GT-100 Parameter e02

7/17/2019 GT-100 Parameter e02

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Parameter Guide


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2

Contents

Basic Operation . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3

EZ TONE . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4

PATCH CREATE . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4

AMP CUSTOMIZE . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4

OD/DS CUSTOMIZE . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4

EFFECT . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5

COMP . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5

OD/DS . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5

PREAMP . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 6

EQ . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .8

FX1/FX2 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 9

T. WAH . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .10

AUTO WAH . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .10

SUB WAH. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 10

ADV. COMP . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .10

LIMITER . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .11

SUB OD/DS. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 11

G R A P H I C E Q . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .11

PARAMETRIC EQ . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .11

TONE MODIFY . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .11

GUITAR SIM . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .12

SLOW GEAR . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .12

DEFRETTER. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 12

WAVE SYNTH . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .12

SITAR SIM. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .13

OCTAVE . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .13

PITCH SHIFTER . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .13

HARMONIST . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .14

SOUND HOLD . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .14

A C . P R O C E S S O R . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .15

PHASER . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .15

FLANGER. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 15

TREMOLO . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .16

ROTARY . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .16

UNI-V . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .16

PAN . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .16

SLICER . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .17

VIBRATO . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .17

RING MOD. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .17

HUMANIZER . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .17

2X2 CHORUS . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .18

SUB DELAY . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .18

DELAY . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .19CHORUS . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .20

REVERB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .20

PEDAL FX . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .21

PEDAL BEND . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .21

WAH . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .21

FOOT VOLUME . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .21

FOOT VOLUME . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .21

DIVIDER . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .22

SINGLE . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .22

DUAL Ch. A, DUAL Ch. B . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .22

MIXER . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .22

SEND/RETURN . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .23

NS1/NS2 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .23

ACCEL FX . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .24S-BEND . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .24

LASER BEAM . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .24

RING MOD. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .24

TWIST . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .24

WARP . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .24

FEEDBACKER . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .24

MASTER SETTING. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 25

MASTER SETTING . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .25

MASTER EQ . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .25

AMP CONTROL . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .25

SYSTEM . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .26

OUTPUT SELECT . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .26INPUT . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .26

GLOBAL EQ . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .26

TOTAL. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 26

PHRASE LOOP . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .26

PLAY OPTION . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .26

KNOB SETTING . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .27

PREFERENCE . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .28

LCD . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .28

USB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .28

MIDI SETTING . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .29

MIDI PROGRAM MAP BANK 03 . . . . . . . . . . . . . . . . . . . . . . . . . . .30

MIDI BULK DUMP . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .30

PEDAL CALIBRATION . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .30

AUTO OFF . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .30

FACTORY RESET . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .30

C T L / E X P . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .31

ACCEL/CTL, EXP SW, SUB CTL 1, SUB CTL 2 . . . . . . . . . . . . . . . . . . . . . .31

EXP, SUB EXP . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .31

ASSIGN COMMON . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .32

A S S I G N 1 8 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .32

Virtual expression pedal system (Internal Pedal / WavePedal) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .35

Input Level . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .35

Other Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .37

TUNER METRONOME MODE . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .37

TUNER . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .37

METRONOME . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .37

MANUAL MODE . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .37

Memo

This effect sound is mono.

This effect sound is output with two channels.

These effects take a mono input and output it on two channels.

* The product names mentioned in this document are registered trademarks or trademarks of their respective owners. In this manual, these names are used because it is the

most practical way of describing the sounds that are simulated using COSM technology.

Copyright 2012 BOSS CORPORATION

All rights reserved. No part of this publication may be reproduced in any form without the wr itten permission of BOSS CORPORATION.
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3

Basic Operation

Choose what youre going to edit

Press one of the following buttons.1

Select an item

Exit the settings

Edit the values

2

4

3

Editing on the GT-100 is extremely simple; the procedure is always the same..

Use to select an item shown in the left

display.

Press .

Use to edit the values

shown in the right display.

EffectHere you can edit the parameters of each effect. System

Here you can make settings that apply to the

entire GT-100, such as output settings and

phrase loop settings.

EZ (Easy) ToneHere you can create the desired tone simply by

choosing a musical style and the type of song you

have in mind. You can also customize the amp and

overdrive/distortion settings in an intuitive way.

Control/ExpressionHere you can assign the desired functions to the

[ACCEL/CTL] pedal, [EXP] pedal, and external

pedals.

Turn the knobs

to edit the

values.

If page tabs are shown in the screen, you can use the

[PAGE] buttons to move between tabs.

The screen shown here is an example of when youve pressed the

[EFFECT] button.

Youll be returned to the Play screen.

Turn knob [4] to select the

desired item (the cursor will

move).

page5

page4

page 26

page 31

NOTE

The settings youve edited will be lost when you switch patches. If you want to keep the edited settings, you must save them as a user patch(Owners Manual: p. 13).
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4

EZ TONE

PATCH CREATELets you easily create your sound starting from your choice of musical style

and type of song.

Parameter Value Explanation

BASIC TONE

BLUES Blues sound

Soul Funk Soul and Funk sound

Jazz Jazz sound

LIVERPOOL British Rock

70's HARD ROCK The Hard Rock sound popular in the 70s

80s METAL The Metal sound popular in the 80s

MODERN METAL Modern Metal sound

West Coast West Coast sound

Fuzz Rock Fuzz

STUDIO Recording Studio

PROGRESSIVE Progressive

SURF ROCK Surf Rock sound

COUNTRY Country

Acoustic For Acoustic Guitar

Punk Pop Punk Pop

SOFT HARD -50+50+: Sharp distortion

-: Warm distortion

BACKING

SOLO-50+50

+: For soloing

-: For backing

AMBIENCE 0100 Adjusts the length of the resonance

AMP CUSTOMIZELets you intuitively customize the amp.


CUSTOM

TYPE

JC CLEAN This models the sound of the Roland JC-120.

TW CLEAN This models a Fender Twin Reverb.

CRUNCHThis is a crunch sound that can faithfully

reproduce the nuances of picking.

COMBO DRIVEThis is a combo amp sound that it suited to

sixties-style British rock.

COMBO LEADThis is a lead sound of a combo tube amp

typical of the late 70s to 80s.

MS HiGAIN

This models the sound input to Input I on a

Marshall 1959.

This is a trebly sound suited to hard rock.

MODERN STACK

This original high-gain amp delivers thick

lows and intense distortion while still

preserving the sounds clear definition.


-: Warm distortion

BACKING

SOLO-50+50

+: For soloing

-: For backing

OD/DS CUSTOMIZELets you intuitively customize the overdrive/distortion.


CUSTOM

TYPE

OD-1 This models the sound of the BOSS OD-1.

OD-2 This is a overdrive sound with high gain.

CRUNCH This is a crunch sound.

DS-1This gives a basic, traditional distortion

sound.

DS-2 This creates a heavier distortion sound.

METAL1This is a metal sound with a characteristic

midrange.

METAL2 This gives a heavy metal sound.

FUZZ This gives a basic, traditional fuzz sound.


-: Warm distortion

BACKING

SOLO-50+50

+: For soloing

-: For backing


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5

EFFECT

COMPThis is an effect that produces a long sustain by evening out the volume

level of the input signal.


ON/OFF OFF, ON Turns this effect on/off.

TYPE

BOSS COMP This models a BOSS CS-3.

HI-BANDThis is a compressor that adds an even

stronger effect in the high end.

LIGHT This is a compressor with a light effect.

D-COMP This models a MXR DynaComp.

ORANGEThis is modeled on the sound of the Dan

Armstrong ORANGE SQUEEZER.

FATWhen applied heavily, this compressor effect

provides a fat tone with a boosted midrange.

MILDWhen applied heavily, this compressor effect

produces a sweet tone with the high end cut.

STEREO COMP This selects a stereo compressor.

SUSTAIN 0100

Adjusts the range (time) over which low-level

signals are boosted. Larger values will result

in longer sustain.

ATTACK 0100 Adjusts the attack time.

LEVEL 0100 Adjusts the tone.

TONE -50+50 Adjusts the volume.

OD/DSThis effect distorts the sound to create long sustain.



TYPE Refer to OD/DS TYPE

DRIVE 0120 Adjusts the depth of distortion.

TONE -50+50 Adjusts the tone.

EFFECT LEVEL 0100 Adjusts the volume of the OD/DS sound.

BOTTOM -50+50

Adjusts the tone for the low frequenc y range.

Turning this to the left (counterclockwise)

produces a sound with the low end cut;

turning it to the right boosts the low end in

the sound.

DIRECT MIX 0100 Adjusts the volume of the direct sound.

SOLO SW OFF, ON The tone to one suitable for solos.

SOLO LEVEL 0100Adjusts the volume level when the Solo Sw

is ON.

OD/DS TYPEThis is a list of distortion types that can be selected for OD/DS.

Category Type Explanation

ADVANCED

MID BOOST

This is a booster with unique characteristics

in the midrange.

Making the connection before the COSMamp produces sound suitable for solos.

CLEAN BOOST

This not only functions as a booster, but also

produces a clean tone that has punch even

when used alone.

TREBLE BOOSTThis is a booster that has bright character-

istics.

CRUNCHA lustrous crunch sound with an added

element of amp distortion.

NATURL ODThis is an overdrive sound that provides

distortion with a natural feeling.

WARM OD This is a warm overdrive.

FAT DS A distortion sound with thick distortion.

LEAD DS

Produces a distortion sound with both the

smoothness of an overdrive along with adeep distortion.

METAL DSThis is distortion sound that is ideal for

performances of heavy riffs.

OCT FUZZ A fuzz sound with rich harmonic content.

VINTAGE

BLUES OD

This is a crunch sound of the BOSS BD-2.

This produces distortion that faithfully

reproduces the nuances of picking.

OD-1This models the sound of the BOSS OD-1.

This produces sweet, mild distortion.

T-SCREAM This models an Ibanez TS-808.

TURBO ODThis is the high-gain overdrive sound of the

BOSS OD-2.

DIST

This gives a basic, traditional distortion

sound.

RAT This models a Proco RAT.

GUV DS This models a Marshall GUV NOR.

DST+ This models a MXR DISTORTION+.

METAL ZONE

This models the sound of the BOSS MT-2.

It produces a wide range of metal sounds,

from old style to slash metal.

60S FUZZThis models a FUZZFACE.

It produces a fat fuzz sound.

MUFF FUZZ This models an Electro-Harmonix Big Muff .

CUSTOM

Custom OD/DS

You can customize it however you like to

match the sound you want.


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EFFECT

6

CUSTOM OD/DS SETTING


CUSTOM TYPE

OD-1 This models the sound of the BOSS OD-1.

OD-2 This is a overdrive sound with high gain.

CRUNCH This is a crunch sound.

D S-1 This gives a basic, traditional distor tion sound.

DS-2 This creates a heavier distor tion sound.

METAL1This is a metal sound with a characteristic

midrange.

ME TAL2 This gives a heavy metal sou nd.

FU ZZ This gives a basic, traditional fu zz sou nd.

CUSTOM CHAR -50+50+: For soloing

-: For backing

CUSTOM

BOTTOM-50+50

This controls the input sounds low-frequency

range and adjusts the amount of distortion in the

low-frequency range

CUSTOM TOP -50+50 This controls the input sounds high-frequencyrange and adjusts the amount of distortion in the

high-frequency range.

CUSTOM LOW -50+50Adjusts the low-range tones after distortion is

applied.

CUSTOM HIGH -50+50Adjusts the high-range tones after distortion is

applied.

PREAMPCOSM technology simulates different preamp characteristics, speakersizes, and cabinet shapes.


ON/OFF OFF, ON Turns the COSM AMP effect on/off.

TYPE Refer to PREAMP TYPE

GAIN 0120 Adjusts the distortion of the amp.

T-COMP -100+10 Adjusts the sense of compression of the amp.

LEVEL 0100

Adjusts the volume of the entire preamp.

* Be careful not to raise the Level setting too

high.

BASS 01 00 Adjusts the tone for the low frequency range.

MIDDLE 01 00 Adjusts the tone for the middle frequenc y range.

TREBLE 01 00 Adjusts the tone for the h igh f requenc y range.

PRESENCE 0100

Adjusts the tone for the ultra high frequency

range.* The PRESENCE parameter functions as a

high-cut filter with some PREAMP TYPEs.

BRIGHT OFF, ON

Turns the bright setting on/off.

* The BRIGHT parameter setting is available only

with certain PREAMP TYPEs.

GAIN SWLOW, MIDDLE,

HIGH

Provides for selection from three levels of

distortion: LOW, MIDDLE, and HIGH. Distortion

will successively increase for settings of LOW,

MIDDLE and HIGH.

* The sound of each Type is created on the basis

that the Gain is set to MIDDLE. So, normally set

it to MIDDLE.

SOLO SW OFF, ONSOLO SW is switched on to create the tone to one

suitable for solos.

SOLO LEVEL 0100Adjusts the volume level when the SOLO SW is

ON.


SP TYPE *1

Select the speaker type.

OFF This turns off the speaker simulator.

ORIGIN

(ORIGINAL)

This is the built-in speaker of the amp you

selected with PREAMP TYPE.

1x8"This is a compact open-back speaker cabinet

with one 8-inch speaker.





2x12"This is a general open-back speaker cabinet with

two 12-inch speakers.

4x10"This is an optimal speaker cabinet for a large

enclosed amp with four 10-inch speakers.

4x12"This is an optimal speaker cabinet for a large

enclosed amp with four 12-inch speakers.

8x12"This is a double stack of two cabinets, each with

four 12-inch speakers.

CUSTOM

Custom speaker

You can customize it however you like to matchthe sound you want.

MIC TYPE *1

This setting selects the simulated mic type.

DYN57

This is the sound of the SHURE SM-57. General

dynamic mic used for instruments and vocals.

Optimal for use in miking guitar amps.

DYN421This is the sound of the SENNHEISER MD-421.

Dynamic mic with extended low end.

CND451This is the sound of the AKG C451B. Small

condenser mic for use with instruments.

CND87This is the sound of the NEUMANN U87.

Condenser mic with flat response.

FLAT

Simulates a mic with per fectly flat response.

Produces a sonic image close to that of listening

to the sound directly from the speakers (on site).

MIC DIS *1

Simulates the distance between the mic and speaker.

OFF MICThis setting points the mic away from the

speaker.

ON MICProvides conditions whereby the mic is directed

more towards the speaker.

MIC POS *1

This simulates the mic position.

CENTERSimulates the condition that the mic is set in the

middle of the speaker cone.

110 cmSimulates the condition that the mic i s moved

away from the center of the speaker cone.

MIC LEVEL *1 0100 Adjusts the volume of the mic.

DIRECT MIX

*10100 Adjusts the volume of the direct sound.

*1 This is enabled when the OUTPUT SELECT parameter is set to LINE/PHONE.


7/38

EFFECT

7

PREAMP TYPEThis is a list of the amp types that can be selected for PREAMP.


ADVANCED

NATURL CLEAN

An unembellished, clean sound that

minimizes the amps idiosyncrasies, such as

its trebly character and boomy low end.

FULL RANGE

An amp with a broad frequency range and an

extremely flat response.

Good for acoustic guitar.

COMBO CRUNCH

Crunch sound that allows the nuances of

your picking to be expressed even more

faithfully than on conventional combo amps.

STACK CRUNCH

Great-feeling crunch sound that responds

well to picking dynamics while retaining

all the defining characteristics of a 4 x 12

speaker cabinet.

HiGAIN STACK

High-gain sound of a vintage Marshall

specially revamped in a way that is possible

only with COSM modeling technology.

POWER DRIVE

A straight drive sound that works well in a

broad range of situations, from backing tolead. A sound like this cannot be obtained

from any existing combo amp or stack amp.

EXTREM LEAD

A new type of sound that smoothes out the

uneven frequency response that is typical of

existing large stack amps.

CORE METAL

A large stack sound that has been tweaked

extensively in the pursuit of the ultimate

metal sound.

VINTAGE

JC-120 This models the sound of the Roland JC-120.

CLEAN TWIN This models a Fender Twin Reverb.

PRO CRUNCH This models a Fender Pro Reverb.

TWEEDThis models a Fender Bassman 4 x 10

Combo.

DELUXE CRUNCH This models a Fender Deluxe Reverb.

VO DRIVE

This models the drive sound of a VOX

AC-30TB.

This is a sound that it suited to sixties-style

British rock.

VO LEADThis models the lead sound of the VOX

AC-30TB.

MATCH DRIVE

This models the sound input to left input on

a Matchless D/C-30.

A simulation of the latest tube amp widely

used in styles from blues and rock.

BG LEAD

This models the lead sound of the MESA/

Boogie combo amp.

The sound of a tube amp typical of the late

70s to 80s.

BG DRIVEThis models a MESA/Boogie with TREBLE

SHIFT SW on.

MS1959 I


Marshall 1959.


MS1959 I+II

The sound of connecting inputs I and II of the

guitar amp in parallel, creating a sound with

a stronger low end than I.

R-FIER VINTAGEModels the sound of the Channel 2 VINTAGE

Mode on the MESA/Boogie DUAL Rectifier.

R-FIER MODERNModels the sound of the Channel 2 MODERN

Mode on the MESA/Boogie DUAL Rectifier.

T-AMP LEADThis models a Hughes & Kettner Triamp

AMP3.

SLDN This models a Soldano SLO-100. This is thetypical sound of the eighties.

5150 DRIVEThis models the lead channel of a Peavey

EVH 5150.


CUSTOM

This is a custom preamp.

You can customize it however you like to

match the sound you want.


8/38

EFFECT

8

CUSTOM AMP SETTING


CUSTOM TYPE

JC CLEAN This models the sound of the Roland JC-120.

TW CLEAN This models a Fender Twin Reverb.

CRUNCH This is a crunch sound that can faithfullyreproduce the nuances of picking.

COMBO DRIVEThis is a combo amp sound that it suited to

sixties-style British rock.

COMBO LEADThis is a lead sound of a combo tube amp typical

of the late 70s to 80s.

MS HiGAIN


Marshall 1959.


MODERN

STACK

This original high-gain amp delivers thick lows

and intense distortion while still preserving the

sounds clear definition.

CUSTOM CHAR -50+50+: For soloing

-: For backing

CUSTOM

BOTTOM-50+50

This controls the input sounds low-frequencyrange and adjusts the amount of distortion in the

low-frequency range.

CUSTOM EDGE -50+50

This controls the input sounds high-frequency

range and adjusts the amount of distortion in the


CUSTOM

PREAMP LOW-50+50 Adjusts the preamp sections low-frequency tone.

CUSTOM

PREAMP HIGH-50+50

Adjusts the preamp sections high-frequency

tone.

CUSTOM SPEAKER SETTING


CUSTOM

SP SIZE515" Selects the size of speaker.

CUSTOM

SP NUMBERx1, x2, x4, x8 Sets the number of speakers.

CUSTOM

CABINET

Selects the speaker cabinet type.

OPEN This is an open-backed cabinet

CLOSEThis type of cabinet features an enclosed rear

panel.

CUSTOM

COLOR LOW-10+10 Adjusts the speaker sections low-frequency tone.

CUSTOM

COLOR HIGH-10+10

Adjusts the speaker sections high-frequency

tone.

EQThis adjusts the tone as a equalizer. A parametric type is adopted for the

high-middle and low-middle range.



LOW GAIN -20+20 dB Adjusts the low frequency range tone.

HIGH GAIN -20+20 dB Adjusts the high frequency range tone.

LEVEL -20+20 dB Adjusts the overall volume level of the equalizer.

LOW-MID

FREQ20 Hz10.0 kHz

Specifies the center of the frequency range that

will be adjusted by the LOW-MID GAIN.

LOW-MID Q 0.516

Adjusts the width of the area affected by the EQ

centered at the LOW-MID FREQ. Higher values

will narrow the area.

LOW-MID

GAIN-20+20 dB Adjusts the low-middle frequency range tone.

HIGH-MID

FREQ 20 Hz10.0 kHz

Specifies the center of the frequency range that

will be adjusted by the HIGH-MID GAIN.

HIGH-MID Q 0.516

Adjusts the width of the area affected by the EQ

centered at the HIGH-MID FREQ. Higher values

will narrow the area.

HIGH-MID

GAIN-20+20 dB Adjusts the low-middle frequency range tone.

LOW CUTFLAT,

20 Hz800 Hz

This sets the frequency at which the low cut filter

begins to take effect. When FLAT is selected, the

low cut filter will have no effect.

HIGH CUT630 Hz

12.5 kHz, FLAT

This sets the frequency at which the high cut

filter begins to take effect. When FLAT is selected,

the high cut filter will have no effect.


9/38

EFFECT

9

FX1/FX2With FX1 and FX2, you can select the effect to be used from the following.

You can select the same effect for FX1 and FX2.



TYPE Refer to FX1/FX2 TYPE

FX1/FX2 TYPEThis is a list of the effects that can be selected for FX1/FX2.

Effect Name Explanation

T. WAH

(Touch Wah)

You can produce a wah effect with the filter changing in response

to the guitar level.

AUTO WAH

(Auto Wah)

This changes the filtering over a periodic cycle, providing an

automatic wah effect.

SUB WAHYou can control the wah effect in real time by adjusting the [EXP]pedal or the expression pedal connected to the SUB CTL 1, 2/SUB

EXP jack.

ADV. COMP

(Advanced

Compressor)

This is an effect that produces a long sustain by evening out the

volume level of the input signal. You can also use it as a limiter to

suppress only the sound peaks and prevent distortion.

LIMITER The limiter attenuates loud input levels to prevent distortion.

SUB OD/DS This effect distorts the sound to create long sustain.

GRAPHIC EQ

(Graphic

Equalizer)

This adjusts the tone as a equalizer. You can adjust the sound

quality in ten bands.

PARAMETRIC

EQ

(Parametric

Equalizer)

Adjusts the tonal quality. You can adjust the sound quality in four

bands.

TONE MODIFY This changes the tone of the connected guitar.

GUITAR SIM

(Guitar

Simulator)

Simulation of the characteristics of particular guitar components

such as pickups and different guitar bodies allows you to switch

among a number of different guitar types all while using a single

guitar.

SLOW GEAR This produces a volume-swell effect (violin-like sound).

DEFRETTER This simulates a fretless guitar.

WAVE SYNTH This is a synth sound that processes the guitar input signal.

SITAR SIM.

(Sitar

Simulator)

This simulates the sound of the sitar.

OCTAVE This adds a note one octave lower, creating a richer sound.

PITCH SHIFTER This effect changes the pitch of the original sound (up or down)within a range of two octaves.

HARMONIST

Harmonist is an effect where the amount of shifting is adjusted

according to an analysis of the guitar input, allowing you to create

harmony based on diatonic scales.

SOUND HOLD

You can have sound played on the guitar be held continuously.

This effect allows you to perform the melody in the upper registers

while holding a note in the lower registers.

AC. PROCES-

SOR

(Acoustic

Processor)

This processor allows you to change the sound produced by the

pickup on an acoustic electric guitar, creating a richer sound

similar to that obtained with a microphone placed close to the

guitar.

PHASERBy adding varied-phase portions to the direct sound, the phaser

effect gives a whooshing, swirling character to the sound.

FLANGERThe flanging effect gives a twisting, jet-airplane-like character to

the sound.

TREMOLO Tremolo is an effect that creates a cyclic change in volume.

ROTARY This produces an effect like the sound of a rotary speaker.

UNI-V

This models a Uni-Vibe.

Although this resembles a phaser effect, it also provides a unique

undulation that you cant get with a regular phaser.

Effect Name Explanation

PAN

With the volume level of the left and right sides alternately

changing, when playing sound in stereo, you can get an effect that

makes the guitar sound appear to fly back and forth between the

speakers.

SLICERThis consecutively interrupts the sound to create the impression

that a rhythm backing phrase is being played.

VIBRATO This effect creates vibrato by slightly modulating the pitch.

RING MOD.

This creates a bell-like sound by ring-modulating the guitar sound

with the signal from the internal oscillator. The sound can be

unmusical and lack distinctive pitches.

HUMANIZER This can create human vowel-like sounds.

2X2 CHORUS

Frequency band division is employed to produce two different

choruses, one for low frequencies and one for higher frequencies,

for both the left and right channels (for a total of four). This allows

you to achieve a more natural chorus so und.

SUB DELAYThis is a delay with the maximum delay time of 1,000 ms. This

effect is useful for making the sound fatter.


10/38

EFFECT

10

T. WAHYou can produce a wah effect with the filter changing in response to the

guitar level.


MODE

Selects the wah mode.

LPFThis creates a wah effect over a wide

frequency range.

BPFThis creates a wah effect in a narrow

frequency range.

POLAR

Selects the direction in which the filter will change in response to

the input.

DOWN The frequency of the filter will fall.

UP The frequency of the filter will rise.

SENS 0100

Adjusts the sensitivity at which the filter will

change in the direction determined by the

polarity setting. Higher values will result in

a stronger response. With a setting of 0, the

strength of picking will have no effect.

FREQ 0100Adjusts the center frequency of the Wah

effect.

PEAK 0100

Adjusts the way in which the wah effect

applies to the area around the center

frequency.

Higher values will produce a stronger tone

which emphasizes the wah effect more. With

a value of 50 a standard wah sound will be

produced.

EFFECT LEVEL 0100 Adjusts the volume of the effect sound.


AUTO WAHThis changes the filtering over a periodic cycle, providing an automatic

wah effect.


MODE

Selects the wah mode.

LPFThis creates a wah effect over a wide

frequency range.

BPFThis creates a wah effect in a narrow

frequency range.

RATE0100,

BPM

Adjusts the frequency (speed) of the change.

* When set to BPM, the value of each

parameter will be set according to the

value of the MASTER BPM specified foreach patch. This makes it easier to achieve

effect sound settings that match the tempo

of the song.

* If, due to the tempo, the time is longer than

the range of allowable settings, it is then

synchronized to a period either 1/2 or 1/4

of that time.

DEPTH 0100 Adjusts the depth of the effect.

FREQ 0100Adjusts the center frequency of the Wah

effect.

PEAK 0100

Adjusts the amount of wah effect applied in

the range near the center frequency. Higher

values will produce a stronger tone which

emphasizes the wah effect more. With a value

of 50 a standard wah sound will be produced.



SUB WAHYou can control the wah effect in real time by adjusting the [EXP] pedal or

the expression pedal connected to the SUB CTL 1, 2/SUB EXP jack.


TYPE

Selects the type of wah.

CRY WAHThis models the sound of the CRY BABY wah

pedal popular in the 70s.

VO WAH This models the sound of the VOX V846.

FAT WAH This is a wah sound featuring a bold tone.

LIGHT WAHThis wah has a refined sound with no unusual

characteristics.

7STRING WAH

This expanded wah features a variable range

compatible with seven-string and baritone

guitars.

RESO WAH

This completely original effect offers en-

hancements on the characteristic resonances

produced by analog synth filters.

PEDAL POS 0100

Adjusts the position of the wah pedal.

* This parameter is used after its been as-

signed to an EXP Pedal or similar controller.

PEDAL MIN 0100Selects the tone produced when the heel of

the EXP Pedal is depressed.

PEDAL MAX 0100Selects the tone produced when the toe of




ADV. COMPThis is an effect that produces a long sustain by evening out the volume

level of the input signal. You can also use it as a limiter to suppress only the

sound peaks and prevent distortion.


TYPE

Selects the compressor type.

BOSS COMP This models a BOSS CS-3.

HI-BANDThis is a compressor that adds an even

stronger effect in the high end.

LIGHT This is a compressor with a light effect.

D-COMP This models a MXR DynaComp.

ORANGEThis is modeled on the sound of the Dan

Armstrong ORANGE SQUEEZER.

FAT

When applied heavily, this compressor effect

provides a fat tone with a boosted midrange.

MILDWhen applied heavily, this compressor effect

produces a sweet tone with the high end cut.

STEREO COMP This selects a stereo compressor.

SUSTAIN 0100

Adjusts the range (time) over which low-level

signals are boosted. Larger values will result

in longer sustain.

ATTACK 0100 Adjusts the attack time.

LEVEL 0100 Adjusts the volume.



11/38

EFFECT

11

LIMITERThe limiter attenuates loud input levels to prevent distortion.


TYPE

Selects the limiter type.

BOSS LIMITER This selects a stereo limiter.

RACK 160D This models a dbx 160X.

VTG RACK U This models a UREI 1178.

THRESH 0100

Adjust this as appropriate for the input

signal from your guitar. When the input

signal level exceeds this threshold level,

limiting will be applied.

RATIO 1:1INF:1This selects the compression ratio used with

signals in excess of the threshold level.


ATTACK 0100

Adjusts the strength of the picking attack

when the strings are played. Higher values

result in s sharper attack, creating a mo re

clearly defined sound.

RELEASE 0100 Adjusts the release time.

SUB OD/DSThis effect distorts the sound to create long sustain.


TYPERefer toOD/DS TYPE (p. 5)

* CUSTOM is not available.

DRIVE 0120 Adjusts the depth of distortion.


EFFECT LEVEL 0100 Adjusts the volume of the OD/DS sound.

BOTTOM -50+50

Adjusts the tone for the low frequenc y range.

Turning this to the left (counterclockwise)

produces a sound with the low end cut;

turning it to the right boosts the low end in

the sound.


SOLO SW OFF, ON The tone to one suitable for solos.

SOLO LEVEL 0100Adjusts the volume level when the Solo Sw

is ON.

GRAPHIC EQThis adjusts the tone as a equalizer. You can adjust the sound quality in ten bands.

Parameter Value

31 Hz

-20+20 dB

62 Hz

125 Hz

250 Hz

500 Hz

1 kHz

2 kHz

4 kHz

8 kHz

16 kHz

LEVEL -20+20 dB

PARAMETRIC EQAdjusts the tonal quality. You can adjust the sound quality in four bands.


LOW GAIN -2 0+20 dB Adjusts the low frequency range tone.

HIGH GAIN -20+20 dB Adjusts the high frequency range tone.

LEVEL -20+20 dBAdjusts the overall volume level of the

equalizer.

LOW-MID

FREQ20 Hz10.0 kHz

Specifies the center of the frequency range

that will be adjusted by the LOW-MID GAIN.

LOW-MID Q 0.516

Adjusts the width of the area affected by the

EQ centered at the LOW-MID FREQ. Higher

values will narrow the area.

LOW-MID

GAIN-20+20 dB

Adjusts the low-middle frequency range

tone.

HIGH-MID

FREQ20 Hz10.0 kHz

Specifies the center of the frequency range

that will be adjusted by the HIGH-MID GAIN.

HIGH-MID Q 0.516

Adjusts the width of the area affected by the

EQ centered at the HIGH-MID FREQ. Higher

values will narrow the area.

HIGH-MID

GAIN-20+20 dB

Adjusts the low-middle frequency range

tone.

LOW CUT FLAT, 20 Hz800 Hz

This sets the frequency at which the low

cut filter begins to take effect. When FLAT is

selected, the low cut filter will have no effect.

HIGH CUT630 Hz12.5 kHz,

FLAT

This sets the frequency at which the high

cut filter begins to take effect. When FLAT

is selected, the high cut filter will have no

effect.

TONE MODIFY

This changes the tone of the connected guitar.


TYPE

Selects the type of tone modification.

FAT Fat tone with boosted mid range.

PRES (PRESENCE) Bright tone with boosted high-mid range.

MILD Mild tone with the high end cut back.

TIGHT Tone with the low frequencies cut.

ENHANC (ENHANCE) Tone with the high frequencies boosted.

RESO 13

(RESONATOR 13)

This produces a tone with greater power

and punch by adding resonance in the

low-frequency range and midrange.

LOW -50+50Adjusts the tone for the low frequency

range.

HIGH -50+50Adjusts the tone for the High frequency

range.

LEVEL 0100 Adjusts the volume of the effect sound.

RESO 0100

This adjusts the strength of the low-end and

midrange resonance when TYPE is set to

RESO 1, 2, or 3.
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12/38

EFFECT

12

GUITAR SIMSimulation of the characteristics of particular guitar components such as

pickups and different guitar bodies allows you to switch among a number

of different guitar types all while using a single guitar.


TYPE

Selects the type of the guitar simulator.

SgHChanges from a single-coil pickup tone to a

humbucking pickup tone.

HgSChanges from a humbucking pickup tone to

a single-coil pickup tone.

HgHFChanges from a humbucking pickup tone to

a single-coil pickup half tone.

SgHLW (HOLLOW)Changes a single-coil pickup tone to a hollow

body tone with the body resonance added.

HgHLW

Changes a humbucking pickup tone to a

hollow body tone with the body resonance

added.

SgACChanges a single-coil pickup tone to an

acoustic guitar tone.

HgACChanges a humbucking pickup tone to an

acoustic guitar tone.

PgACChanges a piezo pickup tone to an acoustic

guitar tone.

LOW -50+50 Adjusts the tone for the low frequency range.

HIGH -50+50Adjusts the tone for the High frequency

range


BODY 0100

Adjusts the way the body sounds when TYPE

is set to SgHLW, HgHLW, SgAC, HgAC

or PgAC.

The body sound increases as the value is

raised; reducing the value produces a tone

similar to that from a piezo pickup.

SLOW GEARThis produces a volume-swell effect (violin-like sound).


SENS 0100

Adjusts the sensitivity of the slow gear. When

it is set to a lower value, the effect of the slow

gear can be obtained only with a stronger

picking, while no effect is obtained with a

weaker picking. When the value is set higher,

the effect is obtained even with a weak

picking.

RISE TIME 0100

Adjusts the time needed for the volume to

reach its maximum from the moment you

begin picking.


DEFRETTERThis simulates a fretless guitar.


SENS 0100

This controls the input sensitivity of the

defretter.

DEPTH 0100 This controls the rate of the harmonics.

TONE -50+50Adjusts the amount of blurring between the

notes.


ATTACK 0100 Adjusts the attack of the picking sound.

RESO 0100Adds a characteristically resonant quality to

the sound.


WAVE SYNTHThis is a synth sound that processes the guitar input signal.

* When you use a wave synthesizer, observe the following points.

Because of the need to analyze the pitch, chords (two or more sounds

played simultaneously) cannot be played. Be sure to mute all the

other strings and play only one note at a time.

When you are to play the next string while a certain sound is still

playing, mute the previous sound and then play the next one witha clear attack. If the unit cannot detect the attack, it may not sound

correctly.

The sensitivity may vary according to the guitars TONE knob and

pickup type.


WAVE

Selects a wave type which the synth sou nd is based.

SAWCreates a synth sound with a saw waveform

( ).

SQUARECreates a synth sound with the square

waveform ( ).

CUTOFF 0100Adjusts the frequency where the harmonics

contents of the sound are cut off.

RESO 0100

This adjusts the amount of resonance (and

the tone coloration) in the synth sound. The

higher the value, the more the synth tone

coloration is emphasized.

FILTER SENS 0100This adjusts the amount of filtering applied in

response to the input.

FILTER DECAY 0100

This sets the time needed for the filter to

finish its sweep.

FILTER DEPTH 0100

Adjusts the depth of the filter. When the

value is higher, the filter will change more

drastically.

SYNTH LEVEL 0100 Adjusts the volume of the synth sound.



13/38

EFFECT

13

SITAR SIM.This simulates the sound of the sitar.


SENS 0100

Adjusts the sensitivity of the sitar. When it is

set to a lower value, no effect of the sitar isobtained with weaker picking, while stronger

picking produces the effect. When it is set

to a higher value, the effect of the si tar can

be obtained whether the picking is weak or

strong.

DEPTH 0100 This adjusts the amount of effect applied.

TONE -50+50This adjusts the tone. The high end is boosted

as the value increases.

EFFECT LEVEL 0100 Adjust the volume of the sitar sound.

RESO 0100 This adjusts the undulation of the resonance.

BUZZ 0100

Adjusts the amount of characteristic buzz

produced by the buzz bridge when the

strings make contact with it.


OCTAVEThis adds a note one octave lower, creating a richer sound.


RANGE

This selects the register to which the effect is applied.

RANGE 1 (B1E6)

B1 (corresponds to the sound of an open 7th

string) to E6 (corresponds to the 1st string

played at the 24th fret)

RANGE 2 (B1E5)


string) to E5 (corresponds to the 1st string

played at the 12th fret)

RANGE 3 (B1E4)


string) to E4 (corresponds to the sound of an

open 1st string)

RANGE 4 (B1E3)


string) to E3 (corresponds to the 4th string

played at the 2nd fret)

OCTAVE

LEVEL0100

Adjusts the volume of the sound one octave

below.


PITCH SHIFTERThis effect changes the pitch of the original sound (up or down) within a

range of two octaves.


VOICE

Selects the number of voices for the pitch shift sound.

1-VOICEOne-voice pitch-shifted sound output in

monaural.

2-MONOTwo-voice pitch-shifted sound (PS1, PS2)

output in monaural.

2-STEREOTwo-voice pitch-shifted sound (PS1, PS2)

output through left and right channels.

PS1:PITCH

PS2:PITCH-24+24

Adjusts the amount of pitch shift (the

amount of interval) in semitone steps.


PS1:MODEPS2:MODE

Selection for the pitch shifter mode.

FAST,

MEDIUM,

SLOW

The response is slower in the order of FAST,

MEDIUM and SLOW, but the modulation is

lessened in the same order.

MONO

MONO is used for inputting single notes.

* You may be unable to produce the

intended effect when playing chords (two

or more notes played simultaneously).

PS1:FINE

PS2:FINE-50+50

Make fine adjustments to the interval. The

amount of the change in the Fine 100 is

equivalent to that of the Pitch 1.

PS1:PRE DLY

PS2:PRE DLY

0 ms300 ms,

BPM

Adjusts the time from when the direct sound

is heard until the pitch shifted sounds are

heard. Normally you can leave this set at 0

ms.



value of the MASTER BPM specified for

each patch. This makes it easier to achieveeffect sound settings that match the tempo

of the song.




of that time.

PS1:LEVEL

PS2:LEVEL0100 Adjusts the volume of the pitch shifter.

PS1:F.BACK 0100Adjusts the feedback amount of the pitch

shift sound.


14/38


15/38

EFFECT

15

AC. PROCESSORThis processor allows you to change the sound produced by the pickup on

an acoustic electric guitar, creating a richer sound similar to that obtained

with a microphone placed close to the guitar.


TYPE

Selects the modeling type.

SMALLThis is the sound of a small-bodied acoustic

guitar.

MEDIUMThis is a standard, unadorned acoustic guitar

sound.

BRIGHT This is a bright acoustic guitar sound.

POWER This is a powerful acoustic guitar sound.

BASS -50+50 Adjusts the low-end balance.

MIDDLE -50+50 Adjusts the midrange balance.

MIDDLE FREQ 20.0 Hz10.0 kHzSpecifies the frequency range to be adjusted

with Middle.

TREBLE -50+50 Adjusts the high-end balance.

PRES -50+50 Adjusts the balance in the extended upperrange.


PHASERBy adding varied-phase portions to the direct sound, the phaser effect

gives a whooshing, swirling character to the sound.


TYPE

Selects the number of stages that the phaser effect will use.

4 STAGEThis is a four-phase effect. A light phaser

effect is obtained.

8 STAGEThis is an eight-phase effect. It is a popular

phaser effect.

12 STAGEThis is a twelve-phase effect. A deep phase

effect is obtained.

BiPHASEThis is the phaser with two phase shift circuits

connected in series.

RATE0100,

BPM

This sets the rate of the phaser effect.




each patch. This makes it easier to achieve


of the song.


the range of allowable settings, it is thensynchronized to a period either 1/2 or 1/4

of that time.

DEPTH 0100 Determines the depth of the phaser effect.

RESO 0100

Determines the amount of resonance (feed-

back). Increasing the value will emphasize

the effect, creating a more unusual sound.

MANUAL 0100Adjusts the center frequency of the phaser

effect.


STEP RATEOFF, 0 100,

BPM

This sets the cycle of the step function that

changes the rate and depth. When it is set

to a higher value, the change will be finer.

Set this to Off when not using the Step

function.


parameter will be set according to thevalue of the MASTER BPM specified for



of the song.




of that time.

EFFECT LEVEL 0100 Adjusts the volume of the phaser.


FLANGERThe flanging effect gives a twisting, jet-airplane-like character to the

sound.


RATE0100,

BPM

This sets the rate of the flanging effect.






of the song.




of that time.

DEPTH 0100 Determines the depth of the flanging effect.

RESO 0100

Determines the amount of resonance (feed-

back). Increasing the value will emphasize

the effect, creating a more unusual sound.

MANUAL 0100Adjusts the center frequency at which to

apply the effect.

SEPARATION 0100Adjusts the diffusion. The diffusion increases

as the value increases.

LOW CUTFLAT,

55 Hz800 Hz


cut filter begins to take effect. When Flat is


EFFECT LEVEL 0100 Adjusts the volume of the flanger.



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EFFECT

16

TREMOLOTremolo is an effect that creates a cyclic change in volume.


WAVE SHAPE 0100Adjusts changes in volume level. A higher

value will steepen waves shape.

RATE0100,

BPM







of the song.




of that time.



ROTARYThis produces an effect like the sound of a rotary speaker.


SPEED

SELECTSLOW, FAST

This parameter changes the simulated

speakers rotating speed (SLOW or FAST).

RATE-SLOW0100,

BPM

This parameter adjusts the SPEED SELECT of

rotation when set to SLOW.

RATE-FAST0100,

BPM

This parameter adjusts the SPEED SELECT of

rotation when set to FAST.





of the song.




of that time.

DEPTH 0100This parameter adjusts the amount of depth

in the rotary effect.

RISE TIME 0100

This parameter adjusts the time it takes for

the rotation SPEED SELECT to change when

switched from SLOW to FAST.

FALL TIME 0100

This parameter adjusts the time it takes for

the rotation SPEED SELECT to change when

switched from FAST to SLOW.


UNI-VThis models a Uni-Vibe.

Although this resembles a phaser effect, it also provides a uniqueundulation that you cant get with a regular phaser.


RATE0100,

BPM

Adjusts the rate of the UNI-V effect.






of the song.




of that time.

DEPTH 0100 Adjusts the depth of the UNI-V effect.


PANWith the volume level of the left and right sides alternately changing,when playing sound in stereo, you can get an effect that makes the guitar

sound appear to fly back and forth between the speakers.


TYPE

AUTO

This varies the volume level on the left and

right according to the settings for WAVE

SHAPE, RATE, and DEPTH.

MANUALOutput uses the volume balance set with

POS.

WAVE SHAPE*1

0100 Adjusts changes in volume level.A higher value will steepen waves shape.

RATE *10100,

BPM







of the song.




of that time.

DEPTH *1 0100 Adjusts the depth of the effect.

POS *2L 100CENTER

R 100

This adjusts the volume balance between the

left and right channels.LEVEL 0100 Adjusts the volume.

*1 Setting available when TYPE is set to AUTO.

*2 Setting available when TYPE is set to MANUAL.


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EFFECT

17

SLICERThis consecutively interrupts the sound to create the impression that a

rhythm backing phrase is being played.


PATTERN P1P20 Select the slice pattern that will be used tocut the sound.

RATE0100,

BPM

Adjust the rate at which the sound will be

cut.






of the song.




of that time.

TRIGGER

SENS0100

Adjust the sensitivity of triggering.

With low settings of this parameter, softlypicked notes will not retrigger the phrase

(i.e., the phrase will continue playing), but

strongly picked notes will retrigger the

phrase so that it will playback from the begin-

ning. With high settings of this parameter,

the phrase will be retriggered even by softly

picked notes.



VIBRATOThis effect creates vibrato by slightly modulating the pitch.


RATE0100,

BPM

Adjusts the rate of the vibrato.






of the song.




of that time.

DEPTH 0100 Adjusts the depth of the vibrato.

TRIGGER OFF, ON

This selects on/off of the vibrato.

* It is assumed that this parameter will be

assigned to the footswitch.

RISE TIME 0100

This sets the time passing from the moment

the Trigger is turned on until the set vibrato

is obtained.

* When a patch with TRIGGER set to ON is

called up, the effect obtained is identical to

what happens when TRIGGER is switched

from Off to On. If you want the vibrato

effect to be produced immediately after the

patches are switched, set RISE TIME to 0.


RING MOD.This creates a bell-like sound by ring-modulating the guitar sound with the

signal from the internal oscillator. The sound can be unmusical and lack

distinctive pitches.


MODE

This selects the mode for the ring modulator.

NORMAL This is a normal ring modulator.

INTELLIGENT

By ring-modulating the input signal, a bell

like sound is created. The intelligent ring

modulator changes the oscillation frequency

according to the pitch of the input sound and

therefore produces a sound with the sense of

pitch, which is quite different from NORMAL.

This effect does not give a satisfactory

result if the pitch of the guitar sound is not

correctly detected. So, you must use single

notes, not chords.

FREQUENCY 0100Adjusts the frequency of the internal

oscillator.

EFFECT LEVEL 0100 Adjusts the volume of the effect sound.DIRECT MIX 0100 Adjusts the volume of the direct sound.

HUMANIZERThis can create human vowel-like sounds.


MODE

This sets the mode that switches the vowels.

PICKING

It changes from VOWEL 1 to VOWEL 2 along

with the picking. The time spent for the

change is adjusted with the rate.

AUTOBy adjusting the rate and depth, two vowels(VOWEL 1 and VOWEL 2) can be switched

automatically.

VOWEL 1 a, e, i, o, u Selects the first vowel.

VOWEL 2 a, e, i, o, u Selects the second vowel.

SENS *1 0100

Adjusts the sensitivity of the humanizer.

When it is set to a lower value, no effect

of the humanizer is obtained with weaker

picking, while stronger picking produces

the effect. When it is set to a higher value,

the effect of the humanizer can be obtained

whether the picking is weak or strong.

RATE0100,

BPM

Adjusts the cycle for changing the two

vowels.





of the song.




of that time.


MANUAL *2 0100

This determines the point where the two

vowels are switched. When it is set to 50,

VOWEL 1 and VOWEL 2 are switched in the

same length of time. When it is set to lower

than 50, the time for VOWEL 1 is shorter.

When it is set to higher than 50, the time for

VOWEL 1 is longer.


*1 Setting available when MODE is set to PICKING.

*2 Setting available when MODE is set to AUTO.


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EFFECT

18

2X2 CHORUSFrequency band division is employed to produce two different choruses,

one for low frequencies and one for higher frequencies, for both the left

and right channels (for a total of four). This allows you to achieve a more

natural chorus sound.


LOW RATE0100,

BPM

Adjust the speed of the chorus effect for the

low frequency range.






of the song.




of that time.

LOW DEPTH 0100

Adjust the depth of the chorus effect for the

low frequency range. If you wish to use this

as a doubling effect, use a setting of 0.

HIGH RATE0100,

BPM

Adjust the speed of the chorus effect for the

high frequency range.






of the song.




of that time.

HIGH DEPTH 0100

Adjust the depth of the chorus effect for the

high frequency range. If you wish to use this

as a doubling effect, use a setting of 0.

LOW PRE

DELAY0.0 ms40.0 ms

Adjusts the delay of the effect sound in

the low-frequency range. Extending the

pre-delay will produce the sensation of

multiple sounds (doubling effect).

LOW LEVEL 0100Adjusts the volume of the effect sound in the

low-frequency range.

HIGH PRE

DELAY0.0 ms40.0 ms

Adjusts the delay of the effect sound in

the high-frequency range. Extending the

pre-delay will produce the sensation of

multiple sounds (doubling effect).

HIGH LEVEL 0100Adjusts the volume of the effect sound in the


XOVER FREQ 100 Hz4.00 kHzThis sets the frequency dividing the low- and

high-frequency ranges.

SUB DELAYThis is a delay with the maximum delay time of 1,000 ms. This effect is

useful for making the sound fatter.


TYPE

Use this to choose the type of delay.

MONO A simple monaural delay.

PAN

Provides a tap delay effect that divides

the delay time between the left and right

channels.

DELAY TIME1 ms1000 ms,

BPM

Adjusts the delay time.






of the song.




of that time.

F.BACK 0100

Adjusts the volume that is returned to the

input. Higher settings will result in more

delay repeats.

EFFECT LEVEL 0120 Adjusts the volume of the delay sound.


FLAT




effect.

TAP TIME *1 0100%

Adjusts the delay time of the left channel

delay. This setting adjusts the L channel delay

time relative to the R channel delay time

(considered as 100%).


*1 Setting available when TYPE is set to PAN.


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EFFECT

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DELAYThis effect adds delayed sound to the direct sound, giving more body to

the sound or creating special effects.


DELAY

ON/OFFOFF, ON Turns this effect on/off.

TYPE

This selects which type of delay.

* If you switch patches with the Type set to either DUAL-S, DUAL-P,

or DUAL- L/R and then begin to play immediately after the

patches change, you may be unable to attain the intended effect

in the first portion of what you perform.

* The stereo effect is cancelled if a monaural effect or COSM amp is

connected after a stereo delay effect.*

SINGLE This is a sim ple monau ral delay.

PAN

This delay is specifically for stereo output. This

allows you to obtain the tap delay effect that

divides the delay time, then deliver them to L and

R channels.

INPUT

OUTPUT L

OUTPUT R

Feedback

Dly TimeEffectLev

DELAY

Tap Time

STEREO

The direct sound is output from the left channel,

and the effect sound is output from the right

channel.

DUAL-S

This is a delay comprising two different delays

connected in series. Each delay time can be set in

a range from 1 ms to 1000 ms.

D1 D2D1: DELAY 1

D2: DELAY 2

DUAL-P

This is a delay comprising two delays connected in

parallel. Each delay time can be set in a range from

1 ms to 1000 ms.

D1

D2

DUAL-L/R

This is a delay with individual settings available for

the left and right channels. Delay 1 goes to the left

channel, Delay 2 to the right.

D1

D2

L

R

REVERSEThis produces an effect where the sound is played

back in reverse.

ANALOGThis gives a mild analog delay sound. The delay

time can be set within the range of 1 to 2000 ms.

TAPE

This setting provides the characteristic wavering

sound of the tape echo. The delay time can be set

within the range of 1 to 3400 ms.

MOD

(MODULATE)

This delay adds a pleasant wavering effect to the

sound.

COMMON


DELAY TIME1 ms2000 ms,

BPM

This determines the delay time.






of the song.




of that time.

F.BACK 0100

This sets the amount of delay sound returned

to the input. A higher value will increase the

number of the delay repeats.


FLAT


cut filter begins to take effect. When Flat


effect.

EFFECT LEVEL 0120 Adjusts the volume of the delay sound.DIRECT MIX 0100 Adjusts the volume of the direct sound.

PAN


TAP TIME 0100%

Adjusts the delay time of the left channel

delay. This setting adjusts the L channel delay

time relative to the R channel delay time

(considered as 100%).

DUAL-S, DUAL-P, DUAL-L/R


D1:TIME

D2:TIME

1 ms1000 ms,

BPM

This determines the delay time.






of the song.




of that time.

D1:F.BACK

D2:F.BACK0100 Adjusts the amount of feedback of the DELAY1 (or DELAY 2). A higher value will increase

the number of the delay repeats.

D1:HI CUT

D2:HI CUT

630 Hz12.5 kHz,

FLAT




effect.

D1:LEVEL

D2:LEVEL0120

Adjusts the volume of the DELAY 1 (or DELAY

2).


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EFFECT

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MODULATE


MOD RATE 0100Adjusts the modulation rate of the delay

sound.

MOD DEPTH 0100Adjusts the modulation depth of the delay

sound.

CHORUSIn this effect, a slightly detuned sound is added to the original sound toadd depth and breadth.


CHORUS ON/

OFFOFF, ON Turns this effect on/off.

MODE

Selection for the chorus mode.

MONO This chorus effect outputs the same soundfrom both L channel and R channel.

STEREO 1

This is a stereo chorus effect that adds

different chorus sounds to L channel and R

channel.

STEREO 2

This stereo chorus uses spatial synthesis, with

the direct sound output in the L channel and

the effect sound output in the R channel.

RATE0100,

BPM

Adjusts the rate of the chorus effect.






of the song.




of that time.

DEPTH 0100

Adjusts the depth of the chorus effect.

* To use it for doubling effect, set the value

to 0.


PRE DELAY 0.0 ms40.0 ms

Adjusts the time needed for the effect sound

to be output after the direct sound has been

output. By setting a longer pre delay time,

you can obtain an effect that sounds like

more than one sound is being played at the

same time (doubling effect).



cut filter begins to take effect. When Flat is



FLAT




effect.

REVERBThis effect adds reverberation to the sound.


REVERB ON/

OFF OFF, ON Turns this effect on/off.

TYPE

This selects the reverb type. Various different simulations of space

are offered.

AMBIENC

(AMBIENCE)

Simulates an ambience mic (off-mic, placed

at a distance from the sound sou rce) used in

recording and other applications. Rather than

emphasizing the reverberation, this reverb

is used to produce a sense of openness and

depth.

ROOMSimulates the reverberation in a small room.

Provides warm reverberations.

HALL 1Simulates the reverberation in a concert hall.

Provides clear and spacious reverberations.

HALL 2Simulates the reverberation in a concert hall.

Provides mild reverberations.

PLATE

Simulates plate reverberation (a reverb unit

that uses the vibration of a m etallic plate).

Provides a metallic sound with a distinct

upper range.

SPRINGThis simulates the sound of a guitar amps

built-in spring reverb.

MOD (MODULATE)

This reverb adds the wavering sound found

in hall reverb to provide an extremely

pleasant reverb sound.

REV TIME 0.1 s10.0 s Adjusts the length (t ime) of reverberat ion.

PRE DELAY 0 ms500 msAdjusts the time until the reverb sound

appears.

EFFECT LEVEL 0100 Adjusts the volume of the reverb sound.



cut filter begins to take effect. When Flat isselected, the low cut filter will have no effect.


FLAT




effect.

DENSITY 010 Adjusts the density of the reverb sound.


SPRING SENS

(TYPE =

SPRING only)

0100

Adjusts the sensitivity of the spring effect.

When the value is set higher, the effect is

obtained even with a weak picking.


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EFFECT

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PEDAL FX

PEDAL BEND

This lets you use the pedal to get a pitch bend effect.* Because of the need to analyze the pitch, chords (two or more sounds played

simultaneously) cannot be played.


PITCH -24+24This sets the pitch at the point where the EXP

Pedal is all the way down.

PEDAL POS 0100

Adjusts the pedal position for p edal bend.

This parameter is used after its been

assigned to an EXP Pedal or simi lar controller.

EFFECT LEVEL 0100 Adjusts the volume of the pitch bend sound.


WAHYou can control the wah effect in real time by adjusting the [EXP] pedal or

the expression pedal connected to the SUB CTL 1, 2/SUB EXP jack.


TYPE

Selects the type of wah.

CRY WAHThis models the sound of the CRY BABY wah

pedal popular in the 70s.

VO WAH This models the sound of the VOX V846.

FAT WAH This is a wah sound featuring a bold tone.

LIGHT WAHThis wah has a refined sound with no unusual

characteristics.

7STRING WAH

This expanded wah features a variable range

compatible with seven-string and baritone

guitars.

RESO WAH

This completely original effect offers en-

hancements on the characteristic resonances

produced by analog synth filters.

PEDAL POS 0100

Adjusts the position of the wah pedal.

* This parameter is used after its been as-

signed to an EXP Pedal or sim ilar controller.

PEDAL MIN 0100Selects the tone produced when the heel of


PEDAL MAX 0100Selects the tone produced when the toe of




FOOT VOLUME

FOOT VOLUME

This is a volume control effect.Normally, this is controlled with the EXP Pedal or the [EXP] pedal

connected to the SUB CTL 1, 2/SUB EXP jack.


VOLUME MIN 0100Sets the volume when the heel of the EXP

Pedal is depressed.

VOLUME MAX 0100Selects the volume when the toe of the EXP

Pedal is depressed.

VOLUME

CURVE

SLOW 1, SLOW 2,

NORMAL, FAST

You can select how the actual volume

changes relative to the amount the pedal is

pressed.

NORM

AL

SLOW

2

SLOW

1

FAST

When the pedal is

fully raised

When the pedal is

fully advanced

Volume



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EFFECT

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DIVIDERWithin the effect chain, the point where the signal is split into channels

A and B is called the divider, and the point where the two signals arerecombined is called the mixer.

You can use the divider to switch between channels A and B, to assign

strongly picked notes and softly picked notes to different channels, orto assign different frequency bands of your guitar sound to different

channels.

The mixer lets you adjust the volume balance of channels A and B,

place them in the stereo field, or slightly delay the sound of channel B toproduce a spacious sound.

DIVIDER MIXER


MODESINGLE Use only one channel, either A or B.

DUAL Use the two channels A and B.

SINGLE


CH SELECT Ch. A, Ch. B Selects the channel to use.

DUAL Ch. A, DUAL Ch. B


Ch. A/Ch. B

DYNAMIC

OFF DYNAMIC will not be used.

POLAR+Only notes picked more strongly than theDYNAMIC SENS setting will be output.

POLAR-Only notes picked more softly than theDYNAMIC SENS setting will be output.

Ch. A/Ch. B

DYNAMIC

SENS

0100 Specifies the picking sensitivity.

Ch. A/Ch. B

FILTER

OFF The filter will not be used.

LPFOnly the region below the cutoff frequencywill be output.

HPFOnly the region above the cutoff frequencywill be output.

Ch. A/Ch. B

CUTOFF FREQ100 Hz2 kHz Cutoff frequency

MIXER


MODE

STEREOChannels A and B will be mixed and outputin stereo.

PAN L/RChannels A and B will be assignedrespectively to the L and R OUTPUT jacks.

CH A/B

BALANC100:00:100

Adjusts the volume balance of channels Aand B.

* This is shown only if DIVIDER MODE is set

to DUAL.

SPREAD 0100

Slightly delays the sound of channel B to

make the sound more spacious.

* This is shown only if DIVIDER MODE is set

to DUAL.


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EFFECT

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SEND/RETURNYou can connect an external effects processor between the SEND jack and

RETURN jack, and use it as one of the GT-100s effects processors.

The sound that is input to SEND/RETURN within the effect chain will be

output to the SEND jack. The sound that is input via the RETURN jack will

be input to SEND/RETURN within the effect chain.


SEND/

RETURN

ON/OFF

OFF, ON Turns the SEND/RETURN on/off.

MODE

NORMAL

The input to SEND/RETURN within the effect

chain will be output to the SEND jack, and

the input from the RETU

GT-100 Parameter e02

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Transcript of GT-100 Parameter e02