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Transcript of GRAY No. 2
Stunning interiors inYakima, Portland, Gig Harbor, and Surrey
The MASH Game, GRAY-style
Legendary Vancouver
Cornelia Oberlander
Must-have kitchenand Bath finds
time to Play:
MAGAZINE: pacific northwest design
™
Landscape architect
playfulplayfulGorgeous Style&
2 GRAY issUe no. two
furniture
textiles
linens
lighting
accessories
wallcoverings
carpets
outdoor furniture
shade architecture
antiquities
Where ideas flourish.
5600 sixth avenue south seattle design district seattle wa 98108t 206-763-4100 terrisdraheim.com hours mon-fri 9am to 5pm & by appointment
2012
Visit the showroom, located in the Seattle Design District, to browse an exquisite array of fine interior & exterior furniture collections custom tailored for the most discriminating interior designers and homeowners.
spring
member of
4 GRAY issUe no. two
contentsDepartments
6 Hello Play more.
10 News Hot happenings to style your social calendar.
14 Raves GRAY’s picks for the coolest products in the market.
18 Interiors taNNa BY DESIGN achieves chic functionality in the designer’s Yakima home.
24 Fashion One-of-a-kind jewelry pieces by &c.’s Meghann Sommer.
26 Décor The right finds to turn once upon a time into happily ever after.
33 Inspired Uncover your design future with GRAY’s version of the childhood MASH game.
38 Kitchen A Gig Harbor kitchen gets a sleek, modern update from henrybuilt.
40 Kitchen Spice up your culinary life with sizzling kitchen products.
42 Bath Enviable Design Inc., delivers feminine glamour in a South Surrey master bath.
44 Bath Bathe in black and white with these spa-worthy items.
66 Interview A conversation with SERa architects about its pro bono work for the 1% project.
68 Who Legendary landscape designer Cornelia Oberlander pushes the boundaries.
70 Made Here Vancouver-based contemporary design and manufacturing house Bocci.
february March.12§
Features
72 Architecture Outdoor dining reaches a new level at Portland’s Departure restaurant.
77 Tech Audio gear that’s in tune with your design sensibilities.
78 Resources Design resources from the issue.
79 Library Bainbridge color expert Leatrice Eiseman’s new book for Pantone.
✤On the Cover
Jessica Helgerson fuses a 1930s home in Portland with vintage
and modern pieces for warm, old-world charm.
See PAGe forty sixWritten by
RAchel GAllAheR
Photographed by lincoln BARBouR
Visit graymag.net to subscribe.
81 Icon The 50th anniversary of the Space Needle.
82 Zodiac A design horoscope for outgoing Aquarius and creative Pisces.
46 New Design, Old-World Charm Jessica helgerson mixes up the design in a Mediterranean-style home in Portland.
54 Ship Shape Seattle’s Eggleston | Farkas architects designs a modern vacation home on Lopez Island.
contents
6 GRAY issUe no. two
hel
lo
Pssst! As you’re reading this, we’re hard at play on our April/May issue. Want to be a part of it? Send us your interior design, architecture, landscape, or product questions to [email protected]. It could appear in print and be answered by a panel of design experts.
Email: [email protected]
xoxo,Angela
Creating a new project from the ground up is exciting, scary, fun, and a lot of work! Needless to say, all of us at GRAY were happy to let our hair down at the Seattle launch party in early December. The turnout was amazing (see a selection of snap-shots from the evening above and right), and we were thrilled to finally reveal the first print issue to the community.
When we got back to work, we wanted to keep the playful vibe going. So in this issue, we put our own style-focused twist on three classic fairytales and reworked the childhood game MASH to help you predict your design future. It may be all fun and games, but all work and no play… Well, you know the rest!
Play More
Photographed by TAYloR GRAnT
GRAY issUe no. two 7
Why does a kitchen have to look like a kitchen?
SieMatic kitchen interior design.
Discover more at www.siematic.us/5005
SieMatic Seattle2030 1st Avenue Seattle WA 98121 Tel: 206.443.8620 www.siematic-seattle.com
The stringent requirements set bythe Forestry Stewardship Council(FSC) underscores our dedicationto the environment and exemplaryconduct at all levels of themanufacturing process.
SieMatic-Seattle-AD-FloSpaces-8'375x10'875_v3_SieMatic Ad 1/13/12 1:14 PM Page 1
8 GRAY issUe no. two
Photographer TAYloR GRAnTtaylorgrantphotography.com
In this issue: hello (pg 6)
Writer BRooKe BuRRiSIn this issue: Interview (pg 66)
Writer RAchel GAllAheRIn this issue: Interiors (pg 18), Bath (pg 42), Feature (pg 46), architecture (pg 72), and Zodiac (pg 82)
Photographer Alex hAYdenalexhayden.com
In this issue: Interiors (pg 18), Feature (pg 54)
Writer hillARY RiellYIn this issue: Fashion (pg 24),
Décor (pg 26), Who (pg 68)
Photographer LINCOLN BARBOURlincolnbarbour.com
In this issue: Cover, Feature (pg 46)
Photographer VicKY [email protected]
In this issue: Bath (pg 42)
Photographer hAnK dRewhankdrew.com
In this issue: Décor (pg 26)
Creative DirectorPublisherShAwn williAmS
EditorAnGelA cABoTAje
Style DirectorSTAcY KendAll
Editor at LargelindSeY m. RoBeRTS
Contributorslincoln BARBouR
jeRemY BiTTeRmAn
BRooKe BuRRiS
hAnK dRew
RAchel GAllAheR
TAYloR GRAnT
Alex hAYden
nicole jAcKSon
liZ lAnTZ
GwenAel lewiS
AShlYn PeARce
hillARY RiellY
SeATTle modelS Guild
STAce
VicKY TAnG
AdvertisingKim SchmidT ([email protected]) RiKKA SeiBeRT ([email protected])
SubscriptionsGRAYmAG.neT
Special thank-yous to: BRiAn williAmS, joe cABoTAje,
dAVid KendAll, SuZie & BARneY
oSTeRloh, jill moGen, noloGY mediA,
BRYAn & liSA PeARce, ShiRleY SAx,
dAle williAmS
Vol. I, no. 2. Copyright ©2012. Published bimonthly (DEC, FEB, APR, JUNE, AUG, OCT) by GRAy Media, LLC. All rights reserved. Permission to reprint or quote excerpts granted by written request only. While every attempt has been made, GRAy cannot guarantee the legality, completeness, or accuracy of the information presented and accepts no warranty or responsibility for such. GRAy is not responsible for loss, damage or other injury to unsolicited manuscripts, photography, art or any other unsolicited material. Unsolic-ited material will not be returned unless accompanied by a self-addressed stamped envelope. If submitting material, do not send originals unless specifically requested to do so by GRAy in writing. POSTMASTER: Send address changes to GRAy magazine, 13619 Mukilteo Speedway D5 #551, Lynnwood, WA 98087. Subscriptions $30 US for one-year; $50 US for two-years. Subscribe online at graymag.net.
MAGAZINE: pacific northwest design
™
graymag.net facebook.com/graymag twitter.com/gray_magazine
GRAY issUe no. two 9
Quality craftsmanship is essential to create a beautiful Northwest garden. As specialists
in residential landscape design, development, and maintenance,
Environmental Construction, Inc. has been crafting unique and inspired
outdoor living spaces since 1990.
Experience MattersExperience Matters
Call us today: 425 803.9881www.envconst.com
10 GRAY issUe no. two
Warming Trends
new
s
Masins Store R e vA M P
March 1
With the closing of its Pioneer Square store, Masins Fine Furnishings &
Interior Design is launching an exciting revamp of its Bellevue location. The
store (still in the same location on Main Street) features new lines, a fresh prod-uct and style mix, and a wider range of custom design options. At the March 1 launch, see new Barbara Barry designs for Baker, Suzanne Kasler and Thomas
O’Brien designer lines for Hickory Chair, and TerraSur furniture.
Masins Fine Furnishings & Interior Design, Bellevue,
masins.com
Shed the winter doldrums with fresh new design events
toUR oF ARCHITECTSmARch 17–18 & 24–25
architecture junkies, this is your fix. Featuring an array of private homes around the Seattle area, this two-weekend tour features work from more than 15 local firms. Sponsored by aIa Seattle and aIa Southwest Washington.
tour of architects, Seattle area, tourofarchitects.com
TIM
BIE
S Ph
OTO
GRA
Phy
Cliff house by architect Scott allen
GRAY issUe no. two 11
Design. Create. Inspire.Discover the world’s most inspiring windowsand doors at www.loewen.com
Project: Sammamish Lake House Architect: Demetriou Architects Builder: Regency West
For luxury homeowners — and the architects, designers and custom builders who create their
dreams — Loewen is the brand that delivers an unrivaled combination of artisanship, experience,
and environmental sensibility in an extensive line of Douglas Fir, FSC Douglas Fir and Mahogany
windows and doors.
Contact the Loewen Window Center in your area to begin the experience.
Loewen Window Center of Seattle
5961 Corson Avenue SouthSuite #100Seattle, WA 98108206-782-1011www.lwcseattle.comwww.windowshowroom.com
Loewen Window Centre of Portland1229 SE Grand AvenuePortland, OR [email protected]
Loewen Window Center of the South Sound5501 75th Street WestTacoma, WA [email protected]
62217 Loewen Seattle Sammamish 8.375x10.875 Jan 2012.indd 1 12-01-19 3:49 PM
12 GRAY issUe no. two
new
s
Guy anderson Exhibit Opening ReceptionMarch 1
SERVING UP STYLE:
Designers Fighting LupusDeaDline: March 31
One of Portland’s premier fundraising design events, Serving Up Style is a benefit contest that pits design teams against each other as they each create a show-stopping tablescape at the Portland Fall Home & Garden Show (October 4–7). All proceeds from the event benefit Molly’s Fund Fighting Lupus. The deadline to apply is March 31.
Serving Up Style, Portland, servingupstyle.org
Through February 2: JOIN, a collective of independent design stUdios in the northwest, retUrns to the new York international gift fair this Year. the eight stUdios showing are Blk Pine Workshop, Fleet Objects, fruitsuper design, Grain, Iacoli & McAllister, Ladies & Gentlemen Studio, plainMADe, and R&L Goods.
JOIN, join.iacolimcallister.com
hoMe showsKick off your spring-cleaning and remodel plans with the right kind of inspiration. With everything you need to refresh your abode, the Seattle Home Show (February 18–26) and BC Home + Garden Show (February 22–26) feature hundreds of exhibitors and experts to help you discover the latest trends and ideas. Industry pros, you can also find out more about new products and design methods at tradeshow BUILDEX Vancouver (February 8–9).
seattlehomeshow.com, bchomeandgardenshow.com, buildexvancouver.com
Featuring selected works of the legendary Northwest painter Guy Anderson, “Slumber and Awakening: A Timeless Vision,” opens at Christian Grevstad with an evening reception from 5–8 p.m. RSVP to [email protected].
Christian Grevstad, Seattle, christiangrevstad.com
GRAY issUe no. two 13
Dean Chair 27”w x 37”d x 33”h in calming dove white leather ($1990) $1495, Latitude 8’ x 10’ Rug $1595, Cyrus Floor Lamp 74.5”h $725, Karen Cappotto’s “Map I” framed collage print on archival paper 43”w x 35”h $1125, Silver and Glass Hurricanes in assorted sizes from $275
Connected with a common factor of comfort, we take a traditional approach
to modern design. Si lhouettes with an edge, but never edgy br ing
a welcoming sense of warmth to clean and classic lines. Experience our
new collection for the home: well priced, in stock and ready for delivery.
O U R M O D E R NI N T R O D U C I N G :
1106 West Burnside Street / 503.972.5000 / Mon thru Fri: 10am to 8pm, Sat: 10am to 6pm, Sun: 11am to 6pmComplimentary Parking Validation at PMC (12th and Couch) / www.mgbwhome.com
14 GRAY issUe no. two
woRd
rav
es
We dig these new products, and we think you will, too. Phew! Glad we’re on the same page.
Written by STAcY KendAll
NexT LeveL Designed by Pierre Paulin in 1971, the Elysee table gets a 21st-century makeover in sleek monochrome. Now offered in five dif-ferent versions, a table that was once designed for Élysée Palace—the official residence of the President of France—can now be purchased for official and unofficial residences alike. Elysee pedestal table, $690– $1,430 at Ligne Roset, Seattle, ligne-roset.com.
GRAY issUe no. two 15
woRdFull Service Interior Design with access to the Seattle Design Center
and “trade only” resources, workrooms, artisans, and craftspeople.
Design Coaching focusing on retail sources for the budget conscious
client who wants to be involved in the design process, but would
benefit from the guidance and knowledge of a professional designer.
Contemporary Staging for homeowners, realtors, and developers,
showcasing your property at its very best.
INTERIOR DESIGN + STAGING SERVICESfull service interior design / design coaching / contemporary staging
D E S I G N S T A G Ed e s i g n c o n s u l t a t i o n / i n t e r i o r s t a g i n g
t 20 6 . 82 9.9 0 49 e in fo @d es ign - s t age .com w d es ign - s t age .com
1611 nw northrup portland 503.295.0151 maisoninc.com
m a i s o n i n cINTER IOR DESIGN
16 GRAY issUe no. two
rav
es
We would call it the living room but that name was already taken.
A kitchen is a special space. It’s the heart of any home and the place we will do most of our living. Everything from mended knees and late night pep talks, to laughter-fi lled evenings with friends and early morning send-offs. You may live in a home, but life takes place in the kitchen.
We would call it the living room but that name was already taken.
A kitchen is a special space. It’s the heart of any home and the place we will do most of our living. Everything from mended knees and late night pep talks, to laughter-fi lled evenings with friends and early morning send-offs. You may live in a home, but life takes place in the kitchen.
We would call it the living room but that name was already taken.
A kitchen is a special space. It’s the heart of any home and the place we will do most of our living. Everything from mended knees and late night pep talks, to laughter-fi lled evenings with friends and early morning send-offs. You may live in a home, but life takes place in the kitchen.
We would call it the living room but that name was already taken.
A kitchen is a special space. It’s the heart of any home and the place we will do most of our living. Everything from mended knees and late night pep talks, to laughter-fi lled evenings with friends and early morning send-offs. You may live in a home, but life takes place in the kitchen.
A kitchen is a special space. It’s the heart of any home and the place we will do most of our living. Everything from mended knees and late night pep talks, to laughter-filled evenings with friends and early morning send-offs. You may live in a home, but life takes place in the kitchen. Eileen Schoener Design, Inc. will “Simplify Your Life” by bringing you the newest in quality products, the latest in designs, and a friendly staff that is here to guide you towards the right choices for your home or business. Give us a call, we are always happy to answer your questions.
SEATTLEHOMESMAG.COM MAY & JUNE 2011 79
EILEEN SCHOENER DESIGN, INC.1449 130TH AVE NE, BELLEVUE, WA 98005Phone: 1.866.450.9055 or 425.450.9055 Email: [email protected] www.esddesign.com
Because Life Takes Place in the Kitchen.™
dewils.com
ESD
See the fabulous features of DeWils Cabinets at our Showroom, or go to www.esddesign.com
for more information.
ADS.indd 21 3/21/11 5:28:17 PM
Eileen Schoener Design, Inc.12515 Bel-Red Road, #101Bellevue, WA 98005425-450-9055 | 866-450-9055www.esddesign.com
ESD dj1112.indd 1 11/16/11 10:09:11 AM
The World is FlaTthe Daybed from BoConcept isn’t just another pretty face, it’s a work- horse that provides ample seating at any angle. and lest you become jealous of its form and function, remember (crazy) it’s just a piece of furniture. Daybed, from $1,595 and up at BoConcept, boconcept.com.
Assembly DesiredUnleash your inner structural engineer with Studio Gorm’s Peg Series furniture. No degree required! the ingenious design allows it to be assembled and disas-sembled without tools or fasteners, and then conveniently hung flat. Peg Frame, $140–$2,100 at Studio Gorm, Eugene OR, studiogorm.com.
Pillow TalkOne piece—two local companies. We know, right? Portland’s Tanner Goods takes Pendleton’s 100 percent wool textiles into the home with this pillow series collaboration. And like our love for anything wool, the appeal of this Northwest design will last forever.Red pillow, $95 each at Tanner Goods, Portland, tannergoods.com.
So FlyArtist Shelli Markee’s delightful wire bird sculptures are each handmade in her Seattle studio in a range of species and compositions. Her newest work in-corporates wood canvas and gouache, and we’re giving it three enthusiastic cheers—or chirps. Mot Mot wire bird on wood by Shelli Markee, $325 at Click! Design That Fits, Seattle, clickdesignthatfits.com.
rock solidModern meets sophisticated in the glowing facets of the Quarry Accent Table from Baker. Offered in three finishes—warm silver leaf, antique bronze, and matte pearl gesso—this captivating accent table can carve its way into becoming a classic. Quarry Accent Table, available to the trade at Baker Knapp & Tubbs, Seattle, bakerfurniture.com.
GRAY issUe no. two 17
f l e u r i s h206.322.1602 fleurish.com
fleurish.indd 1 11/28/11 11:53:11 AM
We would call it the living room but that name was already taken.
A kitchen is a special space. It’s the heart of any home and the place we will do most of our living. Everything from mended knees and late night pep talks, to laughter-fi lled evenings with friends and early morning send-offs. You may live in a home, but life takes place in the kitchen.
We would call it the living room but that name was already taken.
A kitchen is a special space. It’s the heart of any home and the place we will do most of our living. Everything from mended knees and late night pep talks, to laughter-fi lled evenings with friends and early morning send-offs. You may live in a home, but life takes place in the kitchen.
We would call it the living room but that name was already taken.
A kitchen is a special space. It’s the heart of any home and the place we will do most of our living. Everything from mended knees and late night pep talks, to laughter-fi lled evenings with friends and early morning send-offs. You may live in a home, but life takes place in the kitchen.
We would call it the living room but that name was already taken.
A kitchen is a special space. It’s the heart of any home and the place we will do most of our living. Everything from mended knees and late night pep talks, to laughter-fi lled evenings with friends and early morning send-offs. You may live in a home, but life takes place in the kitchen.
A kitchen is a special space. It’s the heart of any home and the place we will do most of our living. Everything from mended knees and late night pep talks, to laughter-filled evenings with friends and early morning send-offs. You may live in a home, but life takes place in the kitchen. Eileen Schoener Design, Inc. will “Simplify Your Life” by bringing you the newest in quality products, the latest in designs, and a friendly staff that is here to guide you towards the right choices for your home or business. Give us a call, we are always happy to answer your questions.
SEATTLEHOMESMAG.COM MAY & JUNE 2011 79
EILEEN SCHOENER DESIGN, INC.1449 130TH AVE NE, BELLEVUE, WA 98005Phone: 1.866.450.9055 or 425.450.9055 Email: [email protected] www.esddesign.com
Because Life Takes Place in the Kitchen.™
dewils.com
ESD
See the fabulous features of DeWils Cabinets at our Showroom, or go to www.esddesign.com
for more information.
ADS.indd 21 3/21/11 5:28:17 PM
Eileen Schoener Design, Inc.12515 Bel-Red Road, #101Bellevue, WA 98005425-450-9055 | 866-450-9055www.esddesign.com
ESD dj1112.indd 1 11/16/11 10:09:11 AM
18 GRAY issUe no. two
inte
rior
s
Written by RAchel GAllAheR : Photographed by Alex hAYden
Interior designer Tanna Barnecut designs her dream home with clean lines, an open
layout, and functional décor
Design to Live By
GRAY issUe no. two 19
statswho: TAnnA BARnecuT, TAnnA BY deSiGnwhat: Interior design
details: the eponymous design firm offers services for both residential and commercial spaces. Located in Yakima, taNNa BY DESIGN maintains clients in both Seattle and Eastern Washington. Barnecut focuses on every detail of a project, works closely with her clients, and adds sustainable elements whenever possible.
20 GRAY issUe no. two
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rior
s
“I did all the sketching for the floor plan, met with the architect, and was constantly on the site,” Barnecut comments. “I literally wore a hard hat from the ground up.”
When designing a home for a family of seven (Barnecut and her partner have four children in high school and one in college between the two of them), the most important factor was an open floor plan.
“It was important for me that we had a versatile space,” she says. “I wanted to be able to host a dinner party on a Friday night in stiletto heels, then spend Sunday afternoon on the couch watching football with the kids.”
It’s no wonder then, that the living room is the heart of this home. A large dark-brown leather sofa from Restoration Hardware anchors the room, bringing some masculine heft to the relaxed glamour of the space. To keep things neutral,
Barnecut used various shades of Benjamin Moore gray on the walls, opting for classic white on the wood trim. Eco-friendly maple hardwood floors run throughout the home—their warm hue prevents the rooms from feeling too stark.
Adjacent to the living room is a dining nook for those Friday-night dinner parties. A large, custom white-oak table and benches exude simple functionality, but Barnecut punched up the “girly glam” appeal with an elegant glass-drop chandelier and three white Crate and Barrel mirrors. Chande-liers appear throughout the home, turning up in the kitchen and the master bedroom and bath, which won Best Master Suite in the 2010 Central Washington Home Builders Tour of Homes.
“I love a classic look,” Barnecut says, “but it has to have a functional attitude with an added contemporary twist.”
ost interior designers work within the walls of their clients’ homes. But in 2010, Tanna Barnecut of TANNA By DESIGN had the opportunity to
expand her skills into the architectural sector when she designed and decorated her own home in yakima, Washington. M
GRAY issUe no. two 21
an IKEA cowhide beneath the custom table (above) gives a playful nod to Eastern Washington’s farming culture; Barnecut perfectly balances
style with function in the living room (below) with multiple side tables, including several made from repurposed stumps. Pottery Barn pillows
and blankets are easily accessible for impromptu movie nights. OPPOSiTe PaGe: the designer in her office on a cozy sheepskin chair.
inte
rior
s
22 GRAY issUe no. two
GRAY issUe no. two 23
ClOCKWiSe FROM aBOVe: Shaker cabinets and Windsor-style chairs in the kitchen are balanced with modern charcoal concrete counters and
stainless-steel appliances; the outdoor pool takes advantage of the surrounding views, and a group of woven wicker lounge chairs from Costco adds contemporary lines; in the living room, a Crate and Barrel driftwood
side table sits between upholstered Rand wing chairs from Ethan Allen; fallen-timber ottomans sourced from Kachess Lake in
Carnation truly bring the outdoors inside. OPPOSiTe: the master bedroom and bath complement one another by continuing the gray-and-white
color palette with a luxurious soaker tub and textured porcelain tiling.
24 GRAY issUe no. two
And so forthWritten by hillARY RiellY
fash
ion
Fox of the Night Sun, $90.
OPPOSiTe, ClOCKWiSe FROM TOP leFT: the Fourteen Pieces of Osiris, $80. ❈ tunnel of Set, $85. ❈ Pen Weeper, $65. ❈ Circle of Shadows, $105. ❈ temple of the Inner, $65. all at Craft and Culture, craftandculture.com.
GRAY issUe no. two 25
eattle jewelrY designer Meghann Sommer is a storyteller. But instead of words, she uses stones. “My favorite materials are definitely stones,” Sommer says. “They have a lot of resonant energies. They’re always the most complex and unusual.”
Her line &c., (pronounced “etcetera”), features not only stones but found and salvaged materials including feathers, horns, and metals. She looks to the past for her inspiration, researching the history of jewelry and talisman. With influences like Egyptian culture and her Choctaw heritage, Sommer’s pieces weave together elements and culture for truly one-of-a-kind wares.
s
déc
or
Don’t let design become a
wolF at the dooR. Look at your design tableau in a new light to help you reimagineyour décor and find just the right items to fill in the gaps.
We turned the tables on three sto-rybook tales—Little Red Riding hood, the Princess and the Pea, and the Pied Piper—to see what fun we could have with an infusion of style and, of course, a happily ever after ending. the items that once plagued these characters are now things of beauty.
Our heroine may live in a fairytale world, but everything about these pro- ducts is grounded in our beautiful reality.
GoodW h O ’ S a F R a I D
O F
design?
26 GRAY issUe no. two
GRAY issUe no. two 27
Written and compiled by STAcY KendAllPhotographed by hAnK dRew Modeled by AShYln PeARceHair & Makeup by STAce, SeATTle modelS GuildWardrobe styling by nicole jAcKSon And hillARY RiellYWardrobe courtesy noRdSTRom And The FineRie
28 GRAY issUe no. two
From top down: Italian wrap or throw, $345 at veritables Decor, Bellevue, veritablesdecor.com. ❈ Faux fur throw, $1,099 at Masins Fine Furnishings & Interior Design, Bellevue, masins.com. ❈ Woodgrain velvet pillow and velvet pillows in shark and smoke, $388 each at The Standard, Bellevue, thestandardinbellevue.com. ❈ Cocon Sureau coverlet, $750 at Yves Delorme, Seattle, yvesdelorme.com. ❈ Lison Ombre queen duvet by Schlossberg, $656.95 at Table Top & Home, Bellevue, tabletopandhome.com. ❈ Lucia duvet cover, $199 at Crate and Barrel, crateand barrel.com. ❈ Heather Queen Cover by Amity Home, $359.95 at Table Top & Home. ❈ Perry St. Coverlet by Ankasa, $600 at The Standard. ❈ 1920s chandelier, $495, vintage tablecloth (shown hanging), $48 at Gracious House to Home, Seattle, gracioush2h.com.
From left: Tapiovaara Mademoiselle Rocker by Artek, $1,695 at Inform Interiors, Seattle, informseattle.com. ❈ Era Console by Camerich, $434 at Alchemy Collections, Seattle, alchemy collections.com. ❈ Roost Enzo Articulated Lamp, $412 at velocity Art and Design, velocityartanddesign.com. ❈ Acacia wood stool, $425 at Seva Home, Seattle, sevahome.com.
What great style you have!
That shape hidden in the shadows may just be the piece
for you.
déc
or
GRAY issUe no. two 29
Toss and turn (or repose in peace)
surrounded by a comFoRting
cocoon of covers and throws.
30 GRAY issUe no. two
déc
or
GRAY issUe no. two 31
From left: 4-stick wooden candleholder, $39 at BoConcept, Seattle, boconcept.com. ❈ angel wing lidded bowl, $46 at Great Jones Home, Seattle, greatjoneshome.com. ❈ Revolver objet, $24 at Curtsy Bella, Seattle, curtsybella.com. ❈ Paloma Dish, $22 at Fireworks, Seattle, fireworksgallery.net. ❈ Secret message delivery arrow, $22 at Curtsy Bella. ❈ Porcelain playing cards, $15 each at {Far4}, Seattle, far4.net. ❈ Iron owl bottle opener, $36 at Liave, Seattle, liave-home.com. ❈ Brass hammer by Iacoli & Mcallister, $250, at Object, Seattle, hereis object.com. ❈ Pragmatic Vase, Make Do, $28 at Anthropologie, anthropologie.com. ❈ Star brass trivet by Futagami, $89 at Object.
The End.
Lead the perfect accessoRies out of their shops and
into your home.
32 GRAY issUe no. two
“Eventually,everything connects…
. . . people, ideas, objects. The quality of connections is the key to quality per se.”
This design philosophy remains true today, and in all different arenas. More and more, those connections emerge and are strengthened through social media sites.
Nology Media creates rich social experiences and lasting connections for brands and their audiences.
nologymedia.com | seattle
— Charles Eames
GRAY issUe no. two 33
insp
ired
Written and compiled by STAcY KendAllIllustrated by liZ lAnTZ
Mas hOne of our fondest childhood games is MASH, that predict-your-own-future game that had us imaging ourselves in a
mansion, apartment, shed, or house. Just because we’re all grown up doesn’t mean we can’t still play along. We reimagined MASH into a create-your-
design-destiny quiz that’s all fun and games!
34 GRAY issUe no. two
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ired M A N S I O N
Jamison Sofa, $2,450 and up at Mitchell Gold + Bob Williams, mgbwhome.com. ❈ Marlene side table by Aidan Gray, available in May, $450 at Masins Fine Furnishings & Interior Design, Bellevue, masins.com. ❈ Hanging gold leaf lamp, $125 at Pier 1 Imports, pier1.com. ❈ Thomas O’Brien floral grid rug, $3,150–$5,950 at Williams-Sonoma Home, Portland, williams-sonoma.com.
Large cube terrarium, $130 at Old Faithful Shop, Vancouver, B.C., oldfaithfulshop.com. ❈ Small knitted basket by Ferm Living, $82 at elsa+sam, Portland, elsasam.com. ❈ Sloane Crimson Leaning Bookcase, $149 at Crate and Barrel, crateand barrel.com. ❈ Flint 140 oval coffee table by Bert Batenburg, $1,710 at Hive Modern, Portland, hive modern.com.
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H O u S eConnaught brass bar cart, $1,375 at Maison Luxe, Seattle, maisonluxe.net. ❈ Tess chair, $1,099 at Crate and Barrel, crateandbarrel.com. ❈ Urchin vase, $69.95 at Z Gallerie, zgallerie.com. ❈ Brigitte Desk, $1,460 and up at Great Jones Home, Seattle, greatjoneshome.com.
A P A R T M e N T
Brass tiered pendant shade, $64 at urban Outfitters, urban outfitters.com. ❈ Little Geometry Pillow by Ferm Living, $45 at elsa+sam, Portland, elsasam.com. ❈ Normandy Tall Tray Table, $609 and up at Great Jones Home, Seattle, greatjoneshome.com. ❈ Erin Cute-as-a-button Loveseat, $449.99 at World Market, worldmarket.com.
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Abode1. Mansion2. Apartment3. Shed4. House
City1. Vancouver, B.C.2. Portland3. Seattle4.
Your Interior Designer1. Kelly Wearstler2. Axel Vervoordt3. Bunny Williams4.
How many bedrooms?1. 12. 33. 64.
View1. City2. Waterfront3. Countryside4.
Bonus Room1. Gym2. Library3. Wine Cellar4.
Design Feature1. Picture Windows2. Exposed Brick3. Loft Space4.
Floors1. Hardwood2. Cement3. Area Rugs4.
Window Treatments1. Velvet Curtains2. Linen Roman Shades3. Woven Wood Roller Shade4.
Collection1. Antique Dishes2. Original Art3. Globes4.
Exterior Feature1. Pool2. Vegetable Garden3. Fireplace4.
Vacation Home1. Whistler, B.C.2. Cannon Beach, OR3. San Juan Islands, WA4.
Pet1. Standard Poodle2. Great Dane3. Persian Cat4.
Reveal your spectacular design future with GRAY’s very own MASH game!Here’s how it works: Fill in your own choice in the blank under each category(have some fun with it). Pick a number between 5 and 10 or simply roll two dice.(Starting with “Mansion”), count through all the answers until you’ve reached thenumber you chose or rolled (keep counting past individual categories). Onceyou reach your number, cross out the answer you land on. Keep counting through all the answers (skipping the crossed out ones and the category winners) until you have one answer left in each category.
So, are you a Portland-area mansion dweller with a Persian cat or a Vancouver-based denizen with a Kelly Wearstler-designed apartment? There’s only one wayto find out!
Mas h
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seven seconds of your life in a book.flip•tog•ra•phy: dance, get funky, sign, or kiss your date in front of our camera for seven seconds. in two minutes, have a flipbook of your performance in-hand.
fliptography is a great way to make an event or venue fun: our live flipbook booth turns a moment into a pocket-sized take-home book of awesome. you can even add a message or graphics on a custom cover. we can also convert your existing videos into flipbooks.
let us make you the coolest kid in school: call 877-4-FLIPTO today.
TM
503.935.5340206.494.5358twitter: @gofliptofacebook.com/[email protected]
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Gray Ad.pdf 1 11/27/11 6:52 PM
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kit
chen
When homeowners are culinarians and gadget-lovers, 230 square feet of kitchen can be tight. and when the kitchen needs to cohere with a trim 1962 midcentury- modern structure in Gig harbor, it needs to be streamlined in function and style.
after employing Seattle-based heliotrope architects to update the whole house in 2008, homeowner Jesse Stamper then worked with Seattle’s henrybuilt to design the kitchen system.
“We developed floating forms designed to nest within the structure, opened up the corner of the ‘L,’ and added a tall, thin window which became a source of light, and provided a view from the kitchen into the backyard,” henrybuilt’s Lisa Day says.
the new layout consolidates refrigeration, ovens, and storage in one tall volume against a partition wall, allowing the sink wall with exposed shelves to have a simpler, more focused purpose. this leaves the island more flexible in function, with a large countertop as a canvas for gourmet compositions.
Written by lindSeY m. RoBeRTS : Photographed by Alex hAYden
Sleek Scullery
“the island gives the whole space More of a feeling of fUrnitUre rather than workspace.” — jesse staMper, hoMeowner
statsarchitecture: helioTRoPe ARchiTecTSkitchen manufacturer: henRYBuilTdetails: In its designs, henrybuilt bridges two styles— modular functionality and a warm, craftsmanlike feel. the Vashon Island–born company now also bridges both coasts, with one showroom in Seattle and one in New York. See more of the company’s designs at henrybuilt.com.
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sUbscRibe
kit
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1. AGA three-oven cooker, available at NW Natural Appliance Center, Portland, nwnaturalappliances.com. 2. Tea Trolley 901 by Artek, $3,879 at Inform Interiors, Seattle, informseattle.com. 3. Chef’n PepperBro salt and pepper grinders, available at Amazon.com. 4. Mr. Impossible Chair by Kartell, $484 at Inform Interiors.
Culinary Cool 1
2
3
4
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photograph BY Alex hAYden : landscape BY AllwoRTh deSiGn : installation BY nuSSBAum GRouP : architectUre BY Rex hohlBein ARchiTecTS
sUbscRibenow
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42 GRAY issUe no. two
Let in the Light Clean lines, a soft gray-and-white palette,
and a hit of drama breathe new life
into this South Surrey, B.C., bathroom
ample lighting illuminates the soft gray-and-white color scheme, creating warmth, while a large, silver-framed mirror adds feminine detail. the dressing closet (left) adds a sizzling shot of color with a Venetian plaster wall treatment in Iced Cranberry by ICI Paints and a hot-pink Cross Stool with nailhead trim by Kravet Furniture.
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Written by RAchel GAllAheR : Photographed by VicToRiA TAnG
Most people have to leave the house for a trip to the spa, but for one British Columbia couple, the soothing hues and clean lines of relaxation are just a step beyond the bedroom. When the homeowners hired interior designer Victoria McKenney to transform the upper level of their home, it was dimly lit, closed off, and punctuated with visual reminders of early-90s décor: green laminate countertops and plenty of gold fixtures.
“The clients wanted an open, airy, more contemporary feel,” McKenney explains. To achieve this, she chose soft gray paint for the walls and accented the windows with white trim. The floor appears as one large slab of Siberia marble but is actually composed of tiles laid in a subway pattern with very tiny grout lines. “It was all about the textures,” McKenney says of the project. “I used different materials in the same palette to achieve varied scales and textures.”
editor’s fave feature:glam touches of silver
project statsdesigner: VicToRiA mcKenneY, enViABle deSiGn inc.lighting: Lamps Plus
fixtures: Robinson Lighting & Bath Centre
tile: World Mosaic and Creekside Tile Company
dressing room walls: ICI Paints
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h SPLaShY IN BLaCK + WhItE
Caesarstone White Crocodile 2141C, available at eileen Schoener Design, Inc., Bellevue, esddesign.com. ❈ Hansgrohe Axor Citterio M Widespread faucet, available at Keller Supply Company, kellersupply.com. ❈ Waterworks Candide freestanding bathtub, available at Chown Hardware, Portland and Bellevue, chown.com. ❈ Marcasite penny rounds, available to the trade at Statements Tile, Seattle, statementstile.com. ❈ Glam faux-croc print X-base bench, $450 at Revival Home & Garden, Seattle, revivalhomeandgarden.com. ❈ Charcoal toothbrushes, $6 each at Schoolhouse electric & Supply Co., Portland, schoolhouseelectric.com.
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a reflection of the PaCIFIC NORthWESt’S
vibrant design scene.
Subscriptions available at: graymag.net
MAGAZINE: PAciFic noRThweST deSiGn
™
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new design, old-world charm
Written by RAchel GAllAheR Photographed by lincoln BARBouR
Interior designer Jessica Helgerson brings contemporary flair to a unique Portland home
statswho: jeSSicA helGeRSonwhat: Interior design
details: Jessica helgerson Interior Design is based in Portland, but the company has worked on projects across the country. the firm takes a flexible approach to interior design, and each designer works closely with clients to create beautifully livable spaces. JhID respects historical architecture and works to bring a modern twist to vintage design.
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OPPOSiTe: When remodeling this Mediterranean home in Portland, interior designer Jessica helgerson kept the integrity of the original architecture by using archways (modeled after the one in the entryway) to connect various rooms. ThiS PaGe: Creamy white walls contrast warmly against thick, wooden ceiling beams.
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helgerson balanced the dark masculinity of the living room (left) by adding splashes of bright, feminine color. the walnut coffee table is a custom JhID design, built by Portland woodworker Allen Kinast. the dark leather chairs are also a custom JhID de-sign. aBOVe: the light fixture in the dining room is original to the house, and the designer formerly owned the dining table.
hen a hoUse has good Bones, most interior designers know to leave well enough alone. So when Jessica Helgerson, principal of Jessica helgerson Interior Design first saw Tim and Sonia Bergler’s 1930s Mediterranean-style home in southeast Portland, she was excited to work within the existing layout.
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“I grew up in Santa Barbara and had an office there for a number of years,” Helgerson says. “I hadn’t seen an arch or a thick wall in Portland, so this was like coming home for me. I love the Mediterranean style.”
The homeowners were also fans of their home’s style but were looking to update their cramped and dated kitchen, as well as other areas of the house. “We wanted something that was consistent with the period and architecture of the home but also a little bit modern,” Tim explains.
The old kitchen was dysfunctional, Helgerson says, with a cumbersome island that made it difficult for the homeowners to open the oven door. It was also difficult for the entire family (the Berglers have two children) to gather in the kitchen and cook together.
Working closely with the Berglers, Helgerson opted to remove an existing wall between the kitchen and the breakfast nook in order to open up the space. She also nixed a narrow doorway that led to the dining room, sub-stituting it for an open archway consistent with the home’s architecture. The island was removed, and stainless-steel countertops were replaced with earthy, walnut slabs. The homeowners found an elegant gray-and-white tile that lends warmth to the mostly white space.
In the living room, Helgerson used the dark wood of the exposed ceiling
OPPOSiTe: the designer originally considered wood floors in the kitchen but went with the gray-and-white Ann Sacks Paccha tile. two red steel Tolix chairs bring a modern touch to the Calcutta marble table and imported French light fixtures. aBOVe: two more red chairs from Fermob sit at the entryway to the Berglers’ white brick home.
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beams to inform the neutral color palette, adding splashes of bold orange and fuchsia to liven the space. Minimal décor allows the striking beams to stand out but not in an ostentatious way.
“When I first went over there, the walls were mustard yellow and white,” the designer recalls. “I persuaded the homeowners to paint them this creamy color, which really warms the space.” Sonia says the paint color is surprisingly something that guests notice and compliment.
To provide clients with a unique style, Helgerson often finds vintage pieces for her rooms, and the Berglers’ space is no exception. The show-stopper in the living room is a 10-foot-long church bench found on eBay that Helgerson upholstered, turning it into a contemporary sofa. Vintage chairs in the dining area were also reupholstered in bright pink and fuchsia to tie them in with the sofa.
The redecorated space embraces old-world charm, featuring some of the diverse items from the Berglers’ travels. The living room curtains incorporate antique tapestries, and the artsy lamp in Sonia’s office was imported from Turkey.
“We could have never have designed this place ourselves,” Tim says. “We found some of the materials for the project, and Jessica helped us incorporate them without overdoing it. There’s a lot of masculine quality to the dark wood, wrought iron, and dark doors, but the space also has very fresh look, which is exactly what we were looking for.”
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OPPOSiTe: Fuchsia Tolix stools sit beneath a one-of-a-kind glass turkish light fixture in Sonia’s office. the designer hand painted orange detailing on the wall. ThiS PaGe: a new, organized mud-room replaced a formerly crowded storage area. the dark wood bench echoes the overhead beams in the living room, and another fixture from France provides optional light.
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Ship SHAPEWritten by lindSeY m. RoBeRTS : Photographed by Alex hAYden
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statswho: eGGleSTon | FARKAS ARchiTecTSwhat: Architecture
details: Eggleston | Farkas Architects is a Seattle-based architecture firm that specializes in the design of modern homes, cabins, and commercial projects—most of which are in the Northwest but are also published internationally. To see more projects from Eggleston | Farkas Architects, visit eggfarkarch.com.
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the 210-square-foot covered dogtrot deck in between the main and guest quarters is covered in cementitious board, wood framing, and metal roofing. It has two 10-foot-by-5-foot rolling barn doors at either end.
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he rectangular cabin on the south end of Lopez Island, Washington, is a ship on land, sailing with the changes in the temperate San Juan Islands weather. Rolling barn doors, sliding glass doors, and windows are the home’s hatches—open to fair winds and sunny skies, and battened down when storms roll in from the south across Mackaye Harbor.
Seattle-based Eggleston | Farkas Architects (EFA) designed and built the house from 2008 to 2010 with a “simple, easy” program, explains principal John Eggleston. The firm created a small home with attached guest quarters for the husband-and-wife homeowners to serve as a retreat for the couple and, occasionally, their grown children.
The firm had already done several other projects for the homeowners—a structure for the husband’s property-man-agement business, a house in Kirkland to live, and a vacation
home in the Methow Valley for access to cross-country skiing. But the homeowners had long wanted a property with a southern exposure in the San Juans.
The location on a bluff with a gull’s-eye view of the bay is a known Native American historical fishing site (and later a site for fish-cannery operations). The design team first brought in an archaeologist before tearing down the small house and outbuildings. Shell middens were found on the edge of the property, but the archaeologist cleared the ar-chitects for building on the previous house’s footprint and driveway area. They raised the new building nine feet above grade, high enough to see over natural vegetation to the water, and set it beside a giant swell of a rock outcropping. “Rather than being a picturesque home that sticks out against the bluff, it nestles in against that rock formation,” Eggleston says. The boulder secludes the house from neighbors and protects it from wind and rain on its northern end.
In the new house, foul weather can be sat out below deck,
“there’s very little wasted space in the house,” Eggleston says. “the owners worked really hard with us on limiting the amount of things that they want to store and making sure that all spaces are used efficiently.”
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Inside, the materials palette mimics the colors on the island with walnut cabinetry by Kaiser Woodworks in the living area, a black granite countertop in the kitchen, and walls in the main living space made with a tight-knot vertical cedar. the cedar extends to the outside of the building, where sheet metal with a special marine-grade paint coating frames the house’s rectangular shape.
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in the 1,300 square feet of interior living space—master bedroom and an open kitchen, living, and dining space. Fine weather can be enjoyed from the 70-foot-long front deck open to the views of sky merged with sea. A “dogtrot” deck serves as a covered place to take in the island and leads to the separate guest suite with its sleeping and sitting areas, a bath, and laundry facilities.
Although the house is surrounded by water, akin to Coleridge’s “painted ship upon a painted ocean,” there is little water to drink on Lopez. “It is a waterfront, but there is very
little drinkable water,” Eggleston says. So the property has a small well and cisterns in the lower-floor mechanical area that can hold about 14,000 gallons of rainwater, which is collected from the roof and treated for use. Currently, after this winter’s rains, the homeowners have enough water stored for a year’s use.
Wanting the house to be as energy-efficient as possible, EFA also installed radiant flooring under stone tile throughout. “That’s a go-to solution,” Eggleston explains. “Day one when they meet with us for a new project, they tell us it’s going to
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have a radiant floor.” EFA also tipped the pitch of the roof to the south, for future solar arrays and so that the house could one day be off the grid.
Many of the projects that EFA embarks on are smaller, for clients interested in having little effect on the local environment. And sensitivity to this site depended on a small footprint. “There’s very little wasted space in the house,” Eggleston says. “The owners worked really hard with us on limiting the amount of things that they want to store and making sure that all spaces are used efficiently.” Appliances
and storage are tucked away from sight. “The expectation was that this house be as efficient and as well drawn out as a sailboat,” Eggleston says. “The happiest times of their life were on a sailboat.”
The muted color palette echoes that quiet simplicity with walnut cabinetry and porcelain tiles on the inside and cedar walls on both interior and exterior—all in shades found in the surrounding landscape.
For these hard-working, business-owning homeowners, the less-is-more vacation lifestyle is a welcome change.
the house on Lopez Island opens up to Strait of Juan de Fuca with an almost all-glass front, but the opposite side backs into the rock for privacy. the east and west of the roof form wraps around and creates blinders against neighbors in the distance. the house is 75 feet up from the bank, and the bank is 10 to 25 feet from the water, depending on the tide. “It’s so peaceful going up there,” Eggleston says. “It’s a small escape from the city.”
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When the couple first started working with EFa, they told the architects that although they had a house with growing children, once the children moved on, they just had a large house with a lot of wasted space. they idealized their times on their sailboat, with few items and everything tucked away in its specified place. their new galley emulates that order and simplicity of their past vacations, and the galley’s granite-top island mimics the horizontal flow of their new house.
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Interior living spaces (above) are intentionally kept free of media equipment and clutter. the front deck (below) and dogtrot deck combined are 400 square feet of the house’s total square footage. On the deck, EFa used Garapa, which it purchased through a sustainable harvesting group.
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“Lopez Island has a substantial drinking water issue,” Eggleston says. With a shortage of potable water naturally available on the island, EFa drilled a small well. “the health department made it very clear that that well would not continue to produce in the long-term, so in order to permit the house we had to devise a system for rainwater collection,” he adds. So in the 1,400-square-foot lower-floor storage and mechanical area, EFa put cisterns that can hold about 14,000 gallons of rainwater total, which they treat for use. the rain from this past winter produced enough water to last the homeowners a year.
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Tell us about your project with p:ear. What did they need?p:ear’s mission is to build positive re-lationships with homeless and transi-tional youth through education, art, and recreation. They inspire self-confidence
and affirm personal worth to help their students create health-ier, more meaningful lives. Capacity issues and pending redevelopment of their rented location made it critical for p:ear to find a permanent space. They were able to secure an existing 5,000-square-foot building that required renovation to accommodate their growing program. SERA provided design services as part of a national initiative called The 1% project.
Why did you choose the p:ear project?At SERA, we wanted to start our participation in The 1% with a pilot project. We developed a “wish list” of qualities to look for in our first nonprofit partner, as well as for the project design and construction opportunities. As a team, we were looking for an organization that shared our values, especially a dedica-tion to our local community and an interest in sustainability.
When we met with p:ear, it was such an obvious choice. The directors of the program are incredibly dedicated and inspiring people, and they are impacting the youth in Portland in such a huge way. Add that connection to the fact that they were hoping to renovate a building one block away from SERA’s office, and it was a perfect match.
What was the design goal for p:ear?The goal was to create a space that would stand up to the many uses required by the program, while inspiring a sense of ownership and worth for the students. So many nonprofits have to “live with” whatever they can get—whether it is in-adequate space, barely working appliances, or an unhealthy environment.
The new space features an open kitchen as the heart of the main program space, as well as a library and quiet study room. Cabinets along the walls organize and display art supplies and provide ample room for donated materials. Designated areas for photography, music recording, and performance allow p:ear the room to fully pursue their diverse programs. The new space also includes a gallery and performing art
1%in
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Interview by BRooKe BuRRiS
Public Architecture’s The
OA§+
if everY architectUre professional donated one percent of his or her annual working time (just 20 hours per year) to a pro bono project, there would be five million hours dedicated to the public good. Public Architecture, an organization that works to put architecture in the service of the public interest, is harnessing this idea of making a little amount to a lot. in 2005, the group launched the 1% pro bono project, encouraging architects to dedicate one percent of their working time to nonprofits in need of architecture expertise. since then, 1,006 architecture and design firms have committed 303,841 hours of time. one is portland’s sera architects, which has 25 architects partici-pating in the 1% project, amounting to 500 hours pledged per year. we asked sera’s suzanne Blair about her team’s work on p:ear, an organization that helps homeless and transitional youth.
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statswho: SeRA ARchiTecTSwhat: The 1% participants
project team: SERa architects: Suzanne Blair, Christina tello, Jessamyn Griffin, and tim Richard; Fortis Construction: Matt Norman; PaE Consulting Engineers; KPFF Consulting Engineers; and anderson Krygier
venue, which serves to connect p:ear to the neighborhood. This flexible open area allows students and local artists to exhibit and sell their work on First Thursdays and accom-modates more formal fundraising events.
The design integrates salvaged, existing, and new materials including doors and windows from the Rebuilding Center, donated items, and furniture from p:ear’s previous space. The resulting design reflects the personality of p:ear—eclectic, modern, and welcoming, while providing a durable, high-quality, permanent home for the organization.
How are local products and sustainability incorporated in the project?One of our first tasks as a project team was to do an energy model of the existing space. PAE Consulting Engineers donated their time in creating the study, and that helped p:ear prioritize improvements that would have the greatest impact on energy use. We replaced the mechanical and lighting systems in the building to reduce energy and improve the comfort of the space. We sourced local, recycled, and reused materials for any possible elements. We paid special attention
to the indoor environmental quality of the space by using low-VOC finishes, paints, sealants and adhesives. Our goal was to create a healthy environment for the students to occupy.
Were there any must-haves for the design?Storage! Their previous space was packed full of donated materials, art supplies, and finished art pieces. At the new p:ear, we highlighted the storage in the space, making it open to the main program spaces so that students can access materials whenever they are needed rather than waiting for one of the volunteers or directors to provide them.
Would you recommend donating your time to young designers?Absolutely. There are so many benefits to working on a project that you care about and donating your time. It was incredibly fulfilling to work with a group of such inspiring individuals and being able to make a quantifiable difference in their lives. We developed relationships with our p:ear team—clients, contractors, and consultants—that have strengthened our ability to work together as we work on for-profit work.
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The 1950s were a time of change in design, birthing iconic pieces, legendary designers, and a style that is still prominent decades later. It was during this influential period that Vancouver, B.C.-based landscape designer Cornelia Oberlander got her start.
Known today as an early pioneer of sustainable design, Oberlander was one of the first women to graduate from Harvard University with a degree in landscape architecture in 1947. A trip to Scandinavia in the early ’50s to see the “modern archi-tecture of the north” was an early inspiration, as was learning from two fathers of modern design at Harvard: Walter Gropius and Marcel Breuer.
Since then, Oberlander has worked for more than 60 years to bring landscape architecture to a level where it is accepted and understood on a global stage. “Accepted not in terms of designs, but in terms of how you go from concept to design development to specifications and implementations,”
Oberlander explains.Her storied career has included projects such as The New
York Times Building courtyard, Robson Square, the Museum of Anthropology at the University of British Columbia, the Vancouver Public Library green roof, and more.
Oberlander’s work is not only beautiful and meaningful, but it is full of purpose for the future. “My whole thrust in the ’90s was toward recycle, reuse, limiting footprints, and storm water management,” she says of her dedication to designing a greener future. In 2002, she co-wrote an article with land-scape architects Elisabeth Whitelaw and Eva Matsuzaki about greening roofs for public works in Canada. Most recently, Oberlander was bestowed the prestigious Sir Geoffrey Jellicoe Award, the highest honor given by the International Federation of Landscape Architects to recognize a landscape architect whose achievements have had a unique and lasting effect on society, the environment, and the profession.
Designing the Future
Cornelia OberlanderWritten by hillARY RiellY
as evidenced by her work on the New York times Building courtyard (opposite) and the Vancouver Public Library (left), Oberlander strives to integrate green spaces into urban landscapes. “I dream of green cities with green buildings where rural and urban activities live in harmony,” she says. “achieving a fit between the built form and the land has been my dictum.”
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Global INTELLIGENCEWritten by AnGelA cABoTAje : Photographed by GwenAel lewiS
If you’ve drooled over homes in design magazines or on blogs, chances are you have seen a particular light fixture. It’s made from seemingly simple glowing spheres of glass that can be hung individually or clustered together. That recognizable fixture is the 14 chandelier series, and it’s one of the runaway successes from Bocci, a contemporary design and manufacturing company based in Vancouver, B.C.
Beneath the overwhelming popularity of Bocci’s designs lies careful craftsmanship and thought. “We try to find form instead of making form,” creative director Omer Arbel explains. “This means that instead of approaching a project with some sort of pre-considered formal idea, we experiment with material and process to discover form.”
He and the design team at Bocci start by playing with materials without considering context, scale, or function. This free approach to the design process allows them to reach a creative discovery, which they can focus and build upon as they delve into technical aspects and manufacturing requirements.
“Other ideas are born in all manner of different ways, and even though they don’t fit under the ‘process driven’ paradigm, they are simply too good to let go,” Arbel says.
Their experiments and discoveries have resulted in coveted designs that are quickly becoming staples of modern style. Beside the 14 series chandelier, Bocci also offers the 21 series pendants made from rolled porcelain, the 22 electrical wall outlet, the 25 foam-free bench, and the 28 blown-glass pendants.
Bocci’s unique experimental approach is also reflected in its product names. “Rather then inventing names for our pieces, it seemed interesting to catalog them in chronological order,” Arbel says. “We are thus able to remain more conscious—see the patterns, motivations, and obsessions in the work, focus on them, and refine them.”
As for what you can expect to see from Bocci in the future, they recently released a desktop version of their 28 series and are work-ing on a new chandelier called 39, slated to be launched later this year.
OPPOSiTe: Omer arbel became Bocci’s creative director in 2005. TOP TO BOTTOM: the 14 series chandelier fills volume and can be customized to varying lengths, sizes, and shapes; the design process at Bocci starts with the materials: blown glass, porcelain, fabric; the 28 series pendants feature distorted spheres of glass with inner shapes in customizable colors and compositions.
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72 GRAY issUe no. two
arch
itec
ture
statswho: dePARTuRewhat: Pan-Asian restaurant
details: Designed by Skylab architecture, Departure is a modern restaurant located on the rooftop level of the Nines in downtown Portland. For more information about Departure, visit departureportland.com.
GRAY issUe no. two 73
Written by RAchel GAllAheR : Photographed by jeRemY BiTTeRmAn
depart from the ordinaryA modern rooftop restaurant in
downtown Portland serves up a total dining experience
Diners can explore the casual side of an al fresco meal on one of the rooftop decks of Portland’s Departure restaurant. Smaller seat-ing arrangements encourage intimate conversation, and breath-taking views allow patrons to sip and savor the entire experience.
74 GRAY issUe no. two
arch
itec
ture “there isn’t a bad view in the restaurant,” Marsh says. In one of
the main dining areas, a teak table and sleek captains chairs blend nautical with modern. OPPOSiTe, TOP TO BOTTOM: the neutral color palette of teak and cream creates a warm setting around the central bar; one of the smaller lounge areas with nautical maps on the wall; the eye-catching purple entrance to Departure.
GRAY issUe no. two 75
ortland is a pretty casual city, but people
dress up to come to Departure,” general
manager David Marsh notes of the pan-
Asian restaurant. “There is a little bit of a
scene around the restaurant.”
This comes as no surprise. Departure is located at the
top of The Nines, a trendy hotel in the heart of downtown
Portland, and serves its modern cuisine in a modern,
architectural setting that was designed by Portland’s
Skylab Architecture.
Guests enter the restaurant through a space-age purple
octagon lined with strips of floor lights. Once inside, the
restaurant opens into several distinct areas—two smaller
lounges, the main dining areas, and the bar—each
decorated to distinction and featuring materials, such as
teak and sailcloth, that run throughout the entire space.
According to Marsh, the décor of the restaurant reflects a
“modern nostalgia” that runs from the futuristic entrance
to the nautical maps on the walls.
Anchoring the center of the restaurant is the bar, above
which slightly vaulted ceilings open up to skylights. The
woodwork in this area is a blend of teak and ipe. Outside,
there are two rooftop areas with stunning views of Mount
Hood and the surrounding rivers. One seating area is
casual and open only during the summer, while the other
is set up for more formal outdoor dining.
“Departure is meant to be a social dining experience,”
Marsh explains. “It immediately transports you out of
your expectations of what a restaurant experience should
be and into something better.”
“P
76 GRAY issUe no. two
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TAYloR GRAnT
GRAY issUe no. two 77
techear Candy.
Get With the Beat. Face the Music.
Vinyl, cassette tapes, CDs, and MP3s have each taken a turn as the music-playing standard. What’s next, audiophiles? We predict modern
music accessories that are just as stylish as their design-spotting owners.
editor’s fave feature:bejeweled portable speakers
Clockwise from right: Nixon Wire 8mm earbuds, $40 at exit Real World, Portland, exitrealworld.com. ❈ chicBuds Fauvette bird speaker, $39.99 at university Bookstore, Seattle, bookstore.washington.edu. ❈ Areaware alarm dock in beechwood, $40 at Object, Seattle, hereisobject.com. ❈ Nixon Trooper headphones, $50 at exit Real World.
78 GRAY issUe no. two
reso
urc
es&c.(pg 24)Seattle, WAmeghannsommer.com
AGA(pg 40)aga-ranges.com
Alchemy Collections(pg 28)2029 Second Ave.Seattle, WA 98121(206) 448-3309alchemycollections.com
Allen Kinast(pg 49)Portland, ORallenkinast.com
Anderson Krygier, Inc.(pg 66)820 N.W. 12th Ave.Portland, OR 97209(503) 243-2060andersonkrygier.com
Ann Sacks(pg 51)annsacks.com
Anthropologie(pg 31)anthropologie.com
Areaware(pg 77)areaware.com
Baker Knapp & Tubbs(pg 16)5701 Sixth Ave. S., Ste. P170Seattle, WA 98108(206) 763-3399bakerfurniture.com
BAKu Contemporary (pg 3)(253) 265-3921bakucontemporary.com
Benjamin Moore(pg 20)benjaminmoore.com
Bocci(pg 70)Vancouver, B.C.bocci.ca
BoConcept(pg 31)boconcept.com
Caesarstone(pg 44)caesarstoneus.com
Chadhaus (pg 82)Seattle, WA(206) 782-4287chadhaus.com
Chef’n(pg 40)Seattle, WAchefn.com
chicBuds(pg 77)chicbuds.com
Chown Hardware(pg 44)12001 N.E. 12th St.Bellevue, WA 98005(425) 454-7420
333 N.W. 16th Ave.Portland, OR 97209(503) 243-6500chown.com
Christian Grevstad(pg 12)312 Occidental Ave. S.Seattle, WA 98104(206) 938-4360christiangrevstad.com
Click! Design That Fits (pg 16)4540 California Ave. S.W.Seattle, WA 98116(206) 328-9252clickdesignthatfits.com
Cornelia Oberlander(pg 68)1372 Acadia RoadVancouver, B.C. V6T 1P6(604) 224-3967corneliaoberlander.ca
Costco(pg 23)costco.com
Craft and Culture(pg 24)craftandculture.com
Crate and Barrel (pg 20, 23, 29, 34)crateandbarrel.com
Creekside Tile Company Ltd.(pg 42)48 W. Fifth Ave.Vancouver, B.C. V5Y 1H5(604) 876-4900creeksidetile.com
Cupcake Royale(pg 37)Seattle and Bellevue, WAcupcakeroyale.com
Curtsy Bella(pg 31)2920 N.E. Blakeley St.Seattle, WA 98105(206) 523-3221curtsybella.com
Departure(pg 72)525 S.W. Morrison St.Portland, OR 97204(503) 802-5370departureportland.com
Design Stage (pg 15)Seattle, WA (206) 829-9049design-stage.com
eggleston | Farkas Architects(pg 54)1821 10th Ave. W.Seattle, WA 98119(206) 283-0250eggfarkarch.com
eileen Schoener Design (pg 17, 44)Bellevue, WA(425) 450-9055esddesign.com
elsa+sam(pg 34)6924 N.E. Rodney Ave.Portland, OR 97211(503) 389-5976elsasam.com
enviable Design Inc.(pg 42)Vancouver, B.C.(604) 440-8996enviabledesigns.com
environmental Construction, Inc. (pg 9)Seattle, WA(425) 803-9881envconst.com
ethan Allen(pg 23)ethanallen.com
exit Real World(pg 77)206 N.W. 23rd Ave.Portland, OR 97210(503) 226-3948exitrealworld.com
{Far4} (pg 31, 82)1020 First Ave.Seattle, WA 98104(206) 621-8831far4.net
ferm LIvING(pg 34)ferm-living.com
Fermob(pg 51)fermob.com/en
Fireworks Gallery(pg 31)fireworksgallery.net
Fleurish(pg 17)1308 E. Union St.Seattle, WA 98122(206) 322-1602fleurish.com
Fliptography(pg 37)(877) 435-4786fliptography.net
Fortis Construction(pg 66)1705 S.W. Taylor St., Ste. 200Portland, OR 97205(503) 459-4477fortisconstruct.com
Futagami(pg 31)futagami-imonco.co.jp
Glacier Window & Door, Inc.(pg 11)1229 S.E. Grand Ave.Portland, OR 97214(503) 408-8838glacierwindow.com
Gracious House to Home(pg 29)2920 N.E. Blakeley St., Ste. CSeattle, WA 98105(206) 525-5300gracioush2h.com
Great Jones Home(pg 31, 34)1921 Second Ave.Seattle, WA 98101(206) 448-9405greatjoneshome.com
Hansgrohe(pg 44)hansgrohe-usa.com
Heliotrope Architects(pg 38)5150 Ballard Ave. N.W., Ste. BSeattle, WA 98107(206) 297-0442heliotropearchitects.com Henrybuilt(pg 38)997 Western Ave.Seattle, WA 98104(206) 260-8846henrybuilt.com
Hip (pg 82)1829 N.W. 25th Ave.Portland, OR 97210(503) 225-5017ubhip.com
Hive (pg 34, 82)820 N.W. Glisan St.Portland, OR 97209(503) 242-1967hivemodern.com
Iacoli & McAllister(pg 31)1423 10th Ave., Ste. CSeattle, WA 98122(206) 225-1173iacolimcallister.com
ICI Paints(pg 42)icipaints.com
IKeA(pg 21)ikea.com
Inform Interiors (pg 28, 82)2032 Eighth Ave.Seattle, WA 98121(206) 622-1608informseattle.com
50 Water St.Vancouver, B.C., V6B 1A4 (604) 682-3868informinteriors.com
GRAY issUe no. two 79
lib
rary
so YoU’re a color jUnkie. you collect paint chips, organize your clothes in a gradient, and offer palette consultations for your friends’ homes. Leatrice Eiseman understands.
For the past 12 years, Eiseman (a Bainbridge Islander) has been the executive director of the Color Institute for Pantone, the group that provides color standards for the design industry. And each year, she’s chosen a color to mark the mood of the moment in the country. This year, she picked Tangerine Tango, an orange-ish red that represents a climate more willfully optimistic than years past.
For those interested in which colors dominated other decades in time, you can pick up Eiseman and Pantone consultant Keith Recker’s Pantone: The Twentieth Century in Color (Chronicle Books, October 2011). Color junkies and the mildly color curious can flip to the section on the ’60s to revisit psychedelia, or turn to the ’90s chapter to see the Pacific Northwest dominate the color vibe with grunge-worthy Gull, Purple Haze, Dark Shadow, Faded Denim, Earth Red, and Coffee Bean. Designers can use the book to recreate a period home or dress models in period colors.
But as you flip through the book, we dare you to try and choose a favorite decade. If you ask Eiseman which palette’s rainbow she prefers, she answers like a true addict: “It’s like children. You love them all.”
acoloRFUl Read
Written by lindSeY m. RoBeRTS : Portrait by hAnK dRew
80 GRAY issUe no. two
reso
urc
esJessica Helgerson Interior Design(pg 46)723 N.W. 18th Ave. Portland, OR 97209(503) 548-4984jhinteriordesign.com
JOIN(pg 12)join.iacolimcallister.com
Kaiser Woodworks(pg 59)1920 Main St., Ste. 5Ferndale, WA 98248(360) 384-6048
Keller Supply Company(pg 44)kellersupply.com
KPFF Consulting engineers(pg 66)111 S.W. Fifth Ave., Ste. 2500Portland, OR 97204kpff.com
Kravet Furniture(pg 42)kravet.com
Lamps Plus(pg 42)lampsplus.com
Leatrice eiseman(pg 79)colorexpert.com
Liave(pg 31)1205 Western Ave.Seattle, WA 98101(206) 364-0748liave-home.com
Ligne Roset(pg 14)ligne-roset.com
Logan’s Hammer (inside back cover)Seattle, WA(206) 718-4008loganshammer.com
Maison Inc. (pg 15)Portland, OR(503) 295-0151maisoninc.com
Maison Luxe(pg 34)95 Yesler Way, Second Fl.Seattle, WA 98104(206) 405-2828maisonluxe.net
Masins Fine Furnishings & Interior Design (pg 10, 29, 34, back cover)10708 Main St.Bellevue, WA 98004(425) 450-9999masins.com
Mitchell Gold + Bob Williams (pg 34)1106 W. Burnside St.Portland, OR 97209(503) 972-5000mgbwhome.com
Nixon(pg 77)nixonnow.com
Nology Media (pg 32)Seattle, WA (877) 665-6499nologymedia.com
Nordstrom(pg 26)nordstrom.com
NW Natural Appliance Center(pg 40)2610 S.E. Eighth Ave.Portland, OR 97202(503) 220-2362nwnaturalappliances.com
Object(pg 31, 77)2316 Second Ave.Seattle, WA 98121(206) 459-3876hereisobject.com
Old Faithful Shop(pg 34)320 W. Cordova St.Vancouver, B.C. V6B 1E8(778) 327-9376oldfaithfulshop.com
PAe Consulting engineers(pg 66)808 S.W. Third Ave., Ste. 300Portland, OR 97204(503) 226-2921pae-engineers.com
Pendleton (pg 16)pendleton-usa.com
Pier 1 Imports(pg 34)pier1.com
Pottery Barn (pg 21)potterybarn.com
Public Architecture(pg 66)publicarchitecture.org
Restoration Hardware(pg 20)restorationhardware.com
Revival Home & Garden(pg 44)1517 12th Ave.Seattle, WA 98122(206) 763-3886revivalhomeandgarden.com
Robinson Lighting & Bath Centre(pg 42)2285 Cambie St.Vancouver, B.C. V5Z 2T5(604) 879-2494rlrbc.com
Schoolhouse electric & Supply Co.(pg 44)2181 N.W. Nicolai St.Portland, OR 97210(503) 230-7113schoolhouseelectric.com
SeRA Architects(pg 66)338 N.W. Fifth Ave.Portland, OR 97209(503) 445-7372serapdx.com
Seva Home(pg 28)900 Lenora St., Ste. 116Seattle, WA 98121(206) 323-9920sevahome.com
Shelli Markee(pg 16)Seattle, WA(206) 683-9172shellimarkee.com
SieMatic (pg 7, 40)2030 First Ave., Ste. 110Seattle, WA 98121(206) 443-8620siematic-seattle.com
Skylab Architecture(pg 72)1221 S.W. Alder St.Portland, OR 97205(503) 525-9315skylabarchitecture.com
Sound Glass(pg 11)5501 75th St. W.Tacoma, WA 98499(253) 473-7477soundglass.com
Space Needle(pg 81)400 Broad St.Seattle, WA 98109spaceneedle.com
Statements Tile(pg 44)6140 Sixth Ave. S.Seattle, WA 98108(206) 762-8181statementstile.com
Studio Gorm(pg 16)3859 E. AmazonEugene, OR 97405(541) 579-5339studiogorm.com
Table Top & Home(pg 29)1105 Bellevue Way N.E.Bellevue, WA 98004(425) 990-0023tabletopandhome.com
TANNA BY DeSIGN(pg 18)Yakima and Snohomish, WA(509) 225-9214 or (425) 737-1193 tannabydesign.com
Tanner Goods(pg 16)1308 W. BurnsidePortland, OR 97209tannergoods.com
Terris Draheim(pg 2)5600 Sixth Ave. S.Seattle, WA 98108(206) 763-4100terrisdraheim.com
The Finerie(pg 26)1215 First Ave.Seattle, WA 98101(206) 652-4664thefinerie.com
The Standard (pg 29)10697 Main St., Ste. 3Bellevue, WA 98004(425) 467-1164thestandardinbellevue.com
Tolix(pg 50, 52)tolix.fr/en
Tom Dixon(pg 82)tomdixon.net
university Bookstore(pg 77)bookstore.washington.edu
urban Outfitters (pg 34)urbanoutfitters.com
velocity Art and Design(pg 28)velocityartanddesign.com
veritables Decor(pg 29)2806 E. MadisonSeattle, WA 98112(206) 322-7782veritablesdecor.com
Waterworks(pg 44)waterworks.com
Williams-Sonoma Home(pg 34)williams-sonoma.com
Windows, Doors & More(pg 11)5961 Corson Ave. S.Seattle, WA 98108(206) 782-1011windowshowroom.com
World Market(pg 34)worldmarket.com
World Mosaic Ltd.(pg 42)1665 W. Seventh Ave.Vancouver, B.C. V6J 1S4(604) 736-8158worldmosaictile.com
Yves Delorme(pg 29)4608 25th Ave. N.E.Seattle, WA 98105(206) 523-8407yvesdelorme.com
Z Gallerie (pg 34, 82)zgallerie.com
GRAY issUe no. two 81
iconhappy
50th
It was 1959, three years before the World’s Fair was coming to Seattle. Artist Edward E. Carlson— then-president of Western International Hotels and the Seattle World’s Fair commission chair—was in a coffee shop atop the three-year-old Stuttgart Television Tower in Germany, the world’s first concrete TV tower. Wowed by the torchlike structure, Carlson decided that Seattle’s upcoming fair needed a similar attraction and drew out his vision on his napkin.
Washington architects John Graham Jr. and Victor Steinbrueck took the design from napkin to blue-print, and local business leaders funded the effort. Construction began in April 1961 with the largest continuous concrete pour yet attempted on the West Coast, to make the then-tallest building west of the Mississippi. When construction finished in December, 848 steps led from the base to the top of the observation deck, just above the world’s second revolving restaurant.
Now 50 years after the 605-foot-tall tower was built, Seattle celebrates its Googie-style iconic landmark and tourist destination with events throughout the year, including sending someone into space for six minutes of zero gravity.
Though the tower was first painted Astronaut White, Orbital Olive, Re-entry Red, and Galaxy Gold, it is now neutral-colored, a perfect backdrop to local displays of pride, including annual fireworks displays and sports-team flag flying. One could argue that the Space Needle was to Seattle in 1962 what the Museum Bilbao would be to Spain in 2007—a building that serves as a placemarker, a placemaker, and the totem of the city’s future.
Written by lindSeY m. RoBeRTS
Like so many great ideas, this
one started with a napkin sketch.
82 GRAY issUe no. two
zod
iac
Aquariusoutgoingmysteriouspatient
Jan. 20–Feb. 18
Farmhouse Modern Sideboard, $4,200–$4,800 at Chadhaus, Seattle, chadhaus.com. ❈ Eddie Accent Chair in peacock leather, $1,299 at Z Gallerie, zgallerie.com. ❈ Vide poche with fish, $60 at {Far4}, Seattle, far4.net.
observantcreativetrustworthy
PiscesFeb. 19–Mar. 20
With these must-have designs courting your attention, aquarius and
Pisces, we see love in your future!
Letizia Petite Pendant, $334 at Hip, Portland, ubhip.com. ❈ Tom Dixon Fan chair, price available upon request at Inform Interiors, Seattle, inform seattle.com. ❈ Aino Aalto pitcher, $130 at Hive, Portland, hivemodern.com.
GRAY issUe no. two 83
Aireloom
Baker
Council l
Dedon
Guy Chaddock
Hancock & Moore
Henkel Harris
Hickory Chair
Stickley
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