsound.Chooseslowattack timesandgocompletelypercus-sive,orchoosefastattacktimesforloadsofsustain.

Vintage Tube PrimerTheVintageTubePrimercertainlylivesuptoitsname.Itdeliv-ersthemuchsoughtaftervintageoverdrive,andfeaturesanindependentboostsectionthatwilltransformyoursolosfromaudibleintoawesome.Botheffectscanberunseparatelyorcombined,making thisa3-in-onepedal:Abooster,anover-driveorabooster+overdriveformaximumsonicimpact.

1� / SPRING 2007

GUITAR EFFECTS / RACK UniTS

G•Minor - The Versatile MIDI FootswitchG•Minorisamulti-purposeMIDItriplefootswitchthatsendsand receivesMIDI information. It allows for specific remotecontroloftheTCElectronicG•MajorbutcanalsocontrolanyMIDIdevice.

Gettingtruerackmountqualityeffectsforyourguitarrigwasnevereasier.G-Sharpisnojackofalltrades,butratheramas-ter of themost essential digital effects for guitar— reverb,modulation,anddelay.

G-Sharp – Rack Deep, Pedal Simple

Features•15world-classguitarspecificreverbs•15guitardelaysandmodulations•Truedelayspillover•2.5secondsofdelay•Easeofuse-ifyoucanoperateapedal,youcanoperatethis•256effectcombinationsand99userpresets• Taptempoofdelaysormodulation•DirectfootswitchcontrolwithTCG-Switch•“Killdry”functionensuringoptimalsignalpathinparallelloops•TCG-Minorcompatibility-plugandplay•FullMIDIcompatibility(MIDIIn/Out)•Built-inautosensingpowersupply-nowall-wart!•Monoandstereocompatible -will fit invirtuallyanychainofpedalsorampeffects loop•No-nonsenseanalogstyleuserinterface•DigitalI/OandMIDIclocktemposync

G-Switch Nothing,but sturdyhard-wearingqualitybuilt toendure lifeon the road. 3-button full-metal casing standard footswitchavailable forG-Sharp,givingyouremotecontrolof themostimportant features suchaspresetup/down,bypass,effectsmuteandtaptempo.

Editor Withthe includedsoftwareeditoryoucanexchangepresetswithotherG-Sharpusersandtweak,storeandpicktheperfectpresetsforthatupcominggig–allfromoneintuitivePCeditorscreen.

Throughout the years TC has been recognized as acreatorofsuperiortechnologyandhighlyintuitiveuserinter-faces. G-Sharp builds on that legacy giving youahighlysophisticatedsolutionwithanononsensemusician-friendlyfaceplate. Ifyouwantsimplefootswitchcontrol,butnocompromiseontheeffectsquality,G-Sharpiscutforyou!

SPRING 2007 / 1�

GUITAR EFFECTS / RACK UniTS

Based on the G•Force HeritageTheTCElectronicG•Majorbenefitsfromthecompany’sdedi-cation to high quality guitar processors. Following in thefootsteps of the G•Force, the affordable G•Major makes atechnologyavailabletoyouthatisfarbeyondyourexpectations.G•Majorcanruneightdifferenteffectsandatunersimultane-ously,andoffersreal-timecontrolofanumberofparametersthroughMIDIorpedalinput.ThepresetchangeoftheG•Majorisfastandsmooth,andsupportstruespilloverofdelays.

A Multitude of Effects....TheG•Major isstrictlyeffects,whichmeans that itwillbeaperfect addition to your preamp. Effects are organized inblocks,andeachblockcontainsseveraleffecttypestochoosefrom. The Delay block for instance, holds: Stereo Delay,PingPongDelay,TapDelayandDynamicDelay.Therearemorethan25algorithmsinside.Makethemostoftheminstantly!

G-Major: Affordable Guitar Multi-Effects Processor

Uncompromising Sound Quality The legendary G•Force features a variety of great soundeffectsinaneasytoprogramandfuntooperatesinglerackunit. State-of-the-Art DSP technology, proprietary DARC™chip and 24 bit resolution give youmassivememory, highspeedprocessinganduncompromisingsoundquality.

Create the Sound You WantRun8full-blownstereoeffectssimultaneouslyinanycombi-nationandorderwithoutsacrificingtheintegrityofyourorigi-nal tone. Create the sound you want regardless of style orcomplexity,frommildtowildorfromcleantonasty!

G-Force: The Benchmark of Rack Guitar Effects Processing

Features•Delay,Reverb•Chorus,Flange•Pitch•Filter,Modulation•Compressor•NoiseGateandEQ•Presets:100factory/100user•PreampRelaySwitch•ChromaticStyleTuner•24bitA/D-D/Aconverters•24bitS/PDIFdigitalI/O,44.1-48kHz

Features•DARC™ChipTechnology•Presets:225factory/100user•LED“Billboard”allowingyoutoviewpresetnumber,taptemporateortunerpitchfromclearacrossthestage•SettingsforawidevarietyofpopularMIDIcontrollersandexpressionpedals•24bitA/D-D/AConverters•24bitS/PDIFdigitalI/O,44.1-48kHz

Run up to 8 Effects Simultaneously:•Delay•Chorus/Flanger•Reverb•IntelligentPitch•Compressor•Pan/Tremolo•Drive•Filter/EQ•Phaser•Wah-wah•Auto-wah•Resonance-filter•Multi-tapDelay•Noise-gate•ChromaticPitch•Auto-panner•De-tunerandmore

1� / SPRING 2007

GUITAR EFFECTS / TECHniCAl SpECiFiCATiOnS

Konnekt 24D’s chromatic guitartuner allows you to tune withoutdisconnecting fromyour recordingsetup.Assignedtoyourcomputer,its scalable screen size facilitateseasy cross-stage and cross-studiomonitoringevenatgreatdistances.The tuner also runs in stand-alonemode when assigned toKonnekt24D’s frontpanel light ring. It’sgotoptional strobemodeorpointmodetuningforthevisuallyorientedandcangenerateapitchablereferencetoneforacoustictuning.

Konnekt 8 is the ideal solution for guitarists who want thehighest possible sound quality from input to the recordingapplication,butdon’tneedthebuilt-ineffectsofKonnekt24Dfortheirguitarsounds.

Konnektistheidealaudiointerfacetocaptureyourguitarriffsand licks on a computer. Both Konnekt 24D and Konnekt 8featurededicatedguitarandbass input circuits.Noneed tomic up your guitar amp, just connect your guitar or bassdirectlyintoeitherofthetwofrontpanelHi-Zguitarinputsandapplyyourfavoritechoiceofguitarsoftwaretoyourrecording.Thebuilt-inHi-Z inputs arebasedon circuits that are tailor-madetopreservetheoriginaltoneandsonicqualityofguitarandbassinstruments.

TheFabrikCchannelstripandFabrikRreverbknownfromTC’sPowerCoreplatformarebuilt into theKonnekt24Dandtheyworkevenwhentheunitisusedinstand-alonemode.FabrikCallowsyoutoshapeyourguitartoneevenbetter,whiletheFabrikRhasthatTCElectronicreverbthatisthebasisofmanyclassicguitartones.

PowerCore PCI mkII and PowerCore Express

Internal Power

PowerCore UnpluggedDSP Card Only

PowerCore FireWireExternal Power

PowerCore Compact Portable Power

Tubifex – virtual guitar amp

Thisvirtualguitaramphas3tubestagesandaspeakersimu-latorfortrulyconvincingampmodeling.Thetubesarebasedon classic 12AX7 tubes, the modeled speaker was createdfroman actual impulse responseof a2x12 cabinet, includingmicrophonepositions.

Included with all PowerCores

TC Thirty – virtual guitar amp based on AC30

TCThirtyisavirtualmodeloftheclassicBritishVoxamplifierfrom1961.RelyingcompletelyonPowerCoreforprocessing,itprovidesthecharacteristicsoundandbehaviorofthe“normalchannel”foundonthatamp.

Available as optional Plug-in.

Included Plug-ins:24/7c

CharacterChorus•DelayClassicVerbDynamicEQ*DeNoise*

EQsatCustomFiltroid

MasterX3MegaReverbPowerCoreCLPowerCore01VoiceStripTubifex

*notincludedwithPowerCoreCompact

More information about Konnekt and PowerCore in the Computer Recording brochure.

1� / SPRING 2007

NotonlyisthePowerCoreplatformveryappropriateforrecordingguitar,PowerCoreevenhasdedicatedguitarplug-ins.TCThirtyisavirtualmodelofaclassicBritish’61Voxamplifier,providingthesoundandbehaviorofthe“normalchannel”foundonthatamp.

Konnekt Your Guitar

PowerCore and Guitar

SPRING 2007 / 1�SPRING 2007 / 1�


Instrument InputsConnectors:Impedance:Max. Input Level:Min. Input Level for 0 dBFS:Sensitivity:Loop 1-4Connectors:Impedance, input/output:Max. Output Level:Output Ranges:InsertConnectors:Impedance, input/output:

Max. Output Level:Output Ranges:Analog Outputs (L/R)Connectors:Impedance:Max. Output Level:Output Ranges:Digital OutputsConnectors:Formats:Sample Rate:System PerformanceFrequency Response:Dynamic Range:THD:A to D Conversion:D to A Conversion:

Two 1/4” phone jack, pseudo-balanced1 Mohm18 dBu-6 dBu-6dBu to +18 dBu

Two 1/4” phone jacks x 491 kOhm/100 Ohm12 dBu6 to 10 dBu

Two 1/4” phone jacks24 kOhm(Balanced 35 kOhm)/100Ohm(Balanced 200 Ohm)12 dBu6 to 10 dBu

Two 1/4” phone jacks100 Ohm (Balanced 200 Ohm)12 dBu0 to 10 dBu

RCA Phono (S/PDIF)S/PDIF (24 bit), EIAJ CP-340, IEC 958, 75Ohm44.1 kHz

typ. : +0.0/-0.4 dB, 20 Hz to 20 kHztyp.: > 95 dB, 20Hz to 22kHz, 0dBFStyp.: < -80 dB, 20Hz to 22kHz, -1dBFS24 bit, 128 x oversampling bitstream, DSR24 bit, 128 x oversampling bitstream, DSR

EMCComplies with:

SafetyCertified to:

EnvironmentOperating Temperature:Storage Temperature:Humidity:

Control InterfaceMIDI:USB:Pedal (Exp and Vol):

Relay closure (seperate tip and ring connection to sleeve):

MiscDC output:GeneralFinish:

Display:

Footswitches:

Dimensions:

Weight:Mains Voltage:Power Consumption:Warranty Parts and labor:

EN 55103-1 and EN 55103-2FCC part 15, Class B, CISPR 22, Class B

IEC 60065 / EN 60065/ UL 60065 /CSA E60065

32° F to 122° F (0° C to 50° C)-22° F to 167° F (-30° C to 70° C)Max. 90 % non-condensing

In/Out: 5 Pin DINUSB 1.1, type BFour 1/4” stereo phone jack(2 on GFX01, 2 on Control Board)

4 relays on two 1/4” stereo phone jack foramp Switching

4 x 9VDC outputs, 200mA totally,Shield(+) Pin(-)

Anodized aluminum frontPlated and painted steel chassis2x20 character STN-LCD display + 20x7Dot-Matrix18 Illuminated Footswitches (6 withbuild-in Rotary Encoders)20.2” x 10.5” x 4.1”(512.9mm x 265.9mm x 103.4mm)17.2 lb. (7.83 kg)100 to 240 VAC, 50 to 60 Hz (auto-select)<20 WAccording to EU regulations

MainPowerSwitch

Hi-Z UnbalancedInputs

BalancedOutputs

PowerInput100 -240V

MIDIIn,Thru,Out

S/PDIFDigital In/Out

ExternalControl Input

1� / SPRING 2007 1� / SPRING 2007


ND-1 Nova Delay NR-1 Nova Reverb

V1 & X1

Digital Inputs and OutputsConnectorsFormatsSample RatesAnalog InputsConnectors, balancedImpedance: Balanced/UnbalancedLine Input Level @ 0 dBFSLine Sensitivity @ 12 dB headroomInstrument Input Level @ 0 dBFSInstrument Sensitivity @ 12 dB headroomMic. Input Level @ 0 dBFS, Pad Off/OnMic. Sensitivity @ 12 dB headroo, Pad Off/OnEIN @ Max Mic Gain Rg = 200 OhmTHDCrosstalkA to D ConversionAnalog OutputsD to A ConversionD to A DelayConnectors, balancedOutput Impedance

RCA Phono (S/PDIF)S/PDIF (24 bit), EIAJ CP-340, IEC 95844.1 kHz, 48 kHz

Mic.: XLR, Line: 1/4”phone jackMic.: 3.6/1.8 kOhm, Line: 21/13 kOhm24 dBu to 0 dBu12 dBu to -12 dBu18 dBu to -6 dBu6 dBu to -18 dBu

-13 dBu/7 dBu to -51 dBu/-31 dBu

-25 dBu/-5 dBu to -63 dBu/-43 dBu126 dBu< - 100 dB (0,001 %) @ 1 kHz< - 85 dB, 20 Hz to 20 kHz24 bit, 128 x oversampling bitstream

24 bit, 128 x oversampling bitstream0.63/0.68 ms @ S.R.= 48/44.1 kHz1/4” phone jack40 Ohm

G-Natural

Output RangeDynamic RangeTHDFrequency ResponseEMCComplies with

SafetyCertified to

EnvironmentOperating TemperatureStorage TemperatureHumidityControl InterfaceMIDIPedalSupplementaryDisplayDimensionsWeightMains VoltagePower ConsumptionWarranty Parts and labor

20 dBu / 14 dBu / 8 dBu / 2 dBu> 104 dB, 20 Hz to 20 kHz<-98 dB (0.0013 %) @ 1 kHz+0/-0.3 dB, 20 Hz to 20 kHz


IEC 65, EN 60065, UL6500 and CSAE60065 CSA FILE #LR108093


In/Out/Thru: 5 Pin DIN1/4” phone jack

24x2 character LCD11.2” x 3.5” x 10.5” (284 x 89 x 267)4.1 lb. (1.85 kg)100 to 240 VAC, 50 to 60 Hz (auto-select)<15 W1 year

ConnectionsDimensions

1/4 inch input jack, 1/4 inch output jack, tuner out *) 108mm x 270mm x 65mm*) V1 only

Analog Inputs Connectors 1/4” phone jacks w. monosenseImpedance 1 MOhmMax. Input Level TBD dBuA to D Conversion 24 bit, 128 x oversampling bitstreamA to D Delay TBDDynamic Range 105 dB typ, 20 Hz - 20 kHzTHD typ. < 92 dB (0,0025 %) @ 1 kHzFrequency Response +0/-0.1 dB @ 48 kHz, 20 Hz to 20 kHzCrosstalk <-95 dB, 20 Hz to 20 kHz

Analog OutputsConnectors 1/4” phone jack, balancedImpedance Balanced / Unbalanced 40 OhmMax. Output Level TBD dBu D to A Conversion 24 bit, 128 x oversampling bitstreamD to A Delay TBDDynamic Range 105 dB typ, 20 Hz to 20 kHzTHD typ <-94 dB (0.002 %) @ 1 kHz, +20 dBu OutputFrequency Response +0/-0.5 dB @ 48 kHz, 20 Hz to 20 kHzCrosstalk <-100 dB, 20 Hz to 20 kHz

EMC Complies with EN 55103-1 and EN 55103-2 FCC part 15, Class B, CISPR 22, Class B

ENVIROMENT Operating Temperature 32° F to 122° F (0° C to 50° C)Storage Temperature -22° F to 167° F (-30° C to 70° C)Humidity Max. 90 % non-condensing

GENERAL Finish Anodized aluminum front Plated and painted steel endcapsDimensions 12,5x12,5 cmMains Voltage 100 to 240 VAC, 50 to 60 Hz (auto-select) AC wall adapter Power Consumption <5 WWarranty Parts and labor 1 year

SPRING 2007 / 1�SPRING 2007 / 1�


ConnectionsPower SupplyEffect UsageDimensions

1/4 inch input jack, 1/4 inch output jack, DC jack 2mm (centerpin is minus)9-12 Vol DC or battery 9V Alkaline20mA100mm x 120mm x 50mm

Vintage Octa Screamer

Vintage Distortion Vintage Dual Distortion Vintage Bass Distortion Vintage Compressor Vintage Overdrive Vintage Tremolo Vintage Tube Primer

Classic Booster + Distortion Classic Sustain + Parametric EQ Classic TC XII Phaser VPD1 SCF pedal

ConnectionsPower Supply (Supplied external PSU)Effect UsageDimensionsInputOutputsMidi

1/4 inch input jack, 1/4 inch output jack, DC jack 2mm (centerpin is minus), MIDI In12V AC min 300mA (Use ONLY with the supplied PSU)

12VAC, 300mA, 5Watts100mm x 120mm x 50mm1/4” connection for input signal. Connect your guitar here. The input also accepts a line signal (sensitivity is -10dB as on most common semi professional equipment).1/4” connection for output. Connect the output to your ampTwo functions can be externally controlled from and external MIDI device sending MIDI CC’s:Send MIDI CC 20 to control the Tap Tempo.Send MIDI CC 21 to switch the delay On/Off.

Vintage Delay

ConnectionsPower SupplyEffect UsageDimensions

1/4 inch input jack, 1/4 inch output jack, DC jack 2mm (centerpin is minus)9-12 Vol DC or battery 9V Alkaline30mA100mm x 120mm x 50mm

1� / SPRING 2007 1� / SPRING 2007


Analog InputsConnectors:Impedance:Max. Input Level:Sensitivity:A to D Conversion:A to D Delay:Dynamic Range:THD:Frequency Response:Crosstalk:Analog OutputsConnectors:Impedance:Max. Output Level:Full Scale Output Range:D to A Conversion:D to A Delay:Dynamic Range:THD:Frequency Response:Crosstalk:Digital Inputs and OutputsS/PDIF In/Out:Formats:Sample Rate:

1/4” phone jack, unbalanced (Ring: grounded)1 MOhm+21 dBu@ 15 dB headroom: -26 dBu to +6 dBu24 bit (1 bit, 128 times oversampling)0,9 ms @ 44.1 kHz>105 dB0.003% @ 1 kHz, 6 dB below full scale+0/-0.5 dB (20 Hz - 20 kHz)<-60 dB (20 Hz - 20 kHz)

1/4” phone jack, balanced100 Ohm (active transformer)+22 dBu-10 dBu to +22 dBu24 bit (1 bit, 128 times oversampling)0.6 ms @ 44.1 kHz>100 dB0.005% @ 1 kHz, 6 dB below full scale+0/-0.5 dB (20 Hz - 20 kHz)<-60 dB (20 Hz - 20 kHz)

Coaxial, RCA TypeEIAJ CP-340, IEC 958, S/PDIF (24 bit)44.1 kHz

PCMCIA InterfaceConnector:Standards:Card Format:Control InterfaceMIDI:External control:GeneralFinish:

LED:LCD:Dimensions:Weight:Mains Voltage:Power Consumption:Backup Battery Life:EMCComplies with:

SafetyCertified to:EnvironmentOperating Temperature:Storage Temperature:Humidity:

PCMCIA Type 1 cardsPCMCIA 2.0, JEIDA 4.0Supports up to 2 MB SRAM


Anodized aluminum face. Plated and painted steel chassis3 LED meters, 5 x 14 dot LED-matrix56 x 128 dot graphic LCD-display19” x 1.75” x 8.2” (483 x 44 x 208 mm)5.0 lb. (2.25 kg)100 to 240 VAC, 50 to 60 Hz (auto-select)<20 W>10 years

EN 55103-1, EN 55103-2 andClass B limits of FCC rules, part 15

EN 60065, UL 1419

32 °F to 122 °F (0 °C to 50 °C)-22 °F to 167 °F (-30 °C to 70 °C)Max. 90% non-condensing

MainPowerSwitch

Hi-Z UnbalancedInputs

BalancedOutputs

PowerInput

100 - 240V

MIDIIn,Thru,Out

S/PDIFDigital In/Out

ExternalControl Input

Digital Input and OutputConnector:Formats:Sample Rates:Processing Delay:Frequency Response DIO:

Analog InputsConnectors:Impedance, Bal / Unbal:Max. / Min. Input Level @ 0 dBFS:Sensitivity Range @ 12 dB headroom:A to D Conversion:A to D Delay:Dynamic Range:THD:Frequency Response:Crosstalk:

Analog OutputsConnectors:Impedance Bal / Unbal:Max. Output Level:D to A Conversion:D to A Delay:Dynamic Range:THD:Frequency Response:

RCA Phono (S/PDIF)S/PDIF (24 bit), EIAJ CP-340, IEC 95844.1 kHz. (48 kHz only @ Digital Input)0.08 ms @ 48 kHzDC to 23.9 kHz ± 0.01 dB @ 48 kHz

1/4” phone jack, mono sense21 kOhm / 13 kOhm+24 dBu / 0 dBu

-12 dBu to +12 dBu24 bit, 128 x oversampling bitstream0.70 ms / 0.65 ms @ 44.1 kHz / 48 kHztyp < -92 dB, 22 Hz to 22 kHztyp < -90 dB (0.0032 %) @ 1 kHz, -1 dBFS+0/-0.1 dB, 20 Hz to 20 kHztyp < -100 dB, 20 Hz to 20 kHz

1/4” phone jack40 Ohm / 20 Ohm+14 dBu24 bit, 128 x oversampling bitstream0.68 ms / 0.63 ms @ 44.1 kHz / 48 kHztyp < -105 dB typ, 22 Hz to 22 kHztyp < -97 dB (0.0014 %) @ 1 kHz, +13 dBu

Crosstalk:

EMCComplies with:

SafetyCertified to:

EnvironmentOperating Temperature:Storage Temperature:Humidity:

Control InterfaceMIDI:Pedal:

GeneralFinish:

Display:Dimensions:Weight:Mains Voltage:Power Consumption:Warranty Parts and labor:

+0/-0.5 dB, 20 Hz to 20 kHztyp < -100 dB, 20 Hz to 20 kHz


IEC 65, EN 60065, UL6500 and CSAE60065CSA FILE #LR108093


In/Out: 5 Pin DIN1/4” phone jack

Anodized aluminum frontPlated and painted steel chassis2 x 7 segment + LED’s19” x 1.75” x 4.2” (483 x 44 x 105.6 mm)3.3 lb. (1.5 kg)100 to 240 VAC, 50 to 60 Hz (auto-select)<15 W1 year

BalancedJack

AnalogInputs

MIDI In/Outfor G-MinorConnection

Digital InSwitch

BalancedJack

AnalogOutputs

Power Input 100 - 240V(Internal Power Supply

No Wall-wart)

Pedal Input for TC Switch-3Connection

Auto-sensing Digital In & Out

@ 44.1 & 48 kHz

SPRING 2007 / 1�SPRING 2007 / 1�


Digital Inputs and OutputsConnectors:Formats:Output Dither:Sample Rates:Processing Delay:Frequency Response DIO:Analog InputsConnectors:Impedance, Bal / Unbal:Max. Input Level:Min. Input Level for 0 dBFS:Sensitivity:A to D Conversion:A to D Delay:Dynamic Range:THD:Frequency Response:Crosstalk:Analog OutputsConnectors:Impedance Bal / Unbal:Max. Output Level:Output Ranges:

D to A Conversion:D to A Delay:

RCA Phono (S/PDIF)S/PDIF (24 bit), EIAJ CP-340, IEC 958HPF/TPDF dither 24/20/16/8 bit44.1 kHz, 48 kHz0.1 ms @ 48 kHzDC to 23.9 kHz ± 0.01 dB @ 48 kHz

1/4” phone jack, balanced21 kOhm / 13 kOhm+24 dBu0 dBu@ 12 dB headroom: -12 dBu to +12 dBu24 bit, 128 x oversampling bitstream0.65 ms / 0.70 ms @ 48 kHz / 44.1 kHz100 dB typ, 20 Hz - 20 kHztyp < 92 dB (0,0025 %) @ 1 kHz+0/-0.1 dB @ 48 kHz, 20 Hz to 20 kHz<-95 dB, 20 Hz to 20 kHz

1/4” phone jack, balanced40 Ohm+20 dBu (balanced)Balanced: 20/14/8/2 dBuUnbalanced: 14/8/2 dBu24 bit, 128 x oversampling bitstream0.63 ms / 0.68 ms @ 48 kHz / 44.1 kHz

Dynamic Range:THD:Frequency Response:Crosstalk:EMCComplies with:Certified to:

EnvironmentOperating Temperature:Storage Temperature:Humidity:Control InterfaceMIDI:Pedal:Relay closure (separate tip & ring connection to sleeve):GeneralFinish:

Display:Dimensions:Weight:Mains Voltage:Power Consumption:Warranty Parts and labor:

104 dB typ, 20 Hz to 20 kHztyp <-94 dB (0.002 %) @ 1 kHz, +20 dBu Output+0/-0.5 dB @ 48 kHz, 20 Hz to 20 kHz<-100 dB, 20 Hz to 20 kHz

EN 55103-1 and EN 55103-2FCC part 15, Class B, CISPR 22, Class BIEC 65, EN 60065, UL6500 and CSA E65



1/4” phone jack

Anodized aluminum frontPlated and painted steel chassis23 character / 280 icon STN-LCD display19” x 1.75” x 8.2” (483 x 44 x 195 mm)4.1 lb. (1.85 kg)100 to 240 VAC, 50 to 60 Hz (auto-select)<15 W1 year

Switch OutRelay Jack

Power Input100 - 240V

Digital S/PDIFInput/Output

ExternalControlInput

Balanced JackAnalog Inputs

Balanced Jack Analog Outputs

MIDIIn, Thru, Out

TC Support Interactive

TheTCSupportInteractivewebsiteisdesignedasanonlinesupportandinformationcenter.Allresolved

problemsarestored inadatabasesearchablebyproduct, category,keywords,orphrases.Under the

section “My Stuff” you can login to check the status of your questions, download file attachments

andmuchmore.Weconstantlyupdatethedatabaseandyouwillfindthesitetobeahugeresourceof

information.BrowsethroughQ&AsanddiscovernewaspectsofyourTCgear.Ifyoucan’tfindananswer

online,feelfreetosubmitaquestiontoourtechnicalsupportstaffwhowillthenreplytoyoubyemail.

TheTCSupportTeamisonconstantalerttohelpyouinanypossibleway.Ap

ril 2

007

/ Pro

d. N

o: 6

1260

0211

© TC Electronic A/S 2007. All product and company names are trademarks of their respective owners.All specifications subject to change without notice. All rights reserved.

T C E l E C T r o n i C A / S • S I N D A L S V E J 3 4 • D K - 8 2 4 0 R I S S K O V • D E n m A r k • ✆ + 4 5 8 7 4 2 7 0 0 0 TC ElECTroniC inC • 5 7 0 6 C O R S A AV E N U E , S U I T E 1 0 7 • W E S T L A K E V I L L A G E • C A 9 1 3 6 2 • USA • ✆ ( 818 ) 665-4900

info@TCElECTroniC .Comw w w. t c e l e c t r o n i c . c o m

www.tcelectronic.com/support

Get the full TC Electronic brochure range:

Contact your nearest dealer for more info

Guitar Processing - c3. · PDF fileV1 and X1 5 Nova Pedals 6 ... Rock Solid User Interface...

Documents

Transcript of Guitar Processing - c3. · PDF fileV1 and X1 5 Nova Pedals 6 ... Rock Solid User Interface...