Graphic Design: The Power 3

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Transcript of Graphic Design: The Power 3

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•  DesignPrinciples•  DesignElements

•  Layout•  Fonts•  ColorPale7e•  Images

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DesignPrinciples

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FocalPoint

Rhythm

Unity

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An area of interest that attracts the viewer

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May be the smallest area or only area of color

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May be created with proportion = relative size of an object as measured in comparison to another

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FocalPoint

Rhythm

Unity

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Engaging the senses: the rhythm of artwork creates a sensation, evoking sight, sound, touch, motion

Charles Burchfield. The Insect Chorus. 1917. Opaque and transparent watercolor with ink and crayon on paper, 1’ 7 7/8”x 1’ 3 7/8” (50 x 40 cm). Munson-Williams-Proctor Institute. Museum of Art, Utica, New York (Edward W. Root Bequest), 58.104. "

Albert Renger-Patzsch. Buchenwald in Herbst (Beech Forest in Autumn). 1936. Silver gelatin print, 8 3/4”x 6 3/8” (22.2 x 16.2 cm). The Metropolitan Museum of Art, Warner Communications, Inc., purchase fund, 1980; 1980.1063.1. "

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PhilipGuston.Transi?ons.1975.OilonCanvas,5’6”x6’81/2”(167.6x204.5cm).SmithsonianAmercianArtMuseum,Washington,DC.BequestofMusaGuston.

Hiroshi Sugimoto. U.A. Play House. 1978."

Used to different type of feelings:

•  Symmetrical: classicism, stability, formal

•  Asymmetrical: dynamism, movement, casual

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FocalPoint

Rhythm

Unity

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Unity = visual harmony is achieved with whatever elements are used

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DesignElements

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Line

Shape

Pattern

Texture

Value

Color

Space

Motion

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Create interest by interrupting the repetition (image by San Mung, Prism)

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Add color and you can change the texture, tone and message completely

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Sue Hettmansperger. Untitled Drawing. 1975. Watercolorand pencil, 1' 11" x 2' 1" (58 x 64 cm). Collection of North Carolina National Bank."

Usevaluetocreateform

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James Turrell. Meeting. 1986. Warmandcoolcolorsforsimultaneouscontrast

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Figure/Groundrela?onships

(AscendingandDescendingbyM.C.Escher)

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Layout

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Careful control of visual hierarchy is a key aspect of the design decisions we have to consider.

1. Most Important

2. Least Important

3. Everything else in between

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Poster by Rebecca Foster

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Fonts

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Limityourfontchoicesto3andusefancyfontsforheadlinesonly

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ColorPale7e

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Limityourcolorpale7eto3

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You’ll tend to get a more pleasing final result if you stick to three colors in your color scheme.

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Manyofthemasters’pain?ngsuseverylimitedpale7es

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If more colors are needed, try using tints or shades of a color

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Choosecolorsthatareappropriateandbeawareofculturaldifferences

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In some countries, yellow has very different connotations. In Egypt, for example, yellow is for mourning. In Japan, it represents courage, and in India it’s a color for merchants.

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Images

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Use the rule of thirds

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Horizontal horizontals

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Framing

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Fill the frame

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Try different angles

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Avoid harsh sunlight and zoom in

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Uncluttered background

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Usevisualmetaphors

andPuns

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CleanupyourmessClean Designs Reduce the

Effort Needed to Find Information

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Consider Alignment, Size, Contrast, and Extras

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BestPrac?ces

•  Create a layout with strong visual hierarchy

•  Use the power of 3:

- Layout

- Fonts

- Color Palette

•  Image cropping and positioning

•  Unity is the ultimate goal