Guest Artist Recital: Los Angeles Guitar Quartet

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Ithaca College Digital Commons @ IC All Concert & Recital Programs Concert & Recital Programs 2-14-2004 Guest Artist Recital: Los Angeles Guitar Quartet Los Angeles Guitar Quintet Follow this and additional works at: hps://digitalcommons.ithaca.edu/music_programs Part of the Music Commons is Program is brought to you for free and open access by the Concert & Recital Programs at Digital Commons @ IC. It has been accepted for inclusion in All Concert & Recital Programs by an authorized administrator of Digital Commons @ IC. Recommended Citation Los Angeles Guitar Quintet, "Guest Artist Recital: Los Angeles Guitar Quartet" (2004). All Concert & Recital Programs. 2866. hps://digitalcommons.ithaca.edu/music_programs/2866

Transcript of Guest Artist Recital: Los Angeles Guitar Quartet

Page 1: Guest Artist Recital: Los Angeles Guitar Quartet

Ithaca CollegeDigital Commons @ IC

All Concert & Recital Programs Concert & Recital Programs

2-14-2004

Guest Artist Recital: Los Angeles Guitar QuartetLos Angeles Guitar Quintet

Follow this and additional works at: https://digitalcommons.ithaca.edu/music_programs

Part of the Music Commons

This Program is brought to you for free and open access by the Concert & Recital Programs at Digital Commons @ IC. It has been accepted forinclusion in All Concert & Recital Programs by an authorized administrator of Digital Commons @ IC.

Recommended CitationLos Angeles Guitar Quintet, "Guest Artist Recital: Los Angeles Guitar Quartet" (2004). All Concert & Recital Programs. 2866.https://digitalcommons.ithaca.edu/music_programs/2866

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The Shirle4 and Cha5 Hockett Chamber rrlu5ic Concert Serie5

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Los Angeles Guitar Ouartet Rndrew Vork Scott Tennant William Kanengi5er John Dearman

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Los Angeles Guitar Ouartet Popularly known as the LAGO, the Los Angeles Guitar Quartet is one of the world 's premier-and most charismatic-classical guitar ensembles performing today. Its four virtuosi are mavericks of the concert stage, known for their eclectic programs and dynamic musical interplay. Their inventive transcriptions of concert masterworks offer a fresh look at the music of the past, and their interpretations of contemporary works and world music continually break new ground. "It's clear by now," says the Los Angeles Times, "that the Los Angeles Guitar Quartet is one of the wonders of the chamber music scene rooted in the West. It boasts intricate arrangements, all-for-one empathy and repertoire-stretching adventurism:·

The quartet's album LAGQ Latin (felarc) was nominated for the 2003 Grammy in the "Best Classical Crossover Album" category. It features the group's popular transcription of Bizet's Carmen, works from Chile and Cuba, and new works by members of the quartet. A second album for Telarc is planned for release this fall. Other of the group's recordings are on the SONY Classical and Delos labels.

The LAGO has performed with top orchestras from New York to Paris, Tokyo to San Francisco, and has appeared on National Public Radio, Minnesota Public Radio, CBC radio, PBS, CNN, CBS, A&E, and Japan's NHK. During the 2003-2004 season the quartet will tour the United States, Canada, Europe, and Japan, including a stop in Baltimore for the first World Guitar Congress. The group will also work with percussionist Colin Currie on a project featuring four new commissions. Each member of the LAGO is a seasoned soloist, giving the quartet the unique capability of rotating the "first chair" from piece to piece.

John Dearman is a versatile guitarist whose repertoire ranges from samba to bluegrass and from flamenco to classical. He enriches the sound of the LAGO by performing on a unique seven-string guitar with extended upper and lower registers. Dearman is currently the director of guitar studies at the University of California, Santa Barbara.

William Kanengiser, recording artist and professor at the University of Southern California Thornton School of Music, is among the few guitarists to have won the Concert Artists Guild international competition. His solo recordings on the GSP label range from the music of the Old World to that of the Caribbean. His latest disc, Classical Cool, is an exploration of jazz currents for classical guitar. Kanengiser has earned critical acclaim for his imaginative arrangements for solo guitar and guitar quartet. He may be best known as the classical guitarist in the 1986 film Crossroads.

Scott Tennant, a world-class performer, author, and teacher, has been giving concerts since he was 12. He has recorded for Delos International and is currently finishing the complete solo guitar works of Joaqufn Rodrigo for GHA, Belgium. Tennant is the author of the best-selling book and video Pumping Nylon, a technical handbook for the classical guitarist, as well as the five-volume series Basic Classical Guitar Method He has taught at the San Francisco Conservatory of Music and is now on the faculty of USC's Thornton School of Music.

Andrew York has been hailed for his groundbreaking style as a composer and guitarist. His solo CD Denouement was voted best classical album of 1994 in Guitar Player magazine's readers' poll. York is featured on Rhino Records' Legends of Guitar: Classical and Windham Hill's Guitar Sampler. Guitar luminaries John Williams and Christopher Parkening have recorded his works as well. A published composer worldwide-Alfred Publications, Hal Leonard, Guitar Solo Publications, Ricardi (London), and Gendai Guitar (Japan)-York also recently filmed a video for the Mel Bay Artist Series.

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John Dearman

El baile de Luis Alonso

Pulcinella Ouverture Serenata Toccata Gavotta Vivo Minuetto and Finale

Fuga y Misterio

Hasta Alicia Baila

Los Angeles Guitar Quartet William Kanengiser Scott Tennant

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Andrew York I Jeronimo Gimenez

(1854-1923) arr. Pepe R,bmero

Igor Stra[ ·nsky (1882 1971)

arr. William Kan giser

Astor Pi zzolla (19 1-92)

Two Latin American Sketches: Paisaje Mexicano and Danza de Jalisco Aaron Co land

INTERMISSION

Uarekena

En Aranjuez con tu amor

Spain

Icarus

Hungarian Rhapsody no. 2

(1900 1990) arr. William Kanengiser

Sergio ssad Cb 1952)

Joaqufn R drigo crn p1-99)

arr. Andrew York

Chick Corea (b. 1941)

arr. Andrew York

Ralph "fawner (b) 1940)

arr. William Kanengiser

Fran1 Liszt (1841 -86)

arr. Jori Minei

Patrons are requested to silence signa l watches, pagers, and cell phones. The use of camera and recording equipment is prohibited by law.

The Los Angeles Guitar Quartet is represented by Frank Salomon Associates.

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Shirley and Chas Hockett first met in a mathematics course at the University of Michigan. Shirley is professor emerita of mathematics at Ithaca College. Her late husband, Chas, was the Goldwin Smith Professor Emeritus of Anthropology and Linguistics at Cornell University. Together, they were longtime, generous supporters of Ithaca College, and Shirley is continuing that tradition. The Hocketts' sustained support for the School of Music led the College to establish the Shirley and Chas Hockett Chamber Music Concert Series in their honor. Sadly, Chas died shortly after the inaugural concert, in the fall of 2000.

Shirley has provided a permanent endowment for the chamber music series and established the Charles F. Hockett Music Scholarship in memory of her husband. Members of the Hockett family and their friends continue to make gifts to the scholarship fund. In recognition of the family's significant contributions, the recital hall in the James J. Whalen Center for Music was named the Hockett Family Recital Hall.

Music has always played a crucial role in the lives of the Hockett family. Chas listened to, performed, and composed music since childhood. His compositions include solo and chamber music as well as an opera, Dofia Rosita, whose world premiere was performed at Ithaca College in 1973. Each of the Hocketts' five children studied music while growing up, and two of them, Alpha Walker and Carey Beth Hockett, as well as a son-in-law, David Weiss, are now professional musicians.

Shirley did not play an instrument until she was 57, when she began studying the clarinet. Within a year she was performing publicly as a member of the Ithaca College Concert Band, alongside Chas, who played the bass clarinet. Both were active with the Cayuga Chamber Orchestra, and Shirley, who was president of the board of directors from 1979 to 1984, continues to serve on the CCO board as director emerita.

Shirley began teaching at Ithaca College in 1966 and retired in 1991. Throughout her career she was regarded as an exceptional teacher who shared her insights with colleagues and challenged her students. She won several teaching awards and served the College on many faculty committees. Her first book, on how to prepare for the advanced placement (AP) exam in calculus, was published in 1971. The seventh edition, coauthored with David Bock, a mathematics teacher at Ithaca High School, was released in 2002. Shirley also published two other exam-oriented books and wrote or coauthored several mathematics textbooks.

Chas taught at Cornell University from 1946 to 1982. He was also an adjunct professor of linguistics at Rice University and taught at Beijing Foreign Studies University in China. Highly regarded in his field, Chas wrote a number of books and articles on linguistics and anthropology. He was a member and president of the Linguistic Society of America and was elected to both the American Academy of Arts and Sciences and the National Academy of Sciences. In 1984 he received the American Anthropological Association's Distinguished Lecture Award.

Shirley and Chas were major supporters of the campaign to build the James J. Whalen Center for Music, which opened in 1999. Dean Arthur Ostrander of the School of Music, in announcing the College's tributes to the Hocketts, said, "Given their love of chamber music, it seemed most appropriate to establish the Shirley and Chas Hockett Chamber Music Concert Series as a lasting testament to their support of Ithaca College. We are also privileged to be able to show our appreciation by naming the recital hall for the Hockett family:·