group eoi

2
PROJECT: AAMI STADIUM ARCHITECT: COX ARCHITECTS The design enhances architectural discourse through it’s use of computing techniques to enhance both the aesthetic and structural design; and additionally through it’s use of iconography as structure EXPRESSION OF INTEREST WYDNHAM CITY WESTERN GATEWAY DESIGN PROJECT TOBY DEAN 360501 MADELEINE BROWN 537548 LUCY FERGUSON 327515 KATHERINE MCDONALD 391230 PAST PROJECTS TOBY DEAN 360501 MADELEINE BROWN 537548 LUCY FERGUSON 32715 PROJECT: NOMADIC FORM, ARBORESCENSE ‘POST-ROMANTIC URBANISM’ CONTRIBUTORS: CARLOS DAVID GONZALES URIBE A holistic exploration of parametric modelling techniques and fabrication process, exploring the concepts of bio-mimicry and a new vision of the urban landscape. CASE FOR INNOVATION ARCHITECTURE AS DISCOURSE, COMPUTING IN ARCHITECTURE & PARAMETRIC MODELLING PROJECT: CAPITAL GATE ARCHITECT: RMJM ARCHITECTS The design responds to it’s environment through it’s aesthetics, Structure and sustainable design. PROJECT: FEDERATION SQUARE CONTRIBUTORS: LAB ARCHITECTURE STUDIO, BATESSMART, PAUL CARTER A major architectural presence in Melbourne, Federation square explores the old and the new, the idea of monument and ornamentation, and acts as a gateway to Melbourne City. KATHERINE MCDONALD 391230 PROJECT: ABU DHABI PERFORMING ARTS CENTRE ARCHITECT: ZAHA HADID The structure is described as a “biological analogy” whose primary componentsare transformed into absract archtectural elements. This reference to nature and the abstraction of elements is relevant to the Gateway Project. PROJECT: DZ BANK ARCHITECT: FRANK GEHRY We hope to take these ideas of connection and innovation, and experiment with the tessellation of geometries, contouring and organic surfaces to also form connections between the old and new, bridging the gap and showing the translation and transformation from our site and the surrounding destinations. PROJECT: CHILDREN’S MUSEUM ARCHITECT: NED KHAN The building features a large-scale public art feature titled “Articulated Cloud’, which makes the wind currents surrounding the building visible in patterns created by the tessellated components in the ever-changing façade PROJECT: RESEARCH PAVILION CONTRIBUTORS: ICD/ITKE STUTTGART UNIVERSITY Material orientated computational design, which is informed by physical be- haviour and material characteristics.

description

group expression of interest

Transcript of group eoi

PROJECT: AAMI STADIUM ARCHITECT: COX ARCHITECTS

The design enhances architectural discourse through it’s use of computing techniques to enhance both the aesthetic and structural design; and additionally through it’s use of iconography as structure

EXPRESSION OF INTERESTWYDNHAM CITY WESTERN GATEWAY DESIGN PROJECT

TOBY DEAN 360501MADELEINE BROWN 537548

LUCY FERGUSON 327515KATHERINE MCDONALD 391230

PAST PROJECTS

TOBY DEAN 360501

PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT

PRO

DU

CED

BY

AN

AU

TOD

ESK

ED

UC

ATI

ON

AL

PRO

DU

CT

PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT

PRO

DU

CED

BY A

N A

UTO

DESK

EDU

CA

TION

AL PR

OD

UC

T

PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT

PRO

DU

CED

BY

AN

AU

TOD

ESK

ED

UC

ATI

ON

AL

PRO

DU

CT

PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT

PRO

DU

CED

BY A

N A

UTO

DESK

EDU

CA

TION

AL PR

OD

UC

T

MADELEINE BROWN 537548LUCY FER

GU

SON

32715

PROJECT: NOMADIC FORM, ARBORESCENSE ‘POST-ROMANTIC URBANISM’CONTRIBUTORS: CARLOS DAVID GONZALES URIBE

A holistic exploration of parametric modelling techniques and fabrication process, exploring the concepts of bio-mimicry and a new vision of the urban landscape.

CASE FOR INNOVATION ARCHITECTURE AS DISCOURSE, COMPUTING IN ARCHITECTURE & PARAMETRIC MODELLING

PROJECT: CAPITAL GATE ARCHITECT: RMJM ARCHITECTS

The design responds to it’s environment through it’s aesthetics, Structure and sustainable design.

PROJECT: FEDERATION SQUARE CONTRIBUTORS:

LAB ARCHITECTURE STUDIO, BATESSMART, PAUL CARTER

A major architectural presence in Melbourne, Federation square explores the old and the new,

the idea of monument and ornamentation, and acts as a gateway to Melbourne City.

KATH

ERIN

E MCD

ON

ALD

391230

PROJECT: ABU DHABI PERFORMING ARTS CENTREARCHITECT: ZAHA HADID

The structure is described as a “biological analogy” whose primary componentsare transformed into absract archtectural elements. This reference to nature and the abstraction of elements is relevant to the Gateway Project.

PROJECT: DZ BANKARCHITECT: FRANK GEHRY

We hope to take these ideas of connection and innovation, and experiment with the tessellation of

geometries, contouring and organic surfaces to also form connections between the old and new,

bridging the gap and showing the translation and transformation from our site and the surrounding

destinations.

PROJECT: CHILDREN’S MUSEUM ARCHITECT: NED KHAN

The building features a large-scale public art feature titled “Articulated Cloud’, which makes the wind currents surrounding the building visible in patterns created

by the tessellated components in the ever-changing façade

PROJECT: RESEARCH PAVILION CONTRIBUTORS: ICD/ITKE STUTTGART UNIVERSITY

Material orientated computational design, which is informed by physical be-haviour and material characteristics.

REVERSE ENGINEERINGCASE STUDIES

PROJECT: TOKYO AIRSPACEARCHITECT: FAULDERS STUDIO

Facade is representative of previous vegetation on the site, the layers cre-ate a density and creates a ‘dynamic threshold seperating public and private space.

The aspect of layering and specificity to site are relevant to our Wyndham Gateway Project.

CASE STUDY:

REVERSE ENGINEERING:

These two screens were created us-ing the grasshopper voronoi pattern. Rather than using random points, two or three attractor points were incorporated into the definition.

In this experimentation there is a much larger range of cut out sizes and rather than filleted or rounded, the sharp corners were kept.

FABRICATION:

PROJECT: DIOR GINZAARCHITECT:

Flagship store for Christian Dior in Tokyo, Drawing inspiration from Dior’s iconic cannage pattern used on bags and wallets, they increased the scale of the pattern to cover the facade. There are two layers to the facade, these layers are then separated by an illuminated space which serves to fur-ther highlight the differences in scale of the patterns and to further disguise the internal structure and organisation of the building. Because in the Gate-way project our primary audience will be people passing by the structure in vehicles I was interested in exploring how scale can affect the meaning of a deisgn and how it is viewed.

CASE STUDY:

REVERSE ENGINEERING:

To recreate this design in Rhino and Grasshopper I used two image samplers set to the one rectangular surface. Both with the same Dior cannage pattern that I recreated, I then scaled the image of one “image mapper” association down by 30% and this created the desired result.

FABRICATION:

INPUT / ASSOCIATION / OUTPUT

MATRIX COMBINATIONS

DEVELOPMENT BOOLEAN EXPERIMENTATION TRIANGULATION

REVERSE ENGINEERINGCASE STUDIES

CASE STUDY:

REVERSE ENGINEERING:

Creating a lofted surface from two curves, using surface normals and image smapling to create a perforated geometry illustrating the tree. Change in scale and sizing to create a achiev-able panel that illustrates similar ide-als, but does not convey the ideal as a whole.

FABRICATION:

PROJECT: RESTAURANT AOBA-TEI (AIP)CONTRIBUTORS: HITOSHI ABE + ATE-LIER HITOSHI ABE

A spatial partition, exploring light and shade, a contextual integration of land-scape and nature into an urban form.

Exploring old and new, local imagery. Simplified and effective parametric design, using CNC millling in fabrication process. Personal exploration encoun-tered the issue of scale and material properties.