Solomen R.Guggenhiem museum is the first permanent museum (rather than converted from a private house) built in USA

frank was commissioned to design a building to house the Museum of Non-Objective Painting

This building was immediately recognized as an architectural landmark and the most important building of Wright's late career.

This design got inspired from inverted ziggurat

architect FRANK LIOYD WRIGHT

LOCATION 1071 FIFTH AVENUE , NEW YORK

DATE 1956-1959

BUILDING TYPE ART MUSEUM

CONSTUCTION SYSTEM REINFORCED CONCRETE

STYLE CONTEMPORARY STYLE

ANNUAL VISITORS 3 MILLIONS

architect Frank Lloyd Wright worked for Louis Sullivan (1856–1924) in his Chicago-based architecture firm.

Sullivan is known for steel-frame constructions, considered some of the earliest skyscrapers. Sullivan’s famous axiom, “form follows function,” became the touchstone for many architects.

This means that the purpose of a building should be the starting point for its design. Wright extended the teachings of his mentor by changing the phrase to “form and function are one.”

“FORM AND FUNCTION SHOULD BE ONE, JOINED IN A SPIRITUAL UNION” - FRANK LLOYD

ARCHITECT DESIGNED THIS BUILDING WHERE FORM AND FUNCTION ARE FOLLOWING TOGETHER

(Look down and you find circles in the terrazzo floor beneath your feet. Look up at the underside of the ramp and you see it punctuated by triangular lighting panels.Wright believed that structure created beauty and geometric forms gave his work a consistent and systematic quality.

GEOMETRIC FORMS

most buildings contain interior spaces that are rectilinear and for wright, geomentry is the basic building of nature

Frank Lloyd Wright thought in curves and straight lines which is helding symbolic significancei.e.,triangles—for structural unity

circles __suggested infinityspire __aspirationspiral __organic processsquare __integrity

Nearly all of these forms can be found in the architecture of the Guggenheim Museum

rectangularform

Triangular form

Oval form square form

PLAN OF MUSEUM:

The principle “form and function are one” is thoroughly visible in the plan for the Guggenheim Museum. According to Wright’s design, visitors would enter the building, take an elevator to the top and enjoy a continuous art-viewing experience while descending along the spiral ramp.

RESTORATION IN BUILDING:In 1990, the Wright building was closed to the public to enable the expansion and a major interior restoration, which was overseen by the firm. The restoration opened the entire Wright building to the public for the first time, converting spaces that had been used for storage and offices into galleries. This museum was restored and expanded and It contains 4,750 square meters of new and renovated gallery space, 130 square meters of new office space, a restored restaurant, and retrofitted support and storage spaces.

FIRST FLOOR PLAN

The tower's simple facade and grid pattern highlight Wright's unique spiral design and serves as a backdrop to the rising urban landscape behind the museum.

Frank Lloyd Wright's original plans this Museum called for a ten-story tower behind the smaller rotunda, to house galleries, offices, workrooms, storage, and private studio apartments. Largely for financial reasons, Wright's proposed tower went unrealized.Associates Architects revived the tower plan with its eight-story annex, which incorporates the foundation and framing of a smaller annex

SECTION OF MUSEUM:

IMPORTANT FEATURES:impact-echo technology, in which sound waves are sent into the concrete and the rebound is measured in order to locate voids within the walls

. Colour of interior walls is not stark white, which Wright hated, but a kind of soft ivory and having a spiral ramp which is wider in top than bottom. the ramp is a helix, complicated helix, being interrupted by a bulging balcony at each revolution.The ramp leans outward, but other elements, such as the structural fins that transfer the weight of the ramp to the outside walls, and rise to support the central skylight, lean in. The cork-screwing balustrade which is slightly tilted is a simple concrete wall with a pleasantly rounded top

Ramp described as a simple spiral whose diameter increases as it rises

Overlapping curves, complex intersections, a long interval of smooth planes interrupted by the double beat of the vertical cylinders that contain the men's and women's washrooms

From street, looks like a white ribbon ribbon,curled into a cylindrical stack which is made up of reinforced concrete

IMPORTANT FEATURES:

Internally, the viewing gallery forms a helical spiral

from the main level up to the top of the building.

A monument to modernism, the unique architecture of the space, with its spiral ramp riding to a domed skylight,continues to thrill visitors and provide a unique forum for the presentation of contemporary art.

LIGHTING:

ARTIFICIAL LIGHTING WHICH GIVES BRIGHTNESS AT THE ENTRANCE OF MUSEUM

ARTIFICIAL LIGHTING IN GALLARIES

ARTIFICIA L LIGHT IN GALLARIES

SKYLIGHT AT THE CENTRE OF THE MUSEUM IS THE MAIN SOURCE OF NATURAL LIGHT

NATURAL LIGHT WILL ALLOW THROUGHT WINDOWSARTIFICIAL LIGHT

EMMITING FROM SMALL LIGHTS

DISPLAY METHODS IN MUSEUM:

Most of the criticism of the building

has focused on the idea that it

overshadows the artworks displayed

within, and that it is difficult to

properly hang paintings in the

shallow, windowless exhibition niches

that surround the central spiral.

The walls of the niches are neither

vertical nor flat (most are gently

concave), meaning that canvasses

must be mounted raised from the

wall's surface.

The limited space within the niches

means that sculptures are generally

relegated to plinths amid the main

spiral walkway itself. Paintings are displayed along the walls of the

spiral and also in exhibition space found at

annex levels along the way.

Thank u

byswapnika