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Guitar Play-Along Vol.100 - B.B.king
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Transcript of Guitar Play-Along Vol.100 - B.B.king
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.•LEONARD
Play 8 Songs with Tab and Sound-alike CD Tracks
Just Like a Woman
PayingtheCostto Bethe Boss
Please Accept My Love
Rock Me Baby-
Sweet Little Angel
Sweet Sixteen
Why l Sing the Blues
You Upset Me Baby
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.•LEONARD
CONTENTS
Demo TrackPlay-Along Track
Just Like a Woman
Paying the Cost to Be the Boss
Please Accept My Love
Rock Me Baby
Sweet Little Angel
Sweet Sixteen
Why l Sing the Blues
You Upset Me Baby
TUNING NOTES
Cover photo © Fernando Aceves / Retna, Ltd.
ISBN 978-1-4234-5193-8
HAL»LEONARDl RD. P.O.BOX 13819 MILWAUKEE. Wl 53213
For all works contained herein:Unauthorized copying, arranging, adapting, recording, Internet posting, public performance, or other distributionof the printed or recorded music in this publication is an infringement of Copyright.Infringers are iiable under the law.
Visit Hai Leonard Online atwww.halleonard.com
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Just Like a WomanBy B.B. King
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Paying the Cost to Be the BossWords and Music by B.B. King
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Copyright© 1968 SONGS OF UNIVERSAL, INC. and UNIVERSAL MUSiC - CAREERSCopyright Renewed
All Rights Controlled and Administered by SONGS OF UNIVERSAL, INC.All Rights Reserved Used by Permission11
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act like you don't wan - na lis - ten
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when I'm talk - in' to you. You think you ough - ta do, ba - by,
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ba - by, you just got - ta be. out of your mind. _
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As long äs I'm pay - in' the bills, _
12
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Addittonal Lyrics
3. Now that you got me, you act like you're ashamed.You don't act like my woman, you're just usin' my name.l teil ya, I'm gonna handle all the money and I don't want no backtalk,'Cause if you don't like the way I'm doin', just pick up your things and walk.You gotta be crazy, baby, oh, you must be out of your mind.As long äs I'm payin' the bills I'm payin' the cost to be the boss.
15
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Please Accept My LoveWords and Music by B.B. King and Saul Bihari
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Copyright© 1970 by Universal Music - CareersCopyright Renewed
International Copyright Secured All Rights Reserved
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I'11 end my life. to be_ with you.
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love? 4. If you let me be your
§— 7* — 7* — Jr "*•
7
VerseG
j p* £•
slave, _
— i= ^— — - — ^ — L, 1 — — \i
n Q n fi
3*\ fi
D7
A ,, m^-^m m^ ^* h * * 'Jr ffi \ ^* 0 9 0
V\ ^ ^ ^
yonr love, T'll cher-ish to mv
"$> ^
u -^ "^xtf m m' ^ £3° \
grave
^ -^ [ [ J- i 1 J 1 1 i
«mm 1? 11 m 11 11
m1?
And if you die be - fore.I do,.
^JOlJl
-a/10 o/1Q-W--«--f3—tt—«--tfl-
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N.C.G/B C Ctt°7 G/D F#7 G7
=l=fc^l
«I'11 end my life to be with you.
1/4
tfl-^ 3^
-6 7-^ 6--6 T-
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Rock Me BabyWords and Music by B.B. King and Joe Bihari
Intro i-jModerately slow J = 89 (J~J = J
C7
e b.
vwvwwww vwvwvwwv
mfw/ clean tone wwwvwvw vwwwvww
HH
s:fr ^ ^^
vwwwvww
C7vwvwvww
G7VWWWVVW
wwvwww
n
wwvwww vvvwwww
M M
^e^ -w^ ^H-
F7 wwvwwvw C7wwvwwvw
"*-|
G7vwwwwvw
-*-
1
wwwwvwv-J3-
vvvvvvwwvv wvvwwww
M
10 tt
22
Copyright© 1964 by Universal Music - CareersCopyright Renewed
International Copyright Secured All Rights Reserved
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V" l/ 1€
; Verse
C7
K - — . v S • «, J) m m m m *, * % 1 1 • im r r 7 I im^ m.^—^^ ^__^_ U
1 . Rock me, ba - by, rock rr2., 3. See additional lyrics
vwvwvwvwvwwvww
f "T-f f f L' • «Y 1 r *, ^
vvvvvvvvvvvvvvvvvvvvvvep
H H
* m m
l 3 ,
' > m * \ ,1 • b« • P ^ re. all night
vvvvvvvvvvvvvvvvvvvvvv
- bf^f £L' 1 r v 1 /, 1
VVVVVVVVVVVVVVVVVVVVVV}n
•n
F7
//p» P* J
Inner
%J
- ' 0
\
- h
mi
vvvvvvvww
1 r
vvvvvvvww
/
in
P h
^
vvvvvvvvvvv
1 17/
vvvvvvvvvvv
«y V U ^__^ — ?: — j — i ^_ — . — j — __
Rock me, ba - by.
wvwwvwvvw
fz ^~Sz ^~P~
^ —
HO
-IC
11
C7
Hon - ey, rock me all night long
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wvwvwvwwwwwwww-J3-
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PH
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G7 F7l -J (r f f r -' i^^
I want you to rock me, ba - by, like my back ain't got no
VWVWWWWWWVWWVW wvwwwvwvwvwv
t5^vwwvvwvwvwvwvwvw vwwwwvwwwvw
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Corfa
C7 G7
Guitar SoloC7
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b<
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2
me.
t,7
in
^ k
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*-^f ffL^! E ?
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•7
n
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m
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Al_ I I ! i* *%— L~= — i E *0 3 ! L J J
51/4 1/4
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a / /8 m R n fl
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1/2t
m
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vwwvw
y?T- K- - -»j r
m
^ \ 5i — ' ^ — u- —i it n f/ o n 1 1
-J k^ T' ?P J L l
1/4vvvvvvvvvvvvv 1 vwwvw
(•\ \ /
TÖ Ö
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pC7
"v.
mwwvwvw
1 1 1/2
t f t1 11 1
m m
vvvwwvwX
7
m
AG7
st
m mil y ö
F7C7•vvvwvwv
£ rake-Hl
B t
1/2A VWVVWW
/
WO o
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m nm n
7
G7
D.S. al Coda -§- Coda
' n
Outro Repeat and fadeG/ C7 wwvwvwv
Im»J
EL-1r v i ^ i
^^^^
wwvwvwvD 0
11
1U
Additional Lyrics
2. Roll me, baby, like you roll a wagon wheel.Want you to roll me, baby, like you roll a wagon wheel.Want you to roll me, baby, you don't know how it makes me feel.
3. Rock me, baby, honey, rock me slow.Hey, rock me, pretty baby. Baby, rock me slow.Want you to rock me, baby, 'til I want no more.
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Sweet Little AngelWords and Music by B.B. King and Jules Bihari
IntroSlow Blues J =64
ctt D#m7A-,
/L ' n ^"«4» —»J ,. 4«/
w/ clean tone
1
t g
T / n H OA ll'A
3- 1 l fi ^*
it
9 L n11 11 0
-\-\1 m o
F#7
12 13 1414" 12X13 12X131414 -H 14 14 9 11
8 10
ÄG#7
Verse
ctt
l.ttft -•—£ P1. Got a sweet 'lil an - sei.
£ mtJ
12 11 9 9^ T- H- -H H—9-
11 9-M- -W-
26
Copyright © 1956 by Universal Music - CareersCopyright Renewed
International Copyright Secured All Rights Reserved
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I love the way.she spreads _ her wings. _
«7
Jbtztiri-9—r-H « M M—9 » 9^48^
G7
Yes, _ got a sweet 'lil an - gel..
~B '
11 9
üttm?
I love the way.she spreads her wings. _
9 ^—
Em7
-44-
Yes,.
9 ^8 9-
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Gtr. tacet
D#m7
when she spreads her wings a-round me, _ I gets j o y _ and ev-'ry-
D#m7
p:thing. 2.1
i*E l
1 1t £s
1/4
t
12 11 9 9^7 S^H M— -9—tt- -H-
-H- -H-
asked my ba - by for a nick-el and she gave me a twen-ty dol-lar bill
p
11 11
ctt ctt?
i»—*
wvvwvww1/4
t
Yes, asked my ba -
-H 9-H- -M-9 14 14
11 11
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G7 F#7
by for a nick-el.and she gave me a twen-ty dol-lar bill.
9 11
C#maj7D#m7E#m7Em7
D#m7F#7
her for a lit-tle drink o' liq-uor,and she gave me a
11 9
CttD#m7
whis-key still
9—tt--9—W-M-
-9 M-
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Guitar SoloC»
1/2•vwvwwvww
13—14—pH (W) 12 12—7— -1 4 M 4 1 4 12
«^43—14 14 i-4414 14-
l>-<44>- -t2 13 14 14 14 12 i 14 42
1/4
^y ww-(42) 24 - 12X11 9 9- H-
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b-^ Ü-*-
f
Em7
r ^P *P M M f M M Mvwvww
12 13 13 14 « 14 13 14 14 *3 14 13 14
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D#m7
cttüttmVG#7
ZZ '"1 ff J.T1*t ~fn> ' I H
_- { r i F f.«J
3. Hey, _ if
vwvw
0 tt tta Jt 1 *-Jt_Jt_E m ^U 'Jh *>r ftftt A -^ — - — — Ei c — P — - r'T^r r~ CO ff W 77 r r~ r 1
U«^»yv«^ nn«T«^i>r 77 / ' 0 * ' 'r
j -- => , sWWW
MQ 11 Q ^— - " •— •—
11
Verse
CÖ7
(V H Yff 7 — ' — H — T — T — T — fi — T — r tT l — l—1 ^my ba - by should quit me,
0 tt Öu A Jf ffW"tt tfll 1. 9. f\_ ~U ftltTTW _• >. p v «»f/Ts ff n]J u i n 7 70j r
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^ c i ' ' • j a ^' '|^ _ •? ' ' •~»-J
T.nrd, T dn he, - liftve.
cttC#7
I would die.Yes, if
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F#7 G7 F#7
A- ' T/I ffj^fl — T< — 1 L j — ' — l
my ba - 1
fr> " U ff
p-f — ry}y should quit me,
LU-Ä- —pn-jP- — —
t T Y\
^~~
m
| f i 1 1 1 ;
T.ord, T do he - lieve
"iiültf- LUl - Jlti-Ä--JJtT-jp- pl- p- JjTt -jp-
) • yb ^/ 7 )/ i
y o ^-* y> p — - n
V s>
"^— -^
g F —
T would
D#m7 Em7
f\ ' Tl iW LL T *T 2 * ' * *
tJ '
die.
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-• * ^s?J _^ *•J. ^«*l ^^^ 1
Yes.
c * C ~ ~ C ' ' C ' « « « « ^p F F F1 1 11 L^
p p p Pvr r r v •» — •_J 2
Gtr. tacet
Dttm7 N.C.
-
If you don't love me, lit-tle an - gel, please _ teil me the rea - son why
ÄD13
r\« r r r
i P-
let ring -
-9 9 9 =H ?—^-W tt tt M fc^tt-
^J2 9^-H tt--«-
-H- -H-
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Why l Sing the BluesWords and Music by B.B. King and Dave Clark
IntroModerately J = 120
C7
\&*l -
k
*
/p• —
OT/"
w/ clean tone1t
-w m
^ , ^ ^ r f T * f
1/4j
t i — s — 8 — — 11 n" |
.^vvvvwvvvv
jff, i — * i r . J AS e p ** ti1ivwvwvw
^ 8 H _8
RF — — — r=^- r r T=g \-j— \ i ^ — \ .i i — j1/2
8 « 8 tt=^
•VWVWVVVi1/4
--tfl--ffl 8-tt-
1/4t
1/2
tt-
C7
p£f=i t=^8
•
8
* \
vwvvwv»•" "••
vwvvvvv
9
wvw%ww •
*
vwvwww
1
ru
8 1
9
•vvwwvwv
— V». \\m f ~J~^- — r n
wwvwvw
8 8 M8 9
Copyright © 1969 SONGS OF UNIVERSAL, INC. and UNIVERSAL MUSIC - CAREERSCopyright Renewed
All Rights Controlled and Administered by SONGS OF UNIVERSAL, INC.All Rights Reserved Used by Permission33
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G7 F7 C7
W^ ^~^ — B — 1 —»m r~ j i j ta^J l
i8 m m
a gm
/ L
1/2 l_^x x — N wvww /. — N ^y
m n» m
n 11
1. Ev - 'ry - bod - y wants to know2. - 6. See additional lyrics
v/hy _ I
i^w w- ra^
F7
WH * — * — ?^f — 1 1 '- — - 'sing the blues.
0 f fJ/ \ \^_ T n •» f n *•im r L' ' r \f 1SjZ r v ^
8 0
D 0
Q 0
/ ' r
Yes I
f f
r r r r
8 0
« 0
9 0
E5 — i ' — -J — P
say e.v -'ry-hnrl - y wan-naknow
T l V T ll •»i J / 1 L> /
8 V
in vn Y
C7
\^ ' r
why I
f\_ > ' N ^ > f\*f fl\- / / r L/ /
e v
m v8 v
F i r J *— l 1 ^^^
sing the blues
f fv p N iT n •< f T •/1 U / 5. J 1~ r r '
o0 0
9 n
/ )|e —
Well,
f\ Yf n "/ Tr L' ' r~ T ~
4-fl
n
Fve been a -
\j i
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6th time, To CodaG7F7C7
round a long time.I real - ly have _ paid my dues.
A •*• •*• •*• •*• T*" 1A fr fr fr fr *
jr \ i. n A. f v •* T L' *> f m f- r / f- r 7N n Y nf L^ •* t L' •< f. r / f. r 7
N P V
T n •/ f f L^ 7 J
r9) «<
> 7
A AXV
AAUUm
4th time, substitute Fill l
G7Play 4 times
Guitar Solo
C7
-
2. When I
ww wwv
p1/4
WW WWV
1/4wvw ./
m19m
19 19m in
.
1 111 11 11
1 111 11
1/41/4wwv _J J ^ N www J ^r ^ ___^ J ww
•«•J 10 ^o /1«N 44 HH /H-l\» /-40\4
1111
Fill 1
0 "f F jf \ \ ^_ f •< 1 T »'L'fn> r ' / r 1 Yt;
m919
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G7Sva
-n- -H 13-
F7 C7
-J»3- -w n—12—13^3-
1/4
-H--13- -^3- 11 13
G7
loco
-tfl-
D.S. al Coda(take repeat)
5. My
G7
l
Outro-Guitar SoloC7
A WWW
Jr ' f -/Q_ ff v ff " ff ^ ^Co p — l — 5 — * — r 4 — i —-^f — r r 1 '
1/4
www __y
11 11 11
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11 11
A^-^\p * p
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BeginfadeF7
8va-wwwvwv
A^_
X1 1WWWWWWWWVA
1/4A
11
G7
1/4 1/4 1VVVVVVV r v www > wwv wwv __/ _/ > — N
11n 11
F7C7G7
^L «• V \9 7 E >^-i) ' — 3 — i
1
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1/4
WWW f
10 1 i
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1/4
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80
m m
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Additional Lyn«
2. When I first got the blues, they brought me over on a ship.Men were standin' over me and a lot more with the whip.And ev'rybody wanna know why I sing the blues.Well, I've been around a long time. Mm, hmm, I've really paid my dues.
3. I've laid in the ghetto flats, cold and numb.I heard the rats teil the bedbugs to give the roaches some.Ev'rybody wanna know why I'm singin' the blues.Yes, I've been around a long time. People, I've paid my dues.
4. I stood in line down at the county hall.I heard a man say, "We're gonna build some new apartments for y'all."And ev'rybody wanna know, yes, they wanna know why I'm singin' the blues.Yes, I've been around a long, long time. Yes, I've really, really paid my dues.Now I'm gonna play Lucille.
5. My kid's gonna grow up, gonna grow up to be a fool,'Cause they ain't got no more room, no more room for him in school.And ev'rybody wanna know, ev'rybody wanna know why I'm singin' the blues.I say, I've been around a long time. Yes, I've really paid some dues.
6. Yeah, you know the Company told me, "Guess you're born to lose."Ev'rybody around me, people, it seem like ev'rybody got the blues.But I had 'em a long time. I've really, really paid my dues.You know, I ain't ashamed of it, people. I just love to sing my blues.
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Sweet SixteenWords and Music by B.B. King and Joe Bihari
IntroModerately slow Blues J = 60
8vaC#7
wwwwwwvwwv
mfw/ clean tone wvwvwvwwwwv
-M--J3 -H 9-
F#7 D7Sva-
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^ 1 «J l D4H
p
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p p— 1— 1 | — — £ — — y • *H
A WWWVWVWWW WVWW ~^^^
"1R ' 91 ' i _"
ctt? FÖ7
X ^tt fliiffjl — m *4lr<T> tt B ff rtj — — i
WWW
-^
^ — * — * — p p —4 2 1 £ T n —1 — 1 V — J
14Ä •WWW
1.4 U
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14 14 14 14 16 T
-> PH— P
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~1 H M -\A
wwwwwww
•i y *j *f_
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wwwwwww
tt-45-
38
Copyright © 1967 by Universal Music - CareersCopyright Renewed
International Copyright Secured All Rights Reserved
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rake - H
1 1/4^V t g t
K-, v 11 Q ' Q
'VVVWVW
90 m11 11
Q
G#7Sva--
« — ra M — m u<t/ — n. — \c3 ^ 'N
1111 Q 1— n
G°7
wwvvwvwvwwv
vwvwwvwwww
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n 1
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F#7*_! P .
^1. When I first met you, ba - by, ba - by, _
•WWVWWWW
^^^wvw
9 ^
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First met you, _ ba - by,
lord, _ you were just. sweet six - teen. _
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G#7F#7
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You'd just left your
*—m '_m m i
lome then,
— w
F F —— 1- r bj— F — v^ ^ : >_ ba - by. Oh, the
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L i „ J \
rake H j^ww f~^\wn ** ^^^^ n -t-t n n
C#7
sweet-est thing.I'd ev-er seen..vwwwwv
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11 7 X8
2. But you would-n't do noth- ing, baby,WW . JJ
1/4
M~9
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you would -n' t
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io an - y - thing T
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asked ya to.wwv /^-
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n /Q Q
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You would-n't do noth-in' for _ me, ba - by, oh, you would-n't
8va-
r-3-,
do an - y - thing. I asked you to..
Sva
/2S ml 1/2
11 11
Gfr
You know you ran a - way from your home, _ ba - by, and now_
cttv
you wan-na run a - w a y . from old. B. too. _
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: r •*l r "i*: L
opffqpS
v;OB"c
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G#7 - -Noth - ing in the world, ba - by, lord, there
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C#7
ain't noth-ing, noth-ing in the world I would-n't do for you.
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Guitar Solo
C#7wvwwvw Sva
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ot back from Vi-et - nam, _ baand ya know Fm a long, long
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G#7
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G#7
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call my name
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You Upset Me BabyWords and Music by B.B. King and Jules Bihari
Intro r-j-iModerately J = 114 (J~J = J J1)
D9 Eb9 E9 F9 F#9 G9 N.C. 3_ ^3_/--.Z»* — •• • - .—
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Copyright© 1954 by Universal Music - CareersCopyright Renewed
International Copyright Secured All Rights Reserved
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C9
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p3 C R
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Additional Lyrics
2. Well, she's not too tall, complexion is fair.Man, she knocks me out the way she wears her hair.You upsets me, baby. Yes, you upsets me, baby.Like bein' hit by a fallin' tree, woman, woman, what you do to me.
3. Well, I've tried to describe her, it's hard to stop.I better stop now because I got a weak heart.You upsets me. Well, you upsets me, baby.Well, like bein' hit by a fallin' tree, woman, what you do to me.
4. Well, I've tried to describe her, it's hard to stop.I better stop now because I got a very weak heart.You upsets me, baby. Yes, you upsets me, baby.Well, like bein' hit by a fallin' tree, woman, what you do to me.
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THE MUSICAL STAFF shows pitches andrhythms and is divided by bar lines intomeasures. Pitches are named afterthe firstseven letters of the alphabet.
TABLATURE graphically represents theguitar fingerboard. Each horizontal linerepresents a string, and each numberrepresents a fret.
HALF-STEP BEND: Strike the note and bendup 1/2 Step.
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HAMMER-ON: Strike the first (Iower) notewith one finger, then sound the higher note(on the same string) with another finger byfretting it without picking.
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TRILL: Very rapidly alternate between thenotes indicated by continuously hammeringon and pulling off.
TREMOLO PICKING: The note is picked äsrapidly and continuously äs possible.
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Guitar Notation LegendNotes:
BEND AND RELEASE: Strike the note andbend up äs indicated, then release backto theoriginal note. Only the first note is struck. '
S B
f iStrings:high E
BG
A
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x
4th string, 2nd fret Ist & 2nd strings open, open D chordplayed together
WHOLE-STEP BEND: Strike the note andbend up one step.
PRE-BEND: Bend the note äs indicated, thenStrike it.
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A
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PULL-OFF: Place both fingers on the notesto be sounded. Strike the first note andwithout picking, pull the finger off to soundthe second (Iower) note.
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iTAPPING: Hammer ("tap") the fret indicatedwith the pick-hand index or middle finger andpull off to the note fretted by the fret hand.
VIBRATO BAR DIVE AND RETURN: Thepitch of the note or chord is dropped aspecified number of Steps (in rhythm), thenreturned to the original pitch.
GRACE NOTE BEND: Strike the note andimmediately bend up äs indicated.
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VIBRATO: The string is vibrated by rapidlybending and releasing the note with thefretting band.
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LEGATO SLIDE: Strike the first note andthen slide the same fret-hand finger up ordown to tbe second note. The second noteis not struck.
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NATURAL HARMONIC: Strike the notewhile the fret-hand lightly touches thestring directly over the fret indicated.
VIBRATO BAR SCOOP: Depress the bar justbetöre striking the note, then quicklyrelease tbe bar.
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SUCHT (MICROTONE) BEND: Strike thenote and bend up 1/4 step.
PALM MUTING: The note is partially mutedby the pick hand lightly touching thestring(s) just betöre the bridge.
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SHIFT SLIDE: Same äs legato slide, exceptthe second note is struck.
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PINCH HARMONIC: The note is frettednormally and a harmonic is produced by addingthe edge of the thumb or the tip of the indexfinger of the pick hand to the normal pick attack.
VIBRATO BAR DIP: Strike the note and thenimmediately drop a specified number ofSteps, then release backto the original pitch.
Additional Musical Definitions
H (accent) • Accentuate note (play it louder).
(staccato)Play the note short.
Fill
N.C.
Label used to identify a brief melodicfigure which is to be inserted into thearrangement.
Harmony is implied.
D.S. al Coda
D.C. alFine
Go back to the sign ( % ), then play untilthe measure marked "To Coda," then skipto the section labelled "Coda."
Go back to the beginning of the song andplay until the measure marked "Fine" (end).
1. Hlr
Repeat measures between signs.
When a repeated section has differentendings, play the first ending only the firsttime and the second ending only thesecond time.
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The Guitar Play-Along Series will help you play your favorite songs quickly and easily.Just follow the tab, listen to the CD to hear how the guitar should sound, and then playalong using the separate backing tracks.The melody and lyrics are also included in thebook in case you want to sing, or to simply help you follow along.
The CD is playable on any CD player, and is also enhanced so Mac and PC users canadjust the recording to any tempo without changing the pitch!
Just Like a Woman
Paying the CosttoBe the Boss
Please Accept My Love
Rock Me Baby
Sweet Little Angel
Sweet Sixteen
Why l Sing the Blues
You UpsetMe Baby
UNIVERSAL MUSIC
PUBLISHING GROUP
Book $6.99, CD $8.00 = Pkg U.S. $14.99Parts not sold separately
EXCLUSIVELY DlSTRIBUTED BY
•84088"20105'HL007004ßfi
ISBN 978-1-4234-5193-