Guide to Beading Tools

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    Guide to Beading Toolsand Jewelry Supplies,

    3 F P

    fromBeading Daily

    o Lrn How o Us YourJwlry Mking Sulis

    plus

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    iiContents

    1

    3

    1

    2

    3

    Stgg MtsJean CaMpbell paGe 1

    ToosJean CaMpbell paGe 7

    bdg ndsJean CaMpbell paGe 8

    pojcts:

    Co Dms egsbarbara naSlunD paGe 9

    rch's Wddg bctrebeCCa CaMpbell paGe 11

    Fmco bd nckclinDa arline HarTunG paGe 13

    Tchqs paGe 15

    Guide to Beading Tools and Jewelry Supplies,

    3 F Po Lrn How o Us Your Jwlry Mking Sulis from Bding Dily

    plus

    2

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    Gemstone Beads for Jewelry Making:4 Free gemstone jewelry making Projects

    Plus Bonus Guide to Using Gemstones from Bdg Dy

    tor, beadingdailyJenniFer VanbenSCHOTen

    sgr JaniCe Tapia / potograpyJOE COCA, ANN SWANSON

    Projects and inormation are or inspiration and personal use only. BeadingDaily,Beadwork, and Stringingdo not recom-mend, approve, or endorse any o the advertisers, products, services, or views advertised in this publication. Nor doBeadingDaily, Beadwork,or Stringingevaluate the advertisers claims in any way. You should, thereore, use your own judg-ment in evaluating the advertisers, products, services, and views advertised in BeadingDaily, Beadwork,and Stringing.

    iii

    Guide to Beading Tools and Jewelry Supplies, PlusThree Free Projects to Learn How to Use Your Jewelry

    Making Supplies

    I have just as many drawers ull o stringing wire, bead-

    ing pliers, fndings, and beading thread as I do drawers

    ull o beads! Some days, it seems like every beading

    project that I make requires its own set o beading tools

    and jewelry-making supplies. When I frst got started in

    beading, I never dreamed that I would have such a large

    collection o jewelry-making pliers, stringing wires, bead-

    ing threads, crimps, clasps, scissors, and wire cutters.(And lets not orget my beading awls, pearl knotting

    tool, wire straightener, or jump-ring opener!) Some o

    my tools are quite simple I have a couple o wooden

    dowels that Ive used or years to provide support when I

    do beading stitches such as Arican helix or tubular right-

    angle weave. But its important to know which beading

    tool is the right tool or the jewelry-making task at hand.

    Thats why were so pleased to bring you some very

    helpul inormation rom Jean Campbells comprehen-

    sive resource Getting Started Stringing Beads. Jean has

    seen it all when it comes to beading tools and jewelry-making supplies, and she shares her picks or a well-

    stocked beading tool kit. Once you have a better idea

    o what kinds o beading tools, jewelry-making pliers,

    beading thread, stringing wires, and beading needles are

    out there, its time to sit down and make some beaded

    jewelry! To get you started, weve included three abu-lous jewelry-making projects in this ree eBook.

    Start by using your new jewelry-making pliers and

    create a pair o Barbara Naslunds Copper Dream Ear-

    rings. Easy enough to make using some basic jewelry-

    making pliers and your avorite glass beads, and you

    can also make these using gemstone beads or a more

    organic look. Once youre comortable with your pliers,

    its time to move on to the abulous multi-strand proj-

    ect, Rachaels Wedding Bracelet by Rebecca Campbell.

    Rebecca designed this bracelet or her sisters wedding,but it also works or your next night on the town! Finally,

    get down to some serious stringing when you make Linda

    Hartungs Flamenco Braid Necklace. This show-stopping

    piece is most defnitely worth the eort and reminds me

    o necklaces Ive seen in my avorite vintage-jewelry shops.

    We think youll love our new Guide to Beading Tools

    and Jewelry Supplies, Plus Three Free Projects to Learn

    How to Use Your Jewelry Making Supplies eBook. Its a

    great resource or anyone who loves to make beaded

    jewelry and wants to make jewelry that is sure to last a

    lietime!

    Jennier VanBenschoten, Beading Dailyeditor

    Guide to Beading Tools and Jewelry Supplies,

    3 F Po Lrn How o Us Your Jwlry Mking Sulis from Bding Dily

    plus

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    More wonderul beadwork projects are available at shop.beadingdaily.com/jewelryprojects

    2011 Interweave Press LLC. Not to be reprinted. All rights reserved.page 1

    StringingMaterialS

    nh s ws h hv yu jwy sch, s,

    f p wh yuv wk s h pu h, s

    f ch pc yu mk, cs h h s m-

    s s mp, f m s, h h bs! i sh hs, c, w h kp yu bs h

    ws hm b wb bufu f

    m. H sv s ms suss

    hw us hm.

    Beading wire (brand names Accuflex, Acculon, Beadalon, Soft Flex)

    is a very flexible nylon-coated multistrand steel wire available in diam-

    eters from .010 to .024. Choose the widest diameter for large, heavy, or

    abrasive beads; a medium diameter for crystals and small lampworked

    beads; and the smallest diameter for beads with small holes like pearls

    and seed beads. Use a wire cutter to cut this stringing material.

    fromGetting Started Stringing Beads

    (Interweave, 2005)

    Jean Campbell

    PhotosfromG

    ettingStartedStringingBeadsJoeCocaandJeanCampbell

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    Braided thread (brand names Dandy Line and PowerPro) is an extremely

    strong, synthetic thread also used for fishing. It has great strength (1020pound test), is very thin (.006 diameter), can be knotted, and comes in two

    colorsmoss green and white. Because of the angle of their blades, chil-

    drens Fiskars scissors cut these materials better than other scissors.

    Elastic cord (monofilament, Illusion cord) comes in wide (1 mm) and thin

    (.5 mm) styles and is best used for stretch bracelets. Secure this cord with

    knots or crimp tubes. Use a scissors to cut it.

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    Hemp cord is made up of natural fibers and is the best selection for macram.

    Use a scissors to cut this cord. This cord can be cut with a scissors.

    Leather cord is a round, smooth cord that comes in a variety of colors, can

    be knotted, and is best used for wide-holed, large beads. This cord can be

    cut with a scissors.

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    Memory wire is extremely hard, coiled wire that

    does not lose its shape. It comes in different sizes

    for necklaces, bracelets, and rings. Cut this wire

    with a memory wire cutters or by bending it back

    and forth. Do not use a regular wire cutter or thewire will mar the jaws.

    Nylon thread (brand names C-Lon, Nymo, and Silamide) is thin syntheticthread that you purchase by the spool like regular sewing thread. Nylon is

    best used for lightweight stringing projects that require a needle and thread.

    This cord can be cut with a scissors.

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    Silk thread and cord come in a variety of colors

    and widths. They are sold by the spool or on a

    card (often with a built-in needle). The thin thread

    is the best choice for stringing pearls, and the

    wider cord works well for knotting techniques.

    Prestretch this material (pull the ends apart sev-

    eral times) before you use it. This material can be

    cut with a scissors.

    Suede cord is a rough strip of Ultrasuede that works well for wide-holed

    beads. You can cut it with scissors.

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    Stringing materials

    in the shop.

    Sterling silver wire is the best choice for wirework (for our simple stringing

    purposes, wirework means creating wire loops for things like dangles or ear-

    rings). It is relatively soft so its easily manipulated, but has good memory.

    Cut this material with wire cutters.

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    Yu s pu yu mspc h.

    ths ph f s f b, bu h h

    s yu b bx ssh f s.

    toolS

    Chain-nose pliers have flat, tapered jaws that come to a point. They

    work well for pulling beading wire tight and for wire-wrapping.

    Crimping pliers squeeze and secure a crimp tube onto beading

    wire. (See instructions about how to crimp on page 15.)

    Flat-nose pliers have flat, tapered jaws. Use them for pulling bead-

    ing wire tight and to wire-wrap.

    Round-nose pliers have round, tapered jaws that come to a point.

    Use these pliers to make simple loops and to do wire-wrapping.

    Split-ring pliers have a flat, pointed, tapered jaw on one side, and

    on the other side a bent tip for opening split rings.

    Wire cutters have sharp jaws with which to cut beading wire, head

    pins, eye pins, and other soft wire.

    Chain-nose pliers

    Flat-nose pliers

    Round-nose pliers

    Wire cutters

    Crimping pliers

    Split-ring pliers

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    Beading needleSBeading needles are very fine, long (up to 3"/7.6 cm) needles whose eyes

    are the same width as the rest of the needlean important feature when you

    consider the added width of the stringing material. Beading needles work wellfor very small-holed beads like small seed beads, pearls, and some semipre-

    cious stones. Because the eye size is so small, beading needles can be a

    challenge to thread. To make it easier, place the stringing material between

    the thumb and forefinger of your nondominant hand, allowing just a small

    amount of the end to peek out. Use your dominant hand to place the needle

    eye on the end and pull it through.

    Big-eye needles come in 214" and 5" (5.7 and 12.7 cm) lengths and have

    pointed ends with a double wire down the center. They are the easiest needles

    to threadsimply separate the center wires, place the stringing material

    between, and allow the wires to collapse on themselves to capture thethread. These needles work well for fairly small-holed beads, and the 5"-

    (12.7-cm) long version is especially useful in stringing because you can

    easily see if youve strung your beads in the correct order.

    Twisted wire needles are made of fine wire and feature a large loop on

    one end and a twisted shank on the other. You thread the stringing material

    through the loop and, as you pass the needle through a bead, the loop col-

    lapses to secure the stringing material. Twisted-wire needles are generally

    one-use and work well for small-holed beads such as pearls.

    if yu s

    bs wh vy sm

    hs, yu my

    us

    pss h sm huh.

    H h ms

    cmm usfu

    s h jb

    .

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    2011 Interweave Press LLC. Not to be reprinted. All rights reserved.page 9

    coppr ramsarrgsB a r B a r a n a SL U n D

    project

    These simple coppery earrings are

    the perfect finishing touch for your

    fall wardrobe.

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    2011 Interweave Press LLC. Not to be reprinted. All rights reserved.page 10

    STep 1: O a ap, strg 1 fr-pols ba, 1 orag ba,1 s ba. Mak a smpl loop.Rpat 3 tms. (A total of4 agls.)

    STep 2: Cut t ca to two pcsmasurg " a two masurg".

    STep 3: Op a smpl loop o o oft agls a attac to o of t sort pc of ca. Attact otr of t ca to tar wr. Rpat wt t logrpc of ca.

    STep 4: Rpat stp 3 for scoarrg.

    BARBARA NASLUND admits to being easily

    distracted by any bright shiny object.

    Materials4 -ld s mb sz

    11 Js sd bds

    4 86mm fd dk mb o-dlls

    4 42mm bow f-olshd bds

    2" of bh o h

    4 o 22-u 2" hd s

    2 o ws

    toolsW us

    roud-os ls

    tecniqueWwok

    reSOurCeSChck your local bad sho or contact:Lady

    Bug Beads (www.ladybugbeads.net) or the

    beads used in this project. Copper head-

    pins, chain, and ear wires rom Bead Cache,

    (www.beadcache.net) .

    stringingmagazine.com/go/BDST

    Beads are hotand so is Stringingmagazine!

    RISK-FREE

    TRIAL OFFER

    SUBSCRIBE NOW!

    No matter what your level of ability is, you will

    nd plenty of inspiration in every issue of

    Stringingmagazine.

    Take advantage of this special risk-free offer today!

    http://www.stringingmagazine.com/go/BDSThttp://www.stringingmagazine.com/go/BDSThttp://www.stringingmagazine.com/go/BDSThttp://www.stringingmagazine.com/go/BDSThttp://www.stringingmagazine.com/go/BDSThttp://www.stringingmagazine.com/go/BDSThttp://www.stringingmagazine.com/go/BDSThttp://www.stringingmagazine.com/go/BDSThttp://www.stringingmagazine.com/go/BDSThttp://www.stringingmagazine.com/go/BDSThttp://www.stringingmagazine.com/go/BDSThttp://www.stringingmagazine.com/go/BDSThttp://www.stringingmagazine.com/go/BDSThttp://www.stringingmagazine.com/go/BDSThttp://www.stringingmagazine.com/go/BDST
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    2011 Interweave Press LLC. Not to be reprinted. All rights reserved.page 11

    racals wgbracltr e B e c c a c a M p B e L L

    projectRebecca created

    this beautiful aqua

    bracelet for her sister

    Rachaels wedding.

    This multistrand piece

    works up very quickly

    Rebecca created this

    something new bracelet

    the morning of the

    wedding!

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    2011 Interweave Press LLC. Not to be reprinted. All rights reserved.page 12

    STep 1: Attac 8" of wr to t frstol of o alf of t clasp usg acrmp tub. Pass troug t tuba crmp; trm xcss wr. Covrt tub wt a crmp covr. Strg30 parls, 1 crmp tub, a t frst

    ol o t otr s of t clasp.Pass back troug t tub acrmp. Trm xcss wr a covr.

    STep 2: Rpat Stp 1 usg t sc-o clasp ols a t aquama-r crystal rous.

    STep 3: Rpat Stp 1 usg t trclasp ols a t fr-polsprot bcos.

    STep 4: Rpat Stp 1 usg tfourt clasp ols a t aquama-r crystal bcos.

    STep 5: Rpat Stp 1 usg t fftclasp ols a t blu rco

    crystal rous.

    STep 6: Rpat Stp 1 usg t sxtclasp ols a t rmagparls.

    ReBeCCA CAMpBeLL is the managing editor

    o Interweave Press Books.

    Materials60 qu 6mm oo ls

    25 qum 6mm Swovsk yslouds

    28 mlky do 4mm f-olshdlss bos

    42 qum 3mm Swovsk yslbos

    36 blu zo 4mm Swovsk yslouds

    1 sl slv 6-sd sld ls

    12 sl slv 22mm m ubs

    12 sl slv 4mm m ovs

    4' of .024 bd w

    toolscm ls

    W us

    techniqueS

    FiniShed Size: 7"

    reSOurCeSChck your local bad sho or contact:All

    materials: Fusion Beads, usionbeads.com.

    http://www.interweave.com/go/bdbw
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    f lamco bra cklacL i n D a a r L i n e H a r t U n g

    project

    From the mantilla-shaped clasp

    set with coordinating crystals

    to the flowing curves of braided

    iridescent Italian glass seed beads,

    youll feel the rhythm of flamenco

    as these dramatic elements swirltogether into one passionate

    necklace. Ol!

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    STep 1 De-HANKING:Trasfr ts bas from t ak strgsoto 24" lgts of bag cor,lavg a 4" tal at ac ; us atso ba, tap, or a ba stopto prvt t bas from slgoff (Figur 1). Strg 10 stras pr

    color: two groups wt 16" of bas(ta a olv), a o group wt1512" of bas (purpl); t sortrgroup wll b attac alog t

    ctr to compsat for t curvof t clasp.

    STep 2 KNOTS:Gatr 10 stras ofo color a t a sgl ovrakot at o . Sl t basow to t kot a ajust as so tat all stras arxactly t sam lgt. T a sglovra kot at t otr ,usg a twrs or awl to sug t

    kot up to t s bas (Figur 2).

    Rpat for t otr two colors. Ust cmt to saturat ac kota about 18" up t cors; allow tory a t trm to 116" from kot.

    STep 3 epOXY:Mx t 2-partpoxy accorg to t maufac-turrs spcfcatos. Us a toot-pck to alf-fll a bll cap; placa trmm kot t cap a ltry (Figur 3). Apply a t l ofpoxy arou t rm opgs of

    t clasp, st t crystals plac,a lt ry.

    STep 4 CLASp:Us ca-os plrsto op t -cap loops, rotatgratr ta pullg t rg apart.Attac o of ac group to

    o alf of t clasp, wt tsortr 1512" group at t ctrloop. hol t clasp up to lt tbas ag stragt, t looslybra tm togtr. Attac totr alf of t clasp, makg surt 1512" group s o t ctr loopa t otr two groups ar oaltrat loops.

    LINDA ARLINe HARTUNG is co-owner and pro-

    ducer o Alacarte Clasps and WireLace. Linda isan internationally published designer and

    teacher or Swarovskis components division.

    Materials10 olv old 19" sds of sz 14

    il lss sd bds

    10 19" sds of sz 14 illss sd bds

    10 ul 19" sds of sz 14il lss sd bds

    6 old 4mm bll d s

    1 old 25

    65mm Flmo ls2 mhys 68mm ovl fy soysls

    1 sool (50') Hss Bodd nylowh bd od, sz 1/OX

    g-S Hyo cm

    2- ll-uos l-dy oxy

    toolsSssos

    Ko wzs o wl

    ch-os ls

    Bd sos, lm, o

    toohk

    tecniquesS

    glu

    FiniShed Size: 17 12"

    reSOurCeSChck your local bad sho or contact:Kits:

    www.alacarteclasps.com. For retailers who

    carry these components: [email protected], (707) 887-2825.

    Transferring Seed Beads to Permanent String

    The string that holds a hank of beads together is not sturdy enough to hold your beadwork

    together. You can easily transfer the prestrung beads onto your chosen beading cord:

    Unleash one end of a strand of beads and make a loose overhand knot at the end. Insert the

    beading cord through the knot with a 2" tail (Figure A).

    Tighten the knot and fold the cord tail back, sliding the beads over the knot and onto the bead

    cord (Figure B).

    Fg a Fg b

    Fg 1

    Fg 2

    Fg 3

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    Wwok

    To make a simple loop, s o d of

    h w wh oud-os ls. Hold

    o o h w wh o hd, ly uh ls ul h w d d w body

    ouh. c 90 vs bd wh

    hy m.

    For a wire-wrapped loop, u h dsd

    lh of w d mk 90 bd 2"

    fom o d. Us oud-os ls o

    hold h w h l d bd h

    sho d u d oud h ls ul

    ms slf. W h w hly dow

    h k of h w o oul of

    ols. tm h xss o fsh.

    tchniqus

    cmS m ub d h oofd (.., h loo of h ls). pssbk houh h ub, lv sho

    l. Us h bk oh of h mls o ss h lh of h ubdow bw h ws, los hm s hmbs of h ssh. ro h ub 90 d us hfo oh of h ls o fold h wohmbs oo hmslvs, fom l yld. tm h xss w.

    Koa squar knot s h lss

    sudy ko subl fo mos

    s mls. Mk

    ovhd ko, ss h

    h d ov h lf d.

    Mk oh ovhd ko,

    hs m ss h lf d

    ov h h d. pull h.

    ed d add thdto nd your hrd, so bding whn you hv ls 6" of workinghrd. alwys nd fr comling s u so h i won mr whryou bgin h nw round. ti off h hrd by ssing bck hrough hbdwork digonl nd ying hlf-hich knos fr ch chi or shrdbd. pss hrough 3 Dlics nd rim nd ml h nd.to bgin nw doubld hrd, i kno in h nd nd ml or glu io sl i. Bgin siching ls 4 sichs bck in h work, knoing frch shrd bd. exi middl oin bd o bgin h nx round.

    SSringing is chniqu in whichyou us bding wir, ndlnd hrd, or ohr mril o

    ghr bds ino srnd.